Telfair Museums
Keita Takahashi: Zooming Out
updated
Videography courtesy of Julian Rutledge.
Jepson Center
Savannah, Georgia
'A Measure of Time' is a solo presentation of sculptures and mixed media works on paper by internationally acclaimed artist Anila Quayyum Agha (b. 1965). Agha was born in Lahore, Pakistan where she received her BFA from the National College of Arts, Lahore. She later immigrated to the United States and attended the University of North Texas, obtaining an MFA in Fiber Arts. Currently, she resides in Indianapolis, Indiana, and Augusta, Georgia, where she is a professor and the Eminent Morris Scholar of Fine Art at Augusta University. Drawing from her experiences as a Pakistani woman and immigrant, Agha’s work is global in scope—crossing cultures and boundaries to explore shared humanity.
Her large-scale suspended sculptural cube, A Beautiful Despair, created in view of the recent pandemic with its associated losses and gains, transforms the gallery space through cast shadows consisting of floral and geometric patterns inspired by Islamic artistic motifs of Asia and Africa. The enveloping environment offers an inclusive space for all visitors of all backgrounds for a communal experience. Stealing Beauty, a mirrored stainless-steel multi-layered wall relief of intertwining floral patterns, references South Asian Islamic culture and the designs of 19th-century British textile designer William Morris. Activated by light, the shadows on the wall shiver and dance, resulting in an amalgamation of patterns that raise questions of inspiration and appropriation, commerce and movement. In addition to Agha’s steel installations, the exhibition features several mixed media works on paper made through traditional craft methods such as embroidery. The wall-based works offer an intimate viewing experience and encourage visitors to consider how certain materials and artmaking forms have traditionally been gendered. These works aim to redefine our perceptions of craft and handiwork as significant and poignant forms of creative expression. Ultimately, Agha’s consideration of the deeply entwined relationships between gender, culture, religion, labor, and social codes strives to bring people of different worldviews together in one space to create dialogue, mutual understanding, and future change.
This exhibition is organized by Telfair Museums and curated by Erin Dunn, curator of modern and contemporary art.
telfair.org/exhibitions/measure-of-time
On the museum’s third floor, visitors access CAM through an engaging Tunnel Gallery that tells the story of Impressionism before proceeding through an interactive, digital Portrait Gallery that overlooks the Family Lounge, the Oglethorpe Street windows, and the south historic district.
On the second floor, CAM visitors can enjoy hands-on activities in the open play spaces of the Family Lounge and the Toddler Area, before immersing themselves in the state-of-the-art, interactive Landscape Gallery, which brings the concepts of Impressionism to life. Admissions to CAM is included with regular admissions.
Jepson Center
Savannah, Georgia
Frank Stewart’s Nexus is the first major museum exhibition of photographer Frank Stewart’s work and centers on his sensitive and spontaneous approach to portraying world cultures and Black life in many forms—including music, art, travel, food, and dance. Organized into thematic groupings, the retrospective traces his explorations of life on the road and the trajectory of his stylistic journey, bringing together a comprehensive visual autobiography through over 100 black-and-white and color images. For more than six decades, Stewart has captured intimate and empathetic images of life experienced and observed across subjects, cities, and countries. He has drawn inspiration from trips to Africa and Cuba, travels as the lead photographer for the Jazz at Lincoln Center Orchestra, and powerful examinations of our ever-changing landscape.
Stewart’s photographs experiment with size, format, and printing. Less-explored aspects of his career include his more abstract and painterly Drawings series, inspired by his travels and his quest for self-understanding. Color has dominated Stewart’s photography for the past two decades, and in more recent, larger-scale images he forefronts the transforming environment. Always at the heart of his varied and evolving practice is a familiarity Stewart creates with the people and places that inhabit his works.
The exhibition is co-organized by The Phillips Collection and Telfair Museums and curated by Ruth Fine, formerly of the National Gallery of Art in DC, and Fred Moten, poet, scholar, and professor of performance studies at NYU’s Tisch School of Fine Arts.
The coordinating curator for the presentation at Telfair Museums is Erin Dunn, Curator of Modern and Contemporary Art.
telfair.org/exhibitions/frank-stewarts-nexus
About Frank Stewart:
Born in Nashville, Tennessee, Frank Stewart grew up in Memphis and Chicago. He attended the Art Institute of Chicago, where he was a student of Garry Winogrand and received a BFA in photography from The Cooper Union in New York, where he studied with Roy DeCarava. Stewart became the assistant and photographer to the artist Romare Bearden after the two met in 1975 while filming the documentary Two Centuries of Black American Art, a project organized by David C. Driskell. Stewart has exhibited photographs at The High Museum, Atlanta; Cooper Union Gallery, Studio Museum in Harlem, Schomburg Center for Research, the International Center of Photography, in New York; Museum of Contemporary Art in Los Angeles; and Corcoran Gallery in Washington, DC. He was a member of the first team of North American journalists invited by the Center for Cuban Studies to visit Cuba in 1977. He was also invited by the Los Angeles Olympic Committee to photograph the 1984 Summer Olympics. He has twice been granted a photographic fellowship from the National Endowment for the Arts, and a New York Creative Artist Public Service Award. He is a member of Kamoinge, an African-American photography collective based in New York. For three decades, he photographed the renowned performers for Jazz at Lincoln Center.
About Fred Moten:
Fred Moten is concerned with social movement, aesthetic experiment and black study and has worked on several projects that try to approach these matters. The latest of these are an album called Fred Moten/Brandon López/Gerald Cleaver (Reading Group Records, 2022) and a book called All Incomplete (Minor Compositions, 2021), co-authored with Stefano Harney. In addition to his collaborations with Harney and with López and Cleaver, Moten has worked with many other artists, artist collectives, scholars, and study groups, including Arika, the Center for Convivial Research and Autonomy, Renee Gladman, Renée Green, the Institute for Physical Sociality, the Jazz Study Group, Jennie C. Jones, Le Mardi Gras Listening Collective, The Otolith Group, William Parker, Moved by the Motion and the Harris-Moten Quartet. Moten lives in New York teaches performance studies and comparative literature at New York University.
'Frank Stewart's Nexus' is supported in part by the National Endowment for the Arts.
Exhibition investment is provided by the City of Savannah and the Georgia Council for the Arts.
Major exhibition funding provided by Bob Faircloth.
Special thanks to our Directors' Council Members for their annual exhibition support.
The exhibition is co-organized by The Phillips Collection and Telfair Museums and curated by Ruth Fine, formerly of the National Gallery of Art in DC, and Fred Moten, poet, scholar, and professor of performance studies at NYU’s Tisch School of Fine Arts.
The coordinating curator for the presentation at Telfair Museums is Erin Dunn, Curator of Modern and Contemporary Art.
Dr. Livingston is a two-time winner of the Distinguished Book Prize from the international Society for Military History (2017, 2020), an author of bestselling fiction, and award-winning full professor at The Citadel in Charleston, SC. He serves as the Secretary-General for the United States Commission on Military History and sits on the Board of the South Carolina Academy of Authors.
The exhibition features a total of five paintings by LaPlanche, which are on view in the public-facing windows of the Jepson Center on Barnard Street through April 2023.
Telfair Museums presents the first large museum survey of the work of William O. Golding (1874-1943), an African American seaman and artist who recorded a half-century of maritime experience in more than one hundred vibrant drawings. In the 1930s, Golding was a patient at the United States Marine Hospital in Savannah, where he represented his experiences in expressive pencil and crayon drawings which combine memory, imagination, and sailors’ lore. 72 works will be exhibited, including 23 drawings from Telfair Museums’ permanent collection, and others from the Morris Museum of Art, The Georgia Museum of Art, and private collections. The exhibition will be accompanied by a richly illustrated catalog, the first devoted to this significant American artist.
About the Exhibition:
On a desk of the private study collection of the Museum für Naturkunde in Berlin, an old stuffed parrot guards a small library and a vast, yet obsolete ornithology collection. An excited young scientist reads a story on the origins of the desiccated animal for the purpose of entertaining a group of visitors: it may have been the last “speaker” of a dead Indigenous language from colonial Venezuela, or a German prince’s precious gift to the naturalist Alexander von Humboldt. There is no clear understanding which of these versions, if any, might be true. This long-obscured anecdote inspires Never Spoken Again: Rogue Stories of Science and Collections, a traveling exhibition that reflects on the birth of modern collections, their origin stories, and the art institutions that sustain them. The unknown truth of the story invites speculation and encourages the formation of alternative narratives surrounding the works on view. The exhibition collects stories of fabrication, chance, and deceit that live silently, yet dynamically, between the layers of modern history.
The internationally recognized contemporary artists featured in the exhibition, including Morehshin Allahyari, Daniel R. Small, Carlos Motta, and Michael Rakowitz, perform as artist-scholars, opening a critique of material culture, iconography, and political ecologies. Their practices examine not only the objects and the systems of distribution that facilitate their circulation but also the disciplines and subjects of study that perpetuate boundaries. The works shed light on myths, simulations, fake currencies, war games, and the slow violence of systematic racism that historically underpin collecting practices. In conjunction with the Telfair Museums-organized exhibition Progressive Regression: Examination of a 19th Century Museum, on view at the Telfair Academy, there is a call for a renewed consideration surrounding human agency in how our histories and futures may be reimagined.
Never Spoken Again: Rogue Stories of Science and Collections is curated by David Ayala-Alfonso and produced by Independent Curators International (ICI). It is the result of a new series of programs, pioneered with the support of the Hartfield Foundation, aimed at providing opportunities to alumni of ICI’s Curatorial Intensive as they move through the stages of their career, and reflecting ICI’s commitment to fostering and championing new curatorial voices who will shape the future of the field. Never Spoken Again is made possible with the generous support of ICI’s Board of Trustees and International Forum, with additional support from SAHA. The presentation at Telfair Museums has been organized in collaboration with Erin Dunn, associate curator of modern and contemporary art.
Visit telfair.org for more info.
Telfair Museums presents a virtual opening lecture of #art912 re-cor-dare with Sauda Mitchell.
re-core-dare is a solo #art912 exhibition of Savannah-based artist Sauda Mitchell (American, B. 1981). The exhibition explores aspects of the black experience through visual responses to archival collection materials. Using archival research, printmaking, and QR code technology, the works on view will trace the veins of history into the present day and restore the emotional pull of memories after the passage of time.
This exhibition is organized by Telfair Museums and curated by Erin Dunn, Associate Curator of Modern and Contemporary Art.
re-cor-dare will be on view at the Jepson Center in Savannah, Ga from April 16, 2021–February 22, 2022.
telfair.org/exhibitions/re-cor-dare-sauda-mitchell
The hyphenated title, Re-Cor-Dare, calls attention to the definition of the word “record” through its Latin roots―explicitly “Cor” (heart) and “Dare” (to give). Through five distinct but interconnecting series, Mitchell traces the legacies of slavery in the United States from the Middle Passage to present-day social injustices faced by Black Americans. Ultimately, her work exists as a catalyst for discussion, reflection, and a celebration of the human spirit.
This exhibition will be on view at the Jepson Center in Savannah, Ga from April 16, 2021–February 22, 2022.
About the Artist:
Sauda Mitchell is an American printmaker, archivist, and educator from Winston Salem, NC. She holds an Associate of Arts in Elementary Education from the University of Phoenix, a Bachelor of Arts in Communication Art with a minor in Art History from the Savannah College of Art and Design, a Master’s in Library and Information Science with a concentration in Archival Studies from Drexel University, and is certified by the Academy of Certified Archivists. She currently serves as the SCAD Jen Library Archives and Special Collections Librarian at the Savannah College of Art and Design. In 2017, Mitchell was an artist in residence at SCAD. She has exhibited locally at The Beach Institute and SCAD MOA. Select works are currently held in the permanent collection of the Savannah College of Art and Design.
Lecture will be a Telfair Curatorial Panel presentation. Telfair Curators Harry DeLorme, Erin Dunn, and Anne-Solene Bayan, together with Executive Director Ben Simons, will be joined by special guests, Courtney McNeil and Shannon-Browning Mullis.
Sponsored by Telfair Academy Guild.
Curators' Choice will be on view at the Jepson Center in Savannah, GA from April 30, 2021–February 22, 2022.
To learn more, visit telfair.org/exhibitions/curators-choice
David Gumbs: From Dust to Gold /Interactive Art and Drawing
This exhibition represents the first U.S. solo exhibition by Caribbean artist David Gumbs, featuring immersive, interactive digital installations and drawings. Gumbs is a multi-disciplinary artist from the island of Saint-Martin, currently based in Martinique. Gumbs work is often concerned with “the offscreen of perception” and informed by the Caribbean environment, the impacts of global warming and the legacy of colonialism. He graduated from the Visual Arts school in Fort-de-France, Martinique in 2001 and in 2002 studied Interactive Multimedia Conception at Les Ateliers, L’ENSCI in Paris. Gumbs has exhibited his drawings, video and interactive work internationally at venues including Paris City Hall; Patricia & Phillip Frost Art Museum; Museum of Latin American Art, Los Angeles; Prizm Art Fair, Miami Art Week; the 2017 Jamaica Biennial and Currents New Media Festival, Santa Fe. In 2016 he was awarded the Davidoff Art Initiative Artist in Residence in Beijing, China. At Telfair, Gumbs will show one of his large-scale installations Blossoms, exhibit several new interactive video works, and show drawings on paper linking his new media work to his practice of intuitive drawing.
To learn more, visit telfair.org.
To learn more, visit Telfair.org.
Sponsored by the Telfair Academy Guild.
Free to Telfair members and the public.
This exhibition was curated by Erin Dunn, Associate Curator of Modern and Contemporary Art.
Sponsored by the Telfair Academy Guild.
Free to Telfair members and the public.
'Cut and Paste: Works of Paper' examines the ways in which contemporary artists manipulate paper to create remarkable drawn, sculptural, assembled, woven, or folded works of art. Featuring 11 Georgia artists, the work on view not only speaks to the long history of the paper industry in the South, but also to present-day issues expressed through the fragile but versatile medium. From detailed hand cutting to mark making, draping and folding, casting and silhouettes, both wall-bound and sculptural reliefs consider current possibilities of paper and highlight artists using these magical techniques, leading viewers to suspend their belief of a material nature. This exhibition celebrates the vitality of a relatively old material that has been reinvented and reinterpreted through the skill of the artists on view.
Organized by the Georgia Museum of Art, University of Georgia and Lyndon House Arts Center. This program is supported in part by the Georgia Council for the Arts through the appropriations of the Georgia General Assembly. The Council is a Partner Agency of the National Endowment for the Arts. The presentation of this exhibition at Telfair Museums is curated by Erin Dunn, Associate Curator of Modern and Contemporary Art.
telfair.org/exhibitions/cut-and-paste-works-of-paper
In this video, Kwamena-Poh shares an Ananse story that he recalls hearing as a child in Ghana, West Africa.
For more information and to download our companion activity sheet, please visit www.telfair.org/event/virtual-art-start-may/.
About the Exhibition:
One hundred years ago, the Savannah Art Club (now known as the Savannah Art Association) was founded to “develop art appreciation in individuals and further art in the community.” The group still exists today and is the oldest art association in the state of Georgia. From its inception in February of 1920, the Savannah Art Club quickly rose to become a site of major support for Savannah artists, helping to pave the way for the vibrant arts community that flourishes in Savannah today.
In celebration of the 100th anniversary of the founding of the Savannah Art Club, Telfair presents this exhibition of work by and about the founding members of the club, including local favorites such as Lila Cabaniss, Anna Hunter, Mary Comer Lane, Juliette Gordon Low, Christopher A.D. Murphy, Hattie Saussy, Margaret Gray Thomas, Emma Wilkins, and others. Savannah paintings by visiting Savannah Art Club teachers William Chadwick and Eliot Clark demonstrate how leading artists of the day took inspiration from Savannah during their time as visiting instructors.
In this exhibition, Telfair Museums digs deep into its more than 7,000-work permanent collection to reveal some of the most striking examples of American, German, and French Impressionism in the United States. Collecting Impressionism: Telfair’s Modern Vision traces the early 20th-century footsteps of noted Telfair art advisor Gari Melchers (1860–1932) as he traveled the country and the globe identifying remarkable examples of the avant-garde art movement and giving them a permanent home in Savannah. His prescient collecting decisions laid the groundwork for one of the most important and beloved parts of Telfair’s collection.
The exhibition tells the story of Impressionism through Telfair’s unique lens, highlighting more than three dozen works by Jean-François Raffaëlli, George Sauter, Ernst Oppler, George Hitchcock, Childe Hassam, Willard Metcalf, William Merritt Chase, and many more, including Melchers himself.
This installation is part of the exhibition "Summon the Sea: Contemporary Artists and Moby Dick," on view November 1, 2019 – February 16, 2020 at Telfair Museums' Jepson Center.
About the exhibition:
Regarded as one of the great American novels, Herman Melville’s Moby-Dick (1851) presents an allegorical story that has been reinterpreted over the past 168 years and still holds a prophetic power over our collective imagination. Scholars have long debated its interpretations of humanity’s dangerous search for meaning; conflict between good and evil; the struggle between individualism and socialism, between science and nature; the capitalistic quest for profits at any cost; and the triumphs and failings of American values.
"Summon the Sea! Contemporary Artists and Moby Dick" examines the work of six contemporary artists—Corey Arnold, Guy Ben-Ner, Patty Chang, Tristin Lowe, Allan Sekula, and Frank Stella—who act as epic storytellers as they respond to, challenge, and celebrate the allegories presented in Melville’s literary classic through large-scale sculpture, photography, prints, and video made since 1985. These artists were selected for the epic nature of their own searching: the bodies of work on view represent a similar tome-like status in each artist’s oeuvre—they were either painstakingly created over multiple years or were executed on an epic scale warranted by a novel like Moby-Dick. These artists’ work encourages dialogue about ecology and nature, economics and industry, human psychology and emotion.
During this engaging conversation, curator Shannon Browning-Mullis interviews these impressive scholars about their past research on the region, Gullah identity, and African American women in the criminal justice system. They also discuss what brought them to the Legacy of Slavery in Savannah project and how they are creating the theoretical framework for its scholarship.
The free lecture was sponsored by the Jacob and Gwendolyn Lawrence Foundation and co-presented by Telfair’s Friends of African American Arts.
For more information, visit telfair.org.
From refined concepts of design to the latest in building technology, Jay introduced Savannah to an architectural sophistication that rivaled other, much larger American cities. Starting with the Owens-Thomas House & Slave Quarters, the succession of private residential commissions that Jay received allowed the young architect to mature as a designer experimenting with each as a variation on a theme. Their presence set a high standard for the city’s subsequent architectural development.
Find out more about our exhibition "If These Walls Could Talk: 200 Years of William Jay Architecture" by visiting bit.ly/30vFCuz.


