SVA MFA Photo Video
The day-long symposium will begin with an opening keynote address by the celebrated Berlin-based filmmaker and writer Hito Steyerl, whose work offers incisive discourse across the fields of art, philosophy, and politics. Her talk will be followed by three sessions that discuss the ways that artificial intelligence (AI) impacts arts education, society, creative practices, and industries.
updated 1 year ago
Kathy Ryan, the longtime director of photography of The New York Times Magazine, has been a pioneer in combining fine art photography and photojournalism in the pages of that publication. The photography in the Magazine has won numerous awards and Ryan has been the recipient of awards including: the Royal Photographic Society's Annual Award for Outstanding Service to Photography, The Griffin Museum's Lifetime Achievement Award, The Center for Photography at Woodstock's Vision Award, the Lucies' Picture Editor of the Year Award, and the Visa Pour l'Image Canon Picture Editor of the Year. Under Ryan's leadership, the Magazine commissions the world's best photographers, a selection of whose work was published in The New York Times Magazine Photographs (Aperture 2011), edited by Ryan. A book of her photographs, Office Romance, was also published by Aperture. She lectures on photography. She gave the annual talk to the Alfred Stieglitz Society at the Metropolitan Museum of Art in 2023.
Dina Litovsky is a Ukrainian-born photographer living in New York City since 1991. Dina's imagery can be described as visual sociology. Her work explores the idea of leisure, often focusing on subcultures and social gatherings.
Dina is a regular contributor to National Geographic, The New York Times Magazine, TIME, New Yorker, GQ and New York Magazine. In 2020 Dina won the Nannen Prize, Germany's foremost award for documentary photography. Other awards include the PDN 30, New and Emerging Photographers to Watch; POYi; NPPA Best
All images within presentation © Dina Litovsky
Moderated by SVA MFA Photography, Video, & Related Media faculty & Brooklyn Rail Editor-At-Large, Lyle Rexer
October 11th, 2023
SVA Theatre
333 W. 23rd Street
New York, NY 10011
Video courtesy Lisson Gallery
A long-term photographic project takes dedication and fortitude, but it also requires an ethical commitment to one’s subject, especially when photographing people or communities. For over 20-years, Thomas Holton has photographed the Lam family in New York City for his project The Lams of Ludlow Street, not only documenting their everyday lives from their changing family structure to the excitement of going to college, but also becoming a part of their lives. Joining Thomas to discuss his project and the challenges of the long-term photography project is photo-editor and curator Elizabeth Krist.
Thomas Holton '05 is a photographer and educator based in New York City. He received a BA in cultural anthropology from Kenyon College and his MFA in photography from the School of Visual Arts. His ongoing project, The Lams of Ludlow Street, has documented the life of a single Chinese-American family living in Manhattan’s Chinatown over the last 20 years. The project was published as a book in 2016 by Kehrer Verlag and has been shown in the United States and abroad at venues including The Museum of the City of New York, the New York Public Library, and the China-Lishui International Photography Festival. The Lams of Ludlow Street will be featured in an exhibition at the National Portrait Gallery in Washington, D.C. in the fall of 2022. The work has also been published by the New York Times, Aperture, The Guardian and many others periodicals. Holton has taught at the International Center of Photography and was co-founder of the VisuaLife photography program, working with at-risk teenagers in collaboration with the Children’s Aid Society in New York City. He is currently the photography instructor at the Trinity School in New York City.
A founding member of the Visual Thinking Collective, Elizabeth Krist was a National Geographic photo editor for over 20 years. She is on the boards of Women Photograph and of the W. Eugene Smith Fund. She has freelanced for The New Yorker and Magnum Photos. Krist curated the Women of Vision exhibition and book, plus Photoville installations the last three festivals. She teaches for ICP and La Luz. For more than ten years she helped program National Geographic’s Photography Seminar, and she also participates in the Eddie Adams Workshop. Honors include the 2020 John Durniak Mentor Award from NPPA, and recognition from POYi, Overseas Press Club, and Communication Arts. Krist has judged for CatchLight, Leica, the Lit List, Lenscratch, The FENCE, POYi, FotoEvidence, Best of Photojournalism, Ian Parry, and the RFK Journalism Awards.
The growing popularity of tools like DALL-E and MidJourney illustrates how artificial intelligence (AI) is quickly transforming image-making. Digital culture theorist and artist Lev Manovich will be in conversation with media scholar and writer Natasha Chuk to share examples and discuss these developments. They will address the emerging aesthetics and creative practices of AI photography and what these changes mean for the future of photography and the lens-based arts.
This event is the first of a series of events and discussions exploring the relationship between AI and the lens and screen arts hosted by the MFA Photography, Video and Related Media Department at the School of Visual Arts. Second installment set for March 18th, 2023.
SVA MFA Photography, Video and Related Media Department's 2022-2023 Scheimpflug Lecture Series is kindly sponsored by Adorama.
Tuesday, November 8th, 2022
Introduction by Amy Taubin
Manuel DeLanda (b.1952 in Mexico City) is a New York-based cross-disciplinary theorist and artist. He has taught at the School of Architecture at Princeton University (where he previously held a Fellowship at the Institute for Advanced Studies in 2000/01), The Graduate Architecture and Urban Design program at Pratt Institute, the University of Pennsylvania School of Design, and at the Graduate School of Architecture, Planning and Preservation at Columbia University, among others. He holds a PhD from the European Graduate School (2010). Having received a BFA from the School of Visual Arts in New York, he first worked in (experimental) film and digital media before turning to theory. He is the author of numerous books including War in the Age of Intelligent Machines (Zone Books, 1991), A Thousand Years of Nonlinear History (Zone Books, 1997), Deleuze: History and Science (Atropos Press, 2010), A New Philosophy of Society (continuum, 2006), and Philosophy and Simulation: The Emergence of Synthetic Reason (Bloomsbury, 2011).
Susie Linfield is a professor of journalism at NYU, writes about the intersection of history, politics, and culture. She is the author of "The Cruel Radiance: Photography and Political Violence" (University of Chicago Press), which was a finalist for the National Book Critics Circle Award in criticism, and of "The Lions' Den: Zionism and the Left from Hannah Arendt to Noam Chomsky" (Yale University Press), which a co-winner of the Natan Notable Books Award. Linfield has written on topics ranging from Syrian torture photographs to the Israeli-Palestinian conflict for a variety of publications, including "The New York Review of Books," "The New York Times," "The Atlantic," the "New Republic," "The Nation," "Guernica," and the "Boston Review." Her books have been translated into Turkish, Italian, Croatian and Korean. She was born and raised in New York City
Kathy Shorr was born in Brooklyn, New York. Her work crosses the borders of documentary, portraiture and street photography. She received her undergraduate degree in photography from The School of Visual Arts and has an MS in Education, earned while working as a New York City Teaching Fellow working in the public schools in crisis. Her work has been shown in galleries in the United States and Europe. Her Limousine series was featured at the celebrated Visa Pour L’Image in Perpignan, France. Her book, SHOT …101 Survivors of Gun Violence in America was published by powerHouse in 2017. SHOT: We the People is a nonprofit that she founded in 2019. The current project on this platform is SHOT: We the Mothers, featuring mothers who have lost children to gun violence. So far, the project has represented the city of Philadelphia and she is currently working on Miami. She received a NYFA grant in 2022 for the Philadelphia project. She lives and works in New York City.
Will Chan is an artist, activist, and mutual aid organizer. His statements on the U.S. invasion of Iraq in 2003 are considered some of the most important works in response to the Iraq war. His works are used as course materials and held by notable institutions such as Harvard University, Tate Modern, Tim Hetherington Library at the Bronx Documentary Center, Yale University, and The Metropolitan Museum of Art among others. He is the Director of Home Gallery, a window gallery in the Lower East Side, and Co-Director of Transmitter Gallery.
www.mfaphoto.sva.edu/2022-thesis
http://www.natsukomatsumura.com
Multimedia installation with mylar, fabric, and color videos, with sound, 8 min.
Swamp/Where Is Light is an immersive, multichannel video installation that conjures the common experience of mood disorders on both a personal and societal scale. Using projected text; colorful, distorted imagery; and layers of fabric and reflective Mylar, Phoelix infuses her work’s physical environment with a powerful psychological ambience. To enter the installation is to enter a mental landscape, surrounded by warped fragments of language, music, bodies, and other visual elements. Through these means the project evokes the pain and anxiety that lurk in the shadows for so many individuals, not just as a feature of the human condition but, for up to one in five U.S. adults, as part of life with mental illness (NIMH).
Thesis Film Screening September 13th, 2022
SVA Theatre
https://www.mfaphoto.sva.edu/2022-thesis
Nicole Dawn Strathman is a lecturer in the Department of Art History at the University of California, Riverside. She is the author of Through a Native Lens: American Indian Photography (University of Oklahoma Press, 2020).
After earning her degree in sculpture from the Academy of Fine Arts in Munich in 1991, Vera Lutter moved to New York City to enroll in the Photography and Related Media program at SVA, receiving her MFA in 1995. While she has gained international recognition for her uniquely produced camera obscura images of industrial and architectural sites around the world, Lutter remains active in New York and features the city as a recurring subject. In addition to her work with the camera obscura, she has made video work that focuses on how light and sound articulate time’s passing. In 2008, Lutter designed the set for the Gotham Chamber Opera’s production of Ariadne Unhinged, and the following year she curated the exhibition "Nowhere Near" at 601Artspace. Her work has been published in Art Forum, ARTNews, Art in America, BOMB, The New York Times, as well as in many books on contemporary art, including Oasis in the City: The Abby Aldrich Rockefeller Sculpture Garden at the Museum of Modern Art (MoMA), The Photograph as Contemporary Art (Thames & Hudson), and Women Photographers (Prestel). Lutter has received several awards, including the Pollock-Krasner Foundation Grant (2002) and the John Simon Guggenheim Memorial Foundation Fellowship (2001). In early 2017 Lutter was announced as LACMA’s first artist in residence. The residency took place from February 2017 – February 2019 and culminated in the exhibition "Museum in the Camera" (2021).
Sarra Idris is a Sudanese-American director, editor and visual artist based in New York. She is also a founder and partner of Golden Tusk Labs, a creative development company devoted to telling great stories from unexplored perspectives. As an editor Sarra has over 15 years experience in various projects across TV, commercials, web series, short film, and music videos. Companies include NBC Universal (Saturday Night Live), PSYOP, Google Creative Lab, MPC, Twitter, Pentagram, and BBC America. As a director, Sarra's short films have been screened at the Diversity in Cannes Short Film Showcase, New York African Film Festival, Cinetopia Film Festival at the Smithsonian Arab American National Museum (AANM) and The ICA London. Outside of her professional ventures, Sarra is committed to promoting cross cultural understanding for underrepresented voices. She worked and taught in Sudan (in both Kosti and Khartoum) as part of The Cultural Healing Program and as an Artist in Residence at the Rashid Diab Arts Centre in Khartoum.
Accra Shepp is a New York-based artist and writer. His images have been exhibited worldwide and are in the collections of the Museum of Modern Art, the Victoria and Albert Museum, and other institutions. His writing has appeared in The New York Times and the New York Review of Books as well as the artist book Atlas (in the collection of the Whitney Museum and the New York Public Library), and Windbook, an artist-book installation at the National Library of Luxembourg. The installation, which explored ethnicity and national identity, was a year-long project where the book was outside exposed to the elements with only the wind to turn its pages. He is currently working on a photo-based project titled “The Covid Journals.”
Presented by the MFA Photography, Video and Related Media Department at SVA.
Curated by Kris Graves.
With support from Adorama
From his scholarship on the Civil Rights Movement to his writings on the work of Gordon Parks, Berger’s work makes clear the central role of photography in the advancement of racial justice. Covering the fields of history, activism, photojournalism and art, the panelists will explore how photography helps us reckon with issues of race and representation in the United States.
This event was made possible with support from Adorama - adorama.com
This event was made possible with support from Adorama - adorama.com
MFA Photography, Video and Related Media presents recent program graduate Bo Wang, who will show excerpts from and discuss several of his films and video projects, including those shown at the Museum of Modern Art and the Guggenheim Museum. SVA faculty member Richard Leslie will moderate
The School of Visual Arts, MFA Photography, Video and Related Media invites you to a discussion with Steven Heller, MFA Design / Designer as Entrepreneur Department Co-Chair (with Lita Talarico). In anticipation of the US Presidential Election, Heller will present his work on the history of propaganda art and design from his book Iron Fists: Branding the 20th Century Totalitarian State (Phaidon Press; Reprint Edition (April 20, 2011). Heller will engage in an open dialogue analyzing the visual style of politically motivated messages and contemporary global politics.
Kameelah Rasheed speaks to the MFA Photography, Video and Related Media Department. Kameelah Janan Rasheed (b.1985) is a Brooklyn-based interdisciplinary artist, writer, and former public high school teacher from East Palo Alto, CA. Through installation works that combine photography, printmaking, publications, poetry, and performance, Rasheed’s research and work examine language as it relates to constructions of Black subjectivity.
Hosted by Lyle Rexer. With Robert Bowen, Yasi Alipour, and Keren Moscovitch.
The media environment comprehends a variety of image-making approaches, strategies, technologies and objectives. These involve audiences in new and complex ways, as viewers, interlocutors and co-respondents in the fashioning of significance. The publication series from the School of Visual Arts and Intellect Press, under the auspices of the MFA in Photography, Video and Related Media, seeks to bring creative imagination and critical acuity to the understanding of these relations. How has the past shaped current visual experiences? What are the roles of technology and power in the visual economy? What will be the implications of the emerging image-world for individuals and societies? Texts in the series seek to illuminate these questions.
This lecture is part of the SVA MFA Photography/Video Departments ongoing Scheimpflug Lecture Series.
Art in Time and Space
Still, moving and depth emerged simultaneously in the 19th century. However, that is not the standard chronology. Bob further describes how depth mediates still and moving and how these insights inform new media.
This lecture is part of the SVA MFA Photography/Video Departments' ongoing Scheimpflug Lecture Series.
Varying the Modes of Perception: Geometrical Optics, Physiological Optics, and Don’t Forget Quantum Optics
Given: the apparatus and that we use it. Though space maps into x, y, and z coordinates, idiosyncrasies emerge when we start to look at it.
This lecture is part of the SVA MFA Photography/Video Departments' ongoing Scheimpflug Lecture Series.
At the SVA Theatre on May 03, 2011
A panel discussion on photography, performance, and the “living sculpture,” with artists Eleanor Antin (NY) and Robin Rhode (Berlin), moderated by curator Roxana Marcoci in conjunction with the group exhibition The Original Copy: Photography of Sculpture, 1839 to Today, curated by Roxana Marcoci, Curator of Photography, The Museum of Modern Art, NY.
At the SVA Chelsea Theatre on 10/26/2010. Hosted by the MFA Photography, Video and Related Media Department at SVA. Organized by Beatrice Gross.
Curator and historian Bonnie Yochelson lectures on the work of Alfred Stieglitz in conjunction with her exhibition Alfred Stieglitz New York at the South Street Seaport Museum, NY.
At the SVA Amphitheater on 11/09/2010. Hosted by the MFA Photography, Video and Related Media Department at SVA.