Novo Amor
Novo Amor - State Lines (official audio)
updated
#mural #cardiff
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Lyrics -
It’s just the name I was given
It’s the way that I live my life undone
I’ll be running out of synonyms
to let you know how I’m feeling
Oh, don’t leave just yet,
just when I’m leaning back
You kinda messed with my rhythm
Where’s the rest of my life gone?
I could’ve sworn I had a couple more minutes left
I had a speech prepared but all I said was…
Don’t leave just yet,
just when I’m leaning on back
Oh, please, easy feeling, won’t you stay awhile?
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Lyrics -
Just another way to give you my time
Just another phrase that I could un-write
My life, in waves, my tide won’t set it straight
Just another way to make it alright
If I don’t feel it by now
I won’t be around
I’ve signed off, it’s feeling so loud
I won’t be around
And I can’t be your landing ground
Just another way to give you my life
Just another face for me to rewrite
My life, in waves, my pride won’t set it straight
Just another day, and I’ll be alright
If I don’t feel it by now
I won’t be around
I’ve signed off, it’s feeling so loud
I won’t be around to watch it play out
‘cause I can’t be your landing ground
It honestly gets me down, that I couldn’t say it out loud
So how should I be, in pieces on the ground?
I won’t, I can’t be your landing now
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Lyrics
Could you help me out and say it?
That I was in out of my depth
Couldn’t catch myself from falling off the earth
Could you let me shelve the failures?
I’d be sitting down for this mess
Sent a card back home with a poem on the front
The time is showing the cracks upon my hands
Could it feel like this forever?
Be where I wanted to be?
Could I say it now without breaking down again?
I’m finally throwing this stack of ornaments
And I’m fine with growing out of who I am
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First Place Lyrics
Wouldn’t know if it kept calling
My melatonin isn’t forming
Was kinda hoping, you wouldn’t notice, I had a moment
Should I go if I get bored of being lonely?
Are you lonely?
There’s a new me paying old fees in the front seat
So I won’t be anywhere for any other
Count down from three, and breathe, can you handle it?
‘cause damned if I won't be digging in my heels
Coalescing all our favourite evenings
I’m waiting on my dreams to come and get me
‘cause Hell, it’s been a ride
Shoulda known it’d get boring
In the hellscape, I was first place
to the coffin, in the garden, it was creaking
So I won’t be anywhere for any other
Count down from three, and breathe, can I handle it?
‘cause damned if I won’t be digging in my heels
Coalescing every other ending
I’m waiting on my dreams to come and get me
‘cause Hell, it’s been a ride
‘cause damned if I can’t be all that I would need
It’s a lesson, one I’m never learning
Who have I been kidding?
I’m dealing with it all alright
I’m setting free
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Co-Pathetic Lyrics:
I was stepping up with full intent to be incredible
So indebted, so unmeasured
Colour-right my face, it feels prophetic coming in second place
Come and get it, I am everything
I went step-by-step to my own death, it’s all ephemeral
Let me at it, let me manage
Don’t remind me, babe. I feel paretic trying to celebrate
Co-pathetic, a ‘coat-on’ panic
You better get some balance, you better find a way
You better get somebody to be your ‘always’
Director: Josh Bennett (@honisterpass)
Producer: Matt Smith (@mattyjrsmith)
DOP: Liam Rees (@liamjrees)
Colourist: Theodore Swaddling (@theodoreswaddling)
stormandshelter.com
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Same Day, Same Face Lyrics:
Same day, same face, I get it
The same way you recognise it now
(forget me, I’m gone, listen up)
(let me have that)
I can’t say I get dramatic
But if somebody asks - please just say I died
(set me on fire, set me alight)
Yeah, just let me have that
Oh, God damn my luck
(I said it out loud)
God damn, my luck
(I should’ve been around)
God damn, my luck
(I saw you running out)
God damn, my luck, God damn
Same day, same face, I get it
Your love is a lifesaver
(set me on fire, listen up)
(let me have it)
Can’t change my awkward timing
But if somebody asks – please just say I died
(forget me, I’m gone)
Yeah, just let me have that
#samedaysameface #novoamor
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Watch more from this new Single - youtube.com/watch?v=_jBGvJVZqvI&list=PL9m_uY0S3DalNwtWMXkB7InUHrrz0Gb3x
Watch Novo Amor Videos - youtube.com/watch?v=nht8DogAVEk&list=PL9m_uY0S3DanOvKyE82F5lwLa_okz0keN
Land Where I Land Lyrics:
My legs won’t go where my head wants
My collection of words couldn’t ever be enough
My head won’t turn in your direction
I’ll land where I land, when I land
So what if I said it? I meant every word
That my connection it left me, in the moment, I was gone
I guess that I’ll stumble along and I’ll land where I land, when I land
Just get a little rest sometime
I’d care a little less if I could
You said it ought to be just fine
Swear it on your life, it’s alright
Red bag on your shoulder with the price tag on
Your headband through a cold phase
It’s time we settle up
If my head won’t turn in your direction, I’ll land where I land, when I land
#yearson #landwhereIland #novoamor
Listen to the album here: https://bfan.link/collapse-list
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Watch more from this new Single - youtube.com/watch?v=_jBGvJVZqvI&list=PL9m_uY0S3DalNwtWMXkB7InUHrrz0Gb3x
Watch Novo Amor Videos - youtube.com/watch?v=nht8DogAVEk&list=PL9m_uY0S3DanOvKyE82F5lwLa_okz0keN
Years On Lyrics:
You’re the author of my head
And I wouldn’t light up the room
See, it’s awkward if I’d said that “I wouldn’t sit back and lose”
If I gotta be there for me
(Death, be on time for me)
‘cause I’m kinda feeling there, fully
(Let me unwind, fully)
You’re out on the border, where time left
And I shouldn’t care like I do
But I’ll be going on and on for 40 years saying “hell, what I wouldn’t do just to
be around, feel better now”
My God, I can’t stop it, so let it ring
I bet it won’t mean a thing
You said it don’t mean a thing
Spent every autumn getting taller
All of my favourites have moved,
right to the corners of their boredom
And I couldn’t sit there with you
If I gotta be there for me
(Life, be on time for me)
‘Cause I’ve been going on and on for all these years
Hell, what I wouldn’t do
Just to make a sound, make it real loud
My God, I can’t stop it, I let it win,
I bet it won’t mean a thing
You said it don’t mean a thing
#yearson #landwhereIland #novoamor
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'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
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Watch Novo Amor Singles- youtube.com/watch?v=nht8DogAVEk&list=PL9m_uY0S3DanOvKyE82F5lwLa_okz0keN
'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
🌐 Follow Novo Amor
novoamor.ffm.to/followonspotify
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Watch Novo Amor Singles- youtube.com/watch?v=nht8DogAVEk&list=PL9m_uY0S3DanOvKyE82F5lwLa_okz0keN
'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
🌐 Follow Novo Amor
novoamor.ffm.to/followonspotify
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novoamor.co.uk
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Watch Novo Amor Singles- youtube.com/watch?v=nht8DogAVEk&list=PL9m_uY0S3DanOvKyE82F5lwLa_okz0keN
'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
🌐 Follow Novo Amor
novoamor.ffm.to/followonspotify
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novoamor.co.uk
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Watch Novo Amor Singles- youtube.com/watch?v=nht8DogAVEk&list=PL9m_uY0S3DanOvKyE82F5lwLa_okz0keN
'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
🌐 Follow Novo Amor
novoamor.ffm.to/followonspotify
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novoamor.co.uk
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Watch Novo Amor Singles- youtube.com/watch?v=nht8DogAVEk&list=PL9m_uY0S3DanOvKyE82F5lwLa_okz0keN
'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
🌐 Follow Novo Amor
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Watch Novo Amor Singles- youtube.com/watch?v=nht8DogAVEk&list=PL9m_uY0S3DanOvKyE82F5lwLa_okz0keN
'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
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'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
🌐 Follow Novo Amor
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Watch Novo Amor Singles- youtube.com/watch?v=nht8DogAVEk&list=PL9m_uY0S3DanOvKyE82F5lwLa_okz0keN
'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
🌐 Follow Novo Amor
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'Antarctican Dream Machine', the instrumental album I recorded during my time in Antarctica with Greenpeace aboard the Arctic Sunrise ship, is out now. In short, the album was created over 3 weeks on a ship sailing Antarctica. A side-step from what you and I recognise as ‘Novo Amor’, this records purpose was to capture the inspiration I had over those 21 days and nothing more. To create something quickly and instinctively without overanalysing the process. It is what it is because I am where I am, and that’s enough.
The horizon helps to quell the motion sickness, and motion here is constant, until it’s not. Then you really see where you are. Sound is a full-body rumble, almost as constant as the motion. When I’m not on deck, or being propelled across the water, joining the search of Adélie penguins, I lay down, because height for sitting is not afforded to those in the top bunk. I enjoy it. I have a steady view of the bullseye, an unwavering eye on the skyline. You need to be able to see the horizon.
I am unique in my opportunity, position, and perspective, a musician among those with purpose: the scientist, the engineer, the radio operator, the filmmaker, the cook, the artist. Alone, together, some sitting, some laying, all swaying. Where we are is unnamed. We’re not on Google Maps. Trees don’t exist in a polar desert. The water will kill you, easily, quickly, indifferently.
Has anyone ever before recorded an album on a ship sailing the Antarctic? Some work, some read. I write, inspired by my surroundings, the tranquil, textured desolation, the scrolling exhibition of ice sculpture that exists now and never again.
The album’s ten tracks are recorded mainly in my cabin, at a small desk and on my bunk. I share the cabin with the ship’s 2nd engineer, a kind and funny Korean man a few years older than me. He looks out for me and shares stories about his world, a world that I am suddenly thrown into, in this cabin, on this ship, 3.5 miles above the ocean floor. My world is in my headphones and on my laptop screen. And so I go there. With limited resources, I feel motivated by the passing of time and circumstance, compelled to capture these feelings of freedom, of opportunity, of gratitude, of unreality, aboard the Artic Sunrise.
An Antarctican dream machine
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Watch the 565 Fund short film here: youtube.com/watch?v=OwPSBH3Ouuw&t=2s
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Sign the petition to protect our oceans https://act.gp/oceans-novo
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Follow the Creative Team
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#FROGSHORT #BTS #shortfilmcompetition #LaraGenovese #SimonBrannThorpe
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@frog.shortmovie
After seeing a wealth of creativity in my audience, noticing other musicians, artists, filmmakers and dancers being inspired by my music, I set up the ‘565 Fund’ to help 5 young filmmakers to make their own film about the interaction between humanity and environment wherever they are in the world. I’m really happy to unveil the fifth one today, from Lara Genovese and Simon Brann Thorpe from the UK.
A short film by Naiad Productions & Crow Clump Films
Written and Directed by Lara Genovese & Simon Brann Thorpe
Produced by Lara Genovese
Executive Producer: Brendan Haley
Director of Photography - Simon Brann Thorpe
Editor: Hayley Williams
Cast: Tomas Benros Van Veldhuizen, Yasmine Natasha Islam, Deborah Benros
1st & 2nd AC: Joey Chang
Prop Maker: James Levett
Assistant Prop Maker: Lucy Waight
Poster Graphic Designer: Shann Larsson
VFX: Pop Creative Studio
CGI Lead: Jordi Canela
Illustration & animations: Scarlett Karsidi
VFX Producer: Juste Pupienyte
Sound Designer: Eliran Sivan
Colourist: Simon Brann Thorpe
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Interviews with the crew from 'Anatome' by Adriana Carrandi. Watch the 565 Fund short film here: youtube.com/watch?v=cd_cumwiplQ
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#Anatome #AdriCarrandi #ShortFilmCompetition
Watch the 565 Fund short film here: youtube.com/watch?v=cd_cumwiplQ
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#AdrianaCarrandi #Anatome #BehindTheScene
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After seeing a wealth of creativity in my audience, noticing other musicians, artists, filmmakers and dancers being inspired by my music, I set up the ‘565 Fund’ to help 5 young filmmakers to make their own film about the interaction between humanity and environment wherever they are in the world. I’m really happy to unveil the fourth one today, from Adri Carrandi from Mexico.
CREDITS
Song 'Anatome' by Novo Amor and Lowswimmer
Written and Directed by Adri Carrandi
Director of Photography - Sebastián Sanders
Produced by Pablo Nuñez C & Hector Cabrera
1st Assistant Director - Regina Urbina
Cast: Nicolás Velazquez, María Dolores Maximo, Lucio De la Cruz, Octavio Sierra
Sound Designer - María José Aquino
Making Of / Camera Assistant - Eduardo Reta V
Drone - Aleksi Kivinen
Still Photography - Diego Martínez
Sound - Lúa Amaro
Editor - Daniela Arreola
Art Direction / Animation - Adri Carrandi
Watercolor - Irina Yushmanova
Special Thanks - Mau, Carmeli, Sopa, Mil, Rocío Castillo, Ricky Mar, Embarcadero Cuemanco, Mercado de Plantas y Flores de Cuemanco, Le Papier México, Mimu.
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#Anatome #AdriCarrandi #ShortFilmCompetition
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After seeing a wealth of creativity in my audience, noticing other musicians, artists, filmmakers and dancers being inspired by my music, I set up the ‘565 Fund’ to help 5 young filmmakers to make their own film about the interaction between humanity and environment wherever they are in the world. I’m really happy to unveil the third one today, from Orest Smilianets from Ukraine.
CREDITS:
Cast: Vasyl Paratsa
Directed by Orest Smilianets en.orestfilm.com
Cinematography by Yevhen Onyshchenko and Orest Smilianets
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Song: Pteryla by Novo Amor and Lowswimmer
After seeing a wealth of creativity in my audience, noticing other musicians, artists, filmmakers and dancers being inspired by my music, I set up the ‘565 Fund’ to help 5 young filmmakers to make their own film about the interaction between humanity and environment wherever they are in the world.
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#Pteryla #RobertPereña #BehindTheScene
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After seeing a wealth of creativity in my audience, noticing other musicians, artists, filmmakers and dancers being inspired by my music, I set up the ‘565 Fund’ to help 5 young filmmakers to make their own film about the interaction between humanity and environment wherever they are in the world. I’m really happy to unveil the second one on Earth Day, by Robert Pereña from the Philippines/UAE.
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CREDITS:
Music: Pteryla by Novo Amor and Lowswimmer
Directed by Robert Pereña
Cast: Aaron Henriques, Robert Pereña
Animators: Robert Pereña, Aaron Henriques
Cinematography: Robert Pereña
Assistant Director: Wilfredo Pereña
Sound Designer: Sandeep Sequeira
Special thanks to: Anna Pereña, Eden Lara, Bruno, Dutchess, Coco & Blake, SAE Dubai,
Reshel Shah
#Pteryla #RobertPereña #ShortFilmCompetition
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After seeing a wealth of creativity in my audience, noticing other musicians, artists, filmmakers and dancers being inspired by my music, I set up the ‘565 Fund’ to help 5 young filmmakers to make their own film about the interaction between humanity and environment wherever they are in the world. I’m really happy to unveil the first one today, from Hira Sheraz from Pakistan.
CREDITS
Production company: Yousafzai Filmoona
Executive Production: Novo Amor, Believe
Writer/Producer: Hira Sheraz
Directed By: Zayan Agha
Director of Photography: Taseer Ali
Sound: Misbah Uddin
Sound Design: Rescue the Frog Studio
Assistant Director: Aiza Musrabeen
Art Direction: Moiz Tirmizi
Costume Design: Zoya Uzair
Art Team: Sami Hassan, Hammad Khan, Bilal Ghaffer
Hair & Make Up: Aleezay Aftab
Associate Producer: Kashif Niaz
Talent Management: Ramis Peerzada
Vfx Artist: Mahad Ali Sajid
Drone: Shehryar Ali
Music by: Novo Amor, Misbah Uddin
Cast:
Sayeda Pakeezah
Eman Suleman
Adeel Afzal
Usman Zia
Abdullah Khan
Kashaf Alam
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With this action, we are urging world leaders to agree on a strong Global Ocean Treaty which will help to protect at least 30% of our oceans by 2030 through a network of marine sanctuaries.
Nearly 5 million people globally have signed the petition to protect our oceans. Add your name now and help put the biggest conservation effort in human history into action - https://act.gp/oceans-novo
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Original version lifted from the album 'Birthplace': novoamor.ffm.to/birthplace
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#NovoAmor #stateLines #LiveMusic
Original version lifted from the album 'Birthplace': novoamor.ffm.to/birthplace
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#NovoAmor #StatesLines #LiveAtHome


