U.S. Copyright OfficeThe public domain covers works not protected by copyright. Learn which works are in the public domain and how works become a part of it.
What is Public Domain?U.S. Copyright Office2019-12-18 | The public domain covers works not protected by copyright. Learn which works are in the public domain and how works become a part of it.
#USCopyrightOffice #CopyrightCopyright Essentials - Myths ExplainedU.S. Copyright Office2024-04-19 | There is a lot of misleading information out there about copyright. On March 27, 2024, the U.S. Copyright Office discussed what is and is not true when it comes to copyright. The Copyright Office wants to make sure you have the facts and know where to go if you need more information.
In this sixty-minute webinar, attendees learned about the Copyright Office's functions, copyright basics, and the Copyright Office's educational resources.
Speakers: - Jessica Chinnadurai, Attorney-Advisor, Office of Public Information and Education - Laura Kaiser, Attorney-Advisor, Office of Public Information and Education
The Copyright Office aims to broaden public awareness of what the copyright system encompasses and how to participate. A cornerstone of our current strategic plan ( copyright.gov/reports/strategic-plan ) is Copyright for All, and the Office dedicates itself to making the copyright system as understandable and accessible to as many members of the public as possible.
#USCopyrightOffice #Copyright #CopyrightMyths #CopyrightEssentialsEighth Triennial Section 1201 Rulemaking Public Hearings: April 21, 2021 – Audience ParticipationU.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 21, 2021 Audience Participation
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 21, 2021 – Prop. Class 10U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 21, 2021 Proposed Class 10: Computer Programs — Unlocking
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 21, 2021 – Prop. Class 11U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 21, 2021 Proposed Class 11: Computer Programs — Jailbreaking
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 20, 2021 – Prop. Class 12U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 20, 2021 Proposed Class 12: Computer Programs—Repairs
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 19, 2021 – Prop. Class 14U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 19, 2021 Proposed Class 14: 14(a): Computer Programs—Preservation Proposed Class 14: 14(b): Video Games—Preservation
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 19, 2021 – Prop. Class 5U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 19, 2021 Proposed Class 5: Audiovisual Works — Preservation
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 8, 2021 – Prop. Class 9U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 8, 2021 Proposed Class 9: Literary Works — Medical Device Data
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 8, 2021 – Prop. Class 13U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 8, 2021 Proposed Class 13: Computer Programs — Security Research
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 7, 2021 – Prop. Class 7U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 7, 2021 Proposed Class 7: 7(a): Motion Pictures—Text and Data Mining Proposed Class 7: 7(b): Literary Works—Text and Data Mining
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 7, 2021 – Prop. Class 16U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 7, 2021 Proposed Class 16: Computer Programs — Copyright License Investigation
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 6, 2021 – Prop. Class 1U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 6, 2021 Proposed Class 1: Audiovisual Works — Criticism and Comment (Education and Noncommercial Videos)
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 5, 2021 – Prop. Class 8U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 5, 2021 Proposed Class 8: Literary Works — Accessibility
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 5, 2021 – Prop. Class 17U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 5, 2021 Proposed Class 17: All Works — Accessibility
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Eighth Triennial Section 1201 Rulemaking Public Hearings: April 5, 2021 – Prop. Class 3U.S. Copyright Office2024-04-16 | Eighth Triennial Section 1201 Rulemaking Public Hearings April 5, 2021 Proposed Class 3: Audiovisual Works — Accessibility
The Digital Millennium Copyright Act (DMCA), codified in part in Title 17, section 1201, of the United States Code, generally makes it unlawful to circumvent technological measures used to prevent unauthorized access to copyrighted works, including copyrighted books, movies, videos, video games, and computer software. Section 1201, however, also directs the Librarian of Congress, upon the recommendation of the Register of Copyrights following a rulemaking proceeding, to determine whether the prohibition on circumvention is having, or is likely to have, an adverse effect on users’ ability to make noninfringing uses of particular classes of copyrighted works. Upon such a determination, the Librarian may adopt limited temporary exemptions waiving the general prohibition against circumvention for such users for the ensuing three-year period.
Additional background information and resources regarding section 1201, including video tutorials, the Office’s recent policy study on section 1201, and links to prior rulemaking proceedings, are available: copyright.gov/1201
#USCopyrightOffice #Copyright #Section1201Hip-Hop Beyond 50: Protecting and Promoting CultureU.S. Copyright Office2024-03-13 | On February 21, 2024, the U.S. Copyright Office hosted the online event "Hip-Hop Beyond 50: Protecting and Promoting Culture" in recognition of Black History Month. Hip-hop, a uniquely American art form rooted in African American culture, marked its official fiftieth anniversary in 2023. The musical genre has been popularized all over the world, encompassing MCing, DJing, breakdancing, graffiti art, beatboxing, and more.
In this sixty-minute session, attendees learned from the Copyright Office, industry experts, and practitioners about how hip-hop has influenced creators worldwide and about the Office resources available on sampling, interpolations, and beat stores.
Guest speakers included: - Dae Bogan, Head of Third-Party Partnerships at The Mechanical Licensing Collective - Jamila Sams, Founder and CEO of We Do it for the Culture™ and Go to Ms. Sams - Bruce Waynne, Grammy Award–winning music producer, publisher, and label executive; President of Vyre - Junious Brickhouse, Director of Next Level, Hip Hop Diplomacy Program
The Copyright Office aims to broaden public awareness of what the copyright system encompasses and how to participate. A cornerstone of our current strategic plan (copyright.gov/reports/strategic-plan/?loclr=blogcop) is Copyright for All, and the Office dedicates itself to making the copyright system as understandable and accessible to as many members of the public as possible.
#USCopyrightOffice #Copyright #hiphop #hiphop50History of CopyrightU.S. Copyright Office2024-02-23 | Copyright law in the United States is as old as the country itself. Congress passed the first federal copyright law in 1790, which protected just maps, charts, and books. Since then, copyright has expanded to protect a wide range of creative works and provide exclusive rights, exceptions, and limitations that benefit both owners and users of copyright-protected works. This video highlights the evolution of U.S. copyright law and the establishment of the U.S. Copyright Office.
#USCopyrightOffice #Copyright #History #IP #IntellectualPropertyMarybeth Peters Copyright ArchiveU.S. Copyright Office2024-02-07 | The U.S. Copyright Office moved into a new state-of-the-art environmentally controlled storage facility at the end of 2020. This new facility is critical to the mission objective to provide Copyright Office services, ensure prompt availability of new copyright records, and better track individual items.
In 2021, the Office began planning an automated Warehouse Management System (WMS) to support the warehouse operation.
#USCopyrightOffice #Copyright #MarybethPeters #CopyrightArchiveThe Copyright Claims Board (CCB)U.S. Copyright Office2024-01-24 | The Copyright Claims Board (CCB) is a copyright specific tribunal established by Congress under the Copyright Alternative in Small-Claims Enforcement (CASE) Act that hears copyright infringement cases for claims up to $30,000. In this Learning Engine video, learn more about the CCB’s structure, how the CCB works, and the safeguards against abusive practices.
Additional Resources: More on the Copyright Alternative in Small-Claims Enforcement Act of 2020 (CASE Act): copyright.gov/about/small-claims
#USCopyrightOffice #Copyright #CopyrightClaimsBoardCelebrating 10 Years of Marrakesh TreatyU.S. Copyright Office2023-09-28 | This event celebrated the tenth anniversary of the adoption of the Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired, or Otherwise Print Disabled. The U.S. Copyright Office cohosted this event with the National Library Service for the Blind and Print Disabled. The leaders of these organizations discussed their personal knowledge of the development of the treaty and shared their understanding of its relevance and impact domestically and internationally.
Speakers: - Shira Perlmutter, Register of Copyrights and Director of the U.S. Copyright Office - Jason Broughton, Director of the National Library Service for the Blind and Print Disabled - Nancy Weiss, one of the members of the 2013 U.S. delegation to the diplomatic conference where the Marrakesh Treaty was adopted, moderated the discussion panel
#USCopyrightOffice #Copyright #MarrakeshTreaty #MarrakeshRecordation System Tutorial: Searching and Transferring Service RequestsU.S. Copyright Office2023-09-14 | The U.S. Copyright Office’s Recordation System (copyright.gov/recordation/pilot) is designed to be a more user friendly and efficient online system for the submission and examination of recordation application. This video provides an overview of how to conduct basic and advanced searches and transfer filings within an organization.
#USCopyrightOffice #CopyrightRecordation System Tutorial: Managing SubmissionsU.S. Copyright Office2023-09-14 | The U.S. Copyright Office’s Recordation System (copyright.gov/recordation/pilot) is designed to be a more user friendly and efficient online system for the submission and examination of recordation application. This video explains how to request corrections, amplifications, and withdrawals.
#USCopyrightOffice #CopyrightRecordation System Tutorial: Submissions (Part 2)U.S. Copyright Office2023-09-14 | The U.S. Copyright Office’s Recordation System (copyright.gov/recordation/pilot) is designed to be a more user friendly and efficient online system for the submission and examination of recordation application. This video discusses how to submit non-English documents and redacted documents.
#USCopyrightOffice #CopyrightRecordation System Tutorial: Submissions (Part 1)U.S. Copyright Office2023-09-14 | The U.S. Copyright Office’s Recordation System (copyright.gov/recordation/pilot) is designed to be a more user friendly and efficient online system for the submission and examination of recordation application. This video explains how to submit documents; identify parties, works, and contacts; make payments; and request special handling.
#USCopyrightOffice #CopyrightRecordation System Walkthrough: Organizations and Deposit AccountsU.S. Copyright Office2023-09-14 | Over the course of several webinars (loc.zoomgov.com/webinar/register/WN_AG5M-B9OTYCgQhhm6HRd5g), Copyright Office staff walked through select portions of the online Recordation System (copyright.gov/recordation/pilot) for attendees. These walk-throughs supplement the Recordation System tutorials. This video covers organizations and deposit accounts.
#USCopyrightOffice #CopyrightRecordation System Walkthrough: Post-approval CorrectionsU.S. Copyright Office2023-09-14 | Over the course of several webinars (loc.zoomgov.com/webinar/register/WN_AG5M-B9OTYCgQhhm6HRd5g), Copyright Office staff walked through select portions of the online Recordation System (copyright.gov/recordation/pilot) for attendees. These walk-throughs supplement the Recordation System tutorials. This video covers post-approval corrections.
#USCopyrightOffice #CopyrightRecordation System Walkthrough: Withdrawals and CorrectionsU.S. Copyright Office2023-09-14 | Over the course of several webinars (loc.zoomgov.com/webinar/register/WN_AG5M-B9OTYCgQhhm6HRd5g), Copyright Office staff walked through select portions of the online Recordation System (copyright.gov/recordation/pilot) for attendees. These walk-throughs supplement the Recordation System tutorials. This video covers withdrawals and corrections.
#USCopyrightOffice #CopyrightRecordation System Walkthrough: OverviewU.S. Copyright Office2023-09-14 | Over the course of several webinars (loc.zoomgov.com/webinar/register/WN_AG5M-B9OTYCgQhhm6HRd5g), Copyright Office staff walked through select portions of the online Recordation System (copyright.gov/recordation/pilot) for attendees. These walk-throughs supplement the Recordation System tutorials. This video provides an additional overview of the module.
#USCopyrightOffice #CopyrightInternational Copyright Issues and Artificial IntelligenceU.S. Copyright Office2023-08-23 | The United States is not alone in facing challenging questions about generative artificial intelligence and its implications for copyright law and policy. On July 26, 2023, the Copyright Office conducted a webinar with a discussion on global perspectives on copyright and AI. Leading international experts discussed how other countries are approaching copyright questions including authorship, training, and exceptions and limitations. They provided an overview of legislative developments in other regions and highlighted possible areas of convergence and divergence.
#ArtificialIntelligence #AI #Copyright #CopyrightOffice #WebinarApplication Process for Registration of Works with Artificial Intelligence-Generated ContentU.S. Copyright Office2023-07-21 | Breakthroughs in generative AI technology have prompted growing curiosity about the registrability of works containing AI-generated material. On June 28, 2023, the Copyright Office conducted a webinar to evaluate applications that register these types of works. Experts walked attendees through the Office’s March 2023 Registration Guidance: Works Containing Material Generated by Artificial Intelligence and answered some frequently asked questions. At the end of the presentation, attendees had an opportunity to submit questions to the Office’s experts.
#ArtificialIntelligence #AI #Copyright #CopyrightOffice #WebinarCopyright & Artificial Intelligence Listening Session - Music & Sound RecordingsU.S. Copyright Office2023-06-22 | In spring 2023, the Copyright Office hosted four virtual listening sessions on the use of artificial intelligence (AI) to generate works in creative fields. Copyright Office staff asked participants to discuss their hopes, concerns, and questions about generative AI and copyright law. This session was focused on music and sound recordings. Find more information about the Copyright Office’s AI initiative on our website: copyright.gov/ai/.
#ArtificialIntelligence #CopyrightOffice #AI #Copyright #IntellectualProperty #IP #CopyrightForAllCopyright & Artificial Intelligence Listening Session - Audiovisual WorksU.S. Copyright Office2023-06-09 | In spring 2023, the Copyright Office hosted four virtual listening sessions on the use of artificial intelligence (AI) to generate works in creative fields. Copyright Office staff asked participants to discuss their hopes, concerns, and questions about generative AI and copyright law. This session was focused on audiovisual works. Find more information about the Copyright Office’s AI initiative on our website: copyright.gov/ai/.
#ArtificialIntelligence #CopyrightOffice #AI #Copyright #IntellectualProperty #IP #CopyrightForAllCopyright & Artificial Intelligence Listening Session - Visual ArtsU.S. Copyright Office2023-05-31 | In spring 2023, the Copyright Office hosted four virtual listening sessions on the use of artificial intelligence (AI) to generate works in creative fields. Copyright Office staff asked participants to discuss their hopes, concerns, and questions about generative AI and copyright law. This session was focused on visual works. Find more information about the Copyright Office’s AI initiative on our website: copyright.gov/ai/.
#ArtificialIntelligence #CopyrightOffice #AI #Copyright #IntellectualProperty #IP #CopyrightForAllCopyright & Artificial Intelligence Listening Session - Literary Works including SoftwareU.S. Copyright Office2023-05-17 | In spring 2023, the Copyright Office hosted four virtual listening sessions on the use of artificial intelligence (AI) to generate works in creative fields. Copyright Office staff asked participants to discuss their hopes, concerns, and questions about generative AI and copyright law. This session was focused on literary works, including print journalism.
Find more information about the Copyright Office’s AI initiative on our website: copyright.gov/ai
#ArtificialIntelligence #CopyrightOffice #AI #Copyright #IntellectualProperty #IP #CopyrightForAllWhat You Need To Know about Small Claims and the Copyright Claims BoardU.S. Copyright Office2023-05-09 | You may have heard about the Copyright Claims Board, or CCB for short. But what is the CCB? Who can use it? In this fifty-minute session, learn the basics about what anyone should know before filing or participating in a CCB proceeding, including the types of claims the CCB can hear, legal resources to be aware of, and why respondents might want to consider participating in the United States’ first intellectual property small claims tribunal.
More on the Copyright Claims Board is available at ccb.gov.
#USCopyrightOffice #Copyright #CopyrightClaimsBoardWorld IP Day - Engage Your Creativity: Copyright and IP for Young Professionals (April 26, 2022)U.S. Copyright Office2022-12-29 | The U.S. Copyright Office hosted a Copyright Office Presents celebration of World Intellectual Property (IP) Day on April 26 at 9:30 a.m. eastern time. The event, Engage Your Creativity: Copyright and IP for Young Professionals, explored the intellectual property rights young creators enjoy.
The Register of Copyrights, Shira Perlmutter, opened the event with introductory remarks. Altaye Tedla Desta, head of World Intellectual Property Organization (WIPO) eLearning Program, spoke on behalf of WIPO. Throughout the event, we heard presentations from George Thuronyi, the interim head of the Public Information and Education Office; Branden Ritchie, senior level attorney from the U.S. Patent and Trademark Office (USPTO); and Jaylen Johnson, attorney-advisor from the Public Information and Education Office. The program ended with Christopher Kenneally of the Copyright Alliance, who interviewed young artists to discuss their experiences with IP, their career stories, and links to copyright relevance.
Register Perlmutter took part in a virtual fireside chat at the USPTO World Intellectual Property Day 2022 event at 1:00 p.m. eastern time. She discussed how to promote IP adoption among young innovators.
World Intellectual Property Day, observed on April 26 since 2000, marks the date in 1970 when the WIPO Convention came into force. The anniversary of this occasion is observed as a way of promoting and increasing general understanding of intellectual property. This program was part of the Copyright Office Presents lecture series and was free and open to the public.
#USCopyrightOffice #Copyright #worldipdayDancing with Copyright: A Conversation with Janet Eilber and Jamar RobertsU.S. Copyright Office2022-11-17 | The Copyright Office hosted a conversation on copyright, dance, and choreography with Janet Eilber, artistic director for the Martha Graham Dance Company, and Jamar Roberts, a critically acclaimed choreographer and resident choreographer with the Alvin Ailey American Dance Theater. This conversation was recorded in February 2022.
#Copyright #CopyrightForAll #Dance #Choreography #IntellectualPropertyU.S. Copyright Office Modernization Webinar: Recordation System Overview (June 27, 2022)U.S. Copyright Office2022-10-05 | The U.S. Copyright Office hosted a modernization webinar on June 27, 2022. As part of its modernization efforts, the Copyright Office released a limited pilot program of an online recordation system in April 2020 that will replace the current paper-submission process. This new online recordation system, which opened to the general public on August 1, 2022, allows users to electronically submit certain types of documents for recordation pertaining to copyright under section 205 of Title 17. This webinar discussed the online recordation system’s features and what new users will need to know to start using the system.
#USCopyrightOffice #Copyright #RecordationSystemWhat Musicians Should Know about CopyrightU.S. Copyright Office2022-08-25 | Whether you are a songwriter, a performer, or both, it’s good to know a few key facts about copyright law. In this video, we explain what copyright protects, what it means to be a copyright holder, and how you can register your sound recordings and musical works with the U.S. Copyright Office.
For other Additional Resources, go to copyright.gov/circs where you'll find these Circulars: Copyright Basics (Circular 1) Copyright Registration of Musical Compositions (Circular 50) Copyright Registration of Sound Recordings (Circular 56) Musical Compositions and Sound Recordings (Circular 56A)
#USCopyrightOffice #Copyright #MusiciansU.S. Copyright Office Modernization Webinar: Public Record Modernization (April 19, 2022)U.S. Copyright Office2022-07-19 | The U.S. Copyright Office hosted a modernization webinar on April 19, 2022. As part of its modernization efforts, the Office released the Copyright Public Records System (CPRS) (publicrecords.copyright.gov) pilot, which will provide access to the same registration and recordation data that exists in the Copyright Public Catalog (http://cocatalog.loc.gov) but with enhanced search capabilities and an improved interface. Since its release in December 2020, the Office has improved the CPRS’s search capabilities and added the ability to download, email, and share records. This webinar described the developments since the launch and where it is headed in the near future. Panelists also reiterated how the public can provide valuable feedback.
#USCopyrightOffice #Copyright #publicrecordCopyright in CollaborationU.S. Copyright Office2022-05-09 | When you collaborate with others on a creative work, you might be creating a joint work. We break down the U.S. copyright law’s definition of a joint work in this Learning Engine video. We also discuss what it means to be a joint author and how you can register your joint work with the U.S. Copyright Office.
For Additional Resources, go to copyright.gov/circs where you'll find these Circulars: - Copyright Basics (Circular 1) - Copyright Registration (Circular 2) - Duration of Copyright (Circular 15A) - Limitations on Information and Services Provided by the Copyright Office (Circular 17) - Works Made for Hire (Circular 30)
#USCopyrightOffice #Copyright #CollaborationCopyright for Visual ArtistsU.S. Copyright Office2022-03-25 | Copyright protects the visual arts. This includes paintings, photographs, sculptures, aspects of board games, and jewelry, just to name a few. In this Learning Engine installment, we discuss what visual works copyright protects, what it means to be a copyright holder, and how you can register your visual works with the U.S. Copyright Office.
For Additional Resources, go to copyright.gov/circs where you'll find these Circulars: - Copyright Basics (Circular 1) - Copyright Registration (Circular 2) - Copyright Registration for Pictorial, Graphic, and Sculptural Works (Circular 40) - Deposit Requirements for Registration of Claims to Copyright in Visual Arts Material (Circular 40A) - Copyright Registration of Architectural Works (Circular 41) - Copyright Registration of Photographs (Circular 42)