Classic Mood Experience
Django Reinhardt - Limehouse Blues (1936)
updated
Bandcamp: beat-machine.bandcamp.com/album/drifted-entities-vol-2
Spotify: https://bfan.link/drifted-entities-vol-2/spotify
Apple Music: https://bfan.link/drifted-entities-vol-2/appleMusic
Composed by: Antonio Marini
For licensing: info@beatmachinerecords.com
On 17th March Beat Machine Records present ‘Drifted Entities (Vol. 2)’ – the second instalment in a pair from the mind of genius abstract sound painter Antonio Marini, AKA Healing Force Project.
Whereas ‘Vol. 1’ had a dubwise expanse between the primordial space-grooves, here Marini jettisons the former’s amorphous flow, upping the tempo and intensity in an abstract yet funky style. Bearing the hallmarks of a true musician and a scientist, here he splices and assembles myriad sources, effortlessly blurring the lines between jazz funk, jungle and broken beat, making complex ideas work with formidable fluidity.
Spring-heeled basslines meet brass, piano, rhodes, and FX, which bob and weave around the detailed framework of beats; the elements dancing freely and independently, but also interlocking and rotating like cogs.
At points the album brings to mind Chris Cunningham and Aphex Twin’s strange automaton ‘Monkey Drummer’ video, and at others it recalls the latter’s ‘Drukqs’, only more 70s and wigged out. This is not so much ‘Bug In A Bass Bin’, more a hundred alien critters jumping all over Billy Cobham’s kit.
@HealingForceProject
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Elmore James - Please Find My Baby [1953]
Elmore James (né Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar".
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Bandcamp: karumusik.bandcamp.com/album/an-imaginary-journey?label=2087898850&tab=music
Spotify: open.spotify.com/album/5HsZ4iW2abZVfHfIjuHNmG?si=oaFxIrrQRziqTP7UsiiBlw
Apple Music: music.apple.com/it/album/spears-of-leaves-single/1637723696
Personnel:
Alberto Brutti: Double Bass / Electronics
Mario D'Alfonso: Saxophone
Cristiano Amici: Drums
Andrea Di Nicolantonio: Guitar
For licensing: info@beatmachinerecords.com
An Imaginary Journey is the latest album by the double bass player Alberto Brutti along with his contemporary jazz project, KARU. The deep interest in ancestral rhythms and tribal cultures have transformed their studio sessions into adventurous jams, that impress for a sound that is as sophisticated as it is primal. KARU embarks on a psychedelic trip across uncharted territory in jazz composition: Alberto orchestrates vibrating bass passages livened up by the sparkling sax, evocative percussions and melodies that wander across the record. Connecting the dots between joyful celebrations and fearless catharsis, this album crates a spiritual atmosphere where we experience multiple cultures through chants, rituals and the power of imagination.
@karumusik
Bandcamp: lastforeverrecords.bandcamp.com/album/whateverism-2
Spotify: open.spotify.com/album/0x7r3yhVDsNOOirau6L9mp?si=6K7cbG2bQiSsHB9LXdlVGQ
Apple Music: music.apple.com/it/album/whateverism/1636040799
Personnel:
TOMMASO GAROFALO: Electronics / Synth
FABIO MAURIZIO VISOCCHI: Piano / Bass
FABIO DE ANGELIS: Drum
For licensing: info@lastforeverrecords.com
@turbojazzofficial919
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Sam Cooke - Nothing Can Change This Love [1962]
"Nothing Can Change This Love" is a song by American singer-songwriter Sam Cooke. It was released as a single on September 11, 1962 by RCA Victor. The song peaked at No. 2 on Billboard's Hot R&B Singles chart, and also charted at No. 12 on the Hot 100. The song later got on the album Mr. Soul.
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Ray Barretto - Linda Mulata [1961]
Raymundo "Ray" Barretto Pagán (April 29, 1929 – February 17, 2006) was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi," was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible." His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.
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Bandcamp: daykodamusic.bandcamp.com/album/physis
Spotify: open.spotify.com/album/54jguMfvEG7k8XuZaJR43E?si=hxq3YCKQRzKA3N7IHO5o5Q
Apple Music: music.apple.com/it/album/physis/1550265965
Composed by: Andrea Gamba (Daykoda) & Andrew Baxter (Robohands)
Guitar by Amedeo Nan
For licensing: info@beatmachinerecords.com
@daykoda171
‘My Abstract Monkey’ feels hazy and dreamlike; percussive hip-hop cuts, soulful atmospherics and highly skilled woodwind sequences. The track makes you swoon with its smooth and creamy vibe, something relatable to Stones Throw and Brainfeeder artists such as MNDSGN and Teebs. Special credits to the raw talent of the multi- istrumentalist Robohands, who features the track with an effortless jazzy production.
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Billie Holiday - Yesterdays [1952]
"Yesterdays" is a 1933 song about nostalgia composed by Jerome Kern with lyrics by Otto Harbach. They wrote the song for Roberta, a musical based on the novel Gowns by Roberta by Alice Duer Miller. "Yesterdays" was overshadowed by the musical's more popular song, "Smoke Gets in Your Eyes", which was a number one hit for the Paul Whiteman orchestra.
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Ella Fitzgerald - It Never Entered My Mind [1956]
"It Never Entered My Mind" is a show tune from the 1940 Rodgers and Hart musical Higher and Higher, where it was introduced by Shirley Ross.
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Benny Carter - The Song Is You [1954]
"The Song Is You" is a popular song and jazz standard composed by Jerome Kern with lyrics by Oscar Hammerstein II. It was written for their musical Music in the Air (1932) and sung in that show by Tullio Carminati. In the subsequent 1934 film, the song was recorded and filmed but cut from the final release. An instrumental of the song can still be heard under the opening credits.
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Thelonious Monk - I Don't Stand A Ghost Of A Chance With You [1957]
"I Don't Stand a Ghost of a Chance With You" is a 1932 song recorded by Bing Crosby with Orchestral Accompaniment. The music was composed by Victor Young, with lyrics written by Ned Washington and Bing Crosby. The song is a jazz and pop standard recorded by many different artists.
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Quincy Jones - For Lena and Lennie [1962]
Quincy Delight Jones Jr. (born March 14, 1933) is an American record producer, musician, songwriter, composer, arranger, and film and television producer. His career spans 70 years in the entertainment industry with a record of 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992.
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Johnny Cash - In Them Old Cottonfields Back Home [1962]
"Cotton Fields (The Cotton Song)" (also known as In Them Old Cotton Fields Back Home) is a song written by American blues musician Huddie Ledbetter, better known as Lead Belly, who made the first recording of the song in 1940.
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Count Basie - Exactly Like You [1936]
"Exactly Like You" is a popular song with music written by Jimmy McHugh and lyrics by Dorothy Fields and published in 1930. The song was introduced by Harry Richman and Gertrude Lawrence in the 1930 Broadway show Lew Leslie's International Revue which also featured McHugh and Fields's "On the Sunny Side of the Street".
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Bill Evans - Beautiful Love - Take 1 [1961]
"Beautiful Love" is a popular song composed by Wayne King, Victor Young and Egbert Van Alstyne with lyrics by Haven Gillespie. It was introduced by the Wayne King Orchestra in 1931. The song has been called the "second favourite number" of King, after the Orchestra's theme song "The Waltz You Saved for Me".
As a popular jazz standard, the song is included in the first volume of the Real Book as well as the New Real Book.
It appears as a love theme both in the 1932 film The Mummy (when it is played during the ball sequence where Helen is telepathically called to the museum), and in the film Hotel Continental, also 1932. The song is included in the film Sing a Jingle (1944) and it was also included in the 1989 film Crimes and Misdemeanors by Woody Allen.
Joe Pass performed the song at the Brecon Jazz Festival in 1991 and stated in good jest that he couldn't remember if it was by Victor Herbert, Victor Young or Victor Mature.
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Anne Jamison - Summertime [Song by George Gershwin 1934]
"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin.
The song comes from a folk melody which origins lie in a Ukrainian lullaby “Oi Khodyt Son Kolo Vikon” («Ой ходить сон коло вікон») first published in 1837.
The song soon became a popular and much-recorded jazz standard, described as "without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century". Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" and "My Man's Gone Now" as "the best lyrics in the musical theater".
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Erroll Garner - Laura [1945]
"Laura" is a 1945 popular song. The music, composed by David Raksin for the 1944 movie Laura, which starred Gene Tierney and Dana Andrews, is heard frequently in the movie. The film's director, Otto Preminger, had originally wanted to use Duke Ellington's "Sophisticated Lady" as the theme, but Raksin was not convinced that it was suitable. Angered, Preminger gave Raksin one weekend to compose an alternative melody. Raksin later said, and maintained for the rest of his days, that when, over that weekend, his wife sent him a "Dear John" letter, the haunting theme seemed to write itself.
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George Lewis - Burgundy Street Blues [1944]
George Lewis (born Joseph Louis Francois Zenon; July 13, 1900 – December 31, 1968) was an American jazz clarinetist who achieved his highest profile in the later decades of his life.
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Perry Como - Wanted [1954]
"Wanted" is a popular song written by Jack Fulton and Lois Steele. A recording by Perry Como was the most popular version, reaching No. 1 in the US. Al Martino also recorded a version which reached No. 4 in the UK.
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Peggy Lee - Waitin' For The Train To Come In [1945]
Norma Deloris Egstrom (May 26, 1920 – January 21, 2002), known professionally as Peggy Lee, was an American jazz and popular music singer, songwriter, composer, and actress, over a career spanning seven decades. From her beginning as a vocalist on local radio to singing with Benny Goodman's big band, Lee created a sophisticated persona, writing music for films, acting, and recording conceptual record albums combining poetry and music. Called the "Queen of American pop music," Lee recorded over 1,100 masters and composed over 270 songs.
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Charles Mingus - Perdido [jazz standard by Juan Tizol 1941]
"Perdido" is a jazz standard composed by Juan Tizol that was recorded on December 3, 1941 by Duke Ellington. However, it is the January 21, 1942, recording of the song on the Victor label by the Ellington orchestra, of which Tizol was a member, that is regarded as the original recording. In 1944, Ervin Drake and Hans Lengsfelder were hired to write lyrics for the song.
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Thelonious Monk - Thelonious [1947]
A 36-bar tune in AABA-form (8-10-8-10) in B♭ major. The tune was first recorded on October 15, 1947, for the Genius of Modern Music sessions.[57] It was later recorded for the album Underground,[22] and live versions appear on the albums The Thelonious Monk Orchestra at Town Hall,[36] and Live at the Jazz Workshop.
The A-section is based on a riff that Monk used very often, dating back to his days as the house pianist at Minton's Playhouse. The riff contains only the pitches B♭ and A, insisting on the tonic, and is reharmonized with descending chords.
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Elmore James - Sunny Land (1954)
Elmore James (January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. He was noted for his use of loud amplification and his stirring voice and was inducted into the Rock and Roll Hall of Fame in 1992.
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Ella Fitzgerald - What Are You Doing New Year's Eve? [1960]
"What Are You Doing New Year's Eve?" is a popular song written in 1947 by Frank Loesser as an independent song.
It was first recorded by Margaret Whiting in 1947 and first charted for The Orioles, peaking at No. 9 on Billboard's Best-Selling Retail Rhythm & Blues chart in December 1949. Other charted versions include Danté & The Evergreens (No. 107 on Billboard's Bubbling Under Hot 100 Singles in December 1960) and Nancy Wilson (No. 17 on Billboard's Christmas Singles chart in December 1965 and No. 24 on the same chart in December 1967).
Although it is typically performed in December, that was not the composer's intent. In A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life, his daughter Susan Loesser explains that "the singer, madly in love, is making a (possibly rash) commitment far into the future. ("Maybe it's much too early in the game. Ah, but I thought I'd ask you just the same--What are you doing New Year's, New Year's Eve?") It always annoyed my father when the song was sung during the holidays".
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Bing Crosby - Christmas in Killarney [1951]
"Christmas in Killarney" is an Irish-American Christmas song written by John Redmond, James Cavanaugh and Frank Weldon, copyright 1950.
This song has been performed by many artists. Two recordings made the Billboard retail chart in 1950: Dennis Day's version peaked at #10, while Percy Faith's reached #28. Most notably Bing Crosby, recorded it on 1 October 1951, and later included it on the 12-inch LP Merry Christmas. Other recording artists include Ruby Murray (1962), Bobby Vinton (1964), Joan Morrissey (1974), Anne Murray (1988), the Irish Rovers (2002), Neil Diamond on his Acoustic Christmas album (2016), and Rend Collective (2020). It has also been performed by the Barra MacNeils, Marc Gunn and The Four Ramblers.
The song featured prominently in the Rankin/Bass 1981 Christmas TV special, The Leprechaun's Christmas Gold.
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Les Paul - Jingle Bells [1951]
"Jingle Bells" is one of the best-known and most commonly sung American songs in the world. It was written by James Lord Pierpont (1822–1893) and published under the title "The One Horse Open Sleigh" in the autumn of 1857. It has been claimed that it was originally written to be sung by a Sunday school choir for Thanksgiving, or as a drinking song. Although it has no original connection to Christmas, it became associated with winter and Christmas music in the 1860s and 1870s, and it was featured in a variety of parlor song and college anthologies in the 1880s. It was first recorded in 1889 on an Edison cylinder; this recording, believed to be the first Christmas record, is lost, but an 1898 recording also from Edison Records survives.
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Ella Fitzgerald - I've Got My Love To Keep Me Warm [1958]
"I've Got My Love to Keep Me Warm" is a popular song written in 1937 by Irving Berlin and introduced in the film On the Avenue when it was sung by Dick Powell and Alice Faye.
Successful recordings in 1937 were by Ray Noble (vocal by Howard Phillips), Billie Holiday, Red Norvo, and Glen Gray (vocal by Kenny Sargent).
Les Brown's instrumental version, arranged by Skip Martin and recorded in 1946 as Columbia #38324, became a million-seller and Billboard top ten song in 1949. Brown said that he got a call from Columbia Records after he performed the song telling him to record it, only to respond that he had recorded it three years earlier. That same year vocal group The Mills Brothers also had a chart hit with their version on Decca #24550.
Although not strictly a Christmas song as the lyrics make no mention of the holiday, it has been recorded for many artists' Christmas albums and is a standard part of the holiday song repertoire in the U.S. Artists such as Rosemary Clooney, Doris Day, Dean Martin, Bette Midler, Rod Stewart, Dinah Washington and Idina Menzel (in a duet with Billy Porter) are among those who have covered it. Ella Fitzgerald recorded this for her 1958 Verve release Ella Fitzgerald Sings the Irving Berlin Songbook.
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Bing Crosby - Faith of Our Fathers [1942]
"Faith of our Fathers" is a Catholic hymn, written in 1849 by Frederick William Faber in memory of the Catholic Martyrs from the time of the establishment of the Church of England by Henry VIII and Elizabeth. Faber wrote two versions of the hymn: one with seven stanzas for Ireland, and another with four for England. The Irish version was sung at hurling matches until the 1960s.
In England, Scotland, Wales, and Ireland, it is usually sung to the traditional tune Sawston; in the United States, the tune St Catherine by Henri Hemy is more commonly used.
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Johnny Cash - Five Feet High And Rising [1959]
"Five Feet High and Rising" is a song written and originally recorded by Johnny Cash.
The song was recorded by Cash on March 12, 1959 for his third Columbia album and released as a single on July 6, 1959, with "I Got Stripes" (another song from the same recording session) on the opposite side.
The song is a first person account of the 1937 Mississippi flood that Cash, then aged four years and 11 months, endured with his family. They had to leave their home and flee.
The song provided the inspiration for the name of De La Soul's debut album "Three Feet High and Rising" and is sampled in the song "The Magic Number."
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Duke Ellington - Sophisticated Lady [1932]
"Sophisticated Lady" is a jazz standard, composed as an instrumental in 1932 by Duke Ellington.
Additional credit is given to publisher Irving Mills whose words were added to the song by Mitchell Parish. The words met with approval from Ellington, who described them as "wonderful—but not entirely fitted to my original conception". That original conception was inspired by three of Ellington's grade school teachers. "They taught all winter and toured Europe in the summer. To me that spelled sophistication."
Lawrence Brown, the trombone player in Ellington's band at the time, claimed that he was responsible for the main hook in the A section of the tune. Ellington paid him $15 for his contribution, but he was never officially credited.
Duke Ellington and His Orchestra introduced "Sophisticated Lady" in 1933 with an instrumental recording of the song that featured solos by Toby Hardwick on alto sax, Barney Bigard on clarinet, Lawrence Brown on trombone and Ellington on piano. The recording entered the charts on 27 May 1933 and rose to number three.
Singer Adelaide Hall recorded with Ellington in 1927, 1932, and 1933, but only recorded two versions of "Sophisticated Lady", in 1944 (with Phil Green And His Rhythm) and in 1976, on her album "Hall of Ellington." The song appeared on the soundtrack of the 1989/90 documentary celebrating her life entitled Sophisticated Lady.
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Margaret Whiting - A Tree In The Meadow [1948]
"A Tree in the Meadow" is a popular song. It was written by Billy Reid, and the song was published in 1948.
The songwriter, orchestra leader Billy Reid, recorded the first version in the United Kingdom, with Dorothy Squires as vocalist. It was recorded on 9 January 1948, and released by Parlophone Records as catalog number R-3092. The biggest hit version of the song in the United States was recorded by Margaret Whiting with Frank De Vol orchestra. Whiting sang along with a recording from Europe and was not told she was being recorded due to the musicians' strike. Other versions were recorded by Monica Lewis and The Ames Brothers with Mary Osborne Trio, John Laurenz as well as Joe Loss and his orchestra.
Margaret Whiting's version was recorded on 25 May 1948, and released by Capitol Records as catalog number 15122. The record first reached the Billboard charts on 9 July 1948 and lasted 23 weeks on the chart, peaking at #1.
The Monica Lewis and Ames Brothers recording was released by Decca Records as catalog number 24411. The record first reached the Billboard charts on 13 August 1948 and lasted 1 week on the chart, at #22.
The John Laurenz recording was released by Mercury Records as catalog number 5148. The record first reached the Billboard charts on 17 September 1948, and lasted 1 week on the chart, at #28.
The Joe Loss recording was released by RCA Victor Records as catalog number 20-2965. The record first reached the Billboard charts on 10 September 1948, and lasted 1 week on the chart, at #30.
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Benny Goodman - Goody Goody [1936]
"Goody Goody" is a 1936 popular song composed by Matty Malneck, with lyrics by Johnny Mercer. The song is referenced several times in the 1936 Kaufman and Hart play "You Can't Take It With You". Popular recordings in 1936 were by Benny Goodman and his Orchestra (with vocalist Helen Ward), Freddy Martin & His Orchestra (vocal by Terry Shand), and by Bob Crosby & His Orchestra.
Frankie Lymon performed it live on television on several occasions, including twice in 1957 on The Ed Sullivan Show. He also had a hit with his recording of the song in the United States, reaching #20 that year, as well as #24 in the UK. It was released as a recording with his group the Teenagers, but was, in fact, a solo recording.
Shelley Winters's character in Curtis Harrington's 1971 thriller What's the Matter with Helen? plays the song at the end of the movie.
The song was performed by 'Wayne & Wanda' in an episode of The Muppet Show.
A recording by the BBC Dance Orchestra was featured in the film The Water Horse: Legend of the Deep (2007).
Bobby Rydell performs the song in his live shows (Las Vegas, 2015).
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Lennie Tristano - I Can't Get Started [1946]
"I Can't Get Started", also known as "I Can't Get Started with You" or "I Can't Get Started (with You)", is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the film Ziegfeld Follies of 1936, where it was performed by Bob Hope and Eve Arden.
Hal Kemp and his Orchestra recorded it and it had a bit of popularity, rising briefly to 14th place on the recording charts. Bunny Berigan's 1937 version was inducted into the Grammy Hall of Fame.
Ira Gershwin noted in 1959 that "The sheet-music sale of the song never amounted to much... but an early recording by Bunny Berigan—considered by jazz devotees a sort of classic in its field—may have been a challenge (or incentive) for the great number of recordings that have followed. Not a year has gone by, in the past fifteen or so, that up to a dozen or more new recordings haven't been issued."
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Chet Baker - Imagination [1953]
"Imagination" is a popular song with music written by Jimmy Van Heusen and the lyrics by Johnny Burke. The song was first published in 1940. The two best-selling versions were recorded by the orchestras of Glenn Miller and Tommy Dorsey in 1940.
Jimmy Van Heusen originally wrote the song when he was a teenager, but with different words. When he later played the tune for Johnny Burke (without the lyrics), Burke wrote the "Imagination" lyrics.
The recording by Glenn Miller (vocals Ray Eberle) was released by Bluebird Records as catalog number 10622. It first reached the Billboard magazine Best Seller chart on July 20, 1940 and lasted 3 weeks on the chart, peaking at #3.
The recording by Tommy Dorsey was released by Victor Records as catalog number 26581. It reached the Billboard magazine Best Seller chart at #8 on July 20, 1940, its only week on the chart.
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Perry Como - Bibbidi-Bobbidi-Boo [1950]
"Bibbidi-Bobbidi-Boo" (also called "The Magic Song") is a novelty song, written in 1948 by Al Hoffman, Mack David, and Jerry Livingston. Introduced in the 1950 film Cinderella, and performed by actress Verna Felton, the song is about the Fairy Godmother transforming an orange pumpkin into a white carriage, four brown mice into white horses, a gray horse into a white-haired coachman, and a brown dog into a white-haired footman. The song was nominated for the Academy Award for Best Original Song in 1951 but lost out to "Mona Lisa" from Captain Carey, U.S.A. Disney used the song once again in their 2015 remake of Cinderella which starred Lily James in the leading role. The song was performed by Helena Bonham Carter, who plays Fairy Godmother, and was the final song of the movie, playing with the end credits. Bonham Carter's version can also be found as the 30th song on the original movie soundtrack.
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Oscar Peterson - Yesterdays [1961]
"Yesterdays" is a 1933 song about nostalgia composed by Jerome Kern with lyrics by Otto Harbach. They wrote the song for Roberta, a musical based on the novel Gowns by Roberta by Alice Duer Miller. "Yesterdays" was overshadowed by the musical's more popular song, "Smoke Gets in Your Eyes", which was a number one hit for the Paul Whiteman orchestra.
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Billie Holiday - Violets For Your Furs [1958]
"Violets for Your Furs" is a 1941 song written by Matt Dennis with words by Tom Adair, and first recorded in that year by Tommy Dorsey's orchestra with vocals by Frank Sinatra.
The song describes the wearing of violets with furs on an evening in Manhattan.
Song is said to be about Lana Turner, who was involved with Sinatra at the time. Turner often wore flowers pinned to her furs.
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Fred Astaire - Shall We Dance [1937]
Shall We Dance, released in 1937, is the seventh of the ten Fred Astaire-Ginger Rogers musical comedy films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical.
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Louis Jordan - Honeysuckle Rose [1939]
"Honeysuckle Rose" is a 1929 song composed by Fats Waller with lyrics by Andy Razaf. It was introduced in the 1929 Off-Broadway revue "Load of Coal" at Connie's Inn as a soft-shoe dance number. Waller's 1934 recording was inducted in the Grammy Hall of Fame in 1999.
During a visit to the West Side of Asbury Park, New Jersey in 1928, Waller wrote the song with Razaf at 119 Atkins Avenue in a home that still stands today.
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Dave Brubeck - You Stepped Out Of A Dream [1950]
"You Stepped Out of a Dream" is a popular song with music written by Nacio Herb Brown and lyrics by Gus Kahn that was published in 1940. The song has become a pop and jazz standard, with many recorded versions.
It was a centerpiece in the 1941 musical Ziegfeld Girl, in which it was sung by Tony Martin and accompanied an iconic image of Lana Turner walking down a grand staircase. Although Turner never officially sang or recorded the song, it became her theme song during her peak years as one of Hollywood's top leading ladies, often played when she entered a nightclub or restaurant. The song is played in the film The Abominable Dr. Phibes (1971) during a murder scene.
The song was added to the Chichester/London 2012 Revival version of the musical Singin' in the Rain.
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Bill Haley - Rip It Up [1956]
"Rip It Up" is a rock and roll song written by Robert Blackwell and John Marascalco. In June 1956, Specialty Records released it as a single by Little Richard with "Ready Teddy" as the B-side. The song reached the top position on the Billboard Rhythm & Blues Records chart as well as number 17 on the magazine's broader Billboard Hot 100. The version peaked at number 30 in the UK Singles Chart.
The tenor saxophone solo is by Lee Allen.
Also in 1956, Bill Haley and his Comets released a version of the song. Their version reached number 25 on the Hot 100, and number four in the UK Singles Chart.
The song, which was recorded at J&M Recording Studio in New Orleans, is included as a full-length performance by Earl Palmer with guest vocalist Ivan Neville and house band in the 2005 documentary film Make It Funky!, which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz.
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Thelonious Monk Trio - Sophisticated Lady [1955]
"Sophisticated Lady" is a jazz standard, composed as an instrumental in 1932 by Duke Ellington.
Additional credit is given to publisher Irving Mills whose words were added to the song by Mitchell Parish. The words met with approval from Ellington, who described them as "wonderful—but not entirely fitted to my original conception". That original conception was inspired by three of Ellington's grade school teachers. "They taught all winter and toured Europe in the summer. To me that spelled sophistication."
Lawrence Brown, the trombone player in Ellington's band at the time, claimed that he was responsible for the main hook in the A section of the tune. Ellington paid him $15 for his contribution, but he was never officially credited.
Duke Ellington and His Orchestra introduced "Sophisticated Lady" in 1933 with an instrumental recording of the song that featured solos by Toby Hardwick on alto sax, Barney Bigard on clarinet, Lawrence Brown on trombone and Ellington on piano. The recording entered the charts on 27 May 1933 and rose to number three.
Singer Adelaide Hall recorded with Ellington in 1927, 1932, and 1933, but only recorded two versions of "Sophisticated Lady", in 1944 (with Phil Green And His Rhythm) and in 1976, on her album "Hall of Ellington." The song appeared on the soundtrack of the 1989/90 documentary celebrating her life entitled Sophisticated Lady.
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Johnnie Ray - Hernando's Hideaway [1954]
"Hernando's Hideaway" is a tango show tune, largely in long metre, from the musical The Pajama Game, written by Jerry Ross and Richard Adler and published in 1954. It was sung in the stage and film versions of the musical by Carol Haney. The song is about a fictional invitation-only nightclub of the same name where lovers can meet for secret rendezvous. In the few years after the song's release, a number of artists had hit recordings of it, including Archie Bleyer, Johnnie Ray and The Johnston Brothers.
According to author Dave Hoekstra, "Hernando's Hideaway" was based on Hilltop, an establishment in East Dubuque, Illinois that had been a speakeasy in the 1920s (where Al Capone once hid out from the Chicago police) before turning into a supper club.
The most successful recording of the song was done by Archie Bleyer, the record reaching No. 2 on the Billboard chart in 1954.
A version by Johnnie Ray hit number 11 on the UK Singles Chart in October 1955.
The Johnston Brothers' 1955 recording was a No. 1 UK hit in November 1955.
A live recording (from Carnegie Hall in 1954) by Ella Fitzgerald can be found on the Verve/Polygram release Jazz at the Philharmonic, the Ella Fitzgerald Set, with Ray Brown on bass and Buddy Rich on drums.
A rendition by Enoch Light was featured prominently on Command Records' Provocative Percussion as well as the Command test record.
It has also been covered by David Clayton-Thomas.
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After You've Gone (Song by Turner Layton & Henry Creamer) [1918]
"After You've Gone" is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer.
It was recorded by Marion Harris on July 22, 1918, and released by Victor Records.
The song became so popular that the sheet music was later decorated with tiny photographs of the 45 men who made the song famous, including Paul Whiteman, Rudy Vallée, B.A. Rolfe, Guy Lombardo, and Louis Armstrong.
The chorus adheres to a standard ABAC pattern but is only 20 measures long. There are four 4-bar phrases, followed by a 4 measure tag. The song is harmonically active, with chord changes almost every measure. The opening four notes are identical to the opening notes of Peg o' My Heart (1912)—at the time songwriters often borrowed the first few notes of a hit melody.
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Sam Cooke - Wonderful World [1960]
"Wonderful World" (occasionally referred to as "(What A) Wonderful World") is a song by American singer-songwriter Sam Cooke. Released on April 14, 1960, by Keen Records, it had been recorded during an impromptu session the previous year in March 1959, at Sam Cooke's last recording session at Keen. He signed with RCA Victor in 1960 and "Wonderful World," then unreleased, was issued as a single in competition. The song was mainly composed by songwriting team Lou Adler and Herb Alpert, but Cooke revised the lyrics to mention the subject of education more.
"Wonderful World" ended up doing substantially better on the charts than several of his early RCA singles, becoming his biggest hit single since "You Send Me" (1957). The song peaked at number 12 on the Billboard Hot 100 and hit number two on Billboard's Hot R&B Sides chart.
Herman's Hermits charted with their recording of the song in 1965, reaching number four in the United States and number seven in the United Kingdom, respectively. A remake by Art Garfunkel with James Taylor and Paul Simon charted at number 17 in 1978. The Sam Cooke version was featured in the 1978 film Animal House and gained greater recognition in the UK upon a 1986 re-release when it peaked at number two on the UK Singles Chart, going silver (it had peaked at number 27 on the UK singles chart on first release in 1960). Its 1986 success was attributed to sound-alike versions featured in the film Witness (1985) and a Levi's 501 television commercial.
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Sam Cooke - Twistin The Night Away [1962]
"Twistin' the Night Away" is a song written and recorded by Sam Cooke. It was released as a single in 1962 and became very popular, charting in the top ten of both the Billboard Hot 100 (#9) and Billboard's R&B chart (#1). "Twistin' the Night Away" was successful overseas as well, peaking at #6 on the UK Singles Chart.
The song was recorded with The Wrecking Crew as session musicians, including Rene Hall as band leader, Red Callender on bass, Earl Palmer on drums, Tommy Tedesco and Clifton White on guitars, Ed Beal on piano, John Kelson, John Ewing and Jewell Grant on saxophone and Stuart Williamson on trumpet.
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Dave Brubeck Trio - I'll Remember April [1950]
"I'll Remember April" is a popular song and jazz standard about a romantic relationship ending. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. The song has been described as one which makes use of nostalgia, with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy Ride 'Em Cowboy, being sung by Dick Foran.
Since then, dozens upon dozens of artists have covered the song as listed below. One of the most notable live renditions of the song is a radio performance by Judy Garland, on a broadcast of Lux Radio Theatre.
'I'll Remember April' can be found in the Real Book tacit vol 1. It also appears as background music in the Adam-12 episode "Something Worth Dying For", in which Officer Reed (played by Kent McCord) is given the Medal of Valor.
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Fats Domino - Goin' Home [1952]
Antoine Dominique Domino Jr. (February 26, 1928 – October 24, 2017), known as Fats Domino, was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single "The Fat Man" is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song's co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price's "Lawdy Miss Clawdy" (1952) and scoring a string of mainstream hits beginning with "Ain't That a Shame" (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold.
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Horace Silver - Senor Blues [1956]
"Señor Blues" is a composition by Horace Silver. The original version, an instrumental by Silver's quintet, was recorded on November 10, 1956. It has become a jazz standard. Silver later wrote lyrics, which were first recorded by Silver's band with Bill Henderson singing in 1958.
"'Señor Blues' is a 12/8 Latin piece with a dark, exotic flavor that recalls no other jazz composer as much as Duke Ellington. The first two chords are E♭ minor and B7, resembling (whether consciously intended or not) one of Ellington's favorite harmonic gestures."
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Bobby Blue Bland - St. James Infirmary [1961]
"St. James Infirmary Blues" is an American blues song and jazz standard of uncertain origin. Louis Armstrong made the song famous in his 1928 recording on which Don Redman was credited as composer; later releases gave the name Joe Primrose, a pseudonym of Irving Mills. The melody is 8 bars long, unlike songs in the classic blues genre, where there are 12 bars. It is in a minor key, and has a 4/4 time signature, but has also been played in 3/4.
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