![Idol - Oshi no Ko OP [Piano] / YOASOBI @Animenzzz](https://i.ytimg.com/vi/lzSfnMp_DTs/maxresdefault.jpg)
Uploaded May 2023 | Updated September 2026, 2 weeks ago
It's been a while, everyone! I arranged one of the most interesting anime songs of this season, “Idol” by YOASOBI. The first episode of “Oshi no Ko” was absolutely legendary and it's probably one of the best story introductions I have ever seen.
The OP “Idol” pairs up with the anime very well, since the lyrics retells Ai Hoshino’s rise to stardom and her sufferings perfectly. I tried my best to capture the atmosphere on the piano as well.
① "HAI! HAI! HAI! HAI!" 🧨🎆🧨🎆
I absolutely love the background shouts of the original song, which is an essential element in any idol concerts. You can hear it in my arrangement as a secondary melody in 0:49, 1:09 and 3:03. In fact, after listening to "Idol" many times, I can't help but shout the "HAI! HAI! HAI! HAI!" as well - it's simply too addicting.
② Rap 1: The jealousy of the other members (fast “Beethoven” runs)
I tried to use some classical piano techniques to make the rap sound a little bit more melodious on the piano. It was important for me to represent the dark emotions of the song lyrics as much as possible with my classical style arrangement.
The alternating minor scale in 1:19 is inspired by a Beethoven Sonata, but it also perfectly mirrors the rapping rhythm of the original song. The chord progression has also been modified in 1:26 (Am-C-F-E) to add a little bit more spice to the music.
Since the rapping is getting more intense in the second half, I switched to fast arpeggio runs in 1:31. I really like the chord progression (Am-G#-G-F#) of the first verse in 0:32 and that's why I decided to reuse it here again.
③ Rap 2: Ai’s strong will and resolution (slow “Bolero” drums)
For the final rapping part in 2:05, I wanted to emphasize the drums beats of the original song and didn't include any main melody this time. I think it builds up the suspense very nicely and it serves a good musical contrast with the chorus. I also slightly extended the phrase in 2:28 as well to give the bridge a more classical style closure.
⚠ [↓Spoiler alert for episode 1↓]
③ Ai’s first and last “I love you”
I feel like 3:14 is the true message of the song and that’s why I played the last part very carefully. Especially the final words “Aishiteru” 3:18 is played with a bit of portato articulation, as if Ai’s words are slowly fading. It was really touching to see how Ai has finally conveyed her true love to her children in her very last moment. Excuse me while I grab some tissues again… 😭
⚠ [↑Spoiler alert for episode 1↑]
Alright, that would be everything about this piano arrangement! Thank you so much for reading! It was really fun to translate the rap parts into the piano. I can’t wait to see how the story of “Oshi no Ko” develops after the legendary first episode!
With that said, I am already planning my next upload for this month as well!
See you next time then.
Animenz
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Sheet music download link:
https://mymusic.st/animenzzz/107909
------*------*------*------*------*------*------*------*------*------*
Twitter:
twitter.com/Animenzzz
Instagram:
instagram.com/animenz_official
------*------*------*------*------*------*------*------*------*------*
Original Song: Idol
Anime: Oshi no Ko
Published by: YOASOBI (2023)
Composed by: YOASOBI (Ayase)
Performed by: YOASOBI (Ikura)
Piano arrangement by Animenz
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Official Website:
animenzpiano.com
Animenz Sheet Music Book
animenz-shop.com
Digital Sheet Music:
mymusicsheet.com/animenzzz
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#oshinoko #idol #piano #yoasobi
It's been a while, everyone! I arranged one of the most interesting anime songs of this season, “Idol” by YOASOBI. The first episode of “Oshi no Ko” was absolutely legendary and it's probably one of the best story introductions I have ever seen.
The OP “Idol” pairs up with the anime very well, since the lyrics retells Ai Hoshino’s rise to stardom and her sufferings perfectly. I tried my best to capture the atmosphere on the piano as well.
① "HAI! HAI! HAI! HAI!" 🧨🎆🧨🎆
I absolutely love the background shouts of the original song, which is an essential element in any idol concerts. You can hear it in my arrangement as a secondary melody in 0:49, 1:09 and 3:03. In fact, after listening to "Idol" many times, I can't help but shout the "HAI! HAI! HAI! HAI!" as well - it's simply too addicting.
② Rap 1: The jealousy of the other members (fast “Beethoven” runs)
I tried to use some classical piano techniques to make the rap sound a little bit more melodious on the piano. It was important for me to represent the dark emotions of the song lyrics as much as possible with my classical style arrangement.
The alternating minor scale in 1:19 is inspired by a Beethoven Sonata, but it also perfectly mirrors the rapping rhythm of the original song. The chord progression has also been modified in 1:26 (Am-C-F-E) to add a little bit more spice to the music.
Since the rapping is getting more intense in the second half, I switched to fast arpeggio runs in 1:31. I really like the chord progression (Am-G#-G-F#) of the first verse in 0:32 and that's why I decided to reuse it here again.
③ Rap 2: Ai’s strong will and resolution (slow “Bolero” drums)
For the final rapping part in 2:05, I wanted to emphasize the drums beats of the original song and didn't include any main melody this time. I think it builds up the suspense very nicely and it serves a good musical contrast with the chorus. I also slightly extended the phrase in 2:28 as well to give the bridge a more classical style closure.
⚠ [↓Spoiler alert for episode 1↓]
③ Ai’s first and last “I love you”
I feel like 3:14 is the true message of the song and that’s why I played the last part very carefully. Especially the final words “Aishiteru” 3:18 is played with a bit of portato articulation, as if Ai’s words are slowly fading. It was really touching to see how Ai has finally conveyed her true love to her children in her very last moment. Excuse me while I grab some tissues again… 😭
⚠ [↑Spoiler alert for episode 1↑]
Alright, that would be everything about this piano arrangement! Thank you so much for reading! It was really fun to translate the rap parts into the piano. I can’t wait to see how the story of “Oshi no Ko” develops after the legendary first episode!
With that said, I am already planning my next upload for this month as well!
See you next time then.
Animenz
------*------*------*------*------*------*------*------*------*------*
Sheet music download link:
https://mymusic.st/animenzzz/107909
------*------*------*------*------*------*------*------*------*------*
Twitter:
twitter.com/Animenzzz
Instagram:
instagram.com/animenz_official
------*------*------*------*------*------*------*------*------*------*
Original Song: Idol
Anime: Oshi no Ko
Published by: YOASOBI (2023)
Composed by: YOASOBI (Ayase)
Performed by: YOASOBI (Ikura)
Piano arrangement by Animenz
------*------*------*------*------*------*------*------*------*------*
Official Website:
animenzpiano.com
Animenz Sheet Music Book
animenz-shop.com
Digital Sheet Music:
mymusicsheet.com/animenzzz
-----*------*------*------*------*------*------*------*------*------*
#oshinoko #idol #piano #yoasobi
![Idol - Oshi no Ko OP [Piano] / YOASOBI](https://i.ytimg.com/vi/lzSfnMp_DTs/mqdefault.jpg "Idol - Oshi no Ko OP [Piano] / YOASOBI
Its been a while, everyone! I arranged one of the most interesting anime songs of this season, “Idol” by YOASOBI. The first episode of “Oshi no Ko” was absolutely legendary and its probably one of the best story introductions I have ever seen.
The OP “Idol” pairs up with the anime very well, since the lyrics retells Ai Hoshino’s rise to stardom and her sufferings perfectly. I tried my best to capture the atmosphere on the piano as well.
① HAI! HAI! HAI! HAI! 🧨🎆🧨🎆
I absolutely love the background shouts of the original song, which is an essential element in any idol concerts. You can hear it in my arrangement as a secondary melody in 0:49, 1:09 and 3:03. In fact, after listening to Idol many times, I cant help but shout the HAI! HAI! HAI! HAI! as well - its simply too addicting.
② Rap 1: The jealousy of the other members (fast “Beethoven” runs)
I tried to use some classical piano techniques to make the rap sound a little bit more melodious on the piano. It was important for me to represent the dark emotions of the song lyrics as much as possible with my classical style arrangement.
The alternating minor scale in 1:19 is inspired by a Beethoven Sonata, but it also perfectly mirrors the rapping rhythm of the original song. The chord progression has also been modified in 1:26 (Am-C-F-E) to add a little bit more spice to the music.
Since the rapping is getting more intense in the second half, I switched to fast arpeggio runs in 1:31. I really like the chord progression (Am-G#-G-F#) of the first verse in 0:32 and thats why I decided to reuse it here again.
③ Rap 2: Ai’s strong will and resolution (slow “Bolero” drums)
For the final rapping part in 2:05, I wanted to emphasize the drums beats of the original song and didnt include any main melody this time. I think it builds up the suspense very nicely and it serves a good musical contrast with the chorus. I also slightly extended the phrase in 2:28 as well to give the bridge a more classical style closure.
⚠ [↓Spoiler alert for episode 1↓]
③ Ai’s first and last “I love you”
I feel like 3:14 is the true message of the song and that’s why I played the last part very carefully. Especially the final words “Aishiteru” 3:18 is played with a bit of portato articulation, as if Ai’s words are slowly fading. It was really touching to see how Ai has finally conveyed her true love to her children in her very last moment. Excuse me while I grab some tissues again… 😭
⚠ [↑Spoiler alert for episode 1↑]
Alright, that would be everything about this piano arrangement! Thank you so much for reading! It was really fun to translate the rap parts into the piano. I can’t wait to see how the story of “Oshi no Ko” develops after the legendary first episode!
With that said, I am already planning my next upload for this month as well!
See you next time then.
Animenz
* * * * * * * * * *
Sheet music download link:
https://mymusic.st/animenzzz/107909
* * * * * * * * * *
Twitter:
https://twitter.com/Animenzzz
Instagram:
https://www.instagram.com/animenz_official/
* * * * * * * * * *
Original Song: Idol
Anime: Oshi no Ko
Published by: YOASOBI (2023)
Composed by: YOASOBI (Ayase)
Performed by: YOASOBI (Ikura)
Piano arrangement by Animenz
* * * * * * * * * *
Official Website:
https://www.animenzpiano.com/
Animenz Sheet Music Book
https://animenz-shop.com/
Digital Sheet Music:
https://www.mymusicsheet.com/animenzzz/
* * * * * * * * * *
#oshinoko #idol #piano #yoasobi")
![One Last Kiss - Evangelion: 3.0 + 1.0 Theme Song [Piano] / Hikaru Utada](https://i.ytimg.com/vi/m4DF7mAgMoI/mqdefault.jpg "One Last Kiss - Evangelion: 3.0 + 1.0 Theme Song [Piano] / Hikaru Utada
Sheet music → https://mymusic.st/animenzzz/46382
After waiting almost 9 years for the continuation of Evangelion: 3.0 You Can (Not) Redo, the fourth and final movie has finally been released in Japanese Cinemas! I went to see the movie a few days ago and it brought satisfying conclusion to the Evangelion Saga. I hope it gets an international release very soon, so Eva fans all over the world can watch it too!
But before I talk about the movie any further, let’s have a look at this week’s piano arrangement of 「One Last Kiss」. It is hard to believe, but this song actually consists of only two harmonic progression patterns, which is repeating itself over and over again. If I had to use one word to describe the mood of this song, it would be Echoes.
「One Last Kiss」 also sounds like trance music in my opinion because of all the synthesizers looping in the background. It was quite interesting to mimic the Trance-atmosphere on the piano by used repetition patterns. Its most noticeable during the buildup in 2:22 and in 3:09.
I also had to arrange the voicing on the piano very carefully in order to distinguish the multiple layers of music, because it can be easily drown the music if I add too many notes. Especially the many cross rhythms was quite difficult to play, because you have to be very precise or else the rhythms will fall easily apart. 1:41 for example was really difficult to play, because of the two overlapping rhythms in both hands.
To be honest, I still like the previous song from Hikaru Utada more -「Sakura Nagashi」 from Evangelion: 3.0 You Can (Not) Redo - but 「One Last Kiss」 definitely grew on me as well with each repeat. I think this piece is very suitable if you drive a car for a longer period and you need some music to vibe (笑)
Alright, that would be everything for this week! Next week is going to be another Anime Movie song, see you then!
Animenz
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📣My Social Media
Follow me on Twitter!
https://twitter.com/Animenzzz
I am using Instagram as well!
https://www.instagram.com/animenz_official
My Facebook page:
http://www.facebook.com/Animenz
* * * * * * * * * *
🎹Piano arrangement by Animenz
Original Song: One Last Kiss
Anime: Evangelion: 3.0+1.0 Thrice Upon a Time / シン・エヴァンゲリオン劇場版𝄇
Published by: Sony Music Labels Inc. (2021)
Composed by: Hikaru Utada
Performed by: Hikaru Utada
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🎧Equipment
Piano: Nord Grand 88-key Stage Keyboard (Modified blue version)
Camera: Panasonic LUMIX GH5S
The Moon lamp on the piano:
https://amzn.to/3a1uIDX
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#evangelion #onelastkiss #themesong #eva #劇場版 #エヴァンゲリオン #piano #cover")
![Pokémon Theme - Gotta catch em all! + Pokémon Red and Blue medley [Piano]](https://i.ytimg.com/vi/nIyFliZUxG8/mqdefault.jpg "Pokémon Theme - Gotta catch em all! + Pokémon Red and Blue medley [Piano]
Sheet music → https://mymusic.st/animenzzz/74163
The first Pokemon OP Gotta catch em all! is probably one of the most well-known anime songs in the English speaking community and I am pretty sure, many people will recall their childhood memories upon hearing this legendary opening theme.
The piano arrangement for Gotta catch em all! was actually made a long time ago (around 2012), but I never had the chance to record a video of it until today. Since the original arrangement was only the TV-size, the duration of this piece is only around 1 minute. Thats the reason why I decided to include an improvised medley as well.
I was a big fan of the first generation of the Pokémon games (you can probably guess my age by this information, haha) and I can still remember all the hours I have spent on this game with my old Gameboy. This game essentially defined my entire childhood and thats the reason why I can still remember so vividly the game soundtrack - even after all these years. I still remember how to perform the missingno. glitch to multiply my items and how much of a bitch the rival trainer was - always showing up in the most inconvenient moments ever.
Most of the pieces in this soundtrack medley are improvised on the spot, and I was experimenting with some transitions between every piece. I deliberately kept the arrangement style simple to reflect the minimalistic style of music in the first Pokémon games.
I started with the theme of Pallet Town in 1:09, because thats where every Pokémon journey begins. I added more and more songs in the medley until it reached a length of almost 11 minutes.
Some of the tracks in the medley may not be exactly true to the original, because I improvised them entirely from my memory. Its been 15 years since I last played the first Pokémon games after all.
Anyway, this is my Pokémon special video and I hope you enjoyed it as much as I did! Improvising the medley was a unique experiment for me as well and I had a very nice nostalgia trip while recording. See you next time again!
Animenz
PS: What are your favorite pokemon from Blue/Red? Post it in the comments!
Mine is Dragonair (not Dragonite) btw, because I really like how elegant and beautiful it looks. Not the most popular choice, I know...
* * * * * * * * * *
📣My Social Media
Follow me on Twitter!
https://twitter.com/Animenzzz
I am using Instagram as well!
https://www.instagram.com/animenz_official/
My Facebook page:
http://www.facebook.com/Animenz
* * * * * * * * * *
🎹Piano arrangement by Animenz
Original Song: Gotta Catch em all! (Main Theme)
Anime: Pokémon (Season 1, 1997)
Published by: KOCH Records
Composed by: john Loeffler
Performed by: Jason Paige
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Pokémon Blue / Red / Yellow
Original composer: Junichi Masuda
Songs used in the Pokémon medley:
0:00 Gotta catch em all!
1:10 Pallet Town
2:08 Route 1 (The Road to Viridian City from Pallet town)
2:51 Pokémon Center
3:58 Route 4 (The Road to Cerulean city from Mt. Moon)
4:53 Lavender Town
6:03 Bicycle theme
7:04 Surfing theme
8:09 S.S. Anne
9:11 Victory Road
9:39 Pokémon Gym
10:51 Pallet Town
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#pokemon #gottacatchemall #redblue")
![Blessing - Kamisama no Inai Nichiyoubi OST [Piano]](https://i.ytimg.com/vi/nQApafNgOjU/mqdefault.jpg "Blessing - Kamisama no Inai Nichiyoubi OST [Piano]
I recently caught up Kamisama no Inai Nichiyoubi (gorgeous animation btw) and I was fascinated by this particular soundtrack, which has been played very often in the anime. This piece hasnt a title yet, since the Soundtrack has not been released, but I still decided to make a piano cover, since I like the anime a lot. Ill rename the transcription when the OST is out.
This is literally a last minute transcription, since I am departing to singapore the next day for the attack on piano performance, together with Tehishter (I am so hyped now)
Oh, in case youre wondering, I am recording at my parents home, this is my old upright yamaha piano (I missed it a lot ;_;).
I completely forgot this yamaha has a silent system, therefore, its also possible to record it digitally (I didnt bring along my tripod and mics anyway)
Alright, this would be the final upload for the summer anime season 2013, and Ill see you again in fall season 2013!
Btw, the chances are high Ill upload some Vlogs during my time in singapore...
Last but not least, this piano transcription is dedicated to Ai, the gravekeeper.
People who have watched episode 3 know, what I am talking about ; ;
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My facebook page:
http://www.facebook.com/Animenz
Follow me on twitter!
https://twitter.com/Animenzzz
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Piano arrangement by Animenz
Original Song: Blessing
Anime: Kamisama no Inai Nichiyoubi (sunday without god)
Published by: Starchild Records 2013
Composed by: Hiromi Mizutani")
![With Your Drill, Pierce The Heavens!! - Gurren Lagann OST [Piano]](https://i.ytimg.com/vi/oC1lCNl_cmM/mqdefault.jpg "With Your Drill, Pierce The Heavens!! - Gurren Lagann OST [Piano]
Sheet music → https://mymusic.st/animenzzz/74161
Everyone, thank you for your support!!!
Without your help, I wouldnt have recovered so fast from my depression last week!
On Friday, the 10th January, Ive made the greatest mistake in my life. I thought I lost everything and I would never recover from this loss again. I truly reached the lowest point in my life and I just wanted to give up, quit music forever.
But thanks to the enormous support of my friends, my friends on the internet, the group of anime pianist, and various other people, I was able to overcome my crisis. I decided to start all over again because its too early to give up.
Therefore, thank you so much for your encouraging comments you left behind! I read all of them, and with every comment, my confidence has grown stronger and stronger.
I am truly thankful for having such a great community on YouTube!
To express my gratitude towards my fans, I can proudly announce that I finally began to work on my FIRST ANIME PIANO ALBUM, and its going to be called Anime piano legends - Volume 1!
Further details about the album are enclosed yet, but I can assure you, its going to be the best project Ive ever made!
A few words to about this arrangement: This is one of my favorite soundtracks from Tengen Toppa Gurren Lagann, one of my most favorite anime of all time. It is full of energy, POWER and manly dreams. Its the perfect piece if you wanted to be motivated again.
Also, to end the transcription with some extravaganza, I quoted a very famous piano passage at the end of this piece in 2:21. Do you recognize this classical piano concerto? With that said, I will start to arrange more anime songs for the winter season 2014! And the Kill la Kill OST Dont lose your way/Before my body is dry will be my next project.
This transcription is also dedicated to TheIshter, because his recent Kuroko no Basuke transcription encouraged me to arrange a new piece again. Thank you everyone for believing in me!
Animenz
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My facebook page:
http://www.facebook.com/Animenz
Follow me on twitter!
https://twitter.com/Animenzzz
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Piano arrangement by Animenz
Original Song: Pierce the heavens with your drill!! (Omae no XXX de Ten wo Tsuke!!)
Anime: Tengen Toppa Gurren Lagann
Published by: Aniplex
Composed by: Iwasaki Taku
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#GurrenLagann #PiercetheHeavenswithYourDrill #Piano")
![Faraway - Little Busters! OST - [Piano]](https://i.ytimg.com/vi/oo-8qAnkFbo/mqdefault.jpg "Faraway - Little Busters! OST - [Piano]
This piano improvisation is dedicated to a very special person of me: D.H.
He was one of the oldest friends I had. I think I got to know him when I was still in Kindergarten, and later, we both visited the same school.
We used to play nintendo together in my home and we had many similar interests, like pokemon or playing the sims. I have many fond memories of him.
He could live a normal live like any other pupil but when he was 15, he was diagnosed with Leukemia. His life turned upside down ever since then: he had to take a long break in the school and he had undergone dozens of painful chemotherapies
The last time I saw him was 2 years ago, in the class reunion party. He appeared very weak, his hand was shaking the whole time and he lost all his hair. But still, he still remained the old fun-loving guy, who never lost his humour. He never lamented once he was unfortunate and he never gave you the feeling he was disadvantaged. It was always fun talking with him, because he was a really honest person, who cared deeply about other people.
And he said something to me that made me really happy: I am glad, that you became a musician after all. He know that I loved the piano and he always believed in me, that I would succeed one day as a great musician. I even promised him to invite him to a concert of mine in the future.
But in the end, he lost the battle against his Leukemia. Yesterday, I found out on facebook, that he has passed away with 22 years.
Therefore I want to dedicate this piano improvisation to him. Faraway is an absolutely incredible and emotional piece by Jun Maeda and I think, this is a very fitting song to give D.H. a decend send-off.
Rest in piece my old friend.
One day we will meet again.
Thank you for reading this wall of text, because D.H. meant a lot to me and he always inspired me with his enjoyment of life, despite his illness.
Animenz
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His youtube channel:
https://www.youtube.com/channel/UCh7KZHzrfeAk-Wk9h0QC4hA
My facebook page:
http://www.facebook.com/Animenz
Follow me on twitter!
https://twitter.com/Animenzzz
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Piano improvisation by Animenz
Original Song: Faraway / Haruka Kanata
Anime: Little Busters!
Published by: Key Sounds Label
Composed by: Jun Maeda
Performed by: Rita
#LittleBusters #Faraway #JunMaeda #Piano")
![The Everlasting Guilty Crown - Guilty Crown OP2 [Piano]](https://i.ytimg.com/vi/ozDObIWJ4NA/mqdefault.jpg "The Everlasting Guilty Crown - Guilty Crown OP2 [Piano]
Sheet music → https://mymusic.st/animenzzz/41485
In a way, The Everlasting Guilty Crown symbolizes the end of a long journey because it’s going to be my last piano arrangement for the Guilty Crown Anime series. I personally regard my Guilty Crown piano arrangements as my favorite works, because they are all written in the so called “special-type” arrangement style - piano pieces with a highly individual character.
It’s not surprising that most of these songs are composed by ryo (supercell) because I really admire his ability to compose these brilliant melody lines, which is always touching the deepest part of my soul. Arranging The Everlasting Guilty Crown was probably one of the biggest challenges I was facing this year because I wanted to surpass my former self again and take the meaning of “Anime piano arrangement” to the next level.
One of the most distinct characteristic of the original song is the piano ostinato (a rhythmic pattern, that is repeating the whole time in the background), which is being introduced in the beginning of the song. For this arrangement, the piano ostinato is only vaguely hinted in the left hand at 00:28 and it also appears in the right hand in 00:59. It only starts to develop during the intermission in 01:43 until it finally reaches its full bloom in the second verse in 02:08. This is the moment where The Everlasting Guilty Crown is really starting.
From this point on, I was trying my best to carry the spirit of the original song through the second half of this piano arrangement. But the turning point of the entire piece is the calm before the storm in 04:38. In this short moment, I was reflecting all the past arrangements I have created, all the struggles I had to go through in order to continue and my constant obsession with perfectionism. So I utilized everything I could think of to make the final chorus count, be it three hand technique, fast right hand runs, or multiple voicing.
The original piece has an unexpected “open end” in E-major chord and the unfinished chord progression is yearning for a musical conclusion. I wanted to give this arrangement a grandiose orchestral finale and as a result I used a B major key for the first time. The piano ostinato is being played again in fortissimo and the piece ends with four B major chords to give the final chapter of Guilty Crown a fitting ending.
Well then. Thank you for reading my story behind the creation of this arrangement. The Guilty Crown piano pieces I have arranged so far have influenced my arranging career like none other and with each of them, I was discovering a new path and it has helped me to develop my arrangement style substantially.
Euterpe (2011) was my first big experiment with an improvised music structure and creating an individual finale.
https://youtu.be/_8UZMD3A2rs
Bios (2012) was my first project to utilize the full sound potential of the piano with a powerful Rock-style piano arrangement.
https://youtu.be/DcjUOdeq6G8
My Dearest (2013) was a summary of all my classical music knowledge and my most ambitious fusion between the world of classic and pop.
https://youtu.be/Pi8xsZXibIc
Departures (2017) was my first arrangement with jazz elements and it was written in the “orchestral” arrangement style.
https://youtu.be/5hft807EJ6o
The remake of My Dearest (2020) is a continuation of my old (2013) arrangement and showcases a further refined “orchestral” style with a more nuanced melody phrasing.
https://youtu.be/lAXJPop9LaY
And now The Everlasting Guilty Crown. A “story telling” - focused arrangement, with everything I have learned so far as an piano arranger.
These 5 pieces represents my YouTube history the best and for some reason, I can’t help but feel nostalgic. 10 years on YouTube, it’s really been a long time.
To all the people who have been following me on YouTube during these years:
Thank you for your continuous support. I am really glad that the Anime piano community is steadily growing on YouTube. The new generation of Anime pianists is being more active than ever and I am really happy that the term “Anime piano” has been acknowledged by many people in the world already.
Thank you for these 10 years,
for giving me encouraging comments,
for contributing to the Anime piano community and most importantly,
for listening to my piano playing.
Animenz
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Follow me on Twitter!
https://twitter.com/Animenzzz
Follow me on Facebook!
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I am using Instagram as well!
https://www.instagram.com/animenz_official/
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Piano arrangement by Animenz
Original Song: The Everlasting Guilty Crown
Anime: Guilty Crown / ギルティクラウン
Published by: Aniplex (2012)
Composed by: ryo
Performed by: chelly (EGOIST)
#TheEverlastingGuiltyCrown #GuiltyCrown #Piano #Animenz")
![SPECIALZ - Jujutsu Kaisen S2 OP2 [Piano] /King Gnu](https://i.ytimg.com/vi/ptnAeX39DFI/mqdefault.jpg "SPECIALZ - Jujutsu Kaisen S2 OP2 [Piano] /King Gnu
U R MY SPECIAL.
This is my piano arrangement of SPECIALZ by King Gnu, the 2nd OP of Jujutsu Kaisen Season 2. It’s not an exaggeration to say that the Shibuya Incident Arc was really peak anime in 2023 – and I absolutely enjoyed the crazy ride.
SPECIALZ is a very dark piece and the aggressive hammering beat is essentially creating an atmosphere of a “death march” for all the characters in Jujutsu Kaisen. I tried my best to translate the “hammering” of the original song as good as possible on the piano, but I also added a few additional melody layers in 0:35, 1:56 and 2:28 to contrast the peaceful side of the music.
① Iguchi-san vs Tsuneta-san (the two vocalists of King Gnu)
I decided to use different voice ranges for the main melody because each range has a different voice characteristic. The voice of Iguchi-san has been assigned to the higher range (0:50) while Tsuneta-san is covering the lower range (0:54). I kept the voice splitting fairly consistent for both the verse and the chorus to create a duet between these voices on the piano. It’s also more interesting to play too.
② Cursed by a Hammer
If you have watched the Music Video of SPECIALZ you’d probably notice many scenes featuring people doing a hammering motion in a monotone rhythm. I tried to do the same for the piano and the constant left hand jumping in the verse (0:19) and in the chorus (0:50) is basically mirroring the hammering beats of the music. There are also a few times, where I have to use unusual hand splitting to continue the hammering beats such as in 2:36.
③ The mystery bass
When arranging this piece, I was not sure if the chord progression in 1:48 is D7–A7–D7 or D7-F#m-E . But I decided to keep the A7 chord for this arrangement after all because it’s more similar to the chord progressions in classical music.
I also did a “Shibuya Crossing” (aka Hand Crossing) on the piano in 0:35 and 2:36. And after the Shibuya incident, not only Shibuya but whole Tokyo is in a great danger now. I really hope that MAPPA will start producing Season 3 soon!
Alright, that would be everything!
Thank you so much for your support in the year 2023! All of you are very special(z) to me.
And thanks to the active anime piano community, I will continue doing my best!
Please look forward to the new projects I will be working on in the year 2024.
See you again in my next video!
WE R SPECIAL.
Animenz
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Sheet music download link:
https://mymusic.st/animenzzz/141409
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Original Song: SPECIALZ
Anime: Jujutsu Kaisen Season 2
Published by: Sony Music LAbels Inc. (2023)
Composed by: Daiki Tsuneta
Performed by: King Gnu
Piano arrangement by Animenz
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Twitter:
https://twitter.com/Animenzzz
Instagram:
https://www.instagram.com/animenz_official/
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Official Website:
https://www.animenzpiano.com/
Animenz Sheet Music Book
https://animenz-shop.com/
Digital Sheet Music:
https://www.mymusicsheet.com/animenzzz/
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#jjk #jujutsukaisen #kinggnu #specialz")
![Miiro - Kantai Collection OP [Piano]](https://i.ytimg.com/vi/pzmMPXgX0xM/mqdefault.jpg "Miiro - Kantai Collection OP [Piano]
Sheet music → https://mymusic.st/animenzzz/65508
Here is my piano arrangement of Miiro, the energetic opening song of Kantai Collection I used to like the ED song Fubuki more, but recently I cant stop looping Miiro whenever I am playing the Kancolle browser game.
The song is just so powerful and AKINOs passionate voice is simply amazing. Thats why this piano cover is designed rather straight-forward, very true to the original song with a very powerful left hand bass. This arrangement is basically 100% raw power and piano guitar-riffs.
*sighs* I think am wasting way too much time on the Kancolle Browser game and theres no end in sight. Every day the same procedure, leveling up your shipgirls, farming more repair buckets. I love and hate the game at the same time.
Anyway, this makes the third Kancolle upload in a row, so you have a rough imagination how much Kancolle has influenced me recently. I also cant stop buying Kancolle figures and any kind of Kancolle merchandise, the rabbit hole goes very very deep now...
On the other hand, the spring anime season 2015 is really good, I am following more than 10 shows currently and they all have huge potential. My favorite series is currently OregaIru Season 2. Ill upload again, as soon as the full OP/ED singles has been released!
Until then~
Animenz
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My facebook page:
http://www.facebook.com/Animenz
Follow me on Twitter!
https://twitter.com/Animenzzz
I am using Instagram as well!
https://www.instagram.com/animenz_official/
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Piano arrangement by Animenz
Original Song: Miiro (海色)
Anime: Kantai Collection (艦隊これくしょん)
Published by: flying DOG
Composed by: WEST GROUND, Yuya Saito
Performed by: AKINO from bless4
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PS: the figure at the end was Rensouhou-chan, the turret of Shimakaze.
http://myfigurecollection.net/item/189153
#KantaiCollection #KanKore #Miiro #AKINO #Piano")
![Uchiage Hanabi - Fireworks (2017) [Piano] / DAOKO X Kenshi Yonezu](https://i.ytimg.com/vi/qGT8gGUMbS8/mqdefault.jpg "Uchiage Hanabi - Fireworks (2017) [Piano] / DAOKO X Kenshi Yonezu
Sheet music → https://mymusic.st/animenzzz/43818
Fireworks (2017) is one of those Anime Movies, where you can only remember the brilliant Theme Song「Uchiage Hanabi」 while the story was completely forgotten already. Actually, once you have seen the official Music Video from DAOKO X Yonezu Kenshi, you have pretty much seen the entire movie.
Nevertheless, 「Uchiage Hanabi」 is simply a completely amazing song because even after 4 years, I still think it sounds fresh and original. Is it the rhythmic energy in the chorus? Or is it the piano melody in the intro? Or maybe the final chorus with the la-la-la chant at the end? Either way, I lost count how many times I have listened to「Uchiage Hanabi」and it is truly the embodiment of a perfect summer song.
My main goal for this piano arrangement was to preserve the rhythmic energy of the original song and that’s why I used so many staccato and syncopations in the left hand: in the first verse 0:42, in the second verse 1:51 and also in all three chorus sections. I paid special attention to careful pedaling this time to accentuate the rhythms as much as possible.
The most difficult part of this entire arrangement is by far the bridge part in 2:37, because you have to balance all the voices to avoid a messy sound and the right hand has to jump very quickly to play these bass notes on the first beat. This is actually a great example, where you can the “three-hand technique” in all its glory. Did you also know that the term “three-hand technique” has even its own Wikipedia article? (Just look it up!)
I even used the “three-hand technique” in the final chorus in 3:27 and the colorful ornaments in the right hand is representing the beautiful glittering from the launched fireworks (while the left hand is playing the main melody). And as a grand finale, I also included a “children choir” part in 4:06 to make the la-la-la chant even more “summer-like.”
Last but not least, I tried to create an extended echo effect in 4:25 by holding down the final Gb note with the pinky finger in the right hand. If you listen carefully, you can still hear the Gb note faintly in the background while the piano melody is playing. Who needs a synthesizer if you can do even reverb effects with your fingers only (笑)
Alright, thank you for reading this week’s “Animenz Explains” column! I am almost done with arranging all the Anime Movie Music and I hope you enjoyed this week’s eternal summer song – 「Uchiage Hanabi」from DAOKO X Yonezu Kenshi!
I hope I can see you next week again!
Animenz
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📣My Social Media
Follow me on Twitter!
https://twitter.com/Animenzzz
I am using Instagram as well!
https://www.instagram.com/animenz_official/
My Facebook page:
http://www.facebook.com/Animenz
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🎹Piano arrangement by Animenz
Original Song: Uchiage Hanabi / 打上花火
Anime: Fireworks (2017) / 打ち上げ花火、下から見るか？横から見るか？
Published by: TOYS FACTORY (2017)
Composed by: Kenshi Yonezu / 米津 玄師
Performed by: Kenshi Yonezu feat. DAOKO / 米津玄師 × DAOKO
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🎧Equipment
Piano: Nord Grand 88-key Stage Keyboard (Modified blue version)
Camera: Panasonic LUMIX GH5S
The Moon lamp on the piano:
https://amzn.to/3a1uIDX
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![Guren no Yumiya...? but played completely differently [Piano]](https://i.ytimg.com/vi/qXYCGDh_F4k/mqdefault.jpg "Guren no Yumiya...? but played completely differently [Piano]
With all the tragedy we are facing in the world right now, I have decided to do something in order to make this world a better place. Therefore, starting today I will exclusively arrange all Anime songs in a Major key for the piano!
My channel will also be renamed to Animenz Happy Piano, because I want to make the world smile with only major key songs! No more minor key songs, because they are just too sad. Therefore, here is the first video for my Animenz Happy Piano project: Guren no Yumiya from Attack on Titan - but played in Major key!
Lets make this world a better place and only play Major key songs from now on!
Happy, lucky, smile, YAY!
See you next week!
Animenz
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My Facebook page:
http://www.facebook.com/Animenz
Follow me on Twitter!
https://twitter.com/Animenzzz
I am using Instagram as well!
https://www.instagram.com/animenz_official
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Piano arrangement by Animenz
Original Song: Guren no Yumiya / 紅蓮の弓矢
Anime: Attack on Titan / 進撃の巨人
Published by: Pony Canyon (2013)
Composed by: Revo (Linked Horizon)
Performed by: Revo (Linked Horizon)
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also, Happy April Fools! (´・ω・`)
#AttackonTitan #GurennoYumiya #AprilFools
#Piano #Major")
