Charles RitzThat Sonic fella sure seems like a fun guy! Charles Ritz's jazz funk cover / remix of Mushroom Hill Zone from Sonic the Hedgehog 3 & Knuckles.
The Sonic 3 & Knuckles OST is such a banger! It's so captivating that such a large group of composers can put together something so cohesive and memorable, it's definitely one of my favorite soundtracks of all time.
The conception of this cover started about four years ago, back when I was working on Sonic Misadventures. A friend of the show, Gareth Spriggs of Find The Computer Room, joked about a jazz cover of Mushroom Hill Zone... and of course, I relished the challenge. I'm glad I waited to tackle it though, so I can really try to do the tune justice. For this arrangement, I wanted to represent the season-changing aspect of the level, as it goes from lush greenery to a barren landscape, particularly in the slower section near the middle. For me, making the percussion more sparse and creating more melodic solos serves to differentiate between the two acts and how the stakes are raised for the second.
I also tried to go with a more conservative selection of instruments than past covers, taking a lot of influence from Weather Report. After watching sets that friends performed at events like MAGFest and PAX, I want to frame more of these arrangements in a setting where they could be performed with a live band. Feel free to let me know what you think of that in the comments! More Sonic coming really soon!
♫ “Mushroom Hill Zone" from “Sonic the Hedgehog 3 & Knuckles" composed by SEGA Sound Team (c. 1994)
Sonic 3 & Knuckles: Mushroom Hill Zone - Jazz Cover by Charles RitzCharles Ritz2018-06-08 | That Sonic fella sure seems like a fun guy! Charles Ritz's jazz funk cover / remix of Mushroom Hill Zone from Sonic the Hedgehog 3 & Knuckles.
The Sonic 3 & Knuckles OST is such a banger! It's so captivating that such a large group of composers can put together something so cohesive and memorable, it's definitely one of my favorite soundtracks of all time.
The conception of this cover started about four years ago, back when I was working on Sonic Misadventures. A friend of the show, Gareth Spriggs of Find The Computer Room, joked about a jazz cover of Mushroom Hill Zone... and of course, I relished the challenge. I'm glad I waited to tackle it though, so I can really try to do the tune justice. For this arrangement, I wanted to represent the season-changing aspect of the level, as it goes from lush greenery to a barren landscape, particularly in the slower section near the middle. For me, making the percussion more sparse and creating more melodic solos serves to differentiate between the two acts and how the stakes are raised for the second.
I also tried to go with a more conservative selection of instruments than past covers, taking a lot of influence from Weather Report. After watching sets that friends performed at events like MAGFest and PAX, I want to frame more of these arrangements in a setting where they could be performed with a live band. Feel free to let me know what you think of that in the comments! More Sonic coming really soon!
♫ “Mushroom Hill Zone" from “Sonic the Hedgehog 3 & Knuckles" composed by SEGA Sound Team (c. 1994)
#Sonic3&K #VGM #CoversOfGoodMusicWhat if Spooky Scary Skeletons was JAZZ?? #halloween #spooky #shortsCharles Ritz2022-10-30 | ...A SPECIAL ANNOUNCEMENT (NEW DATE: DEC. 2!!)Charles Ritz2021-10-27 | EDIT: NEW DATE!! The show will now be happening DECEMBER 2 @ 7 PM EST
CELEBRATING 30 YEARS OF SONIC THE HEDGEHOG - LIVE CONCERT DEC. 2 @ 7 PM EST WATCH THE SHOW HERE: http://livestream.com/berklee
It's been a hectic few months, but I couldn't be happier to share this news with you today! My first ever live show, and I'm so excited to celebrate the 30th anniversary of the series that started it all for me. See you next week!
Artwork by Saneko: twitter.com/SanekoGato Green Hill Zone lo-fi remix by @LofiLiaMusicPokémon GSC: Lavender Town Jazz Cover by Charles RitzCharles Ritz2021-07-18 | I've always loved this optimistic spin on this creepy #Pokemon classic, figured I'd give it a lush jazz treatment!
🎶 This jazz cover of Lavender Town is featured on GameLark's tribute album to the music of Pokémon Generation II, "Golden Feathers, Silver Gales"! Check it out here:
https://album.link/us/i/1574532902
💓 Support my work on Patreon! ► http://bit.ly/supportcharles
Gen 2 Pokémon rocks. There are so many beautiful tunes across the region of Johto, with pieces like National Park being some of my favorites of all time. I also greatly appreciate the care taken with the new arrangements of familiar Gen 1 tracks to tell new stories using the same melodic material. My friend Ben of 8-Bit Music Theory has a fantastic video on this topic, where he also talks about Go Ichinose’s arrangement of Lavender Town: youtu.be/rwQjMC7C2Z0
My original intention was to upload this video as a bait-and-switch April Fool's joke, a la SiIvaGunner, starting with a spooky and heavy intro more reminiscent of the original Lavender Town, before going into this more tranquil rendition. But by missing that date, I had the chance to contribute the arrangement to GameLark’s album, which is always a great honor! I wanted to write a very lush, soaring arrangement of this theme, with orchestral strings and flute solis galore, and I’m really happy with how that aspect of it came out. It was also fun to evolve the material slightly over the course of the arrangement, with a solo section and ending key change into D major - overall, I certainly could have done more to separate it from the original, but I’m very pleased with how this turned out and I don’t think I’d have done it much differently.
This arrangement is also a debut of several new instruments into my collection, which I have been learning over the past year! I took a flute doubling class at Berklee in fall 2020, and while it was a struggle to start learning, I’m proud of all the progress I’ve made and it was such a joy to use it on this cover. I could write flute solis forever, they’re one of my favorite textures. Secondly, I have an EWI now!! One of my dream instrument purchases for quite some time, I bought a friend’s EWI 4000s earlier this year, and I honestly haven’t had so much fun with an instrument in AGES - I’ve been using it a lot to perform on Twitch, but this is its YouTube debut! I also had the idea to write a small clarinet feature at the beginning, and while I’m still new to the instrument, I’m excited to continue learning it.
Much love as always to my roommates Noah and Dov for always being so down to hop on my nonsense and being so darn good, and to all of you for being patient when I go away for prolonged periods of time. If you’ve read this far, thank you for
♫ “Lavender Town" from “Pokémon Red / Blue / Yellow" composed by Junichi Masuda (arranged for "Pokémon Gold / Silver / Crystal" by Go Ichinose)
🎶 This jazz arrangement is available, along with 20 more, on "Cry of the Planet", a VGM charity album from GameGrooves. All proceeds go directly to the Minnesota Freedom Fund: https://smarturl.it/cryoftheplanet 📚Learn what you can do to educate and support: blacklivesmatters.carrd.co
This is a song that I always imagined arranging eventually, but I was certainly not expecting to tackle it now. When Allen from GameGrooves presented the opportunity to contribute to a charity album in the wake of heightened racial tensions, I was feeling an array of emotions but I knew that the best way that I could channel my emotions was into my art. The lyrics and message of Life Will Change immediately struck me as something beneficial and empowering for people to hear, so I spent the next six days arranging, producing, and coordinating ten other musicians to create this.
To briefly discuss the arrangement, I initially took a lot of inspiration from Earth, Wind, and Fire's hit "Let's Groove", especially with the talkbox doubling the bass and the punchy horns. However, I was definitely not afraid to let the arrangement go in different directions, such as the breakdown about halfway through. It was a lot of fun to see what different live players can bring to a production that I wouldn't expect - Xnarky suggested using his baritone guitar for some of the heavier sections, and XenoKeyz absolutely UNLEASHED the talkbox across the tune! Overall, I'm very happy with how dynamic this arrangement was and I'm excited to see it evolve in the future as well.
As of the time of writing, I firmly believe that this is the best creation I've ever made. Not only did it come together with a high level of quality and efficiency, but I am grateful for the opportunity to create for a cause that is bigger than myself. The past month, I have learned so much about the world around me and its many stories. Breonna Taylor. George Floyd. Elijah McClain. Oluwatoyin Salau. Each one is a story tragically cut short, with much more left to be told. I look forward to the chance to use my voice for change however I can, and I hope that music can bring peace to those who need it most. Thank you so very much for listening.
♫ “Life Will Change" from “Persona 5" composed by Shoji Meguro
#BlackLivesMatter #Persona5 #CryOfThePlanetBanjo-Kazooie: Spiral Mountain Big Band Vocal Cover by Charles Ritz (feat. Tiggs) | Lyric VideoCharles Ritz2020-05-15 | When a cruel fate befalls young sister Tooty, only big band jazz can set her free! Get ready to climb to the peak and sing along with "Let's Open That Door", Charles Ritz's jazz cover version of Spiral Mountain, featuring Tiggs!
I can't believe it's taken me this long to arrange some of Grant Kirkhope's iconic music! His harmonic language is so distinct and charming, and his melodies have always gotten stuck in my head. Even though I haven't played Banjo-Kazooie yet (hoping to remedy that soon!), I've been very familiar with its soundtrack for as long as I've been interested in video game music. It was a huge treat to tackle a tune like this, especially for a Materia Community album.
These community projects always give me the inspiration to produce my most ambitious work, and this is no exception! From the beginning, I always had the intention of taking inspiration from New Orleans second-line music and featuring my friend Cameron on clarinet. I met him at a Berklee summer program about three years ago, and he's always blown me away. As my ideas ruminated, I came to the decision to not only write the tune for big band but also to feature original lyrics written from the perspective of Banjo and Kazooie as they begin their adventure. When writing the lyrics for this track with Zach, I described it as the opening number of a Banjo-Kazooie musical...
To make that happen though, I needed a Kazooie - enter Tiggs, stage right! I met Tia at MAGFest 2019 and after hanging out and hearing her perform with video game big band ConSoul, I knew I wanted to work with her on some music soon after. This was the perfect opportunity, and I just knew she would be ecstatic to sing as a giant bird. This was such a fun track to put together, especially engineering some of my own sessions at Berklee for the first time - my personal session recording my Banjo vocals was a JOY.
Ideally, I would have found time over this summer to meet up with Tia in person and film a fun music video for this tune, but given the current world circumstances, this lyric video will have to suffice for the time being! Editing this "bouncing-ball" type video was very time-consuming, but a fun learning experience, especially using After Effects for the first time. I actually streamed some of the process over on my Twitch, which I am hoping to do more consistently: twitch.tv/charlesritztv
And speaking of consistency, WOAH two videos in a month!? I truly hope to keep this up, I'm feeling excited to create in a way I haven't in awhile. I'm feeling some Kirby for my next video, but I'd love to hear your suggestions! Thanks for watching and reading, y'all. Stay safe. :)
♫ “Spiral Mountain" from “Banjo-Kazooie" composed by Grant Kirkhope
I'm surprised I haven't arranged more music from The Legend of Zelda over the years! Perhaps it's because I haven't ever sunk my teeth into any Zelda games, but the iconic tunes from across the series have always stuck with me. The last cover I did from the series was The Legendary Hero from Wind Waker way back in 2016, so it's nice to finally revisit the series with all the skills I've gained over the years.
This arrangement was originally going to be an April Fools' video for this year! Since a lot of my friends at Berklee are avid TikTok fans and don't know much about video game music, it was so surreal to hear them all suddenly singing Kokiri Forest, let alone realize that they learned it from David Ramos' cover. I've gotten to record for David before - he's a fantastic performer and person - so when I decided to tackle this tune, I reached out to see if he'd be down to make a fun cameo at the end, bringing this whole thing full circle. He graciously accepted and made this whole process even more fun. Hopefully, David and I can work together on an even grander musical project very soon!
I had this funky arrangement done in about four hours; since it was originally a very last-minute idea, I just ran with the first idea that came to me when I sat at my piano! Had I given myself more time, I'd have likely approached this tune differently, channeling more of the childlike wonder and whimsy that exists in Kokiri Forest. That said though, I'm still very happy with how this cover turned out, moments like the piano solo and the Dbmaj7(#5) right before the B-section being particular standouts.
I always love playing with Noah Benson, he's my roommate in Boston and while it's a bummer we can't play in-person right now, this is the next best thing! He crushes it every time. A huge shoutout as well to my new friend Josh Sebek, the mastering engineer who also gave me mixing pointers near the end. Also, BASS! This is my second time tracking bass for a cover, and while I've still got a lot to learn, I'm excited to implement it into future productions.
And there will be future productions! I know I've established a nasty habit of going away for way too long, and I'm sorry for that. I've been learning so much about music, the world, and myself as an artist and person over the past year, and I think it's time to start showing people what I've learned. Thank you so much for reading and watching. :)
♫ “Kokiri Forest" from “The Legend of Zelda: Ocarina of Time" composed by Koji Kondo
I haven't had the fortune of playing Octopath Traveler yet, but with the VGM community going crazy for its soundtrack, I got hooked based on that alone! I actually put this short arrangement of Alfyn's theme together and had it all recorded back in November for one of my arranging classes at Berklee. It acted as a fun exercise to work with the voicings and techniques I had learned throughout the semester.
The musicians I brought this to did a fantastic job with mere minutes to sightread the piece. It was great to have some friends in the room as well, and especially Ellis to deliver a soulful rendition of this fantastic saxophone melody. Shoutout to my friend Dov too for scoring one of the angles used for video here, it turned out great!
Please do let me know what you think of this, and if you would want to see more of these "bite-size" covers between bigger projects - short and sweet renditions of some of my favorites. I'm not sure what I'll be covering next, so feel free to throw some suggestions down in the comments. Thanks so much!
♫ “Alfyn, The Apothecary" from “Octopath Traveler" composed by Yasunori Nishiki
I feel like I always make some of my best work when I get to contribute to GameLark albums - the last time I did one was Tropic Trials, which I had so much fun working on and this was a very similar experience! Late in our first semester, Noah Benson showed me the title track of jazz pianist Justin Kauflin's album "Coming Home" and I instantly fell in love - such a simple but groovy and beautiful tune. When we decided the next GameLark album would be a Kingdom Hearts tribute, the thought quickly came to my mind to do Lazy Afternoons in the style of this tune, and it turned out to be a great fit! Reference mixing can really do wonders in production and recording, as we worked to treat the drum kit and get that same dead sound on the record and make it a very tight production. It's always fun getting to play soprano saxophone too, and I look forward to doing it more in the future!
And of course, props as always to my wonderful collaborators! All the instrumentalists brought their absolute A-game to this tune, and it was such a joy to watch their parts gradually come in. And of course, much love to Beau and Alejandro for taking care of post-production and giving this project a wonderfully professional sound.
I'm not too sure what I'll be covering next, I'd love to hear your suggestions! Let me know down in the comments below what you'd like to hear more of. Thanks so much for watching!
♫ “Lazy Afternoons" from “Kingdom Hearts II" composed by Yoko Shimomura
#KingdomHearts #VGM #CoversOfGoodMusicEasy (Mac Ayres) Jazz-Funk Cover by Charles Ritz & FriendsCharles Ritz2019-06-01 | I hope you find this cover easy to listen to and easy to love. Enjoy Charles Ritz's jazz / funk cover version of Easy by Mac Ayres, featuring a plethora of talented musicians!
The idea for this cover started back in late October, when Zoe and Thomas did a short acoustic cover of this song on Instagram. I had recently gotten into Mac Ayres' work, and I loved the way they sounded on Easy so much that I decided to write a full arrangement for them and use it for one of my final projects! Most of this was tracked back in mid-December, but I didn't get the last components in until earlier in May, and it was wonderful to watch it evolve.
I took a while to figure out how to handle the horns - I was originally attempting to make something complex, but then I heard the work of Jerry Hey and realized it didn't need to be! His arrangements rely on a lot of octave unison for very pronounced lines that add a lot of punch to a pop horn chart, something memorable that people will hold onto! I'd like to say I've done a bit of that here. The vocals were also a blast to work on - I almost had nothing set in stone before going in, and in the 4-hour recording session with Thomas and Zoe, we worked out a lot of fun ideas and just had a blast.
I consider myself blessed to have the opportunity to attend such a great school like Berklee with wonderful musicians and friends that I can work with on super cool projects like this. For that reason, this project means a lot to me and I really do hope you enjoy it. Back to VGM next week!
♫ “Easy" from “Drive Slow" (2017) composed by Mac Ayres
#MacAyres #Easy #CoversOfGoodMusicSuper Mario 64: Staff Roll - Jazz Cover by Charles RitzCharles Ritz2019-03-09 | So many collaborators, I have to make sure I give CREDIT where it's due. Listen to Charles Ritz's jazz cover version of Super Mario 64's Staff Roll / Credits Theme!
Reminder to never wait seven months after an update video before uploading a new cover again, sorry about that. It was so long a wait that I started growing a beard! But I have been spending these months learning a lot and stockpiling on ideas - Berklee has been so wonderful and it's resulted in collaborations like this one! Super Mario 64's credits theme has always been one of my favorites, and after it didn't get a rendition on "GET N!", I knew I had to do it properly some point down the line.
The arrangement was actually finished around the end of September, but it took me until now to actually finish putting it together - a bit more by the books, but it was a lot of fun writing and learning the sax soli on this, both for alto and tenor! And of course, all my collaborators really made this tune what it is - from the Berklee-infused rhythm section to Beau's fantastic mix+master, and of course my fellow "GET N!" horn players contributing tasteful solos.
This video was originally supposed to go up as a celebration of my channel hitting 1,000 subscribers, which happened shortly after I started at Berklee. I'm so happy that people enjoy what I do enough to consider sticking around, so it truly means the world. Thank you so much for all your support, I'm so excited to show you what I've been working on!
♫ “Staff Roll" from “Super Mario 64" composed by Koji Kondo
♫ MUSIC USED ♫ “It Doesn't Matter" from “Sonic & the Black Knight" composed by Jun Senoue "Dewford Town" from "Pokémon Ruby & Sapphire" composed by Go Ichinose
Earlier this year, I was really sick and I couldn't do much in the way of making music. It was during this time that I stumbled into a big Dragon Ball kick - I've always loved the franchise, and I grew up on Team Four Star's DBZ Abridged, so I just spent a lot of time in bed watching old episodes and catching up on Dragon Ball Super. I'm so excited for the Broly movie coming soon!
When Kyle Brook and I covered Dragon Soul a few years ago, he put a quote from this tune in there and it quickly got stuck in my head. For my first project back from being sick, after doing some searching around the internet, I decided to try my hand at a full English version of it! Considering I'm still new to the art of lyric translation, I'm pretty happy with how the second verse and chorus came out, and it was fun to build an instrumental like this with forward motion in mind.
The video was super fun to film too - I went upstate to visit family for a weekend and they were gracious to allow me to film on their property during a beautiful sunset. It really added to the atmosphere of the cover and allowed me to take the video in a new direction! Let me know if you like this style or if you would like to see me tackle any other anime songs in the future!
♫ “Dan Dan Kokoro Hikareteku (Bit by Bit I'm Falling Under Your Spell)" from “Dragon Ball GT" composed by Tetsurō Oda
#DragonBallGT #DBZ #CoversOfGoodMusicCave Story: Mimiga Town - Latin Jazz Cover by Charles RitzCharles Ritz2018-07-22 | Rabbits sure are cute, aren't they? Come appreciate them as you listen to Charles Ritz's Latin jazz cover / remix of Mimiga Town from Cave Story!
Spontaneous cover ideas are fun! My friend Kyle Brook did a take on this song a number of years ago, and it's been stuck in my head ever since. I've always known I wanted to do something from the Cave Story OST, let alone this song, but I just needed the right idea.
Enter that piano motif - a super on-the-spot idea that suited that homey feeling I got from the Mimiga Village, and one that could lead to a lot of fun musical interplay. I got right to work and within two days, this cover was all planned out and recorded, I'm definitely pretty happy with how it turned out!
One of the biggest new experiments for me on this cover was trying to do it without a full drum kit, and not using Superior Drummer for more than a kick or snare. I have so many little percussion instruments, and I wanted to see how well I could build a groove using a smaller set of instruments. Considering that drum programming is one of my least favorite parts of the video making process, it was a treat in many ways to try out and I'd love to experiment further with it using instruments like a cajon. Maybe soon!
My next cover will be diving into a medium I've never tried before... I'm excited for you to hear it!!
♫ “Mimiga Town" from “Cave Story" composed by Daisuke "Pixel" Amaya
#CaveStory #VGM #CoversOfGoodMusicArranging Livestream: Kirby Super Star!Charles Ritz2018-07-11 | I've had this Kirby cover in my head for awhile, let's put it out on paper!
Support the stream: streamlabs.com/charlesritzmusic Subscribe for VGM covers: youtube.com/charlesritzmusic Follow me on Twitter: twitter.com/CharlesRMusicChrono Trigger: Peaceful Days - 80’s Jazz Fusion Cover by Charles RitzCharles Ritz2018-04-07 | Nostalgia trips sure are fun. Take a trip back in time with Charles Ritz's 80's jazz fusion ballad cover / remix of Peaceful Days from Chrono Trigger!
🎶 Download this cover! ► https://song.link/us/i/1382454428
Although I haven't gotten the chance to sit down and play Chrono Trigger yet, its soundtrack has always stood out to me - Yasunori Mitsuda is an excellent composer and his melodies have always managed to move and inspire me. Clearly, Peaceful Days is no exception. I first discovered this tune through PPF's cover from 2017, and when I revisited it recently, I immediately thought to turn it into a cheesy 80s fusion ballad.
I took a lot of inspiration from bands like Casiopea and T-SQUARE in my arrangement and reharmonization of this song, particularly the former's "Twilight in Upper West", and experimented with synth sounds from the Yamaha DX7 and different forms of reverb, both of which were prominent in 80's production. I had a TON fun putting the video together too, using a lot of editing techniques to make it look like it came from an old VHS. Also dat bandana. I'm really happy with how this video turned out, and I hope you all can enjoy the result as much as I enjoyed making it!
♫ “Peaceful Days" from “Chrono Trigger" composed by Yasunori Mitsuda
#ChronoTrigger #VGM #CoversOfGoodMusicBear in the Big Blue House: Goodbye Song - Funk Cover by Charles Ritz (feat. Xnarky)Charles Ritz2018-04-01 | So long, farewell, auf Wiedersehen, adieu! Charles Ritz's funk cover version of the Goodbye Song from Bear in the Big Blue House, featuring Xnarky on guitar!
It's almost hard to call this April Fools because I actually unironically love this song! I remember watching Bear in the Big Blue House when I was very young, and I rediscovered this song, in particular, a few years ago through means of a YTP by Dikekike.
So when I listened to this tune again to get inspiration, I immediately got some ideas to make a Vulfpeck-style funk arrangement, so I naturally had to ask Xnarky to play guitar to add some color, and he did a wonderful job! Check out his stuff, he does VGM covers in a whole bunch of different genres.
More regular videos are coming soon, but in the meantime, I hope you enjoy this trip down memory lane!
♫ “Goodbye Song" from “Bear in the Big Blue House" composed by Peter Luyre
#BearInTheBigBlueHouse #Disney #CoversOfGoodMusicSonic the Hedgehog (1991): Marble Zone - Big Band Jazz Cover by Charles RitzCharles Ritz2018-01-06 | It's always Sonic Month! After half a year, finally listen to Charles Ritz's big band jazz cover / remix of Marble Zone from Sonic the Hedgehog, featuring a ton of friends! iTunes: apple.co/2HbHnYo Spotify: https://spoti.fi/2HO0Kne Google Play: goo.gl/Lts4yN Amazon: amzn.to/2vrIi1z
Crazy to think I've been sitting on this one for over half a year... But here it is! This would've been done sooner, but life's gotten in the way of a lot of things and I wanted to really make this sound great. That being said, some of my first musical memories involve playing the original Sonic the Hedgehog on my GBA while waiting for the barber. Tunes like Marble Zone and Labyrinth Zone would get stuck in my head as I struggled to get through those levels.
When it came time to plan for t̶h̶e̶ ̶e̶x̶t̶r̶e̶m̶e̶l̶y̶ ̶s̶u̶c̶c̶e̶s̶s̶f̶u̶l̶ Sonic Month, I knew I wanted to tackle one of Masato Nakamura's iconic compositions, and I felt like I could have a lot of fun with this one! I knew I wanted it to be a large-scale collaboration since those have traditionally turned out well for me, so I decided to challenge myself to arrange for big band, streaming a lot of the process live on YouTube.
I can't pinpoint any specific influences for this arrangement, but I took a page from Tee Lopes' book and borrowed some reharmonizations from his 2012 rendition of this track during the B-section. It was cool to put some new percussion to use, namely my cabasa and Alejandro's guiro, and try out a new video style! Though you already may have seen it with my Believe cover, I tried out this style here first, and though I likely won't do it for every cover, it was great to try out and served this cover remarkably well with the number of shots I had on screen - as many as 19 at once!
And on the subject of shots, of course, I would be remiss if I didn't endlessly thank my 10 incredible collaborators, without which this would not have been possible. From Carlos' burnin' solo near the end and Alejandro's wonderful mix and master, to Daniel covering for three trombone parts and Noah staying on me to get this video done, this project would not have come out nearly as well as I think it did without their invaluable help, and you should absolutely go check their stuff out. If you've read this far down, thank you so much for watching and I hope you enjoy!
♫ “Marble Zone" from “Sonic the Hedgehog (1991)" composed by Masato Nakamura
#SonicTheHedgehog #VGM #CoversOfGoodMusicThe Polar Express: Believe (Josh Groban) - Cover by Charles RitzCharles Ritz2017-12-27 | Late Christmas covers, two years running! Come aboard a calming ride as you listen to Charles Ritz's jazz cover version of Believe, from The Polar Express, as performed by Josh Groban.
This is an idea I've been thinking of since last Christmas, but I only got a chance to start it last week! The Polar Express has been a part of my life for years, and I've always loved Josh Groban's beautiful rendition of this tune. I wasn't necessarily sure where to start when I took to recording my version of Believe, but as I went along, I was surprised to see how quick it all took shape.
Some of my best arrangement ideas happen by pure accident, and such was the case with Believe, with the modulations during the second verse coming from just noodling on the piano. The second one up to F Major is a particular favorite! I was worried about everything becoming stagnant, but those key changes helped to round everything out so much.
I took a lot of inspiration from Jacob Collier's music on this tune, especially his rendition of "You and I". As someone who was singing before playing any instruments, it was so satisfying to finally record something along the lines of acapella... minus the occasional rhodes and train whistle!
♫ “Believe" from “The Polar Express" composed by Glen Ballard and Alan Silvestri
#ThePolarExpress #JoshGroban #CoversOfGoodMusicGrandia: The Sandy Beach of Ganbo - Jazz Cover (feat. @wolfman1405 & Noah B.)Charles Ritz2017-08-18 | How does a beach dance party sound to you? Find out with Charles Ritz's jazz cover / remix of Grandia's The Sandy Beach of Ganbo, featuring Alejandro Espinosa & Noah Benson!
🎶 Download this cover! ► COMING SOON 🎼 Sheet Music (more parts coming later!) ► http://bit.ly/2vQB9nP
This is our entry for insaneintherainmusic's Jazz Challenge 2, recorded while I was staying at the Berklee College of Music for a month over the summer, with Noah as my roommate and Alejandro as my RA! We were listening to potential songs to arrange and stumbled upon this hidden gem. I've never played Grandia, but the original song was so beautiful and had a lot of room for interpretation, so we decided to bring it up-tempo and use "Children of Sanchez" by Chuck Mangione and lots of Latin music as our influences.
Several days, and one all-night recording session later, here's the result! I had so much fun working with these guys to get this done before going home, and I'm incredibly happy with how this tune came out. I hope you all enjoy it!
#Grandia #VGM #CoversOfGoodMusic ---------------------------------------------------------- T̶O̶ ̶C̶E̶L̶E̶B̶R̶A̶T̶E̶ ̶S̶O̶N̶I̶C̶ ̶M̶O̶N̶T̶H̶Sonic Lost World: Sky Road (Zone 1) - Jazz Cover || Charles RitzCharles Ritz2017-06-20 | Up in the air, without care... Chill out to Charles Ritz's jazz cover / remix of Sky Road Zone 1 from Sonic Lost World, as a part of #SonicMonth2017!
After a bit of a delay, here's another Sonic Month video! Sorry for the absence, but I had to prioritize the end of my junior year of high school; I'm getting back into the swing of things though. Regarding this song, I've always had a soft spot for Sonic Lost World, it gave my Wii U a lot of playtime, and Tomoya Ohtani did a spectacular job with its soundtrack. I was inspired to take Sky Road's Zone 1 theme at a slower pace, and turn it into a jazz ballad with strings; I really wanted to capture the feeling of floating freely through the clear air, and the beauty that surrounds it; I hope I did a good job!
♫ “Sky Road - Zone1" from “Sonic Lost World" composed by Tomoya Ohtani
#SonicLostWorld #VGM #CoversOfGoodMusicSonic Colors: Aquarium Park - Electronic Cover || Charles Ritz & TuddCharles Ritz2017-06-03 | Unfortunately, this arrangement is currently unavailable on streaming services. :(
It's an underwater fantasy! Kick off Sonic Month with Charles Ritz's electronic cover / remix of Aquarium Park from Sonic Colors, featuring Teodor Dumitrache!
This song, man. Aquarium Park is one of my favorite songs in the entire Sonic franchise, and my original version was one of the first songs I ever fully produced. When I showed Tudd the new version I was working on, he offered to try something new with it, and the result was beyond anything I could have hoped for. He reinterpreted my arrangement, leaning into the electronic elements he does so well. His production expertise helped to really bring this arrangement together in a new way, and I couldn't be more grateful for his help!
♫ “Aquarium Park" from “Sonic Colors" composed by Tomoya Ohtani Arranged by Charles Ritz & Tudd Sound Design and Production by Tudd
#SonicColors #VGM #CoversOfGoodMusicIntroducing: Sonic Month!Charles Ritz2017-05-29 | I've been so excited to announce this project to you all! Sonic has always been my favorite series, and it's about time I covered some more of it. Look forward to tunes from games like Sonic Lost World and Sonic Adventure 2 on my channel, and all of you are welcome to join in the festivities throughout June too, using #SonicMonth2017 across social media! Let's go fast together.ARMS: Main Theme - Jazz Fusion Cover || Charles Ritz (feat. @EricLTrombone)Charles Ritz2017-05-27 | Leg day not advised. Duke it out to Charles Ritz's jazz cover / remix of the main theme from ARMS, featuring @EricLTrombone on trombone!
🎶 Download this cover! ► Due to licensing, this cover will not be available on digital retailers. It will, however, be available for certain Patreon supporters!
When I saw the reveal and title of Nintendo's newest IP for the Switch, I laughed so hard I cried, because I just found it to be such a silly name. But fast forward several months later, here I am, really excited to play ARMS! I don't have a Switch yet, so I can't play on the Global Testpunch, but I knew I had to do something with this song when I heard it. I decided to try my first hand at a bit of acapella for the intro, and I brought my good friend, Eric L. along and his textures seriously added so much to the track. I hope you enjoy it, I'm really happy with how this came out!
♫ “Main Theme" from “ARMS" composed by Atsuko Asahi & Yasuaki Iwata
#ARMS #NintendoSwitch #CoversOfGoodMusicEarthbound: Enjoy Your Stay - Jazz Cover || Charles RitzCharles Ritz2017-05-13 | Would you like to stay? Charles Ritz's jazz cover / remix of Enjoy Your Stay (Hotel Theme) from Earthbound / Mother 2!
🎶 Download this cover! ► COMING SOON
I've still yet to play any games in the Mother series, but I got an idea for a cover as soon as I heard this track! The original tune has a blend of ominous and groovy, and I wanted to call on that second one a bit more. I decided to take the tune in a simpler direction with a lot of Bossa Nova influence and auxiliary percussion instruments, and I'm really happy with how it came out.
I'm still figuring out how to mix the new saxophone just right, but I love the textures created by all of these different sounds, and I hope you enjoy this arrangement as much as I enjoyed making it!
♫ “Enjoy Your Stay" from “Earthbound" composed by Hirokazu Tanaka
#Earthbound #VGM #CoversOfGoodMusicPaul Desmond: Take Five - Jazz Fusion Cover || Charles RitzCharles Ritz2017-05-02 | One of the most iconic jazz tunes of all time, reimagined. Enjoy Charles Ritz's cover of Take Five by Paul Desmond!
This one is a bit out of the ordinary, but I wanted to share this tune because it helped me to receive a scholarship to attend the Five-Week Summer Performance Program at the Berklee College of Music this July! I am so honored to be among those selected, and I can't wait to collaborate with a bunch of new musicians!
Since this submission required a straight eighth feel, I decided to rearrange this classic odd-meter tune to give it a chance to shine in a new way, with a heavier focus on some fusion elements. My solo started to wander as I neared the end of the section, but overall, especially considering the timeframe and that I was starting to get sick, I was pretty happy with how this came out!
🎶 Download this cover on "Rarities" by GameLark! ► http://smarturl.it/gamelarkrarities
I haven't had the chance to play Yooka-Laylee yet, but the initial Kickstarter really interested me, and I loved Jungle Challenge (as it was formerly known) when I first heard it. David Wise's version in-game is definitely a really nice slow jam, but I felt that the composition lent itself well to an uptempo Latin rendition! With a new saxophone and a lot of auxiliary percussion rentals, that vision was realized very nicely. It's definitely one of my favorite arrangements so far, and I hope you enjoy it!
Special thanks to @AHmusic for mastering this track!
♫ “Tropic Trials" from “Yooka-Laylee" composed by David Wise
#YookaLaylee #VGM #CoversOfGoodMusicMario Kart 64: Rainbow Road - Electronic Cover || Charles RitzCharles Ritz2017-01-24 | As featured on "GET N!: Celebrating the Nintendo 64", dance along to this electronic fusion cover / remix of Rainbow Road from Mario Kart 64 by Charles Ritz, featuring Tudd & @atelierjoshua!
Download this cover! ► http://smarturl.it/getnalbum
Composed by Kenta Nagata Arranged by Charles Ritz & Teodor Dumitrache Guitar performed by Joshua Taipale
⚙ EQUIPMENT ⚙ Keyboard: Casio WK-210 Piano: Addictive Keys Camera: Canon EOS Rebel T6i Video Editing Software: Adobe Premiere Pro CS6 2016 DAW: FL Studio 11 / 12
#MarioKart64 #VGM #CoversOfGoodMusicDonkey Kong Country: Fear Factory - Jazz Cover || Charles RitzCharles Ritz2017-01-02 | Ring in the new year with Charles Ritz's jazz cover / remix of Fear Factory from Donkey Kong Country! Hoo-hah!
I chose this song while listening to my game music library on shuffle while trying to find a song to cover in a week for the contest. I've always wanted to mess with some Donkey Kong Country music, and as I listened to Fear Factory, prog-inspired ideas started to flow into my head.
However, I hit a lot of bumps in the road while arranging, and I became unsure about whether or not it would work. But as I went on, I grew to become very fond of these silly ideas and I'm especially proud of the section at the end, which utilized almost every instrument in my arsenal. Overall, considering the time I had to put this project together and the scope that it ended up becoming, I'm very happy with how it came together, and I hope you enjoy it!
⚙ EQUIPMENT ⚙ Keyboard: Casio WK-210 Rhodes VST: MrRay 73 Bass VST: Bass Premier Pack Drums: Superior Drummer 2.0 Ukulele: Makala Soprano Ukulele Microphone: MXL 990 Camera: Canon EOS Rebel T6i Video Editing Software: Adobe Premiere Pro CS6 2016 DAW: REAPER Mixed and Mastered with FabFilter Plugins, CLA Vocals and iZotope Ozone 7
#DonkeyKongCountry #VGM #CoversOfGoodMusicLast Christmas / Azalea Town (Wham! / Pokémon GSC) - Jazz Cover || Charles RitzCharles Ritz2016-12-26 | Happy holidays to you all! I've always loved these two songs and thought they would go together well, so I made this for the season. Celebrate the season with this jazz mashup / cover of Wham's Last Christmas and Azalea Town / Blackthorn City from Pokémon GSC.
🔽 Download this cover! 🔽 ►LINKS COMING LATER
====================================================== My family got the news of George Michael's untimely passing at the dinner table on Christmas, and I was unsure about releasing this memey cover at a time like this. I figured that since I was so close to getting it done, I would just bite the bullet and release it now, rather than wait another year. I did not intend to just quickly put it together to cash in on his passing. I'll likely make my own proper tribute at some point soon, I've always enjoyed his music, and of course, Last Christmas is no exception.
That said, I had a lot of fun arranging these two songs over the past few weeks, and getting some wonderful lighting by my Christmas tree! It was fun to try new ideas with this, including acapella sections, using the ukulele, and particle effects in the video. I hope you enjoy it and have a wonderful holiday season!
Composed by George Michael / Go Ichinose Arranged by Charles Ritz
⚙ EQUIPMENT ⚙ Keyboard: Casio WK-210 Rhodes VST: MrRay 73 Bass VST: Bass Premier Pack Drums: Superior Drummer 2.0 Synths: Massive and Synth1 Ukulele: Makala Soprano Ukulele Microphone: MXL 990 Camera: Canon EOS Rebel T6i Video Editing Software: Adobe Premiere Pro CS6 2016 DAW: REAPER Mixed and Mastered with FabFilter Plugins, CLA Vocals and iZotope Ozone 7Zelda Wind Waker: The Legendary Hero - Jazz Cover || Charles Ritz (#ZeldaMonth)Charles Ritz2016-11-25 | Dedicated to all veterans, take a moment to think as you listen to this progressive jazz cover / remix of The Legendary Hero from The Legend of Zelda: The Wind Waker by Charles Ritz, as part of #ZeldaMonth.
I didn't think that I'd be taking this one on for a bit, but here we are! I love this song a lot, and whenever the time came to do this Zelda track, I knew I needed to do it right. I originally wanted to do a cover from the Broadway musical, Hamilton, for Veterans' Day this year, but I turned to this song when that fell through. The idea to start the main piece in 5/4 just came to me and I ran with it and changed lots of time signatures from there, and the result is one of my favorite arrangements! I hope you all enjoy it!
Much love to AHmusic and FamilyJules for their help with the mixing and mastering of this cover!
⚙ EQUIPMENT ⚙ Keyboard: Casio WK-210 Drums: Superior Drummer 2.0 Microphone: MXL 990 Camera: Canon EOS Rebel T6i Video Editing Software: Adobe Premiere Pro CS6 2016 DAW: REAPER Mixed and Mastered with FabFilter Plugins and iZotope Ozone 7GET N!: Celebrating the Nintendo 64 - FULL ALBUM STREAMCharles Ritz2016-11-02 | Spearheaded by Charles Ritz and released in celebration of the 20th anniversary of the Nintendo 64, "GET N!" brings together a group of young musicians to cover the music of one of the most iconic consoles of all time!
Jump to a track: (0:00) Bob-omb Battlefield - Super Mario 64 (2:26) Windy - Conker's Bad Fur Day (5:51) Mario Raceway - Mario Kart 64 (8:23) Piranha Plant's Lullaby - Super Mario 64 (9:48) Kakariko Village - LoZ: Ocarina of Time (14:56) Dire, Dire Docks - Super Mario 64 (18:24) Whomp's Fortress - Super Mario 64 (23:02) Bats - Conker's Bad Fur Day (26:41) DK Rap - Donkey Kong 64 (30:15) Rainbow Road - Mario Kart 64
As the development of Mog's Mixtape was wrapping up, the status of Prelude's representation was still up in the air, so about a week before our track deadline, I decided that I would do a simpler orchestral arrangement and have as many GameLark artists as I could get to perform on it. I couldn't imagine a Final Fantasy remix album without Prelude so it was a lot of fun taking the reins on this track with such a short timeframe!
Composed by Nobuo Uematsu Arranged by Charles Ritz
⚙ EQUIPMENT ⚙ Keyboard: Casio WK-210 Orchestral VST: Kontakt Factory Selection Microphone: MXL 990 Camera: Canon EOS Rebel T6i Video Editing Software: Adobe Premiere Pro CS6 2016 DAW: REAPER Mixed and Mastered with FabFilter Plugins and iZotope Ozone 7Super Mario 64: Main Theme (Whomps Fortress) - Jazz Cover || Charles RitzCharles Ritz2016-09-29 | As featured on "GET N!: Celebrating the Nintendo 64", groove out to this funky jazz cover / remix of the main theme of Super Mario 64 by Charles Ritz, featuring Eric L., Lauren the Flute & TylerNJazz!
Download this cover! ► http://smarturl.it/getnalbum
Looking at all of "GET N!", the biggest question that this cover could bring up is exactly why there are two covers of the main theme of Super Mario 64 on the album, one labeled as Bob-omb Battlefield, and another as Whomp's Fortress. The album was originally conceived as a pitch for the Super Mario 64 Fan Remake that was taking the internet by storm around the time I started my YouTube channel properly, and that included re-arranging music into a different rendition for every single level in the game, so this rendition of Whomp's Fortress was on the cards for that from the very beginning. I not only wanted to see this arrangement through to the end, but also wanted to reflect a piece of the project's origins in its final release! I'm so grateful to Eric, Lauren and Tyler for their help with this track, and to Teodor Dumitrache for mastering it, as well as all of GET N!
⚙ EQUIPMENT ⚙ Keyboard: Casio WK-210 Rhodes VST: MrRay 73 Bass VST: Bass Premier Pack Drums: Superior Drummer 2.0 Microphone: MXL 990 Camera: Canon EOS Rebel T6i Video Editing Software: Adobe Premiere Pro CS6 2016 DAW: REAPER Mixed and Mastered with FabFilter Plugins and iZotope Ozone 7NEW ALBUM ANNOUNCEMENT! || Charles RitzCharles Ritz2016-09-22 | COMING (hopefully) 9/29: http://getn.tumblr.com
I'm thrilled to announce that the album that I've been working on with my friends for over a year, "GET N!: Celebrating the Nintendo 64", will hopefully be available on Thursday, September 29th! The album will be on Loudr, iTunes, Google Play, Spotify, and more. Info on other stores will be available soon. Thank you so much for all of your support!
So around two years ago, my good friend Shirojyuu did a rendition of The Yaschas Massif in the style of Final Fantasy IX, and ever since, I've always held on to it, and knew that I would want to do something with this track once I started this whole YouTube journey of mine. I decided to take lots of inspiration from Casiopea and give it a straight funk groove, as opposed to the original's bossa nova feeling, and I think it turned out pretty well! It's definitely one of my simpler arrangements, but I'm happy with all of the stuff I decided to try here, and I'm very grateful to Hashel for laying down a sick guitar solo in the middle!
Composed by Masashi Hamauzu Arranged by Charles Ritz
⚙ EQUIPMENT ⚙ Keyboard: Casio WK-210 Rhodes VST: MrRay 73 Bass VST: Bass Premier Pack Drums: Superior Drummer 2.0 Synths: Massive and Synth1 Microphone: MXL 990 Camera: Canon EOS Rebel T6i Video Editing Software: Adobe Premiere Pro CS6 2016 DAW: REAPER Mixed and Mastered with FabFilter Plugins and iZotope Ozone 7Undertale: Waterfall - Jazz Cover || Charles Ritz (feat. Multiplayer Fusion Ensemble)Charles Ritz2016-08-21 | Download this jazz cover / remix of Waterfall on "MULTIPLAYER III: WAVE" and support Water.org! ►Loudr (high-quality): http://bit.ly/MP3WaveLoudr ►iTunes: http://http://bit.ly/MP3WaveiTunes ►Google Play: COMING SOON ►Spotify: http://bit.ly/MP3WaveSpotify
After yet another unfortunately dead summer for my channel, I give you a cover that means a lot to me personally. Ever since I started making my own music, the Multiplayer Charity group has been a major inspiration in getting me started on YouTube, and one of my major goals as a cover artist in this community has been to be featured on a Multiplayer album. I'm very grateful to have been invited by SwigglesRP to participate in Multiplayer III, and letting me contribute one of my most derivative arrangements to date. I cannot thank everyone who helped to make this crazy undertaking a reality, and I implore you to check out all of their solo content.
Check out my collaborators! @RoPanuganti (Lead Guitar, Mixing / Mastering - not pictured) @stahrmie (Flute, Trumpet) @Soundole (Bass Clarinet) @insaneintherainmusic (Tenor Sax) @Marc_Papeghin (Trumpet / French Horn) @dannymusic (Trombone) Teodor "Tudd" Dumitrache (Violin programming): soundcloud.com/tuddmusic @animevivi (Viola) Michael Evans (Cello): youtube.com/vgcellomusic Jaime Cross (Synth): youtube.com/Alez15666 Magnum Steed (Bass, Drum programming): youtube.com/MrAlistairGrout Tiago Rodrigues (Rhythm Guitar): youtube.com/channel/UC3mDUMvAi0950u_QU8O2UfA @Ashikodrum (Percussion)
Composed by Toby Fox Arranged by Charles RitzSonic Adventure: Azure Blue World - Jazz Piano Cover || Charles RitzCharles Ritz2016-06-30 | Unfortunately, this arrangement is no longer available on streaming services. :(
So, this was a fun one! Late into the development of MOBIUS, a spot opened up for a cover of Azure Blue World from Sonic Adventure. Considering that I've always loved the music for Emerald Coast, I decided that I could try my hand at a short improv arrangement of this iconic track. I wanted to attempt to get two angles of the same piano take, so the setup was a lot different and much more of a pain than it usually is, but I'm VERY happy with the outcome, especially considering the short time that I had to record this, and I hope you enjoy it too!
EQUIPMENT: Keyboard: CASIO WK-210 Camera: Canon EOS Rebel T6i & Samsung Galaxy S6 Video Editing Software: Adobe Premiere Pro CS6 2016 DAW: REAPERSonic 3 & Knuckles: Special Stage - Jazz Cover || Charles RitzCharles Ritz2016-06-23 | Unfortunately, this arrangement is currently unavailable on streaming services. :(
Ever since I became re-invested in the Sonic series, I have always wanted to tackle the Sonic 3 Special Stage theme, but at some point, it just lost its priority in terms of what I wanted to do. But with MOBIUS, I decided to call on my Puerto Rican heritage and pull off a Latin jazz arrangement of the song, with the help of some wonderful live musicians from the Collective. I have one more Sonic cover coming next week, and then I'm gonna take a bit of a break from it. There's a lot of cool stuff comin', I don't wanna make you wait for it too long. In the meantime though, I hope you enjoy this one and download MOBIUS! ¡WEPA!
EQUIPMENT: Keyboard: CASIO WK-210 Microphone: MXL 990 Camera: Canon EOS Rebel T6i Video Editing Software: Adobe Premiere Pro CS6 2016 DAW: REAPERnSonic and the Black Knight: Live Life - Acoustic Cover || Charles Ritz (feat. @atelierjoshua)Charles Ritz2016-04-29 | 🔽 Download this acoustic cover of Live Life from Sonic and the Black Knight! 🔽 ►Loudr (high-quality): http://bit.ly/Ja6VcuQ ►iTunes: http://bit.ly/Ja6Um6G ►Google Play: http://bit.ly/Ja69au4 ►Spotify: http://bit.ly/Ja6ngDV
This song is probably my favorite by Crush 40; I've never played through Sonic and the Black Knight in full, but the orchestra-rock fusion of this song has always appealed to me. Looking back on it now, the instrumentation reminds me of the Broadway musical Hamilton, which I am also very fond of... Maybe I should try stuff with that!
But anyway, I decided to call on my good friend Joshua Taipale to play guitar on this one, and he did a great job, as always. This is definitely more of a by-the-books cover, and in the future, I hope to deviate much more from the source material. For this one though, I wanted it to be a little more straight than usual, and I had a lot of fun trying to take this song on. I hope you enjoy it!
I originally covered this song last year for a collaborative Mega Man project that never saw the light of day, but I recently decided to revisit it and expand on the arrangement a little bit more. The video style is a bit different because of that, and the time it would take to record all of the footage being too much to justify it. Live footage will be back again next time!
The original version of this cover was a very by-the-book cover, not taking too many creative liberties, but I decided to add in the key change after a happy accident while soloing that sounded really good. Hope you enjoy it!
Composed by Yasuaki Fujita Arranged by Charles RItz Special thanks to LoboXero and KyleAB5000 for their help with this video
EQUIPMENT: Keyboard: Casio WK-210 Camera: Canon EOS Rebel T6i Video Editing Software: Adobe Premiere Pro CC 2016 DAW: FL Studio 11 Mixed and Mastered with FabFilter PluginsFinal Fantasy: Chocobo Theme - Kazoo Cover || Charles Ritz (April Fools 2016)Charles Ritz2016-04-01 | 🔽 Download this cover! 🔽 ►Loudr (high-quality): http://bit.ly/Ja6VcuQ ►iTunes: http://bit.ly/Ja6Um6G ►Google Play: http://bit.ly/Ja69au4 ►Spotify: http://bit.ly/Ja6ngDV
I've worked on jazz, electronic and acapella covers before, but nothing has ever pleased my heart more than playing kazoo. I've loved it for as long as I can remember and I am so incredibly proud to present my first kazoo cover on YouTube. I've worked for a long time on this, and I sincerely hope you all enjoy it!
Composed by Nobuo Uematsu
EQUIPMENT: Project Destati Kazoo (generously gifted to me by David Russell) Otamatone Deluxe (his name is Ali) Melodica: Hohner Performer 37 Egg Shaker: LP RhythMix Mouth Sounds Microphone: MXL 990 Camera: Canon Rebel T6i Video Editing Software: Adobe Premiere Pro CC 2016 DAW: REAPER Mixed and Mastered with FabFilter PluginsOri and the Blind Forest: First Steps Into Sunken Glades - Jazz Cover || Charles RitzCharles Ritz2016-03-19 | Unfortunately, this arrangement is no longer available on streaming services. :(
Recently, I feel that it's become a sort of rite-of-passage for VGM saxophonists to do a video outside dressed up nice... So when Sebastian Wolff, head of the Materia Collective, announced that he wanted to do an Ori and the Blind Forest remix project in honor of the Definitive Edition being released on its anniversary, I decided that it would be the perfect opportunity to participate in this tradition! We only had three days to complete a track, and the outcome was a 37-track album with over 50 musicians involved... in just 3 days. It's crazy to think what a hard deadline can do to people's work ethics.
I've wanted to do a piano and sax duet for awhile, so I figured that with such a short amount of time to work, I would be able to do something simple like that. Since I haven't played the game yet, I went through a chunk of it until I found this song that I felt would work very well with that set of instruments. I did a very standard arrangement this time around, but considering my time crunch for the song, as well as the three tests that I had to study for, I'm really satisfied with the outcome, and it let me do a pretty cool video!
Arranged and performed by Charles Ritz Mixed and mastered by John Montoya (soundcloud.com/analogstik) Composed by Gareth Coker Special thanks to Jenniya for filmingWELCOME TO YEAR 1! - MAGFest, Other Projects, etcCharles Ritz2016-02-15 | MAGFest: http://magfest.org
Look out for big things coming soon; I can't wait to show you all.
Yr Obd Serv, C. RitzFinal Fantasy VIII: Fear - Jazz Cover || Charles RitzCharles Ritz2016-02-14 | Unfortunately, this arrangement is currently unavailable on streaming services. :(
Check out my collaborators! @sschafi1 (Flute, engraving) @insaneintherainmusic (Tenor Sax) @Marc_Papeghin (Trumpet) Virginia Pettis (Trombone): soundcloud.com/virginia-pettis @atelierjoshua (Lead Guitar) @RoPanuganti (Rhythm Guitar) @DrumUltimA (Vibraphone) Can of Nothing (Bass): soundcloud.com/canofnothing @MitchCairns (Drums) @mklachu (Violin 1) Kirill Polyanskiy: twitter.com/kirill429 @animevivi (Viola) John Montoya (Mixing / Mastering): https://linktr.ee/jlmcomposer
EQUIPMENT: Microphone: Blue Snowball iCE USB Keyboard: Casio WK-210 Rhodes: FL Keys Bass: Bass Premier 96K Drums: XLN Audio Addictive Drums DAW: Image-Line FL Studio 11 Camera: Samsung Galaxy S6
SONGS: "Door into Summer" (Knuckles' Chaotix) - Junko Shiratsu & Mariko NanbaSonic the Hedgehog (Game Gear): Jungle Zone - Jazz Cover || Charles RitzCharles Ritz2015-10-23 | Download this cover and 7 more on SoTSS Challenge: http://www59.zippyshare.com/v/xYHqQVtp/file.html (new link coming when available)
Check out my full description and song notes in the comments!
========================================================= Arranged, recorded, and originally mastered by Charles Ritz Extra mastering by DJ EAR
EQUIPMENT: Microphone: Blue Snowball iCE USB Keyboard: Casio WK-210 DAW: Image-Line FL Studio 11 Camera: Samsung Galaxy S6
SONGS: "Jungle Zone" (Sonic the Hedgehog) - Yuzo KoshiroSonic the Hedgehog 2: Ending Theme - Piano Cover || Charles RitzCharles Ritz2015-06-24 | Ladies and gentlemen, after over two months of waiting, I'm thrilled to announce that I was a member of the sound team for Sweet Dream! This is a celebratory short made by SonicpoX for the Sonic the Hedgehog franchise's 24th anniversary, and I arranged the main orchestral remix heard throughout the animation, along with setting the initial score for the first scene.
You can hear the full remix I did for the project, with a bunch of my friends, over here:
So, I couldn't help but put together a piano cover to celebrate the release! That lack of a pedal is still there and it bites me in the butt right near the end, but regardless, I think this came out alright, all things considered. I likely won't be doing another piano cover until I get a pedal, for the sake of realism, and maybe try to find a new camera angle. Thanks so much, and I hope you guys watch and enjoy Sweet Dream! :D
SoundCloud: soundcloud.com/charlesritzmusic Twitter: twitter.com/RitzCracker92 Facebook: facebook.com/charlesritzmusicSuper Mario Bros.: Ending Theme - Jazz Cover || Charles RitzCharles Ritz2015-06-17 | Here's something new, actual live video! I definitely hope to start doing a lot more of these as means to fill the gap between my bigger and fuller remixes, and as means to just improve my playing.
I've always had a soft spot for this song, and I felt that it was a really nice choice for a first live piano cover. It was fun to take a lot more creative liberties with this one, and see how into it I could get. You may notice that I'm a bit confined with my range, and my sound isn't the most realistic, and that's because as of now, I'm lacking a pedal, so I can't mess around in those lower ranges in the way that I usually do, because otherwise, I'd be all over the place. Hopefully, I'll be able to get one in due time, but for right now, I hope you enjoy this! :D