184 - Zac Sokolow (LA LOM) and Jessy Jacquet-Cretides and Tommaso Medica (bby)Vintage Guitar2026-09-23 | 184 - Zac Sokolow (LA LOM) and Jessy Jacquet-Cretides and Tommaso Medica (bby)Have Guitar Will Travel 082 – Drew Holcomb, Foy Vance and Christophe PaubertVintage Guitar2023-01-05 | In the latest episode of “Have Guitar Will Travel,” host James Patrick Regan connects with three artists – two musicans and a winemaker! Drew Holcomb talks about growing up in Memphis and his first guitar, an Ovation he played throughout his youth. A country-music performer, Drew has written songs heard on movie and TV soundtracks. On the road with his band, he hunts for guitars at pawn shops. Then, James talks to Foy Vance, a singer/songwriter from Scotland by way of Ireland. A Lowden player, he has worked at high-profile studios including Blackbird, Muscle Shoals, and Sun. The show closes with winemaker Christophe Paubert, who delves into the varieties offered at Stags Leap Winery. Music is hugely important in Christophe’s life, and he shares thoughts on the bands he most wanted to see at last year’s BottleRock Festival. Please like, comment, and share this podcast! And check out more episodes at vintageguitar.com/category/podcasts/haveguitarwilltravelRay Cummins - I’ll See You In My DreamsVintage Guitar2023-01-01 | VG ace online tutor Ray Cummins uses the famed ’56 Gretsch Chet Atkins 6120 prototype to play “I’ll See You In My Dreams” through a ’66 Princeton. Dubbed “Dark Eyes” because Chet used it to play the song at the Opry in ’56, part of the guitar’s colorful history (see what we did there?) includes being modified by Ray Butts, who put experimental pickup slugs under the E and A strings from the 19th fret to the end of the fretboard. Though no longer functional, they of course draw the eyes of all guitarheads. Keep up with Ray at raycummins.comSnarky Puppy’s Mark LettieriVintage Guitar2022-12-30 | Snarky Puppy guitarist Mark Lettieri took a minute at soundcheck to use his PRS Fiore and lay down a piece of “Trinity,” a track from the band’s latest album, “Empire Central.” “I wanted a guitar that was a Swiss Army Knife but sounded good in all positions,” he said. “It was a dream come true to design a guitar with PRS.” Mark is one of three guitarists in Puppy, bringing his melodic thumbprint and a host of textures. Read our interview with him in the November issue. cloud.3dissue.com/196659/197012/230687/VGMNOV2022k7dzb9jz3D/index.html?page=28Steve Kimock flashes back to ZeroVintage Guitar2022-12-29 | We review the reissued 1992 album “Naught Again” by Zero, a band that featured Steve Kimock playing Grateful Dead-style jams with a virtuoso backing band. Here, he offers a fresh take on “End of World Blues” shot during a recent sound check at the Fillmore Auditorium, in San Francisco. His ’68 Gibson goldtop is running through a Two Rock Vintage Deluxe prototype and a Fat Jimmy Jimmy James, “Both coasting clean, with reasonable volume,” he said. Watch for feature on the guitar in a future issue (once owned by a cousin, it was the first one he ever saw in person, and by chance, he found it for sale four decades later), and read our review of “Naught Again” from the November issue. cloud.3dissue.com/196659/197012/230687/VGMNOV2022k7dzb9jz3D/index.html?page=75The Dig 3’s Hundt, Duncanson play “Tell Me the Place”Vintage Guitar2022-12-29 | Gerry Hundt and Andrew Duncanson play straightforward Chicago-style blues in The Dig 3. Here, they play “Tell Me the Place” from their new album. Gerry’s using a ’63 Gibson B-25N, Andrew plays a ’90s Epiphone BluesMaster. Don’t miss our review in the December issue. cloud.3dissue.com/196659/197012/230687/VGMDEC2022ykh4owev3D/index.html?page=74Charlie Musselwhite’s blues chops a vintage J-45Vintage Guitar2022-12-28 | Charlie Musselwhite and his ’54 Gibson J-45 do it up (so) right on “Blues Gave Me A Ride,” from his latest album, “Mississippi Son.” It just doesn’t get much cooler, does it? Check out our album review. cloud.3dissue.com/196659/197012/230687/VGMNOV2022k7dzb9jz3D/index.html?page=75The Uncanny Approach of Walter StraussVintage Guitar2022-12-27 | Walter Strauss shows his extraordinary technique with help from his Sexauer JB-16 while playing “Fabara,” a song from latest album, “For Melody, Wherever She May Find Me.” “The tune is an exploration off a melody from the balafon, a wooden xylophone played in West Africa,” he said. We interview Walter in the November issue. cloud.3dissue.com/196659/197012/230687/VGMNOV2022k7dzb9jz3D/index.html?page=26Bakersfield twang from Nashville HoneymoonVintage Guitar2022-12-27 | Nashville Honeymoon plays country music laden with Bakersfield influence – the best kind! Here, Hank Maninger plays his ’62 Guild Starfire III, while Lynne Maes sings and strums a ’60 Martin O-15 to do “Sears Roebuck,” from their latest album, “Just Like Yesterday.” Catch our review in the December issue. cloud.3dissue.com/196659/197012/230687/VGMDEC2022ykh4owev3D/index.html?page=77Shredding and songcraft – Kire NajdovskiVintage Guitar2022-12-22 | Kire Najdovski does a great take on “Close to the Killer,” from Talas’ new album, “1985.” “I’m playing the Custom Shop ’58 Les Paul VOS Cherry Sunburst that I’ve used on everything I’ve done with Talas since 2017,” he said. Read our interview with his bandmate, Billy Sheehan, and our review of “1985” in the November issue. cloud.3dissue.com/196659/197012/230687/VGMNOV2022k7dzb9jz3D/index.html?page=75GA-20 blends R&B, Blues, Hendrix, and much moreVintage Guitar2022-12-21 | GA-20 blends influences from Hendrix to the guitar Kings to East Coast Family cassettes. Here, Matt Stubbs and Pat Faherty do an exclusive take on “Dry Run,” from their new album, “Crackdown.” Matt is playing a Jazzmaster ’62 Thin Skin through a Catalinbread Topanga Spring Reverb into a 1950 Gibson GA-20 while Pat dons his trusty ’54 Harmony Stratotone Newport through a ’60 GA-18. Don’t miss our cover interview in the December issue. cloud.3dissue.com/196659/197012/230687/VGMDEC2022ykh4owev3D/index.html?page=62Jeff BerlinVintage Guitar2022-12-17 | In the December issue, bass master Jeff Berlin recalls the first time he heard Cream (“Spoonful” and Crossroads”), and why it was so impactful. Jeff’s new album, “Jack Songs,” is an homage to Jack Bruce, and here he uses his Cort Rithimic runing through Markbass Players School combo to play “Traintime Time.” Don’t miss our interview with Jeff. cloud.3dissue.com/196659/197012/230687/VGMDEC2022ykh4owev3D/index.html?page=20Melodic, accessible – and shredtastic – it’s Lari Basilio!Vintage Guitar2022-12-16 | Lari Basilio grabbed her signature Ibanez LB1 (dig the purple finish and gold hardware!) to play a fresh take on “Novo,” from her new album “Your Love.” Her forté is composition that relies on melody, and the album showcases her love of instrumentals that connect to the spirit. The guitar’s pickups are a signature set designed with Seymour Duncan. “I’m proud of the LB1… it inspires me to write new song,” she said. Our review of Your Love and interview with Lari both appear in the November issue. cloud.3dissue.com/196659/197012/230687/VGMNOV2022k7dzb9jz3D/index.html?page=22Bobby Broom plays “Humpty Dumpty”Vintage Guitar2022-12-15 | Guitarist Bobby Broom has recorded with legends including Kenny Burrell, Dr. John, and Sonny Rollins. When he’s not recording or performing, you might find him teaching jazz at Northern Illinois University. Here, he and his ’77 Ibanez 2471NT play Chick Corea’s “Humpty Dumpty,” from his latest album, “Keyed Up,” a compilation of compositions by keyboardists. Read our review in the December issue. cloud.3dissue.com/196659/197012/230687/VGMDEC2022ykh4owev3D/index.html?page=77George Cotsirilos – Jazz Sans ClichéVintage Guitar2022-12-14 | George Cotsirilos grew up listening to Bloomfield, Hendrix, and Clapton, then studied jazz guitar. Here, his influences are on full display as he plays “The Three Doves,” from his latest album, “Refuge.” That’s his oh-so-cool 1970 Gibson L-5. See our review of “Refuge” in the November issue. cloud.3dissue.com/196659/197012/230687/VGMNOV2022k7dzb9jz3D/index.html?page=75The Space Age Travellers: Eclectic InstroVintage Guitar2022-12-13 | B.J. Baartmans’ trio, The Space Age Travellers, defies genre labelling. Here, he uses his ’73 Fender Strat (tuned down a full step) with a replacement neck to show us how he played “Cabin Fever,” from their new album, “Satellite Shuffle.” He’s plugged into an early-’70s Princeton, preamped with “…a clean-sounding Nobles overdrive and Strymon Flint to give the guitar a little more clout.” Our review of “Satellite Shuffle” appears in the October issue. cloud.3dissue.com/196659/197012/230687/VGMOCT2022z5gt883s3D/index.html?page=72Steve Knight’s Vibey JazzVintage Guitar2022-12-12 | Chicago-based jazzer Steve Knight used his Benedetto 16B to play this version of “Suspects” (from his new album, “Persistence”) exclusively for VG followers. Read our review of the album in the December issue. cloud.3dissue.com/196659/197012/230687/VGMDEC2022ykh4owev3D/index.html?page=77Have Guitar Will Travel 081 – G. LoveVintage Guitar2022-12-12 | Host James Patrick Regan welcomes singer, rapper, and musician G. Love to episode 82 of “Have Guitar Will Travel.” They discuss his new solo album, “Philadelphia Mississippi,” recorded with a list of all-star guitarists including Luther Dickinson, Alvin Youngblood Hart, Christone “Kingfish” Ingram, and others. G. Love discovered the blues through John Hammond and his mother’s record collection, and in high school began performing as a folk artist before forming his band, Special Sauce. They dig into his ’39 Dobro and talk about his collection of Martins, Gibsons and Gretsches, as well as his signature guitars from Eastwood and Gretsch. Please like, comment, and share this podcast! vintageguitar.com/40046/have-guitar-will-travel-081-g-loveMike Morgan’s New Twist on BluesVintage Guitar2022-12-12 | Texas blues singer/songwriter Mike Morgan does a solo take on “Aiight,” from his new album, “The Light Went Out In Dallas,” using his Road Worn Tele (with Van Zant pickups) running through a Victoria Silver Sonic. The album is his first in 15 years, and you can read our review in the November issue. cloud.3dissue.com/196659/197012/230687/VGMNOV2022k7dzb9jz3D/index.html?page=73Freddie Krc gets “Dandy” on a ’64 SJVintage Guitar2022-12-10 | You can’t blame Freddie Krc for loving his ’64 Southern Jumbo, which he’s using here to play an exclusive rendition of “Bohemian Dandy” from his new album, “Dandy.” Doing the nifty lead is friend and Freddie Steady Revuew bandmate Cam King, on his ’67 Gretsch Chet Atkins Nashville that’s signed by Chet. Don’t miss our review of “Dandy,” in the October issue. cloud.3dissue.com/196659/197012/230687/VGMOCT2022z5gt883s3D/index.html?page=75Ewan Currie’s Hairy TonesVintage Guitar2022-12-09 | Ewan Currie and his band, The Sheepdogs, do retro-rock the right way. Here, Ewan and his ’74 Les Paul Deluxe show us some of "So Far Gone,” off their new record, “Outta Sight.” Our interview with Ewan appears in the December issue. cloud.3dissue.com/196659/197012/230687/VGMDEC2022ykh4owev3D/index.html?page=28Kristian Borring – post-bop wizardVintage Guitar2022-12-08 | Kristian Borring plays a fabulous version of “Persian Hills,” from Number Junky’s latest album “Earth Matters.” Check out his custom-made Victor Baker guitar, with a Seymour Duncan PAF in the neck and Kent Armstrong PAF at the bridge. Watch for an interview with Kristian in the January ’23 issue, and don’t miss our review of “Earth Matters” in the November issue. cloud.3dissue.com/196659/197012/230687/VGMNOV2022k7dzb9jz3D/index.html?page=75Orianthi Lights It UpVintage Guitar2022-12-07 | With her still-newish signature Gibson J-200, Orianthi strums and sings a chill version of the hard-rocking “Light It Up,” from the just-released “Rock Candy” album. Catch our review of her other new album, “Live In Hollywood,” in the October issue. cloud.3dissue.com/196659/197012/230687/VGMOCT2022z5gt883s3D/index.html?page=72RnR Hall of Famer Richie Furay and his gorgeous ’53 Gibson J-200!Vintage Guitar2022-12-06 | Richie Furay and his ’53 SJ-200 share a glimpse of their bucolic space and a solo acoustic rendition of “I Hope You Dance,” from his new album, “In The Country.” The album version is full-dress, produced by Val Garay and with guitars by Chris Leuzinger (VG, March ’22) and Tom Bukovac (January ’22) as well as pedal steel by Dan Dugmore. Catch our interview with Richie in the September issue. cloud.3dissue.com/196659/197012/230687/VGMSEP2022jvj2hkyd3D/index.html?page=28Duke Levine, solo guitar on a ’70s country stalwart!Vintage Guitar2022-09-28 | Boston native Duke Levine’s impressive career has included stints with Otis Rush, Del Fuegos, Mary Chapin Carpenter, and others. Now he’s backing Bonnie Raitt on her “Just Like That” tour through the western and southern U.S. before they go overseas next year. Here, Duke grabbed his ’60s Teisco SS2L to play a crazy-cool rendition of the 1975 Freddy Fender crossover smash “Before The Next Teardrop Falls” through a ’66 Princeton Reverb. Catch our interview with him in the September issue. cloud.3dissue.com/196659/197012/230687/VGMSEP2022jvj2hkyd3D/index.html?page=26Todd Sharpville - “God Loves a Loser”Vintage Guitar2022-09-27 | In this exclusive premier, Vintage Guitar brings you Todd Sharpville’s new video, “God Loves a Loser.” Todd’s doing stellar work on an all-original ’57 Strat (that once belonged to Eric Johnson!) through a Vemuram Jan Ray overdrive pedal running into his all-original ’63 Super Reverb with Jensens. The Strat is strung with GHS nickel .011-.050 Sub Zero Boomers. Learn more at http://www.toddsharpville.com
The song was produced by Duke Robillard Written and arranged by Todd Sharpville Recorded by Jack Gauthier at Lakewest Studios, West Greenwich, Rhode Island Mastered by John Mailloux at Bongo Beach Productions, Massachusetts
Vocals, Guitar - Todd Sharpville, Hammond, Piano: Bruce Bears, Bass - Brad Hallen, and Drums - Mark Teixeira.
Shot by David Marks and Edited by Leo Mansell
Cast Lucy Fer: Ash Dawn Clark, Minion 1: Cyrilla Whyte, Minion 2: Kim Benson, Hammond Player: Dave Oliver, Bass Player: Hugo St Leger and Drummer: Vinnie Reck.
A truly limited edition, we’ll take orders through 12 p.m. CDT on July 25, so shirts will ship the week of August 8th!
Order at store.vintageguitar.com/squatch-rock-t-shirt.htmlHarvey Valdes does Bach – Electrified!Vintage Guitar2022-07-12 | Harvey Valdes shows us how he does J.S. Bach’s “BMV 999 Prelude” on his Teuffel Tesla. It’s one of the songs he performs on his new album, “Novare: J.S. Bach Lute Works on Electric Guitar.” Catch our review in the July issue. cloud.3dissue.com/196659/197012/230687/VGMJUL2022vw2a8z9d3D/index.html?page=28Have Guitar Will Travel 079 – Tim Dugger, Ray Fulcher and Drew CastleVintage Guitar2022-07-08 | Host James Patrick Regan talks with Tim Dugger, Ray Fulcher and Drew Castle for episode 79 of “Have Guitar Will Travel.” Dugger hails from Alabama and grew up listening to old “trucker” songs and scored a record deal thanks to a chance meeting with Mike Curb. Among his gear are a special Martin and Hummingbird. Fulcher’s early influences include Motown music heard on his dad’s stereo. After moving to Nashville, he did odd jobswhile trying to make it.His favorite guitars are a couple J-45s and his a ’52 Southern Jumbo. Castle is a guitarist for the duo O.N.E A Cleveland native whose grandmother was a jazz singer and father a singer and pastor, his personal musical journey also landed him in Nashville. Please like, comment, and share this podcast! vintageguitar.com/39581/have-guitar-will-travel-079-tim-dugger-ray-fulcher-and-drew-castleHave Guitar Will Travel 078 – Matt Stell, Ian Flanigan, and Erin KinseyVintage Guitar2022-07-01 | Ep 78 of “Have Guitar Will Travel” is a three-fer with host James Patrick Regan interviewing Matt Stell, Ian Flanigan, and Erin Kinsey. Stell is an Arkansas native who grew up hearing an array of music – everything from Patsy Cline to Alanis Morissette. His music has garnered 500,000,000 streams. Flanigan was raised in a musical family and took to fingerstyle playing thanks mostly to the influence of Tommy Emmanuel. Before the pandemic, he spent a decade living the life of a travelling singer/songwriter before an impromptu audition put him on NBC’s “The Voice.” Now he’s finishing a major-label album and collaborating with Blake Shelton. Kinsey is from suburban Dallas and grew up studying guitar. The day after graduating from high school, she moved to Nashville and started building a career as a singer/songwriter. Please like, comment, and share this podcast! vintageguitar.com/39536/have-guitar-will-travel-078-matt-stell-ian-flanigan-and-erin-kinseyDavid Hidalgo Plays Joe Walsh’s ’59 Les PaulVintage Guitar2022-06-30 | David Hidalgo Plays Joe Walsh’s ’59 Les Paul The video that helped convince Joe Walsh to reunite with his (now favorite!) ’59 Gibson Les Paul. Los Lobos’ David Hidalgo did this impromptu jam on Freddie King's “Hideaway” (straight from the Clapton ’burst-hero playbook!) through a ’55 Fender Deluxe at Willie’s American Guitars. Be sure to read our feature story in the July issue. cloud.3dissue.com/196659/197012/230687/VGMJUL2022vw2a8z9d3D/index.html?page=64Ty Tabor’s Six-String Meditation!Vintage Guitar2022-06-29 | Ty Tabor used his Player Strat (with a JB Jr. pickup at the bridge) to play this cool rendition of “Insane,” from his new solo album, “Shades,” on which he paints with an array of guitar tones, emotions, and melodies. “I’m running straight through an Orange Super Crush 100 and a 4x12 cab with Vintage 30s, using an SM57,” he said. Our review of the album and interview with Ty appear in the June issue. cloud.3dissue.com/196659/197012/230687/VGMJUN2022qe9eaxexd3D/index.html?page=28Eric Ambel’s New-Guitar MagicVintage Guitar2022-06-27 | Guitarist/producer Eric Ambel talks about how a guitar can inspire a new lick, which in the right hands can become a great song. That very thing happened when Eric got this Swope Biscayne. Here, he shows you the rhythm lick for “Wouldn’t You Know,” from Sarah Borges’ new album “Together Alone.” The rhythm track on the record was recorded the very first time he played this guitar, and left unchanged for the album! Read our review in the June issue. cloud.3dissue.com/196659/197012/230687/VGMJUN2022qe9eaxexd3D/index.html?page=75Gypsy jazz master Christophe Astolfi plays La ValsajoVintage Guitar2022-06-24 | Christophe Astolfi offers an exclusive rendition of Jo Privat’s "La Valsajo" using a guitar made by Jean-Pierre Favino, son of Jacques Favino. On his new album, “Sans Rancune,” he uses it and a Cyril Gaffiero guitar. Read our review in the June issue. cloud.3dissue.com/196659/197012/230687/VGMJUN2022qe9eaxexd3D/index.html?page=75Sarah Borges’ plays “Wasting My Time”Vintage Guitar2022-06-20 | Sarah Borges grabbed her Stonetree Custom Roscoe Special for this take on “Wasting My Time,” from her new album, “Together Alone.” Eric “Roscoe” Ambel’s production and guitar work give the entire disc a great rock-and-roll party vibe. Read our review in the June issue. cloud.3dissue.com/196659/197012/230687/VGMJUN2022qe9eaxexd3D/index.html?page=75Duke Robillard’s Swingin’ R&B!Vintage Guitar2022-06-14 | Duke Robillard’s custom-made J.W. Murphy 17” archtop is the perfect accomplice for this great solo take on “Swingin’ for Four Bills,” a track from his new album, “They Called it Rhythm & Blues!” Catch our interview in the June issue. cloud.3dissue.com/196659/197012/230687/VGMJUN2022qe9eaxexd3D/index.html?page=22Aldo Nova’s 2022 “Paradise”Vintage Guitar2022-06-13 | Forty years after “Fantasy,” Canadian rock legend Aldo Nova has returned with two new projects. One is a semi-autobiographical rock opera called “The Life and Times of Eddie Gage.” Here, he and his modded Les Paul Standard tear it up on a fresh version of his renowned instrumental, “Paradise,” from “Aldo Nova 2.0 Reloaded.” Read our interview with him and review of “Eddie Gage” in the June issue. cloud.3dissue.com/196659/197012/230687/VGMJUN2022qe9eaxexd3D/index.html?page=26Have Guitar Will Travel 077 – Patrick DavisVintage Guitar2022-06-10 | For Ep 77 of “Have Guitar Will Travel,” host James Patrick Regan speaks with Patrick Davis, from Songwriters in Paradise. A native of South Carolina, Patrick was raised in a musical family and has played his share of gigs for tip money. They discuss his beginnings as a songwriter, and how Hootie and the Blowfish helped him move to Nashville. He has written songs for Darius Rucker, Jimmy Buffet, Guy Clark, Robert Randolph, and still loves to perform with his big band, Patrick Davis and his Midnight Choir, where he uses an assortment of cool gear. Please like, comment, and share this podcast! Listen to more great podcasts at vintageguitar.com/category/podcastsScintillating Latin-jazz from Greg DiamondVintage Guitar2022-06-03 | Greg Diamond revisits "Song for Jerry '' with his Eastman PG-2 Pagelli running through a Headstrong L’il King-S. In the May issue, we review the reissue of Greg’s 2012 album, “Conduit,” which includes bonus tracks. Read our review of the album in the May issue. cloud.3dissue.com/196659/197012/230687/VGMMAY2022h95b8csd3D/index.html?page=81Gregg Wright plays “Hey Li’l Girl”Vintage Guitar2022-05-27 | Gregg Wright has opened for Albert and Freddie King, and toured with The Jacksons. Here, he uses a custom-made Fret-King GWR running to a Marshall DSL-40 to play the old-school blues riff and a spicy lead from “Hey Li’l Girl,” one of the tracks from his stellar new album, “Big Dog Barkin’,” which mixes everything from country ballads, boogie, and blues-rock to gospel and fire-breathing rock and roll. Read our review of the album and interview with Gregg in the May issue. cloud.3dissue.com/196659/197012/230687/VGMMAY2022h95b8csd3D/index.html?page=28Have Guitar Will Travel 076 – NashvillainsVintage Guitar2022-05-26 | On Ep 75 of “Have Guitar Will Travel,” host James Patrick Regan interviews Ep 76 of “Have Guitar Will Travel” features Troy Johnson, Scott Lindsey, and Brett Boyette of the band Nashvillains. The guys have written and produced music for feature films, television shows, and A-list artists including The Chicks, Keith Urban, Cassadee Pope, and James Taylor. During a stop on their recent nationwide tour, they talked with host James Patrick Regan about their careers, guitars, gear adventures, and their admiration for studio guitarists like Tim Pierce and Tom Bukovac. They also offer an interesting take on how they differentiate themselves from everyone else in country music. Please like, comment, and share this podcast! vintageguitar.com/39228/have-guitar-will-travel-076-nashvillains