Jikatabi Skateboarding - Anvil Skating in Tabi Boots @islandblacksmith

Uploaded June 2016 | Updated September 2026, 2 days ago

...back home and missing the barn ramp (youtu.be/mMMFo_LmScM) but did manage to get outside and roll around a bit for #goskateboardingday, here's some footage of skating the small anvil (~88lbs.) ...1990's vintage Mr. Kotter slick with Independent trucks and green re-issues of the 2 blue and 2 pink Powell Peralta G-Bones wheels I rode in the 80's, 64mm...
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I don't always skate in jikatabi, but they are not too bad...something like the original cons/vans feel back in the day with the addition of a super hi-top! years ago in Japan i had a friend who skated in his all the time everywhere he went...

...and due to popular request, I am researching and working on compiling a list of tabi boots we recommend...and if you follow a link from our website, Amazon will send us a small percentage of the sale as an affiliate fee: islandblacksmith.ca/product-category/books-apparel-gear/jikatabi-footwear

thanks!

Jikatabi Skateboarding - Anvil Skating in Tabi Boots

TimeWarp #8 - Carving a mekugi and Mountain Kotanto final assembly

$Sumi-kiri - chopping charcoal for bladesmithing Read more about the museum project here: http://islandblacksmith.ca/2017/01/building-traditional-swordsmith-forge/ See more charcoal making videos here: https://www.youtube.com/playlist?list=PLBJ5AOs7cMwAi0VcrZt-tyGIsrOUrzhyj A sample of the sumi-kiri process; charcoal chopping, screening, and sorting techniques, and may offer some useful details for astute observers.** Traditional Japanese swordsmithing forges are fueled by softwood charcoal which is first chopped, screened, and sorted into several sizes for different stages of the forging process. The charcoal is chopped and then processed through four sizes of screen, the largest is for tanren, the second for hizukuri (I tend to use the largest for hizukuri as well and keep the second size mainly for yaki-ire), the third size isnt highly useful but may be crushed into fines or saved for tatara, the fourth is the fines for lining the bottom of the forge, and the remainder is dust for mixing into yaki-ire clay or for brasque refractory. Measurements for the screen sizes are given in sun-shaku and the type of charcoal they keep in is listed rather than what they allow to pass through. 3.03022 cm = 0.1 shaku（尺） = 1 sun（寸） = 10 bu（分） = 100 rin（厘） **Three things to note, 1. after setting up, i moved the camera orientation 180 degrees and rather than move all of the charcoal i moved only the chair to the opposite side, but for efficiency it is a good idea to have the charcoal at the left side within reach of the non-chopping hand...2. rather than chopping directly into a screen as i do, the normal procedure is to chop onto the tarp and then rake most of the largest charcoal off the top by hand before screening the remaining pile (https://youtu.be/3DdXdxSb3vE)...3. also, some of this charcoal is quite soft having been heated too quickly in the kiln or overcooked so it looks more crumbly than it should.$

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