Name: VINNIE VINCENT IS SERIOUS - SO ARE WE - KISS Fans, Lets Do This! @audiomover
Uploaded: 2026-09-20T08:17:00-05:00
Duration: 8 min 17 s
Description: VINNIE VINCENT IS SERIOUS - SO ARE WE - KISS Fans, Lets Do This!

VINNIE VINCENT IS SERIOUS - SO ARE WE - KISS Fans, Lets Do This!

AudioMover 2026-09-20 | VINNIE VINCENT IS SERIOUS - SO ARE WE - KISS Fans, Lets Do This!

RUSH - Why No One Expected Signals

AudioMover 2025-10-07 | Did you know Neil Peart was already wrestling with boredom and chasing bigger challenges as early as 1983? Today we dive into a Hamilton Spectator piece (reprinted from the LA Times) during the Signals era where Neil talks candidly about diminishing returns, perfection, and why difficult music matters.

We’ll pull quotes you’ll recognize as peak Peart—aiming for greatness, counting tiny mistakes no fan would notice, and even manufacturing challenges to keep the fire burning. We also touch on Geddy and Alex testing solo ideas that ended up on the album, and how Rush’s shift toward synths split fans while pulling in new ones.

Stick around to the end for a brief, content-warning look at a wild front-page true-crime clipping from the same 1983 paper—because these old archives are time capsules.

If you enjoy these deep dives into vintage articles, like, subscribe, and drop a comment:
When did Signals click (or not) for you?
Do you agree with Neil that you can only aim for greatness when the music is hard to play?
Ever caught a “near-miss” live moment from the Professor?
Thanks to our friends at DigiTech for supporting the channel. Guitar players: check out their latest gear at digitech.com.

Source

Hamilton Spectator, February 11, 1983, p. 39 (LA Times reprint): “Is Rush’s Neil Peart Beating a Retreat?”

Chapters

00:00 Peart in ’83: craving challenge, not leaving Rush (yet)
01:40 Like & subscribe + comment prompt
01:43 Sponsor shout-out: DigiTech
01:59 Setting: Signals period context
03:31 “You can only aim for greatness with difficult music”
04:55 Perfectionism, counting tiny mistakes night-to-night
06:58 Manufacturing new challenges; boredom vs growth
07:44 Writing bug: from lyrics to prose
09:28 Signals sound shift—fans divided, band evolving
12:10 Were Rush “uncertain of direction”? Your take
13:39 Geddy/Alex solo ideas that became Rush songs
16:15 Will experimentation alienate fans—or make new ones?
18:02 Why the next album (from that vantage point) “mattered most”
18:50 Archive detour: content warning true-crime front page

Call to Action

Tell us the three Audiomover videos you’ve liked most and what you want next. Grab a 15-minute slot to chat (link in the first comment). Also, if you’ve got old tapes, Audiomover Digitizing Studio is offering 15% off today—use the code shown in the video.

Keywords / Tags

Neil Peart, Rush, Signals, Moving Pictures, Geddy Lee, Alex Lifeson, Hamilton Spectator 1983, LA Times reprint, Tom Sawyer drums, perfectionism in music, progressive rock history, classic rock archives

Hashtags

#NeilPeart #Rush #Signals #ProgRock #ClassicRock #Drumming #MusicHistory #Audiomover

A Forgotten Look into Billy Idols Childhood

AudioMover 2025-10-06 | In this episode, Robert John Hadfield dives into a rare and fascinating vintage article titled “A Brief Encounter with Billy Idol” — originally published in The Leader Post on January 26, 1985, and written by E. Jean Carroll. The piece captures Billy Idol at the height of his Rebel Yell fame, when he was an MTV icon with swagger, mystery, and punk attitude.

Robert takes you through the article line by line, bringing it to life with context, nostalgia, and behind-the-scenes insights. You’ll hear about Billy’s early years in Generation X, his move to New York City with less than $1,000, and his fateful connection with KISS manager Bill Aucoin that helped launch his solo career. The story paints a vivid picture of Billy’s messy apartment, his love of Elvis, and his view that “it’s easy to sing songs—but hard to be human.”

Along the way, Robert contextualizes the era — from the cancellation of The Dukes of Hazzard to the movies in theaters at the time (Witness, Runaway starring Gene Simmons, and even Supergirl). It’s a snapshot of 1985 pop culture through the eyes of one of rock’s most unforgettable figures.

Fans of classic MTV, ’80s rock icons, and rock journalism will love this immersive ride back in time.

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@BillyIdol #80smusic

If You Wanted to Meet Girls, It Helped if You Liked Tears for Fears

AudioMover 2025-10-03 | Join me, Robert John Hadfield, as we step back into 1985 with one of the greatest bands of the era — Tears for Fears. In this episode, I uncover a vintage newspaper concert review written just months after Songs from the Big Chair was released.

We’ll relive the energy of that night — the sweat-soaked crowd, the setlist filled with unforgettable hits like Everybody Wants to Rule the World, Shout, Head Over Heels, and Mad World — and see just how quickly Roland Orzabal and Curt Smith went from coffee-house hopefuls to stadium-packing superstars.

I’ll also share my own story of seeing Tears for Fears live at Red Rocks decades later, an experience that completely reignited my appreciation for their music. Along the way, we’ll compare their rise with other 80s icons like Duran Duran, Prince, and Madonna, and explore how English new wave reshaped American pop culture.

If you grew up with these songs or ever saw them live, I’d love to hear your stories in the comments. Which Tears for Fears song is your favorite? And did you realize just how many hits they had packed into their setlists?

🎶 Let’s rediscover Tears for Fears at the peak of their powers.

Gene Simmons Shocks Us With His Choice of Best Front Man, Audiomover AM Cot 3, 2025

AudioMover 2025-10-03 | Good morning from Audio Mover A.M. (October 3, 2025). Today we celebrate rock birthdays and landmark album releases before diving into Gene Simmons’ pick for the greatest frontman ever—and why his answer (and backstory) totally tracks. From Chubby Checker to Gwen Stefani, Stevie Ray Vaughan to Tommy Lee, we hit the highlights, then unpack Gene’s 2025 quote crowning David Lee Roth as the ultimate showman—acrobatics, attitude, MC-level crowd control, the whole package. Plus a quick rewind to Gene “discovering” Van Halen and why Paul Stanley still gets Gene’s nod as KISS’s frontman.

Quick hits you’ll hear:

Birthdays: Chubby Checker (1941), Lindsey Buckingham (1949), Stevie Ray Vaughan (1954), Tommy Lee (1962), Gwen Stefani (1969)

On-this-day album drops: The Police – Zenyatta Mondatta (1980), Diamond Head – Lightning to the Nations (1980), Ozzy – No Rest for the Wicked (1988), Yngwie – Trilogy (1986), Tommy Shaw – Girls with Guns (1984), Alcatrazz – No Parole from Rock ’n’ Roll (1983), INXS – Shabooh Shoobah (1982), Ozzy – Diary of a Madman (1981), Billy Idol – Don’t Stop (1981), Styx – Cornerstone (1979), Molly Hatchet – Flirtin’ with Disaster (1979), Toto – Toto (1978), The Osmonds – Crazy Horses (1972), Don McLean – American Pie (1971)

Why David Lee Roth in his prime = “super frontman of all time” (per Gene)

Gene vs. Paul: face of KISS vs. frontman of KISS

Van Halen origin story: Gene’s demo, the pass, and the Templeman rocket ship

Daily Rumi: “Be like a tree and let the dead leaves drop.”

Sponsor shout: DigiTech (digitech.com)

Chapters

0:00 Intro — Audio Mover A.M. (Oct 3, 2025)
0:30 Today’s birthdays (Checker, Buckingham, SRV, Tommy Lee, Gwen)
1:35 Album anniversaries rapid-fire (Police, Ozzy, INXS, more)
3:50 Gene Simmons’ all-time frontman pick revealed
4:40 Why Paul is KISS’s frontman (and Gene’s “Demon” showcraft)
5:45 Roth in his prime — acrobatics, charisma, pop-culture gravity
7:05 Gene + early Van Halen: the demo and the handoff
8:10 Takeaways + Daily Rumi + sponsor
8:45 Call to action — your turn!

Join the conversation

Who’s your greatest frontman ever and why? Bonus points for concert stories. Also: which Oct 3 album gets your spin today—Diary of a Madman, Zenyatta Mondatta, Lightning to the Nations, something else?

Thanks & Credits

Hosted by Robert John Hadfield.
Thanks to DigiTech for supporting the channel — guitar nerds, you know what to do: digitech.com.

Who Was the Greatest Frontman in Rock? Audiomover AM Oct 3 2025

AudioMover 2025-10-03 | ...

Was Mick the Most Important Ingredient? Or Was He a Joke?

AudioMover 2025-10-02 | Robert John Hadfield and Gary Casella dive into Mötley Crüe’s earliest shock-and-awe era, why Too Fast for Love still grabs you by the collar, and how Mick Mars’ riffs built the whole machine. Along the way: Vince Neil’s health and residency talk, the backing-track debate, a love letter to the John Corabi (’94) album, and a fascinating 1981 Los Angeles Times snapshot of the band right as they were breaking. If you’ve ever cranked “Live Wire” on a backyard boombox, this one’s for you.

What you’ll hear
Why the rawness of Too Fast for Love still hits
Mick Mars appreciation (and why he’s criminally underrated)
The Vince Neil health story & the Vegas residency reality
Backing tracks, live credibility, and where the band stands now
The John Corabi detour (and why ’94 might be their heaviest)
Reading & reacting to a Dec. 29, 1981 LA Times review
Iconic imagery: leather, spikes, and the album cover that sold rebellion
Rapid-fire ranking talk: Shout at the Devil, Theater of Pain, Dr. Feelgood, “Kickstart My Heart”

Chapters
0:00 Cold open—why this album still rules
0:34 The case for Mick Mars
1:46 Vince Neil health update & residency chatter
3:10 Backing tracks + live authenticity rant
4:35 David Lee Roth tangent (and why it matters)
6:02 The John Corabi album—underrated monster
7:35 “Live Wire” moments that changed our brains
9:10 Too Fast vs. Shout (production vs. punch)
10:35 Mick’s riffs across eras (“Kickstart,” “Dr. Feelgood,” more)
12:18 Band image: leather, spikes, and selling rebellion
14:56 Reading the 1981 LA Times mini-review & reactions
18:40 Why the cover art pulled teens off the fence
21:10 Final thoughts + your turn: rank the Crüe
22:30 Sponsor shout—thanks DigiTech (digitech.com)

Join the conversation

What’s your #1 Mötley Crüe record—and why? Did you catch the Vegas residency? Any US Festival memories or favorite deep cuts? Drop it below—best comments get pinned.

Thanks & Credits

Hosted by Robert John Hadfield & Gary Casella.
Thanks to DigiTech for supporting the channel.

Tags / SEO

Mötley Crüe, Too Fast for Love, Mick Mars, Vince Neil, Nikki Sixx, Tommy Lee, John Corabi, Shout at the Devil, Dr. Feelgood, Kickstart My Heart, LA Times 1981 review, glam metal, 80s metal history, Vegas residency

Hashtags

#MotleyCrue #TooFastForLove #MickMars #JohnCorabi #80sMetal #HairMetal #ClassicRock #KickstartMyHeart

Def Leppards Big Announcement? Audiomover A.M. Oct 2, 2025

AudioMover 2025-10-02 | In this episode of Audio Mover AM, host Robert John Hadfield dives into the latest rock news and anniversaries.

We kick off with today’s rock birthdays:

Sting (The Police) – born October 2, 1951 (turns 74).
Mike Rutherford (Genesis / Mike + The Mechanics) – born 1950 (75 today), with Robert sharing his personal story of why All I Need Is a Miracle still hits hard.
Don McLean – born 1945, remembered for American Pie (and even Weird Al’s parody).
Phil Oakey (Human League) – born 1955, known for synth-pop classics like Human.
Jim Root (Slipknot, Stone Sour) – born 1971 (54 today).
We also highlight major album anniversaries:
King Crimson’s Discipline (1981) – their game-changing prog return.

Oasis’s (What’s the Story) Morning Glory? (1995) – the album that gave us Wonderwall and became the anthem of a generation.

The big headline? Def Leppard is set to receive a star on the Hollywood Walk of Fame on October 9, 2025. Robert breaks down the details of the ceremony, including John Bon Jovi and Bruce Resnikoff as guest speakers, and reflects on Def Leppard’s legacy—from Pyromania to Hysteria.

But that’s not all—Robert goes deeper into the history of rock bands on the Hollywood Walk of Fame, sharing the first ten to be honored (from Crosby, Stills & Nash to Queen) and adding context about how rare it is to see rock bands alongside Hollywood actors.

The episode closes with:

A featured comment of the day from Johnny Megabyte Canada about KISS’s Alive, its impact on rock history, and how it inspired generations to pick up guitars.

Reflections on Rush’s live albums (All the World’s a Stage vs Exit… Stage Left) and the influence of AC/DC classics like Back in Black and Highway to Hell.

The daily Rumi quote: “The wound is the place where the light enters you.”

A shoutout to Digitech for supporting the channel.

Big Def Leppard Announcement! Audiomover AM, Oct 2, 2025

AudioMover 2025-10-02 | ...

Was This Album Any Good? Or Was it Hype?

AudioMover 2025-10-01 | If you’re a KISS fan, you’re going to love this one. In today’s video, I (Robert John Hadfield) dig into a rare positive review of KISS from 1975, written shortly after the release of Alive! — the album that changed everything for the band.

Most of the time, old newspapers and magazines trashed KISS, calling them all show and no substance. But this review flips the script. It captures the magic of their live performance — the fire-breathing, the blood-spitting, Ace Frehley’s epic solo, Peter Criss’s explosive drum work, and the sheer frenzy of the crowd.

I’ll take you back to that night in Terre Haute, Indiana, when Rush opened for KISS and the band proved that they weren’t just a gimmick — they were a force. This article doesn’t just review a show; it highlights why Alive! saved KISS from being forgotten and instead launched them into rock superstardom.

Stick around to hear the full review, my commentary, and a little reflection on how KISS managed to capture the live energy that made them legends.

👉 Don’t forget to comment below with your favorite KISS memories, albums, or songs. And if you’ve got old tapes or records you want to preserve, check out audiomover.com
for professional digitizing services — with a discount just for viewers.

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John 5 Picks 3 Guitar Legends That Changed Everything, Audiomover A.M., Oct 1, 2025

AudioMover 2025-10-01 | Today's episode is about Motley Crue and their Las Vegas residency, plus news about Vince Neil's health. We also dive into a Loudwire article where John 5 names his three favorite guitarists that changed music. This sparks a discussion about Mick Mars and Tommy Lee.

Top 3 Most Influential Guitarists, Birthdays, Audiomover AM Oct 1, 2025

AudioMover 2025-10-01 | Top 3 Most Influential Guitarists, Birthdays, Audiomover AM Oct 1, 2025

Explaining the Demise of the Original Van Halen

AudioMover 2025-09-30 | Van Halen’s biggest year… and the fuse that burned it down. Robert and relationship mentor/author Shelle Crow read a 1984 Hit Parader feature and “mansplain” (on purpose 😅) how Roth-era VH went supernova—keyboards, egos, 5150, Beat It, Diver Down drama—and why it all imploded right after the peak.

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Chapters / Timestamps

0:00 Intro — “Mansplaining Van Halen” (with Shelle)
0:38 What Shelle writes: Still the Pain, The Soulmate Frequency, Communicating with Men
1:10 The 1984 Hit Parader “Yearbook” & who ruled rock that fall
3:45 Why we’re leaning into “mansplaining” (viewer comments FTW)
4:39 “Too Hot to Handle” — the article setup (Alex with the beer…)
5:56 Early DLR: “Monkey hour” energy & world-class frontman chops
7:42 1984 tour memories (McNichols Arena) & “on top, then… crack”
8:58 Eddie on “Beat It” and Dave’s solo EP—rules break, rifts form
10:59 5150 is built: freedom vs. deadlines (creative constraints rant)
12:57 Eddie’s piano roots → why keyboards on 1984 made sense
15:05 Tapping, two-hand fireworks, and the copycat wave
17:20 Eddie: “Guitar stays king”—keyboards expand the sound
18:51 Home studio chaos: late nights, missed deadlines, Templeman tensions
24:58 Why constraints make better art (books, albums, everything)
29:17 Diver Down controversy (covers, length, party album vs. “are they done?”)
31:40 DLR vs. label: promo, substances, and revisionist quotes
34:44 “Everything’s fine!” (…right before it wasn’t)
36:50 Money, ego, fame: Dave vs. Eddie (two alphas, same stage)
40:18 Valerie Bertinelli, family strain, and life on the road
42:55 “We’ll keep going forever” (famous last words)
45:03 Alex’s book, the Hagar chapter he doesn’t write
46:10 Why we obsess over this stuff (and why it still rules)

Robert and Shelle Crow crack open Hit Parader (Fall 1984) to revisit Van Halen at peak velocity—1984, “Jump”, Eddie’s “Beat It” solo, 5150’s birth, the Diver Down debate, and the exact mix of success, studio freedom, and superstar egos that made the classic lineup unbeatable… and unsustainable.
We talk David Lee Roth as ringmaster, Eddie Van Halen as innovator (tapping, keys), producer Ted Templeman, the value of deadlines vs. unlimited studio time, and how “Everything’s fine!” usually means it isn’t.

About Shelle: Shelle is a relationship mentor and author of Still the Pain, The Soulmate Frequency, and Communicating with Men.

Tell us: What’s your favorite Roth-era VH cut? And where do you land on Diver Down—underrated fun or filler?

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Why I Smashed My First Guitar - Pete Townsend Explains, Audiomover AM Sept 30, 2025

AudioMover 2025-09-30 | Today's episode dives into a fascinating news article about Pete Townshend of The Who, sharing the story of when and why he first decided to smash guitar. We explore the energy and emotion behind stage destruction and Townshend's iconic performances, including "My Generation". Don't miss this deep dive into rock music history!

Shout out in this video to @TomSabbath and @stevemclean5787

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In today’s episode of Audiomover AM (September 30, 2025), Robert John Hadfield kicks things off with a stacked list of rock birthdays: Trey Anastasio of Phish (61), Robby Takac of Goo Goo Dolls (61), Gibby Haynes of Butthole Surfers (68), Brian “Damage” Forsyth of Kix (68), Matt Fallon of Skid Row/Anthrax (60), Bill Rieflin of Ministry and KMFDM, the legendary Marc Bolan of T. Rex, and even a throwback to Solid Gold host Marilyn McCoo of The Fifth Dimension.

From there, Robert dives into a fascinating vintage article where Pete Townshend of The Who reveals the story behind smashing his very first guitar—long before it became his trademark stage move. What started as a teenage burst of rage in front of his grandmother eventually turned into a ritual that Pete admits he grew to regret, especially when audiences expected it as part of the show.

Robert also compares Townshend’s experience with Paul Stanley’s predictable guitar-smash at KISS concerts, Gene Simmons tossing a bass out of genuine frustration in the ‘80s, and Rob Halford’s motorcycle entrance in Judas Priest. The conversation ties into the broader idea of raw rock & roll chaos versus rehearsed stage rituals.

Finally, Robert reads and responds to viewer comments on a recent Black Sabbath video, diving into the band’s Never Say Die era, fan perspectives on versatility in music, and how bands like Metallica and U2 reinvented themselves to stay relevant.

It’s a packed episode full of birthdays, behind-the-scenes rock history, and fan interaction—perfect for anyone who loves the legends of classic rock.

Why Smash a Guitar? Todays Birthdays, Comments

AudioMover 2025-09-30 | ...

Sebastian Bach Shares the SECRET to Staying Young

AudioMover 2025-09-30 | 🎸 Video Overview

Robert John Hadfield & Gary Casella dive into a brand-new article about Sebastian Bach and his reflections on how rock & roll keeps you young. From stories of Skid Row, to Angus Young’s stamina at 70, to Mick Jagger sprinting across the stage in his 80s, this conversation blends nostalgia, humor, and insight about the timeless power of music.

We explore Sebastian’s latest album Child Within the Man (2024), his hilarious honesty about health checkups, his love for red wine, and the meaning behind the album artwork designed by his father. Along the way, Robert and Gary share personal stories of how certain songs transport them straight back to their childhood bedrooms—needle on the record, headphones on, and the world fading away.

And of course, we ask YOU: Does music keep you young?

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⏱️ Timestamps

0:01 – Intro: Skid Row, Sebastian Bach, and aging rockers
0:22 – Why Sebastian Bach is such a beloved rock personality
1:00 – “Rock keeps you young” – Bach’s philosophy
1:50 – Angus Young & Mick Jagger: proof that music defies age
3:40 – The time-travel power of music (Rush, Rose Tattoo memories)
5:00 – Robert’s childhood story: taping Rush songs off the radio
7:00 – Health, wine, hot yoga & prostate jokes 🤣
8:30 – Why Sebastian’s doctors say he’s the “healthiest man in his 50s”
9:40 – Bach’s wife calls him “manchild” – inspiration for the album title
11:00 – Album artwork by Sebastian’s father & generational connections
12:00 – Music as a time machine: back to road trips, youth, and memories
13:10 – Audiomover studio: preserving YOUR tapes & memories (15% off)
14:30 – Reflections on aging, attitude, and staying active past 50
15:50 – Closing thoughts: Does music keep YOU young? Join the discussion!

📢 Call to Action

👉 Leave a comment: Does music take YOU back to your youth?
👉 Subscribe for more rock conversations, deep dives, and retrospectives
👉 Preserve your memories: Audiomover.com
(use the discount code in the video!)

Ozzy Secrets EXPOSED About His Crazy Sense of Humor

AudioMover 2025-09-29 | In this episode, Robert John Hadfield cracks open a December 7, 1978 newspaper feature on Black Sabbath during the Never Say Die! era—ten years into the band—capturing Ozzy Osbourne’s chaotic humor, the stop-start writing sessions, and the brief period where Dave Walker nearly fronted the band. We also hit the hot question from that tour: Was Sabbath being used to break Van Halen?

Stick around to the end for a jaw-dropping front-page time capsule: “Woman Wakes Naked Intruder.” Yes… it’s as strange as it sounds.

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What you’ll hear:
Ozzy’s myth vs. reality (Satanism, stage “booty,” and those smiley-knee tattoos)
The turbulent path to Never Say Die! and the “Toronto was freezing” sessions
Why Ozzy quit (briefly), how Blizzard of Ozz actually started as a band name
The label politics theory: Sabbath’s crowds fueling Van Halen’s rise
1978 album landscape: 52nd Street, Don’t Look Back, Some Girls, Hemispheres, and more
Tell me directly: there’s a sign-up link in the top comment/show notes—grab a 15-minute Zoom slot and name your top 3 videos on the channel + what you want next.
Thanks to our sponsor: Digitech — guitar players, check out the latest gear at digitech dot com.
Audiomover studio special: 25 years digitizing classic media. Today only: 15% off (use the on-screen code).

Hashtags:
#BlackSabbath #OzzyOsbourne #NeverSayDie #VanHalen #RonnieJamesDio #TonyIommi #ClassicRock #RockHistory #1978 #HeavyMetal #VintageNews #AudiomoverAM

Chapters (timestamps)
00:00 Hook: Ozzy’s humor + what this 1978 article reveals
00:46 Sponsor shout: Digitech
01:02 Headline: “10 Years of Paranoia and Chuckles with Black Sabbath”
01:46 Van Halen opening for Sabbath—setting the scene
02:01 Satanism rumors & Ozzy’s “it’s raining Bibles” quip
02:28 “Vaults of Bibles” & stage-thrown oddities
03:04 “Personality like the music?” Press vs. reality
03:22 On good days, Ozzy the rapid-fire comic
03:38 Vitamin/niacin meltdown story
04:20 Why Ozzy quit (briefly) & the family crisis
05:19 Blizzard of Ozz (band name first, then album)
05:54 Ditching the manager—“broken heart and a tax bill”
06:11 Writing with/without Ozzy; the Dave Walker blip
06:34 Tax exile sessions: freezing Toronto
07:00 “Mature album”: raw thumpers vs. jazzy experiments
07:39 Rehearsals in Wales; life logistics (LA vs. UK)
08:18 Call to action: book a 15-minute Zoom, tell us your top 3 videos
08:57 Family bits, tattoos, and poolside visuals
11:00 Were Sabbath used to launch Van Halen? The working theory
12:20 Audiomover digitizing offer (15% off)
13:01 Aftermath: Ozzy solo with Randy Rhoads; Dio era Sabbath
15:20 Newspaper date context (Dec 7, 1978)
15:44 What else was hot in ’78 (albums list fly-through)
19:41 Bonus time capsule: “Woman Wakes Naked Intruder”
21:58 Lobby chaos; wrap on the odd headline
22:20 Final thoughts & community questions

Look Inside Page by Page

AudioMover 2025-09-29 | We’re cracking open Hit Parader – March 1988: Def Leppard on top (Hysteria era), Guns N’ Roses changing the game, Dio’s Dream Evil, Whitesnake’s MTV reign, Mötley mayhem, Poison party, LA Guns, Black ’n Blue, Dokken centerfold, and all the glorious mail-order ads, spandex, and hairspray.

🎥 Shot in 4K — if you’re watching on TV, bump your settings so you can read the tiny print.

👇 Tell me in the comments:
• Did you own this issue?
• Favorite band/album here?
• Concert memories from ’87–’88?

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Chapters / Timestamps
00:00 Intro & why we’re bringing flip-throughs back
00:37 Weekly magazine series + Zoom invite (book a 15-min chat)
01:25 Hit Parader – March 1988: cover scan (Joe Elliott @DefLeppard)
02:03 “$2.50 then vs $20 now” + Robert’s Circus vs Hit Parader confession
02:27 Contents rundown: Def Leppard, Striper, Metallica, KISS, W.A.S.P., Rush, Poison, Bon Jovi, Megadeth, Aerosmith, Whitesnake, Guns N’ Roses, Dio, L.A. Guns, Yngwie
03:36 Columbia House/club ads nostalgia (tapes for a penny!)
05:08 Rapid-fire albums: Sabbath, Maiden, QR, Aerosmith, Ozzy, AC/DC, Springsteen, Peter Gabriel, GTR
06:02 Feature list: Joe Elliott cover story; Striper’s Michael & Robert Sweet (@StriperOfficial)
06:14 Savatage shout (cult-favorite discovery)
06:43 Robert’s Stryper take: love the concept/voice/marketing more than the tunes
07:53 Tommy Lee drum-solo as event (spinning/roller-coaster kit) @MotleyCrue
08:55 Gear geekery & corrections: Mick Brown = Tama (not Pearl) @Dokken
09:24 Tawny Kitaen / Whitesnake MTV era @Whitesnake
10:26 Les Paul Custom Light + the weight-on-shoulder life
11:02 Black ’n Blue love letter → Gene produces → Tommy Thayer path to KISS @KI SS
12:15 Warrant club show & Jamie St. James autograph moment
12:35 CALL-TO-ACTION: Book your 15-min Zoom (what I want to hear from you)
13:07 Rudy Sarzo sightings + Slaughter/Mark Slaughter threads @SlaughterVEVO
14:31 Guns N’ Roses (Appetite ≈ 10 months old): the vibe shift away from hairspray @GunsNRoses
16:24 Steve Vai Ibanez handle ads + Alcatrazz memory @SteveVaiHimself
16:52 Dio – Dream Evil era thoughts; Holy Diver/Last in Line ranking @OfficialRonnieJamesDio
18:16 Enigma Records pocket: Death Angel, etc. @DeathAngelOfficial
19:06 L.A. Guns: “Zep + Bon Jovi + Pistols” energy @LAGuns
19:12 Doug Marks/Hawk ad nostalgia
19:30 Mötley Crüe – Girls, Girls, Girls era; the legend and the headlines @MotleyCrue
21:20 Odd ads: skulls/daggers/leather—glorious ’80s ephemera
21:31 Mullets, recording-school flyer, DW5000 kick pedal
22:06 Rat pack of drummers: Ricky Rockett, Tommy Lee, Bobby Blotzer @Poison @RATT
22:42 Two-sided T-shirt snobbery (the teen logic checks out)
23:37 Roadrunner/Noise adverts (King Diamond, etc.) @KingDiamond
24:01 Video mail-order (Bon Jovi/Cinderella/KISS/Mötley)
24:55 Columbia House vs other clubs—fine print comedy
25:34 Megadeth – So Far, So Good… So What! + “Anarchy in the U.K.” lineage @Megadeth
26:56 Underground → mainstream pipeline (Sex Pistols → Big Four; Metallica stadiums) @Metallica
27:03 “Boomer strings” joke on Bon Jovi ad @BonJovi
27:22 Ace Frehley with Peter Criss highlight; Rock Hall solo debate banter @AceFrehleyOfficial @PeterCriss
28:26 Audiomover 15% off promo (digitize your tapes/films)
29:17 80s fashion catalog (studs/spikes/spandex)—post your photos in the Community tab!
30:05 Spandex mail-order & blank photo IDs (lol)
30:31 Letters page: “Mötley Crüe over?” + Robert’s album-rank hot take
31:39 “End of the Rainbow” import bins—microscopic fonts for teenage eyes
32:02 Hit Parader sweepstakes—“we should mail this in”
33:14 “Highest screams / fastest solos” ad—the maximalist breaking point before grunge
34:17 Twisted Sister: makeup, MTV dominance, Dee on Letterman @TwistedSisterNY
35:39 Rudy Sarzo in Whitesnake; Coverdale’s shift from blues-rock to MTV mainstream @Whitesnake
38:06 “Here I Go Again” re-cut history + Vandenberg/Vai
39:04 Metallica article—missing page heartbreak
39:35 Def Leppard cover story: Pyromania vs High ’n’ Dry love; Steve Clark, Phil Collen @DefLeppard
40:27 Dokken centerfold: Tooth & Nail worship; Lynch vs Don, later-years sightings @Dokken
41:46 Wrap + Part 2 teaser → Like/Comment/Subscribe/Zoom invite
Back with another **vintage magazine flip through**, diving into the cool world of **rock music** history! Get ready for a dose of **nostalgia** as we explore **old magazines** and uncover **80s rock** . Join in as we check out some **rare magazines**!

Ace Frehley CANCELS, Todays Rock Birthdays, Audiomover A.M. Sept 29, 2025

AudioMover 2025-09-29 | Breaking news today: a legendary member of KISS was hospitalized, leading to a canceled show. We also celebrate a "happy birthday" to Randy Bachman of BTO and The Guess Who, Meat Loaf and George Lynch, reflecting on his contributions to "rock music" and "classic rock". This segment is a tribute to "rock and roll" legends like Paul Stanley, always keeping the music alive.

🎸 Welcome to Audiomover A.M.! On today’s September 29, 2025 episode, we’ve got a packed lineup of classic rock birthdays, milestones, and breaking news about a legendary KISS member.

Shoutout to @charmcrackermusic4250

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⏱️ Timestamps

0:02 – Introduction & today’s date
0:08 – Breaking news: Ace Frehley hospitalized, cancels show
0:17 – Weekend birthdays: Randy Bachman (Guess Who, BTO), Meatloaf, George Lynch (Dokken/Lynch Mob)
0:50 – Today’s birthday shoutout: Jerry Lee Lewis 🎹
1:00 – On this day: Grand Funk Railroad hits #1 with We’re an American Band (1973)
1:29 – The Police score their first UK #1 with Message in a Bottle (1979)
1:44 – Full story: Ace Frehley’s minor studio mishap & tour update
2:43 – Origins Vol. 3 album news & Ace’s prolific solo career
3:28 – Ace’s history of onstage falls (sometimes part of the show, sometimes not!)
4:41 – Well wishes for Ace Frehley
4:46 – Comment of the Day: Van Halen’s heavy metal debate
6:00 – The evolving definition of “heavy metal” in the 70s/80s
8:59 – Eddie Van Halen & Randy Rhoads as metal guitar trailblazers
9:38 – Upcoming video: 1978 Black Sabbath interview (Never Say Die era)
10:16 – Daily Rumi Quote: “Let yourself be silently drawn by the strange pull of what you really love.”
10:27 – Outro & call for comments

📌 Highlights

🎂 Rock birthdays: Randy Bachman, Meatloaf, George Lynch, and Jerry Lee Lewis.

📰 Music milestones: Grand Funk’s We’re an American Band goes #1 (1973), The Police’s Message in a Bottle tops UK charts (1979).

⚡ Breaking news: Ace Frehley cancels a show after a minor studio accident, but plans to resume touring October 10. Plus, more on his upcoming Origins Vol. 3 album.

🎤 Rock history: Ace’s infamous stage falls and how KISS turned accidents into performance art.

💬 Fan spotlight: Van Halen’s “metal or not” debate and how early terms shaped rock history.

Audiomover A.M. - Ace Frehley Injured, Todays Rock Birthdays

AudioMover 2025-09-29 | 🎸 Welcome to Audiomover A.M.! On today’s September 29, 2025 episode, we’ve got a packed lineup of classic rock birthdays, milestones, and breaking news about a legendary KISS member.

⏱️ Timestamps

0:02 – Introduction & today’s date
0:08 – Breaking news: Ace Frehley hospitalized, cancels show
0:17 – Weekend birthdays: Randy Bachman (Guess Who, BTO), Meatloaf, George Lynch (Dokken/Lynch Mob)
0:50 – Today’s birthday shoutout: Jerry Lee Lewis 🎹
1:00 – On this day: Grand Funk Railroad hits #1 with We’re an American Band (1973)
1:29 – The Police score their first UK #1 with Message in a Bottle (1979)
1:44 – Full story: Ace Frehley’s minor studio mishap & tour update
2:43 – Origins Vol. 3 album news & Ace’s prolific solo career
3:28 – Ace’s history of onstage falls (sometimes part of the show, sometimes not!)
4:41 – Well wishes for Ace Frehley
4:46 – Comment of the Day: Van Halen’s heavy metal debate
6:00 – The evolving definition of “heavy metal” in the 70s/80s
8:59 – Eddie Van Halen & Randy Rhoads as metal guitar trailblazers
9:38 – Upcoming video: 1978 Black Sabbath interview (Never Say Die era)
10:16 – Daily Rumi Quote: “Let yourself be silently drawn by the strange pull of what you really love.”
10:27 – Outro & call for comments

📌 Highlights

🎂 Rock birthdays: Randy Bachman, Meatloaf, George Lynch, and Jerry Lee Lewis.

📰 Music milestones: Grand Funk’s We’re an American Band goes #1 (1973), The Police’s Message in a Bottle tops UK charts (1979).

⚡ Breaking news: Ace Frehley cancels a show after a minor studio accident, but plans to resume touring October 10. Plus, more on his upcoming Origins Vol. 3 album.

🎤 Rock history: Ace’s infamous stage falls and how KISS turned accidents into performance art.

💬 Fan spotlight: Van Halen’s “metal or not” debate and how early terms shaped rock history.

U2 Joshua Tree BONO SHOCKED Fans by DISLIKING the Album - LOST PHONE INTERVIEW

AudioMover 2025-09-26 | Bono of U2 explains why he thought the band was overrated, why they skipped stadiums at first, how pacifism came from a violent upbringing, and why The Edge is an anti–guitar hero. We also read the Houston Post review of The Joshua Tree from April 5, 1987 and flip through the movie ads running that same week, including Dream Warriors and The Secret of My Success.

I also share my own concert memories from the Joshua Tree Tour, talk about that first impact of Bullet the Blue Sky, and dig into how The Edge recreated studio textures live, including that famous sustain you hear on With or Without You.

Brought to you by Digitech — gear I’ve used for years. If you’re a guitarist, visit Digitech.com and tell them we sent you.

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Your 3 favorite Audiomover videos, and

Topics you want more of.

Timestamps
0:00 Intro and hook — “Bono says U2 is overrated?”
0:58 Sponsor shout-out — Digitech
1:20 Today’s roadmap: the interview, Houston Post review, and vintage movie ads
1:39 Context: The Joshua Tree released March 9, 1987 plus my first U2 show
3:00 The editor’s note: no stadiums yet, pacifism from a hard upbringing, and why U2 felt overrated
4:03 Midnight record-store lines; U.S. tour kicks off April 2, 1987
5:46 Why not stadiums? “We’re not ready” — the arena versus stadium debate
7:12 Do stadiums a bad idea? My take plus your thoughts
7:18 Bono on image versus reality; pacifism, Ireland, and refusing the hero pedestal
9:16 Artists then versus now, Mozart and minstrels versus modern mega-fame
10:02 Highlights: Amnesty tour with Lou Reed; U2’s timeless sound not stamped as 80s
11:25 Call-in link: 15-minute Zoom with me — tell me your top 3 videos and ideas
12:01 “Best is yet to come”: ages 26 and 25 and U2’s future beyond The Joshua Tree
13:21 Album art love; where the cover photos were taken near Joshua Tree, California
14:21 Travel, Route 66 detour, and dedication to Greg Carroll in 1986
16:18 Recreating studio magic live: The Edge’s rig and the With or Without You sustain
17:45 Eno and Lanois: from avant textures to songs; gospel and soul influence
18:41 Why The Edge is an anti–guitar hero, restraint over flash
19:46 Quick Audiomover plug and limited-time 15 percent off digitizing, code on screen
21:04 Do rehearsals matter? Edge forgetting older tunes and live readiness
22:00 Houston Post review highlights: despair, conscience, and unflinching themes
23:29 First time you heard Bullet the Blue Sky — that snare and spoken coda
24:03 Lighter moments: One Tree Hill, Mothers of the Disappeared as benediction
25:37 Vintage movie ads tour: Dream Warriors, Tin Men, Hoosiers, Aristocats re-release
26:06 Luciano Pavarotti event and Michael J. Fox’s The Secret of My Success
26:57 Final call to action — like, share, comment: When did U2 hit your peak

Four Drummers Who COULD HAVE Replaced John Bonham

AudioMover 2025-09-25 | Today marks the anniversary of Led Zeppelin's John Bonham's passing, and we're examining a rare newspaper article from 1980 discussing potential *replacement* drummers for *Led Zeppelin*. This is a must-see for *classic rock* fans and anyone interested in the history of *rock music* and legendary *drummers*, including insights into songs like *Black Dog* and the world of *drums*.

September 25, 2025 marks 45 years since the death of John Bonham at just 32 years old.

In this episode, Robert John Hadfield uncovers a rare 1980 article from the Black Country Evening Mail speculating on who might replace Bonham in Led Zeppelin—a fascinating “what if” moment in rock history.

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⏱️ Timestamps

0:02 – Setting the stage: 45 years since Bonham’s passing
0:30 – Shout-out to @digitech for supporting the channel
0:46 – Introducing the article: “Only the Best for Led Zep” (Oct 25, 1980)
1:27 – The media frenzy: could Zeppelin even continue?
2:22 – The rumored replacements: Carl Palmer, Cozy Powell, Ginger Baker, Bill Ward
3:34 – How realistic were these choices? Palmer to Asia, Powell with MSG, Baker with Hawkwind, Ward post-Ozzy split
5:08 – Phil Collins connection: Plant’s solo albums & tour
6:19 – Cozy Powell’s driving style, Blackmore years, and Zeppelin rumors
7:00 – Ginger Baker and Cream ties
7:40 – Bill Ward’s turbulent Black Sabbath years
8:45 – Special invite: schedule a 15-min Zoom with Robert to share your favorite episodes
9:27 – Carmine Appice cameo & Vanilla Fudge/King Kobra/Cactus side story
11:00 – BJ Wilson & Kenny Jones as other rumored names
11:55 – Was Zeppelin already running out of ideas? Criticism of In Through the Out Door
12:10 – Plant’s personal tragedies & reluctance to continue
12:33 – The occult rumors around Jimmy Page
13:00 – A journalist’s closing plea: remember Zeppelin in their prime
13:17 – What happened after: Plant’s solo career, Page’s side projects, Jones’ production work
15:40 – Final reflections: could anyone have replaced Bonham?

Pink Floyd Wish You Were Here HIDDEN SYMBOLS

AudioMover 2025-09-24 | Pink Floyd’s Wish You Were Here turns 50, and we’re diving deep. Robert John Hadfield and guest Jeff Lerner unpack the music, the lyrics, the packaging art, and the cultural moment of 1975 — plus Radiohead parallels, David Gilmour’s every note counts guitar philosophy, Roger Waters’ dramatist streak, and why Shine On You Crazy Diamond is a 25 minute masterclass in patience and payoff. We also read a period review from Oct 3, 1975, talk vinyl culture, and reveal who actually sings Have a Cigar.

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Chapters below. Tell us in the comments: what does the handshake on fire mean to you — and where were you when you first heard this record

Chapters / Timestamps

00:00 Hook — Why Wish You Were Here today
00:05 Shine On equals Jeff’s happy place; the handshake on fire theme
01:22 Intro — Robert plus guest Jeff Lerner; studio backstory
02:26 Book surprise: Unlock Your Potential audiobook recorded in this studio
03:08 Why Jeff musician first, jazz pianist; church band; 9 foot Steinway in storage
04:29 Topic pick: Pink Floyd; Robert’s first CD equals Dark Side of the Moon
05:42 Midnight movie era: The Wall and Rocky Horror memories
06:13 Why this album Shine On as a 9 part, about 25 minute centerpiece
07:21 Why Pink Floyd works: atmosphere, patience, and Gilmour’s melodic solos
09:25 Gilmour vs Waters vocals; the late 1990s Waters show that converted Robert
11:02 Unboxing the new pressing; design gimmicks and vinyl culture traditions
12:49 Album art: the famous burn stunt photo actual fire suit; Warner Brothers lot
15:38 Theme set up: industry critique machine and handshake symbolism
16:44 Context: Release date Sept 12, 1975 just hit the 50 year mark
18:53 What else dropped in 1975 Physical Graffiti, Born to Run, Toys in the Attic, Kiss Alive, Rainbow, Rush, Bad Company, Deep Purple
20:01 Pink Floyd as the weird kids of the party; Radiohead parallels
21:18 Post Dark Side identity crisis — this album as a decide our path moment
22:41 Bridge to Animals and The Wall: choosing art with teeth
23:37 Waters the dramatist; building a literal Wall with audiences
24:51 Beating the post peak slump: 20 million physical copies and more hits ahead
26:08 Why it’s their Kid A moment Radiohead comparison continues
27:04 Catchiness inside complexity: how PF makes odd feel inevitable
28:09 Back cover: faceless empty suit, invisible man, desert imagery
29:06 The postcard insert — Wish you were here to Syd
29:57 Splashless dive photo; Hipgnosis design flourishes
30:58 Lyric callouts Which one is Pink plus geometric trees, scarf, cutouts
33:05 Inside gatefold: mechanized handshake equals Welcome to the Machine
33:13 Reading a 1975 review; reacting in real time no hindsight bias
35:21 Shine On to Syd Barrett; early fans thinking Syd was Pink Floyd
36:03 How the band got the name Pink Floyd Tea Set to blues name mashup
37:10 The secret sauce: familiar hooks plus innovative textures
38:09 Money in 7 — making odd time feel singable
39:02 Micro nerd out: Welcome to the Machine harmonic and time pivots E minor and Cmaj7, A jolt; 3 4 and 7 bars on it’s all right
41:03 Ambient build technique equals blurry picture to focus why Shine On works
44:19 Waters vs the Machine; two machine hands shaking not human plus machine
46:01 Hypnosis and flow: how melody plus electronics evoke altered states
47:15 Wish You Were Here radio to full band acoustic intro — production genius
47:39 Brief Bob Dylan aside and why covers can reveal the writing
50:10 Back to the review: Pink Floyd’s balance greater than virtuoso grandstanding
51:45 Every note serves the song Gilmour, Wright, the whole unit
53:25 Energy from within, not ego; cohesive restraint as a superpower
54:01 Who sings Have a Cigar Roy Harper cameo story
55:10 Trivia: only two PF songs sung by non Roger or David — name the other
56:01 Favorite line: Two lost souls swimming in a fishbowl
56:25 Longtime friends, full circle moment
56:49 Book plug again plus why this audiobook wasn’t boring studio anecdote
58:07 Call to action — Like, comment your art symbolism theories, share, and subscribe
Join a discussion about Pink Floyd's *Wish You Were Here*, with a special focus on "Shine On You Crazy Diamond" and its emotional resonance. Hear insights about David Gilmour, Roger Waters, and the album's place next to *The Dark Side of the Moon full album* in the *classic rock* pantheon, plus reflections on *Pink Floyd Live* performances.

Geoff Tate Spills BEHIND THE SCENES Stories Recording EMPIRE

AudioMover 2025-09-23 | Queensryche fans, check out this conversation about a rare magazine find! I share a rare interview with Geoff Tate during the making of the Empire full album. It's a dive into the band's progressive metal journey after the success of Operation Mindcrime and their impact on Heavy Metal and Rock Music.

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:00 – Cold Open – “If you’re a Queensrÿche fan…” setup; what this series does (mining old mags/newspapers).
0:48 – Sponsor – Shout to @digitech; invite guitarists to check out digitech.com.
1:01 – Source & Timing – The Rocket (June 1, 1990). Context: Empire drops Aug 20, 1990; Alice In Chains – Facelift lands Aug 21, 1990 (grunge wave coming).
1:53 – Tour Memory – Robert saw Queensrÿche on the Empire tour; band performed all of Operation: Mindcrime—surprised new fans who arrived via “Empire,” “Jet City Woman,” “Silent Lucidity.”
2:44 – Article Title – “Screaming in Digital” (nice nod to Rage for Order).
2:56 – The Money Reality – Studios up to ~$3k/day; label “advances” are recoupable (why million-selling bands can still be broke).
3:33 – Why Studios Cost So Much (then) – $50k–$100k consoles, $250k 2-inch tape machines, maintenance. Contrast with today’s home-studio world.
4:39 – Jeff Tate’s Line – “Music used to be my hobby… now it’s my business.” How recoupment works; tape costs; how bad budgeting sinks bands.
7:36 – Budgeting 101 – Choose studio, set real budget, and pick a producer who can work within it.
8:59 – Queensrÿche’s Frugal Approach – “We’re penny pinchers.” Why Vancouver Studios (price + facilities), calling around for quotes, building a plan “like monthly bills.”
10:02 – Community Call – Robert’s 15-minute fan chats: top 3 channel videos + future topics.
10:37 – Keep It Local (Someday) – Tate wants Seattle, but staying budget-conscious after being “close to broke.”
11:00 – Lockouts & Day Rates – $1k–$2k/day rooms; bands buy 24-hour lockouts; typical “7th day free” deals.
11:26 – Chasing Facilities – Record in Vancouver, mix at Royal Recorders (WI); Mindcrime recorded/mixed in three countries. Travel/hotel/per-diem add up fast.
12:44 – Smart Drum Tracking – Mobile truck + Bellevue warehouse for Mindcrime drums; big room, small bill. Drums first, then bass; later guitars/vocals in controlled rooms.
15:02 – One Good Room – With modern gear (for 1990), you really only need a great drum room; the rest can be bedrooms.
15:20 – Producer Economics – Fees from ~$1k–$10k (indie) to $50k+ (top guns like Mutt Lange / Ted Templeman), plus 2–5% points; some also snag publishing.
17:44 – Budget Breakdown – ~⅔ to studio + producer; $2k–$5k on tape; outboard rentals; travel/hotels/per-diem; 10% contingency (“slush fund”).
19:46 – Tech Keeps Rising – Sampling/MIDI/DAT; why a fast, organized engineer is gold.
21:25 – Constraint == Creativity – Deadlines/budgets improve output; Robert’s take on constraints vs. endless tinkering.
21:31 – Track Count Madness – 48 tracks on Empire; engineer James “Jimbo” Barton blazing fast; likely dual synced 24-track 2” tape machines; track “cleaning” & comping.
25:01 – Two Budget Philosophies – Cut corners vs. spend for quality; Tate: don’t burn money, but don’t starve the record either.
27:22 – Robert’s Book Plug – Your Next Eleven Marketing Moves (constraints help you finish).
28:18 – Why Queensrÿche Won – Disciplined, organized, creative without “unlimited time” bloat: EP → The Warning → Rage → Mindcrime → Empire.
30:44 – Wrap / CTA – Comment with your studio/label war stories; pros welcome; like/share/subscribe; have a fantastic day.

Description (drop-in)

We dig into a June 1, 1990 piece from The Rocket: Jeff Tate (Queensrÿche) on budgets, producers, and why constraints helped the band deliver EMPIRE (released Aug 20, 1990). From $3k/day studios and mobile-truck drum sessions to 48-track analog workflows with engineer James Barton, this is a masterclass in making a major-label record without lighting cash on fire.

Were you at the Empire tour when they performed all of Operation: Mindcrime? Drop your story. Pros + studio vets—share your recoupment/producer/points lessons!

Chapters above. Thanks to @digitech for supporting the channel. Guitar players: check out their latest gear.
Also, if you’ve got analog media to preserve, @Audiomover (my studio) is offering 15% off (code on screen).

What Did People REALLY Think of Van Halen in 1980?

AudioMover 2025-09-22 | Dive into a classic rock newspaper clipping featuring a Van Halen live concert review from 1980! This video brings you some interesting details and insights about eddie van halen and the band's performance. Share your thoughts on this piece of 80s rock history and how it reflects the band's impact on rock n roll and 80s music.

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Video Overview
0:01 – Intro
Robert welcomes Van Halen fans and explains the concept: revisiting classic newspaper concert reviews. Today’s feature: August 7, 1980 Van Halen concert review.

0:18 – Sponsor Shoutout
Thanks to @digitech for supporting the channel. Robert highlights their legendary guitar gear and posters on the studio wall.

1:00 – Setting the Stage
The review headline: “Van Halen overwhelms its audience.”
Robert provides context: the Women and Children First tour, released March 1980. He recalls discovering the album at Kmart as a kid.

1:56 – Album Memories & Style

Talks about David Lee Roth’s personality in songs like “And the Cradle Will Rock” and “Everybody Wants Some!!”

Notes Roth’s iconic stage banter and the electric piano on Cradle.

Shares memories of the album’s infamous poster of Roth chained to a fence.

4:00 – Concert Review Highlights

The review’s claim: “The show is the audience.” Robert asks fans what that means to them.

Describes the massive speaker stacks and light rigs used in the show.

Asks if fans saw Van Halen on this tour and how it compared to the 1984 stage setup.

5:50 – Call for Viewer Interaction
Robert invites viewers to sign up for 15-minute fan Zoom calls to share favorite videos and topics.

6:29 – Van Halen & Black Sabbath Connection
Robert recalls the 1978 Sabbath tour where Van Halen opened for their heroes during Sabbath’s decline.

7:36 – Critique from the Review

Review downplays Roth’s showmanship, calling his leaps “awkward” and moves “repetitive.”

Robert challenges this, asking fans if Roth’s acrobatics really came later—or if he was already an elite frontman.

Reviewer mistakenly lists both Van Halen brothers as “guitar and bass” instead of Eddie (guitar) and Alex (drums).

9:52 – Crowd Energy Discussion
Robert reflects as a former pro singer: is it the band’s job to fire up the crowd, or does audience energy drive the performance? Roth’s line: “80% of the Van Halen show is the audience.”

12:01 – Audiomover Shoutout
Robert reminds viewers about @Audiomover, his media digitizing company. Offers a 15% discount with code on screen.

12:55 – Opening Band Mention
The review notes The Cats opened with a 35-minute set. Robert asks if anyone remembers them.

13:19 – Bonus: Movies in Theaters (August 1980)
Robert pulls more nostalgia by flipping through the same paper’s movie listings:

The Empire Strikes Back

Close Encounters of the Third Kind (re-release)

Airplane!

Cheech & Chong’s Next Movie

Blue Lagoon, Brewbaker, Raising the Titanic, The Hunter (Steve McQueen), and more.
He invites fans to share which of these films they saw.

15:58 – Closing Thoughts
Robert reflects on discovering Van Halen albums in order (Diver Down, Van Halen II, then Women and Children First). He praises the album’s enduring power and asks fans: Where does this record rank in your Van Halen collection?

Rush 2112 The Story Continues!

AudioMover 2025-09-17 | If you’re a Rush fan, this is a must-watch. Robert John Hadfield and Larice Williamson continue their breakdown of 2112—this time turning the record over and diving into Side B. While Side A gets most of the attention, the songs on Side B are packed with meaning, lyrical depth, and surprising thematic ties back to the album’s overarching story.

Together, they explore how songs like A Passage to Bangkok, The Twilight Zone, Lessons, Tears, and Something for Nothing reflect themes of rebellion, creativity, imagination, and self-actualization. Along the way, they mix in personal stories, historical context, and sharp lyrical analysis—everything a Rush nerd could want.

And don’t miss the special invitation near the middle of the video: Robert and Larice want to hear from YOU directly about your favorite Audiomover episodes and future topics.

📞 Plus: You can even sign up for a 15-minute chat with Robert John to share your top 3 favorite videos from the channel, your favorite topics, and ideas for future episodes. scheduler.zoom.us/robert-hadfield/hello-i-am-an-event-card

🕰️ Timestamps

0:00 – Introduction – Why Side B of 2112 matters

0:39 – “A Passage to Bangkok” – imperialism, drug references, and cultural freedom (plus Robert’s real train ride to Bangkok)

2:30 – “The Twilight Zone” – rhyming couplets, alien imagery, and authoritarian metaphors

6:00 – “Lessons” – Alex Lifeson’s writing style, diminishing lines, rebellion, and self-discovery

8:02 – Viewer Invitation – How to sign up for a 15-minute call to share feedback & ideas

9:24 – “Tears” – Geddy Lee’s poetic form, imagery of tears/taste, and the dual meanings of pain & awareness

12:21 – “Something for Nothing” – clichés, freedom isn’t free, Ayn Rand themes, and the comfort of closure

15:53 – Album wrap-up – Rush’s imagery, side A + B as one complete vision, and the band’s unique fashion glow-up

18:11 – Closing thoughts + invitation to like, comment, and share

Three Classic Albums Straight from Amazon - Pink Floyd, Gin Blossoms and What?

AudioMover 2025-09-16 | In this episode, Robert John Hadfield opens up three iconic records and shares stories, memories, and future show plans. From ’80s movie nostalgia to ’90s alt-rock melancholy and Floyd’s prog-rock brilliance, this one’s packed with both vinyl joy and personal reflection.

📞 Plus: You can even sign up for a 15-minute chat with Robert John to share your top 3 favorite videos from the channel, your favorite topics, and ideas for future episodes. scheduler.zoom.us/robert-hadfield/hello-i-am-an-event-card

🕰️ Time Stamps

0:00 – Intro & Setup
Unboxing day! Robert previews upcoming soundtrack shows and hints at future themes.

0:45 – Record #1: Back to the Future Soundtrack
Austin Roy joins for soundtrack episodes.
Memories of seeing Back to the Future in theaters (July 3, 1985).
Huey Lewis’ cameo (“You’re just too darn loud”).
Robert’s junior high band talent-show disaster.
Power of Love, Back in Time, Earth Angel, Johnny B. Goode.
Ghostbusters/Huey Lewis lawsuit backstory.
4:18 – Record #2: Gin Blossoms – New Miserable Experience (1992)
Deep love for this album and memories of playing “Hey Jealousy” in his own band.
Tribute to Doug Hopkins, songwriter of Lost Horizons and Hey Jealousy.
“Lost Horizons” highlighted as one of the most powerful tracks of the era.
CD copy was played until “worn out.”
7:28 – Record #3: Pink Floyd – Wish You Were Here (1975)
Cover art reveal (burning man handshake).
Context as the follow-up to Dark Side of the Moon.
Anticipating a special episode with jazz pianist/entrepreneur Jeff Lerner.
Discussion will explore Shine On You Crazy Diamond, Have a Cigar, and the title track.
Robert shares excitement about combining vinyl history with guest expertise.
10:25 – Wrap Up & Call to Action
Viewers invited to comment with their own soundtrack, Gin Blossoms, and Floyd memories.
Link to schedule 15-minute calls with Robert to share favorite videos and topics.
Reminder to like, share, and subscribe.

📢 Engagement Prompts
“What’s your favorite soundtrack of all time?”
“Which Gin Blossoms track defined the ’90s for you?”
“Dark Side or Wish You Were Here—what’s your pick?”
🔖 Suggested Hashtags & Mentions

#BackToTheFuture #HueyLewis #GinBlossoms #PinkFloyd #WishYouWereHere #LostHorizons #VinylCommunity #SoundtrackSaturday #ClassicRock #90sAlternative #VinylUnboxing #MusicStories

@HueyLewisAndTheNews @GinBlossoms @PinkFloyd @UniversalPictures

Ace Frehley in the Rock Hall? The Debate Gets Real

AudioMover 2025-09-15 | Robert John Hadfield & Gary Casella: The Ace Frehley Hall of Fame Debate

In this episode, Robert and Gary dive into the KISS universe once again—this time unpacking the fiery debate around whether Ace Frehley deserves recognition in the Rock and Roll Hall of Fame as a solo artist.

The discussion is sparked by Robert’s earlier comments (and fan backlash!) about Ace’s solo career compared to KISS’s output. With fact-checking, comparisons to legendary double-inductees, and some hilarious side tangents, this video is a true rock nerd’s dream.

📞 Plus: You can even sign up for a 15-minute chat with Robert John to share your top 3 favorite videos from the channel, your favorite topics, and ideas for future episodes. scheduler.zoom.us/robert-hadfield/hello-i-am-an-event-card

⏱️ Time Stamps & Breakdown

0:00 – 0:27 – Clearing the air
Robert clarifies a past comment about Ace Frehley and the Rock & Roll Hall of Fame.

0:28 – 1:06 – Did Robert argue Ace should be inducted?
Nope. He doubles down: “I love Ace… but Hall of Fame solo? No way.”

1:07 – 2:15 – Album output check
Robert fact-checks himself, comparing Ace’s solo catalog with Kiss’ albums since Ace left. Turns out Ace almost matched Kiss album-for-album.

2:16 – 4:05 – Could Ace ever belong among double inductees?
Henrik suggests: if Ace made it solo, he’d join the rare group of artists inducted twice.

4:06 – 12:28 – The comparison list
Robert & Gary run through legends who did make it solo + band:
Stevie Nicks (Fleetwood Mac & solo)
Michael Jackson (Jackson 5 & solo)
Jimmy Page (Yardbirds & Led Zeppelin)
The Beatles (all four solo + band)
Eric Clapton (three times!)
Dave Grohl (Nirvana & Foo Fighters)
Paul Simon (Simon & Garfunkel & solo)
Crosby, Stills, Nash & Young
Peter Gabriel (Genesis & solo)
Ronnie Wood (Faces, Stones, etc.)
Ozzy Osbourne (Sabbath & solo)

12:29 – 14:18 – The Ozzy comparison
Ozzy called on Randy Rhoads, Zakk Wylde, Tony Iommi… but never Ace. That says something.

14:19 – 15:49 – Respect for Ace, reality check for fans
Robert admits Ace has passion, influence, and a loyal fan base… but he isn’t in the league of Clapton, Ozzy, or Stevie Nicks.

15:50 – 17:25 – Why subscribing matters
Robert explains how subs don’t just boost views—they add credibility and help bring more guests onto the show.

17:26 – 19:22 – The Love Gun costume debate
Gary & Robert revisit fan comments about the Kiss Love Gun tour outfits. They laugh over “El Gato” jokes and Gary’s new hair.

19:23 – End – Wrapping it up
Final verdict: Two thumbs down for Ace solo in the Hall—but the debate is all love for the Spaceman.

🔥 Key Themes

Clearing up the “Ace in the Hall” misunderstanding

Fact-checking Kiss vs. Ace’s solo album output

Exploring the ultra-elite list of multiple Rock Hall inductees

Comparing Ace to legends like Ozzy, Clapton, and The Beatles

Fan engagement: comments, debates, and costume trivia

The importance of subscribing for credibility and future growth

Shocking News About Vince Neils Health!

AudioMover 2025-09-15 | The video discusses the postponement of Motley Crue's 2025 Las Vegas residency due to a medical procedure involving vince neil, sparking rumors about his health. The host reviews official announcements and speculates on what might have happened. Stay tuned for more celebrity news and motley crue updates.

Motley Crue fans were left in the dark earlier this year when the band postponed their Las Vegas residency. At the time, it was described only as a “medical procedure.” Now, Vince Neil has revealed the truth: he suffered a stroke on Christmas night 2024 that left him unable to walk.

In this video, Robert John Hadfield breaks down the timeline of events, the official statements from the band, and Neil’s inspiring recovery story—from being carried to the bathroom, to a wheelchair, to a walker, to back on stage at Dolby Live in Las Vegas.

We also dig into Motley Crue’s legacy, live performance controversies, and the ongoing drama surrounding Mick Mars.

📞 Plus: You can even sign up for a 15-minute chat with Robert John to share your top 3 favorite videos from the channel, your favorite topics, and ideas for future episodes. scheduler.zoom.us/robert-hadfield/hello-i-am-an-event-card

👉 Share your thoughts in the comments—were you surprised to learn how serious Vince Neil’s health struggles really were? Have you or someone close to you dealt with something similar?

Timestamps

0:00 – 0:19 | Motley Crue postpones Vegas residency (official statement)
0:20 – 0:43 | Announcement of rescheduled dates and vague “medical procedure”
1:01 – 1:26 | Breaking news: Vince Neil confirms it was a stroke
1:27 – 1:57 | Neil reveals he had to relearn how to walk
2:22 – 2:41 | Why the band stayed quiet about the truth
2:58 – 3:37 | Robert’s personal story: discovering Motley Crue in the early days
3:58 – 4:37 | Personal reflection on strokes and hidden health battles
4:52 – 5:35 | Nikki Sixx on Neil’s recovery and stamina
5:55 – 6:25 | Neil claims he’s “90–95% back”
6:30 – 6:52 | Viewer call-to-action: share favorite videos & topics
7:07 – 7:54 | Revisiting Motley Crue’s tensions with Mick Mars & backing track controversy
8:34 – 9:31 | Neil’s solo performances & fan reactions
9:46 – 10:32 | Final reflections: from wheelchair to Vegas stage

Suggested Hashtags
#VinceNeil #MotleyCrue #RockNews #VegasResidency #ClassicRock #80sMetal #StrokeRecovery #RobertJohnHadfield

@MotleyCrue

Stormtroopers of Death - Where Did This Come From?!

AudioMover 2025-09-13 | Robert John Hadfield and Gary Casella sit down to revisit the 1985 crossover thrash cult classic Speak English or Die by Stormtroopers of Death (S.O.D.). From cassette tape memories and New York record store finds, to Headbangers Ball Saturday nights and the legendary blast beat, this video is packed with laughs, nostalgia, and deep appreciation for one of the wildest albums of the 80s.

We want to hear from YOU—what was your first experience with this album? What track hit you the hardest? And who first told you to check it out? Drop it in the comments below.

📞 Plus: You can even sign up for a 15-minute chat with Robert John to share your top 3 favorite videos from the channel, your favorite topics, and ideas for future episodes. scheduler.zoom.us/robert-hadfield/hello-i-am-an-event-card

🕒 Timestamps

0:00 – Opening Story
Robert recalls the first time his friend Ron brought the Speak English or Die cassette to a party—boom box, crazy cover art, and the first blast of S.O.D.

0:35 – Album Context & Origins
Released August 30, 1985—recorded quickly after Anthrax finished Spreading the Disease. Features Scott Ian, Charlie Benante, Billy Milano, and Dan Lilker.

1:50 – First Impressions
Both Robert and Gary describe how the sound was unlike anything else at the time: heavy, fast, hilarious, and completely chaotic.

2:30 – Personal Memories
Gary shares about buying it on cassette in Brentwood, NY, while Robert recalls Ron fast-forwarding through the tape just to highlight the funniest and heaviest songs.

4:40 – Legendary Status
Why the album is remembered even without blockbuster sales—its folklore, word-of-mouth impact, and unforgettable punch.

6:30 – Humor & Irreverence
Discussion of intentionally over-the-top songs like “Ballad of Jimi Hendrix,” “Diamonds and Rust” (10 seconds long), and the six-second “Anti-Procrastination Song.”

7:25 – The Blast Beat
Robert highlights Charlie Benante’s role in popularizing the blast beat and its roots in New York hardcore.

9:15 – No Breathing Room
How S.O.D. songs subverted normal song structures—no breaks, no soft choruses, just relentless mayhem.

9:45 – College Connection & Headbangers Ball
Stories of racing to Pi Pizzeria to control the TV for Headbangers Ball, with “March of the S.O.D.” as the theme song.

11:00 – Friendship Cemented
Robert and Gary reflect on how those nights shaped lifelong bonds and rock memories.

12:45 – Enduring Influence
The folklore of S.O.D. being passed around through mixtapes, word-of-mouth, and MTV—becoming bigger than its sales.

14:00 – Anniversary & Band Members
40 years later, Scott Ian, Charlie Benante, Billy Milano, and Dan Lilker’s project still stands as a unique moment in metal history.

15:20 – Final Thoughts & Viewer Call-to-Action
Robert and Gary ask viewers: What’s your favorite track? What was your first experience? Who first showed you S.O.D.? Comment below!

Ozzy VMA Tribute - Did They Do Him Justice?

AudioMover 2025-09-12 | Robert John Hadfield and Gary Casella share their thoughts on the representation of Australian artists at the MTV VMAs, highlighting standout performances by Yungblud, Nuno Bettencourt, and Aerosmith performing Dream On. They react positively to the VMA performances, specifically mentioning Young Blood. They felt the classic rock representation was a good addition to the show.

***** SIGN UP TO MEET WITH ROBERT JOHN HADFIELD - scheduler.zoom.us/robert-hadfield

Jack & Ozzy Personally Blew Up Our Channel

AudioMover 2025-09-09 | Robert and Gary finally sit down—post–@JackOsbourne sharing Robert John's Ozzy tribute—to unpack the wild chain of events: the viral spike, Jack’s kind words, the Newsweek quote, and what it’s meant to the Audiomover community. Along the way they trade stories about Ozzy’s global impact (from Moscow bikers to living-room tears), compare Black Sabbath vs. Led Zeppelin’s roles in heavy music, shout out your growing audience, and share the humble origins of the channel, merch, and the Audiomover digitizing studio.

Chapters / time stamps
00:00 Intro — If you’re an Ozzy fan, this one’s for you
00:41 Robert and Gary reunite after the Jack Osbourne moment
01:02 “Last time in studio was the live show” — life updates
01:46 Jack shares Robert’s Ozzy eulogy-style video
02:23 Gary’s reaction — “holy hell… choked up”
03:03 Comments explode; Jack posts on X
03:38 …and then on Facebook — tidal wave of views
04:26 Reading Jack’s caption about the video
05:13 The snowball: Newsweek coverage and quotes
07:01 What Audiomover actually does — 25 years digitizing old media
07:18 On-screen 15% discount mention for viewers
07:30 “Newsweek?!” — perspective check and Ozzy-video stats
08:50 Why Ozzy feels like Elvis to a generation
09:17 Remembering Elvis’s death in 1977 — family story
12:18 Led Zeppelin tour rumor chat; thoughts on seeing Page at 80
13:33 Sebastian Bach’s Moscow story — bikers chanting for Ozzy
16:28 Sabbath vs. Zeppelin — who birthed heavy metal?
16:50 Quick merch plug — tees for our stage of life
17:18 “Becoming Led Zeppelin” and explaining their impact
18:03 Why Sabbath often gets the ‘metal’ crown
19:21 How the channel started, monetized, and grew
24:26 Passion, community, and college-dorm vibes
26:10 Niche videos still find their people
27:22 Reading and replying to your comments — it’s just us
28:12 Thank you, and call to action to like, sub, and comment

Key moments to highlight
“This sums my father’s journey up perfectly.” — Jack Osbourne on Robert’s Ozzy tribute
Newsweek pulls Robert’s quote about Ozzy’s “otherworldly” voice and authenticity
The Moscow biker story: grown men in tears to meet Ozzy
Sabbath vs. Zeppelin: eerie doom of “Black Sabbath” vs. blues-rooted hard rock
Audiomover origin story, merch, and community gratitude

P.S. The video includes a limited 15% viewer discount for Audiomover digitizing services—use the on-screen code when you order.

Credits

Hosts: Robert John Hadfield and Gary Casella
Featuring mentions: @JackOsbourne, @Newsweek
Channel: Audiomover

Calls to action
Subscribe for classic rock deep dives, interviews, and nostalgia
Like the video to help more Ozzy/Sabbath fans find it
Comment with your Ozzy, Sabbath, or Zeppelin stories—we might read it on a future show
Check the Store tab on the channel for new tees
Need tapes preserved? Visit audiomover.com and use the on-screen code

#OzzyOsbourne #JackOsbourne #BlackSabbath #LedZeppelin #ClassicRock #HeavyMetal #Audiomover #AudiomoverRockShow #RockHistory #MetalLegends #MusicStories #Moscow1989 #SebastianBach #DocMcGhee #VinylCommunity #GuitarLegends #RockMemories

KISS: The Most Unhinged Tour Ever - Pt 3

AudioMover 2025-09-05 | We’re back with Part 3 of our KISS Reunion Tour book dive. Robert and Gary riff on why the 1996 makeup looked so clean, whether Eric Singer’s long tenure gets the respect it deserves, Ace’s moon-boots and pyramids, and how Gene finally looked terrifying again. Along the way: the Ibanez Iceman origin vibes, the chaos of Asylum pastels, and a very questionable set of tour-book captions. Stick around for the bonus after-show segment where we veer into Depeche Mode, live drummers, and fog machines.

Audiomover note: if you’ve got cassettes, VHS, or reels that need preserving, Audiomover has digitized media for 25 years for clients across the US and Canada. Use the on-screen code in this episode for 15 percent off any digitizing service at audiomover.com.

Presented with support from our friends at Digitech.

Robert John Hadfield and Gary Casella crack open the 1996 KISS Reunion Tour book and riff on makeup eras, ace’s moon-boots, gene’s most menacing looks, and the gloriously weird captions inside.

Chapters

00:00 Cold open: “what is this… yeah.”
01:52 Setup: Part 3 of the Reunion Tour book deep-dive
02:24 Makeup talk: clean 1996 designs vs the later sloppy phase
03:43 Eric Singer tenure vs Peter Criss debate
05:20 The day the makeup returned clip memories
06:19 Dynasty accents, Peter’s green, Ace’s blue
07:40 Platforms, height, and catman tattoo notes
08:20 Costumes mashup across eras; El Gato bandolier joke
09:05 Why KISS visuals mattered as much as the music
09:47 Negatives fixed so the star is on the right side
10:22 Audiomover promo and digitizing discount
10:55 Paul’s outfit details and the Ibanez Iceman love letter
12:16 Chain-boot nostalgia and the KISS dolls
12:47 Kids in the 70s and 80s… launching action figures off the roof
13:14 Paul’s bio page: sensuous, master of the erotic, ringmaster of mayhem
15:16 Ace feature spread: Les Paul, blue eyeshadow, pyramids, and triangles
16:08 Moon-boots appreciation; iconic smoking-guitar poster
17:54 Ace as a solo artist: output, Eddie Trunk appearances, candid interviews
21:33 Why scripted commentary kills the magic
23:38 Asylum video era… still hurts the eyes
24:49 Everyone’s books, four versions of the truth
25:42 Going as Ace for Halloween and the 80s perm confessions
26:48 The Ace descriptors: space ace, cyberpunk, galactic time traveler
28:26 Audiomover merch spot: English Lit from Heavy Metal, grandpa tee
29:16 Were the captions aimed at casual reunion-era fans?
29:44 Predicting Gene’s page: Demon, God of Thunder, leather-winged
31:22 Gene’s spread: barbed wire, evil incarnate, ravager of souls
33:42 Gene finally looks menacing again
34:53 Childhood poster that scared the cousins
35:18 Fire-breathing, dragon lizard prop, and armor details
36:28 Side spikes and Alive II callbacks
37:20 What’s next: Peter’s section and group shots
37:48 Epiphany: this book reads for the casual fan
38:13 Call to action: favorite photos, outfits, and your tour memories

#KISS #KISSArmy #KISSReunion #GeneSimmons #PaulStanley #AceFrehley #PeterCriss #EricSinger #90sRock #ClassicRock #TourBook #RockHistory #MakeupEra #IbanezIceman #MoonBoots #Audiomover

Tags for YouTube

KISS reunion 1996, KISS tour book, Gene Simmons Demon, Paul Stanley Iceman, Ace Frehley moon boots, Peter Criss Catman, Eric Singer tenure, KISS makeup evolution, Classic rock commentary, Audiomover digitizing

English Teacher Exposes RUSH 2112 - The Deepest Dive!

AudioMover 2025-09-05 | Rush fans, this one’s for you. Robert John Hadfield and Laurice Williamson tear into Side A of 2112 like it’s 1976 again—tracking the album’s literary DNA, the political climate around its release, and the poetic craft inside each movement. From Canada’s October Crisis and Vietnam/Watergate fatigue to Neil Peart’s nods to dystopian lit, we unpack how a young protagonist discovers a guitar behind a waterfall, collides with the Priests of the Temple, and faces a finale that’s deliberately ambiguous. Laurice brings a literary lens to meter, alliteration, sibilance, symbolism, and theme; Robert brings the fan’s ear for riffs, production, and why this record saved the band. If you love lyric analysis, rock history, and the big ideas behind great music, you’ll be right at home.

Chime in below: did the ending mean rescue… or total control? And should we continue this series with Side B?

Chapters / Timestamps
00:00 Cold open — why 2112 still feels poetic and dangerous
01:05 Meet Laurice Williamson and today’s plan: a lyric-by-lyric deep dive
03:55 Let’s dive in: how Side A tells a complete narrative
04:14 Context matters: Canada’s October Crisis and civil liberties
05:27 U.S. backdrop: Vietnam’s shadow and Watergate distrust
07:04 “Rock metal suite” vs rock opera — how to classify 2112
08:01 1812 Overture nods and musical quotations - youtube.com/shorts/FVcQy5YD3Ec?si=wig0bT8Uma68vDTA
08:52 Dystopian roots: 1984 and Rand’s Anthem, plus Objectivism
10:07 Into the liner notes — setting a totalitarian mood
10:25 “A vast sea of unbroken gray” — symbolism decoded
11:09 Plugging into the machine: work, programming, and comfort
12:11 Religion vs government — power, control, and overlap
14:32 The Temple of Syrinx — gray walls, benevolent priests
16:32 “We’ve taken care of everything” — anti-questioning as policy
17:39 Great computers, keys to the good life, and rationed gifts
20:22 “Within these/our walls” — how control recruits you
20:49 Discovery — the guitar as individuality and awakening
22:19 The waterfall as veil, cleansing, and rebirth
23:21 “Behind it is freedom” — privacy, selfhood, agency
24:09 Poetic devices in Discovery: alliteration and paradox
27:58 “The priests praise my name” — hope before the crash
29:11 Human nature, glory, and the pull to stand out
29:50 Presentation — the hiss of rejection and smashed guitar
33:18 Miracle vs “a waste of time” — average over excellence
33:49 “Think of the average” — why ambition is dangerous
34:14 Oracle: The Dream — ruins, wonder, and lost spirit
35:31 Seeing what was lost: creativity and meaning
36:57 Wonder and overwhelm: why W sounds matter here
38:09 Repetition and emphasis: light, hands, rows
39:12 Silent streets, fitful sleep — traveling alone
39:25 Spiral stair — ascent, risk, and enlightenment
40:58 Soliloquy — the waterfall returns; comfort and despair
41:59 Dystopia parallels: Logan’s Run, Soylent Green vibes
43:18 Anaphora and parallelism — “The sleep is still in my eyes…”
46:00 Grand Finale — who assumed control, and is it a happy ending?
47:03 Outro — tell us how you read the ending and share with Rush fans
50:43 Button — 2112 as a rock/metal suite

Key Highlights

Why context (1970–76) supercharges the album’s themes of control and liberty
How the guitar and waterfall operate as symbols for individuality and rebirth
Literary craft: sibilance, consonance, meter, anaphora, juxtaposition
The Priests’ sales pitch for sameness vs the cost to human potential
The ending’s two credible readings and why ambiguity keeps 2112 timeless

Call to Action
If you’re a Rush fan, drop your interpretation of the finale below and share this with a fellow 2112 obsessive. Want Side B next? Say “Side B” in the comments and we’ll prioritize it.

What’s your read on the ending: rescue by the Elder Race or total lock-in by the Federation? Also, should we continue this series with Side B lyric analysis? Vote “Elder Race,” “Federation,” and “Side B” below.

Rush, 2112, Neil Peart, Geddy Lee, Alex Lifeson, Temple of Syrinx, Anthem, Ayn Rand, progressive rock, lyric analysis, concept album, rock opera, Canadian rock, classic rock history, poetry in lyrics

#Rush #2112 #NeilPeart #GeddyLee #AlexLifeson #ProgRock #ClassicRock #LyricAnalysis #RockHistory #TempleOfSyrinx #Anthem #ConceptAlbum #Audiomover #ShelleCrow

Queensryche - Their Strangest 1986 Interview with Hit Parader

AudioMover 2025-09-04 | We crack open a September 1986 issue of Hit Parader and read the wonderfully odd “Out to Lunch” piece on Queensrÿche—right in the Rage for Order era. Robert John Hadfield and Shelle Crow talk the album art change (that hard-to-read blue marble first pressing!), the vampiric/stalker vibe around “Gonna Get Close to You,” the band’s misfit status opening for Ratt/Bon Jovi/AC/DC, and how just a few years later they’d explode with Operation: Mindcrime (1988) and Empire (1990). We also hit Jeff (Geoff) Tate’s vocal mystique, the band’s nerdy-intellectual persona, and the article’s hilarious plans for an Amazon trek…and even “space tourism” by 1992. Nostalgia, receipts, and big Queensrÿche energy.

Audiomover shout-out: we digitize your old tapes and films. Use the on-screen code for 15% off at audiomover.com.

Chapters / Timestamps
00:00 Intro — Why Rage for Order still hits
01:05 The 1986 landscape: Van Halen split, Priest, KISS, Crüe, Maiden
04:08 Discography check: EP (’83), The Warning (’84), Rage for Order (’86)
05:04 Album art fix — blue marble vs later black text (readability)
06:00 Aesthetic & “vampire” vibe; “Gonna Get Close to You” (Dalbello cover)
06:50 Opening for Ratt/Bon Jovi/AC/DC — total genre mismatch
07:06 Path to the peak: Operation: Mindcrime (’88) → Empire (’90)
07:51 Geoff Tate’s voice & why vocal coaches analyze it
08:11 Where they are now: Wilton & Eddie Jackson as original members; Todd La Torre era
09:11 Audiomover mid-roll + 15% off
09:49 Hit Parader’s “Out to Lunch”: Amazon trek, frontier adventures, space-orbit vacation
12:07 Why this article rules: not the usual tour/album Q&A
14:12 The “120-mile orbit” plan and 1992 predictions
15:04 Queensrÿche’s thoughtful/nerdy persona vs glam-party scene
19:16 Hair talk, long-hair era, and stage nostalgia
24:39 Manhattan “adventure,” being misfit openers, unique energy
26:22 Seeing the current band live; nostalgia vs then
27:48 1990 breakthrough confirmed; post-Empire arc
28:05 Wrap-up, comments, subscribe, share

Key Takeaways
Rage for Order love-letter plus the early-pressing art quirk (blue marble text).
Queensrÿche’s off-kilter, intellectual vibe in an era of glam chaos.
“Gonna Get Close to You” as delightfully creepy centerpiece.
Pre-arena years perspective: opening slots → MTV era (“Silent Lucidity,” “Jet City Woman,” “Empire,” “Best I Can”).
The 1986 Hit Parader lunch piece shows Tate/DeGarmo dreaming big (Amazon trek, even space!).

@queensryche @GeoffTate @ToddLaTorre
#Queensryche #RageForOrder #GeoffTate #ChrisDeGarmo #OperationMindcrime #Empire #SilentLucidity #80sMetal #ProgMetal #ClassicRock #HitParader #MTV #SeattleMetal #VinylCommunity #AlbumArt #RockHistory #Audiomover

KISS? Nick Simmons & Evan Stanley: New Project Brewing? Our Take (Sons of Cream, Wolfgang, more)

AudioMover 2025-09-02 | Robert John Hadfield and Gary Casella react to the growing buzz around Nick Simmons and Evan Stanley posting harmonies, launching socials, and teasing a site that hints at something brewing. Would you rather see them do an original project… or carry the KISS torch in next-gen makeup? We compare to Sons of Cream, Wolfgang Van Halen, Wilson Phillips, Shane Hawkins, Miley Cyrus and more, and we talk honestly about the “nepo baby” debate: when legacy opens doors, who truly delivers?

We also share a behind-the-scenes look at the Audiomover Digitizing Studio (and a discount code), shout out our friends at DigiTech, and ask YOU to drop examples of famous musicians’ kids who would have “made it” on their own.

👕 Audiomover merch + tees
🎛️ DigiTech posters in the studio (thanks, team!)
📼 Audiomover digitizing services: cassettes, VHS, reels, more

Chapters & Timestamps

00:00 Behind-the-scenes cold open: Nick & Evan harmonizing
00:16 “Would we know them if KISS never existed?” — setting the question
00:30 Site/logotype chat: StanleySimmonsCo (interlocked “SS”)
01:14 How Robert discovered the clips (gym scrolls & reels)
02:11 Quick bios: good looks, real vocals, Evan’s Amber Wild mention
03:01 Nick’s “Family Jewels” persona; social roll-up
03:40 “Something’s brewing” — placeholder site + socials
04:12 Logo thoughts, signup flow, initial impressions
05:02 Parallel case: Malcolm Bruce (+ Kofi Baker) → Sons of Cream
06:37 Legacy bands & leaning into the name vs carving a lane
07:12 Pulling back the curtain: we hit record mid rabbit-hole
07:20 Audiomover spot: 25 years digitizing + 15% off code
08:05 The “nepo baby” convo (Maya Hawke, Gracie Abrams, more)
09:18 Back to Nick & Evan: the leg-up vs the work
10:09 Julian Lennon and choosing the harder road
11:09 Would it feel right if they wore KISS makeup?
11:59 Jason Bonham as “the right bloodline” tribute
12:29 Wolfgang Van Halen: a standout on his own merits
13:50 Open invite: talk Mammoth WVH only 😉 album chatter
15:32 More legacy groups: Wilson Phillips (Beach Boys lineage)
16:55 Shane Hawkins shout-out (tribute strength)
17:10 Soapbox: reality-TV famous-for-being-famous vs working musicians
20:22 Audiomover merch bumper (rock-life tees)
20:54 “Universe out of alignment” — when fame lacks the craft
21:29 Legacy who deliver: Jamie Lee Curtis analogy
22:33 More examples: Bono’s son’s band; Miley Cyrus (doors opened, work delivered)
24:28 Robert’s Hannah Montana guitar confession 😂
26:13 The big question for viewers: originals or Next-Gen KISS?
27:09 From their POV: “that’s Dad,” not rock gods
27:34 What we want: great songs + tight live show from Nick & Evan
28:19 Rock needs a songwriting shot in the arm
28:57 Why this channel exists: dorm-room debates → the show
29:18 Site note: StanleySimmonsCo recently registered
29:46 Call for comments: who would’ve made it without famous parents?
30:31 Thanks, DigiTech + Audiomover plugs + like/subscribe outro

Pinned Comment (copy/paste)

Two questions for you:

If Nick Simmons & Evan Stanley release original music as a duo, are you in?

Would you support a Next-Gen KISS (makeup/tour) fronted by them — or rather see them build a brand-new lane?

Also, drop examples of musicians’ kids who would have made it regardless of pedigree (Wolfgang? Miley? Shane Hawkins? others?). We’ll feature the best takes in a future episode. 🤘

The Cult - What Do These Mysterious Symbols Mean?

AudioMover 2025-08-29 | 🔮 The Cult’s “Love” Album – Symbols, Stories & The Phoenix That Changed Everything

Description:
In this video, Robert John Hadfield dives deep into The Cult’s 1985 album Love — sharing personal stories, first impressions, and a never-before-seen breakdown of the mysterious symbols tied to each track. From hearing the band live with Billy Idol in Denver, to discovering the Electric album the very next day, Robert takes you on a journey through music history, album art, and hidden meanings.

We’ll explore how tracks like She Sells Sanctuary, The Phoenix, Hollow Man, and Brother Wolf and Sister Moon connect to ancient symbolism — from the Egyptian Ba bird to the shaman’s hand to the yin-yang and trigrams of Eastern philosophy.

Plus, we’ll dig into a vintage 1986 newspaper interview with Billy Duffy, giving rare insight into the band’s early days, influences, and why they were considered psychedelic revivalists before Electric exploded onto the scene.

👉 If you’re a fan of The Cult, share this video with other fans, forums, and groups! And let me know in the comments — which track or symbol speaks to you the most?

⏱️ Timestamps
0:00 – Intro & why this video matters if you love The Cult
0:25 – First exposure: seeing The Cult open for Billy Idol in Denver
1:16 – The strange mix of goth image + AC/DC power
2:00 – Buying Electric the very next day – why it’s one of the greatest rock albums ever
2:51 – First dive into Love – muddy production but unforgettable songs
3:10 – Why The Phoenix may be the band’s greatest hidden gem
4:00 – The Love album’s 10 mysterious symbols & their meanings
6:10 – Symbol 1: The Phoenix – fire, ashes, rebirth
6:45 – Symbol 2: Hollow Man – the sickle & death imagery
7:43 – Symbol 3: Revolution – yin-yang, trigrams, and time itself
10:09 – Symbol 4: She Sells Sanctuary – the Hamza & Shaman’s Hand
12:34 – Symbol 5: Black Angel – Egyptian Ba bird, death & eternal reward
14:13 – Symbol 6: Nirvana – spirals, Fibonacci sequence, & enlightenment
17:58 – Symbol 7: Big Neon Glitter – solar cross & superficiality
19:29 – Symbol 8: Love – alchemy, amalgamation, and the paradox of unity/separation
21:11 – Symbol 9: Brother Wolf and Sister Moon – scarab, lotus, heaven & earth
24:00 – Symbol 10: Rain – the obvious yet powerful rain cloud
26:08 – Album imagery & photos – Ian Astbury, Billy Duffy & the mystery of their style
27:14 – Vintage 1986 article: The Cult before Electric
30:36 – Ian Astbury’s Native American influence and the band’s early evolution
32:24 – Billy Duffy on Led Zeppelin, Alice Cooper, and Thin Lizzy influences
34:26 – The Cult’s rebellion against 80s synth-driven trends
36:04 – Why Star (1994) and Ian’s imperfect vocals made him iconic
37:52 – Billy Duffy: “We’re a psychedelic boogie dance rock band”
39:19 – The Cult’s mission: combining elements no one else dared
40:01 – Closing thoughts – share, subscribe & comment your take on the symbols

#TheCult #SheSellsSanctuary #80sRock #MusicHistory @officialcult @BillyDuffy

Ozzy Osbourne, Jack Osbourne and The Shock!

AudioMover 2025-08-25 | Ozzy Osbourne, Fate, and the Video That Went Global

Description:
In this video, Robert John Hadfield (@audiomover) takes us through the unbelievable story of how a single question about Ozzy Osbourne—“Why does everyone know him?”—turned into a viral phenomenon after Ozzy’s passing.

📌 Highlights & Time Stamps:

[0:16] Remembering the night Ozzy’s passing turned a live stream into an emotional worldwide event.
[2:25] The eerie timing: Robert’s video questioning Ozzy’s global recognition goes live the very day his death was announced.
[5:03] Fans flood the comments—tens of thousands answering the question, sharing memories, and honoring Ozzy.
[7:16] Launching “Ozzy Week”—daily videos pulling from rare newspaper archives and rock history.
[9:34] Stories like Ozzy Lost in Nashville and Ozzy’s Bleeding Flight draw massive attention.
[13:05] The follow-up teleprompter video: Ozzy – Was All of This a Premonition?—crafted as a heartfelt eulogy.
[20:45] Jack Osbourne comments “Thank you” on YouTube—then shares the video across X and Facebook.
[23:04] Jack calls it: “This sums up my father’s journey perfectly.”
[27:54] Newsweek, Parade, and Men’s Journal feature Robert and the Audiomover channel.
[36:11] Even Parade ties Robert’s name to the BBC’s canceled Ozzy documentary.
[42:09] Robert reflects on his first exposure to Ozzy—chalkboard doodles, gifted vinyl, and a lifelong connection.
[59:42] What Ozzy meant to misfits, outsiders, and anyone who needed a voice.
[1:07:17] Ozzy’s greatest lesson: You can fall down, get up again—and keep moving forward.

✨ This isn’t just a channel milestone—it’s a deeply personal journey that connects teenage memories, rock history, and a once-in-a-lifetime recognition from the Osbourne family.

#️⃣ Hashtags & Mentions
#OzzyOsbourne #BlackSabbath #Audiomover #RockHistory #ClassicRock #OzzyForever #MetalLegends #MusicCommunity #robertjohnhadfield
@OzzyOsbourne @JackOsbourne @KellyOsbourne

Judas Priest Turbo - Were They Losing Their Way?

AudioMover 2025-08-22 | In this episode, Robert John Hadfield is joined by author Shelle Crow for a deep dive into a vintage issue of Circus Magazine (September 30, 1986) — featuring a fascinating article on Judas Priest during their Turbo era.

Robert and Shelle explore the magazine’s historical context — from the rivalry of David Lee Roth vs. Van Halen, to the rise of Metallica, and the always-relevant presence of Ozzy Osbourne. Together, they revisit Judas Priest’s career arc from British Steel and Screaming for Vengeance to the controversial synth-heavy Turbo, which marked both their last platinum release and a turning point in the band’s legacy.

Highlights include:

📖 Reading and reacting to the Circus Magazine Judas Priest feature
🎤 Rob Halford’s motorcycle stage antics & origins of the “Judas Priest” name
⚡ How MTV shaped Priest’s success with Turbo Lover
🚨 Concert chaos in the 1980s, from riots to tragic incidents
🏛 The infamous PMRC “Filthy 15” list and heavy metal scapegoating
🎶 Why Judas Priest turned down Top Gun’s soundtrack (and regretted it later)
🤘 Reflections on Priest’s longevity, influence, and fan culture

It’s both a nostalgic trip and a cultural time capsule, showing how 80s metal evolved — and how magazines like Circus kept fans connected in the pre-internet era.

⏱ Time Stamps
00:00 – Intro & Shelle Crow joins the show
00:34 – Why flip-throughs & old articles matter
01:00 – Circus Magazine (Sept 30, 1986) overview
03:00 – Van Halen vs. David Lee Roth rivalry on the cover
04:38 – Judas Priest in the Turbo era
05:22 – The rise from British Steel to Screaming for Vengeance
07:00 – Concert memories: Defenders of the Faith tour
07:23 – Rob Halford’s motorcycle stage entrance
08:16 – Origins of the name “Judas Priest”
09:12 – Why Turbo was controversial (digital synths & 80s influence)
10:46 – MTV and the power of music videos in the 80s
12:00 – Priest vs. younger rising bands like Metallica & Mötley Crüe
13:41 – How Rob Halford & Ian Hill viewed longevity in 1986
15:13 – Concert violence & tragic incidents in the 80s
16:30 – The Seattle stabbing & unfair blame on heavy metal
17:45 – PMRC, Tipper Gore & the “Filthy 15” list (Eat Me Alive)
19:30 – Dance remix of Turbo Lover & the 12-inch single trend
22:15 – Priest’s democratic band dynamic vs. ego-driven bands
24:50 – Priest as veterans influencing the next generation of metal
26:55 – Concert chaos, riots, and security issues in the 80s
31:00 – Why fans and critics misunderstood Turbo
34:30 – Judas Priest and the Top Gun soundtrack opportunity they missed
43:53 – Priest as “defenders of the metal faith”
47:22 – Wrapping up the article & reflections on Priest’s legacy
48:44 – Final thoughts & call for fan memories

Van Halen, Def Leppard, AC/DC and More - Epic Rock Battle

AudioMover 2025-08-19 | Robert John Hadfield and Gary Casella face off in a classic rock trivia showdown, hosted by the one and only Shelle Crow (@ShelleCrow — author and relationship expert). Questions cover Van Halen, Def Leppard, Jimi Hendrix, AC/DC, Mama Cass, the Eagles, Jethro Tull, Pete Townshend, and more.

👉 Play along at home and see if you can outscore Robert and Gary! Comment your score and let us know where you beat them.

⏱️ Timestamps

00:00 – Intro: Hard rock trivia showdown begins with Shelle, Gary, and Robert
00:45 – Rules of the game explained (coin toss, steals, house wins if both miss)
02:05 – Shelle introduces herself (author of Communicating With Men: What Your Mother Should Have Taught You)
02:34 – Question 1: Who financed Van Halen’s first demo?
03:22 – Question 2: Def Leppard’s first album
03:41 – Question 3: Jimi Hendrix’s favorite guitarist
05:23 – Discussion: Hendrix, Billy Gibbons, and surprising influences
05:51 – Question 4: What killed Mama Cass? (and the “ham sandwich” myth)
07:31 – Question 5: First heavy metal album to hit #1 on Billboard
08:37 – Question 6: The sewing machine that inspired AC/DC’s name
09:24 – Nikola Tesla, alternating current, and how rock educated us on science
10:40 – Question 7: Which band was Eric Clapton NOT a member of?
11:17 – Question 8: Who were the Eagles a backup band for?
13:17 – Question 9: The infamous 1988 Grammy for Hard Rock/Metal (Jethro Tull wins!)
15:13 – Question 10: First guitarist to smash a guitar onstage
16:59 – Final score, wrap-up, and laughs
17:40 – Shelle plugs her website & books (ShellyCrowe.com)
18:00 – Closing thanks, reminders to like, subscribe, and share

📣 Social Media Caption

🎶 Think you know your hard rock trivia? Put your knowledge to the test!

Robert John Hadfield (@Audiomover), Gary Casella, and special guest host/author Shelle Crow go head-to-head in a classic rock trivia quiz covering Van Halen, Def Leppard, Hendrix, AC/DC, Mama Cass, Eagles, Jethro Tull, Pete Townshend, and more.

⚡ Play along at home and drop your score in the comments! Did you beat them?

🔖 Hashtags & Mentions

#HardRockTrivia #ClassicRock #MusicQuiz #VanHalen #DefLeppard #Hendrix #ACDC #Eagles #KISS #JethroTull #RockHistory #Audiomover #VinylCommunity

Kick Axe Vices - The RUSH and Judas Priest Connection

AudioMover 2025-08-14 | On August 13, 2025, Robert John Hadfield dives deep into the legacy of Canadian heavy metal band Kick Axe, sparked by the recent passing of guitarist Larry Gillstrom on August 4. Robert shares his personal connection to the band, recalling first seeing them open for Judas Priest on the Defenders of the Faith tour and instantly becoming a fan.

From the gritty, raw energy of their debut Vices (1984) — featuring standout tracks like Heavy Metal Shuffle, Vices, and Dreaming About You — to the polished, refined production of their sophomore album Welcome to the Club (1985), Robert takes viewers through the music, the performances (including singer George Criston’s signature barefoot stage presence), and the unique album art connection to Rush illustrator Hugh Syme.

The video also features a vintage 1984 StarPhoenix article revealing how Rob Halford himself discovered Kick Axe after a fan called into a Calgary radio station where Halford was guest DJ’ing. That moment led to the band jumping from bar gigs to playing arenas for thousands, later touring with Scorpions and Quiet Riot.

Whether you’re a lifelong Kick Axe fan, a Judas Priest devotee, or a lover of hidden gems in ‘80s heavy metal, this is a heartfelt tribute, a slice of rock history, and an invitation to rediscover two albums that deserve way more attention.

⏱ Time Stamps
00:00 – Hugh Syme connection & intro
00:23 – Tribute to Larry Gillstrom
00:45 – How Robert discovered Kick Axe
01:24 – Opening for Judas Priest on the Defenders of the Faith tour
02:08 – George Criston’s barefoot stage presence
02:22 – Buying Vices and first impressions
02:53 – Standout tracks from Vices
03:47 – Seeing Kick Axe headline at Rainbow Music Hall
04:30 – The treasured concert shirt
05:11 – Pasha Records connection & Spencer Proffer’s production
06:02 – Up the Creek soundtrack & 30 Days in the Hole cover
07:03 – Release of Welcome to the Club (1985) & polished production shift
08:14 – More Hugh Syme design parallels with Rush’s Permanent Waves & Power Windows
11:43 – Reading the 1984 StarPhoenix article
14:27 – From bars to arenas thanks to Rob Halford
15:49 – Touring with Scorpions & Quiet Riot
17:01 – Why Robert stopped following them (and why you shouldn’t)
17:45 – George Criston’s unique voice & final thoughts
18:26 – Call for fan memories & sharing the video

📢 Tags & Mentions
#KickAxe #LarryGillstrom #HeavyMetalHistory #80sMetal #JudasPriest #Scorpions #QuietRiot #CanadianMetal #Rush #HughSyme #AlbumArt #Vices #WelcomeToTheClub #UpTheCreek #MetalHistory #80sRock #HardRockHistory @JudasPriest @Scorpions @QuietRiotOfficial @Rush

RUSH 2112 We Have Assumed Control

AudioMover 2025-08-12 | Rush 2112: From Near Collapse to Total Control

🎵 Topic: The pivotal 2112 era in Rush’s career, told through a rare 1976 interview and original-era rock news.

This episode dives into the turbulent period before 2112 when Rush’s future was uncertain. Robert reads from a fascinating 1976 newspaper article—published in 1978 but written during the 2112 breakthrough—capturing the band’s mindset in real time. Along the way, we uncover surprising bits of rock history about Led Zeppelin, Lynyrd Skynyrd, and more from the same paper.

Timestamps
00:00 – Opening with 2112’s famous “Attention all planets…” finale.
00:24 – Rush’s career crisis before 2112: three albums in, label pressure for a hit.
00:45 – How 2112 defied record label demands and became a career-saving smash.
01:12 – Discovery of a 1976-era article capturing Rush’s story at the time.
02:20 – Side discoveries:
- 1978 Zeppelin rumor – Jimmy Page touring with The Rolling Stones?
- Robert Plant’s grief and talk of Zep’s possible breakup.
- Lynyrd Skynyrd’s survivors just months after the 1977 plane crash.
06:27 – Main feature: Rush article “Rush Rock a Sound to Call Their Own.”
07:12 – Tower Theater 2112-era live scene description.
08:35 – Early global success, including Rush’s biggest fan club—in Japan.
09:35 – Rare vintage photos of Lifeson, Lee, and Peart.
10:59 – Youthful management team: Ray Daniels & Vic Wilson guiding the band.
12:51 – Early struggles: no airplay, hard-to-book gigs, sticking to original music.
15:14 – Self-releasing Rush’s debut for $9,000.
16:05 – Drummer change: John Rutsey out, Neil Peart in.
18:01 – Creative low point (Caress of Steel) to 2112 triumph.
21:33 – Record labels finally trust Rush’s vision after 2112’s success.
22:53 – The unique democracy of a three-piece band.
24:06 – Support crew, roadies, and the business machine behind Rush.
25:14 – Canada’s music export problem and Randy Bachman connections.
27:12 – Geddy Lee on the grind of touring and “making it.”
28:15 – Robert’s reflections: favorite early Rush eras & personal 2112 memories.

Why Watch
Hear Rush’s story as it was happening—not decades later.
Rare period rumors about Led Zeppelin & Lynyrd Skynyrd.
Behind-the-scenes look at Rush’s early struggles, self-financing, and determination.
Unique perspective on why 2112 was more than just an album—it was survival.

Hashtags & Mentions
#Rush #2112 #GeddyLee #AlexLifeson #NeilPeart #ClassicRock #ProgRock #RushFans #RockHistory #LedZeppelin #LynyrdSkynyrd #CaressOfSteel #FlyByNight #MusicDocumentary @RushTheBand

Eye of the Tiger and Burning Heart - Survivor and Rocky IV

AudioMover 2025-08-11 | 🎥 Rocky IV Soundtrack Deep Dive with Robert John Hadfield and Austin Roy
In this exciting episode, Robert and Austin explore the iconic soundtrack to Rocky IV, one of the most influential soundtracks of the '80s! From the unforgettable "Eye of the Tiger" to the intense training montages, the music of Rocky IV shaped the culture and inspired generations of fans. Whether you're a fan of the Rocky movies or love classic soundtracks, this episode has it all!

🚨 Timestamps:

00:00 – Introduction to the Rocky IV soundtrack discussion
02:00 – Austin’s connection to Rocky IV through Dolph Lundgren
05:25 – The impact of Rocky IV on the '80s and Robert's personal connection
09:50 – Behind the scenes of the soundtrack: Survivor’s “Burning Heart”
12:00 – The cultural significance of the Rocky IV soundtrack during the Cold War era
15:30 – The unforgettable fight scenes and their music
18:40 – In-depth discussion of Eye of the Tiger and the collaboration with Survivor
23:00 – “Living in America” by James Brown and its influence on the movie’s energy
28:00 – No Easy Way Out by Robert Tepper: a personal favorite and its movie impact
33:00 – Reflection on the soundtrack’s legacy and its continued influence
45:00 – Final thoughts and how soundtracks create lasting impact on film culture

#RockyIV #Soundtrack #ClassicRock #RockyMovies #80sSoundtrack #EyeOfTheTiger #Survivor #JamesBrown #MusicInMovies #RockyFilmSeries #CulturalImpact #MovieSoundtrack #NoEasyWayOut #ClassicFilm #80snostalgia

👉 Questions for you: What’s your favorite Rocky soundtrack moment? Did the music of Rocky IV pump you up just like it did for us? Leave your thoughts below!

KISS 1996 - We Scored an Official Tour Book! Look Inside!

AudioMover 2025-08-07 | KISS Reunion Tour Book Deep Dive with Robert John Hadfield and Gary Casella

In this fun and nostalgic video, Robert John Hadfield and Gary Casella dive into the KISS Reunion Tour book from the 90s, picking up where they left off last time. They explore iconic moments, the evolution of KISS's style, and their impact on rock culture. This episode is filled with hilarious anecdotes, insights, and memorable photos that capture the essence of KISS’s journey.

Time Stamps:

00:00 – 05:12: Discussing the coolness of capes and KISS's over-the-top look, comparing iconic characters like Superman and Darth Vader.

05:12 – 19:17: Exploring the reunion tour book, analyzing photos, and discussing KISS's transformation into larger-than-life superheroes.

19:17 – 25:34: The KISS Army’s devotion and how KISS embraced their iconic image while navigating the world of tribute bands.

25:34 – 35:15: The impact of KISS's musical catalog, their evolution, and a humorous take on their extravagant stage presence.

35:15 – 41:10: A closer look at iconic KISS images and costumes, including the evolution of their boots and Paul Stanley’s signature guitar. They also share personal stories about discovering KISS and reflecting on their favorite eras.

Hashtags & Mentions:

#KISSReunionTour #KISSArmy #KISS #ClassicRock #MusicHistory #KISSfan #KISSTourBook #PaulStanley #GeneSimmons #AceFrehley #PeterCriss #KISSMemories #RockLegends

@KISS
@PaulStanleyLive
@GeneSimmons

Call to Action:
If you're a KISS fan, drop a comment and share your favorite KISS era or concert memory. Let us know which costume was your favorite and how KISS impacted you. Be sure to like and subscribe for more KISS content, and don’t forget to share this video with fellow KISS fans! 🖤🎸

Queensrÿche 2025 Concert Review with Slaughter and Steven Adler Band

AudioMover 2025-08-06 | 🎸 Three Bands. One Night. A Thousand Stories.
Robert John Hadfield takes you behind the scenes at a wild summer night in Vegas featuring Stephen Adler (of Guns N’ Roses), Slaughter, and Queensrÿche — and yes, it’s as chaotic and nostalgic as it sounds.

💥 From up-close footage, hot takes, and pick-throwing mayhem to shocking guitar solos and tribute-level performances, Robert and Gary break it all down with full commentary, band history, personal ratings, and (of course) some very specific KISS references.

🧵 VIDEO HIGHLIGHTS + TIMESTAMPS:
🎤 0:00 – 2:30
Robert talks about seeing Queensrÿche again in Vegas, reminisces about earlier tours, and shares the changes in lineup (Geoff Tate, Scott Rockenfield, Chris DeGarmo all gone – only Eddie Jackson & Michael Wilton remain).

🥁 3:00 – 7:30
Review of Stephen Adler Band:
Small venue, novelty feel, but total blast.
Setlist: All Guns N’ Roses material.
Vocalist perfectly channeling Axl Rose.
Robert calls it more fun than he expected — and maybe more fun than current GNR shows.

🎸 7:31 – 17:00
Deep dive into Slaughter’s set:
Real deal: Mark Slaughter, Dana Strum, plus newer members.
Surprise revelation: Mark Slaughter shreds on guitar.
Tight performance, heavy pick-throwing, and great crowd energy.
Also: Blas Elias’s surprising Hollywood connection to Rock Star (the movie).

🎤 17:01 – 28:00
Queensrÿche takes the stage:
Todd La Torre's vocals compared favorably to Geoff Tate.
Robert argues you could close your eyes and believe it was 1990.
Dueling solos, crowd reactions, and discussions about authenticity.
Gary brings up Mike Stone’s connection to Peter Criss in the '90s.

👕 28:00 – 38:00
Robert presents Gary with a Slaughter "Still Sticking It To You" tour shirt (after a minor cash-only merch booth crisis), and shares crowd shots, photos, and GoPro footage of the wild guitar handoffs during the finale.

⭐️ 38:00 – END
The Ratings:
Stephen Adler Band: 5/5 — surprisingly fun and tight.
Slaughter: 4/5 — great but slightly tired.

Queensrÿche: 3/5 for longtime fans (compared to original lineup), but 4–5/5 for new or casual fans.

Robert encourages fans to share:
Have you seen any of these bands live lately?
Did you catch this exact lineup on tour?
How would you rank the three?

📌 CALL TO ACTION
🗣 Drop your thoughts in the comments – What’s your ranking?
📺 Watch the full video for concert clips, band trivia, and real fan analysis
🧢 Grab your own Audiomover shirt at audiomover.com
👍 Like | 💬 Comment | 🔁 Share | 📲 Subscribe

📛 TAGS + HASHTAGS
Mentions:
@QueensrycheOfficial @slaughtervevo @stevenadler

Hashtags:
#Queensryche #Slaughter #StephenAdler #GunsNRoses #ToddLaTorre #ClassicRock #ConcertReview #VegasShows #LiveMusic #HairMetal #GlamMetal #RobertJohnHadfield #Audiomover #RockAndRoll #MusicNostalgia

Ozzy - Was All of this a Premonition?

AudioMover 2025-08-04 | Why the World Paused for Ozzy Osbourne: A Tribute to a Beautiful Contradiction

Just hours before the world learned Ozzy Osbourne had passed away, we uploaded a video asking a haunting question: Why is Ozzy a household name across the world?

In a surreal twist of fate, that video went live within moments of the official announcement—and the response was overwhelming.

In this emotional and personal reflection, Robert John Hadfield (@audiomover) returns to that question and explores Ozzy’s lasting impact as a musical icon, cultural enigma, and voice for misfits around the world. From the streets of Birmingham to a solo career that defied the odds, from “Crazy Train” to reality TV dad—Ozzy was a walking paradox. But perhaps his greatest gift was giving us all a moment of unity when we needed it most.

🖤 This is not just about music. It’s about memory, meaning, and that rare sense of global connection.

👇 Jump to a moment that resonates:
⏱️ Timestamps:

0:00 – The final show and the timing no one expected
0:35 – The question: Why does Ozzy matter to so many?
1:12 – The eerie first words ever recorded by Ozzy
2:00 – His imperfect, otherworldly voice that reshaped music
2:53 – From the gutter to the top—and then thrown out
3:07 – Blizzard of Ozz, Randy Rhoads, and a second empire
3:29 – Why kids wrote his name on notebooks and skin
3:50 – Ozzy’s anthem that everyone knows—Crazy Train
4:25 – Major and minor keys... mirroring Ozzy himself
5:06 – Bats, doves, addiction, honesty, and absurdity
5:33 – Ozzy’s wild, unhinged, electric concerts
6:21 – From scaring parents to being America’s TV dad
7:00 – “I love you all” — not a performance, a hymn
7:48 – His frustration at the final show—but the energy was still there
8:15 – Ozzy’s contradictions: dark and light, broken and whole
9:14 – A global moment of unity—when the world stopped
10:26 – Not outrage, not division—just memory
11:00 – “Learn how to love and forget how to hate” — his final gift

🔗 Hashtags & Tags:
#OzzyOsbourne #BlackSabbath #CrazyTrain #HeavyMetal #OzzyTribute #MetalLegend #MusicHistory #RobertJohnHadfield #Audiomover #MTVDad #RockLegends #OzzyForever @blacksabbath @ozzyosbourne @TheOsbournesTV

KISS - Look Inside this Classic Tour Program

AudioMover 2025-08-01 | Robert John Hadfield and Gary Casella crack open a vintage KISS reunion tour book and spend nearly an hour geeking out, laughing, and reliving the band's golden years. If you ever had a KISS poster on your wall or tried the Paul Stanley split crowd move in your bedroom, you're gonna love this.

📘 What’s Inside?
The duo flips through pages of the official KISS 1996–97 Reunion Tour program—uncovering rare photos, hilarious liner notes, early makeup designs, and wild stage memories. They talk about the band’s evolution, the enduring personas of Gene, Paul, Ace, and Peter, and how KISS nearly vanished before Alive! changed everything.

⚡ Highlights Include:
🕒 00:46 — First impressions: Rock and Roll Over meets Double Platinum
🕒 03:00 — KISS makeup evolution: jungle cats, love bandits, and chrome
🕒 04:50 — Who the heck is Joyce Bowitz? And how she ties into the KISS family tree
🕒 09:50 — The “Bible of self-belief”: how Paul saw KISS as a symbol of empowerment
🕒 15:00 — Lightning bolt S’s, Alive! vs. the Bay City Rollers
🕒 23:00 — Linda Carter, leather boots, and strategically placed sequins 😅
🕒 26:50 — Paul Stanley: Preacher of Rock ‘n Roll 🙌
🕒 32:00 — The iconic Spirit of ’76 poster and Peter Criss’s Beth moment
🕒 38:40 — Gene’s lingering blood drip and demonic swagger
🕒 43:00 — Why Bruce Kulick deserves a special package 😂
🕒 44:30 — Merch shoutouts and the Kiss Army roll call

💬 Whether you’re a card-carrying member of the Kiss Army or just a fan of rock theatrics, this episode taps into everything you loved about the band—from fire-breathing to flying V’s.

🔗 Watch now and join the nostalgia-fueled madness:
👉 YouTube.com/@audiomover
👕 Check out exclusive Audiomover merch at audiomover.com

#KISS #KISSReunionTour #GeneSimmons #PaulStanley #AceFrehley #PeterCriss #KissArmy #KissMakeup #RockAndRollAllNite #ClassicRock #VinylCommunity #MusicMemorabilia #Audiomover #KISS1976 #DoublePlatinum #HotterThanHell #PaulStanleyPreacher #RobertJohnHadfield #GaryCasella #SpiritOf76 #KissTourBook #KISSAlive #KISSReunion

OZZY - He Slaughtered Hundreds of Animals

AudioMover 2025-07-29 | 🕯️ OZZY OSBOURNE REMEMBERED: FINAL TRIBUTE IN OUR SERIES

📅 Posted: July 29, 2025
📍 Host: Robert John Hadfield
🎸 Topic: A 1974 interview with Ozzy Osbourne during the Sabbath Bloody Sabbath tour
📈 Part of a week-long tribute series that’s received over 80,000 views and 11,000 watch hours

📝 Video Summary:
It’s been one week since Ozzy Osbourne’s passing, and this heartfelt video marks the final entry in our week-long tribute series. In today’s episode, host Robert John Hadfield shares a rare 1974 interview from The Tennessean newspaper, offering a raw, insightful, and often humorous look at Ozzy during the Sabbath Bloody Sabbath tour.

This article—buried in a youth column called The Young World—features quotes about fame, money, depression, and Ozzy’s dream of escaping to an island with “only nice people.” 🏝️

Highlights include:

🔥 Ozzy’s deep thoughts on fame, money, and society
🐄 Working in a slaughterhouse before music saved him
🎸 A rare mustache-free Tony Iommi photo
🤯 His “wow wow wow” moment at California Jam, as recalled by Seals & Crofts
🏨 Life at the Beverly Hills Hotel, chain-smoking, drinking Coke, and clutching a crucifix
🕯️ The darkness of post-WWII Birmingham and how it shaped Sabbath's gritty realism
🤘 How Sabbath rejected the occult label and kept their music grounded in truth

This is more than just a retro article—this is a window into the soul of a young man on the verge of legend.

🕰️ Timestamps:
00:00 – One week since Ozzy’s passing
00:41 – Final episode of the tribute series
01:03 – Context: Sabbath Bloody Sabbath tour
01:27 – The Tennessean interview begins (June 9, 1974)
02:12 – Ozzy’s island dream + commentary
02:57 – Fame & money change how people treat you
03:48 – Ozzy’s $150/night bungalow at the Beverly Hills Hotel
04:52 – California Jam: 250,000+ fans
06:26 – Seals & Crofts recall Ozzy’s “wow wow wow”
07:13 – Chain-smoking, Coke-drinking Ozzy in full eccentric form
08:05 – Ozzy critiques British vs. American music culture
08:53 – Sabbath’s working-class roots in postwar Birmingham
10:12 – Ozzy’s slaughterhouse days
10:56 – Why the band changed its name from Earth to Black Sabbath
11:23 – Touring exhaustion, illness, and hard-earned luxury
12:03 – Closing thoughts + comment invitation

🔗 Engage with the Channel
💬 Share your favorite Ozzy quote or memory in the comments!
🌍 UK viewers: Robert would love your thoughts on his depiction of 1970s Birmingham.
📲 Share this video with friends who loved Ozzy & Sabbath!

🎯 Hashtags:
#OzzyOsbourne #BlackSabbath #CaliforniaJam #ClassicRock #OzzyTribute #RockHistory #VintageInterview #SabbathBloodySabbath #HeavyMetalLegends #RobertJohnHadfield #Audiomover #TonyIommi #GeezerButler #BillWard #SealsAndCrofts #RockDocumentary

OZZY in 1973 I Have a Baby!

AudioMover 2025-07-29 | 🕯️ Ozzy Osbourne, November 1973: Plastic Shortages, Fatherhood & Prophets of Doom

With over a week passed since Ozzy’s death, we uncovered another lost gem—an obscure Daily Mirror article from November 20, 1973, right as Sabbath Bloody Sabbath was about to drop. This short but powerful interview captures a raw and reflective Ozzy at just 25 years old—already five albums in, a new father, and still unsure if it would all last.

🗞️ From the oil crisis and plastic shortages delaying vinyl records...
👶 To Ozzy’s rarely-seen daughter Jessica and the early days of fatherhood...
🏭 To dark jokes about factory life and being a “battery hen”...

This is classic Sabbath-era Ozzy—funny, dark, humble, and oddly prophetic.

📍 Full of rare quotes, killer phrases (“music welded in a giant horror factory”?!), and the humanity behind the madness.

00:00 – Why we're still talking about Ozzy (and why this article is rare)
00:22 – Article origin: The Daily Mirror, Nov. 20, 1973
00:49 – Jessica Osbourne, Ozzy’s rarely-seen daughter
01:10 – “Prophets of Doom”: Fame through despair
01:41 – Ozzy’s confusion about success & toll of world tours
02:09 – PLASTIC SHORTAGE delays Sabbath Bloody Sabbath
02:38 – How the 1973 oil embargo affected vinyl production
03:02 – Ozzy’s factory job backstory
03:52 – One of the best quotes ever about Sabbath's sound
04:19 – “Eventually I broke my machine…” — on escaping factory life
05:06 – Battery hen metaphor and humble ambition
06:09 – Life can’t be all black – Ozzy with his daughter
06:26 – Context: Ozzy was only 25, already on album #5
07:03 – Call to action: Comment your Sabbath stories from the '70s

#OzzyOsbourne #BlackSabbath #SabbathBloodySabbath #VinylHistory #ClassicRock #1970sRock #OzzyTribute #DailyMirror #JessicaOsbourne #MetalLegends #PlasticShortage #SabbathArchives #RockHistory #RockAndRoll #ozzyforever

OZZY - Two Hours with a Groupie

AudioMover 2025-07-27 | Title: Backstage with Ozzy Osbourne: What Really Happened Before the Show (Feb 1974 Black Sabbath Tour)

Step into 1974 with Robert John Hadfield as he reads a lost gem of rock journalism—a vivid backstage account of Ozzy Osbourne just before a Black Sabbath show at The Spectrum in Philadelphia. In this episode, Robert resurrects a rarely seen article by Steven Gaines titled "Two Hours in the Life of a Groupie" (published in the New York Daily News, April 14, 1974).

From Ozzy chain-smoking and mimicking The Exorcist, to pacing in a yellow satin suit with purple fringe, this article captures a moment in time when Sabbath was on tour for Sabbath Bloody Sabbath—and it's as mesmerizing as it is nostalgic.

This isn’t your typical rock star profile—it’s a front-row seat to the chaos, glamour, and surprising humility of one of rock's most iconic frontmen.

⏱️ TIMESTAMPS:
00:00 – Ozzy pacing before the show
00:22 – Introduction to today’s rare article
01:00 – The setup: February 9, 1974 concert at The Spectrum
01:40 – Promo ad for the show: $5.50 in advance!
02:30 – Venue backstory: Spectrum demolished in 2010
02:58 – Article begins: "Two Hours in the Life of a Groupie"
04:00 – Ozzy’s quiet, neurotic backstage demeanor
05:30 – Circus Magazine, cassette tapes, silver boots, and sore throat spray
07:00 – The Exorcist and Ozzy’s imitation of Linda Blair
08:10 – Ride to the venue with groupies and growing fan frenzy
09:20 – Arriving at The Spectrum backstage
10:30 – The final moments before Ozzy hits the stage
12:00 – Walking up the ramp to the roar of 22,000 fans
13:00 – The post-show hotel bar and Ozzy’s surprising remark:

“It’s not really all that great being a rock star.”
14:30 – Robert’s reflections and invitation to share your memories

🔥 HIGHLIGHTS:
Rare, first-person backstage access to Ozzy during a peak Sabbath tour

Explores Ozzy’s demeanor: neurotic, vulnerable, chain-smoking, yet oddly sweet

Original concert promo ad shown

Personal anecdotes from Robert on Sabbath Bloody Sabbath and Tony Iommi’s reflections

Calls for audience engagement: “Were you at this show? Do you remember?”

📣 CALL TO ACTION:
➡️ Subscribe for more deep-dive rock retrospectives
💬 Comment if you attended this concert or saw Sabbath in the ‘70s
🔁 Share this gem with fellow Sabbath fans
👍 Like if you love these vintage article readings

🧵 HASHTAGS & TAGS:
#OzzyOsbourne #BlackSabbath #SabbathBloodySabbath #ClassicRock #HeavyMetalHistory #Ozzy #1970sRock #RockHistory #TonyIommi #GeezerButler #BillWard #BackstagePass #VintageRock #RockDocumentary #ConcertStories #RockLegends #RockArchives

Ozzy Lost in Nashville - His Most Rock Star Story

AudioMover 2025-07-25 | The Night Ozzy Vanished: Black Sabbath’s Nashville Meltdown with Van Halen (1978 Chaos Uncovered)

📘 Video Description (YouTube & Social Platforms):
What happens when the Prince of Darkness disappears hours before a sold-out show?

In this episode, Robert John Hadfield unpacks the chaotic, bizarre, and completely legendary night of November 9, 1978, when Ozzy Osbourne went missing, canceling a Black Sabbath concert just moments before showtime—and sending the entire tour into a tailspin.

Robert digs deep into:

📅 The timeline of events, from the hotel mix-up to bottles flying through the air

📚 Quotes from Ozzy, Tony Iommi, Geezer Butler, Alex Van Halen, and Van Halen manager Noel Monk

📰 Rare newspaper clippings and contradictory reports

📖 A dramatic reading from Ozzy’s autobiography

🎸 How Van Halen responded, and why this may have been Ozzy’s “last straw” with Black Sabbath

Whether you're a Sabbath superfan or new to this wild rock 'n' roll story, you're in for a deep dive into one of the most unbelievable nights in rock history.

👉 Have you heard this story before? Let us know in the comments if any of this was new to you or if you remember hearing about it when it happened!

🧠 Hosted by: @RobertJohnHadfield
🎸 Presented by: @Audiomover

⏱ Timestamps:
00:00 – Setting the stage: No Ozzy, no show
00:29 – November 9, 1978: Black Sabbath & Van Halen in Nashville
01:13 – Everyone's written about this: Iommi, Geezer, Alex Van Halen, Noel Monk, Ozzy
01:39 – Original concert ads and promotions
02:54 – The missing album: Never Say Die
03:46 – Drug issues, death in the family, and Ozzy’s instability
04:39 – The “Krell Wars” with David Lee Roth
05:07 – Ozzy mistakes the hotel room—chaos begins
06:17 – Ozzy passes out in the wrong room for 24 hours
07:22 – Van Halen performs—still no Ozzy
08:09 – The promoter’s desperate plea to Noel Monk
08:46 – Van Halen flees; riot ensues
09:57 – Newspapers report: “Singer slept through showtime”
11:01 – Spin control: “Ozzy doesn’t drink or use dope”
12:09 – Insurance, PR, and legal maneuvering
13:10 – Ozzy’s own account: “Best sleep of my life”
14:08 – Fallout: A factor in his eventual firing
17:05 – Ozzy walks in like nothing happened
18:22 – Van Halen steps up for the makeup show
19:21 – Concert review: “More volume than music”
21:32 – Legacy: One of Ozzy’s wildest stories—and that’s saying something

📌 Hashtags (for YouTube, X, Instagram, Threads, etc.):
#OzzyOsbourne #BlackSabbath #VanHalen #1978RockHistory #ClassicRockStories #RockNRollChaos #MusicDocumentary #OzzyDisappears #NeverSayDie #RobertJohnHadfield #Audiomover #RockLegends #MetalHistory #VanHalenTour #TonyIommi #GeezerButler #DavidLeeRoth #RockAndRollHistory #TrueRockStories