The Wicked North | Offenbach - Orpheus In The Underworld @TheWickedNorth | Uploaded 12 years ago | Updated 1 hour ago
Orphée aux enfers (Orpheus in the Underworld) is an opéra bouffon (a form of operetta), or opéra féerie in its revised version, by Jacques Offenbach. The French text was written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux.
The work, first performed in 1858, is said to be the first classical full-length operetta. Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow certain genres of full-length works. Orpheus was not only longer, but more musically adventurous than Offenbach's earlier pieces.
This also marked the first time that Offenbach used Greek mythology as a backdrop for one of his buffooneries. The operetta is an irreverent parody and scathing satire on Gluck and his Orfeo ed Euridice and culminates in the risqué galop infernal ("Infernal Galop") that shocked some in the audience at the premiere. Other targets of satire, as would become typical in Offenbach's burlesques, are the stilted performances of classical drama at the Comédie Française and the scandals in society and politics of the Second French Empire.
The Infernal Galop from Act II, Scene 2, is famous outside classical circles as the music for the "Can-can" (to the extent that the tune is widely, but erroneously, called "Can-can") .
▶️ More great classical music: youtube.com/playlist?list=PLO09Th4dLYVmVRpaFH9-imHCs_EPDjnHS
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#ClassicalMusic #Offenbach
Orphée aux enfers (Orpheus in the Underworld) is an opéra bouffon (a form of operetta), or opéra féerie in its revised version, by Jacques Offenbach. The French text was written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux.
The work, first performed in 1858, is said to be the first classical full-length operetta. Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow certain genres of full-length works. Orpheus was not only longer, but more musically adventurous than Offenbach's earlier pieces.
This also marked the first time that Offenbach used Greek mythology as a backdrop for one of his buffooneries. The operetta is an irreverent parody and scathing satire on Gluck and his Orfeo ed Euridice and culminates in the risqué galop infernal ("Infernal Galop") that shocked some in the audience at the premiere. Other targets of satire, as would become typical in Offenbach's burlesques, are the stilted performances of classical drama at the Comédie Française and the scandals in society and politics of the Second French Empire.
The Infernal Galop from Act II, Scene 2, is famous outside classical circles as the music for the "Can-can" (to the extent that the tune is widely, but erroneously, called "Can-can") .
▶️ More great classical music: youtube.com/playlist?list=PLO09Th4dLYVmVRpaFH9-imHCs_EPDjnHS
🔔 Subscribe to The Wicked North for the very best in classical music: youtube.com/c/TheWickedNorth
#ClassicalMusic #Offenbach
