Sonic Perspectives
JOE SATRIANI Discusses Art Gallery & New Album The Elephants of Mars: Each Song Is a New Chapter
updated
He showed some of his work to Wehrkamp, who was suitably impressed. He decided to put the words to music, just to see what would happen.
Neither man could have imagined that it would take so long for the project to come to fruition. Life provided challenges. Wehrkamp’s home and studio were destroyed by fire—although the Harpazo tapes were saved. Covid put things on hold. The pair were continually refining the work, changing words, trying new instrumentation, and looking for a goal that they weren’t quite sure existed.
But it did. Harpazo – which basically translates to the biblical Rapture – comes out with the album “The Crucible” today (June 28). The final story, as Wehrkamp and Centanni told our contributor Mark Boardman, is a bit of a mashup. There are many references to the Bible’s Book of Revelation, with an anti-Christ figure and an ending of redemption and salvation. But it also has touches of AI, cyber tech, and more. Wehrkamp’s music—most of which he performed, with the help of several guest vocalists and instrumentalists—drives the Rock Opera to greater and greater heights.
The conversation also touched on the nature of faith and how the project brought each of them into a deeper understanding of and relationship with God. But it took them a long time to get there…
Order Harpazo's debut album "The Rapture" from HERE (amazon.com/dp/B0D3FK468B) if you are in the US or HERE (bit.ly/Harpazo-ROW) if you live anywhere else.
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On August 16th, the band will unveil their 13th studio album, "Endtime Signals". Building on the success of previous releases such as “Atoma” (2016), which climbed up to #2 in the Swedish album charts, and “Moment” (2020), which earned the band a Swedish Grammy Award, the new album is posed to become a fan’s wet dream.
Despite counting on a revamped lineup, it showcases the band’s identity in every aspect – from the cover to its themes of despair, the varied vocal delivery, and right up to the last note. The album release date, August 16th, was strategically picked: it will coincide with the band’s appearance at the Summer Breeze Open Air in Dinkelsbühl, Germany. In addition to that, the band has scheduled a North American tour with Amorphis in the summer and will be touring in Europe with Moonspell, Wolfheart, and Hiraes in the fall.
Singer Mikael Stanne, the only original member of Dark Tranquillity, not only keeps himself busy with his main band. He’s also involved in other acts, such as The Halo Effect, currently touring, and the newly formed Cemetery Skyline, a who’s who of Scandinavian metal with a melodic yet heavy sound. Cemetery Skyline is planning its live debut for August, which means Mikael is gearing up for a lengthy period on the road.
Collaborator Rodrigo Altaf sat down with Mikael to discuss the pessimistic view that "Endtime Signals" exudes, how the new lineup dynamics influenced the creative process, his involvement with other bands, and a myriad of other topics.
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Froberg spoke to Mark Boardman of Sonic Perspectives just a mere week before the album release (last June 6th), and they chatted about his long trek through rock and roll, which started with hard rock in the early ‘80s before morphing to progressive rock in the mid-'90s. He talked about the balancing act that he faces in performing with both The Flower Kings and HFMC and also examined the reasons why so many Swedish bands base their sounds on compelling melodies and hooks (yes, he and many other musicians did buy ABBA records when they were little kids).
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Renowned for his masterful fretwork and distinctive vocals, Emmett has left an indelible mark on the music world through his solo career and tenure with the iconic Canadian rock band Triumph. Recently, he unveiled "Diamonds – The Best of the Hard Rock Years 1990 – 1995," a compilation featuring tracks from his first three solo releases alongside two previously unreleased gems, fans can go on a sonic journey through Emmett's evolution during this dynamic period.
In an interview, with Sonic Perspectives collaborator Rodrigo Altaf, Rik graciously offered insights into the compilation and his illustrious career. Reflecting on the selection process behind the album's tracklist, Emmett delved into the creative process that fueled his solo endeavors during the early '90s. From the raw energy of "Absolutely" to the introspective musings of "The Spiral Notebook," each song encapsulates a distinct facet of Emmett's multifaceted artistry, promising listeners a captivating auditory experience.
Beyond his musical exploits, Rik Emmett candidly addressed personal challenges, including his health journey and his tenure as a music teacher. Despite facing obstacles, Emmett's passion for music remains undiminished, evident in his commitment to sharing knowledge and inspiring future generations of musicians.
The conversation also touched on tour plans and the prospect of live performances - as his fans eagerly awaited the opportunity to witness Emmett's electrifying stage presence once more.
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Rufus joined Sting's band for a few tours and split the six-string duties with his father on many shows. This move kept him on his toes every night, with Sting pushing the envelope and challenging his band to change bits and pieces of songs from one show to the next. He is determined to carve his own path though, and released his first solo album, "Pop Skull", in 2018.
Rufus' sophomore effort, 2020's "Make It", is an evolutionary quantum leap: more cohesive, with stronger songs and a bigger sense of how he wants his career to progress. Through its eleven tracks, Rufus absorbs elements from grunge, hard rock, world music, and 90's pop, and pays homage to his heroes Alice in Chains with a cover of "Rain When I Die".
The pandemic has been a prolific time for Rufus Miller, with many songs in the works with his talented sister Misty, a few live streams, and much more to come. Sonic Perspectives collaborator Rodrigo Altaf caught up with the musician to discuss his influences, what it feels like to play with his father, his future plans, and much more.
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With a career that has spanned over 35 years and tens of millions of albums sold, billions of streams, chart-topping songs, and packing arenas/theaters worldwide, Sebastian is back with a vengeance with the release of "Child Within the Man". All hail the new “King of all Media” with his monstrous imprint on music, theater, film, television, and pop culture.
Although his last album, "Give 'Em Hell", was released in 2014, Sebastian continued to tour and perform. He launched successful tours such as 18 and LIVE and the celebratory 30th-anniversary outings in honor of Skid Row's self-titled album and "Slave To The Grind". In 2016, he released his critically acclaimed autobiography "18 and Life on Skid Row".
"Child Within the Man" sees Sebastian blending the raw energy of aggressive metal with the allure of unforgettable melodic hooks. To bring his ten-year musical vision to life, Sebastian tapped into a diverse pool of talented musicians from the rock and metal world. Leading the charge with his unmistakable vocals, Sebastian enlisted Devin Bronson on guitar, Todd Kerns on bass, and Jeremy Colson on drums for the album. Adding luminaries like Myles Kennedy, John 5, Steve Stevens, and Orianthi as collaborators and guest stars further enriches songs with their unique styles.
With Elvis Baskette producing, it's no surprise that the result is a boundary-pushing endeavor, delivering entertaining and enduringly memorable music. It's exciting to see artists like Sebastian continue innovating and evolving within the metal and rock landscape.
On April 14th, Sebastian performed at the Whiskey-a-Go-Go and will start his tour in Brazil on April 26th. To pre-order the album or tickets to his upcoming shows, go to sebastianbach.com/.
Correspondent Robert Cavuoto spoke with Sebastian, who shares how his management didn't allow him to listen to his completed album or discuss any details of its creation with friends or family, how Myles Kennedy approached producer Elvis Baskette about sharing song ideas - one of them became the first single, how he appreciated working with Myles, and why Sebastian thinks this is his comeback album!
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But it would be his fateful union with drummer Steve Asheim and the Hoffman brothers, then under the moniker of Amon, that his prowess as a bassist and his unique vocal approach would find a welcome home in which to develop and ultimately shine its morbid darkness beyond the confines of Florida.
Following the name change and the subsequent unholy quadrilogy of classic studio albums with iconic engineer Scott Burns at the controls in the eponymous debut, "Legion", "Once Upon The Cross" and "Serpents Of The Light" respectively; the stylistic direction of Deicide would become a bit more fluid, and with it some chaos in the original lineup.
Following a partial return to form on 2004’s "Scars Of The Crucifix" and the subsequent departure of the Hoffman brothers from the fold, a different yet equally ferocious Deicide would emerge with the entry of ex-Cannibal Corpse guitarist Jack Owen and especially shred maestro Ralph Santolla to the fold, unleashing arguably the most consequential post-90s death metal offering in "The Stench Of Redemption" and kicking off the present era of the band.
The road since has naturally had its fair share of additional bumps and detours, but no one could suggest that at any point Glen, Steve, and company would ever compromise their principles or stray too far from the sound that has come to be associated with the Deicide name. That being said, the recent resurgence of interest in the primordial era of the band and particularly their 1992 sophomore opus "Legion" would lead the band to revisit the album while on the road following the loosening of Covid restrictions.
One wouldn’t be too far off base to conclude that this eventuality rekindled this fold’s interest in their own roots, thus having a heavy impact on the highly old-school character of their 13th and latest studio LP "Banished By Sin". Very much a multifaceted affair, this soon-to-be-released opus carries with it the stylistic hallmarks of not only "Legion," but just about every Deicide entry from the beginning up until the present to some degree, though the aforementioned sophomore album is pretty heavily favored in this entry’s overall execution and tone.
Though some may have the impression of Glen Benton being a demonic sorcerer who simply sprang from a flaming hole in the ground of Florida in 1990, the man himself is very much a good-humored and affable fellow by every definition. Jonathan Smith was honored to catch up with this key figure in death metal’s genesis and development to discuss the soon-to-be-released Deicide album "Banished By Sin," as well as the upcoming tour in support of the album, the road that brought the band to this point, and even Glen’s take on the current music scene.
Even the story of Deicide initially being invited to and ultimately declining to take part in the filming of the iconic scene from Ace Ventura: Pet Detective that ultimately went Cannibal Corpse was a topic of discussion. Through it all, Glen has stuck to his core philosophy of death metal being an intimate, up close and personal mode of extreme expression that works best when it sticks to its roots, and "Banished By Sin" is an album that conveys that very point while still showcasing the sub-genre’s range and capability of stirring the proverbial cauldron.
Order "Banished By Sin" at https://deicide.rpm.link/banishedbysin
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The band has been systematically releasing singles and videos since August 2022, starting with "Hurts Like Hell." Since then, they provided fans with four additional songs leading up to the album release.
“Half Black Heart” visually symbolizes the band's essence. It represents the duality of a half-red, half-black, half-heavy, half-poppy, half-dark, half-fun, half-metal, and half-rock album. It's a powerful and emotional exploration of relationship struggles and society's collective experiences during the pandemic. The songs continue to channel the darkness within their signature metal sound.
New Year's Day reunited with former members and longtime collaborators Jeremy Valentyne on guitar, Brandon Wolfe on bass, and Trixx on drums. The collective is rounded off with Nikki Misery on lead guitar and Ash Costello on vocals. New Year's Day was formed in 2005 and quickly gained critical acclaim with their 2007 debut album, “My Dear.” In nearly two decades, they have released a string of albums showcasing their particular take on dark melodies, haunting vocals, and heavy riffs.
You can order “Half Black Heart” at newyearsday.lnk.to/HalfBlackHeart
Correspondent Robert Cavuoto spoke to Ash Costello about the personal turmoil and pandemic chaos that fueled the creation of this album. She divulged why she couldn't write happy songs and discussed the strategy behind releasing five singles before the album's release. Ash also explained how band member changes have been a blessing over the years due to the friendships they have forged, and they will never bring in new members because they are so close-knit. There is also some top-secret in the works regarding The Haxans.
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Together, they forged a dynamic partnership and chemistry that shines bright on this release. The album showcases Ace's incombustible vocals and guitar playing as he delivers his signature sound, which only the Space Ace can do. Ace impressively leaps from the powerhouse opener of "10,000 Volts" to the poppy "Cherry Medicine" to the soulful balladry of "Back into My Arms Again." He closes the album with an epic guitar instrumental, "Stratosphere," in all its grandeur. Eleven songs in all!
Steve has also been busy with Trixter, which recently completed a tour with Mr. Big and a UK acoustic tour. They are now back in the US, performing loud and electrical. They also have an upcoming tour starting this May with Enuff Z'nuff and Pretty Boy Floyd. Ticket and VIP packages are available at paypal.com/instantcommerce/checkout/ZAK4WS3DLJ6K4
Correspondent Robert Cavuoto spoke to Steve Brown about the creation of "10,000 Volts" with his guitar hero, and how he worked Ace hard to get the best results. Fans will be excited to hear Ace will release an expanded edition of 10,000 Volts with some new songs and alternate versions of existing songs. Steve also shares what it was like for Trixter to be joined by Pete Loran in Arizona on three songs during Trixter's set.
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The British guitarist, singer, and songwriter is primarily known as the rhythm guitarist for Billy Idol's band for the past 15 years alongside lead guitarist Steve Stevens. “The Morrison Project” is the follow-up to Billy's critically acclaimed and smoking-hot 2015 solo release, “God Shaped Hole”.
“The Morrison Project” is a testament to Billy's diverse musical influences, featuring twelve new studio tracks. Six of these are enhanced by all-star performances of his closest friends, including Ozzy Osbourne, Billy Idol, D.M.C., Al Jourgensen, Steve Vai, Steve Stevens, Corey Taylor, Linda Perry, and John 5. The other six songs showcase Billy's punk ethos as he takes on lead vocal duties. From the haunting and bluesy "Crack Cocaine" with Ozzy and Steve Stevens, to the industrial rap with D.M.C. and Persia Numan, to the all-out punk assault on “It's Come to This,” and “Dystopia,” the album is a masterclass in musical diversity. Regardless of the genre, every track's underlying ebb and flow is the melody, making this album a must-listen for all music enthusiasts. “The Morrison Project” was mastered loud and deserves to be cranked!
Correspondent Robert Cavuoto had an enthralling and insightful interview with Billy Morrison about how a song idea for his best friend Ozzy Osbourne sparked the creative process for creating a complete album. How his knack for selecting the right song for the right singer led him to work with so many of his friends. Billy also shares his love for pop and hip hop, which led him to collaborate with Rock and Roll Hall of Famer Darryl McDaniels (aka D.M.C.) for the industrial track "Just Like a Movie." The interview also delves into the background of the song he and Steve Stevens created for Billy Idol, "Mr. Dream."
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Throughout their career, the band has sold over a million albums worldwide since their debut release in 1984. Their first single "New Girl" put them on the map with fans as their video was in heavy rotation on MTV and MuchMusic and heard on the radio stations in North America. In 1985 the band released "The Big Prize" which garnered four hit singles, including the band's biggest hit in the U.S., "Feel It Again" and "Bad Attitude." Since that debut release, Honeymoon Suite has released seven studio albums and continues to be one of the most influential forces in melodic hard rock today, and for many, they continue to be part of the soundtrack to our lives.
With “Alive,” the band has created ten emotionally powerful songs that flourish with vocal melodies, big guitar hooks, and insightful lyrics about love and pain. Their songs usher in hope, survival, and prosperity with a twist.
The new singles, "Alive" and "Find What You're Looking For," have been met with critical acclaim and showcase Honeymoon's Suite's talent for creating hit songs that are both concurrent with their time and timeless all at once. The band consists of Johnnie Dee [Vocals], Derry Grehan [Guitars, keyboards], Dave Betts [Drums], Gary Lalonde [Bass], and Peter Nunn [Keyboards]. You can order “Alive” at orcd.co/honeymoonsuitealive
Correspondent Robert Cavuoto spoke to Derry Grehan about their comeback with "Alive", how the band is always looking for new angles on how to write love songs, working with producer Mike Krompass who gave the songs a fresh modern edge, the band's longstanding connection with Nigra Falls, and the main reason why Honeymoon Suite never broke in the United States.
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Jeff Scott Soto is now at the helm on vocal and purveyor of thematic lyrics, Jon Votta and Ron "Bumblefoot" Thal on guitar, Vince Votta on drums, and Tony Dickinson on bass deliver a powerful metal album with technical playing and the perfect balance of melodic verses & choruses. This album builds on the success of their previous two releases, “Art Of Anarchy” (2015) with Scott Weiland and “The Madness” (2017) with Scott Stapp.
Songs like "Echoes of Madness," "Die Hard," and epic closer "Disarray" all showcase the band's unbridled passion for hard rock and love of their instruments. “Let There Be Anarchy” with its ten tracks will exceed any fan's expectations leaving them breathless by the time it reaches the last power chord. The sky’s the limit for Art of Anarchy with this new beginning.
Art Of Anarchy is doing a run of eight shows on the East Coast this month to promote their new album. Tickets for their shows can be found at bumblefoot.com/aoa/index.htm.
Correspondent Robert Cavuoto spoke to Soto about his involvement in the band, the creation of the ten songs on the album that took over two years to complete, the lyrical inspiration for songs, his approach to keeping continuity between the band's first two albums, and his thoughts on the status of Son Of Apollo.
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The set list for the night was as follows:
1.- Sway
2.- One Last Soul
3.- Wanderlust
4.- The Outsider
5.- Cold
6.- Enlighten (Live debut)
7.- Crossfire
8.- The Crow
9.- Stay Free (Live debut)
10.- Save Me (Followed by band introductions)
11.- Black Country
Encore:
12.- Mistreated (Deep Purple cover)
However, following Longdon’s passing there was an uncertainty if the band would carry on or not. Once it was decided that yes, Big Big Train still had a future yet to be discovered, it was clear that the next studio album would have to deliver a defining statement.
In this interview with Spawton and new lead singer Alberto Bravin, Scott Medina explores the journey that the band took in creating one of their finest albums yet, even as they reinvented themselves once more with "The Likes Of Us". We discuss the stories behind the songs, the vetting process of the new singer, their upcoming tour of the States and beyond, plus much more.
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Blaze's regular team recorded “Circle of Stone” with Christopher Appleton (of UK band Absolva) engineering, mixing, and co-producing with Blaze (split between their home studios in Manchester & Birmingham respectively), & Ade Emsley mastering. Appleton also played lead guitar alongside his brother Luke Appleton on power guitar, Martin McNee on drums & Karl Schramm on bass.
While the previous album “War Within Me” consisted of independent and more direct songs, and his albums before that told a concept story called “Infinite Entanglement”, “Circle of Stone” is a combination of these two approaches. Tracks 1 to 6 address a variety of subjects, while the second half consists of a concept suite – a story that touches on the Celtic ethos and involves war between different civilizations, the old being replaced by the new, and other themes.
Join us as we discuss with Blaze the themes of the new album, his recovery from his health issues, his future plans, and the customary question about Iron Maiden, in a lengthy interview conducted by Rodrigo Altaf.
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Years ago, he had the idea of putting together a Prog project. He would write it up, perform on it, produce it — do whatever it took to bring things to fruition. But he couldn’t have dreamed where things would lead. Brent needed additional musicians; he’s a great saxophonist and keyboardist, and he could handle background vocals, but who would handle the other parts. Through connections, he found some excellent ones, including vocalist Jake Livgren (Proto-Kaw, Kerry Livgren) and drummer Noah Hungate (The Band Perry, son of Toto’s David Hungate).
As Brent proceeded, the project came to the attention of prog-pro Neal Morse, who not only encouraged him but also endorsed the effort and first released it on his Waterfall app.
The world needs to hear Brent Bristow’s project — Emerald City Council, and its debut album “Motion Carries.” Recently, Bristow, Jake Livgren, and Noah Hungate spoke with Sonic Perspectives’ Mark Boardman about this dream come true and a myriad of details surrounding the creation of “Motion Carries.”
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Fans have spent more than five years waiting for this release: Ihsahn's last full-length studio album, "Amr," was released in 2018. There have been three EPs since - the contrasting set of EPs, "Telemark" and "Pharos," as well as the instructional "Fascination Street Sessions" - but nothing quite as expansive as what awaits listeners in "Ihsahn." This delightful treat has already shown itself to be well worth the wait. Rich stories are waiting in its depths, and there are two full albums worth of content to both explore and enjoy. For those familiar with Ihsahn's work, the metal album will have familiar themes and musical signatures that have made him a household name in the extreme metal scene since the 90s. And for newcomers and longtime fans alike, the orchestral side promises an adventure through sonic heights like never before. These elements are enhanced by the other talents that contributed to the making of "Ihsahn," including Jens Bogren's familiar touch on the metal version, while Joel Dollie brought a fresh perspective in mixing the orchestral version of the album.
"Ihsahn" is so much more than just another black metal album. It is a rich conceptual journey with intention in every note, craftsmanship in every verse, and careful symbolism buried within every piece of accompanying art or media. From the haunting music videos that play out with the abstractions of a nightmare, to the delicately minimalist album art featuring branching antlers in monochrome, there is a deliberation that makes "Ihsahn" a seemingly boundless work of art. In an age of limited attention spans and the ever-increasing demand for short-form content, Ihsahn is demanding listeners to slow down and absorb an intricate and many-layered opus with full intent.
Contributor Samantha Buckman spoke with Ihsahn about the creation of "Ihsahn," what makes this self-titled album stand apart from the rest of this metal maverick's carefully curated discography, and some hints of the symbolism and easter eggs that await listeners within its depths.
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The band's prior studio album, 2020's breathtakingly beautiful "Rise Radiant," arrived at the most inopportune of times. Just as Caligula's Horse was preparing to depart Australia for their inaugural North American trek, venues shuttered their doors for the better part of two years, and the tour was put on indefinite hiatus. The world was faced with roiling waves of pain, confusion, and hurt, and as the band was musing their next steps, they faced yet another shakeup: guitarist Adrian Goleby departed the band. The quintet became a quartet, venues again began to welcome fans, and Caligula's Horse got to work on their next big project (not without a very welcome appearance at ProgPower USA in 2023, marking their second appearance in the USA). Now, almost four years later, "Charcoal Grace" has arrived in all of its passionate glory.
As Caligula's Horse has said time and again leading up to the album release, "Charcoal Grace" is not just a piece of art: it is an expression of pure catharsis. "Rise Radiant" was a delightful work of art, but its intended delivery to the world was stunted by circumstances beyond control. All of that pain, anger, and disappointment has found its outlet in this latest opus from these talented Australian metallers. From a mammoth 25-minute suite placed in the heart of the tracklist, the titular "Charcoal Grace," to the intertwined bookends "The World Breathes With Me" and "Mute," "Charcoal Grace" is a wonder to behold. The intention behind its creation is evident in not just every note, but every associated work of art, and every live rendition.
There's no better way to learn more about the intensity and heart that brought "Charcoal Grace" to life than hearing from the primary songwriters themselves, which is what Sonic Perspectives had the opportunity to do while Caligula's Horse kicked off their 2024 headlining tour.
Sonic Perspectives contributor Samantha Buckman spoke with guitarist Sam Vallen and vocalist Jim Grey about the creation of “Charcoal Grace” and how the band is doing on their North American headlining tour. The three discussed the band's pivot to a quartet, the themes of the album, and what the group is most looking forward to as they trek across the states.
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Øystein Brun pauses for a moment before affirming:
“But it is not evil.”
Brun would know. The son of a mountaineer, and a forest dweller since childhood, Brun has made a career out of penning psalms to the natural world that has since birth captivated his imagination. But don't fool yourself into believing him to be an acoustic folk musician who sings about all the pretty flowers n shit. Brun's psalms to Midgard carry with them both the serenity of the northern seas and the turbulence of the iciest vortex. To the untrained ear, Borknagar's music may resemble violent, frozen winds. But those who appreciate and understand the heavier sides of both music and nature regard it as an extension of the world it inhabits.
“This complexity and beauty of nature, the magic of reality... that is what I want to project through my music.”
Anticipating the upcoming release of Borknagar's fourteenth extollment to the world around them, Brun was gracious enough to chat with Sonic Perspectives Texas Bureau Chief Gonzalo Pozo just as an arctic blast that Herr Brun might have rather fancied kindly receded back north from whence it came without welcome.
“Fall” is set to drop on February 23, 2024, via Century Media and is currently available for pre-order.
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Though the band that originally accompanied Vincent on his rise to underground fame on college radio, MTV’s Headbanger’s Ball and Beyond is now several years in the rearview for a second time, this Charlotte, North Carolina native has continued blazing trails, with his most recent project being the textbook definition of a power trio and supergroup rolled into one dubbed Vltimas. Conceived in the mid-2010s and bringing on board the colossal talents of former Mayhem and longtime Aura Noir guitarist Rune “Blasphemer” Eriksen and virtuoso drummer of Cryptopsy fame Flo Mounier, this newly codified fold would unleash a torrential downpour of blackened death via their 2019 debut Something Wicked Marches In, mixing elements of each member’s prior endeavors into a vicious witch’s brew of sonic carnage that would make a respectable splash despite its marketing and corresponding tour being stymied by the subsequent Covid lockdowns.
Now nearly five years to the day that this union of the extreme metal elite first broke into the market, an aptly named follow-up dubbed “Epic” promises to shake the pillars of the earth again on March 15th. The same blend of Northern European frost, Canadian brutality, and old-school Florida mystique has been maintained and further augmented with an even more ambitious songwriting approach that further explores the sonic possibilities of Rune’s mastery of the six-string and David’s Wagnerian vocal persona, to speak nothing for the precision-based frenzy of percussion gymnastic that always follows Mounier’s involvement. Along for the ride in a studio capacity is live bassist turned permanent member Ype Terwisscha van Scheltinga as Vincent has opted to focus solely on vocals in this project, as well as live second guitarist Jaoa Duarte to further fill out the arrangement. In every respect, Vltimas has proven to be far from a one-off side project for those involved and promises to be the full package on stage in the coming months.
While some might have the image of an immortal titan born from the underworld in their heads based on his stage and studio performances, David Vincent is among the most approachable and candid of individuals to reign within the Lovecraftian limelight.
Jonathan Smith had the privilege to catch up with one of death metal’s pioneering voices in the early days of January to inquire about Vltimas’ upcoming album, subsequent touring plans, the process of goes on in the studio when putting new music together, and also his thoughts about what death metal has become in the years since its initial rise to prominence in the early 90s. Time was also taken to delve a bit into the early years of Vincent’s development as a singer, as he noted his earliest experiences with music as a youth, how bands like Possessed and Celtic Frost helped influence his pioneering work in the death metal style, and even laughing about how MTV’s Beavis & Butthead critiqued his vocal work back in the day. It was a good-natured and informative interchange centered around a talent that still has much to offer audiences on both sides of the Atlantic, as the upcoming Vltimas album and tour are sure to underscore.
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They call themselves Myrath, which translates as "legacy." But the band’s legacy is in question as they try a more mainstream approach on their new album, “Karma”. Born out of the isolation of the COVID epidemic, and the realization that the band was not making money or building a large enough audience, the group listened to their hearts in composing “Karma”.
The effort was not without controversy, even within Myrath. Their long-time keyboardist Elyes Bouchoucha decided to leave the group; he was quickly replaced by the band’s producer and manager, Kevin Codfert. But Myrath’s big test is still ahead—how will the audience receive “Karma” when it comes out on March 8th. Zaher Zorgati expressed the hopefulness and nervousness that comes with a change of direction when he recently spoke with Sonic Perspectives’ Mark Boardman.
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In an informative chat with Sonic Perspectives interviewer Rodrigo Altaf, Biff discussed the addition of guitarist Brian Tatler (also of Diamond Head), who replaced long-standing member Paul Quinn, the band's evolution, and the main themes on the album. The conversation delves into the challenges faced during the tumultuous 90s, showcasing Saxon's unyielding spirit in the face of adversity and the participation on the reality show “Get Your Act Together”, which brought the band back on track.
The pair also discussed the touring plans with Judas Priest and Uriah Heep, Byford’s journey from bass player to becoming one of metal’s most recognizable frontmen, and whether or not Saxon will ever release a concept album. Dive in and listen to their chat!
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The first three things that come to mind when you think of Ace are guitar God, innovator, and virtuoso. He is one of the world's most respected and influential guitarists who has forged an outstanding 50-year career. What separates the innovators like Ace from those who followed, is the courage to try something different. To break the rules and rewrite them at every opportunity. To challenge himself until something completely new is created that he can call his own. Ace continues to find there are walls in guitar playing and songwriting he needs to break down.
“10,000 Volts” goes beyond the boundaries of Ace's previous solo endeavors and taps into a much statelier and melodic rock-oriented presentation of his music reminiscent of his 1978 solo album. There is no shortage of his theatrical vocals and entertaining lyrics on this release. Ace's energy is combustible as he delivers his signature crunchy guitar tone and fluid-like playing, with some blues bravado thrown in for good measure. He impressively leaps from the powerhouse opener of "10,000 Volts" to the punchy "Cherry Medicine" to the soulful balladry of "Back into My Arms Again." He closes the album with an epic guitar instrumental, "Stratosphere," showcasing his fretwork skills in all its grandeur. In total, eleven finely crafted songs that will vibrate your soul.
“10,000 Volts” was co-written and co-produced by Steve Brown of Trixter and Ace. Their dynamic partnership and chemistry shine bright on this release, and together, they are already plotting “Origins 3” and a possible live recording.
Correspondent Robert Cavuoto spoke to Ace Frehley about creating 10,000 Volts” with Steve, who helped bring this album to life. Ace shares how he has six portable recorders filled with new song ideas with has no interest in slowing down or retiring! He enjoys writing songs with positive energy and, after 17 years of sobriety, is no longer interested in writing lyrics with drug or alcohol references.
He admits he had his fair share of doubts about maintaining his creativity while getting sober but quickly realized sobriety made him even more creative. As much as Ace loves creating music, don't count on him ever releasing an entire album of instrumental guitar music, as he feels his fans might not be interested in songs where he is not singing!
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"Karnevel!" is a testament to the guitarist's exceptional ability to seamlessly blend elements of jazz, rock, funk, and blues in an authentic and musical way. With a diverse set of beautiful compositions, the album reflects Scott's 35-year journey as a bandleader, showcasing an artist whose playing and composing continue to evolve and reach new heights.
Recorded live in the studio with the same stellar lineup from "People Mover" – Romain Labaye on bass and Archibald Ligonnière on drums – "Karnevel!" captures the raw energy of a live session. Scott's dedication to sonic exploration is evident as he spent considerable time layering additional guitar tracks, introducing sounds that push the boundaries of his own musical palette.
Born in 1954, Scott Henderson emerged in the 1980s with the legendary band Tribal Tech, solidifying his position as one of the top guitar players and composers in jazz fusion. Having toured and recorded with iconic figures such as Chick Corea, Joe Zawinul of Weather Report, and Jean-Luc Ponty, Scott's musical legacy spans over 70 countries and includes a catalog of more than 20 albums.
Winner of numerous Best Guitarist awards and a fixture on the covers of international guitar magazines, Scott Henderson remains an influential force in the world of music. Check out this exclusive video interview conducted by Sonic Perspectives collaborator Rodrigo Altaf, as we delve into the inspiration behind "Karnevel!" and explore the mind of a true musical pioneer, including his unexpected love for metal.
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The diverse tracklist includes many twists and turns: from the high-octane of “Reign of Vultures” and “Acid Rain” through the soulful moments of the title track and “The Great Divide”, the album is a journey powered by musical prowess, but also fueled by soul and swagger. It ends with the fast-paced “Chaos Master” followed by the heartfelt “The Bitter End”, leaving the listener curious about the next steps of this band.
In an exclusive interview with Sonic Perspectives collaborator Rodrigo Altaf, Dino delves into the creative process behind "Follow the Blind Man." They discussed the formation of the band, his big break as the winner of Junior Eurovision 2003 when he was only ten years old and much more.
Through the interview, Rodrigo and Dino explore the artist's multifaceted career, touching on his collaborations with iconic acts like Whitesnake, George Lynch, and Michael Romeo. Check out this in-depth exploration of Dino Jelusick's musical journey, his inspirations, and the unique dynamics that shape the sound of "Follow the Blind Man”.
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The song is a vibrant rocker reminiscent of their early hits and captures Joey Tempest [vocals], John Norum [guitars], John Levén [bass], Mic Michaeli [keyboards], and Ian Haugland [drums] continuing to be one of the most influential forces in rock music today. It was produced by Klas Åhlund (Ghost) and mixed by Stefan Glaumann (Rammstein, Def Leppard), who also mixed Europe's “Secret Society” album. To purchase "Hold Your Head Up" head over here: lnk.to/EuropeHoldYourHeadUp
Europe plans to head to the studio this winter to pull their song ideas and riffs together for a new album due out in late 2024 / early 2025. It will be their 12th and first studio album in five years since “Walk the Earth.”
The brand-new documentary entitled “Europe - The Movie” will tell the story of the band, from formation until the present day, telling of their rise to success in the mid-'80s, through hard times and heartache, to coming back in the millennium and the current successes the band has achieved.
Correspondent Robert Cavuoto spoke with Joey Tempest moments before they hit the stage at The Palladium in London last month for their second to last show of their Time Capsule, 40th Anniversary Tour. Joey shared how the band has been compiling song ideas and plans to go into the studio this winter. He also discusses content fans can expect to see in the documentary and reminisces on their heyday of the 80s when they were besieged in the street and the on-stage mishap that led to enlisting Mic Michaeli to handle the keyboard duties in 1984. Listen or read the transcript of their conversation below.
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As the guitarist and one of the principle vocalists of early 80s death metal trailblazers Hellhammer, his career stood at a crossroads between the gritty yet still hard rock oriented world of Black Sabbath and Motörhead and the slightly nastier and darker NWOBHM associated stylings of Venom, helping to pave the way for the eventual the more extreme expressions of thrash, death, black and even sludge metal on both sides of the Atlantic. Even in a 2023 context, the iconic riffs and sepulchral subjects that burst forth from this underground trio’s small smattering of demos alongside an EP and a single still hold up and speak to a vision that was well ahead of its time.
Yet behind these lofty accomplishments is a man who has a humbler take on things, recounting a band that simply made music on their own terms, bucking every trend during their relatively short run in the 80s and often being seen as outcasts in their home nation of Switzerland. Thomas often recounts playing shows in small venues to maybe 10 or more onlookers as a frequent occurrence during Hellhammer’s run from 1982 to 1984, as well as being at the receiving end of numerous jokes due to the unorthodox nature of what they were bringing to the table.
Even upon the dissolution of the band and the formation of the more polished and refined Celtic Frost, this marginalized artist and his musical cohorts would ultimately seek greener pastures in Germany for label support and an audience. But there remains an unmistakable mystique surrounding the small and lo-fi catalog connect to the Hellhammer name that has continued to inspire many, including The Warrior himself as his spin-off/tribute to the original band Triumph Of Death embarks on further touring since their 2018 inception.
In stark contrast to the arguably sloppy and amateur character of the source material, there is an air of professionalism surrounding Triumph Of Death’s approach to recreating the Hellhammer sound in a live setting. Thomas credits some of this to his growth as a musician over the past 40 years, as well as to the highly competent group of musicians that round out the fold, consisting of drummer Tim Iso Wey, bassist Jamie Lee Cussigh, and particularly the addition of guitarist/vocalist Andre Matheiu, resulting in an arrangement that is markedly fuller and larger in scope than the power trio format of the original.
In many ways, Fischer considers it a different band due to the greater professionalism that has resulted from the aforementioned factors, yet he stresses in no uncertain terms that the primary goal of the band is to faithfully recreate what Hellhammer originally set out to do. It is a sound that could be likened to what Hellhammer might have sounded like had they rerecorded their work during the early 90s death metal explosion in Florida and Sweden and then adding crowd noise for good measure.
Though a man that is often surrounded in a dark cloud of moribund mystery in the media and prone to sardonic humor, Thomas G. Warrior retains his affable qualities and continually proves a veritable wellspring of knowledge on how things were in the days when metal was considered the most dangerous music around. Our contributor Jonathan Smith caught up with the iconic guitarist and vocalist to discuss Hellhammer’s place in metal history, and among other things settling the longstanding dispute as to whether the death, thrash, black, speed or sludge metal sub-genres could truly lay claim to their legacy (Tom decisively places his band’s pioneering work in the death metal camp, while acknowledging the massive changes the style has gone through in the years since).
But above all else, the conversation was focused upon the soon to be released live album "Resurrection Of The Flesh", which is sure to stand as the closest thing to a proper studio LP that will ever be released under the Hellhammer name.
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“MTV Famous” is not your typical autobiography of embellished memories from days of drunken excess; Pete's book takes a more positive look at life and how he dreamed bigger for his career than most. There was a consorted effort to provide an open and honest look at his life and career without slamming or minimalizing people's involvement but to praise and thank them. Not only is it a Rock and Roll book, but Pete delves into how candling-making helped pull him out of the dark recesses of depression, which he has grown into a successful independent retail business with an online presence and several brick-and-mortar stores. He has released his own single-barrel Bourbon and shares for the first time in my interview that he has just launched the Virginia Sauce and Spice Company. To order “MTV Famous”, please visit: tinyurl.com/ykjptoqz
Correspondent Robert Cavuoto had a candid and fun conversation with Pete on how playing cover songs helped him be a better songwriter, guitarist, and musical director for Bret, that he never deviated from his dreams, how his first performance with Bret Michaels was in front of 50K people with little to no band rehearsal, and why he hasn't given Bret a copy of his book.
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Seven years ago, Theocracy came out with their tour de force album, "Ghost Ship". It’s filled with punch and hooks. And per usual, it’s a record about faith and its many aspects.
And then…nothing. For seven long years. Perhaps that was the biblical seven years of famine. But that time is at an end. The new Theocracy album called "Mosaic" will be out on October 13 via Atomic Fire Records.
As brilliantly showcased by its stained-glass-window-like artwork by Steven Howard, “Mosaic” contains 10 new hymns were recorded, produced, and mixed by Matt Smith at Theocracized Studios and Full Moon Studios in Athens, GA, and rounded off by skillful mastering engineers Emily Lazar and Chris Allgood at The Lodge, NY.
"It's my life's work," says Smith when talking about the band. "All I wanted to do since I was a kid was writing songs, so Theocracy existed in my mind for many years before the first album. It's the vehicle that has taken me all around the world and allowed me to exceed my wildest dreams by getting my songs out, and I am so thankful."
Smitt recently sat down with Mark Boardman and the two discussed the inception of "Mosaic", the band's past, their arrival to a new label, the album's lyrical themes and much more.
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Starting in the 90s, Rabin would switch careers to scoring Hollywood blockbuster film soundtracks, a world which consumed him for decades. Aside from a brief pause to record the instrumental genre-hopping “Jacaranda”, Rabin didn’t dabble in the rock world much until 2016’s reunion with Jon Anderson and Rick Wakeman for a series of live shows featuring Yes music. 200 concerts later, Rabin’s voice and fingers were primed to record his first solo rock album since 1989’s “Can’t Look Away”.
The resulting album “Rio” is jam packed with fretboard frenzy, multi-tracked harmony vocals, masterful production and an extremely diverse range of styles. It’s a wonderful release, both a return to form and a stab at breaking new ground all at once.
In this engaging interview with Rabin, Sonic Perspectives correspondent and Yes-aficionado Scott Medina goes into “Rio” in depth, giving greater perspective on the inspiration and arrangement approaches. There’s also several questions and stories involving Yes over the years, along with Rabin’s time with Roger Hodgson, as well as inquiries about ARW’s recorded output - live and studio. A guaranteed fun time for all fans of Rabin!
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#Yes #ProgRock #ProgressiveRock #TrevorRabin #Rio #ScottMedina #Interview #SonicPerspectives
Following a tour cycle with Annihilator, Mangini played with hard rockers Extreme and spent a few years in Steve Vai’s band, having appeared on the studio albums “Fire Garden” and “The Ultra Zone”, and in the live album “Alive in an Ultra World”. In 2005, he accepted a full-time teaching position at the Berklee College of Music in the Percussion Department, but five years later his career would literally undergo "a dramatic turn of events". He was selected to join Dream Theater in 2010, after an audition that also included Marco Minneman (The Aristocrats), Virgil Donati (Planet X), Aquiles Priester (Angra, Hangar), Peter Wildoer (Darkane, James LaBrie), Derek Roddy (Hate Eternal, Nile, Today Is The Day) and Thomas Lang (Glenn Hughes, Stork among others).
With Dream Theater, Mike has released five studio albums so far, and recently completed a successful run of shows with Animals as Leaders and Devin Townsend. As the end of 2023 approaches, he’s ready for his most ambitious musical step to date – the release of his first solo album, “Invisible Signs”. The twelve songs on the album showcase a different side of Mike’s musical abilities, with a modern metal edge and perhaps a more straightforward approach to drums than the average Dream Theater fan is used to. He wrote all lyrics to the album, and counted on the help of Jen Majura (formerly of Evanescence) on vocals an a few guitar solos, Tony Dickenson (Trans Siberian Orchestra) on bass, Gus G (Firewind, Ozzy) on lead guitar and Ivan Keller (Dino Jelusick’s band) on rhythm guitar. Some of the highlights of the album include the title track, “Freak Of Nature” and Habit To Change”.
Sonic Perspectives collaborator Rodrigo Altaf is a lifelong Dream Theater fan, and had the chance to sit down with Mike Mangini for a lengthy interview, discussing his solo album, Dream Theater plans, his past work with Extreme and Annihilator and much more.
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In addition to the tour, on October 20, 2023, their 1993 self-titled debut album will be reissued on vinyl and CD. The band will include two new songs, "Blinded By the Sun" and "Are You In There Anymore," as 7-inch singles with longtime collaborator and multi-platinum producer Marti Frederiksen. These songs fit perfectly into Brother Cane's vast catalog, with the band delivering vibrant, melodic music with an edgy Southern hard rock bite. Brother Cane are paving the way to recreate powerful classic rock.
The band – Damon Johnson [vocals/guitar], Glenn Maxey [bass], Jarred Pope [drums], Buck Johnson [keyboards], and Tony Higbee [guitar] – have an undeniable chemistry and are destined to please on tour. Visit HERE for tickets and more information.
Correspondent Robert Cavuoto spoke to Damon about the impetus for reforming the band, how they recaptured the energy and enthusiasm of the band's legacy on the two new songs, his guitar approach for making music with Brother Cane, and what fans can expect to hear during their live shows.
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Having started his career in 1969, Simon has worked with Jeff Beck, Gary Moore, Michael Schenker, Judas Priest, Tears for Fears, and Pete Townsend, among others. Perhaps he’s best known for his tenures with The Who and Toto, but a closer look reveals a wide array of collaborations and styles in his extensive discography. Last year saw the release of Protocol V, a jazz-fusion collaboration that had many members in its history, but with Simon as a constant. More recently, he played drums on the self-titled debut of the supergroup Kings of Mercia, and on Steve Lukather’s solo album “Bridges”.
When it comes to “Sherinian/Phillips Live”, the album solidifies the collaboration between the two musicians, which has grown stronger since 2020. They have collaborated before, on albums such as 2001’s “Inertia”, 2004’s “Mythology” and more, and recruited Ron “Bumblefoot” Thal on guitar and Ric Fierabracci on bass for a night of multiple notes, many time signatures, and unexpected changes. Recorded at The Grape in Ventura, California on August 29th, 2022, the album consists of material from the pair’s latest studio efforts, 2020’s “The Phoenix” and 2022’s “Vortex”, and a few highlights from the past.
Fans of Simon Phillips would have checked out the lengthy interview we did with him in 2019, but if you haven’t done so yet, here’s where you can find it: youtube.com/watch?v=4PzVwPMNxCA. Our collaborator Rodrigo Altaf spoke with Simon once again to get an update on his plans, discuss the live album with Derek Sherinian, and much more.
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Several years later, work was being completed on album number three when lead singer Lopresto had a change of heart and decided to leave the band. Frustration turned into opportunity as the band quickly pivoted, finding a new front-man in Shaun Holton who recorded all of the lead vocals in time to release the album this September. And what an album it has turned out to be.
Amidst all of this change, Sonic Perspectives' prog-rock connoisseurs Mark Boardman and Scott Medina sat down for an in-depth conversation with both keyboardist and and band's mastermind Sean Timms and new singer Shaun Holton, to discuss the impact of Lopresto’s unforeseen departure and the band’s subsequent decisions. We also looked in depth at the material on “Another World”, as well as the touring potential and pitfalls for a prog band from Adelaide. Join us as we explore the new world of Southern Empire
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FRIDAY, SEPTEMBER 8 @ 7:00 - 10:00 PM (Wentworth Gallery at Seminole Hard Rock Hotel & Casino)
SATURDAY, SEPTEMBER 9 @ 5:00 - 8:00 PM (Wentworth Gallery at Boca Raton Town Center Mall)
SUNDAY, SEPTEMBER 10 @ 1:00 - 4:00 PM (Wentworth Gallery at Las Olas)
Hot on the heels of a very successful tour to promote his 2022 album “The Elephants of Mars”, Joe keeps working on new paintings and is working against the clock to finalize the work for the upcoming exhibits. Aside from some new works, any purchasers of his paintings will be treated to a private performance, inside the gallery, for the final hour of his exhibit appearance. And those who have purchased his unique hand-painted guitars will have the extra thrill of jamming with the man himself.
One of the most successful guitar players of his generation, Joe has excelled not only as a solo artist and painter but was also a part of several bands: Greg Kihn Band, Chickenfoot, Mick Jagger’s touring band, and Deep Purple, with whom he toured after the departure of Richie Blackmore. He also put together G3, a tour that consists of three guitar players doing solo shows and an extensive jam towards the end. Accompanying Joe on the G3 tours were six-string geniuses such as Steve Vai, Eric Johnson, John Petrucci, Steve Morse, Robert Fripp, and many more.
Sonic Perspectives collaborator Rodrigo Altaf interviewed Joe Satriani in early 2022 for yet another exhibit of his paintings – you can check out that interview here: youtube.com/watch?v=IhSIoDnqIME&t=1975s. In preparation for the upcoming dates in Florida, the two of them caught up again and discussed Joe’s process, the recent tour, the joy of playing with his peers in G3 and much more
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The band continues their path as flagbearers of Southern Rock on their new album “Screamin’ At The Sky”. After a few challenging years and the loss of family members, the new effort justifies the old French saying “one must suffer to be beautiful.” Or, in the words of vocalist/guitarist Chris Robertson, “There is a lot of darkness on this album—I bared my soul—but it always foreshadows light at the end of the tunnel.”
Screamin’ At The Sky features all-new material written collaboratively while on tour. For the recording, the band decided to try something they always dreamed about tracking an album at The Plaza Theater in Glasgow, Kentucky, a legendary 1020-seat venue built in 1934 that boasts meticulous acoustics. The end result is a bombastic collection of songs that will propel these Kentuckians onto even higher echelons in the music pantheon, as exemplified by the singles “Out of Pocket” and “Nervous”.
Sonic Perspectives collaborator Rodrigo Altaf caught up with guitarist Ben Wells to discuss the new album, the band’s early days, what it’s like to meet their heroes on the road, and much more.
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#BlackStoneCherry #BenWells #HardRock #RockNRoll #Rock #ScreamingAtTheSky #RodrigoAltaf #Interview #SonicPerspectives @mascotlabelgroup
In addition to "Punks", the 10-track collection, which Don Miggs produced, includes the sneering statement of independence "What Do You Need?”, co-written by Nick Brown of the alt-rock band Mona, who also appears on the track, and the moody, atmospheric "Elegante", where Kevin dives headlong into creative wordplay as Miggs and the band mimics a synth-pop vibe with guitars and drums. Elsewhere is the acoustic "Maze" and "Cellphone Jesus", where Kevin allows some of his worldview to seep in as he searches for a sign from above of a damaged society.
Candlebox rose to fame after releasing their self-titled debut album in July 1993. The band's sophomore album, “Lucy” (1995), tweaked their sound and was certified gold, and was followed three years later by “Happy Pills” (1998). Troubles with the record company prompted a breakup in 2000, but the band reunited in 2006. Since then, they have released four more studio albums: “Into the Sun” (2008), “Love Stories & Other Musings” (2012), “Disappearing in Airports (2016)”, and “Wolves” (2021), and the aforementioned “The Long Goodbye”, which will become their swansong.
Sonic Perspectives collaborator Rodrigo Altaf spoke with Candlebox’s founder Kevin Martin, and they discussed the final steps of the band, the writing and recording of “The Long Goodbye”, opening for Rush in the 90’s, what’ Kavein has planned to do after the tour is over, and much more.
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Having released two EPs in the last few years – namely 2021’s “Forge Your Future “ and 2022’s “20 Centuries Gone”, the road lead to the new album was nothing short of a massive undertaking.
Nate Garrett has been weaving the sonic tapestry of Spirit Adrift since 2015, marking his own personal growth from doom metal and his much-documented sobriety to today’s sonic triumph with “Ghost At The Gallows”. The album intricately pulls together every element of Garrett’s riff-mongering musical mastery to arrive at a conclusion and start a new chapter for Spirit Adrift. The involvement of new members from their touring lineup in the writing and recording of the album brought a new dimension to their sound. Tom Draper (guitars), Sonny DeCarlo (bass), and Michael Arellano (drums) added their own spin while maintaining the core of Nate’s intentions.
With the common theme between the songs being the search for what death represents, there’s something for every taste in “Ghost At The Gallows”. From the twin guitar epicness of “Give Her To The River” to the plodding single “Barn Burner”, the thrashy elements of “Hanged Man’s Revenge” all the way to the triumphant title track, the listener is invited to a journey with many twists and turns. The rewarding conclusion could not be any different than “traditional metal is alive and well”.
Spirit Adrift’s leading composer Nate Garrett sat down with Rodrigo Altaf to discuss the current state of the band, the creative process and inspiration that led to “Ghost at the Gallows”, his musical influences as guitarist and singer, the album's artwork, the band's current line-up, the upcoming touring plans, and much more.
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"Keres" soon followed after, and the world was put on notice: Thy Art is back, and their fury is everlasting. Full of face-melting riffs, pummeling rhythms and even more vigorous roars from CJ McMahon, "Keres" heralded to all that the band’s sixth LP is not something to simply gloss over. It’ll loom over you, pulverize you and get you moshing in any location you find yourself. If that wasn't enough, today the band blasted open the ninth circle of hell with a potent mix of mayhem and force designed to galvanize us into overthrowing the evil that reigns on the third single "Blood Throne".
Sonic Perspectives writer Josh Muncke got the chance to sit down with Andy Marsh, the band’s guitarist to explore all things Thy Art. They speak about touring, Marsh’s record label Human Warfare, local Aussie bands that are making it overseas, and of course all of the work and time put into creating LP6, “Godlike”.
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#Godlike #ThyArtIsMurder #DeathMetal #ExtremeMetal #Metal #DeathMetal #JoshMuncke #Interview #SonicPerspectives #HumanWarfare
Volbeat’s Michael Poulsen dedicated over 20 years of his career to bringing the band to the status they have today. Releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide was his only priority, and it comes as no surprise that they reached an incredible popularity across the globe. The combination of Elvis-style melodies and thrash metal riffs is unique, and they deserve every accolade they can get. However, the seeds of death metal were always there lingering in Michael’s brain, and finally a return to his roots is in order.
Before fronting Volbeat, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid ‘90s. When he was putting together songs for Volbeat’s 2021 album, "Servant of the Mind", he wrote a bunch of death metal riffs and saved them on his hard drive. When he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album "Impii Hora" (Latin for Ungodly Hour), is a tribute to Poulsen’s favorite old-school groups. The songs are rooted in crushing riffs yet injected with strong guitar hooks and shout-along refrains.
From the opening cut, “Fall of the Loyal Warrior,” to the last song “Foj for Helvede”, Poulsen professes his love for bands like Death, Entombed, Bolt Thrower, Autopsy, Dismember, Grave, Mercyful Fate, Possessed, and other old-school acts. While he is proud to wear his influences on his sleeves, Asinhell developed its own identity. The band went from being a mere idea to recording the pile-driving full-length "Impii Hora" in about a year.
Sonic Perspectives collaborator Rodrigo Altaf caught up with Michael Poulsen right before Volbeat’s concert in Atlantic City a few weeks ago, and they discussed Asinhell, the current Volbeat tour, future plans and much more.
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#Volbeat #Asinhell #DeathMetal #MetalBladeRecords #Metal #DeathMetal #RodrigoAltaf #Interview #SonicPerspectives
Billed as "Glenn Hughes Performs The 50th Anniversary of Deep Purple's BURN Live", Hughes will perform classic hits from the legendary album, and the addition of Deep Purple MKIII and MKIV songs. Glenn's band will feature his long-time collaborator Soren Andersen (guitar), Ash Sheehan (drums) and Ed Roth (keyboards).
'It was 50 years ago, in the summer of 1973, that the "Burn" album was written at Clearwell castle in Gloucestershire UK,” reminisces Hughes “The atmosphere was electric, in such amazing surroundings. All the songs on "Burn" were written in the crypt/dungeon, underneath the great hall. We worked on a new song every day, and we were in the flow. Musically we would play, and work out ideas, and David and I would come up with vocal melodies that would later have lyrics. I remember it like it was yesterday.”
With barely a week before the tour begins, Hughes chatted with Rodrigo Altaf regarding the upcoming shows, while also talked about how recovery changed his life, his relationship with David Coverdale and Richie Blackmore, his memories about the Rock N' Roll Hall of Fame induction ceremony for Deep Purple and much more.
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#Glenn Hughes #HardRock #Burn #MelodicRock #RockNRoll #RodrigoAltaf #Interview #SonicPerspectives #DeepPurple #NewTour @glennhughes
Exploding out of The Netherlands and onto the global scene with their 1982's album Vandenberg, the Dutch phenomenon notched an international hit in the form of "Burning Heart." It paved the way for multiple releases, such as Heading for a Storm [1983], Alibi [1985], and Vandenberg [2020]. The band toured the United States, Europe, and Japan alongside Ozzy Osbourne, KISS, RUSH, Scorpions, Michael Schenker, and many others.
On "Sin", Adrian continues to deliver a Vandenberg album where every song is vibrant, melodic, and has an edgy bite. New vocalist Mat Levén's soulful vocals combined with Adrian's immediately recognizable guitar heroics prove unbeatable. Rounding off Vandenberg is Randy van der Elsen [bass] and Koen Herfst [drums].
Building on the success of their 2020 self-titled release, Adrian and the band are paving the way to recreate powerful classic rock while delivering some sonically blazing guitar solos. An undeniable chemistry is evident on "Sin" as these rockers are not taking their foot off the gas. From the first riff single off the album's "House on Fire" to the final sustained chord of the epic closer, "Out of the Shadows," fans will be hooked as Vandenberg are at a whole new level with their songwriting.
Correspondent Robert Cavuoto spoke to Adrian about the creation of "Sin", working with new vocalist Mats, why Ronnie Romero was not involved in this album, how he achieves his edgy guitar tone, and the just announced 2024 tour of America.
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#Vandenberg #HardRock #Sin #MelodicRock #RockNRoll #RobertCavuoto #Interview #SonicPerspectives #AdrianVandenberg #NewAlbum @mascotlabelgroup
Written as a sequel to Threshold's 2017 concept album Legends Of The Shires, The Fall Of The Shires delivers a dense, climactic sound somewhere between Rush, Steven Wilson, The Dark Side Of The Moon-era Pink Floyd, and hard rock masters Ghost, all the while providing the listener with clever little nods, bows, and references to the first installment.
Mastermind West elaborates, "At the end of Legends Of The Shires, the protagonist considers a number of possible futures – ‘maybe a painter, a guide, a clerk, a maker, or maybe a writer, a king, a star, a fighter.’ So the sequel tells the story of him becoming the king and the consequences of that choice where he decides that the only way to control the population is to suppress and control them, so the shires become a much darker place.”
Oblivion Protocol's lineup is completed with three renowned musicians: guitarist Ruud Jolie (Within Temptation), bassist Simon Andersson (Darkwater), and drummer Darby Todd (Devin Townsend). Additionally, Threshold's Karl Groom has contributed some truly enthralling guitar solos to the record.
Sonic Perspectives' Mark Boardman sat down to speak with Richard about that project, and about how it fits into the overall scheme of Threshold.
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▶ FOLLOW @ATOMIC FIRE
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OBLIVION PROTOCOL is:
Richard West - Vocals, keyboards
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Lineup changes, COVID, touring challenges, changes in the music landscape…nothing seems to stop Kataklysm, and their fan base has increased with every new release. August 11th brings yet another offering from the band, the highly anticipated “Goliath”. Released under the Nuclear Blast Label, it utilizes metaphors of war, mythological creatures, and revenge to discuss current affairs and personal issues such as censorship, government control, summoning your powers in the face of adversity, and many other subjects. The mixing is perfectly done, and the listener can appropriately enjoy every little detail and every instrument, which is heard loud and clear. A rare feat for a death metal band, and even more so when you realize you can properly hear all the lyrics.
Kataklysm’s front-man Maurizio Iacono is a busy man. In addition to being one of the creative forces of the band, he also puts out albums under two other monikers - Ex Deo and Invictus. He is also the owner of the record label Distortion Music Group and of the booking agency Continental Touring. With so many things going on in parallel, it’s impressive that he still finds time to do interviews…but he did spend some time with Sonic Perspectives collaborator Rodrigo Altaf. They discussed the approach on the new album, the touring plans, the inspiration to write lyrics, and much more.
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“Truth Killer” is the follow-up to the band's 2020 critically acclaimed release “Blood & Stone”, which saw the band gain newfound notoriety. “Truth Killer” showcases that the original and current lineup comprised of Lajon Witherspoon, Clint Lowery, John Connolly, Vince Hornsby, and Morgan Rose. They are a band that continues to push the boundaries of their sound, which they have made their own for more than 28 years. Producer and collaborator Michael "Elvis" Baskette also returns to produce this epic release. To date, the band has released three singles, "Everything," "Fence," and "Holy Water," each providing the flavor to fans of the power and emotion that can be found on the entire album.
SEVENDUST is synonymous with power, precision, and perseverance. Throughout their career, they have shaped, refined, and steadily broadened their style of metal. They continue to power ahead through the changing musical landscape; to deliver another supercharged album. Pre-orders are available in multiple configurations here: lnk.to/Sevendust-TruthKiller
The band will be on tour with Alter Bridge this Summer and then Static -X in the Fall. Tickets for the shows can be found here: sevendust.com/pages/tour
Correspondent Robert Cavuoto spoke to SEVENDUST front-man Lajon about the band's new album “Truth Killer”, which songs he feels is the heaviest track, his gift for lyric writing, why being in Sevendust has been a beautiful dream come true, why he kicks people out of the studio when recording vocals, and his determination to add the claymation figures used in the video of "Fence" to his mancave!
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#Sevendust #HardRock #TruthKiller #AltRock #RockNRoll #RobertCavuoto #Interview #SonicPerspectives #LajonWitherspoon #NewAlbum @napalmrecords
Their most recent full-length release, entitled “Malicious Intent”, showed quite a leap in songwriting and production, and opened many doors for the band. Recently, MALEVOLENCE was also part of a three-way split EP with Fit for an Autopsy and Thy Art Is Murder. Each band is represented by an original song and a cover.
In MALEVOLENCE’s case, they chose a rather unusual track, Anastasia’s pop hit "Left Outside Alone”. The EP was released on April 7th, and its cover shows the impressive work of Israeli illustrator Eliran Kantor, who also collaborated with MALEVOLENCE on “Malicious Intent”.
While the band’s metalcore sound may be more appeasing to a younger audience, there’s something in their body of work that will also please old school fans. Little by little, they are bridging the generational gap in the metal community, and their music, while aggressive, surely has its melodic moments. This is the type of band that very early on you can tell is going to be big in the blink of an eye.
While at the tail end of their North America tour, drummer Charlie Thorpe took some time to sit down with Rodrigo Altaf to discuss the current state of the band, their origins in Sheffield, and the plans for the future.
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#Malevolence #CharlieThorpe #Metal #Rock #ModerMetal #Metalcore #RodrigoAltaf #Interview #SonicPerspectives #MaliciousIntent @NuclearBlastRecords
Joe Deninzon has been hailed by critics as “The Jimi Hendrix of the Violin,” because of his innovative style on the “Viper” seven-string electric violin. Joe is the lead singer and violinist for the progressive rock band, Stratospheerius, which has just released their 6th album, “Behind the Curtain (Live at ProgStock).” He can be heard on over a hundred albums and jingles as a violinist and string arranger.
Deninzon has performed and/or recorded with the Who, Bruce Springsteen, 50 Cent, Sheryl Crow, Ritchie Blackmore, Alex Skolnick, Smokey Robinson, Les Paul, Peter Criss from KISS, Michael Sadler, Renaissance with Annie Haslam, Kurt Elling, and as a soloist with Jazz at Lincoln Center and the New York City Ballet.
A BMI Composer’s Grant recipient and winner of the John Lennon Songwriting Contest, he has written solo works for violinist Rachel Barton Pine, and in 2015, premiered his Electric Violin Concerto with the Muncie Symphony Orchestra. Joe holds a Bachelors degree in Violin Performance from Indiana University and a Masters in Jazz Violin From Manhattan School of music.
KANSAS original member and drummer Phil Ehart commented about Joe joining the band: “We are extremely excited for Joe Deninzon to be the newest member of KANSAS. We believe KANSAS fans will enjoy what Joe will bring to the band. We are excited to kick off the KANSAS 50th Anniversary Tour. As the paragraph in the band’s first album said, ‘KANSAS IS A BAND’ and we remain so to this day.”
Joe Deninzon’s first performance with the band was in Pittsburgh, PA last June 2 at the Benedum Center during the premier date of the "KANSAS 50th Anniversary Tour – Another Fork in the Road."
Needless to say, life has been good - and busy - for Joe Deninzon of late. But he’s found some time to talk with Mark Boardman of Sonic Perspectives.
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#Kansas #ProgRock #ProgressiveRock #JoeDeninzon #Stratospheerius #MarkBoardman #Interview #SonicPerspectives
As though a new EP wasn’t exciting enough, “Fascination Street Sessions” was the sonic result of an even greater endeavor: the URM Academy production course titled “How It's Done.” The original track “The Observer” was written particularly for the course, with every element of the song crafted to optimize the educational experience. The course and EP that resulted were the product of almost two weeks of 16-hour days in the eponymous Fascination Street Studio.
“How It’s Done” is the brainchild of producer Jens Bogren. Bogren, known for his work with bands like Opeth, Dimmu Borgir, Soilwork, Amon Amarth, and many more, has long been considered the master of his craft. As for “How It’s Done,” the course offers more than 35 hours of in-depth video content on recording, mixing, mastering, and much more. It is already being heralded as the most comprehensive course of its kind. Buyers of the course will become students as Bogren walks through each step of his process, from preparing the equipment, through recording, to the final master. There has never been a greater wealth of information in one place, and never with such talented experts as the instructors.
Why Jens Bogren Matters: Jens is considered to be one of the greatest metal producers/mixers of all time. He specializes in hyper layered, ultra elite, typically European bands. He became known for Opeth’s "Ghost Reveries" which received critical acclaim around the globe. He's also the owner of Bogren Digital which is a new, but really cool and innovative audio software company. His studio, Fascination Street Studios is as legendary in the metal community as Morrisound Recording was in the 1990's.
What's Cool About It: This course is it's literally EVERY step of what Jens does, explained in full detail and in real time during the actual production of Ihsahn's music. This was not put together after the EP was completed. This song was written for this purpose and Ihsahn is very involved in the entire process. There's never been a recording course that goes into this kind of detail with this level of artist.
Between Ihsahn and Bogren, metal’s finest have come together for an educational opportunity like no other. “How It's Done” is available now and for a limited time (sales close July 12). The course is priced at $399 and can be purchased here: offers.nailthemix.com/jens-course-order
Sonic Perspectives contributor Samantha Buckman spoke with Ihsahn about the creation of “How It’s Done.” The two discussed the special features the course offers, what it was like to work with Bogren on such a comprehensive project, and what awaits Ihsahn in the future.
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#Ihsahn #JensBogren #HowItsDone #Course #Metal #URMAcademy #SamanthaBuckman #Interview #SonicPerspectives


