Valley of the Dolls: Why We Love This Awful Movie Broey Deschanel 2022-05-27 | The first 1,000 people to use my code broeydeschanel0622 or use this link to sign up will get a 1 month free trial of Skillshare: https://skl.sh/broeydeschanel06221Intro song:Diamonds & Rust - Joan Baez, Instrumental Cover by Kittenclaws Guitar Videosyoutube.com/watch?v=DQMr0F4F9fk&ab_channel=KittenclawsGuitarVideos Here’s the original song by Miss Joan:youtube.com/watch?v=IrVD0bP_ybg&ab_channel=JoanBaez-Topic Quote Narrators:Nathan: (Acolytes of Horror):youtube.com/c/NathansArtProject Izzy: (Be Kind Rewind):youtube.com/channel/UCNiolZNLiJplmCCzqk9-czQ Lola (Lola Sebastian):youtube.com/c/LolaSebastian Sam (We’re In Hell):youtube.com/c/WereInHell Socials + Support the Channel:Patreon: patreon.com/broeydeschanel Instagram: instagram.com/broey_deschanel Twitter: twitter.com/DeschanelBroey Videos about transphobia in pop culture:Jessie Gender - The Pop Culture Fetishization of Trans Womenyoutube.com/watch?v=VNOL0Ts1jEE&t=24s&ab_channel=JessieGender Lindsay Ellis - Tracing the Roots of Pop Culture Transphobiayoutube.com/watch?v=cHTMidTLO60&t=1104s&ab_channel=LindsayEllis SOURCES: Jack Babuscio “Camp and the Gay Sensibility” in Queer Cinema: The Film Reader, Routledge (2004). Thomas Doherty, “SEX, VIOLENCE, AND ADULT THEMES: The MPAA and the Birth of the Film Ratings System” Cinéaste, Vol. 42, No. 4 (Fall 2017).Richard Dyer, "The Politics of Gay Culture," in Homosexuality: Power and Politics, ed. Gay Left Collective (London: Allison and Busby, 980), 179.Ken Feil, Fearless Vulgarity: Camp Love as Queer Love for Jackie Susann and Valley of the Dolls, Wayne State University (2022). Amy Fine Collins, “Once Was Never Enough” Vanity Fair (2013).vanityfair.com/culture/2000/01/jacqueline-susann-valley-of-the-dolls-books Richard Henke “Imitation of Life: Imitation World of Vaudeville” Jump Cut, no. 39, (June 1994). pp. 31-39David Herzberg, “"The Pill You Love Can Turn on You": Feminism, Tranquilizers, and the Valium Panic of the 1970s” American Quarterly, Vol. 58, No. 1 (Mar., 2006).Donald Liebenson, “Why Valley of the Dolls Still Sparkles at 50”, Vanity Fair (2017).vanityfair.com/hollywood/2017/12/valley-of-the-dolls-50th-anniversary Stephen Rebello, Dolls! Dolls! Dolls! Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time, Penguin Books (2020).Matt Singer, “How ‘Beyond the Valley of the Dolls’ Reveals Roger Ebert’s Values as a Film Critic” IndieWire (2013).indiewire.com/2013/04/how-beyond-the-valley-of-the-dolls-reveals-roger-eberts-values-as-a-film-critic-128117 Susan Sontag, "Notes on Camp," in A Susan Sontag Reader (New York: Farrar, Straus, Giroux, 1982), 109.
The Strange Conservatism of Forrest Gump Broey Deschanel 2024-09-29 | Get Nebula using my link for 40% off an annual subscription: go.nebula.tv/broeydeschanelWatch Taboo on Screen on Nebula: nebula.tv/tabooHow did Forrest Gump become the posterchild for the 90s alt right? Let's find out!Thumbnail by Hannah RaineFollow and support this channel:Instagram: instagram.com/broey_deschanelPatreon: patreon.com/broeydeschaneledited by @BenFromCanada instagram.com/benchinapenSOURCES:Richard Corliss, "The World According to Gump," Time (1994). Frederic Jameson, Postmodernism, or The Cultural Logic of Late Capitalism, Duke University Press (1992).Fredric Jameson, “Reification and Utopia in Mass Culture” Social Text, no.1 (1979). David Kehr, “Who Framed: FORREST GUMP” Film Comment, Vol. 31, No. 2 (1995).Eric Kohn, “‘Forrest Gump,’ 25 Years Later: A Bad Movie That Gets Worse With Age” Indie Wire (2019). David Lavery, “"No Box of Chocolates": The Adaptation of "Forrest Gump"” Literature/Film Quarterly, Vol. 25, No. 1 (1997).Howard Mancing, “The Picaresque Novel: A Protean Form” College Literature, Vol. 6, No. 3 (1979). Mark Crispin Miller, “”Hollywood: The Ad” The Atlantic (1990). William Flint Thrall and Addison Hibbard, A Handbook to Literature, Doubleday, Doran & Company (1936).Jennifer Hyland Wang, “A Struggle of Contending Stories": Race, Gender, and Political Memory in "Forrest Gump” Cinema Journal, Vol. 39, No. 3 (Spring, 2000).
Robert Altman: Americas Rebel Director Broey Deschanel 2024-08-31 | Get Nebula using my link for 40% off an annual subscription: go.nebula.tv/broeydeschanelWatch Taboo on Screen on Nebula: nebula.tv/tabooRobert Altman embodied the spirit of America, both in his films and in life. This is the story of his career.Thumbnail by Hannah RaineFollow and support this channel:Instagram:instagram.com/broey_deschanelPatreon: patreon.com/broeydeschaneledited by @BenFromCanada instagram.com/benchinapenSOURCES:Robert Altman, “Albert Mobilio and Robert Altman” : BOMB, No. 68 (Summer, 1999).Paul Arthur, “How the West Was Spun: McCabe & Mrs. Miller and Genre Revisionism” Cinéaste, Vol. 28, No. 3 (SUMMER 2003).Vincent Canby, “The Screen: 'McCabe and Mrs. Miller':Miss Christie Portrays Prostitute in West Betty Is a Gambler in Altman's Film” The New York Times (1971). Adrian Danks, “”It’s OK with me” Introducing Robert Altman” in A Companion to Robert Altman, John Wiley & Sons (2015). Roger Ebert, “M*A*S*H” Chicago Sun-Times (1970). Stephen Farber, “Let Us Now Praise—Not Overpraise—Robert Altman” The New York Times (1974). Margaret Hrezo and William E. Hrezo, “The Politics of the "Open" Self: America in the Cinema of King Vidor and Robert Altman” Studies in Popular Culture, Vol. 32, No. 2 (2010).Helen Keyssar, Robert Altman’s America, Oxford University Press (1991). Robert Phillip Kolker, Radical Surfaces: Robert Altman” in A Cinema of Loneliness, Oxford University Press (2000).Chris Louis Durham, “We Must Be Doing Something Right to Last Two Hundred Years” Wide Screen, Vol 1, Issue 2, (2010). John Mahoney, “‘M*A*S*H’: THR’s 1970 Review” Hollywood Reporter (1970). Patrick McGilligan, Robert Altman: Jumping Off The Cliff: A Biography of the Great American Director, St. Martin’s Press (1989). Daniel O’Brian, Robert Altman: Hollywood survivor, B. T. Batsford (1995).Rex Reed, “Altman’s Latest Is Just T*R*A*S*H” Daily News (1971).Roger B. Rollin, “Robert Altman's "Nashville": Popular Film and the American Character” South Atlantic Bulletin, Vol. 42, No. 4 (1977).Robert Altman: Interviews, edited by David Sterritt, Jackson: University Press of Mississippi (2000).Robert Self, “Robert Altman and the Theory of Authorship” Cinema Journal, Vol. 25, No. 1 (Autumn, 1985).Keith Sharon, “On location 50 years ago: Altman's 'Nashville' mixed gun violence, politics and country,” Nashville Tennessean (2024). Maurice Yacowar, “Actors as Conventions in the Films of Robert Altman” Cinema Journal, Vol 20, No. 1 (1980).Mitchell Zuckoff, Robert Altman: The Oral Biography, Knopf Doubleday Publishing Group (2010).
The Idea of You: An Impassioned Defence Broey Deschanel 2024-07-31 | Compare news coverage. Spot media bias. Avoid algorithms. Try Ground News today and get 40% off your subscription by going to https://ground.news/broey and subscribe for 40% off their unlimited access Vantage plan or under $1/month for their starter package.To enjoy The Idea of You, all you need is some taste, and a healthy dose of shame.Follow and support the channel!:Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelThumbnail by Hannah RaineRehash podcast:podcasters.spotify.com/pod/show/rehashpodcastedited by @BenFromCanada instagram.com/benchinapen SOURCES:Melissa R. Ames, "When Predator Becomes Prey: The Gendered Jargon of Popular Culture" Faculty Research & Creative Activity (37) (2011).Ian Crouch, “People Who Like Celine Dion Are People Too” The New Yorker (2014). Eugene L. Didier, “The Summer Girl” The New York Times (1901). Jennifer Harlan, “A Brief History of Summer Reading” The New York Times (2021). Adrian Horton, “From The Idea of You to A Family Affair: the summer of age-gap romances” The Guardian (2024).Benjamin Lee, “The Idea of You review – Anne Hathaway lives out fanfic fantasy in solid romance” The Guardian (2024).Robinne Lee, “Reducing The Idea of You to Fan Fiction Is Another Example of Dismissing Women’s Art” Time Magazine (2024). Thomas Nyhus and Allyson Shap, “Summer of Snob: an Examination of the Beach Read” Substack (2024). Janice Radway, “Reading Is Not Eating: Mass-Produced Literature and the Theoretical Methodological and Political Consequences of a Metaphor” Book Research Quarterly, vol.2 (1986).Michelle Ruiz, “The Sleeper Hit of the Pandemic? A Three Year-Old Romance Novel Inspired by Harry Styles” Vogue (2020).Katy Waldman, The Idea of You” and the Notion of the Hot Mom” The New Yorker (2024).Carl Wilson, “I hate Celine! ... Or do I?” The Globe and Mail (2007). Carl Wilson, Let’s Talk About Love: Why Other People Have Such Bad Taste, Bloomsbury Academic (2014).
How Challengers Revolutionized the Thriller Broey Deschanel 2024-06-28 | Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelAnd current students can stream GASOLINE RAINBOW and other great films on MUBI for free for 60 DAYS: mubi.com/broeyforstudentsChallengers may not be filled with crime and violence... but it has an element of s-xual danger and suspense to it that's hard to miss. Follow and support the channel!:Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelThumbnail by Hannah RaineRehash podcast:podcasters.spotify.com/pod/show/rehashpodcastedited by @BenFromCanada instagram.com/benchinapenSOURCES:David Andrews, S-x Is Dangerous, so Satisfy Your Wife: The S-ftcore Thriller in Its Contexts, Cinema Journal, Vol. 45, No. 3 (Spring, 2006). Justin Chang, “Love Means Nothing in Tennis, But Everything in Challengers” The New Yorker (2024).Maddie Ellis, “Why the writer of ‘Challengers’ classifies it as not a romance, but an ‘er-tic, tennis thriller’” Today (2024). Gabriella Ferrigine, “Without explicit s-x scenes, "Challengers" is the h-rny movie Gen Z has been waiting for” Salon (2024).Tyler Foggatt, “”Challengers” is Essentially a Well Shot Commercial” The New Yorker (2024).David Jenkins, “Luca Guadagnino: ‘I don’t watch tennis matches. It’s quite boring to me’” Little White Lies (2024).Kate Julian, “Why Are Young People Having So Little S-x?” The Atlantic (2024).Joey Magidson, “Film Review: 'Challengers' is Possibly One of the S-xiest Movies Ever Made” Awards Radar (2024).Brian McNair, Culture: S-x, Media and the Democratisation of Desire, Taylor & Francis (2002). Mandy Merck, “Bedroom Horror: The Fatal Attraction of Int-rcourse” Feminist Review , Autumn, 1988, No. 30 (Autumn, 1988).Michael Nicholas, “Tennis Explains Everything” The Atlantic (2024).David Sims, “A S-xy Tennis Thriller—Yes, Really” The Atlantic (2024).Hannah Strong, ““Challengers review – everything is s-x, except s-x, which is power” Little White Lies” (2024). Jessica Toomer, “In ‘Challengers,’ No S-x Is Good Sex” Uproxx (2024). Ben Travis, “Challengers Director Luca Guadagnino ‘Had Only A Vague Interest In Tennis Specificities” Empire (2024). Linda Williams, The Er-tic Thriller in Contemporary Cinema, Indiana University Press (2005).
When Movies Are a Religious Journey Broey Deschanel 2024-05-31 | IDA is now streaming on MUBI in the US & Canada! Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelIf you've watched First Reformed and felt like it changed your life, you're not the only one! First Reformed was Paul Schrader's first attempt at a style of cinema he himself coined back in 1972: the Transcendental Style, and there's a reason it has some an impact. Come along on this spiritual journey.Thumbnail by Hannah RaineFollow and support the channel:Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelRehash podcast:podcasters.spotify.com/pod/show/rehashpodcastBen From Canada:instagram.com/benchinapenSOURCES:Charles Andrews, “Too Much In the Garden: Paul Schrader’s First Reformed” Michaelmas, vol. LXXXII (1) (2018). Anthony Carew, “Into the Night, Religion and Environmental Catastrophe in First Reformed” Screen Education, (95) (2019). Justin Chang, “Review: The bracing ‘First Reformed,’ starring a superb Ethan Hawke, resurrects Paul Schrader’s career” L.A Times (2018).Daniel Chin, “‘The Boy and the Heron’ Is Hayao Miyazaki’s Most Personal Film, and One of His Most Collaborative” The Ringer (2023).Philip Horne, “‘We are the killers, and we have to understand that’: Martin Scorsese on Killers of the Flower Moon”, Sight and Sound (2023). J.R. Jones, “Paul Schrader’s First Reformed finds pride at the root of despair,” Chicago Reader (2018). Brent Lang “Paul Schrader on the Extinction of the Human Race and His New Film ‘First Reformed’” Variety (2017). Antonio Machado, "The Wind, One Brilliant Day":allpoetry.com/The-Wind,-One-Brilliant-DaySean Nam and Paul Schrader, “Hungering and Thirsting For Righteousness” : Cinéaste , Vol. 43, No. 3 (2018). Paul Schrader, Transcendental Style in Film, University of California Press (1971). Olivia Hunter Willke, “Accepting Abomination: On First Reformed”, Hyper Real Film (2022).
Male Weepies: A Misunderstood Genre Broey Deschanel 2024-04-29 | Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelFollow and support the channel:Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeyBen From Canada: instagram.com/benchinapenThumbnail by Hannah RaineRehash podcast: podcasters.spotify.com/pod/show/rehashpodcastSOURCES:Scott Allison and Jeffrey Green, Nostalgia and Heroism: Theoretical Convergence of Memory, Motivation, and Function” Frontiers in Psychology, vol. 11 (2020).Christine Emba, “Men are lost. Here’s a map out of the wilderness” The Washington Post (2023).Caitlin Flanagan, “In Praise of Heroic Masculinity” The Atlantic (2023).Martin Fradley, “Maximus Melodramatic” in Action and Adventure Cinema, Routledge (2004).Conor Friedersdorf, “21 Reader Views on the Masculinity Crisis” The Atlantic (2022).Sarah Hughes, “Creed and the secrets of a male tear-jerker: From Field of Dreams to Good Will Hunting” Independent (2016).Idrees Kahloon, “What’s the Matter with Men?” The New Yorker (2023).Majorie D. Kibby, “NOSTALGIA FOR THE MASCULINE: Onward to the Past in the Sports Films of the Eighties” Canadian Journal of Film Studies, Vol. 7 (Spring 1998).Tom Lutz “Men’s Tears and the Roles of Melodrama” Boys Don’t Cry, Columbia University Press (2002).Peggy Orenstein, “The Miseducation of the American Boy” The Atlantic (2020).Peter Rainer, “COMMENTARY : A Touchy-Feely Summer of Tears and Testosterone : Movies: A new character emerges for the ‘90s--the sensitive male. Even the Terminator qualifies.” Los Angeles Times (1991).Heather Stewart,, ‘Andrew Tate is a symptom, not the problem’: why young men are turning against feminism, The Guardian (2024).Chuck Tryon, “Rebooting the Politics of the Sports Melodrama: Creed vs Rocky” Film Reboots, Edinburgh (2020).
Anatomy of a Rom Com Broey Deschanel 2024-03-30 | Get Nebula using my link for 40% off an annual subscription: go.nebula.tv/broeydeschanelWatch Taboo on Screen on Nebula: nebula.tv/tabooAnyone But You was supposed to revive the rom com, but it's missing something. This video breaks down the components of the Hollywood romantic comedy, and what gives it that magical quality!Thumbnail by Hannah RaineFollow and support the channel!Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySOURCES:Yohana Desta, “Maybe Nancy Meyers Doesn’t Want You to Stop Focusing on Her Beautiful Movie Kitchens” Vanity Fair (2019).James J. Dowd and Nicole R. Pallotta, “The End of Romance: The Demystification of Love in the Postmodern Age” Sociological Perspectives, Vol. 43, No. 4 (Winter, 2000).Nora Ephron, “Moving On, A Love Story” The New Yorker (2006).Megan Feeney, “The Plight of the Rom-Com in the Post-Romantic Era” Cinéaste, Vol. 47 (4) (2022).Helen Fielding, Independent Columns (1995). http://bridgetarchive.altervista.org/index1995.htmHadley Freeman, “Nancy Meyers: ‘I don’t see a lot of movies about complicated women … I think it’s gotten worse’” The Guardian (2015).Roberta Garrett, “Female Fantasy and Post-Feminist Politics in Nora Ephron’s Screenplays” Journal of Screenwriting, vol. 3 (2) (2012).Brian Henderson, “Romantic Comedy Today: Semi-Tough or Impossible?” Film Quarterly , Summer, 1978, Vol. 31, No. 4 (Summer, 1978).Benjamin Lee, “Anyone But You review – slick but soulless romantic comedy” The Guardian (2023).Paula Marantz Cohen, “What Have Clothes Got to Do with It? Romantic Comedy and the Female Gaze” Southwest Review , 2010, Vol. 95, No. 1/2 (2010).Adrian Martin, “In the Mood For (Something Like) Love: The Situation of the Rom-Com Today” Cinéaste , Winter 2013, Vol. 39, No. 1 (2013).Nancy Meyers, “Life Isn’t Like the Movies (Even if You Write the Movies)” The New York Times (2020).Doris Milberg, The Art of the Screwball Comedy: Madcap Entertainment from the 1930s to Today, McFarland (2013).Rachel Syme, “The Nora Ephron We Forgot”, New Yorker (2022).Stephanie Zacharek, “Notting Hill” , Salon (1999).
Saltburn: The Tumblr-ification of Cinema Broey Deschanel 2024-02-28 | Compare news coverage. Spot media bias. Avoid algorithms. Try Ground News today and get 40% off your subscription by going to https://ground.news/broeydeschanelSaltburn (or, the Untalented Mr. Ripley) is a deeply unoriginal piece of filmmaking. What does it say about our culture today?Follow and support the channel:Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySOURCES:Peter Bradshaw, “Review: The Talented Mr. Ripley”. The Guardian (2000).Richard Brody, “”Saltburn is a Brideshead for the Incel Age” The New Yorker (2023).David Carr, “Anthony Minghella, 54, Director, Dies” The New York Times (2008).Patrick Cremona, “Emerald Fennell plays down Saltburn's Talented Mr Ripley comparisons” Radio Times (2023).Roger Ebert, “The Talented Mr. Ripley”, Roger Ebert (1999).David Edelstein, “How (and Why) Anthony Minghella’s Talent Wasn’t Quite Fulfilled” New York Magazine (2008).Mark Harris, “Honoring Anthony Minghella” Entertainment Weekly (2008).Mario Falsetto ed. Anthony Minghella: Interviews, University of Mississippi (2013).Todd McCarthy, “The Talented Mr. Ripley”, Variety, (1999).Janet Maslin, “‘The Talented Mr. Ripley’: Carnal, Glamorous and Worth the Price”, The New York Times (1999).Craig McLean, “Emerald Fennell on our “sadomasochistic relationship with the aristocracy”” The Face (2023).Craig McLean, “Saltburn’s cultural blueprint: the books, films and music that inspired the film” The Face (2023).Adam Nayman, “‘Saltburn’ is stylish but shallow, like a subpar ‘White Lotus’ episode” The Toronto Star (2023).Terence Patrick Murphy and Kelly S. Walsh “Coincidence and Counterfactuality: The Multiple Plot Structure of The talented Mr. Ripley (1999)” Film Criticism, Vol. 42, No.1 (2018).Anna Pochmara, “I Don’t Think I Have an Attention Span for Real Life Anymore”: Excessive Stimulation, Sense of Meaninglessness, and Boredom in Sam Levinson’s Euphoria,” European Journal of American Studies, vol. 7 (4) (2022).Frank Rich, “The Talented Mr. Minghella”, The Guardian (2000).Charles Taylor, “The Talented Mr. Ripley” Salon, (1999).Michael Trask, “Patricia Highsmith’s Method”, American Literary History. Vol. 22, No. 3 (Fall 2010).Kelley Wagers, “Tom Ripley, Inc.: Patricia Highsmith’s Corporate Fiction”, Contemporary Literature, Vol. 54, No. 2 (2013).
How I Learned to Stop Worrying and Love Real Housewives Broey Deschanel 2024-01-31 | Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelWhy was the Real Housewives of Salt Lake City finale the "best reality TV episode in history"? And why did we perceive it so differently from last year's "best episode", Vanderpump Rules' #Scandoval?Follow and support the channel:Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeyListen to Rehash!podcasters.spotify.com/pod/show/rehashpodcastSOURCES:Jacquelyn Arcy, “The Digital Money Shot: Twitter wars, The Real Housewives, and transmedia storytelling,”, Celebrity Studies (2018).Kate Authur, “Heather Gay Tells All: The Receipts! Proof! Timelines! of the Shocking ‘Real Housewives of Salt Lake City’ Finale and Reunion (EXCLUSIVE)” Variety (2024). Kate Aurthur, “Inside How ‘Vanderpump Rules’ Captured the #Scandoval (EXCLUSIVE)” Variety (2023). Kate Aurthur, “‘Vanderpump Rules’ #Scandoval Finale Episode Hits Series-High Ratings for Bravo” Variety (2023).John Ellis, “The Performance on Television of Sincerely Felt Emotion” The Annals of the American Academy of Political and Social Science, vol. 625 (2009).Kevin Fallon, “Monica From ‘RHOSLC’ Is an All-Time Great Reality TV Villain. Should She Be Fired?” The Daily Beast (2024). Laura Grindstaff, The Money Shot: Trash, Class, and the Making of TV Talk Shows University of Chicago (2002). Anna Peele, “Inside the Real Housewives Reckoning That’s Rocking Bravo” Vanity Fair (2023).Evie Psarras, “‘It’s a mix of authenticity and complete fabrication” Emotional Camping: The Cross Platform Labor of the Real Housewives,” New Media & Society, Vol 24, Issue 6 (2020). Emma Rosenblum, “The Natural” Vanity Fair (2010). Graeme Turner, Ordinary People and the Media: The Demotic Turn, SAGE (2009).
May December and the Melodrama of Film Twitter Broey Deschanel 2023-12-21 | Park Chan-wook's THE HANDMAIDEN is streaming on MUBI in Canada and many other countries. Get a whole month of great cinema FREE: mubi.com/broeydeschanelFollow and support the channel!Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySources:Marianne Boruch, “Melodrama” Poetry, vol. 203 (3) (2013). Peter Brooks, The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess, Yale University Press (1995). Roger Ebert, “Written on the Wind” rogerebert.com (1998). Marcie Frank, “At the Intersections of Mode, Genre, and Media: A Dossier of Essays on Melodrama” Criticism, vol.55 (4) (2013). Dave Kehr, “Written on the Wind” Chicago Reader (1985). Michael Koresky, “May December” Reverse Shot (2023). John Mercer and Martin Shingler, Melodrama: Genre, Style and Sensibility, Wallflower, London (2004). Andrew Ross, No Respect: Intellectuals and Pop Culture, Taylor & Francis (2016). Thomas Schatz, Hollywood Genres, Random House, New York, (1981). Ben Singer, Melodrama and Modernity: Early Sensational Cinema and Its Contexts, Columbia University Press, New York (2001). Amy Taubin, ““I like feeling uncertain, displaced and unnerved”: Todd Haynes on May December” Sight & Sound (2023). Linda Williams, “Something Else Besides a Mother”: Stella Dallas and the Maternal Melodrama” Vol. 24, No. 1 (1984). Augustin Zarzosa, “Melodrama and the Modes of the World” Discourse, vo. 32 (2) (2010).
Priscilla and the Plight of Women(s Biopics) Broey Deschanel 2023-11-29 | Get Nebula using my link for 40% off an annual subscription: go.nebula.tv/broeydeschanelWatch Taboo on Screen on Nebula: nebula.tv/tabooMy Priscilla review: The woman's biopic gives us a snapshot into the suffering of famous female figures. But in doing so, does it lock them in a cinematic gilded cage?Follow and support the channel!Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeyFollow and support Rehash!Podcast: podcasters.spotify.com/pod/show/rehashpodcastPatreon: patreon.com/rehashpodcastThumbnail by Hannah Raine:instagram.com/hannahmraineSources: Nicholas Barber, “Priscilla review: Sofia Coppola has directed a 'sympathetic tribute' to Elvis's wife” BBC Culture (2023).Priscilla Beaulieu Presely and Sandra Harmon, Elvis & Me, Blackstone Publishing (1985).Keaton Bell, “Sofia Coppola Will Now Take You Behind the Scenes of Her Priscilla Presley Biopic” Vogue (2022).Richard Dyer, “Judy Garland and Gay Men” in Heavenly Bodies: Film Stars and Society, Routledge (1986).Molly Fischer, “Sympathy for the Schoolgirl”, The New Yorker (2023).Ben Kenigsberg, “‘Priscilla’ Review: All Shook Up” The New York Times (2023).Todd Kennedy, “Off with Hollywood’s Head: Sofia Coppola as Feminine Auteur,” Film Criticism, vo.. 35 (1) (2010).Brian O’Flynn, “'They just wanted to silence her': the dark side of gay stan culture” The Guardian (2018).Katey Rich, “The Elvis Presley We Didn’t See in Elvis” Vanity Fair (2023).Jia Tolentino, “Pure Heroines” in Trick Mirror (2019).
Are Film Critics a Dying Breed? Broey Deschanel 2023-10-26 | Subscribe to Notebook magazine at mubi.com/magazine or check out the digital Notebook at mubi.com/notebookAnd as always, get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelThere's a crisis happening in film criticism right now... but why?Check out Be Kind Rewind on Youtube!:youtube.com/@UCNiolZNLiJplmCCzqk9-czQ Saffron's website:saffronmaeve.comRehash Podcast and Patreon:Podcast: podcasters.spotify.com/pod/show/rehashpodcastPatreon: patreon.com/rehashpodcastFollow and support the channel:Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySOURCES:The Daily, “Our Film Critic on Why He’s Done With the Movies” The New York Times (2023).Roger Ebert, “Do the Right Thing”, Roger Ebert (1989).Stephen Farber, “FILM: The Power of Movie Critics” The American Scholar, Vol. 45, No. 3 (Summer 1976).Stephen Farber, “‘Graffiti’ Ranks with ‘Bonnie and Clyde’”, (1973), The New York Times.Nick James, “Rip It Up: Revitalizing Film Criticism” Film Quarterly, Vol. 62, No. 3 (Spring 2009).Nick James, “Who Needs Critics?” Sight and Sound (2012).Ian Jarvie, Towards an Objective Film Criticism” Film Quarterly, vol. 14 (3) (1961).Pauline Kael, “The Current Cinema: Tango”, (1972), The New Yorker.Manuela Lazic, Who needs film critics when studios can be sure influencers will praise their films?” The Guardian (2023).Geoffrey Nowell-Smith, “The Rise and Fall of Film Criticism” Film Quarterly, Vol. 62, No. 1 (2008).Michael Powell, “A Survivor of Film Criticism’s Heroic Age” The New York Times (2009).B. Ruby Rich, Film Criticism in the Era of Algorithms” Film Quarterly, vol. 70 (2) (2016).Martin Scorsese, “Martin Scorsese: talk to me about great films, not ‘content’” The Guardian (2021).A.O Scott, “And Now Let’s Review …” The New York Times (2023).Reggie Ugwu, They Review Movies on TikTok, but Don’t Call Them Critics” The New York Times (2023).
Feeling Cynical About Barbie Broey Deschanel 2023-08-07 | Get Nebula using my link for 40% off an annual subscription: go.nebula.tv/broeydeschanelWatch Unrated on Nebula: nebula.tv/unrated?ref=broeydeschanelBarbie is everything, and I'm just cynical.More about the Entertainment Community Fund here:entertainmentcommunity.orgThumbnail by Hannah Raine Listen to me and Hannah's podcast!podcasters.spotify.com/pod/show/rehashpodcastFollow and support the channel!Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySources:Luc Boltanski and Eve Chiapello, The new spirit of capitalism, Verso (1999). Alex Barasch, “After “Barbie” Mattel is Raiding Its Entire Toybox” The New Yorker (2023). Richard Brody, “Barbie is Brilliant, Beautiful, and Fun as Hell” The New Yorker (2023).Jim McGuigan, “The Coolness of Capitalism Today” tripleC vol. 10 (2012). Chris Murphy, “Studios Allegedly Won’t End Strike Till Writers “Start Losing Their Apartments” Vanity Fair (2023).
Immersive Van Gogh: Why Art is in Crisis Broey Deschanel 2023-06-28 | Jack Hazan's A BIGGER SPLASH is streaming on MUBI in Canada and the US. Get a whole month of great cinema FREE: mubi.com/broeydeschanelRehash Podcast:podcasters.spotify.com/pod/show/rehashpodcastRehash Patreon:patreon.com/rehashpodcastFollow and support the channel!Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelThumbnail by Hannah Raine:instagram.com/hannahmraine/?hl=enSOURCES:Walter Benjamin, “'The Work of Art in the Age of Its Technological Reproducibility” (1935). Joe Coscarelli, “How Drake’s $100 Million Bet Saved the Long-Lost Art Carnival Luna Luna” The New York Times (2022).Douglas Davis, “The Work of Art in the Age of Digital Reproduction” Leonardo, Vol. 28 (5), Third Annual New York Digital Salon (1995). Jason Farago, “Submerged in van Gogh: Would Absinthe Make the Art Grow Fonder?” The New York Times (2021). Melissa Heikkilä, “This artist is dominating AI-generated art. And he’s not happy about it.” MIT Technology Review, (2022).Colin Moynihan, “Why Warhol Images Are Making Museums Nervous”, New York Times (2023).Maya Phillips, “Paintings, Projections, V.R. Starry Nights: Can We Ever Know van Gogh?” The New York Times (2021).Gil Appel, Juliana Neelbauer, and David A. Schweidel “Generative AI Has an Intellectual Property Problem” Harvard Business Review, (2023).
Why Films From 1999 Are So Iconic Broey Deschanel 2023-04-28 | Rebeca Huntt's BEBA is now streaming on MUBI in Canada. Get a whole month of great cinema FREE: mubi.com/broeydeschanelWhy does it feel like every good movie ever was made in 1999? There's gotta be a reason for it. Listen to Rehash!https://spotifyanchor-web.app.link/e/PfkoX1adnzbFollow the channel!Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelThumbnail by Hannah Raine:instagram.com/hannahmraineSOURCES:Patty David et al, Generation X and Its Evolving Experience with the American Dream” Generations: Journal of the American Society on Aging, Vol. 41, No. 3, Generation X: From Fiction to Fact, and Still a Mystery (Fall 2017).Barbara and John Ehrenreich, Between Labour and Capital, ed. Pat Walker, South End Press, Boston (1979).Ted Halsted, “A Politics for Generation X” The Atlantic (1999).Alisa Perren, “sex, lies and marketing: Miramax and the Development of the Quality Indie Blockbuster” Film Quarterly, Vol. 55, No. 2 (Winter 2001).Garin Pirnia, “1999: The Last Great Year in Movies” Esquire (2014).Brian Raftery “Best. Movie. Year. Ever.” Simon & Schuster (2019).M.J. Stephey, “Gen-X: The Ignored Generation?” Time (2008)."The Megaplex" 99% Invisible (March 16 2021)99percentinvisible.org/episode/the-megaplex"The Myth of Sisyphus" Peter Dronen (2014):youtube.com/watch?v=oc9XOxUcvLY&ab_channel=PeterDronen
Can We Still Enjoy The Social Network? Broey Deschanel 2023-02-27 | Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelThe voice of Sorkin:Fūnk-é’s Letterboxd: letterboxd.com/funke The voice of Fincher:Adam’s Youtube: www.youtube.com/@sidetrackedshow Rehash Podcast: open.spotify.com/show/3NiXwyBwwDrKyWW5Zd31uYPatreon: patreon.com/rehashpodcast Follow/Support the channel!Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroey SOURCES:Richard Barbrook and Andy Cameron, “The Californian Ideology”, Science as Culture, vol.6 (1) (1996).Scott Foundas, “Revenge of the Nerd” Film Comment, Vol. 46 (5) (2010).Laurence F. Knapp, “Introduction” in David Fincher: Interviews, University Press of Mississippi (2014).Emanuel Levy, “Social Network: Interview with Screenwriter Aaron Sorkin” Emanuel Levy (2010).Emanuel Levy, “Social Network: Interview with Director David Fincher” Emanuel Levy (2010).Heike Paul, “Expressive Individualism and the Myth of the Self-Made Man” in The Myths That Made America, Transcript Verlag (2013).Jim Rutenberg, “The Facebook Movie Told Us What We Needed to Know About Mark Zuckerberg” The New York Times (2018).Kaitlyn Tiffany, “In 2010, The Social Network was searing — now it looks quaint” The Verge (2017).Angela Wattercutter, “The Social Network Was More Right Than Anyone Realized” Wired (2019).Open Learn:youtube.com/watch?v=ulyVXa-u4wE&t=8s&ab_channel=OpenLearnfromTheOpenUniversity
Fleabag is Not a Femcel Broey Deschanel 2023-01-27 | Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelFollow and support the channel!Patreon: patreon.com/broeydeschanel Instagram: instagram.com/broey_deschanel Twitter: twitter.com/DeschanelBroey Thumbnail by Hannah Raine:instagram.com/hannahmraine Rehash Podcast and Patreon:https://anchor.fm/rehashpodcast patreon.com/rehashpodcast SOURCES:Ameeriali, “The destructive force that is ‘dissociative feminism’” The Social Talks (2022).Phoebe Waller-Bridge, “Fleabag: The Original Play” Playwrights Canada Press (2016).Emmeline Clein, “The Smartest Women I Know Are All Dissociating” Buzzfeed News (2019).Emma Garland, “Enter the Fleabag era: What does it mean to be a ‘dissociative feminist’?” Dazed (2022).Helen Lewis, “The Nostalgic End of Fleabag: As the groundbreaking show concludes with a final theater run in London, audiences are left to grapple with its meaning” The Atlantic (2019).Rebecca Liu, “The Making Of A Millennial Woman”, Another Gaze (2019).Linda Nochlin, “Why Have There Been No Great Women Artists?” ARTnews (1971).Sophia Peyser, “The “Fleabag” Era of Dissociative Feminism Must End” Lithium Magazine (2022).Ayesha A. Siddiqi, “Memento Millenial” Substack (2022).
Saturday Night Fever and the Death of Disco Broey Deschanel 2022-12-29 | Pedro Almodóvar's THE HUMAN VOICE is streaming on MUBI in Canada, the UK, and many other countries. Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelRehash Podcast:https://anchor.fm/rehashpodcast Rehash Patreon:patreon.com/rehashpodcast Follow and support this channel!Patreon: patreon.com/broeydeschanel Instagram: instagram.com/broey_deschanel Twitter: twitter.com/DeschanelBroey “The Untold History of Disco” Polyphonic:youtube.com/watch?v=q_c2dCO5WLo&t=103s&ab_channel=PolyphonicIntro song (More Than a Woman cover arrangement - Orsay Music):youtube.com/watch?v=uoXSptTDk7o&ab_channel=orsaymusicThumbnail by Hannah Raine:instagram.com/hannahmraine/?hl=enSOURCESNick Cohn, “Tribal Rites of the New Saturday Night” New York Mag (1976).Richard Dyer, "In Defence of Disco" Gay Left, no.8 (1979).Alice Echols, Hot Stuff: Disco and the Remaking of American Culture, W.W. Norton (2010).Nadine Hubbs, “'I Will Survive': Musical Mappings of Queer Social Space in a Disco Anthem” Popular Music Vol. 26, No. 2 (May, 2007).Margherita Heyer-Caput, “Italian-American Urban Hyphens in Saturday Night Fever” Italian Americana Vol. 29, No. 1 (Winter 2011).Tavia Nyong'o, “I Feel Love: Disco and its Discontents” Criticism Vol. 50, No. 1, Special Issue: Disco (Winter 2008).Lisa Robinson, “Boogie Nights” Vanity Fair (2010).John Rockwell, “POP VIEW; Rock vs. Disco: Who Really Won the War?” The New York Times (1990).Ioana Stamatescu, “Le freak, c’est chic! Disco Culture and Whit Stillman’s The Last Days of Disco” Synergy, vol. 13, no. 1 (2017).Joshua Williams, “The Death of Disco Did Not Take Place: Disco Demolition Night and The Rhetorical Destruction of Disco” The Macksey Journal, Vol. 2. (2021).Paul Williams, “too black, too gay: the disco inferno” Duke University Press (2003).
Cancelling: A Culture of Retribution Broey Deschanel 2022-11-28 | FIRECRACKERS is showing on MUBI in Canada! Get a whole month of great cinema FREE: mubi.com/broeydeschanelIt’s punishment time! Rehash podcast:https://anchor.fm/rehashpodcastPodcast intro by Ian Mills:https://linktr.ee/ianmillsmusicThumbnail by Hannah RaineFollow/support me! LolPatreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelSOURCES:Roland Barthes, Mythologies, Noonday (1972).Judith Butler, “Giving an Account of Oneself” Diacritics, Vol. 31, No. 4 (2001).M.J Crockett, “Moral outrage in the digital age” Nature Human Behaviour volume 1, pages 769–771 (2017).Michel Foucault, Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan, Random House (1975).Laura Gowing, ‘‘The Freedom of the Streets:’ Women and Social Space, 1560 – 1640, Londinopolis: Essays in the Cultural and Social History of Early Modern London. Ed. Paul Griffiths and Mark S.R. Jenner, Manchester University Press (2000).Maia Hibbett, “Who Keeps Us Safe?: Mainstream feminism’s long alliance with the punitive state”, The Baffler (2020).Martin Ingram, Church Courts, Sex and Marriage in England, 1570 – 1640, Cambridge University Press (1987).Immanuel Kant, The Metaphysics of Morals, Cambridge University Press (1797).James Pogue “On The Rudeness of Mobs: America’s plutocratic love affair with cancellations”, The Baffler No. 53, (2020).Arthur Shuster, “Kant on the Role of the Retributive Outlook in Moral and Political Life”, The Review of Politics, Vol. 73, No. 3, Cambridge University Press (2011).Wang, Shensheng; Lilienfeld, Scott O.; Rochat, Philippe, "Schadenfreude deconstructed and reconstructed: A tripartite motivational model". New Ideas in Psychology, no.52 (2019).
The Decline of Tim Burton Broey Deschanel 2022-10-29 | Click here bit.ly/3flJdb6 and use my code BROEY50 for 50% off your first month at Care/of. Care/of works hard to recommend supplements based on scientific research and your personal goals. As a friendly reminder, supplements aren’t intended to diagnose, treat, cure, or prevent any disease.Follow and support the channel!Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroey Thumbnail by Hannah Raine:instagram.com/hannahmraine/?hl=enSOURCESTom Breihan, “Batman changed how blockbusters look - and how Hollywood sold them”, The AV Club (2022).Burton, Tim. Burton on Burton. Edited by Mark Salisbury, 2nd ed., Faber and Faber (2006).Michael Goldman, “Down the Rabbit Hole” American Cinematographer (2010).San Kashner, “The Class That Roared”, Vanity Fair (2014).Tom McNichol, “Hollywood Knights” Monthly Portland (2009).Scott Mendelson, “How Tim Burton Became Uncool,” Forbes (2019).Christopher Ryder, "Alice in Wonderland – Press Conference with Tim Burton" Collider (2009).
Elvis (2022) and the Utter Mediocrity of Biopics Broey Deschanel 2022-09-27 | Whether you’re upgrading your iPhone or not, head to casetify.com for their latest iPhone 14 Impact Case Series,as well as their cases for iPhone 13 or earlier devices! Go to http://casetify.com/broeydeschanel today to get 15% off your order!Follow Brooks and Carlo if you're interest in learning more about music history! Brooks: tiktok.com/@soulsugarjointCarlo: instagram.com/mezza.cowbellThumbnail by Hannah Raine: instagram.com/hannahmraineFOLLOW MEPatreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySOURCESAmy Absher, The Black Musician and the White City, “From South to South Side: Musicians in 1940s Chicago”, University of Michigan Press. (2014).Dennis Bingham, Whose Lives Are They Anyway?: The Biopic as Contemporary Film Genre, Rutgers (2010).Peter Carlson, “When Elvis Met Nixon”, Smithsonian Magazine (2010).George Frederick Custen, Bio/pics: How Hollywood Constructed Public History, Rutgers (1992).Yohana Desta, “Elvis: What Did Black Artists of the Era Really Think of Presley?”, Vanity Fair (2022).Erika Doss, Shrines and Pilgrimage in the Modern World: New Itineraries into the Sacred, Amsterdam University Press (2008).Lucy Fischer, “Marlene”: Modernity, Mortality, and the Biopic, Biography, Vol. 23, No. 1 (Winter 2000).Rosa Fisher, “Constructing Tin Pan Alley: From Minstrelsy to Mass Culture”.pearsonhighered.com/assets/samplechapter/0/2/0/5/0205940722.pdfJoel Gordon, “Film, Fame, and Public Memory: Egyptian Biopics from Mustafa Kamil to Nasser 56” International Journal of Middle East Studies Vol. 31, No. 1 (Feb., 1999).Chris Jancelewicz, “The ‘whitewashing’ of Black music: A dark chapter in rock history” Global News (2021).Mitchell K. Hall, The Emergence of Rock and Roll: Music and the Rise of American Youth Culture, Routledge (2014).Cheryl L. Keyes, “The Aesthetic Significance of African American Sound Culture and Its Impact on American Popular Music Style and Industry” The World of MusicVol. 45, No. 3, Cross-Cultural Aesthetics (2003).“B.B. King”, American Roots Music: Oral Histories, PBS.pbs.org/americanrootsmusic/pbs_arm_oralh_bbking.html Lehtisalo, Anneli, “As if Alive before Us: The Pleasures of Verisimilitude in Biographical Fiction Films”. New Readings 11 (2011).Eric Lott, “All the King’s Men: Elvis Impersonators and White Working-Class Masculinity”, Race and the Subject of Masculinities.Tessa Maclean, “Preserving Utopia: Musical Style in Baz Lurhmann’s The Great Gatsby”, Literature Film Quarterly, 2016.Parke Puterbaugh, “Little Richard: ‘I Am the Architect of Rock & Roll’ Rolling Stone (1990).Elsie Walker. “Pop Goes the Shakespeare: Baz Lurhmann’s William Shakespeare’s Romeo + Juliet.” Literature Film Quarterly 28:2 (2000).Rob Warden, “Elvis Volunteered to Inform for the FBI, 1970 Memo says”, Washington Post (1978).
Spring Breakers and the End of Indie Sleaze Broey Deschanel 2022-08-10 | Click here helixsleep.com/broey for up to $200 off your Helix Sleep mattress plus two free pillows! Free shipping within the US! #helixsleepThumbnail by Layla Shioguchi: laylashioguchi.comSUPPORT AND FOLLOWPatreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeyGo to helixsleep.com/broey for up to $200 off your Helix Sleep mattress plus two free pillows! Free shipping within the US!Thumbnail by Layla Shioguchi: laylashioguchi.comSUPPORT AND FOLLOWPatreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySOURCESAmanda Dobbins, “Spring Breakers Understands Britney Spears Better Than Her New Album Does”, Vulture (2013).Alex Godfrey, “Spring Breakers, a riotous take on modern America” The Guardian (2013).Amanda Nix, “In Defense of Spring Breakers” Film Inquiry (2019).Jeffrey Sconce, “‘Trashing’ the academy: taste, excess, and an emerging politics of cinematic style” Screen vol. 36, no. 4 (1995).Philippa Snow, “Spring Breakers,” Five Years On, Vice (2018).
Bergman Island: Art, Love, and the Unbearable Process of Making Broey Deschanel 2022-07-22 | This video was made in collaboration with MUBI for the release of Bergman Island on MUBI in the UK and Ireland! The film is free to watch for 30 days at http://mubi.com/broeydeschanel ! Follow me!Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroey Alice's channel: youtube.com/c/AliceCappelleThumbnail by Alexi Short: instagram.com/_false_apertureSOURCES:“Mia Hansen-Løve, Vicky Krieps, and Anders Danielson Lie on Bergman Island | NYFF59”youtube.com/watch?v=yGigo-lGZhc&ab_channel=FilmatLincolnCenter Stuart Jeffries, “‘We can forgive even bad fathers’: Mia Hansen-Løve on making a movie haunted by Ingmar Bergman” The Guardian (2022). theguardian.com/film/2022/may/20/film-director-mia-hansen-love-ingmar-bergman David Jenkins, “Mia Hansen-Løve: ‘I admire Bergman’s aptitude for being alone’” Little White Lies (2022).lwlies.com/interviews/mia-hansen-love-i-admire-bergmans-aptitude-for-being-alone Paisley Livingston, Bergman and the Rituals of Art, Cornell University Press (1982).Kate MacKay, “Life Goes On: The Films of Mia Hansen-Løve” BAMPFA (2019). bampfa.org/program/life-goes-films-mia-hansen-loveRaphael Shargel ed., Ingmar Bergman: Interviews, University Press of Mississippi Jackson (2007). Irving Singer, Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity, MIT Press (2007). Eleanor Watchel, “Mia Hansen-Løve's new movie, Bergman Island, is an intimate homage to the great Swedish director” CBC Radio (2021). cbc.ca/radio/writersandcompany/mia-hansen-l%C3%B8ve-s-new-movie-bergman-island-is-an-intimate-homage-to-the-great-swedish-director-1.6220959 Fårö Drone Footageyoutube.com/watch?v=Qvf07HQwyQk&ab_channel=PriyamGhosh
Greta Gerwig, Representation, and the Universal Girl Broey Deschanel 2022-06-28 | Click here helixsleep.com/broey for up to $200 off your Helix Sleep mattress plus two free pillows! Free shipping within the US! #helixsleepThumbnail by Alex Short:instagram.com/_false_aperture Socials + Support the Channel:Patreon: patreon.com/broeydeschanel Instagram: instagram.com/broey_deschanel Twitter: twitter.com/DeschanelBroeySCRIPT CONSULTANT CHANNELS:Lady Knight the Brave:youtube.com/c/LadyknightthebraveMina Le: youtube.com/c/minale99SOURCES: Simone de Beauviour, “Introduction” in The Second Sex, Knopf Doubleday Publishing Group (1949).Hannah Black “The Identity Artist and the Identity Critic” Artforum (2016).Zeba Blay, “Interview: 'Girlhood' Director Celine Sciamma on Race, Gender & the Universality of the Story” Indie Wire (2015).Silvia Bovenschen, “Is There a Feminine Aesthetic?” New German Critique, no.10 (1977). Monica Castillo, “Why ‘Real Women Have Curves’ Never Got Its ‘Lady Bird’ Moment” The New York Times (2018).Mary Ann Doane , “Film and the Masquerade: Theorizing the Female Spectator” Screen, Volume 23 (1982).Julie Drew Cultural Composition: Stuart Hall on Ethnicity and the Discursive Turn Jac, (1988).Caitlin Flanagan, “Little Women’s Real Feminist Problem,” The Atlantic (2020).Kaitlyn Greenidge, “The Bearable Whiteness of ‘Little Women’” The New York Times (2020).Heven Haile, “Coming of Age So White: Lady Bird and Real Women Have Curves as Tributes to Messy Young Women” Medium (2021).Stuart Hall, “Cultural Identity and Cinematic Representation” Framework: The Journal of Cinema and Media No. 36 (1989).Stuart Hall, “Cultural Identity and Diaspora” in Undoing Place? Routledge (1997).bell hooks, “The Oppositional Gaze: Black Female Spectators” Black Looks: Race and Representation (1992).David Kaufman, “The success of “Lady Bird” shows white stories can work half as hard for twice the acclaim,” Quartz (2017).Anika Kaul, “Greta Gerwig and White Feminism in Film,” Varsity (2021).Christian Metz, The Imaginary Signifier: Psychoanalysis and the Cinema, Indiana University Press (1982).Geetha Ramanathan, Feminist Auteurs: Reading Women's Films, Wallflower Press (2006).Brandon Taylor, “a little life is not your father” Substackd (May 25 2022).Awra Tewolde-Berhan, “Girlhood - A Review: Fatally Flawed Examination of a Young Black Girl’s Life” What’s On Africa (2015).Patricia White, “Ambidextrous Authorship: Greta Gerwig and the Politics of Women’s Genres” LA Review of Books (2020).
Oscars 2022 and the Death of Cinema Broey Deschanel 2022-04-29 | IN THE FAMILY is now streaming on MUBI in Canada and many other countries. Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelIs it time to say farewell to cinema? Let’s find out. Thumbnail by Hannah Raineinstagram.com/hannahmraine SOURCES:Alex Abad-Santos, “Martin Scorsese’s fight against Marvel isn’t really about Marvel movies” Vox (2019).Judy Berman. “The Streaming Void”, The Baffler, No. 38 (2018).Kyle Buchanan, “How Will the Movies (As We Know Them) Survive the Next 10 Years?” The New York Times.Douglas Gomery, The Hollywood Studio System: A History, Bloomsbury (2019).Mark Harris, Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, Penguin Publishing Group (2008).Mark Harris, “The Day the Movies Died” GQ (2011).Erik Hoel. “Enter the Supersensorium: The neuroscientific case for Art in the age of Netflix” The Baffler, No.45 (2019).Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism, Duke University Press (1991).Pauline Kael, “Why Are Movies So Bad, Or By the Numbers?” The New Yorker (1980). Amanda Ann Klein and R. Barton Palmer, “Spinoff City: Why Hollywood Is Built on Unoriginal Ideas” The Atlantic (2016).Martin Scorsese, “I Said Marvel Movies Aren’t Cinema. Let Me Explain.” The New York Times (2019).Julia Stoll, “Number of original content titles released by Netflix from 3rd quarter 2017 to 4th quarter 2022” Statista (2022). statista.com/statistics/883491/netflix-original-content-titles Patreon: patreon.com/broeydeschanel Instagram: instagram.com/broey_deschanel Twitter: twitter.com/DeschanelBroey
Euphoria and the Art of Navel Gazing Broey Deschanel 2022-03-22 | Get your first purchase from Blueland for 20% off by clicking my link bit.ly/3vtUwntNow shipping to the U.S., Canada, the U.K., Australia & New Zealand! Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeyIntro song: youtube.com/watch? v=IW1ilHFDPCs&ab_channel=TheBostonCollegeDynamicsSOURCES: Sadie Bell, “Breaking Down the Hellish New Year's Eve Party in the 'Euphoria' Season 2 Premiere” Thrillist (2022)Ellie Harrison, “Sydney Sweeney: ‘I’m very proud of my work on Euphoria – but no one talks about it because I got naked’” Independent (2022).Jim Hemphill, “‘Euphoria’ Season 2 Cinematographer Marcell Rév Tells Us What It’s Like to Shoot from the Gut” Indie Wire (2022).Evan Ross Katz, “The Women Make Euphoria The cast on playing teens forever on the brink of disaster.” The Cut (2022)Soraya Nadia McDonald, “Who’s afraid of ‘Malcolm & Marie’? Certainly not Edward Albee.” Andscape (2021). Olivia Ovenden, “Sam Levinson on Taking Criticism, Art in Isolation and 'Malcolm & Marie;” Esquire (2021).Cheyenne Roundtree, “‘Euphoria’ Season 2 Crew and Background Actors Speak Out Against Sam Levinson’s ‘Toxic’ Production” Daily Beast (2022).Cheyenne Roundtree, “Inside ‘Euphoria’ Season 2’s Messy Behind-the-Scenes Drama, From Sam Levinson to Barbie Ferreira Storming Off” The Daily Beast (2022)Matt Zoller Seitz, “Why Euphoria Feels So Real, Even When It Isn’t Realistic” Vulture (2019)Tim Stack, “Euphoria breakout Hunter Schafer on daring show: 'There's a lot of stuff that hasn't been on TV before'” Entertainment Weekly (2019).
Eyes Wide Shut: Stanley Kubricks Swan Song Broey Deschanel 2022-02-26 | Jessica Hausner’s AMOUR FOU is now streaming on MUBI in Canada. Get a whole month of great cinema for free: mubi.com/broeydeschanelWhat exactly is wrong with Eyes Wide Shut? Let’s find out!Music is from Epidemic SoundSOURCES:Seth Abramovich. “Searching for Shelley Duvall: The Reclusive Icon on Fleeing Hollywood and the Scars of Making ‘The Shining’” The Hollywood Reporter (2021).hollywoodreporter.com/feature/searching-for-shelley-duvall-the-reclusive-icon-on-fleeing-hollywood-and-the-scars-of-making-the-shining-4130256Georges Bataille, Erotism: Death and Sensuality, City Lights Publishers (1986).Roger Ebert. “Eyes Wide Shut” (1999).rogerebert.com/reviews/eyes-wide-shut-1999 Kevin Filipski. “Jan Harlan Keeps His Eyes Wide Open On New Ideas” Times Square (2007).web.archive.org/web/20120226124101/http://timessquare.com/Film/Film_Interviews/Jan_Harlan_Keeps_His_Eyes_Wide_Open_On_New_Ideas/ Michael Herr, “Kubrick” Vanity Fair, (2000). vanityfair.com/hollywood/2010/04/kubrick-199908 James Israel. “Kubrick Apparently Thought “Eyes Wide Shut” Was A ‘Piece of Shit’?” Indie Wire (2006).indiewire.com/2006/10/kubrick-apparently-thought-eyes-wide-shut-was-a-piece-of-shit-219955/ Robert Kolker and Nathan Abrams, “The Elusive Jewishness of “Eyes Wide Shut” — Stanley Kubrick’s Final Film” Forward (2019). forward.com/culture/423562/the-elusive-jewishness-of-eyes-wide-shut-stanley-kubricks-final-film/ Audre Lorde, “The Uses of the Erotic” Sister Outsider, Crossing Press (1984).Stefan Mattessich, “Grotesque Caricature: Stanley Kubrick’s Eyes Wide Shut as the Allegory of Its Own Reception” Postmodern Culture, Volume 10, Number 2, (2000).Amy Nicholson, Eyes Wide Shut at 15: Inside the Epic, Secretive Film Shoot that Pushed Tom Cruise and Nicole Kidman to Their Limits, Vanity Fair (2014).vanityfair.com/hollywood/2014/07/eyes-wide-shut-tom-cruise-nicole-kidman Paul O’Callaghan, “Eyes Wide Shut, 20 years on: how does Stanley Kubrick’s last testament stand up?” BFI (2021).bfi.org.uk/features/eyes-wide-shut-stanley-kubrick-tom-cruise-nicole-kidman Stephen Pizzello, “A Sword in the Bed: Eyes Wide Shut” American Cinematographer (2020). ascmag.com/articles/a-sword-in-the-bed-eyes-wide-shut Ed Power, “Eyes Wide Shut: 20 years on, Stanley Kubrick’s most notorious film is still shrouded in mystery” Independent (2019). independent.co.uk/arts-entertainment/films/features/eyes-wide-shut-stanley-kubrick-tom-cruise-nicole-kidman-marriage-film-plot-a9083926.htmlJonathan Rosenbaum & Peter Loewenberg in Depth of Field: Stanley Kubrick, Film, and the Uses of History, University of Wisconsin Press (2006).Schnitzler to Theodor Reik, December 31, 1913, Schnitzler Briefe, 1913-31, 35-36. Lee Siegel, “EYES WIDE SHUT: WHAT THE CRITICS FAILED TO SEE IN KUBRICK’S LAST FILM” Harper’s October 1999: 76-83.Linda Ruth Williams, The Erotic Thriller in Contemporary Cinema, Indiana University Press, (2005).
Licorice Pizza: Does Depiction Equal Endorsement? Broey Deschanel 2022-01-25 | Get the Karma shopping assistant: shop.karmanow.com/BroeyDeschanelLet's get to the bottom of this... swamp! Thumbnail by Alex Short: instagram.com/_false_apertureLola's CMBYN video: youtube.com/watch?v=hVp1F7I1kjI&t=1095s&ab_channel=LolaSebastianLolita Podcast: iheart.com/podcast/1119-lolita-73899842RAINN is America's largest anti-sexual violence organization. RAINN created and operates the National Sexual Assault Hotline (800.656.HOPE, online.rainn.org y rainn.org/es) in partnership with more than 1,000 local sexual assault service providers across the country and operates the DoD Safe Helpline for the Department of Defense. RAINN also carries out programs to prevent sexual violence, help survivors, and ensure that perpetrators are brought to justice. You can donate to RAINN here:give.rainn.org/a/donate Kids Help Phone is Canada’s only 24/7 e-mental health service offering free, confidential support to young people in English and French. You can donate, partner, or volunteer with Kids Help Phone here:kidshelpphone.ca/get-involved/home Youthspace.ca is a Canadian online crisis & emotional support chat service. They listen without judgement, and keep chats confidential & anonymous. You can access Youthspace's service here:youthspace.ca or donate to them here:canadahelps.org/en/dn/56586 Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelSOURCES:Walter Benjamin, “The Work of Art in the Age of Its Technological Reproducibility” (1935).Stuart Hall, “Encoding and Decoding in the Television Discourse” Paper for the Council Of Europe Colloquy on "Training In The Critical heading Of televisual language" (1973).Stuart Hall, "Notes on Deconstructing the Popular" from Essential Essays, Vol 1, Duke University Press (1981).Janice Radaway. “Reading Is Not Eating: Mass-Produced Literature and the Theoretical Methodological and Political Consequences of a Metaphor” Book Research Quarterly, 2(3) (1986) 7-29.RAINN Article on Groomingrainn.org/news/grooming-know-warning-signs Tenbergen et al article:ncbi.nlm.nih.gov/pmc/articles/PMC4478390/#:~:text=Pedophilia%20is%20defined%20as%20an,in%20case%20of%20additional%20factors. Virginia Woolf, “The Cinema” (1926).modvisart.blogspot.com/2006/04/virginia-woolf-cinema-1926.html
Why No One Wins the Fast Fashion Debate Broey Deschanel 2021-12-20 | Save 25% on your first Native Plastic-Free Deodorant Pack - normally $39, you’ll get it for $29! Click here bit.ly/nativebroey and use my code BROEY #ADThank you to Mojeane for the lights, Isaac for the lavs, and to Sam for the zoom!Dorian Gray meme by: instagram.com/fooldistrictPatreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySources:Aja Barber. "The History of Fast Fashion" Slow Factory. https://slowfactory.earth/courses/history-of-fast-fashion/Sven Beckert. Empire of Cotton: A Global History. Knopf Doubleday Publishing Group (2014).google.ca/books/edition/Empire_of_Cotton/UyyOAwAAQBAJ?hl=en&gbpv=0 Doeringer, P., & Crean, S. Can fast fashion save the US apparel industry?. SocioEconomic Review, 4(3), (2006) 353-377.Arturo Escobar. Encountering Development: The Making and Unmaking of the Third World. Princeton University Press (1995)."Fashion and Waste: An Uneasy Relationship" CO Datacommonobjective.co/article/fashion-and-waste-an-uneasy-relationship#:~:text=Of%20that%20vast%20majority%20of,up%20in%20the%20waste%20stream.“Fast Fashion Needs to Slow Down for the Climate” Climate Council (2021)https://www.climatecouncil.org.au/resources/fast-fashion-climate-change/ "How Much Do Our Wardrobes Cost to the Environment?" The World Bank (2019).worldbank.org/en/news/feature/2019/09/23/costo-moda-medio-ambienteNgan Le. “The Impact of Fast Fashion on the Environment” Princeton Student Climate Initiative (2020). "Net-Zero Challenge: The supply chain opportunity" World Economic Forum (2021).www3.weforum.org/docs/WEF_Net_Zero_Challenge_The_Supply_Chain_Opportunity_2021.pdfMajid Rahnema. “Global Poverty: A Pauperizing Myth” Inter-culture, vol xxiv, no.2 (Spring 1991).Amartya Sen, Development as Freedom, Oxford University Press, 1999. Dana Thomas. Fashionopolis: the Price of Fashion - and the Future of Clothes. Head of Zeus (2020).
Sex and the City: Love at the End of History Broey Deschanel 2021-11-23 | The first 1,000 people to use this link will get a 1 month free trial of Skillshare: https://skl.sh/broeydeschanel08211Let's overthink the sh*t out of this show!Song used in intro/outro - "You've Got the Love" cover by Milka Christmas Choiryoutube.com/watch?v=cvZQRE97t3w&ab_channel=Goran-MP-KamenovicInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeyPatreon: patreon.com/broeydeschanelSOURCES: Jane Arthurs “Sex and the City and Consumer Culture: Remediating Postfeminist Drama”, Feminist Media Studies, 3:1 (2003) pp.83-98.Bonnie J. Dow. “Hegemony, Feminist Criticism, and The Mary Tyler Moore Show” Critical Studies in Mass Communication, 7 (1990), 261-274.Jane Gerhard. “Sex and the City: Carrie Bradshaw's queer postfeminism” Feminist Media Studies, 5 (1) (2006) pp. 37-49.Angela McRobbie. “Post‐feminism and popular culture” Feminist Media Studies, 4 (3) (2004) pp. 255-264.Angela McRobbie, Lynn Spigel, Yvonne Tasker. Interrogating Postfeminism: Gender and the Politics of Popular Culture, Duke University Press (2007).Emily Nussbaum. “Difficult Women: How “Sex and the City” lost its good name” New Yorker (2013).Ariel Saramandi. "A Novel About Sleeping Through the ’90s, Designed to Wake You Up" Electric Lit (2018):electricliterature.com/a-novel-about-sleeping-through-the-90s-designed-to-wake-you-up-in-2018Belinda A. Stillion Southard. “Beyond the Backlash: Sex and the City and Three Feminist Struggles” Communication Quarterly, Vol. 56, No. 2, (2008) pp. 149–167.David Zurawik, “The Trouble with 'Ally' Analysis: Fox's pseudo-feminist, 'neurotic female' is sending mixed messages on gender and workplace issues” Baltimore Sun (1998).
Abject Women: The Greatest Horror of All Broey Deschanel 2021-10-28 | Visit: audible.com/broey for 30 days free!Yhara Zayd’s videos:A Monstress Comes of Age: Horror & Girlhoodyoutube.com/watch?v=TkUbP2KVVl8&t=571s&ab_channel=YharazaydJennifer's Body & the Horror of Bad Marketingyoutube.com/watch?v=llQ_OpOl7Qg&t=291s&ab_channel=Yharazayd Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySOURCES:Maggie Hennefeld, Nicholas Sammond, Abjection Incorporated : Mediating the Politics of Pleasure and Violence, Duke University Press (2020).Julia Kristeva. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia UP, 1982.Rachel C. Lee, “Where’s My Parade? Margaret Cho and the Asian American Body in Space” TDR The Drama Review (2004).Imogen Tyler. Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain. Bloomsbury Academic & Professional (2013). Linda Williams, “Film Bodies: Gender, Genre, and Excess” Film Quarterly, Vol. 44, No. 4 (1991), pp. 2-13
Love Island: A Flirtation With Surveillance Broey Deschanel 2021-09-29 | Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelWith the support of Creative Europe – MEDIA Programme of the European UnionResources if you or a friend are struggling:Samaritans - United Kingdom:116 123samaritans.orgThe National Suicide Prevention Hotline - United States:1-800-273-8255 suicidepreventionlifeline.orgNAMI (the National Alliance on Mental Illness) - United States:nami.org/HomeCrisis Services Canada:1.833.456.4566crisisservicescanada.ca/en------------------------------------------------------------------------------------------------------Thumbnail by Nick WoodcockPatreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelHannah's Instagram: instagram.com/hannahmraineTwitter: twitter.com/DeschanelBroeyFurther Watching:Alice Cappelle's video on vloggers and the panopticon:youtube.com/watch?v=IDklDH4PVAs&ab_channel=AliceCappelleTara Mooknee's video on Love Island and hollow diversity:youtube.com/watch?v=NxPry8SXpTI&ab_channel=TaraMookneeAda on Demand's video on Love Island and misogynoir:youtube.com/watch?v=f5vvCwIL8bE&t=61s&ab_channel=AdaOnDemandSources and Further Reading:Deery, June. Reality TV, Polity Press, (2015)Goldfine, Jael. "The Strange Magic of Iain Stirling’s Narration on Love Island UK," GQ (2021).Jeong, Sarah. “‘Love Island’ Is a Riveting Human Rights Violation” The New York Times (2019).Kavka, Misha. Reality TV, Edinburgh University Press (2012).Klein, Amanda Ann. "Millennials Killed the Video Star", Duke University Press, (2021).L'Hoiry, Xavier. “Love Island, Social Media, and Sousveillance: New Pathways of Challenging Realism in Reality TV” Frontiers, (2019).Mathiesen, Thomas. (1997). “The Viewer Society: Michel Foucault’s ‘Panopticon’ Revisited.In: Theoretical Criminology, 1(2): 215‐234.Poster, Mike. “Databases as Discourse, or Electronic Interpellations” U of Minnesota Press (1996).researchvalues2018.files.wordpress.com/2017/12/poster-database-discourse.pdf Stoppard, Lou. "The Glorious Depravity of the British “Love Island”," The New Yorker. Wong, James . “Here's looking at you: Reality TV, Big Brother, and Foucault” . Canadian Journal of Communication ; Toronto Vol. 26, Iss. 4, (2001): 489-501.Niall's interview:independent.co.uk/arts-entertainment/tv/news/love-island-niall-aslam-autism-psychotic-episode-b1875303.html Zara's interview:dailymail.co.uk/news/article-7042803/The-hateful-truth-Love-Island-Ex-Miss-GB-reveals-contestants-told-say.html"Logistical Difficulties" quote:them.us/story/love-island-producers-say-lgbtq-contestants-pose-difficulties
Point Break and the Soft Masculinity of Action Movies Broey Deschanel 2021-08-11 | Go to on.likewise.com/broey to download the Likewise app today!What makes Point Break such an amazing action movie? Let’s ~unpack~.James Cameron interview:google.ca/books/edition/Kathryn_Bigelow/rtilCgAAQBAJ?hl=en&gbpv=1&printsec=frontcover Be Kind Rewind's video: youtube.com/watch?v=QxCV_OJxJtE&t=26s&ab_channel=BeKindRewindThumbnail by Nick WoodcockCitations:Susan Jeffords. Hard Bodies: Hollywood Masculinity in the Reagan Era (1994) Rutgers University PressChristina Lane. Feminist Hollywood: From Born in Flames to Point Break, Wayne State University Press, Detroit (2000).Martha M. Lauzen. Kathryn Bigelow: On Her Own in No-(Wo)Man’s-Land, Camera Obscura (2011) 26 (78): 146–153.Alicia Malone. The Female Gaze: Essential Movies Made by Women, Mango Publishing Group (2018).Willa Paskin. “What Kathryn Bigelow Learned From Rembrandt” Slant (2010).“REALITY BYTES: Andrew Hultkrans in a 1995 conversation with Kathryn Bigelow” Artforum (2010).Yvonne Tasker. Spectacular Bodies : Gender, Genre and the Action Cinema (1993) Taylor & Francis Group.April Wolfe. “Revisiting Hours: ‘Point Break’ Is the Greatest Female-Gaze Action Movie Ever” Rolling Stone (2018).Patreon: patreon.com/broeydeschanelInstagram (it’s a personal account so don’t be weird): instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroey
Stripping the Layers of Sensual Dancing in Film Broey Deschanel 2021-07-26 | Get a whole month of great cinema FREE on MUBI: mubi.com/broeydeschanelWith the support of Creative Europe – MEDIA Programme of the European UnionHow has exotic dancing been represented in film history? From a scale of 1 to Flashdance, how bad is it?Organizations to support and resources for Sex Workers:The Canadian Alliance for Sex Work Law Reformsexworklawreform.comThis is a coalition of a number of prominent sex worker led and allied organizations from across Canada. Including: Butterfly Asian and Migrant Sex Worker Support Network, HIV Legal Network, Maggie's: Toronto Sex Workers Action Project, Maggie's Indigenous Sex Work Drum Group, Migrant Sex Workers Project (MSWP) and more! You can look at each organization’s website by going to about - member groups. Sex Workers Projectsexworkersproject.org The Sex Workers Project provides client-centered legal and social services to individuals who engage in sex work, regardless of whether they do so by choice, circumstance, or coercion. The Sex Workers Project is a project at the Urban Justice Center which serves low-income and marginalized New Yorkers through a unique combination of direct legal services, systemic advocacy, community education, and organizing.TGI Justice Projecthttp://www.tgijp.org TGI Justice Project is a group of transgender, gender variant and intersex people—inside and outside of prisons, jails and detention centers—creating a united family in the struggle for survival and freedom. San Francisco-based.Sex Workers Outreach Project USAswopusa.orgSex Workers Outreach Project-USA is a national social justice network dedicated to the fundamental human rights of people involved in the sex trade and their communities, focusing on ending violence and stigma through education and advocacy.SWARM (Sex Worker Advocacy and Resistance Movement)swarmcollective.org SWARM is a UK-based collective founded and led by sex workers who believe in self-determination, solidarity and co-operation. They campaign for the rights and safety of everyone who sells sexual services. They also organize skill-shares and support meet-ups just for sex workers, as well as public events.National Ugly Mugs (NUM)nationaluglymugs.orgNUM is a UK-wide charity working with sex workers to do research, design and deliver safety tools and to provide support services to people in adult industries.The Global Network of Sex Work Projects (NSWP)nswp.org NSWP is a membership organization that upholds the voice of sex workers globally and connect regional networks advocating for the rights of female, male, and transgender sex workers. Its members are local, national or regional sex worker-led organizations and networks across five regions: Africa, Asia and the Pacific, Europe, Latin America and North America and the Caribbean. Thank you to my patron Libby for the title idea!Thumbnail by Nick WoodcockSupport me on Patreon!: patreon.com/broeydeschanelFollow me on my personal instagram (but don't be weird :P): instagram.com/broey_deschanel
The Problem of Method Acting Broey Deschanel 2021-06-07 | Use code BROEY12 to get up to 12 FREE MEALS across your first 4 HelloFresh boxes, including free shipping on your first box at bit.ly/3fKUEr9This video's alternate title is: Attack of the Theatre Nerd (me)Ellie Ellwand's website: ellieellwand.comEllie's Instagram: instagram.com/ellie.ellwandSet Design by Hannah RaineCitations:Ayer quote about Letouk.movies.yahoo.com/suicide-squad-david-ayer-made-the-cast-punch-each-171700255.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cudGhlYXRsYW50aWMuY29tL2VudGVydGFpbm1lbnQvYXJjaGl2ZS8yMDE2LzA4L2hvbGx5d29vZC1oYXMtcnVpbmVkLW1ldGhvZC1hY3RpbmcvNDk0Nzc3Lw&guce_referrer_sig=AQAAAMk-HCn6GKVxSHy23wieunbdnewePbenby-5aHlt79Rr_EjlHRRljb1CjVfzAxtfP4nvQSzMFkF-cDndlt4lw_JTgMaquJMbYG31veVGafeNV2gXj5r8gp0LiKO7eMPr65ZmvXH7ocLHTc2pqmHK2remNZpBoyq5fkl3qVL8GY06 Balcerzak, Scott. Beyond Method: Stella Adler and the Male Actor, Wayne State University Press (2018).web-b-ebscohost-com.ezproxy.lib.ryerson.ca/ehost/detail/detail?vid=0&sid=1123a6b8-d550-450e-93d4-5b1cb9bd9f70%40pdc-v-sessmgr02&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=1769899&db=nlebkBale “sissy” interviewesquire.com/entertainment/a8920/christian-bale-interview-1210 Baron, Cynthia and Sharon Marie Carnicke. Reframing Screen Performance, University of Michigan Press (2008).google.ca/books/edition/Reframing_Screen_Performance/OEc_DwAAQBAJ?hl=en&gbpv=1&printsec=frontcover Bastién, Jade Angelica, “Hollywood Has Ruined Method Acting,” The Atlantic (2016).theatlantic.com/entertainment/archive/2016/08/hollywood-has-ruined-method-acting/494777Benedetti, Jean. Stanislavski : An Introduction, Revised and Updated. Taylor & Francis Group (2004). ebookcentral-proquest-com.ezproxy.lib.ryerson.ca/lib/ryerson/reader.action?docID=243300Bertolucci “realistic” quotehttps://www.ansa.it/web/notizie/rubriche/spettacolo/2013/09/17/Bertolucci-confessione-shock_9312378.html Bosworth, Patricia. “The Mentor and the Movie Star” Vanity Fair (2003)vanityfair.com/news/2003/06/marilyn-monroe-and-lee-strasberg-200306 Camus, Albert. The Myth of Sisyphus. Knopf Doubleday Publishing Group (2018). Conroy, Marianne. “Acting Out: Method Acting, the National Culture, and the Middlebrow Disposition in Cold War America” Criticism (1993) 35 (2): 239-263. www-jstor-org.ezproxy.lib.ryerson.ca/stable/pdf/23113572.pdf?refreqid=excelsior%3Aacf17e6cc943de76ca30ac4d59768633 Harrop, John. Acting, Taylor & Francis Group (2004). ebookcentral-proquest-com.ezproxy.lib.ryerson.ca/lib/ryerson/reader.action?docID=201266# Hollinger, Karen. The Actress: Hollywood Acting and the Female Star, Routledge (2006). books.google.ca/books?hl=en&lr=&id=89W0QMDjA7gC&oi=fnd&pg=PP1&dq=lee+strasberg+female+actors&ots=0glg9ms-Tn&sig=k7SkOAbySrT1RPaaRCG_QFvGj5o&redir_esc=y#v=onepage&q=method&f=false Malague, Rosemary. An Actress Prepares: Women and “the Method” Taylor & Francis (2013).google.ca/books/edition/An_Actress_Prepares/aaAsgJdqCIkC?hl=en&gbpv=1&printsec=frontcover Oldman’s ‘pain bag’ interviewgq.com/story/gary-oldman-interview-chris-heath-oscar-nomination Plato’s Ionhttp://classics.mit.edu/Plato/ion.html Schulman, Michael. “How Meryl Streep Battled Dustin Hoffman, Retooled Her Role, and Won Her First Oscar.” Vanity Fair, (2016). vanityfair.com/hollywood/2016/03/meryl-streep-kramer-vs-kramer-oscar Walsh Jenkins, Linda and Susan Ogden-Malouf. “The Female Actor Prepares” Theatre (1985) 17 (1): 66–69.watermark.silverchair.com/ddthe_17_1_66.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAApQwggKQBgkqhkiG9w0BBwagggKBMIICfQIBADCCAnYGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQM3SaXHYs9cGdVm-E7AgEQgIICRyHu-4UOEZcBew0boZy0TEDbNjaUy4qzwMXa7IOvkhtp30nVrt0vqHUtd_kozd5cBIuUJRcwOKjlMAZ-QkiLow0JDzIKW4Jqg7YDA5lvq47PGxXvao_zhOVFVp1toQ2NbClc0hFE4UCAcY3wtBsOIGlmEYOAyFkKFeHIc8X8aoxvjJw72LJLeemTLjgz_iLPoGAp5jfUqOmNKZ8pQKf2hTJETKXTqXL7GX1kS7k58gveyEOYBWBOjYHPm8lsSv8gC_FxeOIJm7c7M7XBQwGkvbG9s9CDHNsorZIWOMsKauao56nIbQmKb5bOGPbKjBNo6V8ChkpAH9Riup8IQdtJciXcaJWRDQpSDHDkgTYAfHOxDzXZvJPFq2ZWqGGYy67A3HomESifT2b3CJZZXwwT5RVuc1Pq5hIpeo9SVFvydLpcjHnRpZHJkCcIJtU4EzUK2Yf4Z6dAueoxZHFDrh4cyYdBt1P0_do78mUyNEjNAeiXGRSX3fqD6XxERZEBI_w-WSX6NYntH8D1lncm6ygsh5v1B79QxsqLHJi21saB-R5ZWxnFNs-B5OrQsHZ4PJmE3eBRJQwxAjJw8dHXIYo4G0XWZ1XfOOe4SIhWzi1pQ6bEY3Ea54yyVsJ6cD2_zIgDClklmaBy70LA1QkPzdoIEnrFLIzOqWtGwCxAg6UAanyDv_jCbcvDner0t3PCipqkjGK-r9L-fuZ77DaqQp1e_ZKuqv6E8fcLSq7IbP1i5Bp5T8e-Tv2QsO3YETrahC7gnP74iGLjfFE Follow me on insta (it's my personal account though!)Instagram: instagram.com/broey_deschanel
The Systemic Abuse of Celebrities Broey Deschanel 2021-04-15 | Use code BROEY12 to get up to 12 FREE MEALS across your first 4 HelloFresh boxes, including free shipping on your first box at bit.ly/3fKUEr9Intro/Outro song: Montana Tucker - Lucky (Britney Spears over)youtube.com/watch?v=GqkhhaLV75w&ab_channel=MontanaTucker You're Wrong About episode:podcasts.apple.com/us/podcast/princess-diana-part-2-the-wedding/id1380008439?i=1000493736663Patreon: patreon.com/broeydeschanelInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeyCitations (in order of appearance):Rojek, Chris. Celebrity, Reaktion Books (2001). Spears, Britney, Spears Lynne, and Sheryl Berk. Britney Spears’s Heart to Heart. New York: Three Rivers Press, (2000). Alter, Jonathan. “Princess Diana: Her Children, Her Love Life and Her Affect on a Generation” Newsweek (2007)Musial, Jennifer. "We're Country": Britney Spears, Southern White Femininity, and the American Dream, Feminist Formations (2019)Luckett, Moya. "Toxic: the implosion of Britney Spears's star image." Velvet Light Trap 65 (2010): 39+. Business Insights: Global. (2021)Meyers, Erin. ‘‘Can You Handle My Truth?’’: Authenticity and the Celebrity Star Image (2009)Sessums, Kevin. Miley Cyrus: 'I Know Who I Am Now' Parade (2010)Tolentino, Jia. Selena Gomez on Politics, Faith, and Making the Music of Her Career. Vogue (2021).Haskell, Rob. "Selena Gomez on Instagram Fatigue, Good Mental Health, and Stepping Back From the Limelight" Vogue (2017).Schumer, Amy. "Selena Gomez and Amy Schumer Discuss the Stuff That Matters (And Some Stuff That Doesn’t)" Interview Magazine (2020)Turner, Graeme, Understanding Celebrity, SAGE Publications (2014)Johnson, Richard. “Exemplary differences: Mourning (and not mourning) a princess” Routledge (1999).Turner, Graeme, Understanding Celebrity, SAGE Publications (2014).Giles, David C. Twenty-First Century Celebrity: Fame in Digital Culture, Emerald Publishing (2018)Jerslev, Anne. “In The Time of the Microcelebrity Celebrification and the YouTuber Zoella” International Journal of Communication (2016). Nunn and Biressi, ‘A trust betrayed’: celebrity and the work of emotion” Celebrity Studies (2010).
How Killing Eve Subverts the Spy Thriller Broey Deschanel 2021-03-15 | Tracing the history of bisexuality in film and TV, and where Killing Eve fits within it! Has there always been a queer subtext in the cat and mouse genre? Let's find out!Check out Isaac's amazing work here: isaacroberts.squarespace.comClick here to support me on Patreon!: patreon.com/broeydeschanelThumbnail by Nick WoodcockIntro/Outro song: Non Voglio Più Rivederti by Paola NeriInstagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroeySources: Bramesco article: insidehook.com/article/movies/heat-most-homoerotic-film-90s-deniro-pacinoFarrimond, Katherine. "Bisexual Detection: Visibility, Epistemology, and Contamination" in The Contemporary Femme Fatale: Gender, Genre and American Cinema, Taylor & Francis Group, 2017.Harris Green article:buzzfeednews.com/article/hannahharrisgreen/killing-eve-villanelle-sandra-oh-jodi-comer-bisexualLetort, Delphine. "The Femme Fatale of the 1990s Erotic Thriller" in Women Who Kill: Gender and Sexuality in Film and Series of the Post-Feminist Era. Bloomsbury, 2020. Waites, Kathleen J.. "Killing Eve and the Necessity of the Female Villain du Jour" in Antiheroines of Contemporary Media: Saints, Sinners, and Survivors. Lexington, 2021.
The Liberal Escapism of Bridgerton Broey Deschanel 2021-02-13 | Watch me try to unpack the Disney-fication of race relations, the challenges of positive representation, and what the heck we should do about history.Support my channel here!patreon.com/broeydeschanelKhadija Mbowe's video:youtube.com/watch?v=zYPB5nJV3h8&ab_channel=KhadijaMboweCostuming Drama's panel video:youtube.com/watch?v=9XQxFcRfWSc&t=1586s&ab_channel=CostumingDramaGiroux article:journals-scholarsportal-info.ezproxy.lib.ryerson.ca/pdf/0031322x/v44i0001/1_srrnatson.xml Goldberg book:books.google.ca/books/about/The_Threat_of_Race.html?id=7_gHSFUX_nwC&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=false Herman article:theringer.com/tv/2020/7/10/21319242/hollywood-racism-blackface-tv-episodes-song-of-the-southMonteiro articlehttps://online.ucpress.edu/tph/article/38/1/89/90687/Review-Essay-Race-Conscious-Casting-and-theWarner essay:journals-sagepub-com.ezproxy.lib.ryerson.ca/doi/pdf/10.1177/1527476414550529Warner Film Quartely article:filmquarterly.org/2017/12/04/in-the-time-of-plastic-representationThumbnail by Nick WoodcockCorset (worn by me) made/designed by Hannah RaineFollow my Instagram!instagram.com/broey_deschanel Follow my Twitter!twitter.com/DeschanelBroey
Have We Grown Out of Gossip Girl? Broey Deschanel 2021-01-16 | bAbez, we need to talk... about class politics in Gossip Girl.patreon.com/broeydeschanel Berman article:theatlantic.com/entertainment/archive/2012/12/xoxo-conspicuous-consumption-how-the-economy-killed-gossip-girl/266181Hans article:dazeddigital.com/film-tv/article/45461/1/hollywood-the-lion-king-avengers-remakes-reboot-culture-so-boringKendall book:books.google.ca/books?hl=en&lr=&id=ZG4RCUpxDUkC&oi=fnd&pg=PR2&dq=glorifying+wealth+in+the+2000s&ots=BXXv1e4EwZ&sig=vsE5f8m5QFdncBI51Dkzo3V1kZg#v=onepage&q&f=falseMetz article:chicagotribune.com/entertainment/tv/ct-mov-tv-reboot-proliferation-diversity-20180202-story.htmlRyan article:http://archive.boston.com/news/globe/living/articles/2006/10/29/occupational_hazardIf you don’t believe how psycho people are about Jenny, look no further lol:reddit.com/r/GossipGirl/comments/a821mw/is_there_a_i_strongly_dislike_jenny_humphreyFOLLOW US ON OUR SOCIALS:Hannah’s instagram:instagram.com/hannahmraineBroey’s instagram:instagram.com/broey_deschanelBroey’s twitter: twitter.com/DeschanelBroey
Why Miyazaki is a True Romantic Broey Deschanel 2020-12-01 | Is Miyazaki a modern day Romanticist? What makes Kiki's Delivery Service a particularly great film? This video is largely inspired by an essay by Brendan C. Walsh, which you can check out here: researchgate.net/publication/338709370_A_Modern-Day_Romantic_The_Romantic_Sublime_in_Hayao_Miyazaki's_Creative_PhilosophyThe Director Project: youtube.com/playlist?list=PL_XBsckzagj23_rA59PO3i1AcIb2Igv0IThumbnail by Nick Woodcockpatreon.com/broeydeschanel Sources:Brendan C. Walsh (2019) A Modern-Day Romantic: The Romantic Sublime in Hayao Miyazaki’s Creative Philosophy, Comparative Literature: East & West, 3:2, 176-191, Kurita, Kyoko. “Koda Rohan and the Origin of Modern Japanese Romanticism.’” PhD diss. Yale University, 1992. Print.Napier, Susan J. “Confronting Master Narratives: History as Vision in Miyazaki Hayao’s Cinema of De-Assurance.” Positions: East Asia Cultures Critique 9.2 (2001): 467–93. Print.Okada, Akiko. Keats and English Romanticism in Japan. Bern, Switzerland; New York: Peter Lang, 2006. Print.Unnamed Films (In Order of Appearance):Whisper of the Heart (1995)The Wind Rises (2013)Music:Glass Off - Bernie LeadonSong of India - Andre KostelanetzSummer Rain - Suzanne MenzelBackground Painting:Ships in a Storm - Ivan Aivazovsky (1860)Instagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroey
When Shakespeare Got Cool Broey Deschanel 2020-11-17 | What's so bad about "low culture" anyway? Thumbnail by Nick WoodcockSet by Hannah Rainepatreon.com/broeydeschanel Music in this vid: When Doves Cry - Orgyyoutube.com/watch?v=IgIM107fp5M&ab_channel=audiofusionSystem of a Down - Toxicity - Medieval Style - Bardcoreyoutube.com/watch?v=X5d8bnvO2JQ&ab_channel=AlgaltheBardLovefool - Iconiqueyoutube.com/watch?v=J0kHBptDIEA&ab_channel=IconiqueLovefool - New Found Gloryyoutube.com/watch?v=FYxXaJruYtQ&ab_channel=NewFoundGlory-TopicI Want You to Want Me - Chantal Claretyoutube.com/watch?v=mJ-qzXBZ_6A&ab_channel=ChildrenofParadise-Topic Scholarly sources: Frenchbooks.google.ca/books?hl=en&lr=&id=kR3oNXYr5T0C&oi=fnd&pg=PA176&dq=teen+shakespeare&ots=bIrSnxrdPo&sig=y1nKGAmvOwf4DOo3f0Jb59upYIU&redir_esc=y#v=onepage&q&f=falseMarchebooks.google.ca/books/about/How_Shakespeare_Changed_Everything.html?id=irvaazwgoi4C&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=falseNunesjournals.openedition.org/shakespeare/1949#tocto2n5Yorkbooks.google.ca/books/about/Shakespeare_and_Youth_Culture.html?id=8vuGDAAAQBAJ&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=falseUnnamed Films Shown (In Order of Appearance):As You Like It (1936)Macbeth (1961)A Midsummer’s Night’s Dream (1935)Romeo and Juliet (1954)Chimes at Midnight (1966)Throne of Blood (1957)West Side Story (1961)Hamlet (1996)Much Ado About Nothing (1993)Instagram: instagram.com/broey_deschanelTwitter: twitter.com/DeschanelBroey
Sofia Coppola: The Politics of Pretty Broey Deschanel 2020-09-01 | **DISCLAIMER: We love Lana Del Rey, we're just baffled by her behaviour sometimes!** In this video we examine Sofia Coppola’s bad faith critics and tell you why we think she’s an auteur! patreon.com/broeydeschanel Follow my insta here: instagram.com/broey_deschanelFollow Hannah’s insta here: instagram.com/hannahmraineFollow Hannah and Adam’s podcast here: podtail.com/en/podcast/is-it-wackHUGE thanks to Ian Mills and Talya Amira (our amazing sound editors) for their help with the audio nightmares!Playground Love cover by Someone:youtube.com/watch?v=UYJ_T84-y6EBackman Rogers:books.google.ca/books/about/Sofia_Coppola.html?id=H0RvDwAAQBAJ&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=falseCohen: refinery29.com/en-us/2018/07/203957/marie-antoinette-review-mean-girls-kirsten-dunstEbert:rogerebert.com/reviews/marie-antoinette-2006Sen article:tiff.net/the-review/the-teenage-heartbreak-of-sofia-coppolas-mary-corleone theguardian.com/film/2000/apr/15/features.weekend
Wes Anderson and the Follies of Modern Orientalism Broey Deschanel 2020-07-15 | Let’s talk about everyone’s favourite smol bean, and his flaws :)patreon.com/broeydeschanel Citations:Justin Chang: Review: Wes Anderson’s ‘Isle of Dogs’ is often captivating, but cultural sensitivity gets lost in translationlatimes.com/entertainment/movies/la-et-mn-isle-of-dogs-review-20180321-story.htmlChouliaraki, Lilie. The Spectatorship of Suffering. SAGE, 2006, pp. 3.David Fear: How Do You Solve a Problem Like ‘Isle of Dogs’?rollingstone.com/movies/movie-news/how-do-you-solve-a-problem-like-isle-of-dogs-204452Said, Edward W. Orientalism. New York: Pantheon Books, 1978.Jonah Weiner: How Wes Anderson Mishandles Raceslate.com/culture/2007/09/how-wes-anderson-mishandles-race.htmlMusic:Cousin Ben by Savfkyoutube.com/watch?v=ozYj_uBp3i0&t=86sSilsila Ye Chaahat Ka | Devdas | flute cover | vinayak joshi fluteyoutube.com/watch?v=qKzzxBanyMcRenegade Cut has a very similar take on this (we both took heavy inspiration from Jonah Weiner's Slate article), go check out his video!youtube.com/watch?v=-Ku7PwEKTAwFollow me on social media, but don't be weird!instagram.com/broey_deschanel
Why Neon Noir is Important Broey Deschanel 2020-05-10 | Welcome to my most pretentious video yet! Where I try to convince you why this semi-real genre rocks! (but seriously go watch Thief, even though I spoil it a bit it's still such a good watch!)patreon.com/broeydeschanel Arnett's article:researchgate.net/publication/241739535_Eighties_Noir_The_Dissenting_Voice_in_Reagan's_AmericaBrody's article:newyorker.com/culture/richard-brody/film-noir-elusive-genre-2Holden's article:nytimes.com/1998/03/08/movies/film-view-neo-noir-s-a-fashion-that-fits-only-a-few.htmlZeitchik's article:latimes.com/entertainment/la-xpm-2011-sep-15-la-ca-drive-20110911-story.htmlMusic (in order):Confrontation (from Thief soundtrack) - Craig SafanBeach Theme (from Thief soundtrack) - Tangerine DreamDiamond Diary (1995 Digital Remaster) - Tangerine DreamGraham's Theme (from Manhunter soundtrack) - Michel Rubini
Tiger King: The Problem with True Crime Broey Deschanel 2020-04-19 | Adam’s podcast: Is It Wack? podtail.com/en/podcast/is-it-wack patreon.com/broeydeschanel Murder Squad episode: http://themurdersquad.com/episodes/what-happened-to-carole-baskins-husband-don-lewis Full Humane Society Report: humanesociety.org/sites/default/files/docs/investigative-report-gw-exotic-animal-park.pdf An article from 1997 regarding Don Lewis (that details his business dealings): tampabay.com/archive/1997/09/19/missing-millionaire-worries-family Footage and partial audio: Provided to YouTube by Netflix, Inc.I think this is an interesting quote by Rebecca Chaiklin that really shows how they viewed their participants: "We were blessed in this project in having subjects that were obsessed with filming themselves. Narcissism was a common thread, and all of them constantly wanting to be on camera was every filmmaker’s dream,” Chaiklin said. “So there was this plethora of footage, and it was just the gift that kept on giving for us." (Indie Wire 2020)Sources: Bolin, Alice. "The Ethical Dilemma of Highbrow True Crime." Vulture, 1 Aug. 2018, www.vulture.com/2018/08/true-crime-ethics.html#comments. Boling, Kelli S. “True crime podcasting: Journalism, justice, or entertainment?” Radio Journalism: International Studies in Broadcast & Audio Media, vol. 17, no. 2, 2019, pp. 161-178 Boorsma, Megan. "The Whole Truth: The Implications of America's True Crime Obsession." Elon Law Review, vol. 9, no. 1, 2017, pp. 209-24. Burger, Pamela. "The Bloody History of the True Crime Genre." JSTOR Daily, 24 Aug. 2016, daily.jstor.org/bloody-history-of-true-crime-genre/. Greene, Steve. "'Tiger King': How Two Directors Untangled the Thorny Web Around Big Cat Owners." Indie Wire, 24 Mar. 2020, www.indiewire.com/2020/03/tiger-king-directors-netflix-interview-1202220039/. Leszkiewicz, Anna. "From Serial to Making a Murderer: can true crime as entertainment ever be ethical?" New Statesman, 15 Jan. 2016, www.newstatesman.com/culture/tv-radio/2016/01/serial-making-murderer-can-true-crime-entertainment-ever-be-ethical. Punnett, Ian (2017), ‘Every American life: Understanding Serial as true crime’, paper presented at the 2017 meeting of Association for Education in Journalism and Mass Communication, Chicago, 9–12 August. Tait, Amelia. "Tiger King merch shows the deep flaw of 'true crime' entertainment." Wired, 5 Apr. 2020, www.wired.co.uk/article/netflix-tiger-king-true-crime-merchandise. Victor, Daniel. "'Making a Murderer' Left Out Crucial Facts, Prosecutor Says." The New York Times, 5 Jan. 2016, www.nytimes.com/2016/01/05/arts/television/ken-kratz-making-a-murderer.html. Wilkinson, Alissa. "Let's think twice about Tiger King." Vox, 2 Apr. 2020, www.vox.com/culture/2020/4/2/21202812/tiger-king-bad-review-netflix
The Showgirls Redemption Broey Deschanel 2020-03-18 | It is satire? Is it camp? Is it just bad? Welcome to my Showgirls "hot take". If you're currently in quarantine, I hope you're holding up okay! Hopefully this video might entertain you. patreon.com/broeydeschanel Films shown (but not named) in the video:6:33 - Wet Hot American Summer (2001)6:37 - Addams Family Values (1993)7:26 - Moulin Rouge (2001)7:29 - The Great Gatsby (2013)Follow me, but don't be weird! :DInstagram: broey_deschanelMusic, in order (all featured in the Showgirls soundtrack):"Wasted Time - Lap Dance Mix" - My Life With The Thrill Kill Kult"Numb - Gimme Some More Dignity Mix" - U2, Rollo, Rob D"Ecstasy - The Extended Mix" - Killing Joke"Fallen" - One Dove
What Portrait of a Lady on Fire Tells Us About the Gaze Broey Deschanel 2020-02-08 | This is one big double entendre! Also pronouncing Sartre's name will be the death of me!patreon.com/broeydeschanel Other notable gaze theorists: Laura Mulvey, bell hooks, Jacques Lacan, Edward Said (kind of)Music: Arthur Simonini - La Jeune Fille en Feu Wojciech Kilar - "Vocalise"Vivaldi - "Viola d'amore Concerto in A minor RV 397", Accademia Bizantina"Ode to Aphrodite" from "The Ancient Greek Lyre"Vivaldi - Violin Concerto in G Minor, RV 315 "L'estate": I. Allegro
Why Parasite Should Terrify Us (Spoilers) Broey Deschanel 2020-01-08 | Subtitles now available in Korean! Thanks to my beautiful friend Hanyoung !!!patreon.com/broeydeschanel WARNING: SOME GRAPHIC CONTENT. ALSO HUGE APOLOGIES FOR ANY MISPRONUNCIATION. Unpacking the boogie man that lives in the Park's bunker: neoliberal capitalism.Want to learn more about neoliberalism? Check out this vid: youtube.com/watch?v=myH3gg5o0t0Here's the full comic by Toby Morris from 12:25: rnz.co.nz/news/the-wireless/373065/the-pencilsword-on-a-plateMusic: Provided to YouTube by Sony Music EntertainmentOpening · Jung Jaeil, Parasite (Original Motion Picture Soundtrack)The Belt of Faith · Jung Jaeil, Parasite (Original Motion Picture Soundtrack)Camping · Jung Jaeil, Parasite (Original Motion Picture Soundtrack)Blood and Sword · Jung Jaeil, Parasite (Original Motion Picture Soundtrack)℗ 2019 NEON Films, under exclusive license to Sony Music Entertainment
