Uploaded March 2019 | Updated September 2026, 1 hour ago
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marie maurice I
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Joel Frahms and Brad Mehldau - Don´t Explain
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![Ulf Wakenius - Believe, Beleft, Below [Love is Real]](https://i.ytimg.com/vi/tGH5clAPGTg/mqdefault.jpg "Ulf Wakenius - Believe, Beleft, Below [Love is Real]
Ulf Wakenius - Believe, Beleft, Below [EST}
Written by - EST (Dan Berglund / Esbjörn Svensson / Magnus Öström)
Art by Sergio Cerchi
Album - Love is Real
Label - Toko Blue
Sound recording - Kontor New Media Music/ACT Music
Personnel – Lars Danielsson (doubles on cello, bass, (piano) Lars Jansson, (drums) Morten Lund and some guests, including the Radio String Quartet Vienna.
Ulf Wakenius - “Ulf Wakenius was guitarist in the quartet of the legendary Oscar Peterson for almost 11 years, until Petersons death in 2007. He also played together with bassist Niels-Henning Ørsted Pedersen for many years. His most important musical partner at the moment is the Korean singer Youn Sun Nah, with whom he has now played hundreds of acclaimed concerts around the world, mostly as a duet. On his recordings as leader, the masterful guitarist often shows himself from his quiet, melodic side, generally on the acoustic guitar with interpretations of music by Esbjörn Svensson or Keith Jarrett, and with his own atmospheric compositions, which often have a world-music flavour.“ https://www.actmusic.com/en/Artists/Ulf-Wakenius
“Sergio Cerchi 1957. He graduated from the Art Institute of Porta Romana and attended the courses of the Cherubini Conservatory (Florence). His training included from a young age contiguous experiences of music and visual arts: two inseparable passions, cultivated with tenacity and determination that led him to attend the workshops of some artists and playing in various musical groups. He started painting around 15 years, experiencing different techniques and approaches, to the maturing of his personal style. Figures and geometries make up his vision of reality, marked by a boost ethics that expresses not only artistic values, but philosophical, historical and psychosocial. From the first works with landscapes and views, it has evolved into evocations cubist and reworkings of his own life, which have radically changed the material and coloristic facility. Subjects and backgrounds multiply in his painting as on a music pentagram, fading horizons planes and volumes, in which the figures and details emerge legible and compounds in an absolutely original way. Shades of oil paints with warm tones red carmine, mixed with ocher, green and blue to ancient sages with shades of light gray, they create sculptural elements, emblematic of materials and substances of the greatest masters of Primitive art from the Renaissance, which is precisely nourishes poetry and painting of Sergio Cerchi. Sergio Cerchi works in what could be called quadrant-ism, a unique style whereby the actual pictorial surface-rather than objects depicted-is fractured, multiplying and rendered with different lighting and coloring. Most of Cerchis paintings are rendered in different shades of a dominant hue, though it may become bolder or softer depending on the movement and angle of the fragment it appears on. Thus, while aesthetic that marks references to popular culture and art history, their images are peeling, shifting and floating. By presenting us with characters in an object world that is never quite settled- or rather, constantly discovered in a process off resettlement- Cerchi explores the subtleties of time and color, of shading and layering. No shape is final, no perspective absolute, no color completely explored and exhausted. His iconic subjects, then, take on mysterious edges that completely faithful realism could never define. For every choice Cerchi makes, he reveals myriad possibilities.” http://www.galleriagagliardi.com/en/artist-biography/cerchi-sergio#
This upload have the purpose of promoting a fine piece of music and has no commercial purpose. If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap.")
![George Michael - Baby Can I Hold You Tonight [live]](https://i.ytimg.com/vi/uljOYrm0ITc/mqdefault.jpg "George Michael - Baby Can I Hold You Tonight [live]
Sorry
Is all that you cant say
Years gone by and still
Words dont come easily
Like sorry like sorry
Forgive me
Is all that you cant say
Years gone by and still
Words dont come easily
Like forgive me forgive me
But you can say baby
Baby can I hold you tonight
Maybe if I told you the right words
At the right time youd be mine
I love you
Is all that you cant say
Years gone by and still
Words dont come easily
Like I love you I love you
But you can say baby
Baby can…")
![Myriam Alter [composer] - Dancing With Tango](https://i.ytimg.com/vi/vL7SmR-sZc4/mqdefault.jpg "Myriam Alter [composer] - Dancing With Tango
Myriam Alter - Dancing With Tango
Dancers performers – ©Mauro Caiazza & ©Yesica Lozano
Composer – Myriam Alter
Album – Crossways (20015)
Label – Enja
Sound recording - WMG Kontor New Media Music [Merlin] IDLA/
INgrooves /Justin Time / Fontana North
Personnel: John Ruocco – clarinet; Luciano Biondini – Accordion; Michel Massot – tuba, trombone; Michel Bisceglia – piano and arrangements; Nic Thys – double bass; Landers Gyselinck – drums.
Sound recording - Kontor New Media Music/[Merlin] IDLA-ENJA RECORDS-Matthias Winckelmann
“Myriam Alter received classical music training starting from the age of 8. Being very involved with her studies (graduating from high school, then getting a licence for psychology at the University of Brussels), she stopped practising her instrument at the age of 15. After her studies first she worked in an advertising agency for seven years.
…
At 36 she picked up her instrument again and soon discovered her skills as a brilliant composer with an individual approach to romantic moods. (...) Coming from a Judeo-Spanishfamily (Sephardic Jews), Myriam Alter was raised with all kinds of musics such as Latin, Italian, Oriental, Spanish, South American and classical. As a piano player she was trained in classical music, but later found her way into jazz.
Myriam Alter first formed a quartet, then a quintet together with Belgian musicians. After gaining some practical experience, she began to write her own music …
http://www.myriamalter.com/about-me.html
Thank You so much, Myriam Alter!
Mauro Caiazza “ initiates his way in the art at 11 years old of his age, studing Folk and Tango in the Integrate School of Dance “EL Chúcaro”, in Perezs city. On the following year he travels to New York with a local group, integrating the delegation representative of the Republic Argentina. After 8 years of study, Mauro obtains the Teachers title of Native Dances and Folk with the best average in the institute “El Cimarron … In January, 2012 Mauro integrates the new work of Gustavo Santaolalla ARRABAL, directed by Sergio Trujillo and choreographed by Julio Zurita, with the music of BAJO FONDO. In April is called for the musician and director HECTOR DEL CURTO to dance in the “HOUSTON INTERNATIONAL FESTIVAL – I FEST” in USA and he travel to MEXICO to teach a special workshop to professional dancers and teachers. In June he go to Sydney, Australia and Indonesia to teach and after that they contract him to participate one month in the EXPO YEOSU 2012 in Korea, where he dance every night in the show of the Argentine Pavilion and he did special shows with artist like, Guillermo Fernandez, Peteco Caravajal and el quintet Real Argentino. And he was part of the special group of dancer of the last show of the Expo, that was in national Korean TV. After that he teach in Malasya, Singapur, Indonesia” and other coutries.
This upload has the purpose of promoting a fine piece of music and tango performer and director ©Mauro Caiazza. Has no commercial purpose. Music and film belong to their rightful owners. Absolutely no copyright infringement intended. If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap.")
