M. Bulteau
Game Grumps: The Grump Variations
updated
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
mbulteau.com
They were very pretty and stylistically faithful, but I noticed the ocarina inputs weren't restricted to the 5 pitches the games recognize.
So, limited to inputs of D F A B and D(8va), I tried a few of my own.
I had posted this on Twitter in 2021, but not here, so... enjoy!
Find my music at mbulteau.com
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Animation: Teresa Hammond
mbulteau.com
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Majora is an opera by M. Bulteau, based on themes by Koji Kondo and Toru Minegishi.
More at majora.mbulteau.com
Join the discord: discord.gg/dfX7xyv
Illustration by Katrin Liedsee: stoerfrequenz.tumblr.com
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
"As long as you find Kafei, Carnival is on!"
"Carnival is not about my son--"
"Mr. Mayor, you made it about your son! His wedding is the main event!"
Majora is an opera by M. Bulteau, based on themes by Koji Kondo and Toru Minegishi.
More at majora.mbulteau.com
Join the discord: discord.gg/dfX7xyv
Illustration by Katrin Liedsee: stoerfrequenz.tumblr.com
Orchestral vocal demo of this number: youtu.be/Tb20ZIlywA4
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Buy my music: albums.mbulteau.com
Buy my scores: scores.mbulteau.com
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
Majora: majora.mbulteau.com
Majora revisions tracking chart: mbulteau.com/majorarevisions
-----------------------------------------------------------------
FAQ:
- What are you working on?
Check the bottom left of the screen.
- What music is playing?
A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use?
For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose?
I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures.
For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers.
Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally.
I've never gone to music college.
-----------------------------------------------------------------
*** I DO NOT TAKE SUPERCHATS ***
I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :D
Any similarity to real events is purely - strictly - entirely coincidental.
Majora is an opera by M. Bulteau, based on themes by Koji Kondo and Toru Minegishi.
More at majora.mbulteau.com
Join the discord: discord.gg/dfX7xyv
Illustration by Katrin Liedsee: stoerfrequenz.tumblr.com
You're all a big disgrace!"
Majora is an opera by M. Bulteau, based on themes by Koji Kondo and Toru Minegishi.
More at majora.mbulteau.com
Join the discord: discord.gg/dfX7xyv
Illustration by Katrin Liedsee: stoerfrequenz.tumblr.com
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Buy my music: mbulteau.com/albums
Buy my scores: mbulteau.com/scores
Join the discord: discord.gg/dfX7xyv
More at mbulteau.com
WHAT IS GOING ON?
I'm just repurposing an old laptop with a friend's help.
The music in the background is my own, playing for you.
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
.
.
April Fools :)
We promise there will be a proper second album, probably once we finally move in together.
CHATEAU are:
- Chabi: tiktok.com/@awildchabi
- M. Bulteau: mbulteau.com
Get our album: mbulteau.bandcamp.com/album/a-little-longer
THEME: "Mr. Sandman", by Pat Ballard
LYRICS: Chabi & M. Bulteau
VOCALS & VIDEO: Chabi
ARRANGEMENT: M. Bulteau
FINAL MIX: Miguel Jesus
LYRICS
Mr. Pilot, get to the gate
There's a connection and I cannot wait
I have a flight in less than an hour
If you don't get me there I'll pee in your shower
These lyrics were written together in 2019 while on a very slow taxi to the gate, and we almost missed our connecting flight.
My music: mbulteau.com
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
GET IT HERE: mbulteau.bandcamp.com/track/overclocked-high-heels
MORE: mbulteau.com
Arrangement: M. Bulteau
Mix: M. Bulteau & Miguel Jesus
Original themes: Toby Fox
00:00 Queen theme A
00:25 Queen theme B
00:58 Fugue on Queen theme A
01:14 Queen theme A over the circle of fifths
01:31 Queen theme A (Pandora Palace variation)
01:50 Pandora Palace theme
02:08 Spider Dance and Queen theme A over the circle of 5ths
02:18 Queen theme A over the circle of 5ths
02:34 Fugal transition on Queen theme A
02:41 Pandora Palace theme
03:01 Queen theme B (Pandora Palace variation)
03:20 Queen theme A (Pandora Palace variation)
03:39 Pandora Palace theme
04:07 Support the artist
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Get the original soundtrack: mbulteau.bandcamp.com/album/hand-of-horzasha
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Get the original soundtrack: mbulteau.bandcamp.com/album/hand-of-horzasha
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask.
All info at majora.mbulteau.com
Get the original soundtrack: mbulteau.bandcamp.com/album/hand-of-horzasha
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.
Get the original soundtrack: mbulteau.bandcamp.com/album/hand-of-horzasha
Hand of Horzasha on itch.io: shinyvacation.itch.io/hand-of-horzasha
Hand of Horzasha on Steam: store.steampowered.com/app/1002690/Hand_of_Horzasha
More music at: mbulteau.com
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS:
When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.


