Arrangement: M. Bulteau Mix: M. Bulteau & Miguel Jesus Original themes: Toby Fox
00:00 Queen theme A 00:25 Queen theme B 00:58 Fugue on Queen theme A 01:14 Queen theme A over the circle of fifths 01:31 Queen theme A (Pandora Palace variation) 01:50 Pandora Palace theme 02:08 Spider Dance and Queen theme A over the circle of 5ths 02:18 Queen theme A over the circle of 5ths 02:34 Fugal transition on Queen theme A 02:41 Pandora Palace theme 03:01 Queen theme B (Pandora Palace variation) 03:20 Queen theme A (Pandora Palace variation) 03:39 Pandora Palace theme 04:07 Support the artist
Arrangement: M. Bulteau Mix: M. Bulteau & Miguel Jesus Original themes: Toby Fox
00:00 Queen theme A 00:25 Queen theme B 00:58 Fugue on Queen theme A 01:14 Queen theme A over the circle of fifths 01:31 Queen theme A (Pandora Palace variation) 01:50 Pandora Palace theme 02:08 Spider Dance and Queen theme A over the circle of 5ths 02:18 Queen theme A over the circle of 5ths 02:34 Fugal transition on Queen theme A 02:41 Pandora Palace theme 03:01 Queen theme B (Pandora Palace variation) 03:20 Queen theme A (Pandora Palace variation) 03:39 Pandora Palace theme 04:07 Support the artistM. Bulteau radio ♫ Working on MajoraM. Bulteau2023-04-12 | Background music: my originals and arrangements Buy my music: albums.mbulteau.com Buy my scores: scores.mbulteau.com Join the discord: discord.gg/dfX7xyv More at mbulteau.com
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DM. Bulteau radio ♫ Working on MajoraM. Bulteau2023-04-11 | Background music: my originals and arrangements Buy my music: albums.mbulteau.com Buy my scores: scores.mbulteau.com Join the discord: discord.gg/dfX7xyv More at mbulteau.com
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DM. Bulteau radio ♫ Working on MajoraM. Bulteau2023-04-11 | Background music: my originals and arrangements Buy my music: albums.mbulteau.com Buy my scores: scores.mbulteau.com Join the discord: discord.gg/dfX7xyv More at mbulteau.com
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DA is for AndrosM. Bulteau2023-04-09 | Original character theme from 2015
mbulteau.com3 Melodies for the Ocarina of TimeM. Bulteau2023-04-08 | Back in 2021, I was watching @Shadycicada make their own Zelda 64 ocarina melodies. They were very pretty and stylistically faithful, but I noticed the ocarina inputs weren't restricted to the 5 pitches the games recognize.
So, limited to inputs of D F A B and D(8va), I tried a few of my own.
I had posted this on Twitter in 2021, but not here, so... enjoy!
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DM. Bulteau radio ♫ Working on MajoraM. Bulteau2023-04-07 | Background music: my originals and arrangements Buy my music: albums.mbulteau.com Buy my scores: scores.mbulteau.com Join the discord: discord.gg/dfX7xyv More at mbulteau.com
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DSoftSoft JingleM. Bulteau2023-04-06 | SoftSoft jingle. Animation: Teresa Hammond mbulteau.comM. Bulteau radio ♫ Working on MajoraM. Bulteau2023-04-06 | Background music: my originals and arrangements Buy my music: albums.mbulteau.com Buy my scores: scores.mbulteau.com Join the discord: discord.gg/dfX7xyv More at mbulteau.com
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DM. Bulteau radio ♫ Working on MajoraM. Bulteau2023-04-04 | Background music: my originals and arrangements Buy my music: albums.mbulteau.com Buy my scores: scores.mbulteau.com Join the discord: discord.gg/dfX7xyv More at mbulteau.com
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DM. Bulteau radio ♫ Working on MajoraM. Bulteau2023-04-03 | Background music: my originals and arrangements Buy my music: albums.mbulteau.com Buy my scores: scores.mbulteau.com Join the discord: discord.gg/dfX7xyv More at mbulteau.com
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DM. Bulteau radio ♫ Working on MajoraM. Bulteau2023-04-02 | Background music: my originals and arrangements Buy my music: albums.mbulteau.com Buy my scores: scores.mbulteau.com Join the discord: discord.gg/dfX7xyv More at mbulteau.com
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DMajora - Act II: Love Duet (instrumental)M. Bulteau2023-04-02 | Moon of my sky...
Majora is an opera by M. Bulteau, based on themes by Koji Kondo and Toru Minegishi. More at majora.mbulteau.com Join the discord: discord.gg/dfX7xyv
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DMajora Minute 104b: rumours and assumptionsM. Bulteau2023-03-22 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask. All info at majora.mbulteau.comMajora Minute 104a: rifling through the propsM. Bulteau2023-03-21 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask. All info at majora.mbulteau.comMajora Minute 103b: shouting matchM. Bulteau2023-03-07 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask. All info at majora.mbulteau.comMajora - Act I: Council Fugue (for wind trio)M. Bulteau2023-02-18 | "As long as Carnival is on, we hold a duty to stay!" "As long as you find Kafei, Carnival is on!" "Carnival is not about my son--" "Mr. Mayor, you made it about your son! His wedding is the main event!"
Majora is an opera by M. Bulteau, based on themes by Koji Kondo and Toru Minegishi. More at majora.mbulteau.com Join the discord: discord.gg/dfX7xyv
Orchestral vocal demo of this number: youtu.be/Tb20ZIlywA4Majora Minute 103a: butting headsM. Bulteau2023-02-15 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask. All info at majora.mbulteau.comMajora Minute F001: stone tower on hurdy-gurdyM. Bulteau2023-02-09 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
FAQ: - What are you working on? Check the bottom left of the screen.
- What music is playing? A playlist of my originals and arrangements, more often than not unrelated to what's going on in the stream. Check the top left of the screen for the title of the current track.
- What software do you use? For final scores intended for printing I usually use Lilypond, with Frescobaldi as a front-end application. For Majora, we are currently transitioning to Dorico to streamline the processing of parts. For rendering audio I load up VST libraries onto FL Studio. For composing I start with pencil and paper at the piano, and then I move to either Finale, FL Studio, or both. Sometimes I also revise things on paper.
- How did you learn to compose? I had piano lessons at 11: One teacher for a year, a break, then another teacher for 2 years. The latter realized my interest was in composing instead of playing, and left me with a stock of resources to study by myself: Walter Piston's book on Harmony, Berlioz & Korsakov's Treatise on Orchestration, Bernstein's Young People's Concerts and Harvard Lectures. For 6 years after that I wrote a lot of stuff, learning along the way from those resources and getting advice from other musicians on an online forum for young composers. Later I studied at a music academy for 4 years, wherein I finished my theory courses and met other musicians personally. I've never gone to music college.
*** I DO NOT TAKE SUPERCHATS *** I appreciate it, but if you would like to support me, consider buying an album, a track, or a score from the links above, or even just donate at contact.mbulteau.com
Google takes a considerable cut off of superchats, and there's a threshold below which a payout will not happen, so basically they keep your kindly-sent money until enough has accumulated to justify sending it to me, which can take *months*.
If you buy my stuff or donate, only a small percentage is cut, and I get it immediately! :DMajora - Act I: Keaton Pantomime (instrumental)M. Bulteau2022-09-09 | A fun fable for the little ones! Any similarity to real events is purely - strictly - entirely coincidental.
Majora is an opera by M. Bulteau, based on themes by Koji Kondo and Toru Minegishi. More at majora.mbulteau.com Join the discord: discord.gg/dfX7xyv
Illustration by Katrin Liedsee: stoerfrequenz.tumblr.comMajora - Act II: Salesmans Tirade (instrumental)M. Bulteau2022-08-12 | “Some help you’ve all been to me, sitting pretty! You're all a big disgrace!"
Majora is an opera by M. Bulteau, based on themes by Koji Kondo and Toru Minegishi. More at majora.mbulteau.com Join the discord: discord.gg/dfX7xyv
Illustration by Katrin Liedsee: stoerfrequenz.tumblr.comMajora Minute P02a: a frantic searchM. Bulteau2022-07-29 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
I'm just repurposing an old laptop with a friend's help. The music in the background is my own, playing for you.Majora Minute 215a: fugue stateM. Bulteau2022-07-09 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask. All info at majora.mbulteau.comMajora Minute 204a: sinking into a dreamM. Bulteau2022-04-09 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask. All info at majora.mbulteau.comChateau - Mr. PilotM. Bulteau2022-04-01 | . . . April Fools :)
We promise there will be a proper second album, probably once we finally move in together.
THEME: "Mr. Sandman", by Pat Ballard LYRICS: Chabi & M. Bulteau VOCALS & VIDEO: Chabi ARRANGEMENT: M. Bulteau FINAL MIX: Miguel Jesus
LYRICS Mr. Pilot, get to the gate There's a connection and I cannot wait I have a flight in less than an hour If you don't get me there I'll pee in your shower
These lyrics were written together in 2019 while on a very slow taxi to the gate, and we almost missed our connecting flight.BM. Bulteau2022-03-06 | GET THE ALBUM: milesmorkri.bandcamp.com/album/b-side
My music: mbulteau.comMajora Minute 203d: the wind of resignationM. Bulteau2022-02-18 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS: When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.Majora Minute 203c: a gust of determinationM. Bulteau2021-12-31 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS: When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.Majora Minute 203b: it was dangerous to have gone aloneM. Bulteau2021-11-26 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS: When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.Majora Minute 203a: a ghost drags his feetM. Bulteau2021-10-22 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS: When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.Bachelor - Hand of Horzasha OSTM. Bulteau2021-09-25 | "Why, he's a well-liked youngster with friends, talents, and smarts to support him. If only that were enough to let him live happily..."
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS: When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.Shiny! - Hand of Horzasha OSTM. Bulteau2021-09-11 | "Whatever doubt I had in my mind about her, I cannot recall. I'm sure I had some reason to think she was strange or worrisome, but I no longer care what I was thinking then; we are both in a much better place now."
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS: When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.Majora Minute 202b: a mirage in the coldM. Bulteau2021-09-03 | As I work on Majora's final revisions, I will occasionally upload brief instrumental snippets as #shorts
Majora is an opera by M. Bulteau based on The Legend of Zelda Majora's Mask. All info at majora.mbulteau.comMudscape - Hand of Horzasha OSTM. Bulteau2021-08-28 | "Like the clay of creation, what we leave unfinished preserves the shape of its maker's greatest fears. I thought, in my haste to escape, that I might forget what I was looking at when it appeared in my dreams. It seems I have much to learn."
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS: When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.Vanishing Gaze - Hand of Horzasha OSTM. Bulteau2021-08-18 | "No map. No guide. No goal. What was I even thinking?"
Hand of Horzasha is a visual novel by Shiny Vacation, with music by M. Bulteau, and mixing & sound design by Miguel Jesus.
SYNOPSIS: When a headstrong knight from the sealed-off human world witnesses the neglect of an orphaned child, she abandons her former life as an explorer to protect her newly adopted daughter in life-risking ritual combat in a strange town of monsters.