Jürgen HockerConlon Nancarrow, Study for Player Piano No. 37. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.de
Conlon Nancarrow, Study for Player Piano No. 37Jürgen Hocker2010-05-18 | Conlon Nancarrow, Study for Player Piano No. 37. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deTom Johnson - Study for Player Piano #1Jürgen Hocker2010-09-17 | Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deJames Tenney - Spectral Canon for Conlon NancarrowJürgen Hocker2010-09-17 | Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deJames Tenney - Music for Player PianoJürgen Hocker2010-09-17 | Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deBernhard Lang - Monadologie X - AdagioJürgen Hocker2010-09-17 | Adagio is the second movement of Monadologie X, written by Bernhard Lang for the Mozart Sommer 2010 for the Nationaltheaters Mannheim.Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deMarc-André Hamelin - Solfeggietto a cinque for Player PianoJürgen Hocker2010-09-17 | Hamelin's Solfeggietto a cinque for Player Piano is a modern and a highly artistic version of the Solfeggietto by Carl Philippe Emanuel Bach with up to five voices. Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deMarc-André Hamelin - Pop Music for Player PianoJürgen Hocker2010-09-17 | The source of Hamlin's Pop Music was the local ice-cream truck, which played the tune 'Pop goes the weasel'. Hamelin got obsessed by this tune. The result (for Player Piano) you can hear now. Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deFrancis Bowdery - Canon 10/27/12/80 for Conlon NancarrowJürgen Hocker2010-09-17 | Canon 10/27/12/80 is a short but impressive sketch, written in 1992 for Conlon Nancarrow's 80th birthday (born on 27.10.1912). Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deGyörgy Ligeti - Étude pour Piano No.14aJürgen Hocker2010-09-17 | In his Piano Études Ligeti was strongly influenced by Nancarrows Studies for Player Piano. Ligeti wanted some of his Études to be transcribed for the Player Piano and he wanted "unplayable" arrangements. The transcriptions were made in close collaboration with the composer.
Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deGyörgy Ligeti - Étude pour Piano No. 13Jürgen Hocker2010-09-17 | In his Piano Études Ligeti was strongly influenced by Nancarrows Studies for Player Piano. Ligeti wanted some of his Études to be transcribed for the Player Piano and he wanted "unplayable" arrangements. The transcriptions were made in close collaboration with the composer.
Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deGyörgy Ligeti Étude pour Piano No. 12Jürgen Hocker2010-09-17 | In his Piano Études Ligeti was strongly influenced by Nancarrows Studies for Player Piano. Ligeti wanted some of his Études to be transcribed for the Player Piano and he wanted "unplayable" arrangements. The transcriptions were made in close collaboration with the composer.
Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deGyörgy Ligeti Étude pour piano No.11Jürgen Hocker2010-09-17 | In his Piano Études Ligeti was strongly influenced by Nancarrows Studies for Player Piano. Ligeti wanted some of his Études to be transcribed for the Player Piano and he wanted "unplayable" arrangements. The transcriptions were made in close collaboration with the composer.
Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deGyörgy Ligeti - Étude pour Piano No. 10Jürgen Hocker2010-09-17 | In his Piano Études Ligeti was strongly influenced by Nancarrows Studies for Player Piano. Ligeti wanted some of his Études to be transcribed for the Player Piano and he wanted "unplayable" arrangements. The transcriptions were made in close collaboration with the composer.
Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deGyöry Ligeti - Étude pour Piano No. 9Jürgen Hocker2010-09-17 | In his Piano Études Ligeti was strongly influenced by Nancarrows Studies for Player Piano. Ligeti wanted some of his Études to be transcribed for the Player Piano and he wanted "unplayable" arrangements. The transcriptions were made in close collaboration with the composer.
Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deMichael Denhoff - Aus12 Inventionen für Player Piano, No.8Jürgen Hocker2010-09-17 | Nearly all Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deSteffen Schleiermacher SiK2Cl2Mn for Player PianoJürgen Hocker2010-09-16 | Commissioned by Bayer Kultur. These Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deFünf Stücke für eine Jahrmarktorgel No.5, Fassung für Player Piano Der zornige Ei(f)sschrankJürgen Hocker2010-09-16 | These Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deSteffen Schleiermacher - Xenias KissenJürgen Hocker2010-09-16 | These Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deSteffen Schleiermacher - Von der Reich gedeckten TafelJürgen Hocker2010-09-16 | These Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deSteffen Schleiermacher - Kindermädchens KanonenofenJürgen Hocker2010-09-16 | These Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deSteffen Schleiermacher - Am LiegetischJürgen Hocker2010-09-16 | These Contemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.deGeorge Antheil - Ballet Mécanique Roll 3Jürgen Hocker2010-09-14 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deGeorge Antheil - Ballet Mécanique Roll 2Jürgen Hocker2010-09-14 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deGeorge Antheil - Ballet Mécanique Roll 1Jürgen Hocker2010-09-14 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deGerhart Münch - 6 polyphone Etüden für elektrisches KlavierJürgen Hocker2010-09-14 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deGeorge Antheil MécaniqueNo.1Jürgen Hocker2010-09-14 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deErnst Toch - Der JongleurJürgen Hocker2010-09-13 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deIgor Strawinsky - Étude pour PianolaJürgen Hocker2010-09-13 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deHans Haass - IntermezzoJürgen Hocker2010-09-13 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deHans Haass Fuge in CJürgen Hocker2010-09-13 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deAlfredo Casella - Trois Pièces pour PianolaJürgen Hocker2010-09-13 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deErnst Toch Drei Originalstücke für das elektrische Klavier No.3Jürgen Hocker2010-09-13 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deErnst Toch Drei Originalstücke für das elektrische Klavier No. 2Jürgen Hocker2010-09-13 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deErnst Toch Originalstück für das elektrische Klavier No.1Jürgen Hocker2010-09-13 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.dePaul Hindemith - Toccata für das mechanische KlavierJürgen Hocker2010-09-13 | Original Compositions for Player Piano between 1915 and 1930. In this period composers discovered the superhuman possibilities of the Player Piano. Strawinsky, Hindemith, Toch, Antheil, Münch, Haass and Casella used this new medium, decades before Conlon Nancarrow discovered it again for his ingenious Studies for Player Piano. This clip was recorded by a finely restored Bösendorfer Ampico Grand. See www.playerpianokonzerte.de and www.nancarrow.deuvs100822 130248~0 Antheil Mécanique #1Jürgen Hocker2010-09-13 | ...Conlon Nancarrow, Study for Player Piano No. 3bJürgen Hocker2010-05-21 | Conlon Nancarrow, Study for Player Piano No. 3b. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 8Jürgen Hocker2010-05-20 | Conlon Nancarrow, Study for Player Piano No. 8. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 7Jürgen Hocker2010-05-20 | Conlon Nancarrow, Study for Player Piano No. 7. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 6Jürgen Hocker2010-05-20 | Conlon Nancarrow, Study for Player Piano No. 6. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 5Jürgen Hocker2010-05-20 | Conlon Nancarrow, Study for Player Piano No. 5. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 3dJürgen Hocker2010-05-20 | Conlon Nancarrow, Study for Player Piano No. 3d. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 3cJürgen Hocker2010-05-20 | Conlon Nancarrow, Study for Player Piano No. 3c. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 3aJürgen Hocker2010-05-19 | Conlon Nancarrow, Study for Player Piano No. 3a. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 2AJürgen Hocker2010-05-19 | Conlon Nancarrow, Study for Player Piano No. 2A. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 1Jürgen Hocker2010-05-19 | Conlon Nancarrow, Study for Player Piano No. 1. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Tango?Jürgen Hocker2010-05-19 | Conlon Nancarrow, Tango? Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 49cJürgen Hocker2010-05-19 | Conlon Nancarrow, Study for Player Piano No. 49c. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Piece for LigetiJürgen Hocker2010-05-19 | Piece for Ligeti Conlon Nancarrow. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Study for Player Piano No. 49bJürgen Hocker2010-05-19 | Conlon Nancarrow, Study for Player Piano No. 49b. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.deConlon Nancarrow, Para YokoJürgen Hocker2010-05-19 | Conlon Nancarrow, Para Yoko. Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows restauriert wurde. Recorded with the Ampico Bösendorfer Grand in the possession of Juergen Hocker, which was restored under the supervision of Nancarrow. See: www.nancarrow.de