Name: Lamour est un oiseau rebelle (Habanera) by Bizet @bubblykings
Uploaded: 2026-09-19T08:17:00-05:00
Duration: 8 min 17 s
Description: Lamour est un oiseau rebelle (Habanera) by Bizet

Lamour est un oiseau rebelle (Habanera) by Bizet

bubblykings 2026-09-19 | Lamour est un oiseau rebelle (Habanera) by Bizet

Debussy - Arabesque No.1 (Simon TRPCESKI)

bubblykings 2010-11-09 | Simon Trpceski, piano

Pictures of "arabesque"!........beautiful water........falls.....Debussy......PERFECTION ;)

NO COPYRIGHT INFRINGEMENT INTENDED!

Handel - For unto us a Child is born - Messiah HWV 56 (LIVE)

bubblykings 2010-11-04 | Choir of King's College, Cambridge
Academy of Ancient Music
Stephen Cleobury

LIVE in the Chapel of King's College

Bach - Mass in B minor BWV 232: Kyrie eleison (3) / John Eliot Gardiner

bubblykings 2010-09-24 | Chorus: Kyrie eleison

Soloists:
Nancy Argenta, soprano
Mary Nichols, mezzo-soprano
Ashley Stafford, alto
Wynford Evans, tenor

The Monteverdi Choir
The English Baroque Soloists
John Eliot Gardiner

Bach - Mass in B minor BWV 232: Christe eleison (2) / John Eliot Gardiner

bubblykings 2010-09-24 | Duet: Christe eleison

Soloists:
Lynne Dawson, soprano
Carol Hall, mezzo-soprano

The Monteverdi Choir
The English Baroque Soloists
John Eliot Gardiner

Bach - Mass in B minor BWV 232: Kyrie eleison (1) / John Eliot Gardiner

Albinoni - Oboe Concerto in G minor, Op. 9 No. 8: Allegro & Adagio mvt. 1-2/3

bubblykings 2010-09-19 | 1. Allegro
2. Adagio
3. Allegro

Anthony Camden, oboe
The London Virtuosi
John Georgiadis

Albinoni - Oboe Concerto in G minor, Op. 9, No. 8: Allegro mvt. 3/3

bubblykings 2010-09-19 | 1. Allegro
2. Adagio
3. Allegro

Anthony Camden, oboe
The London Virtuosi
John Georgiadis

Vivaldi - Double Concerto in B flat major, RV 524: Mvt. 2-3/3

bubblykings 2010-07-11 | Concerto for Two violins, strings and Basso continuo in B flat major, RV 524
B-dur / en si bémol majeur
Antonio Vivaldi (1678-1741)

1. Allegro
2. Andante
3. Allegro

Viktoria Mullova and Giuliano Camignola, violin soloists
Venice Baroque Orchestra (on authentic instruments)
Conducted by Andrea Marcon

Violin I
Luca Mares
Massimiliano Tieppo
Giuseppe Cabrio
Gisella Burtolo

Violin II
Giorgio Baldan
Gianpiero Zanocco
Massimiliano Simonetto
Jonathan Guyonnet

Viola
Alessandra Di Vincenzo
Mauro Righini

Violoncello
Francesco Galli gioni
Matteo Fusi

Violone
Alessandro Sbrogio

Lute
Ivano Zanenghi

Harpsichord
Andrea Marcon

Pitch: a'= 440 Hz

Vivaldi - Double Concerto in B flat major, RV 524: Mvt. 1/3

Albinoni - Oboe Concerto in C Major, Op. 9 No.5: Mvt. 1/3

bubblykings 2010-07-11 | 1. Allegro
2. Adagio non troppo
3. Allegro

Anthony Camden, oboe
The London Virtuosi
John Georgiadis

Albinoni - Oboe Concerto in C Major, Op. 9 No.5: Mvt. 2/3

bubblykings 2010-07-11 | 1. Allegro
2. Adagio non troppo
3. Allegro

Anthony Camden, oboe
The London Virtuosi
John Georgiadis

Albinoni - Oboe Concerto in C Major, Op. 9 No.5: Mvt. 3/3

bubblykings 2010-07-11 | 1. Allegro
2. Adagio non troppo
3. Allegro

Anthony Camden, oboe
The London Virtuosi
John Georgiadis

Bach - Italian Concerto BWV 971: Mvt. 1/3

bubblykings 2010-07-11 | 1. Allegro
2. Adagio
3. Allegro

Dubravka Tomsic, piano

Bach - Italian Concerto BWV 971: Mvt. 2-3/3

bubblykings 2010-07-11 | 1. Allegro
2. Adagio
3. Allegro

Dubravka Tomsic, piano

Telemann - Recorder Suite in A minor TWV55:A3 ~ Mvt. 7-8/8

bubblykings 2010-07-08 | Movements:

1. Ouverture
2. Les plaisirs
3. Air à l'italienne
4. Menuet I & II
5. Réjouissance
6. Passepied I & II
7. Polonaise
8. Ouverture (Lento)

Capella Istropolitana
Richard Edlinger
Jiri Stivin, Recorder

Telemann - Recorder Suite in A minor TWV55:A3 ~ Mvt. 4-6/8

Telemann - Recorder Suite in A minor TWV55:A3 ~ Mvt. 2-3/8

Telemann - Recorder Suite in A minor TWV55:A3 ~ Mvt. 1/8

Campion - I Care Not for these Ladies

bubblykings 2010-07-07 | Secular vocal music finds a place, above all, in the madrigal. Developing from earlier Italian vocal forms, the madrigal provided an element of popular entertainment in part-songs, music apt for viols or voices, in which a vocal line might be replaced by an instrument, according largely, to the taste and fancy of the performers. The Italian tradition found particular expression in the England of Queen Elizabeth and her immediate successor, with composers that include Byrd. Closely associated with the madrigal is the solo lute-song, a song with lute accompaniment, of which the famous lutenist John Dowland was a noted exponent. One song, in particular, enjoyed the widest popularity. This was the melancholy "Flow my tears", an embodiment of a humour that was the height of fashion in England in the last years of the 16th century. The lute-song is further exemplified in the work of the composer-poet Thomas Campion and others, as displayed here.

Performers:
Steven Rickards
Dorothy Linell

Dowland - Flow My Tears

bubblykings 2010-07-07 | Text:

Flow, my tears, fall from your springs!
Exiled for ever, let me mourn;
Where night's black bird her sad infamy sings,
There let me live forlorn.

Down vain lights, shine you no more!
No nights are dark enough for those
That in despair their lost fortunes deplore.
Light doth but shame disclose.

Never may my woes be relieved,
Since pity is fled;
And tears and sighs and groans my weary days
Of all joys have deprived.

From the highest spire of contentment
My fortune is thrown;
And fear and grief and pain for my deserts
Are my hopes, since hope is gone.

Hark! you shadows that in darkness dwell,
Learn to contemn light
Happy, happy they that in hell
Feel not the world's despite.

**************************************************

Secular vocal music finds a place, above all, in the madrigal. Developing from earlier Italian vocal forms, the madrigal provided an element of popular entertainment in part-songs, music apt for viols or voices, in which a vocal line might be replaced by an instrument, according largely, to the taste and fancy of the performers. The Italian tradition found particular expression in the England of Queen Elizabeth and her immediate successor, with composers that include Byrd. Closely associated with the madrigal is the solo lute-song, a song with lute accompaniment, of which the famous lutenist John Dowland was a noted exponent. One song, in particular, enjoyed the widest popularity. This was the melancholy "Flow my tears", an embodiment of a humour that was the height of fashion in England in the last years of the 16th century.

Performers:
Steven Rickards
Dorothy Linell

Goudimel - Bienheureux est quiconque (Psalm CXXVIII)

bubblykings 2010-07-07 | Protestant Europe developed its own national traditions. The French psalms of Goudimel, using translations by Clément Marot, include relatively simple musical versions for general use. The setting of Psalm CXXVIII " Bienheureux est quiconque" (Blessed are all they that fear the Lord) offers a more complex example, in motet style. In Germany still never style. In Germany still never styles were introduced, as in the work of composers like Michael Praetorius.

Ensemble Claude Goudimel/ Christine Morel

Lassus - Kyrie from Mass BellAmfitrit, altera (a 8 voci)

bubblykings 2010-07-05 | Born at Mons in Hainaut, Orlando de Lassus was a composer of the greatest versatility. His early career was at the court of Mantua, followed by service in Naples and in Rome. For much of his life, however, he worked in Munich in the service of Duke Albrecht V of Bavaria and his successor. He wrote and published a considerable quantity of sacred music, in addition to secular songs, Italian madrigals and settings of French and German texts. In these he demonstrates a wider variety of styles than Palestrina. The 'Kyrie eleison' (Lord have mercy) from his eight-voice Mass "Bell'Amfitrit, altera" here, its title suggesting its secular source, demonstrates the skill of the composer, as exhibited in some sixty surviving Mass settings.

Here is a recording of the Kyrie performed by:

Schola Cantorum of Oxford/ Jeremy Summerly

DallQuila - La traditora

bubblykings 2010-07-05 | In 1500 Petrucci had established in Venice a means of printing polyphonic music with movable type. This led to the diffusion of compositions by composers like Jowquin. By 1507, he was printing lute music, forestalling Marco dall'Aquila, who had been granted a licence for such publication. Others followed, often with lute arrangements of vocal works. With this came books on how to play the lute, how to read the form of notation used, lute tablature, and how to pluck the strings with the right hand. Among the most distinguished lutenists and composers for the lute was Francesco da Milano, who spent much of his life in papal service. The popularity of the lute was not confined to Italy. In Spain, the related vihuela de mano (hand-viol) inspired a continuing repertoire, while there were parallel developments throughout Europe.

Here is an example of lute music by Dall'Aquila played by:

Shirley Rumsey, the lutist

Todos los bienes del mundo (Cancionero Musical de Palacio)

bubblykings 2010-07-04 | it was in Spain that a particular national music was encouraged. In spite of the expulsion of the Jews and the conquest of the Moorish kingdoms where diverse traditions of learning and the arts had flourished, Spanish music retained identifiable elements of what had been rejected. Something of this can be heard in the 460 surviving compositions perserved in the "Cancionero de Palacio", a royal collection of music at the Spanish court in the first decades of the sixteenth century.

Ensemble Accentus/Thomas Wimmer

Francesco Canova da Milano - Fantasia sexta

bubblykings 2010-07-04 | In 1500 Petrucci had established in Venice a means of printing polyphonic music with movable type. This led to the diffusion of compositions by composers like Jowquin. By 1507, he was printing lute music, forestalling Marco dall'Aquila, who had been granted a licence for such publication. Others followed, often with lute arrangements of vocal works. With this came books on how to play the lute, how to read the form of notation used, lute tablature, and how to pluck the strings with the right hand. Among the most distinguished lutenists and composers for the lute was Francesco da Milano, who spent much of his life in papal service. The popularity of the lute was not confined to Italy. In Spain, the related vihuela de mano (hand-viol) inspired a continuing repertoire, while there were parallel developments throughout Europe.

Christopher Wilson, solo Lute/ Shirley Rumsey, Lute Duettist

Sephardic Songs: A la nana

bubblykings 2010-07-04 | Vocal music was very important during the Renaissance years and many vocal pieces were secular. Some surviving popular music may be heard in the music of a new Jewish diaspora, the music of Spanish Jewry, the Sephardim, expelled from Spain in 1492 as Ferdinand and Isabella consolidated their power. Those thus displaced often found a welcome in the lands of the Ottoman Empire, to which they brought linguistic and cultural traditions that still survive.

Carmen Cano/Ensemble Accentus/Thomas Wimmer

Mussorgsky - Pictures at an Exhibition (Promenade I + Gnomus)

bubblykings 2010-07-01 | Pictures at an Exhibition (Russian: Картинки с выставки -- Воспоминание о Викторе Гартмане, Kartinki s vystavki -- Vospominaniye o Viktore Gartmane, "Pictures from an Exhibition -- A Remembrance of Viktor Hartmann") is a famous suite in ten movements composed for piano by Modest Mussorgsky in 1874.
The suite is Mussorgsky's most famous piano composition, and has become a showpiece for virtuoso pianists. It has also become known through various orchestrations and arrangements produced by other musicians and composers (see: Arrangements and Interpretations, below, for further discussion), with Ravel's arrangement being the most recorded and performed.

Leif Ove Andsnes, piano

Purcell - I Will Sing Unto the Lord

bubblykings 2010-06-25 | Protestant England was able, after the brief interruption of Puritan government under Cromwell, to resume earlier practice in the more or less elaborate musical forms demanded by the Anglican liturgy, whether in settings of the services of the Book of Common Prayer or in anthems, settings of additional texts, exemplified here by the music of Purcell

Oxford Camerata
Conducted by Jeremy Summerly

Mozart - Sinfonia concertante in E flat K364: III. Presto

bubblykings 2010-06-25 | Sinfonia Concertante for Violin, Viola and Orchestra K. 364 in E-flat major (1779)

Renaud Capucon, cello
Antoine Tamestit, viola

Scottish Chamber Orchestra
Conducted by Louis Langrée

Ian Bostridge~ Schubert: Ständchen, D 889

bubblykings 2010-06-24 | Ian Bostridge, tenor

Antonio Pappano, piano

Handel - Behold, I tell you a mystery...The trumpet shall sound (Messiah HWV56): Thomas Quasthoff

bubblykings 2010-06-19 | Thomas Quasthoff, bass-baritone
Staatskapelle Dresden
conducted by Sebastian Weigle

J.S. Bach~ Suite No.3 in D major: Bourrée I and II BWV 1068 mvt. 4/5

bubblykings 2010-06-03 | Suite No.3 in D major is scored for three trumpets, timpani and oboes, with the usual strings and continuo. The opening French Ouverture, with its characteristic solemn introduction and following fugue is followed by an Air, played by strings and continuo, a movement later popularized in an arrangement by the nineteenth century violinist August Wilhemj as Air on G string which in its original form it is certainly not. The pair of Gavottes are played in alternation, followed by a Bourrée and a lively Gigue, the most frequent conclusion to any set of dances.

Capella Istropolitana
conducted by Jaroslav Dvorak

Bach: Qui sedes (Mass in B minor, BWV232) - David Daniels

bubblykings 2010-06-02 | David Daniels, countertenor

Kathrina Spreckelsen, oboe

The English Concert/ Harry Bickett

Kate Royal - Rossignol from Monsieur Beaucaire - André Messager

bubblykings 2010-05-25 | Monsieur Beaucaire is a romantic opera in three acts, composed by André Messager. The libretto, based on the 1900 novel by Booth Tarkington, is by Frederick Lonsdale, with lyrics by Adrian Ross. The piece premiered at the Prince of Wales Theatre in Birmingham, England, on 7 April 1919, before opening at the Prince's Theatre in London under the management of Frank Curzon on 19 April 1919 and transferring to the Palace Theatre on 29 July 1919, for a successful run.

Crouch End Festival Chorus
Orchestra of English National Opera
Edward Gardiner

**Enjoy the clip with the cute panda I took from my extremely terrible camera! lol**

Carlo Gesualdo - Peccantem me quotidie

bubblykings 2010-05-16 | Gesualdo was a mannerist madrigalist of the late 16th century. His sacred works are very much in the same style as his madrigals, the former exemplified in his five voice "Peccantem me quotidie" (Sinning daily and not penitent, fear of death perturbs me), taken from the Office for the Dead and published in Naples in 1603.

Oxford Camerata
Jeremy Summerly

Handel - Waft her Angels, Through the Skies (Jephtha HWV70): Nigel Robson

bubblykings 2010-05-04 | Nigel Robson, tenor
English Baroque Soloists/John Eliot Gardiner

Ockeghem - Missa Prolationum: Sanctus

bubblykings 2010-04-13 | The Sanctus, like the rest of the Mass, makes a subtle and elaborate use of canon, the device by which one voice follows another, in imitation, but here with variations in note durations.

Musica Ficta
Bo Holten

Palestrina - Super flumina Babylonis (a 5 voci)

bubblykings 2010-04-13 | Super flumina Babylonis
'By the waters of Babylon'

Giovanni Pierluigi da Palestrina

This is a five voice setting of an offertory text.

Solists of Capella Musicale di S. Petronio di Bologna
Sergio Vartolo

Josquin Desprez - Abasalon, fili mi (motet for 4 voices)

bubblykings 2010-03-30 | Oxford camerata
Jeremy Summerly

Ockeghem - Lhomme armé (Kyrie)

bubblykings 2010-03-30 | From Ockeghem's L'homme armé Mass.

Oxford camerata
Jeremy summerly

Beethoven: Piano Concerto No.4 in G Op.58 (II. Andante con moto - extract)~ Evgeny Kissin

bubblykings 2010-01-28 | Evgeny Kissin
London Symphony Orchestra / Sir Colin Davis

Rachmaninov: Rhapsody on a Theme of Paganini (Variation No.18)~ Gautier Capucon & Gabriela Montero

bubblykings 2010-01-28 | The Rhapsody on a Theme of Paganini (Russian: Рапсодия на тему Паганини, Rapsodiya na temu Paganini) in A minor, opus 43, is a concertante work (20 to 25 minutes in length), written by Sergei Rachmaninoff. It is written for solo piano and symphony orchestra, closely resembling a piano concerto. The work was written at Villa Senar, according to the score, from July 3 to August 18 1934. Rachmaninoff himself, a noted interpreter of his own works, played the solo piano part at the piece's premiere at the Lyric Opera House in Baltimore, Maryland, on November 7, 1934 with the Philadelphia Orchestra, conducted by Leopold Stokowski.

Bellini: Vedi, o madre, e afflitto e mesto ~Natalie Dessay & Francesco Meli

bubblykings 2010-01-28 | La Sonnambula

Orchestre de l'Opéra de Lyon / Evelino Pido

Verdi: Se quell guerrier io fossi....Celeste Aida (Aida)~ Placido DOMINGO

bubblykings 2010-01-19 | Giuseppe Verdi (1813-1901)

Aida

Overview: Aida, an Ethiopian princess, is captured and brought into slavery in Egypt. A military commander, Radames, struggles to choose between his love for her and his loyalty to the Pharaoh. To complicate the story further, Radames is loved by the Pharaoh's daughter Amneris, although he does not return her feelings.

Placido Domingo: Radames

New Philharmonia Orchestra/Riccardo Muti

Francesco Cavalli - Lasso io vivo (LEgisto) ~ Rolando Villazon

bubblykings 2010-01-04 | Le Concert d'Astrée
Emmanuelle Haim

Telemann - Viola Concerto in G major TWV51:G9: Largo (1/4)

bubblykings 2009-12-22 | Ladislav Kyselak, Viola
Capella Istropolitana
Richard Edlinger

Telemann - Viola Concerto in G major TWV51:G9: Allegro (2/4)

bubblykings 2009-12-22 | Ladislav Kyselak, Viola
Capella Istropolitana
Richard Edlinger

Telemann - Viola Concerto in G major TWV51:G9: Andante (3/4)

bubblykings 2009-12-22 | Ladislav Kyselak, Viola
Capella Istropolitana
Richard Edlinger

Telemann - Viola Concerto in G major TWV51:G9: Presto (4/4)

bubblykings 2009-12-22 | Ladislav Kyselak, Viola
Capella Istropolitana
Richard Edlinger

Handel- Father of Heavn! From Thy Eternal Throne (Judas Maccabaeus, HWV 63)~ Grace Bumbry

bubblykings 2009-12-07 | Grace Bumbry, mezzo-soprano
The Utah Symphony
Maurice Abravanel