Uploaded June 2022 | Updated September 2026, 3 weeks ago
This is a single track re-upload of my soundtrack release.
Sadly the full length one video soundtrack was always taken offline by some music label.
If you want to listen to the continuous full release, I recommend my created YouTube playlist.
Enjoy!
This is a single track re-upload of my soundtrack release.
Sadly the full length one video soundtrack was always taken offline by some music label.
If you want to listen to the continuous full release, I recommend my created YouTube playlist.
Enjoy!
![Crysis (Original Soundtrack) [Remastered & Expanded Special Edition]](https://i.ytimg.com/vi/o4RkL44iokE/mqdefault.jpg "Crysis (Original Soundtrack) [Remastered & Expanded Special Edition]
Composer: Inon Zur
00:00 - Awakening
01:38 - By A Thread
03:08 - First Light
06:31 - Shotgun
09:38 - Only One Way In
12:08 - Sometimes You Win
13:52 - Covert Ops
17:22 - Infiltration
20:30 - Scavengers
24:04 - Knee Deep
26:42 - Stricklands March
29:34 - The Nexus
32:50 - Trespass
36:10 - Reactor
39:00 - Sometimes You Lose
40:40 - Loss Of Pressure
43:08 - Soldiers On The Storm
46:27 - Gaining Ground, Losing Time
49:22 - Undercurrent
52:28 - Legion
55:32 - Super Soldier
57:15 - Prophets Bridge
1:00:27 - Grave Danger
1:04:03 - Terminal
1:08:08 - Guardians
1:12:42 - Nanosuit Systems Engaged
1:15:15 - Terminus
1:18:17 - Pyrrhic Victory
Crysis has gotten a Original Soundtrack arrangement upgrade! Quite an expansive upgrade actually. I took the OST and remastered and upscaled it extensively. The official soundtrack was mostly based on lossy OGG files outside of a few action tracks. It was also heavily clipped and clicked but I did like the arrangements by Paul Taylor and therefore actually set out to make a few bonus tracks that I tried to arrange in the same way so that they fit seamlessly in. I basically only added compositions that were completely missing from the OST. The Nanosuit Combat Theme for example but also several other level and cutscene music. I made the OST only longer by like 15 mins since I didnt want to overdo it so I only included the most neccessary compositions as bonus tracks. They are also arranged with special sampling and fan service. But check it out yourself, its basically an alternative to my very extensive and long complete soundtrack.")
![Prototype Suite [2025 REMASTER]](https://i.ytimg.com/vi/ovK0BH5HdJ0/mqdefault.jpg "Prototype Suite [2025 REMASTER]
Composer: Cris Velasco, Sascha Dikiciyan
A rework of the rework. I basically took my rework from around 2022 and enhanced it further with my latest research and software. Aim of this was to further enhance the audio quality by hiding away compression and making the music sound more brilliant and hi-fi oriented since I always felt like there is room for improvement with the Prototype audio quality. Clipping has also been greatly reduced as well as additional declick improvements. I utilized both Cleaning Lab as well as Unchirp and Ozone processing to do that. Due to the time involved, I only did this for my Original Soundtrack arrangement since it would have been way too much work to do it for everything. Therefore Part II and Part III of this release are unchanged. I am also not sure how audible the improvements are with added YouTube compression so I recommend my FLACs if you wanna compare directly. But this gave me a good reason to upload this Original Soundtrack arrangement separately from my big bloated 6 hour release. The Suite is also its own video now.")
![Rise Of The Triad: Dark War (Re-Engineered Soundtrack) [SCVA SC-55]](https://i.ytimg.com/vi/pFZQQOOKOR4/mqdefault.jpg "Rise Of The Triad: Dark War (Re-Engineered Soundtrack) [SCVA SC-55]
Composers: Lee Jackson & Bobby Prince
00:00 - 01. Apogee Fanfare
00:12 - 02. Rise Of The Triad
03:32 - 03. MMMenu
03:50 - 04. God Rest Ye, Deadly Gentlemen
05:28 - 05. Going Up
05:46 - 06. Fish Polka
06:12 - 07. Howd I Do
07:06 - 08. You Suck!
08:29 - 09. Watz Next
09:59 - 10. Gazz!
10:38 - 11. Goin Down The Fast Way
13:09 - 12. Mist Ache
17:31 - 13. Oww!
19:48 - 14. Smoke And Mirrors
22:33 - 15. Spray
25:05 - 16. Run Like Smeg
27:17 - 17. Havana Smooth
30:26 - 18. Chant
33:33 - 19. Music For The Funeral Of Queen Mary
37:06 - 20. Task Force
41:41 - 21. KISS Off
43:26 - 22. Adagio For Strings And Organ
46:16 - 23. Shards
48:47 - 24. I Choose The Stairs
52:07 - 25. CCCool
54:46 - 26. Excalibur
59:21 - 27. Suck This
1:01:13 - 28. Work Day
1:05:55 - 29. Where Izit
1:07:09 - 30. Boss Blow
1:07:41 - 31. Hellero
1:09:33 - 32. Evin Rude
1:10:24 - 33. Victory!
1:12:31 - 34. Here Boy
1:12:58 - 35. God Rest Ye, Deadly Gentlemen (No Xmas BS Edit)
These are all new releases. This time around I tackled PC games with Midi GM soundtracks from the mid 90s. I did these over a couple of months though I already looked before that into the topic since I first needed to figure out a process that makes it possible to render HQ audio because that Roland SCVA 1.16 VST was really picky about the DAW and most didnt work but FL Studio worked fine in combination with loopMIDI.
I usually tracked down the original MIDIs and avoided mus conversions as much as possible for instrument and BPM accuracy. This is why you might notice a few little differences in comparison to other renders since the Doom renders are based on the leaked Doom source code which still had the original Bobby Prince midi compositions rather than mus. They still had their Roland GS extensions intact for example.
After getting all the MIDI files I mostly rendered all channels one by one so that I can do more precise cleaning and mixing. The Bobby Prince and Lee Jackson compositions were most of the time left as is since they were composed on Roland and sounded right to me. Heretic and Hexen were highly reworked though and the mixing might be quite different from what you are used to since I really wasnt happy with the instrument balance and I tried to make clean balanced mixes with every detail audible and a clean soundstage. The James Paddock compositions were only slightly reworked since they were usually fine with the soundfont.
What was made completely different is Descent though. This is because there wasnt really a way to render the midis directly due to them being hmi files and some of the MIDI information and samples coming straight from the games code. Therefore I setup Dosbox and recorded the MIDI output and then did the mastering. In this case I also included the Redbook audio as bonus which I declicked and remastered too.
All renders and masters were saved as 96khz 24bit though it should be said that the majority of the SCVA samples seem to be 16khz.")
