Uploaded April 2018 | Updated September 2026, 18 hours ago
Buy / Listen: jmb.lnk.to/dansmamain
Jean-Michel Blais On Tour: jeanmichelblais.com/#tour
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‘igloo’ is an insomniac palindrome where reverse piano, at first buried under retro synths, progressively emerges, unveiling an improvised session unsteadily played on a clunky upright. Inspired by singer-songwriter Safia Nolin’s “Igloo,” the piece depicts those lonely nights where, “wandering like an amnesic ghost,” one can only find itself within its own shadowy reflections, a nostalgic incursion into one’s vintage recollections.
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'igloo' est un palindrome insomniaque où le piano inversé, d'abord enfoui sous des synthés rétro, émerge progressivement, dévoilant une fluctuante session improvisée sur un bancal piano droit. Inspirée par l'« igloo » de Safia Nolin, la pièce dépeint ces nuits solitaires où, errant « comme un fantôme amnésique », on ne parvient à se retrouver que dans ses propres reflets obscures - incursion nostalgique de souvenirs vintage.
Buy / Listen: jmb.lnk.to/dansmamain
Jean-Michel Blais On Tour: jeanmichelblais.com/#tour
__________________________________________________________________
‘igloo’ is an insomniac palindrome where reverse piano, at first buried under retro synths, progressively emerges, unveiling an improvised session unsteadily played on a clunky upright. Inspired by singer-songwriter Safia Nolin’s “Igloo,” the piece depicts those lonely nights where, “wandering like an amnesic ghost,” one can only find itself within its own shadowy reflections, a nostalgic incursion into one’s vintage recollections.
//////////////
'igloo' est un palindrome insomniaque où le piano inversé, d'abord enfoui sous des synthés rétro, émerge progressivement, dévoilant une fluctuante session improvisée sur un bancal piano droit. Inspirée par l'« igloo » de Safia Nolin, la pièce dépeint ces nuits solitaires où, errant « comme un fantôme amnésique », on ne parvient à se retrouver que dans ses propres reflets obscures - incursion nostalgique de souvenirs vintage.
![Gord Downie - The Secret Path [Official Film Trailer]](https://i.ytimg.com/vi/ZGYnQx2R4nE/mqdefault.jpg "Gord Downie - The Secret Path [Official Film Trailer]
STATEMENT BY GORD DOWNIE
Ogoki Post, Ontario
September 9, 2016
Mike Downie introduced me to Chanie Wenjack; he gave me the story from Ian Adams’ Maclean’s magazine story dating back to February 6, 1967, “The Lonely Death of Charlie Wenjack.”
Chanie, misnamed Charlie by his teachers, was a young boy who died on October 22, 1966, walking the railroad tracks, trying to escape from the Cecilia Jeffrey Indian Residential School to walk home. Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor how to find it, but, like so many kids - more than anyone will be able to imagine - he tried. I never knew Chanie, but I will always love him.
Chanie haunts me. His story is Canada’s story. This is about Canada. We are not the country we thought we were. History will be re-written. We are all accountable, but this begins in the late 1800s and goes to 1996. “White” Canada knew – on somebody’s purpose – nothing about this. We weren’t taught it in school; it was hardly ever mentioned.
All of those Governments, and all of those Churches, for all of those years, misused themselves. They hurt many children. They broke up many families. They erased entire communities. It will take seven generations to fix this. Seven. Seven is not arbitrary. This is far from over. Things up north have never been harder. Canada is not Canada. We are not the country we think we are.
I am trying in this small way to help spread what Murray Sinclair said, “This is not an aboriginal problem. This is a Canadian problem. Because at the same time that aboriginal people were being demeaned in the schools and their culture and language were being taken away from them and they were being told that they were inferior, they were pagans, that they were heathens and savages and that they were unworthy of being respected – that very same message was being given to the non-aboriginal children in the public schools as well… They need to know that history includes them.” (Murray Sinclair, Ottawa Citizen, May 24, 2015)
I have always wondered why, even as a kid, I never thought of Canada as a country – It’s not a popular thought; you keep it to yourself – I never wrote of it as so. The next hundred years are going to be painful as we come to know Chanie Wenjack and thousands like him – as we find out about ourselves, about all of us – but only when we do can we truly call ourselves, “Canada.”
http://secretpath.ca/")
