Henry Moore: Humanity of Urban Space in Postwar United States @mfaboston
Henry Moore: Humanity of Urban Space in Postwar United States  @mfaboston
Uploaded January 2025 | Updated September 2026, 3 weeks ago
Henry Moore’s sculpture arrived in the postwar American city at a moment of crisis, experimentation, and contradiction, when the utopian ideal of modernist urbanism enabled a corporate claim to space. Steel and glass towers surrounded by plazas proliferated in the 1950s and ’60s, promising to introduce civic clarity and order. Yet the new architecture was increasingly seen by critics and theorists as inhuman and empty, devoid of life, social utility, and civic value. In New York, Chicago, Philadelphia, Dallas, and other cities, Moore’s first American patrons saw the potential of his work to alter the shape of urban space, invest it with meaning, and reorient the public. Join us for a discussion about how Moore’s abstract sculptures, grounded in nature, landscape, and body, could project an aspirational humanism into the vacant spaces of the modern city.

Christopher Ketcham, art historian

Wednesday, November 20, 2024

Supported by the MFA Associates, MFA Senior Associates, and Weekend Guides in honor of Barbara Martin.
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Museum of Fine Arts, Boston |

Henry Moore: Humanity of Urban Space in Postwar United States

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