Hey Naraj Gangadhar Shambho Bholenath Jai Ho_Shailendr_Kamal Barot_MahendraKapoor_SN Tripathi _a tri mastkalandr 2016-08-07 | Song : hey natraj,gangadhar shambho bholenaath,jai ho..Film : Sangeet Samrat Tansen,1962,Singers: Kamal Barot and Mahendra Kapoor,Chorus, Lyricist: Shailendra,Music Director: S N Tripathi,Film Director: S N Tripathi,Cast: Bharat Bhushan,Anita Guha,David,S N Tripathi,Prem Sagar,Mukri,Sapru,Kumar,Production Co. : Sur Sagar Chitra Production,Lyrics:-om namah shivaayaom namah shivaayahee natraaj,hee natraaj,aa aa aagangadhar,shambhobholenaath,jai hojai hojai hojai jai jai vishwanaath,jai jai kailash naathhe shiv shankartumhaari jai hotumhaari jai hotumhaari jai hohe dayaa nidhaan,gaurinathchandrabhaal,ang bhasm,vyaal maalmai rahoon sadaa sharan,tumhaari jai hotumhaari jai hotumhaari jai hohe natraaj,aa aa aagangadhar,shambhobholenaath,jai hojai hojai ho o o ohe natraaj,he natraaj,aa aa aagangadhar,shambhobholenaath,jai hojai hojai hojai jai jai vishwanaath,jai jai kailash naathhe shiv shankar tumhari jai hotumhaari jai hotumhaari jai hohe dayaa nidhaan,gaurinathchandrabhaal,ang bhasm,vyaal maalmai rahoon sadaa sharan,tumhaari jai hotumhaari jai hotumhaari jai hohe natraaj,aa aa aagangadhar,shambhobholenaath,jai hojai hojai ho o o o...Storyline :-Tanu was born dumb, and it was through a miracle at a Hindu temple that he got his voice back. His vocal talents did not go unnoticed by Sage Haridas, who decided to make him his disciple, and asked him and his childhood sweetheart, Hansa, to live with Mohammed Khauj, and then trains him. Years later, Tanu has grown up, and is ready to get married to Hansa, but instead is asked by Mohammad to attend to Raja Ramchandra's palace and live there. After some time he is referred to as Sangeet Shiromani Tansen, & told that he can marry Hansa now, however, before that could happen, he is summoned to sing for Shahenshah Jalaudin Akbar. A heartbroken Tansen re-locates to Delhi, and is so depressed that he loses his voice, which is restored after Hansa joins him. Akbar is all set to permit the duo to get married, it is then Hansa witnesses Tansen not only being very intimate with a dancer, Naaz Praveen, but quite unconcerned about Mohammad's failing health, and decides to leave him. The question... Written by rAjOo
kanahiya jadoo kar gayo haye' kya karu_Roop Lekha1962_Suman Kalyanpur_Farooq Qaisar_Nashad_a tribute mastkalandr 2020-07-22 | Song : chhal baliye jadu kar gaya haye kya karu..kanhaiya jadu kar gayo haye kya karu..Film : Roop Lekha,1962,Singers : Suman Kalyanpur,Lyrics : Farooq Qaisar,Music Director : Nashad,Director: Mohammad Hussain,Cast : Vijaya Chaudhary,Mahipal,Sundar,Raj Adeeb,Shaam Kumar,Krishna Kumari,JeewanKala,Madhumati,Amar, Producer : N N Sippy, Production Co. : Prithvi Pictures,Lyrics :-chhal baliye jadu kar gaya haye kya karukanhaiya jadu kar gayo haye kya karu maihaye kya karu mai chhal baliya jadu haye hayekanhaiya jadu kar gayo bhar pichkari chhaliya ne marirang se bhar di chunriya hamaribhar pichkari chhaliya ne marirang se bhar di chunriya hamariapne hi rang me mohe rang gayohaye kya karu mai chhal baliya jaduhaye haye kanhaiya jadu kar gayoman ki dagariya pag pag chhalke pag pag chhalkeman ki dagariya pag pag chhalke aayi hu apne kanha se milkemilke kanhaiya daga de gayo chhalbaliya jadu kar gaya haye kya kruhaye kya karu mai chhal baliya jaduhaye haye kanhaiya jadu kar gayomai to kisi ki laz na rakhumurli ki dhun pe chham chham nachumai to kisi ki laz na rakhumurli ki dhun pe chham chham nachumurli bajake man har gayo haye kya karu maichhal baliye jadu haye haye kanhaiya jadu kar gayo haye kya karu...Madhumati :-1938 born in as Hutoxi Reporter in a Parsi Family.In her heydays she was called 'Poor Man's Helen' but she definitely had her own identity.Sister of cricket umpire Piloo ReporterMarried dancer widowed Deepak Manohar Madhumati was born in 1938 in a remote village near Maharashtra. She made her debut as a dancer in 1957 in an unreleased Marathi movie. Madhumati got married at the early age of 19 to Manohar Deepak. She busied herself throughout the 1960s by dancing in Punjabi, Marathi, Hindi, Bhojpuri and South Indian movies. She was often compared to the great dancer Helen in terms of her dancing abilities and looks. She made her exit in 1977 and made a comeback in 2001. After the passing of her husband in 2002, she now occupies herself by running the Madhumati dance academy in Mumbai.Way back in the late 1950s, a Parsi girl entered the film world as a dancer. Her name was Madhumati. Apparently, in her career of around 25 years, she claimed to have worked in over 1000 films which include Hindi films and also regional ones in Marathi, Gujarati, Punjabi, Bhojpuri & South Indian language. She did more than 30 Punjabi films in which she had dance numbers and also played lead and supporting roles in some. In her heydays she was called 'Poor Man's Helen' but she definitely had her own identity.As Said Madhumati.....I was always interested in dance but was discouraged from learning this art because my father was a judge and mother a housewife. I soon started doing dance performances on stage, which is when I got film offers. I was happy with my stage dance performances and was not interested in a film career. I was still in school and my father did was also against my working in films. Later on, I accepted one film offer for the sake of experience. It was a Marathi film and offers kept coming. My father had no more issues about my working in films though he had put a condition that I will only do dance in films and must not accept acting offers. I left my studies after matric but got appointed as a dance teacher in a Govt school, even though I was hardly fifteen.Besides acting, I was also teaching dance at school and later formed a dance group with female dancers only. Manohar Deepak ji became very famous after doing Bhangra numbers in Jagte Raho & Naya Daur. He had his own Bhangra Group and wanted me to collaborate for some stage performances. Initially, I refused as I had my own dance group but later on we were together on some stage tours so I started performing for his group. I was supposed to do only dance in films as per my promise to my father but Deepak ji persuaded me to take up acting assignments too. By then I was typecast in dancing roles only.Trivia....Madhumati and her husband Deepak Manohar performed in Sunil Dutt's troupe for Ajanta arts which would do live shows for for Indian Army on the border.Debut film was Raja Harishchandra 1959.Married dancer widowed Deepak Manohar who was much older to her and had four children from his first wife.Final film was Amar Akbar Anthony 1977.The Gold Medal released in 1984 which was delayed by 15 years.Sunil Dutt considered her as his sister.Also did Marathi film Savli Premachi 1980 with cricketer Sunil Gavaskar.Film had big Marathi stars like Arun Sarnaik,Vikram Gokhale,Shreeram Lagoo,Sulochana Latkar and Ravindra Mahajani.Started an acting and dancing school with her husband Deepak Manohar which she runs even today.Akshay Kumar and Govinda were her students at her school in their early days.Madhumati is sister of cricket umpire Piloo Reporter and actress Vaishali (Raaton Ka Raja)
mere liye jahan me chain na qarar hai..Khandan1942_NoorJehan& Pran_DN Modhok_Ghulam Haider_a tribute mastkalandr 2020-07-20 | Song : mere liye jahaan mein chain na qaraar hai....Film : Khandaan,1942,Singer : Noor Jehan,Lyricist : D N Madhok,M. D. Taseer,Nazim Panipati,Music Director : Ghulam Haider,Director : Shaukat Hussain Rizvi,Cast : Noor Jehan,Pran,Manorama,M Ajmal,Ghulam Mohammed,Ibrahim,Sardar Akhtar, Durga Mota,Nafees Begum,M Channi,Baby Akhtar,G N Butt, Producer : Pancholi Pictures,Production Co: Pancholi Art Pictures,Lyrics :-mere liye jahaan meinmere liye jahaan meinchain na qaraar haimere liye jahaan meinchain na qaraar haidil mein hai be-qaraariyaandil mein hai be-qaraariyaanaankhon mein intezaar haidil pe zara si thhes deedil pe zara si thhes deeyaas ka rang bhar diyadil pe zara si thhes deeyaas ka rang bhar diyadheere se muskaraa diyedheere se muskaraa diyekehne lage yeh pyaar haimere liye jahaan meinchain na qaraar haiaankhon mein dil utar gayaaankhon mein dil utar gayaduniya ka dard bhar gayaaankhon mein dil utar gayaduniya ka dard bhar gayathhaame jigar sune koithhaame jigar sune koigaana nahin pukaar haimere liye jahaan meinchain na qaraar haidil mein hai be-qaraariyaandil mein hai be-qaraariyaanaankhon mein intezaar hai(sob….)BegumNoor Jehan singing & acting in 'Khandan' (1942), music Master Ghulam Haider, Lyrics by F D Taaseer/D N Madhuk. A rere gem.Khandaan,family, is a 1942 Bollywood film directed by Shaukat Hussain Rizvi and produced by D.M. Pancholi, starring Pran,Noor Jehan,Ghulam Mohammed Manorama and M. Ajmal. It was written by author Imtiaz Ali Taj and made in Pancholi's Lahore studio. For the first time in British India, there was a lot of "ahead of film release" publicity for this film. As a result, this became a much-awaited film for the Indian public and became a hit film when released. Plot :-This was mainly a Noor Jehan musical about a man seduced by a gold-digging woman, who then kills her and her lover is jailed. When he is released, he finds employment as a gardener and becomes a father-figure to his employer's son Anwar and to Anwar's fiancée Zeenat (Noor Jehan). This allows him to prevent Anwar from perpetuating precisely the same crime for which he had been jailed as history repeats itself because, so the film alleges, men are constantly threatened by women and only paternal wisdom can save them from the untoward desires of women. Future famous film directors Ramesh Saigal and S. K. Ojha assisted in this film. source: Ashish Rajadhyaksha & Paul Willemen Encyclopaedia of Indian Cinema , New Revised Edition 1999.Khandan (1942),film was produced to lauch Noor Jehan as a Heroine and a singing sensation.The director Shaukat Hussain Rizvi later married Noorjehan before going to Pakistan.In Pakistan,she was launched by him in a Punjabi film ‘Chenn We’in which Noorjehan also directed the movie,,thus Rizvi made her the First Lady Director of Pakistan.Noor jahan was 16 years old in 1942, Songs were made in 1941 and released in 1942.In Khandaan,as the story goes,she had two roles.In one role,she is killed and in the other role she is about to be killed,both times by her (different ) husbands.film has two heros Pran and Ghulam Mohammad Music :-The music was composed by Ghulam Haider and the lyrics by M. D. Taseer, Nazim Panipati and D. N. Madhok. The playback singers include Noor Jehan, Shamshad Begum, Ghulam Haider and Nasim Akhtar. This film was a landmark movie for Ghulam Haider and Noor Jehan as well as the film director Shaukat Hussain Rizvi. All 3 ended up becoming well-sought-after persons, when this film became a mega-hit musical movie. Songs..1. "Mere Liye Jahan Mein Chaen Hai Naa Qaraar Hai" - Noor Jehan2. "Tu Kaunsi Badli Mein Mere Chand Hai Aaja" - Noor Jehan3. "Khelenge Hum Aankh Macholi" - Noor Jehan4. "Mere Baagh Ka Mali Phir Aagaya" - Shamshad Begum5. "Maar Gayi Re Hamein Teri Nazaria" - Noor Jehan6. "Udja Udja Panchhi Udja" - Noor Jehan & Ghulam Haider7. "Chalo Paniya Bharan Ko Chalein" – Shamshad Begum & Nasim Akhtar8. "Mere Mann Ka Panchhi Kyun Bole" – Noor Jehan9. "Meri Ammi Ka Raj Bhala" - Shamshad
mahfil me tere husn ka deewana koun hai_Roop Lekha_Rafi_Suman Kalyanpur_Farooq Qaiser_Nashad_ a tri. mastkalandr 2020-07-16 | Song : mahfil me tere husn ka diwana kaun hai..Film : Roop Lekha,1962,Singers : Mohammad Rafi & Suman Kalyanpur,Lyrics : Farooq Qaisar,Music Director : Nashad,Director: Mohammad Hussain,Cast : Vijaya Chaudhary,Mahipal,Sundar,Raj Adeeb,Shaam Kumar,Krishna Kumari,JeewanKala,Madhumati,Amar, Producer : N N Sippy, Production Co. : Prithvi Pictures,Lyrics :-mahfil me tere husn ka diwana kaun hai)×3ye shama janti hai parwana kaun haiye shama janti hai parwana kaun haimahfil me tere husn ka diwana kaun haichup chup ke jalna pyar me acha nahi janabkis bat ki hai der ulat dijiye nakaabbeparda hoke pyar me jina fizul hairahe wafa me shan se marna kabul haiaji ab aap hi batayiye diwana kaun hai)×2diwana ho ji parwana ho ji mastana kaun haiye shama janti hai parwana kaun haimahfil me tere husn ka diwana kaun haitum apne dil ka raz kaha tak chupaogebas ke meri nigah se jane na paogepahchanti hai meri najar sabko meharbasukh chain mera chin ke wo baithe hai yahadekhenge hum bhi aapka mastana kaun haidekhenge hum bhi aapka mastana kaun haiye shama janti hai parwana kaun hai)×2mahfil me tere husn ka diwana kaun haiye mante hai hum ki bade badnasib haifir bhi khushi hai hamko ki tumse karib haikhul jaye raz e dil to kyamat na ho kahidarte hai tumse hamko mohabbat na ho kahihaye khul jaye ye bhi raz ke diwana kaun hai)×2diwana ho ji parwana ho ji mastana kaun haiye shama janti hai parwana kaun haimahfil me tere husn ka diwana kaun hai...Storyline...On his return from China, Thakur Ajit Singh brought with him an exotic flying horse. The Maharaja of pratapgarh was immensely impressed by the novel performance of the horse. His only son prince Vijay taking it to be a trick of Ajit Singh tries himself on, the horse. Everyone feels apprehensive of this adventure of Rajkumars; for, he was conversant with its flying mechanism whereas he was totally unaware of the method of descent. Our story begins where this trouble of Rajkumar's starts. Rajkumari Rooplekha, the princess of Ramnagar also, as an infant had been seperated for sixteen years from her parents upon the advice of the Royal astrologers, is now returning home after completion of her period of seperation. But the Prime Minister of the state in conspiracy with Sangram, a notorious leader of dacoits sends his "Keep" instead of Rajkumari to the palace, in order to usurp the kingdom. Somehow the prince Vijay smells this conspiracy and determines to help her inspite of his own peril. The villiaus are happy at the thought that they have pushed Rooplekha into the Valley of Death. But, man proposes and God disposes. Maharaja of Ramnagar plans to celebrate the return of the princess. Roop and Vijay also take part in the celebrations. The Prime Minister appoints Roop and Vijay as court dancers. Roop and Vijay are very happy that they would now be able to disclose this conspiracy of the Prime Minister to the Maharaja at their earliest opportunity but Prime Minister somehow comes to know of this, and he traps Rooplekha for the murder of the concocted princess. The people in the court mock at the truth and the mirror of justice was smashed by the stores of spacious argumentsThe people in the court mock at the truth and the mirror of justice was smashed by the stores of spacious arguments and evidences. Mistaking the flower for a weed, the Maharaja pronounces the verdict of death on the jewel of his realm.Lyricist/Poet ... Farooq QaiserFaruk Kaiser (6 June 1918 - 10 November 1987) was an Urdu poet and a renowned lyricist in India, making a significant contribution to the success of many Bollywood films. He was one of the dominating forces of music in Indian Cinema during the 1950s through the 1980s. He contributed to more than 115 movies and 390 songs.Faruk Kaiser was born in 1918 into a jeweller’s family. He was to be the second eldest of 12 children and was educated in Bombay (present day Mumbai). Faruk had an enquiring mind and, even as a child, exhibited a keen interest in reading- books and newspapers - and later in the wireless. Faruk’s mother died when he was 18; shortly after that he left his family home and found lodgings in a friend’s tailoring premises. Here, he devoted his time to further learning: immersing himself in poetry, literature, educational books, newspapers, magazines, and almost anything available in print - whilst also learning languages besides his native Urdu.His Move Into Bollywoodside profile of Faruk Kaiser later in lifeFaruk KaiserFaruk's love for poetry and his friendship with neighbour Kamran Khan (father of Farah Khan and Sajid Khan) were instrumental in his developing an enthusiasm for the creative works of Hindi Cinema. While Kamran Khan produced and acted in films, Faruk was introduced into the Bollywood scene as an assistant director, whose expertise was frequently sought to modify dialogues and revamp scenes. He went on to direct several movies until he found his niche as a lyricist.
mujhe dekh na kudiye mud ke.. Reporter Raju_Chitra & Firoz Khan_ Rafi_Asha_Anjaan_S Mohinder_a tri. mastkalandr 2020-07-14 | Song : mujhe dekh na kudiye mud ke..ke dil bekarar ho gaya..Film : Reporter Raju,1962,Singers : Mohammad Rafi and Asha Bhosle, Lyricist : Anjaan, Music Director: S Mohinder,Director: Dwarka Khosla, Cast:Feroz Khan,Chitra,Sulochana Chatterjee, Manorama,JeevanKala,B M Vyas,Ratan Mala,Manju,Indira,Sunder,Producer : Homi Wadia,Production Co: Basant Pictures,Wadia Brothers,Lyrics :-mujhe dekh na kudiye mud keho mujhe dekh na kudiye mud keke dil bekarar ho gaya ke dil bekarar ho gayamujhe dekh na kudiye mud ketera dil bhi hai tere jaisa ho tera dil bhi hai tere jaisaho mujhe etbar ho gaya ho mujhe etbar ho gayatera dil bhi hai tere jaisauthe jidhar sharbati aankhe uthe jidhar sharbati aankhezamana ye gulabi ho gaya zamana ye gulabi ho gayauthe jidhar sharbati aankhekis najar ka chal gaya jadu kis najar ka chal gaya jadubina piye sharabi ho gaya bina piye sharabi ho gayakis najar ka chal gaya jaduulfat ki hai uljhi rahe ulfat ki hai uljhi rahechalo ji jara bach bach ke chalo ji jara bach bach keulfat ki hai uljhi rahekoi khak bachega gori koi khak bachega gorichalo jo tum saj saj ke chalo jo tum saj saj kekoi khak bachega gorichupke se chura lu dil tera chupke se chura lu dil terajamane ki najar na pade jamane ki najar na padechupke se chura lu dil terakahi pakde na dil ki chori kahi pakde na dil ki chorishikari tere raho me khade shikari tere raho me khadekahi pakde na dil ki chorimujhe dur bahut hai jana mujhe dur bahut hai janasahara dede raho ka sahara dede raho kamujhe dur bahut hai janaus rah chale diwane us rah chale diwanetu raho jin raho ka tu raho jin raho kaus rah chale diwane....A well-known reporter goes on the run from the police after becoming a suspect in a homicide. ...Rajkumar, an honest and diligent reporter, is framed in a murder case. His soon-to-be brother-in-law, Inspector Madan, is asked to investigate the case.Storyline :-Reporter Raju is an honest, daring and quality reporter, works for his editor, Sharma. Raju is called by a nurse to Royal Theatre for a program - in fact a secret mission. Here she promises to meet him in his own house after the program has ended. When Raju reaches his home, she tells him that a royal patient had died in the City hospital. The patient disclosed to her that a man with 4 and a half fingers has plotted to kill the heir to his vast estates. When Raju goes to make tea for her she is murdered, but before dying hands over the royal ring given to her by the patient. Raju.Raju is now the suspect to this murder, but escapes. Written by Mamta Dhody..Reporter Raju5 Song(s)1.Raat Jhumti Dil Ko ChumatiSinger(s): Mohammed Rafi, Suman KalyanpurMusic Director(s): S. MohinderLyricist(s): Raja Mehdi Ali Khan2.Mujhe Dekh Na Kudiye Mud KeSinger(s): Asha Bhosle, Mohammed RafiMusic Director(s): S. MohinderLyricist(s): Anjjan Bhattacharya3.Gussa Fizul Hai Hume Kabul HaiSinger(s): Mohammed RafiMusic Director(s): S. MohinderLyricist(s): Anand Bakshi4.Nazar Mili Hai Ek Katil SeSinger(s): Asha Bhosle, Mohammed RafiMusic Director(s): S. MohinderLyricist(s): Shakeel Numani5.Tum Mard Nikaloge Ghunghat Jab Raaj Hamara AayegaSinger(s): Suman Kalyanpur, Mohammed RafiMusic Director(s): S. MohinderLyricist(s): Raja Mehdi Ali Khan
saiya se bichhad gai ho more Ram_ Chandni Raat1949_Amirbai Karnatak _SadatKhan_Shakeel_Naushad_a tri mastkalandr 2020-07-10 | Song : saiya se bichhad gayi ho more ram..Film : Chandni Raat,1949,Singers : Amirbai Karnataki & Sadat Khan, Lyricist: Shakeel Badayuni,Music Director: Naushad,Director: M Ehsan,Cast: Shyam,Naseem Banoo,Noor Jahan,Sayeeda Khan,David Abraham,Ulhas,Cuckoo,Jillo,Parveen, Producer : M. Ehsan & S. I. HassanProduction Co : Taj Mahal PictureLyrics:-saiya se bichhad gayi ho more ramsaiya se bichhad gayi ho more ramsaiya se bichhad gayi ho more rammeri duniya ujad gayi ho more rammeri duniya ujad gayi ho more rammeri duniya ujad gayi ho more ramjivan ke din kaise bitau hay kaise bitaudil pe jo bite keh bhi na pau, hay keh bhi naa paumai toh mushkil me pad gayi ho more rammeri duniya ujad gayi ho more rammeri duniya ujad gayi ho more ramna ham unke na woh hamare, hay na woh hamareraat ko ro-ro dil yeh pukarechandani rut kidhar gayi ho more ramsaiya se bichhad gayi ho more ramsaiya se bichhad gayi ho more rambirha ke dukh mujhse uthe na, hay mujhse uthe nahay sajanwa mere huye na, hay mere huye nadil dey ke mai mar gayi ho more rammeri duniya ujad gayi ho more rammeri duniya ujad gayi ho more rampyar bana tha jiska khewaiya, hay jiska khewaiyadub rahi hai aaj woh naiyameri kismat bigad gayi ho more ramsaiya se bichhad gayi ho more ramsaiya se bichhad gayi ho more ram....Forgotten Singer/Composers Unforgettable Melodies......Forgotten Singer and music composer Sadat Khan :-Singer Sadat Khan was music composer also he gave music in few films only ..1.Bhatakati Maina-19472. Behram Daku-1959 ,3. Arab ka Sitara-1961,List of songs Sadat Khan as singer... Naachti Phirti Hai Sadkon Pe (Shakl Mardaani Hai) Film: Behram DakuSinger: Sadat KhanMusic Director: Sadat KhanLyricist: Saba Afghani Saiyan Se Bichhad Gayi Ho More Ram ... Film: Chandni RaatSinger: Amirbai, Sadat KhanMusic Director: Naushad AliLyricist: Shakeel Badayuni Ab Dekh Liya Humne Ye Beqadr Zamana.. Film : Great Show of IndiaSinger: Sadat KhanMusic Director: Avinash VyasLyricist: Qamar Jalalabadi Phir Tumhari Yaad Aayi Ae Sanam Phir Tumhari Yaad Aayi Ae Sanam Film : Rustam SohrabSinger: Mohammed Rafi, Manna Dey, Sadat KhanMusic Director: Sajjad HussainLyricist: Qamar Jalalabadi As music director Sadat Khan.. Song / Film /singer /Lyricist / Music Director Tere Sitam Ki Dastan Ham Na Juban Pe Layenge Mubarak Begum Saba Afghani Sadat Khan Beraham Daku (1959) Kabhi Hum Se Kabhi Gairo Se..Ismail Azad Qawwal, Shamshad Begum Sadat Khan Arab Ka Sitara (1961) Saba Afghani Betaab Hai Dil Bechain Nazar.. Talat Mahmood Saba Afghani Sadat Khan Beraham Daku (1959) Shama Gul Karke Na Ja... Mubarak Begum Ehsan Rizvi Sadat Khan Arab Ka Sitara (1961) Ghazals :-Aansu Bahaye Ja...Sadat Khan Sadiq Lakhnavi Sadat Khan Salaam Tujhpe Muqaddar Sawarnewale...Mubarak Begum,Meenu Purushottam Sadat Khan Bhatakti Maina (1947) Aa Gayi Jawani Zume Zindgani.. Savita Banerjee Ehsan Rizvi Sadat KhanArab Ka Sitara (1961) Aage Badh O Himmatwala Aage Badh.. Sadat Khan Aziz Ghazi Sadat KhanArab Ka Sitara (1961) Ae Aasman Ke Chand Utar Aa Zameen Par..Sadat Khan Sadiq Lakhnavi Sadat KhanBhatakti Maina (1947) Bhukhe Marne Ki Naubat Aayi...Sadat Khan Sadiq Lakhnavi Sadat Khan Bhatakti Maina (1947)
jiya jaye piya aaja dil ka dard na jane _Naujawan1951_Nalini&Premnath Lata_Sahir_SD Burman_a tribute mastkalandr 2020-07-09 | Song: jiya jaye piya aaja,dil ka dard na jane duniya jane dil tadpana..Film : Naujawan,1951,Singer: Lata Mangeshkar,Lyricist : Sahir Ludhianvi.Music Director : S D Burman,Director : Mahesh Kaul,Cast : Nalini Jaywant,Prem Nath,Cuckoo, Yashodra Katju,S N Banerjee,Nawab Kashmiri, Kamal Mehra,Zeb Qureshi,Producer : A R Kardar,Production Co: Kardar Productions.The film went un-noticed and so its songs. But, with 1951's Naujawan, sahir got the recognition. S. D. Burman composed the music for Naujawan. Even today, the film's lilting song 'Thandi Hawayen Lehrake Aaye..' makes hearts flutterLyrics :-jiya jaye piya aajadil ka dard na jane duniya jane dil tadpanapyar ke do bolo ke badle dushman hua zamanahaye re haye dushman hua zamanadil ka dard na jane duniya jane dil tadpanaummid ne thokar khayi haidil deke zudai payi haitera gam hai meri tanhai haipehle se na tha ye janapehle se na tha ye jana kidil ka aana khudi se janahaye re haye dushman hua zamanadil ka dard na jane duniya jane dil tadpanapyar ke do bolo ke badledushman hua zamanahaye re haye dushman hua zamanadil ka dard na jane duniya jane dil tadpanaaankho me jo aansu aayengetasvir teri dikhlayengehum tham ke dil rah jayengepehle se na tha ye janapehle se na tha ye jana ki dil ka aana khudi se janahaye re haye dushman hua zamanadil ka dard na jane duniya jane dil tadpanapyar ke do bolo ke badle dushman hua zamanahaye re haye dushman hua zamanadil ka dard na jane duniya jane dil tadpanadil ka dard na jane duniya jane dil tadpanajiya jaye piya aajajiya jaye piya aaja...The music was composed by S.D. Burman and Sahir Ludhianvi wrote the lyrics. The movie is remembered for the hauntingly melodious song "Thandi Hawayein" by Lata Mangeshkar. Notably, legendary music director Ravi started his musical career with this film by singing in chorus. Naujawan (1951): Wealthy Kamlas father wants her married off to a more or equally wealthy suitor, which he finds in Kishore, whos interested in the marriage just to be able to usurp Kamlas wealth. However, Kamla doesnt want to marry Kishore as she knows hes a dim-wit..The music was composed by S.D. Burman and Sahir Ludhianvi wrote the lyrics. The movie is remembered for the hauntingly melodious song "Thandi Hawayein" by Lata Mangeshkar.Notably, legendary music director Ravi started his musical career with this film by singing in chorus.Plot...Kamala does not wish to get married to Kishore, the man selected for her by her father. To get out of this predicament, she creates a story about an imaginary lover with the help of her friend, Bimla...Storyline..Kamla, the only daughter of a multi-millionaire is being engaged to a man she doesn't like.But her cousin, coming to her rescue, makes a spontaneous suggestion to her father that she has already promised to marry another man. The old man loses his temper but gradually softens and wants to meet his daughter's 'Suitor' immediately.Thus Kamala, the pretty young girl has to start on a man-hunt.She meets the oddest of men and finally, beforeshe can achieve anything as planned, she getshunted herself.All that she wanted was a man who would agree to pretend to be her suitor for a few days and then - for a consideration - vanish in thin air.Now, the man, across whom she is thrown by fate, is everything but he is NOT the vanishing type.He is almost a pauper! And yet he will have none of the complexes of a rich world, even if smuggled innocently into his life by a pretty girl. And she dare not own the man openly, yet shecan exist without doing so.Between the two stands the iron wall of her father's millions, ruthless and uncompromising.And the man stands firm like a rock.He will not woo the girl until she sheds off the mantle of the rich and forgets to resort to or find shelter in money for ease and comfort.The girl oscillates between the two influencesand shirks owning or disowning either.The father is too slow to realize the situation. He has throughout his life relied too much on his wealth to get things done as desired by him. But here he is disillusioned, his pride melts, his intrigues are of no avail.Encouraged by the rich faith of her poor lover, the girl ultimately finds new values of life and readily adjusts to the new surroundings which please her lover. She takes a bold plunge and to her great relief, finds how ridiculous was her hesitation so far and how reassuring was her "NAUJAWAN"Songs...1"Pi Pi Piya" Shamshad Begum and Kishore Kumar2"Thandi Hawayein" - Lata Mangeshkar3"Panghat Pe Dekho Aayee Milan Ki Bela" - Mohammed Rafi, Geeta Dutt, Shamshad Begum and chorus4"Ek Aag Dahekta" - Manna Dey5"Jiya Jaye Piya Aaja" - Lata Mangeshkar6"Zara Jhoom Le" - Mohammed Rafi and Geeta Dutt7"Dekho Dekho Ji Kuch bhi" - Kishore Kumar and Lata Mangeshkari
dekho jee tum kuchh bolna na_ Manchala1953_Chitragupt & ShamshadBegam_Raja MA Khan_ Chitragupt_a tri mastkalandr 2020-07-06 | Song : dekho jee tum kuchh bolna naa..Film : Manchala,1953, Singers : Shamshad Begam and Chitragupt,Lyricist : Raja Mehdi Ali Khan,Music Director: Chitragupt,Producer /Director : Jayant Desai,Cast : Nirupa Roy,Manhar Desai,Agha,Lalita Kumari,Jeevan,Krishna Kumari,Satyanarayan,Gajendra Singh,Production Co. : Jayant Desai Productions,Lyrics :-dekho jee tum kuchh bolna naapanghat pe peepalpeepal taley humchhailaa sajan koi aaye repanghat pe peepalpeepal taley humchhailaa sajan koi aaye remaare kankariya phode gagariyanainon se naina milaaye rehaaydekho ji tum kuchh bolna nadekhoji tum kuchh bolna naoooo ohoho ooosadak pe cyclecycle pe madammadam ke naina bade badedoorbin laga kefocus milaa kedekhoonga usko khade khadehaindekhoji tum kuchh bolna nadekhoji tum kuchh bolna naaankhon mein gussahaathon mein chappalmadam teri pit jaaye remain toh na chhodoonmadam ki chutiyahaathon mein agar aa jaaye rehaaydekho ji tum kuchh bolna nahaan dekhoji tum kuchh bolna naoooo ohoho ooogaadoonga main tohdil mein tumhaareapni mohabbat ka jhanda rechhailla jo mere raste mein aayakar doonga usko thhanda rehaindekhoji tum kuchh bolna nadekhoji tum kuchh bolna nanaari sadak peuss pe baraati baaje bajaate aayengeab toh jee bas do chaar hi din meindoli meri lee jaayengehaaydekho ji tum kuchh bolna nadekhoji tum kuchh bolna naoooo ohoho ooojab meri lathiyaunpe chalengibhaagenge sab baarati redekhegi duniyadoli tumhaarimere hi ghar ko aati rehaandekhoji tum kuchh bolna nadekhoji tum kuchh bolna nabhaad mein jaayewoh sab baraatichoolhey main jaaye wochhaila repalloo tumhaaraab main na chhodhoonmain hoon tumhaari laila rehaandekho ji tum kuchh bolna nahaan dekhoji tum kuchh bolna na...
preet ka nata toot gaya_Do Bhai _Kamini Kaushal_Geeta Dutt_GM Durrani_Raja MA Khan_SD Burman _a tri. mastkalandr 2020-07-04 | Song..aji preet ka nata toot gaya..mera preetam mujhse chhoot gaya..Film : Do Bhai, 1947,Singer : Geeta Dutt,G M Durrani,Lyricist : Raja Mehdi Ali Khan,Music Director : S D Burman,Cast : Kamini Kaushal,Rajan Haksar,Paro, Ulhas,Vikram KapoorRajendra Singh,Ramayan Tiwari,S.B. Nayampalli,,Majid, Noor Jehan, Kanta Kumari, , Director : Munshi Dil,Production Co: Filmistan,Lyrics....aji preet ka nata toot gayamera preetam mujhse chhoot gayatoot gaya ji toot gayadil toot gayaaji preet ka nata toot gayado pyaar bhare dil bichad gayeduniya ka kalejaa hil na sakaaaa jaa nikal ja ab dar semera pyara mujhse mil na sakaamil na sakaahaay preet ka nata toot gayaguzre huye din tadpane lagejo dard uthe yaad aane lagejo nain kabhi pyare the tumheun naino mein aansoon aane lageaane lagehaay preet ka nata toot gayakismat ka likha kab talta haidin rote rote dhalta haidin rote rotejab chaayi birha jeewan bharkyun jeewan deepak jalta haijalta haihaay preet ka nata toot gayamera preetam mujhse chhoot gayatoot gaya dil toot gayadil toot gayahaay preet ka nata toot gayahaay preet ka nata toot gaya...Do Bhai (The Two Brothers) is a 1947 was the second highest grossing Indian film of 1947It was also first film for lyricist Raja Mehdi Ali Khan. Both Geeta Dutt and Raja Mehdi Ali Khan got name and fame after the film. Geeta became number one singer till Lata took over in 1949. Even then she held her own in the 1950s..Storyline..Raj Karan, Nirmala's father and a Forest Officer of the State had brought up Jai from childhood like his son. With the coming of youth the playful comradeship between Nirmala and Jai had naturally changed into deep love. Sarala and Shiv Karan, Nirmala's mother and brother, however, hated jai and they succeeded one day in ousting him from their home. On the ever of his departure from his foster father's house while bidding good bye to Nirmala, Jai saw a sort of hallucination- an escaped prisoner, who, as he found out later, was his own father Narain, who had come to request Raj Karan to allow him to take back Jai with him. Jai had to go away with his father.Jai was sent by his father to Shivgaon Ashram in search of his first wife Kausalya and his son by her, Prakash.For the "crime" of loving a commoner-Narain Kausalya, the only daughter of the Thakur of Madanpur State had been turned away by her father and after the birth of her son Prakash Narain also deserted her. The Guru of Shivgaon Ashram offered her shelter but she persuaded him to keep her son Prakash alone. Many years later, Kausalya, while on her death-bed, sent for Prakash to tell him that he was the only heir to the Thakore of Madanpur..When jai arrived on the spot on his mission he only saw Kausalya's funeral pyer and learnt that Prakash had left on some unknown mission...Most Admired Songs of Geeta Dutt..The real nightingale ..The film Do Bhai features the songs, "Mera Sundar Sapna Beet Gaya" and "Yaad Karoge", sung by Geeta Dutt, with music composed by Sachin Dev Burman, and lyrics by Raja Mehdi Ali Khan.Geeta Dutt (née Roy), born in 1930, had no formal training in music. Music director Hanuman Prasad heard her voice and made her sing two lines in a chorus in his film Bhakt Prahlad (1946). Considering a film took one to one and a half years those days, young Geeta would have been about 15 years old when she sang two lines in the Chorus.S.D. Burman heard those two lines, and though her voice was part of that chorus, he realized her potential. He went to her place in Dadar to persuade her father to let her sing in his forthcoming film Do Bhai (1947).Geeta would have been 16 then.Burman-da decided to make her sing most of his songs. Naturally, the producers objected to a young and untrained girl singing most of the songs in their film. But Burman Dada would not listen. Finally, a compromise was arrived at. Dada put his reputation at stake by declaring that he would record one song with Geeta, after listening to which the producers may arrive at their decision. Dada was so confident of his ability to make her sing. The first song to be recorded by Geeta was ‘Humein chod piya kis des gaye’. Everyone liked it and Dada was allowed a free hand to decide. Do Bhai had nine songs, out of which Dada made Geeta sing six songs. Geeta sang her life's first super-hit song ‘Mera sunder sapna beet gaya’ under SD Burman. Viewers used to see the film again, and again, for its music. The film became super-hit, and completed silver jubilee.MusicTracks..1.Aa Jaa Koi Pukare Tere Bagair Sune Hai - Geeta Dutt2. Preet Ka Naata Toot Gaya - Geeta Dutt, G. M. DurraniSongs..3.Amwa Ki Dali Pe Koyal Bole - Paro Devi4.Duniya Me Mere Aaj, Andhera Hi Andhera - Mohammed Rafi5.Hamen Chhod Piya Kis Des Gaye - Geeta Dutt6.Kabhi Bhule Se Na Puchi Man Ki Baat - Paro Devi7.Mere Piya To Base Pardes Re - Geeta Dutt8.Yaad Karoge, Ek Din Hum Ko Yaad Karoge - Geeta Dutt9.Yaad Rakhna Mujhe Yaad Rakhna - Geeta Dutt, K. S. Ragi
tu koun si badli me mere chand hai, aaja_Khandan1942_NoorJehan& Pran_DN Madhok_Ghulam Haider_a tri.. mastkalandr 2020-07-02 | Song : tu kaun si badli me mere chand hai, aaja....Film : Khandan,1942,Singer : Noor Jehan,Lyricist : D N Madhok,Music Director : Ghulam Haider,Director : Shaukat Hussain Rizvi,Cast : Noor Jehan,Pran,Manorama,Ghulam Mohammed,M Ajmal,Ibrahim,Durga Mota,Sardar Akhtar,Nafees Begum,M Channi,Baby Akhtar,G N Butt, Producer : Pancholi Pictures,Production Co: Pancholi Art Pictures,Lyrics :-tu kaun si badli me mere chand hai aa jatu kaun si badli me mere chand hai aajatare hai mere jakhme jigar in me sama jatare hai mere jakhme jigar in me sama jatu kaun si badli me mere chand hai aajadil dhund raha hai dil dhund raha haike mera chand kaha haidil dund raha hai dil dund raha haike mera chand kaha haichoti si jhalak de ke meri id banajachoti si jhalak de ke meri id banajatare hai mere jakhme jigar in me sama jatare hai mere jakhme jigar in me sama jatu kaun si badli me mere chand hai aajapehlu me liyehaye pehlu me liye baithi hu maidard bhara dil pehlu me liyehaye pehlu me liye baithi hu maidard bara dil mar jau ya jiti rahuye to bata ja mar jau ya jiti rahuye to bata ja tare hai mere jakhme jigarin me sama jatare hai mere jakhme jigar in me sama jatu kaun si badli me mere chand hai aajatare hai mere jakhme jigar in me sama jatu kaun si badli me mere chand hai aaja...Khandaan,family, is a 1942 Bollywood film directed by Shaukat Hussain Rizvi and produced by D.M. Pancholi, starring Pran,Noor Jehan,Ghulam Mohammed Manorama and M. Ajmal. It was written by author Imtiaz Ali Taj and made in Pancholi's Lahore studio. For the first time in British India, there was a lot of "ahead of film release" publicity for this film. As a result, this became a much-awaited film for the Indian public and became a hit film when released. Plot :-This was mainly a Noor Jehan musical about a man seduced by a gold-digging woman, who then kills her and her lover is jailed. When he is released, he finds employment as a gardener and becomes a father-figure to his employer's son Anwar and to Anwar's fiancée Zeenat (Noor Jehan). This allows him to prevent Anwar from perpetuating precisely the same crime for which he had been jailed as history repeats itself because, so the film alleges, men are constantly threatened by women and only paternal wisdom can save them from the untoward desires of women. Future famous film directors Ramesh Saigal and S. K. Ojha assisted in this film. source: Ashish Rajadhyaksha & Paul Willemen Encyclopaedia of Indian Cinema , New Revised Edition 1999.Khandan (1942),film was produced to lauch Noor Jehan as a Heroine and a singing sensation.The director Shaukat Hussain Rizvi later married Noorjehan before going to Pakistan.In Pakistan,she was launched by him in a Punjabi film ‘Chenn We’in which Noorjehan also directed the movie,,thus Rizvi made her the First Lady Director of Pakistan.Noor jahan was 16 years old in 1942, Songs were made in 1941 and released in 1942.In Khandaan,as the story goes,she had two roles.In one role,she is killed and in the other role she is about to be killed,both times by her (different ) husbands.film has two heros Pran and Ghulam Mohammad Music :-The music was composed by Ghulam Haider and the lyrics by M. D. Taseer, Nazim Panipati and D. N. Madhok. The playback singers include Noor Jehan, Shamshad Begum, Ghulam Haider and Nasim Akhtar. This film was a landmark movie for Ghulam Haider and Noor Jehan as well as the film director Shaukat Hussain Rizvi. All 3 ended up becoming well-sought-after persons, when this film became a mega-hit musical movie. 1. "Mere Liye Jahan Mein Chaen Hai Naa Qaraar Hai" - Noor Jehan2. "Too Kaunsi Badli Mein Mere Chand Hai Aaja" - Noor Jehan3. "Khelenge Hum Aankh Macholi" - Noor Jehan4. "Mere Baagh Ka Mali Phir Aagaya" - Shamshad Begum5. "Maar Gayi Re Hamein Teri Nazaria" - Noor Jehan6. "Udja Udja Panchhi Udja" - Noor Jehan & Ghulam Haider7. "Chalo Paniya Bharan Ko Chalein" – Shamshad Begum & Nasim Akhtar8. "Mere Mann Ka Panchhi Kyun Bole" – Noor Jehan9. "Meri Ammi Ka Raj Bhala" - Shamshad Begum
dil ho unhe mubarak jo dil ko dhundte hai_Chandni Raat1949_ Shyam&Naseem Banoo_Rafi_ Shakeel_Naushad mastkalandr 2020-06-30 | Song : dil ho unhe mubarak jo dil ko dhundte hai..Film : Chandni Raat 1949,Singer: Mohammed Rafi, Lyricist: Shakeel Badayuni,Music Director: Naushad,Director: M Ehsan,Cast: Shyam,Naseem Banoo,Noor Jahan,Sayeeda Khan,David Abraham,Ulhas, Cuckoo,Jillo,Parveen, Producer : M. Ehsan & S. I. HassanProduction Co : Taj Mahal PictureLyrics:-dil ho unhe mubarak jo dil ko dhundte haijo dil ko dhundte haidil ho unhe mubarak jo dil ko dhundte haijo dil ko dhundte haihum dil se hath dhokar kaatil ko dhundte haikaatil ko dhundte haihum dil pe hath dhokar kaatil ko dhundte haikaatil ko dhundte haiae maut aake tu hi ab raasta dikha deraasta dikha deae maut aake tu hi ab raasta dikha dedar dar bhatakne waledar dar bhatakne walemanzil ko dhundte haimanzil ko dhundte haihum dil se hath dhokar kaatil ko dhundte haikaatil ko dhundte haijab mit rahi ho hasti kho jaye dil to kya ghumkho jaye dil to kya ghumjab mit rahi ho hasti kho jaye dil to kya ghumulfat pe mitne wale kab dil ko dhundte haikab dil ko dhundte haidil ho unhe mubarak jo dil ko dhundte haijo dil ko dhundte haihum dil se hath dhokar kaatil ko dhuntde haikaatil ko dhunte haikaatil ko dhunte haikaatil ko dhunte haikaatil ko dhunte hai....
mera dil tum pe aa gaya,mera dil tumpe..Ye Dil Kisko Doon1963_ Mohd.Rafi_Q J_Iqbal Qureshi_a tribute mastkalandr 2020-06-28 | Song : mera dil tum pe aa gaya mera dil tumpe..Film : Ye Dil Kisko Doon,1963,Singers : Mohammad Rafi, Lyrics : Qamar Jalalabadi, Music Director : Iqbal Qureshi,Director: K Mishra,Cast: Shashi Kapoor,Ragini,Jeevan,Anwar,Jayshree Gadkar,Madhumati,Agha,Kumar,Sajjan,Kamal,Producer : B D Kapoor,Production Banner : Bindu Kalamandir,The song is picturised on Shashi Kapoor and Ragini.Lyrics :- mera dil tumpe aa gaya mera dil tumpemera dil tumpe aa gaya mera dil tumpemere pahlu se dil gaya gaya gaya gayamera dil tumpe aa gaya mera dil tumpemera dil tumpe aa gaya mera dil tumpepyar ki yad hu mai dil barbad hu maimujhe kadmo me jagah de shiri tera farhad hu maimujhe kadmo me jagah de shiri tera farhad hu maimere mahbub mere mahbubmere mahbub mere mahbubmere pahlu se dil gaya gaya gaya gayamera dil tumpe aa gaya mera dil tumpetera ranjha hu sanam teri ulfat ki kasamaaj ikrar karo o hiri kabhi bichhdenge na humaaj ikrar karo o hiri kabhi bichhdenge na hummere mahbub mere mahbubmere mahbub mere mahbubmere pahlu se dil gaya gaya gaya gayamera dil tumpe aa gaya mera dil tumpeishq ka mal hu mai bada behal hu maikar jara mujhpe karam o soni tera mahiwal hu maikar jara mujhpe karam o soni tera mahiwal hu maimere mahbub mere mahbubmere mahbub mere mahbubmere pahlu se dil gaya gaya gaya gayamera dil tumpe aa gaya mera dil tumpeo meri jane jigar le na majnu ki khabarjara pahchan mujhe o lailaek najar dekh idharjara pahchan mujhe o lailaek najar dekh idharmere mahbub mere mahbubmere mahbub mere mahbubmere pahlu se dil gaya gaya gaya gayamera dil tumpe aa gaya mera dil tumpemera dil tumpe aa gaya mera dil tumpe...Plot :-In search of love, a millionaire leaves his palatial home and roams the town disguised as a tramp. He meets and falls in love with a gypsy girl. But, trouble follows in the form of a carnival owner.
tadapoge fariyad karoge,ek din hamko yad karoge_Do Bhai1947_ Geeta Dutt_RMA Khan_S D Burman _a tri.. mastkalandr 2020-06-23 | Song..yad karoge,yad karoge ek din ham ko yad karoge..Film ; Do Bhai, 1947,Singer ; Feeta Dutt,Lyricist; Raja Mehdi Ali Khan,Music Director ;S D Burman,Cast : Kamini Kaushal,Rajan Haksar,Pato Devi, Rajendra Singh, Ramayan Tiwari,Noor Jehan,S.B. Nayampalli, Ulhas, Vikram Kapoor,Majid, Kanta Kumari, , Director : Munshi Dil,Production Co: Filmistan,Lyrics....Lyrics of Yaad Karoge, Ek Din Hum Ko Yaad Karoge - याद करोगे याद करोगे एक दिन हम को याद करोगेyad karogeyad karoge, yad karogeek din ham ko yad karogetadapoge, fariyad karogeek din ham ko yad karogeayegi jab sawan ki ratejag uthegi bholi batebholi bate dard se dildard se dil abad karogeek din hamko yad karogejise basaya tha kabhi man medhundhoge, dhundhogeuse bagh me ban me dhundhogedil ka sokun barbad karogeek din ham ko yad karogedil me basa ke chhod diya haiapana hi ghar barbad kiya haikaise use kaise use abad karogeek din hamko yad karogekho kar hamko pa na sakogehonge jaha ham a na sakogea na sakoge, pa na sakogetadapoge, tadapoge fariyad karogeek din ham ko yad karogeyad karoge,yad karogeek din hamko yad karoge...Do Bhai (The Two Brothers) is a 1947 Bollywood film directed by Munshi Dil. Its starred Ulhas, Kamini Kaushal, Dipak Mukherjee, Tiwari, Rajan Haksar and Paro Devi in lead roles. It was the second highest grossing Indian film of 1947.Popular film songs....The film Do Bhai features the songs, "Mera Sundar Sapna Beet Gaya" and "Yaad Karoge", sung by Geeta Dutt, with music composed by Sachin Dev Burman, and lyrics by Raja Mehdi Ali Khan.Geeta Dutt (née Roy), born in 1930, had no formal training in music. Music director Hanuman Prasad heard her voice and made her sing two lines in a chorus in his film Bhakt Prahlad (1946). Considering a film took one to one and a half years those days, young Geeta would have been about 15 years old when she sang two lines in the Chorus.S.D. Burman heard those two lines, and though her voice was part of that chorus, he realized her potential. He went to her place in Dadar to persuade her father to let her sing in his forthcoming film Do Bhai (1947). The film was being produced by Filmistan, the biggest production house those days. Geeta would have been 16 then.Burman-da decided to make her sing most of his songs. Naturally, the producers objected to a young and untrained girl singing most of the songs in their film. But Burman Dada would not listen. Finally, a compromise was arrived at. Dada put his reputation at stake by declaring that he would record one song with Geeta, after listening to which the producers may arrive at their decision. Dada was so confident of his ability to make her sing. The first song to be recorded by Geeta was ‘Humein chod piya kis des gaye’. Everyone liked it and Dada was allowed a free hand to decide. Do Bhai had nine songs, out of which Dada made Geeta sing six songs. Geeta sang her life's first super-hit song ‘Mera sunder sapna beet gaya’ under SD Burman. Viewers used to see the film again, and again, for its music. The film became super-hit, and completed silver jubilee.It was also first film for lyricist Raja Mehdi Ali Khan. Both Geeta Dutt and Raja Mehdi Ali Khan got name and fame after the film. Geeta became number one singer till Lata took over in 1949. Even then she held her own in the 1950s.Aa Jaa Koi Pukare Tere Bagair Sune Hai - Geeta DuttAji Preet Ka Naata Toot Gaya - Geeta Dutt, G. M. DurraniAmwa Ki Dali Pe Koyal Bole - Paro DeviDuniya Me Mere Aaj, Andhera Hi Andhera - Mohammed RafiHamen Chhod Piya Kis Des Gaye - Geeta DuttKabhi Bhule Se Na Puchi Man Ki Baat - Paro DeviMere Piya To Base Pardes Re - Geeta DuttYaad Karoge, Ek Din Hum Ko Yaad Karoge - Geeta DuttYaad Rakhna Mujhe Yaad Rakhna - Geeta Dutt, K. S. Ragi
matwali nar thumak thumak chali jaye_EkPhool Char Kante_Wahida& SunilDutt_Mukesh_Shailendra_SJ_a tri mastkalandr 2020-06-19 | Song : matwaali naar thumak thumak chali jaye..in kadmo pe kis ka jiya na jhuk jaye..Film..Ek Phool Chaar Kaante,1960,Singer : Mukesh,Lyricist : Shailendra, Music Director: Shankar-Jaikishan,Director: Bhappi Sonie,Cast : Sunil Dutt,Waheeda Rehman, Dhoomal, Johnny Walker,Gopi,Tun TunProduces: Hardeep, Shyam,Production Co. : Prabhat Pictures,Lyrics :-matwaali naar thumak thumak chali jayematwaali naar thumak thumak chali jayein kadmo pe kis ka jiya na jhuk jayein kadmo pe kis ka jiya na jhuk jayematwaali naar thumak thumak chali jayephul badan mukhda yu damkephul badan mukhda yu damkebaadal me jyo bijali chamkegeet suna ke tu chham chham kegeet suna ke tu chham chham kelalchaaye, chhup jaye, aay haaymatwaali naar thumak thumak chali jayein kadmo pe kis ka jiya na jhuk jayein kadmo pe kis ka jiya na jhuk jayeye chanchal kajrari aankheye chanchal kajrari aankheye chitchor shikari aankhegayi dil cheer katari aankhegayi dil cheer katari aankhemuskaye, shamaye, jhuk jayematwaali naar thumak thumak chali jayein kadmo pe kis ka jiya na jhuk jayein kadmo pe kis ka jiya na jhuk jayeaa mil ke hum dhum macha deaa mil ke hum dhum macha desapne sach kar ke dikhla deis duniya ko geet sikha deis duniya ko geet sikha dejag dole, sang hole, aur bolematwaali naar thumak thumak chali jayein kadmo pe kis ka jiya na jhuk jayein kadmo pe kis ka jiya na jhuk jayematwaali naar thumak thumak chali jaye.. Ek Phool Char Kante is a 1960 Hindi film directed by Bhappi Sonie in his directorial debut...The story of Ek Phool Char Kante was inspired by Susanna Centlivre's play A Bold Stroke for a Wife..The Salman Khan, Karishma Kapoor-starrer Dulhan Hum Le Jayenge was a remake of this film. A wealthy man meets and falls in love with a rich woman, but there is one problem: He must prove his mettle to her demanding uncles..In an earnest attempt to win over the four eccentric uncles of his lady-love, Sanjeev goes out of his way and becomes a jack of all trades.Storyline :-The film is a light-hearted comic love story, wherein Sunil Dutt falls in love with a "phool" (flower) Waheeda Rehman, but has to impress her four uncles, the "kante" (thorns) of the title. Each uncle has a different idiosyncrasy and Sunil Dutt pretends to be an expert in that field in order to impress that particular uncle. The four uncles select their protégé for their niece, not knowing that each is selecting the same boy. When the boy whom they have approved disappears, they agree to marry their niece off to her choice, who is Sunil Dutt again..Ek Phool Char Kaante1960 ‧ Romance/Drama ‧ 2h 16mSongs (9)Songs and Singers..1Banwari Re Jeene Ka SaharaLata Mangeshkar2Ankhon Mein Rang Kyon AayaLata Mangeshkar, Mukesh3Dil Ae Dil Baharon Se MilLata Mangeshkar, Talat Mahmood4Matwali Naar Thumak ThumakMukesh5Baby Of BombayIqbal Singh6O Meri Baby DollMohammed Rafi7Sambhal Ke Karna Jo Kuchh KarnaMukesh8Soch Rahi Thi Kahoon Na KahoonLata Mangeshkar9Tirchi Nazar Se Yun Na DekhLata Mangeshkar
main tere liye hoon teri kasam teri kasam..Sanam,1952_Suraiya_Rafi_ Q J_Husnlal Bhagatram..a tribute mastkalandr 2020-06-17 | Song : main tujhe pukaroon anam-aa sanam sanam-aa sanam..main tere liye hoon teri kasam teri kasam..Film : Sanam,1951,Singers: Suraiya and Rafi,Lyricist: Qamar Jalalabadi,Music Director: Husanlal Bhagatram, Director: Nandalal Jaswantlal, Cast: Dev Anand,Suraiya,Meena Kumari,K N Singh,Pratima Devi,Jillo,Gope, Production Co. : United Technicians, Lyrics :- EnglishR : O Sanam-Main Tujhe Pukaaroon Sanam-a sanam Sanam-asanam-Su : Main Tere Liye Hoon Teree Kasam Teree KasamDo : O Sanam -R : Abhee-abhee Aankhon Ne Kyaa Kiyaa Re-Su : Aankhon Ne Aankhon Ko Choom Liyaa Re-R : Fir Kyoon N Pukaaroon Sanam-asanam Sanam-asanam-Do : O Sanam -Su : Abhee-abhee Dil Ne Khabar Sunaaee-R : Aankhon Ne Aankhon Se Kar Lee Sagaaee-Su : Ab Shauk Se Kah Lo Sanam-asanam Sanam-asanam-Do : O Sanam -Su : Likhee Thee Kisamat Men Judaaee-Toot Gee Aankhon Kee Sagaaee-R : Ab Tum Mujhako Yaad NKaranaaMeree Kasam Fariyaad N KaranaaJaane Waale Chale Gaye-Ham Kahate Rah Gaye Sanam-asanam Sanam-asanam-O Sanam -o sanam main tujhe pukaaroon sanam-sanamLyrics... देवलिपिर : ओ सनम -३मैं तुझे पुकारूँ सनम-सनम सनम-सनम -२सु : मैं तेरे लिये हूँ तेरी क़सम तेरी क़समदो : ओ सनम -४र : अभी-अभी आँखों ने क्या किया रे -२सु : आँखों ने आँखों को चूम लिया रे -२र : फिर क्यूँ न पुकारूँ सनम-सनम सनम-सनम -२दो : ओ सनम -४सु : अभी-अभी दिल ने ख़बर सुनाई -२र : आँखों ने आँखों से कर ली सगाई -२सु : अब शौक़ से कह लो सनम-सनम सनम-सनम -२दो : ओ सनम -४सु : लिखी थी क़िसमत में जुदाई -२टूट गई आँखों की सगाई -२र : अब तुम मुझको याद न करनामेरी क़सम फ़रियाद न करनाजाने वाले चले गये -२हम कहते रह गये सनम-सनम सनम-सनम -२ओ सनम -४Storyline :-Sanam is a love story where Jogin ( Dev Anand ), a poor unemployed young man, comes across Sadhana ( Suraiya ) in a chance encounter in a book shop. Under desperate conditions Jogin had to rob some money for his mother's treatment but gets involved in an accidental homicide for which he is jailed by the court, where the Judge ( K.N. Singh ) is Sadhana's father. Sadhana is an independent-minded daughter and does not hesitate to argue with her father about social justice for the poor and under privileged. The story takes many twists and turn with songs and a dance number. Eventually Jogin and Sadhana fall for each other but their proposed marriage is vehemently opposed by the father of the bride.Dev Anand as JoginSuraiya as SadhanaMeena KumariUser Reviews :-A love story between a poor young man and a wealthy woman with a few good songs..by dbhattac Sanam is another Dev Anand and Suraiya movie made late 1940's and early 1950's when Dev Anand was an upcoming star and Suraiya was already an established actress. Meena Kumari plays a very insignificant role, in fact this is one of the movies where she was breaking into general acting role from her mythological characters. Sanam is about a love story where Jogin ( Dev Anand ) a very poor unemployed young man comes across Sadhana ( Suraiya ) in a chance encounter in a book shop. Under desperate conditions Jogin had to rob some money for his mother's treatment and got involved in an accidental homicide for which he was jailed by the court where the Judge ( K.N. Singh ) is the father of Sadhana. The story takes many twists and turn with a few very melodious songs and a dance number and eventually Jogin and Sadhana fall for each other but their proposed marriage is vehemently opposed by the father of the bride. Suraiya provided with a solid performance as the independent minded daughter and did not hesitate to argue with her father about social justice for the poor and under privileged. Gope provided good supporting role with his antics. Overall it was a good movie to watch specially Suraiya's great performance both as an actor and for singing some melodious songs with the direction of Husanlal Bhagatram. The movie was directed by Nandalal Jaswantal who also gave us the block busters like Nagin and Anarkali. I graded the movie as a seven out of ten...
Is paanch man ke jism se Kya fayda hamen..Shisham1952_Krishor Kumar_Nazim Panipati_Roshan..a tribute mastkalandr 2020-06-15 | Song..Is paanch man ke jism seKya faayda hamen.arre pahlu mein le ke baithe hain hain hain..Film..Shisham,1952, Sheesham, Singer.. Kishore Kumar,Lyricist..Nazim Panipati,Director..Kishore Sharma,Cast: Nasir Khan,Nutan,Gope,Indu, Gulab, Kuldip Kaur,Production Banner.. SaregamaLyrics..Is paanch man ke jism seKyaa faaydaa hamenArre pahlu mein le keBaithe hain hain hainDil do chhataak kaaDil ho gaya shanti flatYaa rabba khair hoDur phitte munh hoDur phitte munhHo kiyaa yaar ne anti flatYaa rabba khair hoDur phitte munh hoDur phitte munhChalaa jab nazar kaa chaakuHuaa dil chham chhamaakuMain ho gaya aaku baakuHo meri ho gayi dhibri tightYaa rabba khair hoDur phitte munh hoDur phitte munhDil ho gaya shanti flatYaa rabba khair hoDur phitte munh hoDur phitte munhAise us yaar ne tadaChalaa dil pe kulhaadaaKulhaadaa kulhaadaaYe kaisaa phatkaa maraHaay mujhe kar gaya lamlateYaa rabba khair hoDur phitte munh hoDur phitte munhDil ho gaya shanti flatYaa rabba khair hoDur phitte munh hoDur phitte munhPadaa jab prem mein ghaataaTo bikaa apnaa aataaLagaa wo chanta phantaAre main ho gaya chattam chatYaa rabba khair ho dur phitte munhHo dur phitte munhDil ho gaya shantii flatYaa rabba khair hoDur phitte munh hoDur phitte munhHo kiyaa yaar ne anti flatYaa rabba khair hoDur phitte munh hoDur phitte munhJhampak lampaa dil wil bampaaJhampak lampaa dil wil bampaaYaa rabba khair ho yaa rabba khairPhitte munh durphitteMunh phitte munhYaa rabba khair hoYaa rabba khairPhitte munh durphitteMunh phitte munhYaa rabba khair hoYaa rabba khairPhitte munh dur phitteMunh phitte munh...Meaning of some deshi and english words used by lyricist in this funny song.....Man = Maund British unit of weightChhataak..a unit of weightDhibri tight... try to set right,dhibri (kerosene oil fired metallic lamp)Durkite mu .. “Dur phitte muN” a Punjabi expression used to curse somebody..
kyun uda jata hai aanchal kyun nazar sharma rahi hai..Suman Kalyanpur_Gulzar_Dattaram..a tribute mastkalandr 2020-06-13 | Song: Kyun uda jaata hai aanchalkyun nazar sharma rahi hai..Film : Shriman Satyawadi ,1960,Singer : Suman Kalyanpur,Lyricist : Gulzar ,Music Director: Dattaram Wadkar,Cast : Raj Kapoor,Shakila, Mehmood,Raja Nene,Nasir Husain,Director: S. M. Abbas,Producer : Mahipatray Shah,Production Co. Delux Pictures,Lyrics : -Kyun uda jaata hai aanchalKyun uda jaata hai aanchalKyun najar sharma rahi haiKyun najar sharma rahi haiKyun uda jata hai aachalKyun uda jaataMujhko manane lagiKarne bahane lageMujhko manane lagiKarne bahane lageRuthi rahi mai ruthi rahiMaine chupai najarBaate banai magarKah na saki main kah na sakiKah na sakiKyun uda jaata hai aanchalKyun uda jaata hai aanchalKyun najar sharma rahi haiKyun najar sharma rahi haiKyun uda jata hai aachalKyun uda jaataBahki adaye layi layi bahare layiBahki adaye layi layi bahare layiNeeli najar wo neeli najarSapne sajao jaraDil mein chhupao jaraJane jigar o jane jigarKyun uda jaata hai aanchalKyun uda jaata hai aanchalKyun najar sharma rahi haiKyun najar sharma rahi haiKyun uda jaata hai aanchalKyun uda jaata.क्यों उड़ा जाता है आँचलक्यों उड़ा जाता है आँचलक्यों नजर शर्मा रही हैक्यों नजर शर्मा रही हैक्यों उड़ा जाता है आँचलक्यों उड़ा जातामुझको मानाने लगीकरने बहने लगेमुझको मानाने लगीकरने बहने लगेरूठी रही मैं रूठी रहीमैंने चुपै नजरबातें बनाई मगरकह न सकी मैं कह न सकीकह न सकीक्यों उड़ा जाता है आँचलक्यों उड़ा जाता है आँचलक्यों नजर शर्मा रही हैक्यों नजर शर्मा रही हैक्यों उड़ा जाता है आँचलक्यों उड़ा जाताबहकि अदाए लायी लायी बहारे लायीबहकि अदाए लायी लायी बहारे लायीनीली नजर वो नीली नजरसपने सजाओ जरादिल में छुपाओ जराजाने जिगर ो जाने जिगरक्यों उड़ा जाता है आँचलक्यों उड़ा जाता है आँचलक्यों नजर शर्मा रही हैक्यों नजर शर्मा रही हैक्यों उड़ा जाता है आँचलक्यों उड़ा जाता.Shriman Satyawadi is a 1960 aHindi film, directed by S. M.Abbas. Raj Kapoor, in the lead role is seen in this social drama as an honest man, who will experience only too well how difficult it is to compete in a dishonest world.Storyline.....,Young Vijaykumar lives with his sick and widowed father Mohanlal under poor conditions. As an honest shopkeeper, he deserves the wherewithal to provide for himself and his son. This doesn't suit the neighbour and competitor Lalachand at all. One day, he hides cocaine in Mohanlal's shop and alerts the police. After the police find it, they want to discipline Mohanlal, who is always honest. But the sick man could not cope with this and dies of a heart attack.Sad about this death, Vijay never forgot the words of his father and grew up to be an honest doctor. After graduating from college, he finds a job in the advertising department of the rich Champalal and his daughter, Geeta, who is responsible for this Department. Also, he meets Kishore, Lalachand's son, who could not stand Vijay during school.While Vijay and Kishore fight for Geeta's heart, Lalachand wants to increase his fortune. He makes the ignorant Champalal his investor and manufactures untested skin creams and fake painkillers.Wanting to impress Geeta with fast success, Kishore releases the cream in market, without waiting for the test reports. However, already the first customers come with their complaints, while the editor of a local newspaper, Moni Chatterjee, is present and interviews Vijay. This confirms that the cream was already introduced on the market before waiting for the test report.The article in the newspaper represents bad publicity for Champalal's company and Vijay is accused of telling the truth. Since this would otherwise breach his principles, Vijay quits his job, much to the annoyance of Geeta, who is already in love with the honest man.Soon, Vijay finds a job with Moni Chatterjee, who was impressed by his honesty. Due to his sincere reports, Vijay is very popular, so a helpless blind man turns to him one day. He maintains that his child had died as a result of the painkiller. Vijay is on the trail. His path ultimately leads to Lalachand, who threatens him with death, if ever an article about the toxic pain killers should appear. But Vijay felt afraid of the truth and gets into some turbulence. Finally, the truth prevails and Lalachand is discharged while Champalal apologizes to Vijay. Also Geeta, practitioner of love finds a happy ending.
amwa ki dali pe koyal bole koyal bole _Do Bhai1947_Kamini K_Paro Devi_ Raja MA Khan_SD Burman_a tri. mastkalandr 2020-06-11 | Song: amwa ki dali pe koyal bole koyal bole re.. Film ; Do Bhai, 1947,Singer ; Paro Devi,Lyricist; Raja Mehdi Ali Khan,Music Director ;S D Burman,Cast : Kamini Kaushal,Rajan Haksar, Rajendra Singh, Ramayan Tiwari, Paro,S.B. Nayampalli, Ulhas, Vikram Kapoor,Majid, Noor Jehan, Kanta Kumari, , Director : Munshi Dil,Production Co: FilmistanDo Bhai is a 1947 Indian Bollywood film. It was the second highest grossing Indian film of 1947Lyrics ;-amwa ki dali pe koyal bole koyal bole re koyal boleprem ki nadi me man ki naiya dag mag dole re dag mag doleamwa ki dali pe koyal bole koyal bole re koyal bolekisi ne dil ko mere kya kar diyakya kar diya haye kya kar diyakisi ne haye kisi ne dil ko mere kya kar diyakya kar diya haye kya kar diyaman ka papiha bole piya piya piya piya haye piay piyakisi ke jaal me fas gaye re naino ka panchi bole boleamwa ki dali pe koyal bole koyal bole re koyal bolepraano me mere lagi pram ki aag reprem ki aag re prem ki aagdas gaye das gaye das gaye naino ke naag renaino ke naag re naino ke naagpreet tumse badhti jaye hole hole hole hole re hole holeamwa ki dali pe koyal bole koyal bole re koyal bolesuni atariya ka depak roye depak roye re depak royemain to jagu meri kismat soye kismat soye haye kismat soyetha ke pardesh piya ghughanat kholeghughanat khole re ghughanat kholeamwa ki dali pe koyal bole koyal bole re koyal boleprem ki nadi me man ki naiyadag mag dole re dag mag doleParo Devi,Lyricist; Raja Mehdi Ali Khan,Music Director ;S D Burman,Cast : Kamini Kaushal,Rajan Haksar, Rajendra Singh, Ramayan Tiwari, Paro,S.B. Nayampalli, Ulhas, Vikram Kapoor,Majid, Noor Jehan, Kanta Kumari, , Director : Munshi Dil,Production Co: FilmistanDo Bhai is a 1947 Indian Bollywood film. It was the second highest grossing Indian film of 1947Lyrics ;-amwa ki dali pe koyal bole koyal bole re koyal boleprem ki nadi me man ki naiya dag mag dole re dag mag doleamwa ki dali pe koyal bole koyal bole re koyal bolekisi ne dil ko mere kya kar diyakya kar diya haye kya kar diyakisi ne haye kisi ne dil ko mere kya kar diyakya kar diya haye kya kar diyaman ka papiha bole piya piya piya piya haye piay piyakisi ke jaal me fas gaye re naino ka panchi bole boleamwa ki dali pe koyal bole koyal bole re koyal bolepraano me mere lagi pram ki aag reprem ki aag re prem ki aagdas gaye das gaye das gaye naino ke naag renaino ke naag re naino ke naagpreet tumse badhti jaye hole hole hole hole re hole holeamwa ki dali pe koyal bole koyal bole re koyal bolesuni atariya ka depak roye depak roye re depak royemain to jagu meri kismat soye kismat soye haye kismat soyetha ke pardesh piya ghughanat kholeghughanat khole re ghughanat kholeamwa ki dali pe koyal bole koyal bole re koyal boleprem ki nadi me man ki naiyadag mag dole re dag mag dolere naina dole dole re........ Star Singer Paro Devi According to Saadat Hasan Manto, Paro was a courtesan from Meerut where she was a big hit with all the rich men of the city. Among those who frequented her kotha were the poets Josh Maleehabadi and Saghar Nizami!She was introduced by Savak Vachcha in Shikari (1946) as a side-heroine. She sang her own songs in this film including Chupo chupo o marne se darnewalon and Rangeela re, jawani mein sata ke kahan kahan gaya re composed by S.D. Burman. Later, she played supporting roles in many films including Do Bhai (1947), Sargam (1950), Angarey (1954) etc. Her most memorable role was opposite Dilip Kumar and Kamini Kaushal in Shabnam (1949). The film was a box-office success mainly because of its dances and music. Three of the Mukesh-Shamshad duets were picturized on her and Dilip Kumar – Tumhare liye huwe badnaam, Tu mehloun mein rehnai walie and Pyar mein tumne dhoka seekha.Despite having a good voice, music directors rarely used her voice for playback singing. Many of her songs onscreen were sung by Shamshad Begum. However, she did sing quite a few songs in films and one of the most famous one was Deewana gaya daaman sai lipat from Karwat (1949), music by Hansraj Behl.Paro also produced Nakhare (1951) under the banner of Paro pictures.She had a very fresh and young voice.. please listen songs , paro on her best. Film Heera 1947 music composed by Husnlal - Bhagatram Listen!....Deewana gaya daaman sai lipat..Singer..Paro Devi,Music Hansraj Behl,Film..Karwat,1949,
watan ki mati hath mein lekar mathe tilak laga lo_Gaon1947_GeetaDutt_ Mukesh_Khemchand Prakash_a tri mastkalandr 2020-06-09 | Song..watan ki maati haath mein lekar maathe tilak laga lo..Film..Gaon,1947, Singers..Geeta Dutt,Mukesh & chorus. Lyricist..D N Madhok , Music Director..Khemchand Prakash,Director..Dwarka Khosla, Cast .. Karan Dewan, Rajkumari, Indu,Tiwari,Mishra,Production banner..Jamuna Production,Enjoy a rare real gem , the very first duet song sung by true nightingale Geeta Dutt with soulful singer Mukesh.Lyrics.... watan ki maati haath mein lekarmaathe tilak lagaa lowatan ki maati haath mein lekarmaathe tilak lagaa lojis maati ne janam diyaaus maati ke gun gaa lojis maati ne janam diyaaus maati ke gun gaa lowatan ki maati haath mein lekarmaathe tilak lagaa lomaati ho ke sonaa ugleae ae ae ae aemaati ho ke sonaa ugleye sonaa wo sonaa haiye sonaa wo sonaa haichor churaaye daaku lootekhatam kabhi nahin honaa haichor churaaye daaku lootekhatam kabhi nahin honaa haiaisi pyaari daulat koo o o oaisi pyaari daulat kotan-man se apnaa lojis maati ne janam diyaaus maati ke gun gaa lojis maati ne janam diyaaus maati ke gun gaa logairon ne baahar se aa keae ae aegairon ne baahar se aa keae ae aepet bhare yahaan apnepet bhare yahaan apnesukh ki neend sadaa vo soye dekhe sukh ke sapnesukh ki neend sadaa vo soye dekhe sukh ke sapneband karo ab ghar ke dwaareae ae aeband karo ab ghar ke dvaareghar ko aur sambhaalojis maati ne janam diyaaus maati ke gun gaa lojis maati ne janam diyaaus maati ke gun gaa lo...
raat hai nikhri hui nind hai bikhri hui _Mallika1956_GeetaDutt_Krishna Goyal_AsadBhopali_HansrajBehl mastkalandr 2020-06-05 | Song..raat hai nikhri hui nind hai bikhri hui ..Film..Mallika,1956, Singers : Geeta Dutt,Krishna Goyal,Lyricist : Asad Bhopali,Music Director..Hansraj Behl,Director..Majnu(Aka Harold lewis),Cast : Mahipal,Shakeela,Ramesh Thakur, OmPrakash,Sundar, Kumkum,Chandrashekhar,Producer..Thakur Ranbir Singh,Production Co.. S B Films,Lyrics ..Raat Hai Nikhari Hui Neend Hai Bhikhari Hui - रात है निखरी हुई नींद है बिखरी हुईrat hai nikhri hui nind hai bikhri huihusn hai jaga hua aye mere dil gaye jagaye ja gaye jarat hai nikhri hui nind hai bikhri huihusn hai jaga hua aye mere dil gaye jagaye ja gaye jaaapki pahli najar le gayi dil chin kardil chin karapni najar ki kasam kuch nahi hamko khabaraap to hai dilruba aap hi jane baladil pe sitam kya hua aye mere dil gaye jagaye ja gaye jachhod ke sara jaha tum pe hai dil meharbadil meharba sukariya mere huzuraap kaha mai kahapyar nahi sochta kya hai bhala kya burajo hua acha hua aye mere dil gaye jagaye ja gaye jarat hai nikhri hui nind hai bikhri huihusn hai jaga hua aye mere dil gaye jagaye ja gaye ja.रात है निखरी हुईनींद है बिखरी हुईहुस्न है जागा हुआए मेरे दिल गlए जागाए जा गाए जारात है निखरी हुईनींद है बिखरी हुईहुस्न है जागा हुआए मेरे दिल गाए जागए जा गाए जाआपकी पहली नजर ले गयीदिल छीन कर दिल छीन करआपकी पहली नजर ले गयीदिल छीन कर दिल छीन करअपनी नजर की कसमअपनी नजर की कसमकुछ नहीं हमको खबरआप तो है दिलरूबाआप ही जाने बालादिल पे सितम क्या हुआए मेरे दिल गाए जागए जा गाए जाछोड़ के सारे जहाँतुम पे है दिल मेहरबादिल मेहरबाछोड़ के सारे जहाँतुम पे है दिल मेहरबादिल मेहरबासुकरिया मेरे हुजुरसुकरिया मेरे हुजुरआप कहा मै कहाप्यार नहीं सोचता क्याहै भला क्या बुराजो हुआ अच्छा हुआ एमेरे दिल गाए जागए जा गाए जारात है निखरी हुईनींद है बिखरी हुईहुस्न है जागा हुआए मेरे दिल गlए जागए जा गlए जा..Mallika 1956, film directed byMajnu (his real name is Harold lewis).Majnu was a comedian,a short time actor appeared in many films and he had worked along with I.S.Johar, in Ek thi Ladki,Hum sab chor hai etc.He has also directed many films ..this film is not remake of any south Indian film..
mera sundar sapna beet gaya.. Geeta Dutt_Raja M A Khan_S D Burman..a tribute mastkalandr 2020-06-02 | Song; Mera sundar sapna beet gaya.. Film ; Do Bhai, 1947,Singer ; Geeta Dutt,Lyricist; Raja Mehdi Ali Khan,Music Director ;S D Burman,Cast : Kamini Kaushal,Rajan Haksar, Rajendra Singh, Ramayan Tiwari, Paro,S.B. Nayampalli, Ulhas, Vikram Kapoor,Majid, Noor Jehan, Kanta Kumari, , Director : Munshi Dil,Production Co: FilmistanDo Bhai is a 1947 Indian Bollywood film. It was the second highest grossing Indian film of 1947Lyrics ;-meraa sundar sapna beet gayaamain prem mein sab kuchh haar gayibedard zamaanaa jeet gayaameraa sundar sapnaa beet gayaakyun kaali badariyaa chaayi haikyun kali kali muskaayi haikyun kaali badariyaa chaayi haikyun kali kali muskaayi haimeri prem kahaani khatm huyimeraa jeewan kaa sangeet gayaameraa sundar sapnaa beet gayaao chod ke jaane waale aadil tod ke jaane waale aao chod ke jaane waale aadil tod ke jaane waale aaaankhen ansuvan mein doob gayindoob gayinaankhen asuvan mein doob gayinhansne kaa zamaanaa beet gayaameraa sundar sapnaa beet gayaahar raat meri deewaali thimain piyaa ki hone waali thihar raat meri deewaali thimain piyaa ki hone waali thiis jeewan ko ab aag lage,aag lageis jeewan ko ab aag lagemujhe chodke jeewan meet gayaameraa sundar sapnaa beet gayaamain prem mein sab kuchh haar gayibedard zamaanaa jeet gayaameraa sundar sapnaa beet gayaameraa sundar sapnaa beet gayaameraa sundar sapnaa beet gaya..Do Bhai (English: The Two Brothers) is a 1947 Indian Bollywood film directed by Munshi Dil. Its starred Ulhas, Kamini Kaushal, Dipak Mukherjee, Tiwari, Rajan Haksar and Paro Devi in lead roles. It was the second highest grossing Indian film of 1947.Popular film songs...The film Do Bhai features the songs, "Mera Sundar Sapna Beet Gaya" and "Yaad Karoge", sung by Geeta Dutt, with music composed by Sachin Dev Burman, and lyrics by Raja Mehdi Ali Khan.
kathawa ke naiya banaihe re malaha _Lalita Deulkar_P Chander_Kamini& Dilip_MotiBA_CRamchandra_a tri mastkalandr 2020-05-31 | Song.. kathawa ke nayya banaihe re malahawa nadiya ke par de utar..Film.. Nadiya ke paar,1948,Singers..Lalita Deulkar, P. Chander,Lyricist..Moti B A,Music Director..C.Ramchandra,Writer/Director: Kishore Sahu,Cast: Dilip Kumar,Kamini Kaushal, Sunil Puri,Shushil Sahu,Devid Abrahim,Maya Benarjee,Hari Shivdasani, Producer..Prakash Mills Pvt.Ltd.,Lyrics..Kathawaa Ke Nayyaa Banaihe Re Malahawaa - कठवा के नैया बनइहे रे मलहवा..o e ho paradesiya more manabasiyae ho paradesiya e ho paradesiya more manabasiyabhul mat jaiyo bhul mat jaiyonadiya kinare kabhi jab yad tabhichupake se aiho raja chupake se aihoaungi kar ke sigar o aungi kar ke singaaraa aa aahoy kathawa ke nayya banaihe re malahawanadiya ke par de utaraha aha ha aha aha hachhapak chhapak chaleo chhapak chhapak chale tori nayya re malahawaaai purawai ke baharaha aha ha aha aha ha aha aha hanadiya kinare tori akhiyan se akhiyan morinadiya kinare tori akhiyan se akhiyan morimili ho sanwariyanayya liye jaye tohe nayya liye jaye tohekachhu na suhay mohetarase najariya ho tarase najariyaram ji lagain par ho ram ji lagain par o ho hokathawa ke nayya banaihe re malahawanadiya ke par de utaraha aha ha aha aha hachhapak chhapak chaleo chhapak chhapak chale tori nayya re malahawaai purawai ke baharaha aha ha aha aha ha aha aha ha aha aha hanadiya ke par gori nadiya ke parho nadiya ke par gori dekhe mohe chori chorimare ho najariyajiyara ke bich base akhiyan ke bich hansegori ki suratiya ho gori ki suratiyahamako hai asara tohar ho hamako hai asara toharkathawa ke nayya banaihe re malahawanadiya ke par de utaraha aha ha aha aha ha aha aha ha aha aha hachhapak chhapak chaleo chhapak chhapak chale tori nayya re malahawaai purawai ke baharaha aha ha aha aha ha aha aha ha aha aha ha...Plot...Two friends, Kunwar and Samer, fall for Phulwa and Chanchal, respectively. Kunwar's brother is against the relationship and fixes his marriage with Chanchal.Remembering a forgotten singer..Lalita Deulkar ...Name after marriage..Lalita PhadkePlayback Singer and Actress Active/Popular Decades –1940sDate of Birth – 1925Date of Death – May 25th, 2010. She was cremated at the Dadar crematorium. Those present at the funeral included music composer Yeshwant Deo, Vinay Newalkar, poet Pravin Davane, and other notables in the field of music. Sudhir Phadke (Husband, Music Director), Shridhar Phadke (Son, Music Director)Lalita Deulkar was born in 1925 on Lalita Panchami day. She liked music from childhood. Her uncle Pandharinath aka N. Deulkar was a classical singer and she learnt classical singing from Baburao Gokhale.Her first step into films was as a supporting actress. She acted in Bombay Talkies films including ‘Nirmala’ and ‘Durga’. Thereafter, she turned to playback singing and provided playback for over 60 films. Her duet with Mohammad Rafi “Mohe raja ho le chal nadiya ke paar” from the film “Nadiya Ke Paar” (1948) became very popular in 1948.she married Sudhir Phadke and gradually moved away from films. At their wedding, which took place at the Sahitya Parishad hall in Pune, the well-known singer Mohammed Rafi sang the traditional ‘ma.ngalaaShTak’ in the traditional tune but with Hindi words. He had prepared extensively for this in advance.Her notable films as playback singer include Sajan (1947), Nadiya Ke Paar (1948) and Shabnam (1949).Poular Songs...Lalita Phadke and Mohammad Rafi singing for Kamini Kaushal and Dilip Kumar in Nadiya Ke Paar (1948), music by C. Ramchandra.Lalita Phadke and Mohammad Rafi singing popular song “Hum ko tumhara hi aasra” from Sajan (1947), music by C. Ramchandra. Singing career with various composers, in Hindi films.Vasant Desai – Parbat Pe Apna Dera (1944) Narsinh Avatar (1949)C Ramchandra – Saajan (1947) Shehnai (1947) Nadiya Ke Paar (1948) Mera Munna (1948) Sanwariya (1949) Roshani (1949)Shankarrao Vyas – Valmiki (1946) Bhakta Dhruv (1947) Ram Baan (1948)Anil Biswas – Girl’s School (1949)S D Burman – Eight Days (1946) Vidya (1948) Shabnam (1949)Sudhir Phadke – Rukmini Swayamvar (1946) Jai Bhim (1949) Maya Bazar (1949) Sant Jananbai (1949) Malati Madhav (1951) Pehli Tarikh (1954) – I tried getting the song ‘Hisab Zara Sunte Jana’, But Alas! Sajni (1956) J C Mazumdar – Hawai Qila (1944, ? Unreleased)One song, Ae Chand Na Chamak Tu, from the movie did attract my attention. Her voice was so expressive, even at that tender age
more raja ho le chal nadiya ke paar..Lalita Deulkar_Rafi_Moti B A_C Ramchandra..a tribute mastkalandr 2020-05-28 | Song..more raja ho le chal nadiya ke paar..Film.. Nadiya ke paar,1948,Singers..Rafi & Lalita Deulkar,Lyricist..Moti B A,Music Director..C.Ramchandra,Writer/Director: Kishore Sahu,Cast: Dilip Kumar,Kamini Kaushal, Sunil Puri,Shushil Sahu,Devid Abrahim,Maya Benarjee,Hari Shivdasani, Producer..Prakash Mills Pvt.Ltd.,Lyrics..more raja homore raja ho le chal nadiya ke paarmore raja ho le chal nadiya ke paarmori rani ho tumhi mori pran aadharmori rani ho tumhi mori pran aadhartumne aisha jadu dala bik gayi tere hathtumne aisha jadu dala bik gayi tere hathjanam janam tak sang rahungijanam janam tak sang rahungi kabhi na chhod u sathmore raja ho humko to devo na bisarmori rani ho tumhi meri pran aadharmore raja ho le chal nadiya ke paarmori rani ho tumhi mori pran aadharpyar ki mithi baato me sajanva mai gayi harpyar ki mithi baato me sajanva mai gayi harpyari teri aankho me maipyari teri aankho me mai bhul gaya sansarmeri aankhon me jhuki hai surtiya tuharmeri sanso me gunje naam toharmore raja ho le chal nadiya ke parmori rani ho tumhi mori pyan aadharmai to prit nibhau balma, tum bhi prit nibhanamai to prit nibhau balma, tum bhi prit nibhanasath hi ham tum donosath hi ham tum dono gaye mast taranamore raja ho le chal nadiya ke parmori rani ho tumhi mori pran aadharho o ho...Nadiya Ke Paar ( 'Across the river') is a 1948 Indian Bollywood film directed by Kishore Sahu. It was the sixth highest grossing Indian film of 1948.Plot...Two friends, Kunwar and Samer, fall for Phulwa and Chanchal, respectively. Kunwar's brother is against the relationship and fixes his marriage with Chanchal.Remembering a forgotten singer..Lalita Deulkar Name after marriage..Lalita PhadkePlayback Singer and Actress Active/Popular Decades –1940sDate of Birth – 1925Date of Death – May 25th, 2010. She was cremated at the Dadar crematorium. Those present at the funeral included music composer Yeshwant Deo, Vinay Newalkar, poet Pravin Davane, and other notables in the field of music. Sudhir Phadke (Husband, Music Director), Shridhar Phadke (Son, Music Director)Lalita Deulkar was born in 1925 on Lalita Panchami day. She liked music from childhood. Her uncle Pandharinath aka N. Deulkar was a classical singer and she learnt classical singing from Baburao Gokhale.Her first step into films was as a supporting actress. She acted in Bombay Talkies films including ‘Nirmala’ and ‘Durga’. Thereafter, she turned to playback singing and provided playback for over 60 films. Her duet with Mohammad Rafi “Mohe raja ho le chal nadiya ke paar” from the film “Nadiya Ke Paar” (1948) became very popular in 1948.She also provided playback in Marathi films including Prabhat’s “Sant Janabai”, “Vitthal Rukmini”, “Mee Daru Sodali”, and “Suhasini”. Her songs had also been recorded by Young India Gramophone Company. Among them, “raanii jaa_uu sakhyaa re, shobhaa paahuusakhyaa re” became quite popular.In 1949, she married Sudhir Phadke and gradually moved away from films. At their wedding, which took place at the Sahitya Parishad hall in Pune, the well-known singer Mohammed Rafi sang the traditional ‘ma.ngalaaShTak’ in the traditional tune but with Hindi words. He had prepared extensively for this in advance.Her notable films as playback singer include Sajan (1947), Nadiya Ke Paar (1948) and Shabnam (1949).She died on May 25h, 2010. Songs and films...Lalita Phadke and Mohammad Rafi singing for Kamini Kaushal and Dilip Kumar in Nadiya Ke Paar (1948), music by C. Ramchandra.Lalita Phadke and Mohammad Rafi singing popular song “Hum ko tumhara hi aasra” from Sajan (1947), music by C. Ramchandra. Singing career with various composers, in Hindi films.Vasant Desai – Parbat Pe Apna Dera (1944) Narsinh Avatar (1949)C Ramchandra – Saajan (1947) Shehnai (1947) Nadiya Ke Paar (1948) Mera Munna (1948) Sanwariya (1949) Roshani (1949)Shankarrao Vyas – Valmiki (1946) Bhakta Dhruv (1947) Ram Baan (1948)Anil Biswas – Girl’s School (1949)S D Burman – Eight Days (1946) Vidya (1948) Shabnam (1949)Sudhir Phadke – Rukmini Swayamvar (1946) Jai Bhim (1949) Maya Bazar (1949) Sant Jananbai (1949) Malati Madhav (1951) Pehli Tarikh (1954) – I tried getting the song ‘Hisab Zara Sunte Jana’, But Alas! Sajni (1956) J C Mazumdar – Hawai Qila (1944, ? Unreleased)One song, Ae Chand Na Chamak Tu, from the movie did attract my attention. Her voice was so expressive, even at that tender age...
tum jis pe nazar dalo us dil ka khuda hafiz_Sunil Dutt& Leela Naidu_Mohd. Rafi_Rajinder_Ravi_a trib. mastkalandr 2020-05-26 | Song..tum jis pe nazar dalo us dil ka khudahafiz..katil ki khuda jane bismil ka khudahafiz..Film..Yeh Rastey Hain Pyaar ke,1963,Singer.. Mohammad Rafi,Lyricist.. Rajinder Krishan,Music Director..Ravi,Cast..Sunil Dutt,Leela Naidu,Ashok Kumar,Shashikala,Rehman,Motilal, Monmohan,Tabassum,Director..R.K. Nayyar, Producer..Sunil Dutt,Production Banner..Ajanta Arts,Lyrics..Tum Jis Pe Nazar Daalo Us Dil Ka Khudahafiz तुम जिस पे नज़र डालो उस दिल का खुदाहाफिज़..tum jis pe nazar dalo us dil ka khudahafiztum jis pe nazar dalo us dil ka khudahafizkatil ki khuda jane bismil ka khudahafiztum jis pe nazar dalo us dil ka khudahafizaa jao jo mehfil me ek jaan si aa jayeaa jao jo mehfil me ek jaan si aa jayeuth jao jo mehfil se mehfil ka khudahafizuth jao jo mehfil se mehfil ka khudahafiztum jis pe nazar dalo us dil ka khudahafiztum jis pe nazar dalo us dil ka khudahafizkatil ki khuda jane bismil ka khudahafiztum jis pe nazar dalo us dil ka khudahafijzsathi ho agar tumsa manjil ki tamana kyasathi ho agar tumsa manjil ki tamana kyahumko to safar pyara manjil ka khudahafizhumko to safar pyara manjil ka khudahafiztum jis pe nazar dalo us dil ka khudahafiztum jis pe nazar dalo us dil ka khudahafizkatil ki khuda jane bismil ka khudahafiztum jis pe nazar dalo us dil ka khudahafizab hum bhi tumhare hai kashti bhi tumhari haiab hum bhi tumhare hai kashti bhi tumhari haiab mudke na dekhenge sahil ka khudahafizab mudke na dekhenge sahil ka khudahafiztum jis pe nazar dalo us dil ka khuda hafiztum jis pe nazar dalo us dil ka khuda hafizkatil ki khuda jane bismil ka khuda hafiztum jis pe nazar dalo ..Yeh Raaste Hain Pyaar Ke (lit. 'These are the paths of love') is a 1963 Hindi film starring Sunil Dutt and Leela Naidu in the lead roles. This film was Sunil Dutt's debut production, directed by R.K. Nayyar, with music composed by Ravi.A man goes abroad leaving behind his wife and children. In his absence his playboy friend seduces his wife. On his return he finds out about them. He confronts his friend who accidentally gets killed.Anil Sahni (Sunil Dutt) is a pilot who married Neena (Leela Naidu) against his father's wishes. When Anil was away on a trip, Neena and Ashok (Rehman) come close and have an affair. Anil returns and is furious to find out about the affair. He confronts Ashok, who is killed in an ensuing scuffle. Anil is tried for murder in court, with defence and prosecution lawyers fighting it out.Rustom and Ye Rastey Hain Pyar Ke: A case for the cheating wifeIn the 1963 film based on the Nanavati trial, she dies of guilt. In the new one, she is pardoned by her noble husband..Rustom, directed by Tinu Suresh Desai, and starring Akshay Kumar in the title role, is based on the sensational murder case that rocked the country in 1959.Making the film now, meant researching and recreating period details, a problem that RK Nayyar’s Ye Rastey Hai Pyar Ke didn’t have, since it was made soon after the cause célèbre, in 1963.Ye Rastey Hai Pyar Ke (1963) Naval commander Kawas M Nanavati shot dead his English wife Sylvia's lover Prem Ahuja. Such was the sympathy for the Parsi man in uniform that the public supported him, with opinion whipped up in his favour by fellow Parsi Russi Karanjia, editor of the popular tabloid Blitz.In the film he is named Eruch Billmoria and seen to approach a patrician industrialist, JJ (easy to guess who) for funds to run the pro-Nanavati campaign.Opinion was whipped up in Nanavati's favour by Russi Karanjia, editor of the popular tabloid Blitz.Nanavati was found not guilty by a jury in the Greater Bombay sessions court, but the judge referred the case to the Bombay High Court, which found Nanavati guilty and sentenced him to life imprisonment. But he was granted a pardon and left the country to settle in Canada. This was the last case to be tried by a jury in India, after which this system was abolished by the government.Nayyar altered the story to suit the tastes of the Indian audience, who in that period, would not have been able to stomach the plot about an unfaithful wife.In the film, starring Sunil Dutt (who also produced it), Leela Naidu, Rehman and Shashikala, the wife, Neena is lonely after her husband Anil, a pilot, goes out of the country on work and befriends his pal Ashok, not knowing that he is a playboy. His jilted girlfriend (Shashikala) cautions Ashok against trying to seduce a decent married woman, but one day at a party, he gets her drunk and rapes her.She is so shocked and ashamed that she spends most of the film after the incident dressed in a white sari looking mournful. Anil ends up shooting Ashok, and the case goes into a high-profile trial with defence lawyer Byomkesh Mukherjee (Ashok Kumar) and prosecutor Ali Khan (Motilal) matching wits in court. There is a very filmi twist towards the end, and then a melodramatic climax, in which it turns out that Anil is genuinely not guilty.
kabhi ye to mujhse puchho dil beqarar kyon hai_Lata _Krishna Goyal_Rajinder K _Dhaniram..a tribute mastkalandr 2020-05-24 | Song..kabhi ye to mujhse puchho,mujhe tumse pyar kyu hai..Film..Dhuaan 1953, Singers..Lata and Krishna Goyal.Lyricist..Rajinder Krishan,Music Director.. Dhaniram,Producer | Director..Roshan Lal MalhotraCast..M Rajan,Protima Devi,Usha Kiran,Asha Mathur,Ulhas,Jeevan,Mumtaz,Vikas,Balraj,Jagdish Kanwal,Sanjana,Om PrakashProduction Co. ..Roopnagar,Producer | Director..Roshan Lal Malhotra. Lyrics :-kabhi ye to mujhse puchhokabhi ye to mujhse puchhomujhe tumse pyar kyu haidil bekarar kyu haidil bekarar kyu haikabhi ye to mujhse puchhokabhi yekabhi ye to mujhse puchhomujhe tumse pyar kyu haidil bekarar kyu haidil bekarar kyu haimere paas paas hoke kyu dur ho rahe hokyu dur ho rahe homere paas paas hoke kyu dur ho rahe hokyu dur ho rahe homajbur kar rahe ho majbur ho rahe homajbur ho rahe hotum aa chuke ho phir bhi tum aatum aa chuke ho phir bhimujhe intzar kyu haidil bekarar kyu haidil bekarar kyu haimeri zindagi me aa ke meri hasrate jaga kemeri hasrate jaga kemeri zindagi me aa ke meri hasrate jaga kemeri hasrate jaga kemujhe bhul ke na dekhakabhi tumne muskura kekabhi tumne muskura keye kaho ke phir bhi tum par ye kahoye kaho ke phir bhi tum parmujhe eaitbar kyu haidil bekarar kyu haidil bekarar kyu hai.Review:-Film.. Dhuaan,1953Produced and directed by Roshanlal Malhotra, Roopnagar’s murder mystery, “Dhuaan” is an amateurish film, the story of which is too frequently held up by songs which merely irritate.The cast is headed by Usha Kiron as the murdered girl, M. Rajan who portrays the hero and chief suspect, and Asha Mathur as the girl who befriends him and helps him track down the real murderer.While the identity of the murderer is well concealed, the film on the whole drags owing to the highly amateurish direction and the stilted portrayals by M. Rajan and Asha Mathur who make an unprepossessing stellar pair.Usha Kiron puts over the one really good performance in the picture as the beautiful young dancer with a tragic end. Forceful, determined and highly attractive, her comparatively small role dominates the picture.The supporting players do well in their parts, especially Jeevan.Vasant Desai’s music score is disappointing and surprisingly (for him) westernized. Of the three dances composed by Vinod Chopra, only one – the ‘Moon and Waves’ ballet – is good in composition and gracefully performed.The photography, costumes, sets and decor are goodDhaniram.. Remembering a forgotten music mastario..Date of Birth – 1922Date of Death – March 14th, 1967.After learning the basics from Buteh Khan, Dhaniram had made his brother Omkarnath his guru. During those days Dhaniram used to sing for Aakashvaani Delhi. This was around 1935. After that in 1942 he started working as Music Director for ‘Song Publicity Organization’. He became the Music Director for ‘HMV’ Lahore in 1945. It was there that he started his career by giving music in ‘Papiha Re’.During the time of partition , Dhaniram left the films ‘Kaalidas’ and ‘Mera Desh’ incomplete and went to Delhi. He started working there as a Music Director.As said Dhaniram...‘In the year 1955 (?) I went to Bombay’ as told by Dhaniram. Here he started getting one after another Films. ‘ B. R. Chopra’s ‘Sholey’, A.V.M’s ‘Ladki’, ‘Dhuan’, ‘Daak Babu’, ‘Shaahi Bazaar’, ‘Shaahi Chor’, ‘Baaje Ghungroo’ and dubbed Films like ‘Matwaala’, ‘Mahavath’, ‘Taqdeer’, ‘Aankh Ka Nashaa’ & ‘Ladki’ were some Films through which I could showcase my talent. However only the audience can say if I have been successful in my attempts or not.’‘Surely the audiences would give witness to your success. Just tell me now something about the audiences.’ My words were ‘Do you know what the Audience likes ?’‘We cannot measure the likes of the Audiences. Just understand that whatever fascinates the mind becomes their favourite.’Around 42 years ago Dhaniram was born in Secunderabad. It was a huge surprise that he developed an interest in music. He was so much lost in his passion for music that he didn’t realize how he overcame the difficulties. In 1932 when he came with his Father to Shimla he remained there only. He learnt music till 1935 from Buteh Khan. Then when he took an oath by singing and composing, then he had dedicated his life to music. He has given such gems like O. P. Nayyar. Dhaniram was Nayyar’s Guru for many years. Vinod who had given music in a Punjabi Film ‘Chaman’ was also his disciple. Sabita Banerjee lent her voice for the first time under Dhaniram’s composition. It was in the Film ‘Aankh Ka Nashaa’.Let’s hear in his own words what all he has to do to make tunes for a song. ‘First, think about the situation and then get lost in the deepness of the words in the song. I do attempt to be in synchronization with what the Lyricist has penned. When the mind gives the nod I wrap the tunes around the words.’‘This means that you don’t give your tunes to write a song?’‘I have not tied myself in such instances. Many a times
pehla pehla pyar hai ye pehla pehla _Budtameez_Shammi Kapoor&Sadhna_Suman Kalyanpur_Hasrat_SJ_a trib mastkalandr 2020-05-21 | Song..pehla pehla pyar hai ye pehla pehla pyaar..Film..Budtameez,1966,Singer..Suman Kalyanpur,Lyricist.. Hasrat Jaipuri,Music Director.. Shankar jaikishan,Director.. Manmohan Desai,Cast.. Shammi Kapoor,Sadhna, Purnima,manorama,Jagdish Sethi, Sundar,Brahm Bhardwaj,Kamal Mehra,Kanan Kaushal,Producer.. Jagdish Varma,Production Co. ..Varma Brothers,Lyrics..pehla pehla pyar hai ye pehla pehla pyarpehla pehla pyar hai ye pehla pehla pyarkya jane kya ho gaya hai dil hai bekrarkya jane kya ho gaya hai dil hai bekrarpehla pehla pyar hai ye pehla pehla pyarkaate jaise bichua kuch aisa mera haaldil mera bole ke khud ko sambhalkaate jaise bichua kuch aisa mera haaldil mera bole ke khud ko sambhalaaj mujhe khud par nahi hai ikhtyaraaj mujhe khud par nahi hai ikhtyarpehla pehla pyar hai ye pehla pehla pyarkya jane kya ho gaya hai dil hai bekrarpehla pehla pyar hai ye pehla pehla pyarsharmo haya se hua hai mukh laalpyar ne kisi ke ye kar diya kamalsharmo haya se hua hai mukh laalpyar ne kisi ke ye kar diya kamalang mera sulage ke jaise ho bukharang mera sulage ke jaise ho bukharpahla pahla pyar hai ye pahla pahla pyarkya jane kya ho gaya hai dil hai beakrarpahla pahla pyar hai ye pahla pahla pyarghadi ghadi tute ye phool sa badanrom rom bhadke hai kaisi ye chubhanghadi ghadi tute ye phul sa badanrom rom bhadke hai kaisi ye chubhanhaye mera aanchal ude hai bar barhaye mera aanchal ude hai bar barpehla pehla pyar hai ye pehla pehla pyarkya jane kya ho gaya hai dil hai bekrarpehla pehla pyar hai ye pehla phla pyarpehla pehla pyar hai ye pehla pehla pyarpehla pehla pyar hai ye pehla pehla pyar...Film..Budtameez (Insolent) is a 1966 Bollywood film produced by Jagdish Varma and directed by Manmohan Desai. The film stars ShammiKapoor,Sadhana and Manorama. The film's music was by Shankar Jaikishan. The film was a box office success. It was one of the top grossing movies of 1966.Storyline....After the passing away of her parents, Shanta lives a wealthy lifestyle in Bombay along with her grandfather, Rajabahadur Murthy Sagar, who is kind-hearted and generous to a fault. Due to his pampering, Shanta has grown up to be headstrong, and rude. In order to teach her a lesson, Rajabahadur appoints Allahabad-based Shyam Kumar Saxena, who turns on his charm, and both fall in love with each other much to the delight of Rajabahadur who quickly arranges their marriage. While Shyam returns home to inform his wheelchair-bound sister, Beena, and widowed stepmother, Rajabahadur and Shanta prepare for the marriage. Then their lives are turned upside down when they receive a wedding invitation announcing the marriage of Shyam with Kamla. The question remains who is Kamla and why is Shyam rejecting Shanta and marrying her?Cast...Shammi Kapoor as Shyam Kumar SaxenaSadhana Shivdasani as ShantaPurnima as RitaBrahm Bhardwaj as Rajbahadur (Shanta's grandfather)Kamal Mehra as DevdasKanan Kaushal credited as Indumati (Paingankar) as Beena (Shyam Kumar Saxena's disabled sister)Manorama as StepmotherBudtameez’s distinctiveness arises from the star buzz provided by its leading cast members Sadhana and Shammi Kapoor, individually, and as a pair. In the five years (1961 to 1965) preceding the release of Budtameez, Sadhana had on average at least one annual hit film which was on the list of the ten highest-grossing films for the year. Specifically, she was the lead female cast member in the hit films Mere Mehboob (1963), Woh Kaun Thi? (1964), Rajkumar (1964), Arzoo (1965) and Waqt (1965).According to Upperstall, an online reference website, “If Sadhana was the definitive enduring female icon of the swinging 1960s, then without a doubt her male counterpart was Shammi Kapoor. Certainly no other Hindi film hero made the art of boy chasing girl a more enjoyable and playful affair than Shammi Kapoor.”Like Sadhana, in the five years preceding the release of Budtameez, Shammi Kapoor too had on average at least one annual hit film which was on the list of the ten highest-grossing films for the year. In particular, he played the male lead in the hit films Junglee (1961), Dil Tera Deewana (1962), Professor (1962), China Town (1962), Kashmir Ki Kali (1964), Rajkumar (1964) and Jaanwar (1965).Finally, two years before acting in Budtameez, Shammi Kapoor and Sadhana acted as a pair for the first time in the hit film Rajkumar (1964),which was the fifth highest-grossing film of 1964, attesting to their audience appeal as a pair.Budtameez 1966 ‧ Romance/Drama 2h 40mSongs...1Soorat Haseen Hai Lagta Diwana4:14 · Lata Mangeshkar2Haseen Ho Tum Khuda Nahin Ho4:57 · Mohammed Rafi3Budtameez Kaho Ya Kaho Janwar4:03 · Mohammed Rafi4Dil Ko Na Mere Tadpao4:58 · Mohammed Rafi5Pehla Pehla Pyar4:22 · Suman Kalyanpur6Sirf Tum Hi To Ho4:29 · Asha Bhosle, Mohammed Rafi7Apni Bahon Se5:11 · Mohammed Rafi
geet kitne gaa chuki hoon is sukhi jag ke liye..NFS_Asha Bhosle_ Bharat Vyas_Nikhil Ghosh..a tribute mastkalandr 2020-05-18 | Song..geet kitne gaa chuki hoon,iss sukhi Jag ke liye..Album.. Non Film Song,Gair Filmi geet,1960,Singer..Asha Bhosle,Lyricist..Bharat Vyas,Music Director.. Nikhil Ghosh, Lyrics....geet kitne gaa chuki hoonis sukhi jag ke liyeaaj roney do mujhepal ek apne bhi liyegeet kitne gaa chuki hoonis sukhi jag ke liyeaaj roney do mujhepal ek apne bhi liyero rahi thhi beenaur sun kar sukhi sansaar thhaaro rahi thhi beenaur sun kar sukhi sansaar thhaanaachti thhi ungaliyaan honaachti thhi ungaliyaanaur kaanptaa har taar thhaaaur kaanptaa har taar thhaaaaj toota taar meri been ka aaghaat seaaj toota taar meri been ka aaghaat seaaj kumhlaayaa kusum mera adhik barsaat seaaj kumhlaayaa kusum mera adhik barsaat sesaaz dhone donayan ke ashru khonay donayan ke ashru khonay do mujhekal sunaaungi madhur kuchhaaj roney do mujheaaj roney do mujhepal ek apne bhi liyegeet kitne gaa chuki hoonis sukhi jag ke liyeaaj roney do mujhepal ek apne bhi liye.. Asha Bhosle...Asha Bhosle's versatile contribution to Indian music has known no bounds. From evergreen melodies to peppy numbers and ghazals, the singing queen has ruled the music industry for decades.The music diva may have aged in numbers but her relevance as a musician has not subsided much. And that's perhaps because of her brilliant ability to mould her art to suit the evolution of music with time.At a time when indie-pop songs turned out to be a craze among the youth, Asha Bhosle also joined the trend to make people tap their feet to her quirky numbers. On her 84th birthday, let's walk down the memory lane to relive those popular songs that still remain a part of our growing-up nostalgia...As said Asha..I sing worthless songs at this point, people will point fingers at me: Asha BhoslePlayback icon ....Asha Bhosle doesn't think twice when you ask her to pick her favourite among the numerous actresses she has sung for in her illustrious career. "Helen! She was so pretty that the moment she would enter the room, I would stop singing and look at her. In fact, I would request her not to come when I was recording! Do you know that famous story when I told Helen that I would have eloped with her if I were a man! That is true," she laughed. The legendary singer made her digital debut with her official YouTube channel on Wednesday. From recording in a studio with live rehearsal to sending an audio recording via Internet, the veteran has observed a huge transformation over an ongoing career since 1943. Now, at 86, she is gearing up to share many stories from her life, apart from her music, in the digital space.Talking about her new venture, the National Award-winning singer told media agency: "I have sung so many songs composed and written by veterans like O P Nayyar, Khayyam saab, Shankar-Jaikishan, and they are all celebrated. That is great. But I also want young and good lyricists, composers and music directors to come forward and grab the opportunity to create music. I would like to encourage them. So, on my channel I will talk of and share my experience on how we struggled to find space here. I am sure they will also feel inspired by knowing them. There are several unreleased songs that were composed by RD (Burman) and I have them all. I will slowly release them, sing them on my channel. I want to share them with our fans." Deccan Chronicle..by Lipika VarmaLegendary singer Asha Bhosle talks about WhatsApp Love, song lyrics and more in an exclusive chat with DC.Asha Bhosle:-Asha Bhosle needs no introduction. At the age of 84, the vivacious singer continues to reinvent herself. She will soon be heard singing in Hindi and Marathi for a film called WhatsApp Love, for music director Nitin Shankar.Asha ji and R.D. Burman first gave Nitin an opportunity to direct music for them over 30 years ago. Reminiscing her decision, the singer says, “Nitin was an exuberant percussionist and a good musician even before I met him. We knew that his music was par excellence, and so we decided to let him lend music to our songs. We supported him to the fullest, & he has grown consistently over time.”Talking about her latest project with the music director, Asha ji says that she is happy to be doing a fun, pop song once again. “I just recorded a Hindi song for the film WhatsApp Love today. I was happy to note that it was a peppy, sexy number.The lyrics are undeniably catchy, and I enjoyed lending my voice to the song. I will be recording the Marathi version in a few days,” she says.Pausing to think for a minute, she adds, “I have told them, ‘Jaise Hindi ke bol vajndar likhe hain, waise hi Marathi ke bol bhi likhe jane chahiye’.”(The Marathi lyrics should be as powerful as the Hindi lyrics)Asha ji believes that lyrics can make or break a song. “If the lyrics of a song are not written well, it will vanish from the audience’s memory in no time.Songs that do not have meaningful lyrics are only good to dance to, and that too, not always.”
mann mandir ke Devta rakhiyo laaj hamari..Noor Jehan_ Fayaz Hashmi_Nisar Bazmi..a tribute mastkalandr 2020-05-16 | Song..maan mandir ke Devta rakhiyo laaj hamari..Film..Lakhon Mein Ek,1967,Singer..Noor Jehan and Chorus, Lyricist..Fayaz Hashmi,Music Director..Nisar Bazmi,Cast.. Shamim Ara,Ejaz,Mustafa Qureshi,Talish,Pandit Shahid,Saqi, Chham Chham,Arsalan,Zorain,Baby Najmi, Ahmad Rushdi, Director ..Raza Mir,Producer(s)..Afzal Hussain,Raza Mir Writer..Zia Sarhadi ,Lakhon Mein Ek (Pakistani-Film) 1967 . The Film Stars are Ejaz, Shamimara which is leading Main Role. and all are composed by Nisar Bazmi, the Movie is released on 01 January, 1967.Storyline...Kashmir, 1947. A Hindu Brahmin leaves his daughter, Shakuntala, with his Muslim friend (Agha Talish) amidst the communal riots while he ascertains how things are across the border promising to return for her. Meanwhile, the Muslim hears of his family’s slaughter the other side. Unknown to him his son has survived, lost his memory and is being brought up by a kindly Pathan. He defends Shakuntala from a mob and becomes her foster father while waiting for her father to come back for her. Shakuntala (Shamim Ara) grows up and falls in love with the Pathan’s son, a truck driver (Ejaz Durrani). The truck driver gets his memory back and is reunited with his father. However, he has forgotten his his love for Shakuntala. Nevertheless, he falls in love with her again. Shakuntala’s father returns having spent years in a mental asylum in India for trying to stop Hindus from killing Muslims. He takes Shakuntala back with him to India. In India, Shakuntala is married off to a Hindu man (Mustafa Qureshi). When he finds out about her past, he decides to call her lover to the border to kill him but Shakuntala goes to the border to warn him and takes the bullet meant for him…. Music Director..Nisar Bazmi..ISLAMABAD, Mar 22 (APP): The 10th death anniversary of renowned music director Nisar Bazmi was observed on Wednesday, March 22.According to PTV news, Bazmi was born on December, 1924 inKhandesh area of Bombay (today’s Mumbai), India. He did not belongto an artistic family and so had no musical background, howeverlegendary musician of his time, Khan Saheb Aman Ali Khan wasconvinced looking to Bazmi’s keen interest and taught him.Nisar Bazmi, stormed by his lust for music, started learning at an age of 13 and soon mastered various musical instruments.He was hired by the ‘All India Radio’ in 1939 as an artist and he first composed songs for a drama in 1944, which was broadcasted onBombay Radio Station.Bazmi also composed music for the famous film ‘Jamna Paar’ released in 1946, whilst he composed music of total 40 films in India, out of which 28 were released as long as he stayed there.The rest of the movies were released in India, after he had immigrated to Pakistan.His first song in Pakistan was “Mohabbat mei tere” (singers, Ahmed Rushdi, Noor Jahan) for the 1964 film “Aisa bhi hota hai”.Nisar Bazmi also composed music for Runa Laila and Mehdi Hassan, yet much of his fame came in return of his compositions in the voice of playback singer Ahmed Rushdi.Bazmi with expertise in the art of music, also trained many of the modern composers, among whom Badr uz Zaman was the closestto him.Nisar Bazmi also received many Nigar awards in recognition of his command over music composition.He was died on March 22, 2007.
ambua ki dari bole kahe koyaliya,aaja balamva..Asha Bhosle_ Bharat Vyas_Nikhil Ghosh..a tribute mastkalandr 2020-05-14 | Song..ambua ki dari bole kahe koyaliya..aaja balamva hamar..Album..Non Film song,Gair filmi geet,Singer..Asha Bhosle,Lyricist.. Bharat Vyas,Music Director..Nikhil Ghosh, (Nikhil Jyoti Ghosh),Year.. 1952,Music Maestro Nikhil Ghosh..Nikhil Jyoti Ghosh (1918–1995) was an Indian musician, teacher and writer, known his proficiency on the percussion instrument of tabla. He founded Sangit Mahabharati, an institution of music in 1956, and performed on various stages in India and abroad. A recipient of the Ustad Hafiz Ali Khan Award, his style was known to have been aligned with the Delhi, Ajrada, Farukhabad, Lucknow and Punjab gharanas of music. The Government of India awarded him the third highest civilian honour of the Padma Bhushan, in 1990, for his contributions to Music.Nikhil Ghosh BornDecember 28, 1918Barisal, East Bengal, British IndiaDiedmar Hindi 3, 1995 (aged 76) IndiaOccupation MusicianMusic teacherAuthor Known forTabla ..Spouse(s) UshaNayampally Children Nayan Ghosh, Dhruba Ghosh,Tullika GhoshParent(s) Akshay Kumar Ghosh Awards..Padma BhushanUstad Hafiz Ali Khan AwardNIKHIL GHOSH (1919-1995)by..Aneesh PradhanIn-depth training and a rich repertoire are two of the many essential prerequisites that are demanded of a serious practitioner of Hindustani music. Tabla maestro Nikhil Ghosh had the distinction of being a recipient of both, thus making him a repository of traditional tabla solo compositions from the Delhi, Ajrada, Lucknow, Farrukhabad and Punjab gharanas. This inheritance was largely because of his tutelage under three gurus, namely, Gyan Prakash Ghosh, Amir Hussein Khan and Ahmed Jan Thirakwa. Among the three, Gyan Prakash Ghosh had studied under Maseet Khan and Feroze Khan, Amir Hussein Khan had learnt from his maternal uncle Munir Khan, and Ahmed Jan Thirakwa had been a disciple of Munir Khan, though he had also learnt from his uncles. To go further into the past, Munir Khan was said to have learnt from twenty-four gurus following the major styles of tabla playing. This legacy was handed down to Nikhil Ghosh by his gurus over several years of training.Nikhil Ghosh did not come from a family of musicians, but his father and grandfather had studied music. It was however his elder brother Pannalal Ghosh, who first took up music as a professional pursuit. Known for his contribution to bringing the bansuri (bamboo flute) to centrestage in Hindustani music, Pannalal Ghosh was accompanied in several concerts and recordings by Nikhil Ghosh. Having had an exposure to raag music since as early age, Nikhil Ghosh also learnt vocal music. This passion for the melodic aspect of Hindustani music remained with him forever more, leading him to befriend vocalists and instrumentalists and to acquire traditional vocal compositions from leading senior vocalists.However, it was the tabla that he focused on and went on to accompany a host of vocalists and instrumentalists. His solos were marked by an emphasis on traditional compositions and an adherence to the spirit and structural framework of the taal. For him, mathematics played a secondary role, as he laid greater stress on the language of the instrument presented through various compositions. He freely employed dynamics in his solos and accompaniment, often lending a dramatic element to the performance. He was equally open to experimenting with presentation, as is evident from his handling of the repertoire or even the manner of producing melody from the bayan (bass drum).Nikhil Ghosh also had a brief stint as Assistant Music Director for Hindi feature films and had composed songs for non-film commercial recordings.His tabla solo was released by His Master’s Voice and his accompaniment to vocal and instrumental music was also featured on some commercial recordings. He was also a regular broadcaster on All India Radio. Parallel to his professional commitment, Nikhil Ghosh was also an educationist. In fact, he focused more on this aspect in the later years of his life. He established a school for music and dance called Sangit Mahabharati, where music was notated as per a system devised by him. This system addressed in particular the specific needs of instrumental music and is explained in his book entitled Fundamentals of Raga and Tala with a New System of Notation.Nikhil Ghosh was awarded the Padma Bhushan by the Government of India for his contribution to the field of Hindustani music.Among his disciples are his children Nayan Ghosh, Dhruba Ghosh, Tulika Ghosh and others like Eknath Pimple, Datta Yande, Karodilal Bhatt, Aneesh Pradhan, Gert Wegner and Keith Manning.
na na karte pyar tumhi se kar baithe ..Suman Kalyanpur live_Anand Bakshi_Kalyanji Anandji..a tribute mastkalandr 2020-05-12 | Song.. na na karate pyar tumhi se kar baithe..ना ना करते प्यार तुम्हीं से कर बैठे .. Film..Jab jab Phool Khile,1975,Singers..Mohammad Rafi,Suman Kalyanpur,Lyricist.. Anand Bakshi,Music Director..Kalyanji Anandji,Director..Suraj Prakash,Cast..Shashi Kapoor,Nanda,Shammi,Kamal Kapoor,Agha,Shyam,Producer.. T.R Sethia,P.M Sethia,Lyrics...na na karate na na karate pyaar tumhin se kar baithekarana tha inkaar magar iqaraar tumhin se kar baithena na karate pyaar tumhin se kar baithechhodo rahane bhi do ye jhuuthe afasaanena na karate pyaar tumhin se kar baitheham ko thaa pata jo tumhaari dastan thihonthon pe to na thi achchhahonthon pe to na thi magar dil me haan thikoi dil na degaa anaadi anajaan kohamane de diyaa hai to maano ehasaan koham bhuule ik baar ki aankhen chaar tumhin se kar baithena na karate na na karate pyaar tumhin se kar baithekarana tha inkaar magar iqaraar tumhin se kar baithena na karate pyaar tumhin se kar baitheaisa kyaa hai tum men jaa jhuthiaisa kya hai tum me aisa kya hai tum me ki ham ho divaanephir bhi tumane kvabon men aana nahin chhod atir nazaron se chalana nahin chhod aye shiqava sarakar hazaron baar tumhin se kar baithena na karate na na karate pyaar tumhin se kar baithekarana tha inkaar magar iqaraar tumhin se kar baithena na karate pyaar tumhin se kar baithe..Storyline...Rita Khanna (Nanda), only daughter and an heiress of Raj Bahadur Chunnilal goes to Kashmir for a holiday along with her maid Stella (Shammi). There, she rents a houseboat and becomes friendly with owner of that houseboat Raja (Shashi Kapoor). Raja was an innocent and romantic village guy who lives along with his younger sister Munni. After some misunderstandings, they grow friendly and Raja falls in love with Rita. Before starting back, Rita promises Raja that she would come back the following year.At her home, her father wants her to marry Kishore, but Rita keeps on postponing her decision. She goes to Kashmir the following year as promised, but Kishore comes along with her, causing Raja trouble. Finally Raja professes his love and asks her to marry him. She chooses Raja over Kishore and brings him to her dad.Raj Bahadur doesn't want his daughter to marry Raja and tries to reason with her, but fails. At last, he tells his daughter that Raja was of a completely different background and can't adjust to their ways. Rita asks Raja to change his appearance and habits and Raja agrees. After a makeover, Raj Bahadur throws a party to introduce Raja to everyone. There, Raja couldn't bear watching Rita dancing with other men. It leads to a quarrel between them and Raja leaves her house saying that he couldn't adjust to her culture.Rita feels bad that Raja left just because of a minor fight. Then she overhears her father saying that he planned everything to separate them and he knows way before that Raja couldn't tolerate Rita dancing with other men. Rita understands that she unnecessarily fought with Raja and decides to move to Kashmir with him. She goes to the railway station and requests Raja to take her with him. The movie ends with Raja pulling Rita into a moving train and both embrace happily.Cast...Shashi Kapoor as RajaNanda as Rita KhannaKamal Kapoor as Raja Bahadur Chunnilal KhannaShammi as StellaMridula as Mrs. Khanna, Rita's MotherBaby Farida as MunniJatin Khanna as KishoreTun Tun as MaryAghaBhallaPrayag RajShyam
kya chiz hai muhabbat koi mere dil se puchhe_Shair1949_ Suraiya& DevAnand_Shakeel_Ghulam Mohd_a tri. mastkalandr 2020-05-10 | Song..kya cheez hai muhabbat koi mere dil se poochhe..Film..Shair,1949,Singer..Suraiyya, Lyricist..Shakeel Badayuni, MusicDirector..GhulamMohammed,Director..M. S. Chawla,Cast: DevAnand,Suraiya,Agha,Shyama, Murad, Dulari, Cuckoo,Kamini Kaushal,Sulochana,Producer..Seth Jagat Narain,Production Co. Jagat picturesLyrics... क्या चीज़ है मोहब्बत कोई मेरे दिल से पूछे..kya chiz hai mohabbatkya chiz hai mohabbat mohabbatkoi mere dil se puche mere dil se puchekya chiz hai mohabbatkya chiz hai mohabbat mohabbatkoi mere dil se puche mere dil se puchekya chiz hai mohabbataaps me pahle pahle milti hai jab nigahemilti hai jab nigaheban ban ke jab fasana aati hai lab pe aaheaati hai lab pe aahe aise me dil ki halataise me dil ki halatkoi mere dil se puche, koi mere dil se puchekya chiz hai mohabbatjab zindagi ki rate aati hai zindagi mejab apne dil se bate hoti hai chandani mehoti hai chandani meus chandani ki kimat, us chandani ki kimatkoi mere dil se puche, koi mere dil se puchekya chiz hai mohabbatjab dil ki dhadkano se hote hai rag paidadil dil se milke jis dam karta hai aag paidakarta hai aag paidaun do dilo ki kismat, un do dilo ki kismatkoi mere dil se puche, koi mere dil se puchekya chiz hai mohabbatkya chiz hai mohabbat mohabbatkoi mere dil se puche mere dil se puchekya chiz hai mohabbat..Film Shair 1949..Shair also spells Shayar is a 1949 Indian Hindi language film. The film had Dev Anand acting opposite Suraiya and Kamini Kaushal in the eternal love triangle.Plot Summary ....A Poet Who Has Spent In Life In The Village With His Childhood Sweetheart Goes To Bombay To Meet A Fan Of His Who Is Also A Popular Radio Singer. But Instead He Meets A Dancer Who Mistakes Him To Be His Would Be Paramour. Now There Are Three Women Who Have A Soft Corner For The Poet.
yunhi dil ne chaha tha rona rulana_Dil Hi To Hai_Nutan& Raj K_ SumanKalyanpur_Sahir_Roshan_a tribute mastkalandr 2020-05-08 | Song..yunhi dil ne chaha tha rona rulana..यूँही दिल ने चाहा था रोना रुलाना..Film..Dil Hi To Hai,1963,Singer..Suman Kalyanpur,Lyricist..Sahir Ludhianvi,Music Director..Roshan,Director..C.L. Rawal,P L Santoshi,Cast..Raj Kapoor,Nutan, Pran,Agha,Nazir Hussain,Leela Chitnis,SabiaChatterjee,Manorama, Indu Shivraj,Mumtaz Begum,Hari Shivdasani,Babloo,Padmini,Producer..B.L. Rawal,Production Co..Rawal Films,Lyrics...yunhi dil ne chaahaa thaa ronaa rulaanaateri yaad to ban gayi ik bahaanaayunhi dil ne chaahaa thaa ronaa rulaanaateri yaad to ban gayi ik bahaanaahame bhi nahi ilm, ham jis pe roevo biti rute hai ke aataa zamaanaavo biti rute hai ke aataa zamaanaateri yaad to ban gayi ik bahaanaagam-e-dil hai aur gam-e-zindagi bhina isakaa thikaanaa na usakaa thikaanaagam-e-dil hai aur gam-e-zindagi bhina isakaa thikaanaa na usakaa thikaanaana isakaa thikaanaa na usakaa thikaanaateri yaad to ban gayi ik bahaanaakoi kisape tadape, koi kisape roeidhar dil jalaa hai, udhar aashiyaanaaidhar dil jalaa hai, udhar aashiyaanaateri yaad to ban gayi ik bahaanaayunhi dil ne chaahaa thaa ronaa rulaanaateri yaad to ban gayi ik bahaanaa..यूँही दिल ने चाहा था रोना रुलानातेरी याद तो बन गई इक बहानायूँही दिल ने चाहा था रोना रुलानातेरी याद तो बन गई इक बहानाहमें भी नहीं इल्म, हम जिस पे रोएवो बीती रुतें हैं के आता ज़मानावो बीती रुतें हैं के आता ज़मानातेरी याद तो बन गई इक बहानाग़म-ए-दिल भी है और ग़म-ए-ज़िंदगी भीन इसका ठिकाना न उसका ठिकानाग़म-ए-दिल भी है और ग़म-ए-ज़िंदगी भीन इसका ठिकाना न उसका ठिकानान इसका ठिकाना न उसका ठिकानातेरी याद तो बन गई इक बहानाकोई किसपे तड़पे, कोई किसपे रोएइधर दिल जला है, उधर आशियानाइधर दिल जला है, उधर आशियानातेरी याद तो बन गई इक बहानायूँही दिल ने चाहा था रोना रुलानातेरी याद तो बन गई इक बहाना..Dil Hi To Hai (It is only a heart) is a 1963 Indian Bollywood film directed by C.L. Rawal, P.L. Santoshi and produced by B.L. Rawal. It stars Raj Kapoor and Nutan ..Dil Hi To Hai (1963)Storyline.....An impoverished widowed Hindu nanny brings up an abused and abandoned Muslim lad..In a mansion, filled with guests and decorated for a wedding, two men struggle over the possession of a revolver. A shot rings out and to the horror of the assembled throng, a lady falls, dying. She is the mother of one of the protagonists and her deathbed confession is the key that unravels the complicated events that led up to this tragic climax - a tale that involves switched identities, multiple disguises, an arranged marriage, attempted murder, heartless cruelty, rapacious greed and (for good measure) a dancing girl whose mother (were she around) would have good reason to suspect her condition.—van GoethemAfter three of her four children pass away, wealthy Nawab Jallaudin and his wife decide to leave the 4th, Yusuf, with their relatives, Sabra and Farida, who also have their very own son, Sheku. After 3 years, they want Yusuf to be brought back, but wily Farida decides to abandon Yusuf at the railway station and pass off Sheku as him. She does pull wool successfully over the Nawab and Sheku is accepted, while Yusuf ends up with an impoverished Hindu Aaya, who ironically, loses her job with the Nawab himself, after deciding to adopt Yusuf. Years later, Yusuf has grown up, sings on All India Radio as 'Chand', meets and falls in love with wealthy widower Khan Bahadur's daughter, Jamila Banu - unknowingly setting forth a chain of events - some hilarious, some tragic, but mostly that result in his humiliation.—rAjOo
ye raat bhigi bhigi ye mast fizaye_ Chori Chori_Nargis&RajKapoor _Lata_ MannaDey_Shailendra_SJ_a tri mastkalandr 2020-05-06 | Song..ye raat bheegi bheegi ye mast fijaye..Film.. Choti Chori,1956,Singers..Lata and Manna Dey,Lyricist.. Shailendra,Music Director..Shankar Jaikishan,Director..Anant Thakur,Cast ..Raj Kapoor, Nargis, Pran,Gope,Bhagwan Dada,David,Johnny Walker,Producer..AVM Productions Lyrics.. ye raat bheegi bheegi ye mast fijayeutha dheere dheere wo chaand pyara pyaraye raat bheegi bheegi ye mast fijayeutha dheere dheere wo chaand pyara pyarakyun aag si laga ke gumsum hai chandanisone bhi nahi deta mausam ka ye isharaithlati hawa nilam sa gagankaliyo pe ye behoshi ki namiaise me bhi kyun bechain hai diljivan me na jane kya hai kamikyun aag si laga ke gumsum hai chandanisone bhi nahi deta mausam ka ye isharaye raat bheegi bheegi ye mast fijayeutha dheere dheere wo chaand pyara pyarajo din ke ujale me na miladil dhundhe aise sapne koiss raat ki jagmag me dubimain dhundh rahi hu apne koye raat bheegi bheegi ye mast fijayeutha dheere dheere wo chaand pyara pyarakyun aag si laga ke gumsum hai chandanisone bhi nahi deta mausam ka ye isharaaise me kahi kya koi nahibhule se jo humko yaad kareik halaki si musakan se josapno ka jaha aabad kareye raat bheegi bheegi ye mast fijayeutha dheere dheere wo chaand pyara pyarakyun aag si laga ke gumsum hai chandanisone bhi nahi deta mausam ka ye ishara....Film..Chori chori,1956Indian Hindi-language romantic comedy film directed by Anant Thakur, with music by Shankar Jaikishan and lyrics by Hasrat Jaipuri and Shailendra. It stars Raj Kapoor and Nargis in lead roles.The film is an unofficial remake of the American film It Happened One Night.Bhagwan Dada, Pran, David, and Johnny Walker have character parts. This was the last film of Nargis and Raj Kapoor together as leads, with Nargis doing one cameo appearance in the Raj Kapoor starrer Jagte Raho. The music of Chori Chori had popular tracks including "Aaja Sanam", "Yeh Raat Bheegi Bheegi" in the voices of Lata Mangeshkar and Manna Dey; "Jahan Mein Jati Hun" by Lata and Manna and "Sawa Lakh Ki Lottery," by Mohammad Rafi.The movie would later inspire the unofficial 1991 Hindi re-make Dil Hai Ke Manta Nahin, directed by Mahesh Bhatt and starring Aamir Khan and Pooja Bhatt. Like Chori Chori it too became a hit. Sequences for songs "Pachchi Banoo Udti Phiroon" and "Jahaan Main Jaati Hoon" were shot and released in Technicolor. This was known to be AVM Productions's first film to contain sequences in color. The film was later entirely remastered and recolourised.This Bollywood film released in the year 1956. The direction of the film is handled by Mr Anant Thakur and the music composition is done by Shankar Jaikishan. The lyrics for the film were penned by Mr Shailendra and Hasrat Jaipuri. This film is considered as an unofficial remake of "It Happened One Night" which is a Hollywood movie. The star cast of the film includes Nargis and Raj Kapoor in the lead roles along with Pran, Johnny Walker and Bhagwan Dada. This movie is the last screen appearance by Raj Kapoor and Nargis together, post which their alleged affair ended.Storyline :-Kammo, affectionately called Baby (Nargis), runs away from home when her father Seth Girdharilal (Gope) refuses to agree to her marriage with pilot Suman (Pran), who he suspects is just after her for her money. Kammo decides to go to Suman in Bangalore. She boards a bus for Bangalore and here, she encounters impoverished journalist Sagar (Raj Kapoor). After the initial bickering, he decides to help her to get to Bangalore provided he gets exclusive rights to her story. And along the way as they make their way to Bangalore without getting caught, the inevitable happens. The two of them fall in love…Chori Chori Film 1956Songs(10)Songs and Singers..1Panchhi Banoon Udti PhiroonLata Mangeshkar2Aaja Sanam Madhur Chandni Mein4:20 · Lata Mangeshkar, Manna Dey3All Line ClearMohammed Rafi4Sawa Lakh Ki LotteryLata Mangeshkar, Mohammed Rafi5Rasik BalmaLata Mangeshkar6Yeh Raat Bheegi BheegiLata Mangeshkar, Manna Dey7Us Paar SajanLata Mangeshkar8Jahan Main Jaati HoonLata Mangeshkar9Man Bhavan Ke GharLata Mangeshkar, Asha Bhosle10ThillanaM. L. Vasanthakumari
duniya me aisa kaha sabka nasib hai.. Devar_Dharmendra& Sharmila_Lata _Anand Bakshi_Roshan_a tribute mastkalandr 2020-05-05 | Song..duniya me aisa kaha sabka nasib hai..Film..Devar,1966,Singer..Lata Mangeshkar,Lyricist ..Anand Bakshi, Music Director.. Roshan, Director..Mohan Sehgal,Cast.. Dharmendra,Sharmila Tagore, Shashikala,Deven Verma,Dhumal,Production Co..Delux Films, Lyrics..दुनिया में ऐसा कहाँ सबका नसीब हैduniya me aisa kaha sabka nasib haikoyi-koyi apne piya ke karib haiduniya me aisa kaha sabka nasib haidur hi rehte hai unse kinarejinko na koyi manjhi par utaredur hi rehte hai unse kinarejinko na koyi manjhi par utaresath hain manjhi toh kinara bhi karib haiduniya me aisa kaha sabka nasib haichahe bujha de koyi dipak sareprit bichhati jaye raah me tarechahe bujha de koyi dipak sareprit bichhati jaye raah me tareprit diwani ki kahani bhi ajib haiduniya me aisa kaha sabka nasib haibarkha ki rut ho ya din ho bahar kelagte hain sune-sune bin tere pyar ketu hain toh jindagi ko jindagi nasib haiduniya me aisa kaha sabka nasib haikoyi-koyi apne piya ke karib haiduniya me aisa kaha sabka nasib hai..Devar is a 1966 Hindi film directed by Mohan Sehgal.It stars Dharmendra, Sharmila Tagore, Deven Verma and Shashikala. The music is by Roshan and the lyrics by Anand Bakshi. The film is based on the short novel Naa by the noted Bengali writer Tara Shankar Bandopadhyay. This novel was already adapted into 1954 Bengali movie of same name and the 1962 Tamil movie Padithaal Mattum Podhuma. This movie is Mohan Sehgal master piece and praised for Dharmendra & Sharmila cool performances with Deven Verma commendable negative role. All songs of Devar were big hit that time and still very popular especially "Baharon ne mera chaman lootkar "- Mukesh, "Duniya mein aisa kahan" - Lata and " Aaya hai mujhe phir yaad"- Mukesh. The film is based on the short novel Naa by the noted Bengali writer Tara Shankar Bandopadhyay. This novel was already adapted into a 1954 Bengali movie of the same name, and the 1962 Tamil movie Padithaal Mattum Podhuma. This movie is considered Mohan Sehgal's masterpiece, and was praised for Dharmendra & Sharmila's cool performances, and Deven Verma's commendable negative role. All of the songs from Devar were big hits at the time, and are still very popular, especially "Baharon ne mera chaman lootkar" and "Aaya hai mujhe phir yaad" by Mukesh, and "Duniya mein aisa kahan" by Lata Mangeshkar.Storyline... Shankar (Dharmendra) and Bhawariya (Sharmila Tagore) are childhood lovers who have been parted by unfortunate circumstances. Shankar's cousin Suresh is an advocate. Matchmaker Ram comes up with marriage proposals for both the cousins. Following family traditions, it is decided that the boys will meet the respective brides by proxy. Suresh falls in love with Madhumati (Bhawariya). He cooks up a wicked plot. He writes two letters to each of the families due to which an innocent and somewhat less educated Shankar is badly treated by his parents. One day accidentally Shankar comes to know that Madhumati is Bhawariya, the girl whom he used to love. So also, Bhawariya's brother, a handwriting expert comes to know of Suresh's wicked plan. Bbhawariya's brother asks Suresh to accept his guilt before Ashok's parents presuming that it is Suresh sitting on chair, but it happens to be Ashok who listens this and comes to know of everything. In a rift between Shankar and Suresh, Suresh dies accidentally, for which Shankar is held the culprit. Madumati who is determined to see her husband's murderer hanged, changes her words and saves Shankar.The movie ends without Madumati ever knowing that Shankar is her childhood lover....Casting..Dharmendra as ShankarSharmila Tagore as Bhawariya/MadhumatiShashikala as ShantaDeven Verma as SureshLalita Kumari as BasantiDurga Khote as Madhumati's motherDhumal as Ram BharoseSulochana Latkar as ShakuntalaSabita Chatterjee as LilyRaj Mehra as Thakur Mahendra SinghTarun Bose as Advocate GopinathD. K. Sapru as Diwan Jaswant Rai (as Sapru)Mumtaz Begum as Shankar's motherBela Bose as dancer in 'roothe saiyan' songBrahm Bhardwaj as Public ProsecutorNazir Kashmiri as judgePardeep SinghThe Essential Guide to Bollywood (2005) says that the film "contained deep elements of Bengali literature... The film is remarkable for projecting the ironic twists of fate in an unconventional format with the lead pair bound to the 'wrong' spouses till the very end."In 2014, The Friday Times noted that this film was "probably the only role that [comedian Deven] Verma played that had shades of grey... He may have played a villain but many left the theatre wondering how such a good looking, suave man could have such a complex character."Songs..1."Aaya Hai Mujhe Phir Yaad" Mukesh2."Baharon Ne Mera Chaman" Mukesh3."Duniya Mein Aisa Kahan" Lata Mangeshkar4."Kajalwale Nain Milake" Mohammed Rafi5."Roothe Saiyan Hamare" Lata Mangeshkar6."Main Mar Gayi, Mushkil Mein Pad Gayi Jaan" Usha Mangeshkar, Asha Bhosle
na kajre ki dhar na motiyon har_ Mukesh_Indeevar_Kalyanji Anandji_ NonFilmSong uded in Mohra1994 mastkalandr 2020-05-03 | Song ..Na kajre ki dhaar, na motiyon ke haar..Film/Album..Non Filmi/Gair filmi Geet,Lyricist ..Indeevar,Singer..Mukesh,Music Director ..Kalyanji Anandji,In 1994 the same song sung by Pankaj Udhaas and Sadhna Sargam, music composed by Vijay Kalyanji Shah (Viju Shah) for the film Mohra1994. Starring Naseeruddin Shah,Akshay Kumar,Sunil Shetty,Raveena Tandon. Lyrics:-Na kajre ki dhaar, na motiyon ke haarNa koi kiya singaar phir bhi kitni sundar hoTum kitni sundar hoNa kajre ki dhaar, na motiyon ke haarNa koi kiya singaar phir bhi kitni sundar hoTum kitni sundar hoMann mein pyaar bhara,Aur tan mein pyaar bharaJeevan mein pyaar bharaTum to mere priyavar hoTumhi to mere priyavar hoSingaar tera yovan, yovan hi tera gehnaSingaar tera yovan, yovan hi tera gehnaTu taazgi phoolon ki, kya saadgi ka kehnaUde khushboo jab chale tuUde khushboo jab chale tuBole to baje sitaarNa kajre ki dhaar, na motiyon ke haarNa koi kiya singaar phir bhi kitni sundar hoTum kitni sundar hoSaari duniya harjaayi,Tere pyaar mein hai sachchaaiSaari duniya harjaayi,Tere pyaar mein hai sachchaaiIs liye chhodke duniyaTeri aur kheenchi chali aayiThi patthar tune chhookarThi patthar tune chhookarSona kar diya kharaMann mein pyaar bhara,Aur tan mein pyaar bharaJeevan mein pyaar bharaTum to mere priyavar hoTumhi to mere priyavar hoTera ang sachcha sona,Muskaan sachche motiTera ang sachcha sona,Muskaan sachche motiTere hont hai madhushaala,Tu roop ki hai jyotiTeri soorat jaise mooratTeri soorat jaise mooratMain dekhoon baar baarNa kajre ki dhaar, na motiyon ke haarNa koi kiya singaar phir bhi kitni sundar hoTum kitni sundar hoMann mein pyaar bhara,Aur tan mein pyaar bharaJeevan mein pyaar bharaTum to mere priyavar hoTumhi to mere priyavar ho....ना कजरे की धार, ना मोतियों के हार ना कोई किया सिंगार, फिर भी कितनी सुंदर हो मन में प्यार भरा, और तन में प्यार भरा जीवन में प्यार भरा, तुम तो मेरे प्रियवर हो सिंगार तेरा यौवन, यौवन ही तेरा गहना तू ताज़गी फूलों की क्या सादगी का कहना उड़े खुशबू जब चले तू, बोले तो बजे सितार सारी दुनिया हरजाई, तेरे प्यार में है सच्चाई इस लिए छोड़ के दुनिया, तेरी ओर खींची चली आई थी पत्थर, तूने छूकर सोना कर दिया खरा तेरा अंग सच्चा सोना, मुस्कान सच्चे मोती तेरे होंठ हैं मधुशाला, तू रूप की है ज्योती तेरी सूरत जैसे मूरत, मैं देखूँ बार बार..
ham to chale pardes.. Mohammad Rafi_Anand Bakshi_Laxmikant Pyarelal..a tribute mastkalandr 2020-05-01 | Song ..hum to chale Pardes hum Pardesi Ho Gaye..Film ..Sargam,1979,Singer.. Mohammad Rafi,Lyricist..Anand Bakshi,Music Director.. Laxmikant Pyarelal,Director.. K Vishvanath,Cast..Rishi Kapoor,Jaya Prada, Shashikala,Shakti Kapoor,Aruna Irani,kesto Mukharjee,Producer..N N Sippy,Production.. Sippy films,Lyrics:-ho rama ho, ho rama hohum to chale pardeshum pardesi ho gayehum to chale pardeshum pardesi ho gayechhuta apna deshhum pardesi ho gayehum to chale pardes, hum pardesi ho gayechhuta apna desh, hum pardesi ho gayeye galiya path panghat ye mandirbarso purana, barso puranaye galiya path panghat ye mandirbarso puranakal tak ye sab apna thaab lagta hai beganabadla jag ne bheshbadla jag ne bheshhum pardesi ho gayechhuta apna deshhum pardesi ho gayeaye pancheeaye panchee hum kismat ke maro kobhool na jana, bhool na janaaate jate kher khabarsab logo ki de janale jana sandesh, le jana sandeshhum pardesi ho gayechhuta apna deshhum pardesi ho gayeho rama ho, ho rama ho, rama horama ho, rama ho, rama ho..Sargam is a 1979 Hindi-language drama film written and directed by K. Viswanath. It was a remake of his earlier Telugu film Siri Siri Muvva (1976), which also starred Jayaprada and made her a star in South India. She made her Hindi film debut with this film, repeating her role of a mute dancer.Directed by K.Viswanathan Offices by N.N. Sippy.The film stars Rishi Kapoor as her partner, Shashikala as her stepmother,KeshtoMukherjee, Shreeram Lagoo as her father, Shakti Kapoor, Aruna Irani, Asrani as her dance teacher, and Vijay Arora. Laxmikant Pyarelal composed the memorable songs, which won the only Filmfare Award for the film. Anand Bakshi wrote the lyrics. Mohd. Rafi sang all seven songs, three of them were duets with Lata Mangeshkar, including the famous song, "Dafliwale", "Koyal Boli Duniya Doli" and "Parbat Ke Us Paar". The song "Koyal Boli" was shot on the banks of the Godavari River in Rajahmundry, "Parbat Ke Us Par" in Ooty and "Dafliwale" in Kashmir.The film became a huge success at the box office and took the top spot at the box office in 1979. It made Jayaprada a sensation and a star overnight in Hindi Cinema.] and she also earned her first Filmfare nomination as Best Actress in Hindi cinema...Rishi Kapoor 4 Sept. 1952 – 30 April 2020was an Indian actor known for his work in Hindi cinema.He received the National Film Award for Best Child Artist for his debut role in his father Raj Kapoor's 1970 film Mera Naam Joker.He had his first lead role as an adult, opposite Dimple Kapadia, in the teen romance Bobby (1973), which won him the Filmfare Award for Best Actor.Illness and deathRishi Raj Kapoor... was diagnosed with Lukemia in 2018 and went to New York City for treatment.After a successful treatment for over a year, Kapoor returned to India on 26 September 2019.Kapoor was admitted to Sir H. N. Reliance Foundation Hospital in Mumbai on 29 April 2020 after he had breathing difficulty.He died on 30 April 2020 from leukemia. Irfan Khan...."Irrfan was a strong soul, someone who fought till the very end and always inspired everyone who came close to him."Khan, one of India's best-known and most beloved actors, revealed in March 2018 that he had been diagnosed with a rare neuroendocrine tumor -- an abnormal growth that begin in the body's specialized neuroendocrine cells, according to the Mayo Clinic. April 2020) ,known professionally as Irrfan Khan or simply Irrfan, was an Indian actor who worked in Hindi cinema as well as in British and American films. Cited in the media as one of the finest actors in Indian cinema Khan's career spanned over 30 years and earned him numerous accolades, including a National Film Award, an Asian Film Award, and four Filmfare Awards. In 2011, he was awarded the Padma Shri, India's fourth highest civilian honour.
sarakatii jaaye hai rukh se naqaab aahistaa aahistaa..Jagjit Singh_Amir Minai.. tribute mastkalandr 2020-04-29 | Song : sarakatii jaaye hai rukh se naqaab aahistaa aahistaa..Film/ Album : Non Film, गैर फिल्म,Singer/Music Director: Jagjit Singh,Lyricist : Amir Minai,Lyrics:-Sarakti Jaye Hain Rukh Se Naqab Song Lyrics TranslationHere is the translation of Sarakti Jaye Hain Rukh Se Naqab song from movie Jagjit Singh (Gazal).sarakatii jaaye hai ruKh se naqaab ahista ahistaSliding away from the face is the cover, very slowlynikalataa aa rahaa hai aaftaab ahista ahistaComing into vision is the moon, very slowlyjawaaN hone lage jab vo to ham se kar liyaa pardaaWhen she entered youthfullness, then she hid behind veilhayaa yakalaKht aayii aur shabaab ahista ahistaSuddenly appeared modesty/shame and youthfullness, very slowlyshabefurkat kaa jaagaa huuN farishton ab to sone doSince the night of separation I am awake, angels[of death] let me sleep nowkabhii fursat men kar lenaa hisaab ahista ahistaTake account of everything later, when you have time, but slowlysavaale asleep par unako uduu kaa Khauf hai itanaaShe has so much passion for questions and answer session but she's afraid so much from the villainDabe honThon se dete hain javaab aahistaa aahistaaShe replies with clenched lips, very slowlyhamaare aur tumhaare pyar men bas fark hai itanaaThere is just this much difference in my and your loveidhar to jaldii jaldii hai udhar aahistaa aahistaaThis side is a rush but from your side is slowvo bedardii se sar kaaTe "ameer" aur main kahuuN un seShe is beheading me, [Ameer] without passion and I am telling herhuzuur aahistaa aahistaa, janaab ahista ahistaYour highness! slowly, Your Honor! do it slowlyसरकती जाए है रुख से नकाब आहिस्ता आहिस्तानिकलता आ रहा है आफताब आहिस्ता आहिस्तासरकती जाए है रुख से नकाब आहिस्ता आहिस्ताजवान होने लगे जब वो तो हम से कर लिया पर्दाजवान होने लगे जब वो तो हम से कर लिया पर्दाहया यकलख्त आई और शबाब आहिस्ता आहिस्ताशब्-इ-फुरक़त का जागा हूँ फरिश्तों अब तो सोने दोशब्-इ-फुरक़त का जागा हूँ फरिश्तों अब तो सोने दोकभी फुर्सत में कर लेना हिसाब आहिस्ता आहिस्तावो बेदर्दी से सर काटे अमीर और मैं कहूं उन सेवो बेदर्दी से सर काटे अमीर और मैं कहूं उन सेहुज़ूर आहिस्ता, आहिस्ता जनाब, आहिस्ता आहिस्तासरकती जाए है रुख से नकाब आहिस्ता आहिस्ता
achha sanam kar le sitam_Teesra Kaun1965_Feroz Khan & Kalpna_ Asha_Anand Bakshi_R D Burman_a tribute mastkalandr 2020-04-27 | Song..accha sanam kar le sitam.. Film..Teesra Kaun,1965,Singer.. Asha Bhosle,Lyricist..Anand Bakshi, Music Director..R D Burman,Director .. Mohammad Hussain,Cast..Feroz Khan, Kalpana Mohan, Shashikala, Paro, Rajen Haksar, Shyam Kumar, Producer ..B D Kapoor,Production Co.. Bindu Kala Mandir,Lyrics :-achcha sanamkar le sitamkaash na tum sepyaar kiyaa hotaahum bhi tum seyoon hi roothtedil na agar tumheindiyaa hotaaachcha sanampyaar kiyaa hai to phirgham bhi sehnaa hogaaaaaaapyaar kiyaa hai to phirgham bhi sehnaa hogaa…..qaid hoke teredil mein rehnaa hogaao par yaad raheeeeeeeeeeeiss bulbul kopar yaad raheiss bulbul koud jaanaa bhi aataa haiachcha sanamkar le sitamkaash na tum sepyaar kiyaa hotaahum bhi tum seyoon hi roothhtedil na agar tumheindiyaa hotaahamne yoon lehraa kezulfon ko bikrayaaahamne yoon lehraakezulfon ko bikraayaaapne chehre se yepardaa bhi sarkaayaao par yaad raheae ae aeiss dilbhar kopar yaad raheiss dilbhar kosharmaanaa bhi aataa haiachcha sanamkar le sitamkaash na tum sepyaar kiyaa hotaahum bhi tum seyoon hi roothhtedil na agar tumheindiyaa hotaaachcha sanam...Storyline :-Prakash lives a fairly wealthy lifestyle in Bombay along with his widowed mother, and a sister, Renuka, who is soon to wed Dindayal, the only son of widower businessman Mukatlal. Before the wedding could be formalized, Prakash unexpectedly leaves, and the Police notify Mukatlal that his house has been broken into and diamonds worth Rs.8 Lakhs have been stolen. Mukatlal's servant informs them that he is able to identify Prakash as one of five of the culprits, the police launch a search for him, and the wedding gets canceled. Prakash returns home and informs his family and girlfriend, Shoba, that he has been framed, and sets out to try and convince Mukatlal also. Shortly thereafter, his mother will get the news that Mukatlal has been killed and the prime suspect is none other than her son. Written by rAjOo
jan e chaman shola badan pehlu me aa jao _Gumnam_Nanda& Manoj Kumar_Sharda_Rafi_Hasrat_S J_a tribute mastkalandr 2020-04-24 | Song : jan e chaman sola badan pehlu me aa jao..Film : Gumnaam,1965,Singers: Mohammed Rafi,Sharda,Lyricist : Hasrat Jaipuri,Music Director: Shankar Jaikishan,Director: Raja Nawathe,Cast : Manoj Kumar,Nanda,Pran,Mehmood, Helen,Laxmi Chhaya,Tarun Bose,Madan Puri, Dhumal, Manmohan Krishna,Producer : NN Sippy,Production Co : Prithvi Pictures,Lyrics :-jan-e-chaman shola-badan pehlu me aa jaoo mere dil mere hamdam baho me aa jaohay jan-e-chaman shola-badan pehlu me aa jaohay o mere dil mere hamdam baho me aa jaomadhosh hai jindagi, charo taraf bekhudimadhosh hai jindagi, charo taraf bekhudithamo mujhe mai girathamo mujhe mai gira, laheraye dil ki lagijan-e-chaman shola-badan pehlu me aa jaoo mere dil mere hamdam baho me aa jaopani jo ham par gire, ek aag tan me lagepani jo ham par gire, ek aag tan me lagetumko khabar kya sanamtumko khabar kya sanam, kehte hai ulfat iseo mere dil mere hamdam baho me aa jaohoy-hoy jan-e-chaman shola-badan pehlu me aa jaobadal se barse nasha, bhigi huyi hai fijabadal se barse nasha, bhigi huyi hai fijathandi hawa jab chalethandi hawa jab chale, kanpe hai dil ka diyao mere dil mere hamdam baho me aa jaohay jan-e-chaman shola-badan, pehlu me aa jaohay o mere dil mere hamdam baho me aa jaojan-e-chaman shola-badan pehlu me aa jao...Gumnaam (Unknown or Anonymous) is a 1965 Indian suspense thriller film directed by Raja Nawathe, starring Manoj Kumar, Nanda, Pran, Helen and Mehmood. The film became a box office hit. The music for the film was composed by Shankar-Jaikishan.The story is an uncredited adaptation of Agatha Christie' s novel And Then There Were None.The film came to wider attention in the Western World when its opening song "Jaan Pehechan Ho" (a Hindi phrase roughly translated as "We should get to know each other") was in the opening credits of Ghost World and in the 2011 commercial "The Date" for Heineken. It is sung by Bollywood legend Mohammed Rafi, although he is not the man depicted onscreen. The main dancer is Laxmi Chhaya. The group "Ted Lyons and his Cubs" playing the song can also be seen in 1964 film Jaanwar playing "Dekho Ab To" (a cover version of I Want to Hold Your Hand by the Beatles) and Tasveer (starring Feroz Khan), Love Marriage (starring Dev Anand), Bedaag (starring Manoj Kumar), Shehnai and Mere Sanam (both starring Vishwajeet) also featuring dancer Oscar Unger. Plot:-Seven people mysteriously win a free vacation. On the way to their destination, the plane has engine trouble and they are left abandoned in a remote seaside location along with the steward Anand (Manoj Kumar). The location is haunted by a female singing a song whom none seem to find.They find shelter in a large mansion inhabited by a comical butler Mehmood. One by one, they are murdered and the remaining vacationers try to figure out why they were chosen for the trip and what they have in common.Sharda(Sharda Rajan Aiyangar):-Early in her career Sharda was offered a voice test by Raj Kapoor when he first heard her singing in a function at Shrichand Ahuja's residence in Tehran. She got her first big break in Bollywood with the song "Titli Udi" in Suraj (1966). She was promoted by Shankar of the Shankar Jaikishan duo."Titli udi" turned out to be a top chartbuster in 1966. It so happens that the coveted Filmfare award for best playback singer had only one category (either male or female) until 1966. "Titli Udi" song, however, was tied as best song with Mohd Rafi's song "Baharo Phool Barsao" which had never happened before. Sharda didn't win the award but from then on Filmfare started giving two awards for best playback singer: one for male singer and the other for female singer. Thus Sharda made history. Thereafter Sharda was nominated four years in a row (1968–71) for best female playback singer and won another Filmfare award. In a short span Sharda won two Filmfare awards, when the Mangeshkar Sisters were dominating. Thereafter she continued singing for Shankar in nearly all of his films until his death. Her voice was last heard in Kaanch Ki Deewar (1986).She sang with most of the top singers like Mohd Rafi, Asha Bhosle, Kishore Kumar, Yesudas, Mukesh and Suman Kalyanpur. She lent her voice to leading ladies of the time like Vyjayanthimala, Saira Banu, Hema Malini, Sharmila Tagore, Mumtaz, Rekha and Helen. Besides Shankar she recorded songs with Usha Khanna, Ravi, Dattaram, Iqbal Qureshi and a few others. She was the first Indian female singer to cut her own pop album in India, called Sizzlers in 1971 which was launched by HMV.She performed on stage on several occasions like Filmfare Awards functions, and many others.Sharda was never able to reach the top bracket of singers but she did manage to create a certain section of the music listeners as her fans and well wishers. She conducts music lessons for children and aspiring singers. Besides Hindi she also sang in Telugu, Marathi, English, and Gujrathi.
duniya me hoon duniya ka talabgar nahin hoon,bazar se gujra hoon_K L Saigal_Akbar Allahabadi_a tri.. mastkalandr 2020-04-22 | Song..Duniya mein hoon duniya ka talabgaar nahin hoon...bazaar se guzra hoon kharidaar nahin hoon...Album..Non Film,1940,Singer..K L Saigal,Lyricist..Akbar Allahabaadi, Music Composer.. Kundan Lal Saigal,Lyrics:-duniya mein hoon duniya ka talabgaar nahin hoonbazaar se guzra hoon kharidaar nahin hoonbazaar se guzra hoon kharidaar nahin hoonbazaar se guzra hoon kharidaarduniya mein hoon duniya ka talabgaar nahin hoonbazaar se guzra hoon kharidaar nahin hoonbazaar se guzra hoon kharidaar nahin hoonzinda hoon magar zeest ki lazzat nahin baaqihar chand ke hoon hosh mein hoshiyaar nahin hoonhar chand ke hoon hosh mein hoshiyaar nahin hoonduniya mein hoon duniya ka talabgaar nahin hoonis khaanah e hasti se guzar jaaungaa be-lausayyy is khaanah e hasti se guzar jaaungaa be-laussaayaa hoon fakat naqsh ba-deewaar nahin hoonsaayaa hoon fakat naqsh ba-deewaar nahin hoonduniya mein hoon duniya ka talabgaar nahin hoonwo gul hoon khizaa ne jisey barbaad kiyaa haiwo gul hoon khizaa ne jisey barbaad kiyaa haiuljhoon kisiuljhoon kisi daaman se main wo khaar nahin hoonuljhoon kisi daaman se main wo khaar nahin hoonduniya mein hoon duniya ka talabgaar nahin hoon..दुनिया में हूँ दुनिया का तलबगार1 नहीं हूँबाज़ार से गुज़रा हूँ, ख़रीददार नहीं हूँज़िन्दा हूँ मगर ज़ीस्त2 की लज़्ज़त3 नहीं बाक़ीहर चंद कि हूँ होश में, होशियार नहीं हूँइस ख़ाना-ए-हस्त4 से गुज़र जाऊँगा बेलौस5साया हूँ फ़क़्त6, नक़्श7 बेदीवार नहीं हूँअफ़सुर्दा8 हूँ इबारत9 से, दवा की नहीं हाजित10गम़ का मुझे ये जो’फ़11 है, बीमार नहीं हूँवो गुल12 हूँ ख़िज़ां13 ने जिसे बरबाद किया हैउलझूँ किसी दामन से मैं वो ख़ार14 नहीं हूँयारब मुझे महफ़ूज़15 रख उस बुत के सितम सेमैं उस की इनायत16 का तलबगार17 नहीं हूँअफ़सुर्दगी-ओ-जौफ़18 की कुछ हद नहीं “अकबर”क़ाफ़िर19 के मुक़ाबिल में भी दींदार20 नहीं हूँशब्दार्थ: 1. तलबगार= इच्छुक, चाहने वाला; 2. ज़ीस्त= जीवन; 3. लज़्ज़त= स्वाद; 4. ख़ाना-ए-हस्त= अस्तित्व का घर; 5. बेलौस= लांछन के बिना; 6. फ़क़्त= केवल; 7. नक़्श= चिन्ह, चित्र; 8. अफ़सुर्दा= निराश; 9. इबारत= शब्द, लेख; 10. हाजित(हाजत)= आवश्यकता; 11. जो’फ़(ज़ौफ़)= कमजोरी, क्षीणता; 12. गुल= फूल; 13. ख़िज़ां= पतझड़; 14. ख़ार= कांटा; 15. महफ़ूज़= सुरक्षित; 16. इनायत= कृपा; 17. तलबगार= इच्छुक; 18. अफ़सुर्दगी-ओ-जौफ़= निराशा और क्षीणता; 19. क़ाफ़िर= नास्तिक; 20. दींदार=आस्तिक,धर्म का पालन करने वाला।duniya mein hoon duniya ka talabgaar nahin hoonbazaar se guzra hoon kharidaar nahin hoonDuniya = this world / this lifeTalab = desire, want; talabgaar = one who has desiresBazaar = market place; another allusion to life itself. In a marketplace, we transact to buy/sell/acquire things and people and (imagined) pleasures; and we do the same in life with people, possessions and events.Guzarna = passing through; guzra = have passed throughKharidaar = buyer, one who transacts to obtain, and to possesszinda hoon magar zeest ki lazzat nahin baaqihar chand ke hoon hosh mein hoshiyaar nahin hoonI am alive but the delights and pleasures of life are meaningless for me. Each instance of my existence I am aware of what I am and where I am, but my senses are not attending to this world. The context of this second line is not having a desire to manipulate through cleverness. (see below)Zinda = aliveMagar = but, howeverZeest = lifeLazzat = this word comes from another word, lazeez, which means excellent to taste. Lazzat is the delight / pleasure of tasting.Nahin baaqi = remains no moreHar chand = every instant (literal meaning of these two words is – har = each / every, chand = few; yet the phrase ‘har chand’ is used as indicated)Hoon = to be; I amHosh = a state of being aware, conscious, sentient, informedHoshiyaar = hoshiyaar literally is to be in hosh, as described above. The poet however is using this word in a slightly different context. Hoshiyaar also means clever, shrewd, astute, possessing the ability to manipulate, maneuver, influence. ‘Hoshiyaar nahin hoon’ means to not exercise influence or not to manipulate. Again pointing to the absence of desires to influence or to manipulate.is khaanah e hasti se guzar jaaungaa be-laussaayaa hoon fakat naqsh ba-deewaar nahin hoonThe soul will pass through (life) this mortal body without gain. I am(the body) just a shadow, which leaves no impression(No. impact on the scheme of things, so as to say).Khaanah = compartment, dwelling, houseHasti = existing, to beKhaanah e hasti = a dwelling of existence, this bodyGuzarna = passing through; guzar = to pass throughBe-laus = (am not able to put down a literal meaning; request help from friends with knowledge of Urdu)Saayaa = shadow, apparitionFakat = just, onlyNaqsh = engraving, imprintBa-deewaar = on the wall (or in stone)wo gul hoon khizaa ne jisey barbaad kiyaa haiuljhoon kisi daaman se mein wo khaar nahin hoonGul = flowerKhizaa = autumn, decayBarbaad = destroyed, disseminatedUljhoon = get entangledDaaman = the flow part of a skirt or other garmentKhaar = thorn
aaja sanam madhur chandni me hum_Chori Chori (In Color)_Nargis& RajK_Lata_MannaDey_Hasrat_S J_a tri. mastkalandr 2020-04-20 | Song..aaja Sanam madhur Chandni me hum..Film.. Choti Chori,1956,Singers..Lata and Manna Dey, Lyricist..Hasrat Jaipuri,Music Director..Shankar Jaikishan,Director..Anant Thakur,Cast ..Raj Kapoor, Nargis,Pran,Gope,Bhagwan Dada,David,Johnny Walker,Producer..AVM Productions Lyrics..Aaja sanam madhurChandni me hamTum mile toh wiraneMe bhi aa jayegi baharJhumne lagega aasmanJhumne lagega aasmanKehta hai dil aurMachalta hai dilMore sajan le chalMujhe taro ke parLagta nahi hai dil yahaLagta nahi hai dil yahaBhigi bhigi rat me dilKaa daman tham leKhoyi khoyi jindagi harDam tera nam leChand ki behki najarKeh rahi hai pyar karJindagi hai ek safarKaun jane kal kidharChand ki behki najarKeh rahi hai pyar karJindagi hai ek safarKaun jane kal kidharAaja sanam madhur chandniMe ham tum mile toh wiraneMe bhi aa jayegi baharJhumne lagega aasmanJhumne lagega aasmanKehta hai dil aurmachalta hai dil More sajan leChal mujhe taro ke parLagta nahi hai dil yahaLagta nahi hai dil yahaDil yeh chahe aaj tohBadal ban udd jau maiDulhan jaisa aasmaDharti par le aau maiChand kaa dola sajeDhum taro me macheJhum ke duniya kahePyar me do dil mileChand kaa dola sajeDhum taro me macheJhum ke duniya kahePyar me do dil mileAaja sanam madhur chandni meHam tum mile toh wiraneMe bhi aa jayegi baharJhumne lagega aasmanJhumne lagega aasmanKehta hai dil aur machalta hai dilMore sajan le chalMujhe taro ke parLagta nahi hai dil yahaLagta nahi hai dil yaha...Indian Hindi-language romantic comedy film directed by Anant Thakur, with music by Shankar Jaikishan and lyrics by Hasrat Jaipuri and Shailendra. It stars Raj Kapoor and Nargis in lead roles.The film is an unofficial remake of the American film It Happened One Night.Bhagwan Dada, Pran, David, and Johnny Walker have character parts. This was the last film of Nargis and Raj Kapoor together as leads, with Nargis doing one cameo appearance in the Raj Kapoor starrer Jagte Raho. The music of Chori Chori had popular tracks including "Aaja Sanam", "Yeh Raat Bheegi Bheegi" in the voices of Lata Mangeshkar and Manna Dey; "Jahan Mein Jati Hun" by Lata and Manna and "Sawa Lakh Ki Lottery," by Mohammad Rafi.The movie would later inspire the unofficial 1991 Hindi re-make Dil Hai Ke Manta Nahin, directed by Mahesh Bhatt and starring Aamir Khan and Pooja Bhatt. Like Chori Chori it too became a hit. Sequences for songs "Pachchi Banoo Udti Phiroon" and "Jahaan Main Jaati Hoon" were shot and released in Technicolor. This was known to be AVM Productions's first film to contain sequences in color. The film was later entirely remastered and recolourised.This Bollywood film released in the year 1956. The direction of the film is handled by Mr Anant Thakur and the music composition is done by Shankar Jaikishan. The lyrics for the film were penned by Mr Shailendra and Hasrat Jaipuri. This film is considered as an unofficial remake of "It Happened One Night" which is a Hollywood movie. The star cast of the film includes Nargis and Raj Kapoor in the lead roles along with Pran, Johnny Walker and Bhagwan Dada. This movie is the last screen appearance by Raj Kapoor and Nargis together, post which their alleged affair ended.Storyline :-Kammo, affectionately called Baby (Nargis), runs away from home when her father Seth Girdharilal (Gope) refuses to agree to her marriage with pilot Suman (Pran), who he suspects is just after her for her money. Kammo decides to go to Suman in Bangalore. She boards a bus for Bangalore and here, she encounters impoverished journalist Sagar (Raj Kapoor). After the initial bickering, he decides to help her to get to Bangalore provided he gets exclusive rights to her story. And along the way as they make their way to Bangalore without getting caught, the inevitable happens. The two of them fall in love…
Jawani O'diwani tu zindabad_Aan Milo Sajana_Rajesh Khanna_Asha Parekh_Kishore Kumar_Anand Bakshi_L P mastkalandr 2020-04-18 | Song : yahan wahan sare jamane me tera raj hai..Film : Aan Milo Sajana,1971,Singer: Kishore Kumar,Lyricist: Anand. Bakshi,Music Director: Laxmikant Pyarelal,Director : Mukul Dutt,Cast : Rajesh Khanna,Asha Parekh, Vinod Khanna, Rajendr Nath,Nirupa Roy,Abhi Bhattacharji,Tarun Bose, Aruna Irani, Sunit Kumar, Jr.Mehmood,Production Co. : FilmYug,Lyrics:- Yahan wahan saare jahan mein tera raj haiYahan wahan saare jahan mein tera raj haiJawani o diwani tu zindabadJawani o diwani tu zindabadTere hi to sar pe mohabbat ka taj haiTere hi to sar pe mohabbat ka taj haiJawani o diwani tu zindabadJawani o diwani tu zindabadTu baharon ka ishara, besaharon ka saharaTu baharon ka ishara, besaharon ka saharaSar pe tere, haan haan tere bojh hai saraTere jawan hathon mein duniya ki laaj haiTere jawan hathon mein duniya ki laaj haiJawani o diwani tu zindabadJawani o diwani tu zindabadTere liye kasmein nahiKasmein nahi, rasmein nahiTere liye kasmein nahiKasmein nahi, rasmein nahiTu kisi ke, haan kisi ke bas mein nahiJuda sabhi rasmon se tera har rivaaj haiJuda sabhi rasmon se tera har rivaaj haiJawani o diwani tu zindabadJawani o diwani tu zindabadPeechhe hai bachpan diwanaAage budhapa sayanaPeechhe hai bachpan diwanaAage budhapa sayanaSath tere, haan haan tere hai yeh zamanaTeri nazar to chaand taaron pe aaj haiTeri nazar to chaand taaron pe aaj haiJawani o diwani tu zindabadJawani o diwani tu zindabadYahan wahan saare jahan mein tera raj haiTere hi to sar pe mohabbat ka taj haiJawani o diwani tu zindabadJawani o diwani tu zindabad..यहाँ वहाँ सारेजहां में तेरा राज हैयहाँ वहाँ सारेजहां में तेरा राज हैजवानी ओ दीवानी तू ज़िंदाबादजवानी ओ दीवानी तू ज़िंदाबादतेरे ही तो सर पेमुहब्बत का ताज हैतेरे ही तो सर पेमुहब्बत का ताज हैजवानी ओ दीवानी तू ज़िंदाबादजवानी ओ दीवानी तू ज़िंदाबादतू बहारों का इशाराबेसहारों का सहारातू बहारों का इशाराबेसहारों का सहारासर पे तेरेहाँ हाँ तेरे बोझ है सारातेरे जवाँ हाथों मेंदुनिया की लाज हैतेरे जवाँ हाथों मेंदुनिया की लाज हैजवानी ओ दीवानी तू ज़िंदाबादजवानी ओ दीवानी तू ज़िंदाबादतेरे लिये कसमें नहींकसमें नहीं, रसमें नहींतेरे लिये कसमें नहींकसमें नहीं, रसमें नहींतू किसी के, हाँ किसी के बस में नहींजुदा सभी रसमों से तेरा हर रिवाज हैजुदा सभी रसमों से तेरा हर रिवाज हैजवानी ओ दीवानी तू ज़िंदाबादजवानी ओ दीवानी तू ज़िंदाबादAan Milo Sajna (lit. 'Come, my darling') is a 1970 Hindi film written by Sachin Bhowmick, produced by Jagdish Kumar and directed by Mukul Dutt. The film stars Rajesh Khanna and Asha Parekh in the lead roles and the supporting cast included Vinod Khanna, Rajendra Nath and Nirupa Roy. The music is by Laxmikant Pyarelal with lyrics by Anand Bakshi. The film became a super hit at the box office and the song "Acha to Hum Chalte Hain" was a phenomenon. This film is counted among the 17 consecutive hit films of Rajesh Khanna between 1969 and 1971, by adding the two-hero films Marayada and Andaz to the 15 consecutive solo hits he gave from 1969 to 1971.During the interval of other films released in 1970, when the trailer for Aan Milo Sajna, used to be played, crowds would erupt as soon as Rajesh Khanna arrived on the screen..Storyline :-Widowed and ailing Savitri Choudhury lives a wealthy lifestyle along with her son, Anil, in a palatial mansion in India. She knows that Anil is only waiting for her to die so that he can inherit the wealth and refuses to give him any money. The Diwan convinces Anil to mend his ways, get married, and patch-up with his mom. Shortly thereafter, Anil does appear to have mended his ways, gets involved in charity, and even introduces a young woman named Deepali to his mom. Deepali moves into the mansion and looks after Savitri so much so that Savitri decides to make her the sole beneficiary of her estate. What Savitri does not know is that Anil has hired Deepali to act as his fiancée, and that Deepali herself is not who she claims to be, and is actually in love with a local horse-riding peasant, Ajit, whose father was convicted of killing Savitri's husband, and soon Ajit himself will be arrested by the Police for having an affair with and then killing a woman named Sita..
arre bhai nikal ke aa ghar se..New Delhi1956_Vyjyantimala& Kishore Kumar_Shailendra_S J..a tribute mastkalandr 2020-04-15 | Song: arre bhai nikal ke aa ghar se..Film : New Delhi,1956,Singers: Kishore Kumar and Chorus,Lyricist: Shailendra,Music Director: Shankar Jaikishan, Producer/Director: Mohan Segal,Cast : Kishore Kumar, Vyjayanthimala,Nanda, Jabeen Jalil,Nana Palsikar,Nasir Hussain, Dhumal,Production Banner: Deluxe Picture,Lyrics:-Are bhai nikal ke aa ghar seAre bhai nikal ke aa ghar seAre bhai nikal ke aaGhar se aa ghar seAre bhai nikal ke aaGhar se aa ghar seDuniya ki ronak dekhPhir se dekh le phir seDuniya ki ronak dekhPhir se dekh le phir seHoye are bhai nikalKe aa ghar se aa ghar seAre bhai nikal ke aaGhar se aa ghar seOo ho duniya badal gayi pyareAage nikal gayi pyareAre duniya badal gayi pyareAage nikal gayi pyareAndhe kuye me chhupke kyuBaitha huya hai man mareAre bhai nikal ke aaGhar se aa ghar seDuniya ki ronak dekhPhir se dekh le phir seAre bhai nikal ke aaGhar se aa ghar seTu la biti hi kasli wat tereTu la biti hi kasli wat teOo ho pani ko tel ko chhodaBijali ki rel ko chhodaAre pani ko tel ko chhodaBijali ki rel ko chhodaKal chand taro mePahuchega atami ghodaAre bhai are bhaiAre bhai nikal ke aaGhar se aa ghar seDuniya ki ronak dekhPhir se dekh le phir seAre bhai nikal ke aaGhar se aa ghar seKal jo tha kal raha hogaAage ki soch kya hogaAre kal jo tha kal raha hogaAage ki soch kya hogaTuti purani dhapali peTu kal ka marsiya mat gaAre bhai nikal ke aaGhar se aa ghar seAre bhai nikal ke aaGhar se aa ghar seDuniya ki ronak dekhPhir se dekh le phir seDuniya ki ronak dekhPhir se dekh le phir seAre bhai nikal ke aaGhar se aa ghar seAre bhai nikal ke aaGhar se aa ghar se..New Delhi (न्यू डेल्ही) is a 1956 Hindi-language black and white romantic comedy film written by Radhakishen with Inder Raj Anand and directed by Mohan Segal. The film starred Vyjayanthimala and Kishore Kumar in the lead. Mirza Musharraf and Shivraj as the ensemble cast. The film was produced by Mohan Segal himself. Anand moves to New Delhi and poses himself as a Tamilian to get accommodation in a South Indian family's house. However, things get complicated when he falls for Janaki, his landlord's daughter.Storyline :-Anand (Kishore Kumar), a Punjabi boy comes from Jalandhar to Delhi, but is unable to find a place to stay, as everywhere he goes people want to give room only to a person of their region. Desperate, Anand masquerades as a Tamilian, Anand Kumaraswamy, and finds a place to stay with a Tamilian family. There, he meets the daughter of the South Indian Cultural Association Head, Janaki (Vyjayantimala). Romance develops, but Anand is unable to reveal his true identity to her. Daulatram Khanna Nazir Hussain, Anand's father and Janaki's father, Subramanyam's (Nana Palsikar) superior, gets transferred to Delhi. Anand's sister Nikki (Jabeen) comes close to Anand's friend, Ashok Banerjee, a Bengali painter who teaches her art. Anand makes his Tamilian servant Kumaraswamy (Dhoomal) masquerade as his father and they even meet Janaki's father to discuss the marriage. But soon they are found out and Daulatram opposes the marriage. Daulatram also faces opposition from his community who come to discuss Nikki's marriage within the community. Subramanyam too turns against his daughter, who tries to kill herself. She is saved by a kindly shop owner (Radhakishen) and passed off as his Punjabi niece, Mohini. Both Subramanyam and Anand are kept in the dark and are convinced Janaki is no more. Subramanyam realizes his mistake, but sadly he thinks it is too late. Thinking Mohini to be a good Punjabi girl, Anand's family readily agrees to his marriage with her. Daulatram returns home to find Ashok consoling Nikki, and throws him out. Nikki's marriage is almost called off when the boy's father demands a huge dowry. Ashok offers his family jewels to Daulatram so that Nikki's marriage can take place. Daulatram's eyes open and he calls off the wedding and marries Nikki to Ashok. The truth about Janaki/ Mohini also comes out and now that both groups have shed their prejudices Anand marries Janaki..Box office..At the end of its theatrical run, the film grossed around ₹1,45,00,000 and netted ₹75,00,000, thus becomes the sixth highest-grossing film of 1956, with a verdict of "hit"SONGS..1. Murli Bairan Bhayi Ho Tori Murli Bairan BhayiLata Mangeshkar2. Tum Sang Preet Lagayi Rasiya Maine Jaan Ke Jaan GawanyiLata Mangeshkar3. Koi Mere Sapno Me Aaya Dhire Dhire Mere Man Me SamayaLata Mangeshkar4. Gori Tere Sapno Ke Sajna Aaye Tere AngnaLata Mangeshkar5. Zindagi Bahaar Hai Mohabbat Ki Bahaar SeLata Mangeshkar6. Nakhrewali Dekhne Me Dekh Lo Hai Kaisi Bholi BhaliKishore Kumar7. Baari Barssi Khattan Gaya Te Khat Ke Liyaayi SottiLata Mangeshkar8. Arre Bhai Nikal Ke Aao Ghar Se Aa Ghar Se Duniya Ke Raunaq Dekh Phir SeKishore Kumar9. Milte Hi Nazar Aap Mere Dil Mein Aa GayeKishore Kumar
dil tera diwana hai sanam,mohabbat ki kasam_MalaSinha& Shammi Kapoor_Rafi_Lata_Shailendra_S J_a tri. mastkalandr 2020-04-12 | Song : muhabbat ki kasam, dil tera diwana hai sanam..Film: Dil tera deewana,1962,Singers: Mohdd Rafi & Lata MangeshkarLyricist : Shailendra, Music Director : Shankar Jaikishan,Cast : Shammi Kapoor,Mala Sinha,Pran,Mehmood,Shubha Khote, Ulhas, Manmohan Krishna, Omprakash,Producer/Director : B R panthulu,Lyrics :-Bijalee girake aap khud bijalee se darr gayeHam sadgee peh aap kee leellah mar gayeHaye haye haye...(2)Jante ho tum kuchh na kahenge ham - (2)Mohabbat kee kasam haye, mohabbat kee kasam - (2)) - (2)Pyar ke albele yeh humsafar, chal denge le jayega dil jidharRah me kho jayenge aaj toh - (2)Haye manjil kaha hai hume kya khabarKuchh chahat ka asar kuchh mausam ka asarDil tera divana hai sanam - (2)Jante ho tum kuchh na kahenge ham ho - (2)Mohabbat kee kasam haye, mohabbat kee kasam - (2)Teree aankho me jo surur hai, sara isika toh kusur haiSaiya anjane najre pyar kee - (2)Nadan yeh dil mera majbur hai, jivan me ek bar khud ho jatahai pyarDil tera divana hai sanam - (2)Jante ho tum kuchh na kahenge ham - (2)Mohabbat kee kasam - (2)Kya keje koyee mann bha gaya, dil me hamara woh sama gayaHans ke kissi ne dekha ek bar - (2)Haye dil kee murade koyee pa gayaSanso me mithee aag hotho peh mitha ragDil tera divana hai sanam - (2)Jante ho tum kuchh na kahenge ham - (2)Mohabbat kee kasam, mohabbat kee kasam - (4)..Dil Tera Diwana(The Heart's Crazy Over You) is a 1962 Hindi comedy film. It stars Shammi Kapoor, Mala Sinha, Mehmood, Pran and Om Prakash. The music is by Shankar Jaikishan. The film is black and white in an era where colour films had already started making their appearance. The music of the film was popular. The film was a remake of the Tamil film Sabaash..Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually, both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?Soundtrack...#Song Singer 1"Dhadakne Lagta Hai Mera Dil Tere Naam Se" Mohammed Rafi2"Nazar Bachakar Chale Gaye Woh" Mohammed Rafi3"Dil Tera Deewana Hai Sanam"Mohammed Rafi, Lata Mangeshkar4"Mujhe Kitna Pyar Hai Tumse"Mohammed Rafi, Lata Mangeshkar5"Masoom Chehra, Yeh Qatil Adayen" Mohammed Rafi, Lata Mangeshkar6"Jaan-E-Wafa Jaan-E-Jahan"Mohammed Rafi, Lata Mangeshkar7"Rikshe Pe Mere Tum Aa Baithe"Mohammed Rafi, Asha BhosleAwards..Filmfare Best Supporting Actor Award for Mehmood Sadly, Mahmood and Shubha Khote do not get to sing a hit duet. That privilege belongs to Shammi Kapoor and Mala Sinha as they hum “Dil Tera Deewana Hai Sanam…” and “Mujhe Kitna Pyaar Hai Tumse”. Can Shammi Kapoor be denied his space with Mohammad Rafi and Shankar-Jaikishen included in the party? In fitting style, Shammi Kapoor lights up the screen with the racy “Dhadakne Lagta Hai Mera Dil Tere Naam Se” and then finds himself at ease in the languid “Nazar Bacha Kar Chale Gaye Wo Warna Ghayal Kar Deta”. A fine performance by Shammi Kapoor and Mala Sinha is no match to the delightful Mahmood. He won the Filmfare Award for the best supporting actor. Indeed, he carries the film.
mila hai kisi ka jhumka hare hare nim tale_Parakh1960_Sadhna_Lata_ Shailendra_Salil Chowdhury_a tri. mastkalandr 2020-04-09 | Song : mila hai kisi ka jhumka..Film : Parakh ,1960,Singer : Lata Mangeshkar,Lyricist : Shailendra,Music Director : Salil Chowdhury,Director : Bimal Roy,Cast : Sadhana,Basant Chowdhury,Motilal,Durga Khote,Nasir Hussain, KanhiyaLal,Production Banner : Bimal Roy ,Lyrics :-Mila Hai Kisika Jhumka मिला है किसीका झुमकामिला है किसीका झुमका ठन्डे ठन्डे हरे हरे नीम तलेसच्चे मोतीवाला झुमका सुनो क्या कहता है झुमका प्यार का हिंडोला यहाँ झूल गए नैना सपने जो देखे मुझे भूल गए नैना हाए रे बेचारा झुमका जीवन भर का नाता परदेसिया से जोड़ा आप गई पिया संग मुझे यहाँ छोड़ा पड़ा है अकेला झुमका हाए रे प्रीत की है रीत जाने कैसी तन-मन हार जाने मैं है जीत जाने कैसीजाने ना बेचारा झुमका..Lyrics..Mila hai kisi kaa jhumkaThande thandeHare hare nim taleO sachche moti walaJhumka thande thandeHare hare nim taleSuno kya kehata haiJhumka thade thadeHare hare nim taleMila hai kisi kaa jhumkaPyaar kaa hindolaYaha jhool gae nainaSapne jo dekheMujhe bhool gae nainaPyaar kaa hindolaYaha jhool gae nainaSapne jo dekhe mujheBhool gae nainaHaay re bechara jhumkaThande thandeHare hare nim taleMila hai kisi kaa jhumkaJivan bhar kaa nataParadesiyaa se jodaaAap gai piyaa sangMujhe yaha chhodaJivan bhar kaa nataParadesiyaa se jodaaAap gai piyaa sangMujhe yaha chhodaPadaa hai akelaa jhumkaThande thandeHare hare nim taleMila hai kisi kaa jhumkaHaay re ye prit ki haiRit jaane kaisiTan mann haar jaaneMe hai jit jaane kaisiHaay re ye prit ki haiRit jaane kaisiTan mann haar jaaneMe hai jit jaane kaisiJaane ne bechara jhumkaThande thandeHare hare nim taleMila hai kisi kaa jhumkaThande thandeHare hare nim taleMila hai kisi kaa jhumka..Film Parakh 1960 Storyline..The central character is the Post Master Nivaran who is given a mysterious cheque for ₹500,000 to be given to anyone who will use it to benefit the people of the village. There is a postman Haradhan who is actually Sir Jagdish Chandra who pretends to be lame and has secretly come to the village to know the right person to hand over the cheque, so he visits most of the possible candidates for verification of their honesty. Then there is the postmaster's wife, who is sick and would rather use the money to cure her illness, and his beautiful daughter Seema, who has a crush on the village schoolmaster Rajat. Meanwhile, all the greedy and influential people of the village are busy trying to convince everybody why they are most deserving of the money; they include the village Pandit, the landlord Rai bahadur tandav, the money lender Bhanjhi Babu, the village doctor, Vaidji and the school master Rajat who withdraws his name, who is by far the most respected. Each one tries to woo the villagers by being sympathetic and become a cheerful giver to all by offering various sops. They all decide democracy is the best means and decide to hold an election where the winner gets the money. One day the landlord's westernised sister in law Chanda arrives to the village, who is given lift by Rajat on his cycle from the railway station, thereafter she tries to get friendly to Rajat with some excuse or the other. Seema gets upset over this scenario and quarrels with him. The movie is a satirical look at democracy through various twists and turns in the plot, interwoven with a simple love story.This film has a very popular song "O Sajana, Barkha Bahar Aai..." sung by Lata Mangeshkar, penned by Shailendra and composed by Salil Chowdhary who also happens to be story-writer of the film.Parakh Film 1960Songs(5)Songs and Singers..1O Sajana, Barkha Bahar AaiLata Mangeshkar2Mila Hai Kisi Ka JhumkaLata Mangeshkar3Yeh Bansi Kyon GaayeLata Mangeshkar4Mere Maan Ke DiyeLata Mangeshkar5Kya Hawa Chali Babu Rut BadliManna DeyParakh is one of the seven Bimal Roy's film where he won Filmfare Awards for Best Direction.Awards Won..Filmfare Best Director Award - Bimal RoyFilmfare Best Supporting Actor Award - MotilalFilmfare Best Sound Award - George D'CruzNominated..Filmfare Award for Best FilmFilmfare Award for Best Story - Salil Choudhury
Jay Raghu Nandan JaySiya Ram _Gharana_AshaParekh Rajendra Kumar& RK_Rafi _Asha_ Shakeel _Ravi_a trib mastkalandr 2020-04-07 | Lyrics of Jai Raghunandan Jai Siya Ram - जय रघुनन्दन जय सियारामSong : Jay Raghunandan Jay SiyaRam..Film : Gharana,1961,Singers: Mohammad Rafi & Asha Bhosle,Lyricist : Shakeel Badayuni,Music Director,,: Ravi,Director: S S Vasan,Production : Gemini Production,Cast: Rajendra Kumar,Raj Kumar,Asha Pareekh,Minu Mumtaz,Shubha Khote, Aaga, KanhiyaLal,Lyrics :-shri ramchandar aasarit parijat haisamsat kalyan guna virahm sita mukhamguruchancharika nirantarm mangal matnutjai raghunandan jai siyaram, jai raghunandan jai siyaramhey dukh bhanjan tumhe parnam, hey dukh bhanjan tumhe parnamjai raghunandan jai siyaram, jai raghunandan jai siyaramghat ghat ko hai parmeshawar saneh tumhi sikhlateghat ghat ko hai parmeshawar saneh tumhi sikhlatenar nari ke prem ki jyoti jag me tumhi jalateho naiya ke khewan hare japu mai tumharo naamjai raghunandan jai siyaram, jai raghunandan jai siyaramtumhi daya ke sagar parbhu ji tum hi palan harechain tumhi se paye bikal manwa sanjh sakarejo bhi tumhari aash lagayejo bhi tumhari aash lagaye bane usi ke kam jai raghunandan jai siyaram, jai raghunandan jai siyaram..Gharana (Family) is a 1961 Hindi film that stars Rajendra Kumar, Raaj Kumar, and Asha Parekh. It is directed by S. S. Vasan. The film became a box office hit.The film was a remake of the 1960 Telugu film Shanthi Nivasam and remade in 1988 as Ghar Ghar Ki Kahani.Kamal falls in love with a student named Usha Gupta and gets married to her. His brother suspects him of having an affair with his wife, Sita...Storyline:-A mother and daughter create bitterness, hatred, acrimony and discord in a wealthy familyA block buster of a gemini production with some stellargemini performance by veteran bollywood actors.This is a blockbuster. This movie has everything from stellar acting, enchanting music with a very entertaining qawali type song with dance, family feud and some gorgeous acting by Rajendra Kumar, Raaj Kumar, Shubha Khote, Agha and Lalita Power. Lalita Power is amazing – from a banana vendor in Shri 420, a Christian house keeper in Sharada to this cantankerous mother of the house in Gharana , she demonstrated her acting skills to its pinnacle. She was just awesome in her role as the mother of the house and beating up on everyone without any reason or so ever. Asha Parekh as the younger bohu of the house did very well though she did not have a very serious role in the movie. Vijaylakhsmi as the elder bohu was very reserved and did a wonderful job portraying the ideal housewife and taking all the abuse from her mother-in-law, sister-in-law and even her husband but never loosing the faith that every Indian women have in her khandan. The dance sequences were well presented and cinematography was better than average. I gave it a nine out of ten....dbhattac25 March 2013Gharana1961 ‧ Hindi cinema/Comedy music ‧ 2h 34mSongs..9 songs1Husnwale Tera Jawab Nahin4:46 · Mohammed Rafi2Jai Raghunandan Jai Sitaram3:21 · Asha Bhosle, Mohammed Rafi3Jab Se Tumhen Dekha Hai4:19 · Asha Bhosle, Mohammed Rafi4Dadi Amma Dadi Amma Maan Jao3:15 · Asha Bhosle, Kamal Barot5Na Dekho Humen Ghur Ke4:03 · Asha Bhosle, Mohammed Rafi6Ho Gayi Re Ho Gayi Re3:08 · Asha Bhosle7Mere Banne Ki Baat Na Poochho7:00 · Asha Bhosle, Shamshad Begum 8Yeh Duniya Usi Ki Jo Pyar Kar Le4:21 · Asha Bhosle9Yeh Zindagi Ki Uljhanen3:08 · Asha BhosleAwards ...Filmfare Best Music Director Award--RaviFilmfare Best Lyricist Award—for the song "Husnwale Tera Jawab Nahin" by Shakeel BadayuniFilmfare Nomination for Best Supporting Actress--Shobha KhoteFilmfare Nomination for Best Playback Singer--Mohammed Rafi for the song "Husnwale Tera Jawab Nahin"
us par sajan is par dhare,le chal tu naiya(in Color) Chori Chori_Nargis& Raj _Lata_Hasrat_S J_a tri. mastkalandr 2020-04-03 | Song is picturised on K V Shanti a well known Malyalam movie actress..Enjoy and stay at home, stay safe.. B positive..👏💐Song : uss paar sajan iss paar dhaareLe chal o majhi kinare Kinare..Film: Chori Chori,1956,Singer: Lata Mangeshkar,Lyricist : Hasrat Jaipuri,Music Director : Shankar ,Jaikishan ,Cast : Nargis,Raj Kapoor,K V Shanti,Pran,David,Bhagwan Dada,Johnny Walkar,Mukri.Directeor : Anant Thakur,Producer : L. B. Lachman,Production Banner : A V M Production. Lyrics :-Uss paar sajan iss paar dhaareLe chal o majhi kinareKinareLe chal o majhi kinare .Uss paar saajan iss paar dhaareLe chal o majhi kinareKinareLe chal o majhi kinare.Door yahan se gaon piya kaDoor yahan se gaon piya kaHaal na pooche koi jiya kaHaal na pooche koi jiya kaGehra saagar aur main akeliSoojhe na koi sahareSahareLe chal o majhi kinare.Lehren dekhun dil lehrayeLehren dekhun dil lehrayeJal darpan me pee muskayeJal darpan me pee muskayePyaasi ankhiyaan dono ye sakhiyanHardam karen hain ishareIshareLr chal o majhi kinareUss paar saajan iss paar dhareLe chal o majhi kinareKinareLe chal o majhi kinare..Chori Chori ..Stealthily a 1956 Indian Hindi-language romantic comedy film directed by Anant Thakur, with music by Shankar Jaikishan and lyrics by Hasrat Jaipuri and Shailendra. It stars Raj Kapoor and Nargis in lead roles. It is an adaptation of the 1934 American film It Happened One Night.Bhagwan Dada, Pran, David, and Johnny Walker have character parts. This was the last film of Nargis and Kapoor together as leads, with Nargis doing one cameo appearance in the Kapoor starrer Jagte Raho.Storyline :-Kammo (Nargis) lives a wealthy lifestyle with her widowed multi-millionaire dad, Girhdari Lal (Gope). He would like her to marry someone who is not after their wealth. To his dismay, she chooses to marry a pilot named Sumankumar (Pran), who is known for womanizing and greed. When he disapproves, she runs away from home. The news of her running is announced on radio and newspaper offering a reward of ₹1.25 lakhs for her safe return. On the run, she decides to go by bus to meet Suman. A free-lance reporter Sagar (Raj Kapoor) in search of a story is also going to Bangalore to get advance from his editor. An auto owner cum driver Bhagwan sees the news of reward and goes with his wife to find Kammo. The first encounter of Kammo and Sagar in the bus starts with a tiff. After night's journey full of tiffs the bus stops for passengers to eat snacks. Kammo wanders off and Sagar sees the news of her running and thinks that it will be good story. She misses the bus and Sagar also let it go for his scoop. They catch the next bus, in the bus a poet (Johnny Walker) bores her by reciting his poems at that point Sagar comes to her rescue claiming to be her husband. Midway through the journey the bus breaks down and they take a room in Banwari's (David) inn where only married couples are allowed. They share room and make a partition of bed sheet. The comic situation brings them closer. Kammo spends all the money to buy toiletries, etc. They start walking the next 7 km to Bangalore. Kammo falls in love with the simple life of villages. They spent night in the open where Bhagwan spots them. In the confusion of the melee they escape with auto and take a room in Madarilal's (Mukri) inn with promise to clear rent on check out. The adventure of journey and facing situations together bonds them and they fall in love with each other. Deciding to marry Kammo, Sagar goes to Bangalore to get advance from his editor, leaving a note, while Kammo is still sleeping. The editor gives him cheque which takes time to cash. Meanwhile in the morning the Madarilal's wife humiliates Kammo and throws her out as she does not have money to pay. Kammo thinks that Sagar has abandoned her for story. She phones her father from a house and asks him to come and take her home. Coming back Sagar sees her motorcade going. He thinks she has left her. Both feel let down and dejected. He buys the auto from Bhagwan from advance money.Kammo has come of age and misses Sagar. Seeing her sad Girdhari Lal fixes her marriage with Suman. The news of marriage is flashed in papers. On the day of marriage a press conference is held to click the picture of bride and for QA. At the end of the conference when all are gone Sagar demands money, assuming he wants reward money the father gives him cheque of ₹1.25 lakhs. Sagar tears off the cheque and submits a bill for 15 rupees 12 annas for the expenses incurred during their journey. Misunderstanding over she again runs away with Sagar on the same auto but this time with the consent of her father to live happily ever after.
Waqt 1964_full song..aye meri johra jabi_Balraj Sahni& Achla Sachdev_ Manna Dey_Sahir_Ravi_a tribute mastkalandr 2020-04-01 | Song : O meri johra jabeen tujhe maaloom nahin..Film : Waqt,1964,وقت,वक्तSinger : Manna Dey,Lyricist : Sahir Ludhianvi,Music director: Ravi,Director: Yash Chopra,Cast :Balraj Sahni,Achla Sachdev,Raaj Kumar; Sadhana; Sunil Dutt; Shashi Kapoor; Sharmila Tagore,Rehman,Producer : B. R. ChopraBox office: ₹6 crore (equivalent to ₹340 crore or US$45 million in 2020)An earthquake tears a businessman's family apart. Years later, they reunite in a courtroom trial where the father meets his sons under unprecedented circumstances.Waqt (Time) is a 1965 Bollywood drama film, directed by Yash Chopra, and written by Akhtar Mirza and Akhtar-Ul-Iman. It made it onto the BFI's long list of films in consideration for their top ten of Indian films award.It was produced by B. R. Chopra and starred an ensemble cast including Sunil Dutt, Raaj Kumar, Shashi Kapoor, Sadhana, Balraj Sahni, Madan Puri, Sharmila Tagore, Achala Sachdev and Rehman. It pioneered the concept of films with multiple stars, starting a trend followed by other films.he film took the top spot at the box office in 1965. The plot of this movie re-introduced the lost and reunite formula in Bollywood, originally featured in the 1943 Ashok Kumar, Mumtaz Shanti starrer Kismet (fate). A happy family separated by Waqt (time) goes through a series of trials trying to reunite. The film was later remade into the Telugu as Bhale Abbayilu (1969) and in Malayalam as Kolilakkam (1981).It is still considered one of the blockbuster movies of actress Sadhana. The film contains the popular Hindi songs "Hum Jab Simat Ke", sung by Mahendra Kapoor and Asha Bhosle, Waqt se din aur raat, sung by the legendary Mohammed Rafi, Aage Bhi Jaane Na Tu, sung by Asha Bhosle and Ae Meri Zohra Jabeen, sung by Manna Dey, composed by Ravi and picturised on Balraj Sahni and Achala Sachdev.Storyline...The film tells the story of Lala Kedarnath (Balraj Sahni), a successful businessman, and his family. As he is celebrating his success with friends and family, calamity strikes. An earthquake destroys everything that he had worked for and separates Kedarnath, his wife, and two young sons, from one another. The wife (Achala Sachdev) manages to hold on to their youngest son, an infant.The oldest son finds his way to an orphanage, only to run away and grow up as a thief, Raja (Raaj Kumar). The second son Ravi (Sunil Dutt) is found and adopted by a childless couple. The youngest, Vijay (Shashi Kapoor), grows up with his mother in hardship and poverty.Despite the cards fate has dealt them, all three grow up to be sincere, good people, even Raja, who is a master thief but with a heart of gold.The earthquake that tears the family asunder is also seen as symbolic of Partition, a cataclysmic event that shook up India's social fabric two decades earlier and scarred the psyche of the two countries that were born, India and Pakistan. The Chopras, who hailed from undivided Punjab (Baldev Raj was born in Ludhiana while Yash Raj was born in Lahore), had previously explored the far-reaching effects of Partition in their socials..Waqt was a huge critical and commercial success and swept the Filmfare awards with Yash Chopra winning his first award for Best Director. It also created the archetype of the lives of the wealthy and the glamorous that was seen in the films to follow in the 1970s and 1980s.The film soundtrack was composed by Ravi with lyrics by Sahir Ludhianvi.#Title Singer(s) Duration1"Aye Meri Zohra Jabeen" (Composed by Afghan singer and composer Abdul Ghafoor Breshna)Manna Dey 03:442"Aage Bhi Jaane Na Tu"Asha Bhosle05:313"Chehre Pe Kushi Chhaa Jaati Hai"Asha Bhosle04:334"Din Hai Bahaar Ke Tere Mere Ikrar Ke"Mahendra Kapoor, Asha Bhosle04:505"Waqt Se Din Aur Raat"Mohammed Rafi04:116"Kaun Aaya Ki Nigaho Me Chamak Jag"Asha Bhosle04:287"Hum Jab Simat Ke Aapki"Mahendra Kapoor, Asha Bhosle04:018"Maine Ek Khwab Sa Dekha"Mahendra Kapoor, Asha Bhosle05:45Awards and nominations...13th Filmfare Awards:WonBest Director – Yash ChopraBest Supporting Actor – Raaj KumarBest Story – Akhtar MirzaBest Dialogue – Akhtar ul ImanBest Cinematography (Color) – Dharam ChopraNominatedBest Film – B. R. ChopraBest Actress – Sadhana
kya hawa chali re' baba rut badli..Manna Dey_Shailendra_Salil Chowdhary..a tribute mastkalandr 2020-03-25 | Song : kya hawa chali re baba rut badli..Film : Parakh,1960,Singer: Manna Dey,Lyricist: Shailendra,Music Director: Salil Chowdhary,Producer/Director :Bimal Roy,Choriographer : Sachin Shankar,Cast: Sadhana,Vasant Choudhary,Motilal,Nasir Husain,Kanhaiya Lal,Durga Khote,Leela Chitnis,Sachin Shankar,Mumtaz Begum,Mehar Banu,Jayant,Rashid Khan,Asit Sen,Hari Shivdasani,Vikram Kapoor,Moni Chatterjee,Keshto Mukherjee,Akashdeep,Sudarshan,Nishi,Prahlad Kapoor,Sarita Devi,Paul Mahendra,Raj Verma,Master Anwar, Santosh Kumar, Sharma,Production Co: Bimal Roy Productions,Lyrics :-kya hawa chali baba rut badli kya hawa chali re baba rut badlishor hai gali gali sau sau chuhe khaike billi haz ko chalikya hawa chali baba rut badli kya hawa chali re baba rut badlishor hai gali gali so so chuhe khaike billi haz ko chalikya hawa chali baba ho baba rut badli ho babapahle log mar rahe the bhukh se abhaw se pahle log mar rahe thepahle log mar rahe the bhukh se abhaw seab kahi ye mar na jaye apni khaw khaw seare mithi bat kadwi lage galiyabhali kya hawa chali re baba rut badlishor hai gali gali sau sau chuhe khaike billi haz ko chalikya hawa chali baba hoaaj to jahan ki ulti har ek bat hai ulti har ek bat haiare hum jo kahe din hai bhai log kahe rat hai log kahe rat hairet me bhi khil rahi hai pyar ki kali kya hawa chalikya hawa chali re baba rut badli shor hai gali galisau sau chuhe khaike billi haz ko chali kya hawa chali baba hoaam me uge khazur neem me fale hai aam aam me uge khazuraam me uge khazur neem me fale hai aamdakuo ne jog liya chor bake ram namhosh ki dawa karo miya fazal ali kya hawa chalikya hawa chali re baba rut badli shor hai gali galisau sau chuhe khaike billi haz ko chalikya hawa chali baba ho baba rut badli ho baba...The sensuous beauty of Sadhana and the magical voice of Lata Mangeshkar create one of the most captivating moments on the screen in this classic Bimal Roy film. “O Sajana, Barkha Bahaar Aai…” a personal favourite of Lata, is the highpoint of “Parakh” and captures an unglamorous Sadhana at her best. The other number, “Mila Hai Kisika Jhumka”, is a typical racy song with Lata again demonstrating her classical range.Bimal Roy’s direction stands out as he makes the best of a Salil Choudhury story. The movie, released in 1960, is set in a village where the plot unfolds at a slow pace. It revolves around the village postmaster, who finds his life change dramatically when he receives a cheque for Rs. 5 lakhs from a certain Sir J.C. Roy. The cheque comes with a rider – the money would go to the most honest man in the village, someone who would use the wealth for the benefit of the people.The search for the honest man begins and here Bimal Roy the director takes over as he propels the viewer on a rollicking ride. A ‘lame’ postman (Motilal) is at the centre of the plot. He is actually the scriptwriter of this plan that aims to bring prosperity to the village that he had left years ago.Seema (Sadhana) is the daughter of the postmaster (Nazir Hussain), who also looks after an ailing wife. Seema loves Rajat, the village school teacher but nearly loses her love before it all ends happily. Interestingly, the title cast begins with Sadhana Shivdasani, a rare occasion when her name is spelt with the surname.Greed influences the powerful people of the village who soon explore avenues to cheat and pocket the money. A landlord, the village priest, a money lender and a doctor join the race even as the school teacher withdraws himself. Basanta Choudhury plays his part of a school teacher and a silent lover well.It is a simple tale that ends with the respected postmaster picked by the entire village as the most deserving candidate for the money but not before some drama and action that leaves the scheming quartet on the run as the villagers discover their deceit.There are long spells when Sadhana does not appear on the screen but then the presence of Motilal livens up the proceedings. Motilal carries the film on his shoulders with his flawless portrayal of a wealthy man reaching out to the common villager to serve him better. The performance won him a Filmfare best supporting actor award.Bimal Roy was known to pay close attention to his choice of actors and he assembles a superb team where the irrepressible Kanhaiyalal matches Motilal with some fine acting. Jayant is lovable in his role of the rich land lord while Nazir Hussain is spared the customary tears. Asit Sen, Keshto Mukherjee, Rashid Khan contribute to make the movie a tribute to Bimal Roy’s impeccable direction. It was hardly surprising that Bimal Da won the Filmfare Award for the best director, third in succession, for this classic.Parakh was not Bimal Da’s best but it was one of his best.
aawaz do,aawaz do hum ek hai_A Patriotic Non film Song_Mohd Rafi_ Jan Nisar Akhtar_Khayyam_a tribute mastkalandr 2020-03-23 | Song : ek hai apni zami,ek hai apna gagan,aawaz do,aawaz do hum ek hai..Album: Non filmi songs,Non-Film,Gair filmi geet,Singer: Mohammed Rafi,Lyricist : Jan Nisar Akhtar,Music Director : Khaiyyam,Lyrics :-ek hai apni zami, ek hai apna gaganek hai apna jahan, ek hai apna vatanapne sabhi sukh ek hai, apne sabhi gam ek haiaawaz do, aawaz do hum ek hai, hum ek haiaawaz do, aawaz do hum ek hai, hum ek haiye waqt khone ka nahi, ye waqt sone ka nahijaago vatan khatre me hai, sara chaman khatre me haiphulo ke chehare zard hai, zulfe fiza ki gard haiumda hua tufan hai, narve me hidustan haidushman se nafarat farz hai, ghar ki hifazat farz haibedaar ho bedaar ho, aamada-e-paigar hoaawaz do, aawaz do hum ek hai, hum ek haiye hai himala ki zami, taaj-o-ajanta ki zamisangam humari aan hai, chittaud apni shaan haigulmarg ka mahka chaman, jamuna ka tat, gokul ka vanganga ke dhare apne hai, ye sab humare apne haikah do koi dushman nazar, uthe na bhule se idharkah do ke hum bedaar hai, kah do ke hum taiyaar haiaawaz do, aawaz do hum ek hai, hum ek haiutho jawana-e-vatan, baandhe hue sar se kafanutho dakkan ki aur se, gang-o-jaman ki aur sepunjab ke dil se utho, satluj ke sahil se uthomaharashtra ki khak se, dilli ki arz-e-paak sebengal se gujrat se, kashmir ke bagat senefa se rajasthan se, purkha ke hidustan seaawaz do, aawaz do hum ek hai, hum ek haihum ek hai, hum ek hai, hum ek haihum ek hai, hum ek hai...हम सामूहिक रूप से एक महामारी के खतरे का सामना कर रहे हैं जो महासागरों और सीमाओं से परे मानवता के लिए व्यापक है। COVID-19 की गंभीरता को देखते हुएआइए, मिलकर COVID-19 का मुकाबला करेंवंदे मातरमWe are collectively facing a Pandemic threat that is sweeping across the humanity beyond oceans and borders. Considering the seriousness of COVID-19Let's together, Fight COVID-19 ... Vande Matram..This patriotic song was picturised Rajkumar,Dilip Kumar,Rajendra Kumar and Kanwaljeet,song was recorded the time of Indo-china war in 1962 to Unite people of Hindustan. in those days this patriotic song used to be played compulsorily as national pride in cinema halls before start of the movies..
tan ke tambure me do sanso ke tar bole_Janam Janam Ke Phere1957_ Manna Dey_BharatVyas_S N Tripathi mastkalandr 2020-03-21 | Song : tan ke tambure me do sanso ke taar bole..Film : Janam Janam Ke Phere,1957,Singer: Manna Dey, Lyricist: Bharat Vyas,Music Director: S N Tripathi,Director: Manno Desai (Manmohan Desai),Vijay Sadanah,Writer: Manmohan Desai (as Manoo Desai)Cast: B M Vyas,Manhar Desai,Nirupa Roy, Mahipal,Krishan Kumari,Amirbai Karnataki,Producer:Sunil Goel,Production Co: Mukti Films,Lyrics :-tan ke tambure me do sanso ke tar bolejai radhe shyam shyam, jai sita ram ramtan ke tambure me do sanso ke tar bolejai radhe shyam shyam, jai sita ram ramab to is tan ke mandir me, parbhu ka hua baseraparbhu ka hua baseraab to is tan ke mandir me, parbhu ka hua baseraparbhu ka hua baseramagan hua man meramagan hua man mera, chhuta janam janam ka fera rejanam janam ka feraman ko muraliya me, man ko muraliya meman ko muraliya me, sur ka singar bolejai radhe shyam shyam, jai sita ram ramtan ke tambure me do saso ke tar bolejai radhe shyam shyam, jai sita ram ramlagi lagan lila dhari se, jagi re jagmag jyotilagi lagan lila dhari se, jagi re jagmag jyotiram nam ja heera payaram nam ja heera paya, shyam nam ka motijagi re jagmag jyotipyasi do ankhiyo me, pyasi do ankhiyo mepyasi do ankhiyo me, aasu ki dhar bolejai radhe shyam shyam, jai sita ram ramtan ke tambure me do saso ke tar bolejai radhe shyam shyam, jai sita ram ramjai radhe shyam shyam, jai sita ram ram...Storyline :-Kamla and Mahapatra live a wealthy lifestyle in a small village in India. They are bereft of any children, they pray to Bhagwan Shree Indra and are blessed with a male child, Raghu. The Astrologer preparing his Janam Kundali (astrological chart) tells them that Raghu will grow up to be an atheist. Alarmed, Mahapatra ensures that Raghu is brought up in a strict Hindu religious background. But Raghu is won over by the four temptations Lobh, Madh, Kaam, and Krodh and becomes an atheist and continues to be one even when he is fully matured. Anapurna, his childhood sweetheart attempts to get him to be a believer, and even marries him for this purpose, albeit in vain. Then one day Raghu walks away from her life, leaving her uncle, Gangadhar, to arrange her wedding with wealthy Kishan, but she refuses. Gangadhar then approaches the Maharaja, who initially decides to oppose Gangadhar's plans, but starts to lust after Anapurna when he himself gets possessed by Kaam. The question remains will ... Written by rAjOoNirupa Roy ..AnnapurnaManher Desai...RaghuS.N. Tripathi...MahapatraMahipal ...Lord Vishnu
