Michael Jiroch
A Walk Around KrustyLand, Springfield, USA
updated
In the English Village section of the museum, trained first-person ("historical") interpreters speak, act, and dress appropriately for the period, interacting with visitors by answering questions, discussing their lives and viewpoints, and participating in tasks such as cooking, planting, and animal husbandry. Third-person ("modern") interpreters answer guests' questions that the first-person interpreters cannot. The English Village represents the year 1627 through most of the museum season (which lasts from early April to late November), depicting day-to-day life and seasonal activities. In November, the English Village typically represents the year 1621, which is the year of the first Thanksgiving to take place in Plymouth Colony.
Henry Hornblower II started the museum in 1947 with help and support from friends, family, and business associates as two English cottages and a fort on Plymouth's waterfront. Since then, the museum has grown to include a Mayflower II replica (1957), the English Village (1959), the Wampanoag Homesite (1973), the Hornblower Visitor Center (1987), the Craft Center (1992), the Maxwell and Nye Barns (1994), and the Plimoth Grist Mill (2013). Alongside the settlement is a recreation of a Wampanoag home site, where Indians from a variety of tribes explain and demonstrate how the Wampanoags' ancestors lived.
The museum grounds at Plimoth Patuxet also include Nye Barn where historical breeds of livestock are kept, a crafts center where many objects are created for use in the village exhibits, a cinema where educational videos are shown, a Colonial Education site for youth and adult groups, and a visitors' center with indoor exhibits and educational programs. The two houses on the Colonial Education site were built for the PBS show Colonial House, which was filmed in Maine. Following the filming, the museum disassembled the houses and reconstructed them at on their current site. The roof of the Cooke House was destroyed by a fire from a fireplace on November 19, 2011, and the building had to be demolished.
Mayflower II is docked near Plymouth Rock and is also under the care of the museum. Museum employees in modern dress interpret history to guests from a third-person perspective.
The School's core buildings are arranged around a (mostly) circular lawn, and "The Circle" is the primary metonym for Groton's campus. Walking across the Circle is traditionally forbidden, except while playing sports. Buildings on the Circle include St. John's Chapel, the Schoolhouse, the Brooks House and Hundred House dormitories, the Dining Hall, and the Dillon Art Center. Other facilities just outside the Circle include the Campbell Performing Arts Center, the Athletic Center, the Pratt and O'Brien Rinks (which convert to indoor tennis courts outside the hockey season), the Bingham Boathouse on the Nashua River, the Goodenough Solar Battery Farm, outdoor tennis clay courts and hard courts, and faculty homes.
St. John's Chapel was the second chapel built on Groton's campus. Although Endicott Peabody's Broad Church Episcopalian churchmanship contrasted with the Anglo-Catholicism of St. Paul's School, Groton donated its first chapel to the local Catholic community; this chapel was renamed the Sacred Heart Roman Catholic Church of Groton in 1904.Groton School is a private college-preparatory day and boarding school located in Groton, Massachusetts. It is affiliated with the Episcopalian tradition.
Groton enrolls about 380 boys and girls from the eighth through twelfth grades, dubbed Forms II-VI in the British fashion. Its $475 million endowment enables the school to admit students on a need-blind basis.Typically, 40-44% of students are on financial aid. Tuition, room, and board for the 2023-24 school year is $59,995, of which financial aid covers, on average, $46,519.
The school's list of notable alumni includes U.S. President Franklin D. Roosevelt. Although it no longer publishes its admissions rate, Groton was the most selective boarding school in the United States in 2016.
Groton School was founded in 1884 by Endicott Peabody, a member of a prominent Massachusetts family and an Episcopal clergyman. The land for the school was donated by two brothers, James and Prescott Lawrence, whose family home was located on Farmers Row in Groton, Massachusetts, not far up the road from Groton School's present location. Peabody was backed by Harvard president Charles Eliot and affluent figures of the time, such as Peabody's father Samuel Peabody, Phillips Brooks, William Lawrence, William Crowninshield Endicott, and J.P. Morgan. Groton School received early support from the Roosevelt family, including future President Theodore Roosevelt, and the dorms filled quickly.
The town was a battlefield in King Philip's War and Queen Anne's War, as England and France competed through their North American colonies from the 17th century well into the 18th century. It was the birthplace of William Prescott, who commanded the colonial forces at the Battle of Bunker Hill during the American Revolution. In postwar years, it had incidents of insurrection during Shays' Rebellion (1786–1787).
The area surrounding modern-day Groton has, for thousands of years, been the territory of various cultures of indigenous peoples. They settled along the rivers, which they used for domestic tasks, fishing and transportation. Historic tribes were the Algonquian-speaking Nipmuc and Nashaway Indians.
The Anglo-American Groton started with the trading post of John Tinker, who conducted business there with the Nashaway at the confluence of Nod Brook and the Nashua River. The Nashaway called the area Petapawag, meaning "swampy land." As Tinker had, other pioneers followed the Algonquian trails from Massachusetts Bay. They found the region productive for fishing and farming.
The town was officially settled and incorporated in 1655, named for Groton in Suffolk, England. Called The Plantation of Groton, it included all of present-day Groton and Ayer, almost all of Pepperell and Shirley, large parts of Dunstable, Littleton, and Tyngsborough, plus smaller parts of Harvard and Westford in Massachusetts, as well as Nashua and Hollis, New Hampshire.
During King Philip's War, when English colonists and Native Americans tried to destroy each other, on March 13, 1676, Native Americans raided and burned all buildings except for four Groton garrisons. Among those killed was John Nutting, a Selectman at Groton. Survivors fled to Concord and other safe havens. Two years later, many returned to rebuild.
Abenaki warriors attacked the town again during the Raid on Groton in 1694 (during King William's War). Lydia Longley and two of her siblings were taken captive; the rest of their family was killed. Lydia was taken to Montreal where she was ransomed, converted to Catholicism, and joined the Congregation of Notre Dame, a non-cloistered order.
In 1704, during Queen Anne's War, an Abenaki raiding party kidnapped Matthias Farnsworth III from his home and brought him to Montreal.
In June 1707, a French-Abenaki raid captured three children of the large family of Thomas Tarbell and his wife Elizabeth (Wood), cousins to the Longleys. The raiders took them overland and by water to the Mohawk mission village of Kahnawake (also spelled Caughnawaga) south of Montreal. There they could be held for ransom or adopted into the tribe by individual Mohawk families. The trade in captives was carried on for years given the continued warfare between the English and French in Europe and North America.
The two Tarbell boys, John and Zachariah, were adopted by Mohawk families and became fully assimilated. They later each married chiefs' daughters, had families, and became respected chiefs themselves.[10] They were among the founders in the 1750s of Akwesasne, after moving up the St. Lawrence River from Kahnawake to escape the ill effects of traders. The brothers' older sister Sarah Tarbell was ransomed by a French family, and converted to Catholicism. Renamed as Marguerite, she followed Lydia Longley in joining the Congregation of Notre Dame, and served with them for the rest of her life. In the late nineteenth century, a plaque was installed about the Tarbell children at the site of the family's former farm in Groton. Descendants with the Tarbell surname are among the Mohawk living at Kahnewake and Akwesasne in the 21st century.
In 1775, the common in front of the First Parish Church was an assembly area for Minutemen who fought in the Battle of Lexington and Concord.
The museum was originally housed in an Italian Renaissance-style building designed by Richard Morris Hunt. According to Donald Preziosi, the museum was not initially established as a gallery for the display of original works of art, but was founded as an institution for the teaching and study of visual arts, and the original building contained classrooms equipped with magic lanterns, a library, an archive of slides and photographs of art works, and exhibition space for reproductions of works of art. In 1925, the building was replaced by a Georgian Revival-style structure on Quincy Street, designed by Coolidge, Shepley, Bulfinch, and Abbott. (The original Hunt Hall remained, underutilized until it was demolished in 1974 to make way for new freshman dormitories.
The Fogg Museum is renowned for its holdings of Western paintings, sculpture, decorative arts, photographs, prints, and drawings from the Middle Ages to the present. Particular strengths include Italian Renaissance, British Pre-Raphaelite, and French art of the 19th century, as well as 19th- and 20th-century American paintings and drawings.
The museum's Maurice Wertheim Collection is a notable group of impressionist and post-impressionist works that contains many famous masterpieces, including paintings and sculptures by Paul Cézanne, Edgar Degas, Édouard Manet, Henri Matisse, Pablo Picasso, and Vincent van Gogh. Central to the Fogg's holdings is the Grenville L. Winthrop Collection, with more than 4,000 works of art. Bequeathed to Harvard in 1943, the collection continues to play a pivotal role in shaping the legacy of the Harvard Art Museums, serving as a foundation for teaching, research, and professional training programs. It includes important 19th-century paintings, sculpture, and drawings by William Blake, Edward Burne-Jones, Jacques-Louis David, Honoré Daumier, Winslow Homer, Jean Auguste Dominique Ingres, Alfred Barye, Pierre-Auguste Renoir, Auguste Rodin, John Singer Sargent, Henri de Toulouse-Lautrec, and James Abbott McNeill Whistler.
The art museum has Late Medieval Italian paintings by the Master of Offida, Master of Camerino, Bernardo Daddi, Simone Martini, Luca di Tomme, Pietro Lorenzetti, Ambrogio Lorenzetti, Master of Orcanesque Misercordia, Master of Saints Cosmas and Damiançand Bartolomeo Bulgarini.
Flemish Renaissance paintings — Master of Catholic Kings, Jan Provoost, Master of Holy Blood, Aelbert Bouts, and Master of Saint Ursula.
Italian Renaissance period paintings — Fra Angelico, Sandro Botticelli, Domenico Ghirlandaio, Gherardo Starnina, Cosme Tura, Giovanni di Paolo, and Lorenzo Lotto.
French Baroque period paintings — Nicolas Poussin, Jacques Stella, Nicolas Regnier, and Philippe de Champaigne.
Dutch Master paintings — Rembrandt, Emanuel de Witte, Jan Steen, Willem Van de Velde, Jacob van Ruisdael, Salomon van Ruysdael, Jan van der Heyden, and Dirck Hals.
American paintings — Gilbert Stuart, Charles Willson Peale, Robert Feke, Sanford Gifford, James McNeill Whistler, John Singer Sargent, Thomas Eakins, Man Ray, Ben Shahn, Jacob Lawrence, Lewis Rubenstein, Robert Sloan, Phillip Guston, Jackson Pollock, Kerry James Marshall, and Clyfford Still.
The name "Harvard Square" can also refer to the entire neighborhood surrounding this intersection for several blocks in each direction, including Brattle Square, a block away, and the nearby Cambridge Common. The Common is a park area with a playground, baseball field, and a number of monuments, several relating to the Revolutionary War.
The Yard and adjacent areas include the main academic buildings of the Faculty of Arts and Sciences, including the college, such as Sever Hall and Harvard Hall.
Memorial Church
Freshman dormitories are in, or adjacent to, the Yard. Upperclassmen live in the twelve residential houses – nine south of the Yard near the Charles River, the others half a mile northwest of the Yard at the Radcliffe Quadrangle (which formerly housed Radcliffe College students). Each house is a community of undergraduates, faculty deans, and resident tutors, with its own dining hall, library, and recreational facilities.
Also in Cambridge are the Law, Divinity (theology), Engineering and Applied Science, Design (architecture), Education, Kennedy (public policy), and Extension schools, as well as the Radcliffe Institute for Advanced Study in Radcliffe Yard. Harvard also has commercial real estate holdings in Cambridge.
Plymouth Rock is the traditional site of disembarkation of the Mayflower Pilgrims who founded Plymouth Colony in December 1620.
The Pilgrims did not refer to Plymouth Rock in any of their writings; the first known written reference to the rock dates to 1715 when it was described in the town boundary records as "a great rock".
The first documented claim of Plymouth Rock as the landing place of the Pilgrims was made by 94-year-old Thomas Faunce in 1741, 121 years after the Pilgrims arrived in Plymouth.
In 1774, the rock broke in half during an attempt to haul it to Town Square in Plymouth. One portion remained in Town Square and was moved to Pilgrim Hall Museum in 1834. It was rejoined with the other portion of the rock, which was still at its original site on the shore of Plymouth Harbor, in 1880. The date 1620 was inscribed at that time. The rock is now ensconced beneath a granite canopy.
Plimoth Grist Mill is a working mill and is proud to be part of a growing movement to localize grain production and rebuild regional grain economies. Take home some of our freshly stone-ground grains or order them online—it's a great (and delicious) way to support our local grain efforts. Plimoth Grist Mill grains are a taste to give thanks for!
Henry Hornblower II started the museum in 1947 with help and support from friends, family, and business associates as two English cottages and a fort on Plymouth's waterfront. Since then, the museum has grown to include a Mayflower II replica (1957), the English Village (1959), the Wampanoag Homesite (1973), the Hornblower Visitor Center (1987), the Craft Center (1992), the Maxwell and Nye Barns (1994), and the Plimoth Grist Mill (2013). Alongside the settlement is a recreation of a Wampanoag home site, where Indians from a variety of tribes explain and demonstrate how the Wampanoags' ancestors lived.
Driving a car through Pikes Peak Highway and to the summit is the most popular and the best way to take in the magnificent mountain views. You can travel at your own pace by slowly stopping at pull-offs along the way or by-passing those and driving straight to the top. There are options for many outdoor activities along the mountain highway, so you can make a day of it, but at a minimum, you will need at least 3 hours to safely drive up Pikes Peak and back down.
The famous Pikes Peak Highway has been traveled by every type of transportation possible. Old-fashioned Model T antique cars, motorcycles, and small sedan Budget rental cars have made the trip safely, so you can enjoy a Pikes Peak scenic drive too.
However, if you ARE afraid of heights, driving Pikes Peak yourself might not be the best option. The mountain is high and there are spectacular views right off the edge of the mountain. It can sometimes be scary to look over that edge, so if you won’t be able to focus on the roadway in front of you, perhaps you should make another choice for your mode of transportation.
The drive will take about 3 hours, not including the long photo stops. Take your time and follow some important driving guidelines. You will receive a Pikes Peak driving guide at the tollgate entrance.
The area now known as Garden of the Gods was first called Red Rock Corral by the Europeans. Then, in August 1859, two surveyors who helped to set up Colorado City explored the site. One of the surveyors, Melancthon S. Beach suggested it would be a "capital place for a beer garden". His companion, the young Rufus Cable, awestruck by the impressive rock formations, exclaimed, "Beer Garden! Why, it is a fit place for the Gods to assemble. We will call it the Garden of the Gods." The April 5, 1893, issue of the Colorado Transcript reported,
It was Helen Hunt Jackson, it is said, who named 'the Garden of the Gods' in Colorado. Riding past the cabin of a prospector from the South in one of the early days of the settlement, she was attracted by a beautifully kept garden in which two negro servants, a man and a woman, were working. In answer to a question the man informed her that his name was Jupiter, and the woman's Juno, whereupon she exclaimed, 'Then this must be the Garden of the Gods.'
The name "Garden of the Gods" was also later given to a section of the Iverson Movie Ranch in Chatsworth, Calif., filled with large sandstone rock formations, because of the area's resemblance to Colorado's Garden of the Gods. The story goes that back in the early days of Hollywood, a movie producer seeking a rocky filming location made a comment to the effect of, "Who needs to go all the way to Colorado -- we have our own 'Garden of the Gods' here!" The Iverson family took the comment to heart and began calling their own collection of rock formations the "Garden of the Gods," and the name stuck. Today the main section of Chatsworth's Garden of the Gods has also been preserved as a park.
Prior to the arrival of European-Americans, the area now occupied by Red River was used as a summer hunting ground by the Jicarilla Apache and Utes, who hunted big horn sheep, mule deer, elk, Mountain cottontail, and mallards, amongst other species.
The town of Red River had its beginnings late in the 19th century, when miners from nearby Elizabethtown in the Moreno Valley were drawn in by gold strikes in the area and trappers sought game. It was named after the perennial stream, Red River, that flows through the town, coming from the northern slopes of Wheeler Peak. By 1895, Red River was a booming mining camp, with gold, silver and copper in some abundance, and a population estimated at three thousand. Mining hit its peak in 1897, and by 1905 the mining and the population dwindled but the town survived, gaining a reputation as a great getaway from hot weather and as a trout fishing paradise. The last serious mining efforts extended until 1931. By that time tourism had become the principal economic livelihood.
In 2019, the Christmas tree displayed at the United States Capitol in Washington, D.C. was harvested in Red River.
As its name suggests, it embodies gloom and anxiety; by burning it, people destroy the worries and troubles of the previous year in the flames. Anyone with an excess of gloom is encouraged to write down the nature of their gloom on a slip of paper and leave it in the "gloom box" found in City of Santa Fe Visitors' Centers in the weeks leading up to the burn. Participants can also add documents on the day of the burning, up until 8 pm MT, at a "gloom tent" in the venue where they can add to the marionette's stuffing. Legal papers, divorce documents, mortgage pay-offs, parking tickets and even a wedding dress –– all have found their way into Zozobra to go up in smoke. At the festival, glooms from the gloom box are placed at Zozobra's feet to be burned alongside it.
Each year in Santa Fe New Mexico, over 60,000 people attend the event. The Friday Burning of Zozobra is followed by festive events over the Labor Day weekend, with Desfile de Los Niños, the Children's Pet Parade on Saturday, the Hysterical-historical Parade on Sunday, and a traditional mass at St. Francis Cathedral on Sunday night.
Since receiving all rights to the Zozobra pageant in 1964 from creator Will Shuster, the Kiwanis Club of Santa Fe has built Zozobra and burned the effigy at Fort Marcy Park. The Zozobra that burned on September 7, 2007, was certified by Guinness World Records as the largest marionette in the world, at the time measuring (49 ft 10.82 in) in height.
The Burning of Zozobra at Fort Marcy Park in Santa Fe, New Mexico was traditionally held in September; however, ticket sales in advance of the event improved in 2014 when it was moved to the Friday immediately before Labor Day.
Menu features everyone’s favorite Italian dishes. The pasta is made in-house and all ingredients are carefully sourced.
Whether you are celebrating a special occasion or just want to grab a quick bite to eat, Rustica will satisfy your senses on every level.
The market is in its 19th year, and will host its largest group of global artists yet, with 168 people from more than 50 countries and territories participating.
For the first time, the event will be closer to the center of Santa Fe, with events happening in and around the Railyard, including a procession of artists at 7pm tonight followed by a performance by a cumbia band.
CEO Melissa Mann said that the location would also make it easier for people from Albuquerque to attend by traveling on the Railrunner.
The market itself will open to the public on Friday July 7, and run through Sunday July 9. Organizers hope more than 15,000 people will attend and spend about $3 million on global folk art, which often sustains whole communities in artists' home countries.
Proceeds from the event go to the Rotary Club of Santa Fe’s “Centennial Partners”, The Santa Fe Children’s Museum and YouthWorks. For 46 years, Pancakes on the Plaza has been one of Santa Fe’s favorite traditions, to which the Rotary Club of Santa Fe has and will continue to gladly donate hundreds of hours and resources organizing and coordinating the event.
Realized with the assistance of American architects Ronald Rael and Virginia San Fratello, the construction cost $120,000. The original intent was that the building would not be repaired, but would rather gradually degrade into its surroundings. This plan was revised after vandals graffitied the exterior and stole its contents, the night the sculpture was completed.
Designed to resemble a Prada store, the building is made of "adobe bricks, plaster, paint, glass pane, aluminum frame, MDF, and carpet." The installation's door is nonfunctional. On the front of the structure there are two large windows displaying actual Prada wares, shoes and handbags, picked out and provided by Miuccia Prada from the fall/winter 2005 collection; Prada allowed Elmgreen and Dragset to use the Prada trademark for this work. Elmgreen and Dragset originally had wanted to place the sculpture elsewhere and was interested in a "Prada Nevada", but failed to find support in the state. They were then helped by the New York-based Art Production Fund (APF) which connected the artists with Ballroom Marfa in Marfa, Texas, a center of contemporary art and culture. The installation was then placed at a location northwest of Marfa near Valentine, Texas, where a local artist Boyd Elder served as caretaker for the installation.
The installation remained unnoticed by the Texas Department of Transportation (TxDOT) until 2013, when Playboy erected a 40-foot-tall neon bunny nearby along the same stretch of road, which attracted the attention of TxDOT to both installations. TxDOT considered both the Playboy neon bunny and the Prada sign on the Prada Marfa installation to be advertisements, and permits are required to display such signs along a US highway on unlicensed land according to the 1965 Highway Beautification Act. Both installations violated the permitted specifications for billboards, and a demand to remove the neon bunny was issued by the TxDOT, but no immediate decision was made for Prada Marfa. Michael Elmgreen commented on the suggestion that Prada Marfa is an illegal advertisement for Prada: "There is no company behind the artwork. It was not commissioned by Prada [...] They never, ever asked me to do advertisement for them." In September 2014, TxDOT officials announced that the structure would be reclassified as a museum, with the Prada Marfa as its only exhibit. This action exempts the structure from the same signage rules that forced the removal of the neon bunny installed by Playboy magazine.
For the past 15 years Jason has been developing increasingly complex projects around a series of images. The images at first glance appear to be a cross between some inspired desert hieroglyphics and an imaginative space alien's technical drawing.
Jason's first project involved printing a selection of these images on heavy card stock, and placing stacks of them in cafes and stores throughout North America and parts of Europe. The cards were free for anyone to pick up and take; they had no information on them, no names, no words whatsoever. One can only imagine the curiosity such a find would invoke in the discoverer.
The first historical record of the Marfa lights was in 1883 when a young cowhand, Robert Reed Ellison, saw a flickering light while he was driving cattle through Paisano Pass and wondered if it was the campfire of Apache Indians. Other settlers told him they often saw the lights, but that when they investigated they found no ashes or other evidence of a campsite.[5] Joe and Anne Humphreys next reported seeing the lights in 1885. Both stories appear in Cecilia Thompson's book History of Marfa and Presidio County, Texas 1535–1946, which was published in 1985.
The first published account of the lights appeared in the July 1957 issue of Coronet magazine. In 1976 Elton Miles's Tales of the Big Bend included stories dating to the 19th century and a photograph of the Marfa lights by a local rancher.
Bunnell lists 34 Marfa lights sightings from 1945 through 2008. Monitoring stations were put in place starting in 2003. He has identified "an average of 9.5 MLs on 5.25 nights per year", but believes that the monitoring stations may only be finding half of the Marfa lights in Mitchell Flat.


