Turbo Pit-fighter Comic
Making TURBO Pit-fighter Comic LIVE: Episode 200 | Milestone Session for Jake & Kurt & Matt King
updated
Ian's website iancinco.com
Ian's Instagram instagram.com/ian_cinco
In this episode, Jake and Kurt speak with Ian Cinco, an artist and former filmmaker who transitioned into the indie comics world with his sci-fi series Neon Spring and expansive art book series Eratica. Ian recounts his creative evolution, from childhood influences like Calvin and Hobbes to studying illustration at Pratt, working in film, and rediscovering comics during the pandemic. He discusses the genesis of Neon Spring, a dystopian story involving AI, corporate power, and human experimentation, and explores the craft of making comics—blending traditional and digital techniques. Ian shares lessons about self-belief, persistence, and the importance of building community through conventions, Kickstarters, and direct outreach. He emphasizes the value of publishing physical books, selling original art, and nurturing fan connections. Ultimately, Ian views the future of comics optimistically, seeing it as an expanding landscape for creators to connect directly with audiences.
3 Educational Points from the Podcast
1. Creative Growth Through Transition: Ian’s shift from filmmaking to comics shows how creative skills evolve and intersect across disciplines, enriching storytelling and visual expression.
2. Self-Publishing as Empowerment: Building an audience via conventions, direct messaging, and crowdfunding demonstrates how creators can bypass traditional industry gatekeepers and succeed independently.
3. Value of Original Art: Selling original pages and building relationships with collectors offers an important revenue stream beyond book sales, underscoring the art’s long-term value.
@kenlandgraf6908
We’re live every Sunday at 10 AM EST building our post-apocalyptic indie comic, Turbo Pit-fighter, right on stream.
In Episode 177, Jake (writing, penciling, inking, producing) has finished laying out the lettering plan for the Ken Landgraf 6-pager and will begin laying out the illustrated prose pages. Kurt will be hand-lettering Ken’s 6-pager live, focusing on balloon placement, caption flow, and page rhythm.
What to expect:
Final lettering pass setup for the Landgraf 6-pager
Live hand-lettering: balloons, captions, SFX, and readability tweaks
Building illustrated prose page layouts and type/image balance
Real-time discussion of workflow, tools, and design decisions
Jump into chat with your questions about lettering, page flow, and indie production. Watch Turbo Pit-fighter come together—panel by panel, page by page.
Buy a copy of CROM The Barbarian from cromthebarbarian.com
@kenlandgraf6908
In this episode of Making Turbo Pit-fighter, Jake dives into finalizing the 6-page comic story "The Casualties", completing the lettering and finishing touches on Ken Landgraf’s dynamic artwork for DOOM Magazine #1: End of the World Anthology. Meanwhile, Kurt gets his hands dirty with spot inking for the prose section of the anthology—bringing vivid, end-times energy to the illustrated narratives that accompany the written word.
We talk process, creative pacing, and what it’s like collaborating on two sides of a massive apocalyptic-themed indie project. Whether you’re into hand-lettered comics, gritty end-of-the-world vibes, or the raw reality of indie comic production, this one’s for you.
🗓️ Live every Sunday @ 10AM EST
Buy a copy of CROM The Barbarian from cromthebarbarian.com
As the mystery unfolds, the monster hunter teams up with the woman—both battling henchmen and unraveling the sinister plan. With themes of horror, action, and love, The The Berserkonaut was set to become a gripping saga. Though unfinished, its vision offers a powerful look at the kind of bold storytelling indie comics can achieve.
@JeffLafferty
Jeff recalls standing in line, nervous and inexperienced, only to be met with Kieth’s kindness and encouragement. Instead of dismissing the work, Kieth saw potential and told Jeff he had the talent to pursue a career in comics. That moment of support and generosity made a lasting impact, shaping Jeff’s path as an indie creator.
@JeffLafferty
Although the project was completed, Jeff admits it did not meet his expectations. The results were not as strong as he had hoped, and when the money ran out, he returned to creating art to make a living. This story highlights the risks and realities of following creative impulses, the uncertainty of chasing new directions, and the lessons learned from taking bold chances in an indie career.
@JeffLafferty
In this segment, Jeff discusses the importance of risk, growth, and pushing past complacency. His renewed focus is not just on producing pieces but on rekindling the hunger to outdo himself with every project. It’s an honest look at the struggles and rewards of staying committed to artistic growth in the indie comics world.
@JeffLafferty
Seeing that comics were drawn worlds full of adventure, Jeff realized he could create his own stories through art. This moment marked the beginning of his journey into comics, blending childhood wonder with the discovery of storytelling through drawing.
@JeffLafferty
Join Jake and Kurt as they reflect on the first 50 interviews, thank the creators who’ve appeared (some two or three times already), and look forward to another 50 and beyond. Whether you’re making comics, reading them, or dreaming of your own creative path, this milestone episode is for you.
See you on Sundays for more indie comics conversations!
Jeff's Instagram instagram.com/jeff_lafferty
Jeff's YouTube channel youtube.com/@JeffLafferty
@JeffLafferty
This episode of Indie Creator Exchange features artist Jeff Lafferty, tracing his journey from discovering comics on spinner racks in Colorado to working in the industry with Malibu, Continuity, and Marvel. Jeff candidly shares how early encouragement, mentors like Sam Kieth, and indie opportunities shaped his path. His career has been defined by cycles of art, commissions, and pivots—moving from comics to painting, airbrush work, prints, commissions, YouTube artcasts, and even stop-motion animation. Jeff speaks openly about financial struggles, the pressures of commissions, and the delicate balance between passion and survival as an indie creator. His project The Berserker Knot embodied this tension: launched with promise through “100 Days of Comics” but ultimately unfinished due to burnout and economics. Today, Jeff embraces painting with less financial stress, focusing on creative fulfillment. His story highlights persistence, reinvention, and the ongoing challenge of balancing artistic freedom with financial realities.
3 Educational Points
1. Networking and Mentorship – Jeff’s story shows how mentorship (Sam Kieth) and networking at conventions can provide crucial early opportunities.
2. Diversified Income Streams – Success often comes from combining commissions, prints, online shops, and videos rather than relying on one source.
3. Art vs. Survival Balance – The recurring theme is balancing financial needs with creative passion—highlighting that “no stress, no deadlines” projects often fuel longevity.
@kenlandgraf6908
@alexturbin04401
Episode 175 goes LIVE with special guest host Alex Trubin, who is hard at work on his 11-page story The DUKE for DOOM Magazine #1: The End of the World Anthology. Jake, Kurt, and Alex dive into the creative process—breaking down art, storytelling, and the apocalyptic vision behind this new indie project.
Catch behind-the-scenes updates on Turbo Pit-Fighter and DOOM Magazine, plus live discussion about building comics from concept to page.
Join the live chat, ask questions, and watch as the last steps come together for one of the standout stories in DOOM Magazine #1.
🗓️ Live every Sunday @ 10AM EST
Buy a copy of CROM The Barbarian from cromthebarbarian.com
Jason Schoonover - www.schoon.art
https://www.schoon.art/
YouTube channel @SCHOONdotART
TC Pescatore - Instagram @tcpesky
instagram.com/tcpesky
Pat O'Malley – punchpublishing.com
punchpublishing.com
YouTube channel @PatOMalley
D Moses – pastitch.com
pastitch.com
Pat Higgins – pat-higgins.com
pat-higgins.com
Chris Anderson – chrisandersoncomics.com
chrisandersoncomics.com
YouTube channel @chrisandersoncomics
Jay Bethke – shadeplantstudios.blogspot.com
shadeplantstudios.blogspot.com
Rick Lopez – Instagram @doomdazed
instagram.com/doomdazed
Each creator shares a quick 1-minute update on what they're working on, what’s available now, and what’s coming next. Whether it's a new comic, zine release, art drop, or indie publishing launch, this series is all about celebrating DIY creativity and keeping you connected to the heart of the underground comics scene.
Hosted by Turbo Pit-fighter creators Kurt Brugel and Jake Jacobs, the Update Reel brings you behind-the-scenes energy, project announcements, and real-time indie momentum.
Subscribe to catch every update and discover your next favorite creator.
?Want to send us your update reel? Reach out at kurtbrugel.com/indie-comic-book-creator-exchange ?
New reels drop regularly!
@kenlandgraf6908
@comicspeopleNYC
Welcome to Episode 174 of Making TURBO Pit-fighter Comic LIVE—the only comic podcast where the creators meet every Sunday at 10AM EST to make comics in real time.
This week, Jake Jacobs (writer/penciler) and Kurt Brugel (inker/producer) are putting the finishing touches on Ken Landgraf’s artwork for the short comic The CASUALTIES, which will appear in the upcoming DOOM Magazine #1: The End of the World Anthology.
Expect behind-the-scenes insights into:
Final lettering and polish for Landgraf’s raw, outlaw pages
Editing for clarity while respecting the original art
Preparing the story for inclusion in the anthology
Join the live chat, ask questions, and watch as the last steps come together for one of the standout stories in DOOM Magazine #1.
🗓️ Live every Sunday @ 10AM EST
Buy a copy of CROM The Barbarian from cromthebarbarian.com
Scott's Instagram instagram.com/the_crimebusters
Scott's website crimebustercomics.com
Scott's Kickstarters kickstarter.com/profile/thecrimebusters/created?ref=project_creator_tab
In this Indie Creator Exchange episode, comic creator and small publisher Scott Harris-King opens up about the harsh realities of growing an indie comic brand in an oversaturated market. Known for series like The Crimebusters and Cthulhu vs. Uncle Sam, Scott shares how his love for comics drives him forward despite recent struggles with visibility, reach, and sustaining momentum. Unlike others who may view indie comics as a path to quick success, Scott is candid about the emotional toll, marketing challenges, and constant effort required to stay afloat. He reflects on using platforms like Kickstarter, balancing passion with practicality, and fighting creative burnout. This conversation offers a raw look into what it takes to keep making comics when the industry feels stacked against you, and why personal drive and love for the medium might still be enough to persevere—even when the path forward is uncertain.
3 Educational Points (Scott Harris-King Episode)
1. Saturation is Real
Scott outlines how the sheer volume of indie comics today makes it increasingly difficult for any creator to gain traction without serious marketing strategy.
2. Kickstarter is a Double-Edged Sword
Crowdfunding can be helpful, but it’s not a guarantee of success. Scott discusses how reliance on it can also cause fatigue.
3. Consistency vs. Visibility
Making books consistently isn’t enough—you also need to be constantly visible in communities and online, which can burn out even the most devoted creators.
In Episode 059 of Comics That Influence LIVE, Jake Jacobs and Kurt Brugel sit down to flip through more comics that shaped their love for the medium and continue to inspire their own creative work.
This week:
Jake brings two wild picks—The Adventures of Phoebe Zeit-Geist, a groundbreaking underground satire, and Marvel Bizarre Adventures #25, one of the oddest and most experimental runs Marvel ever published.
Kurt digs into three recent comic hauls he scored from eBay and MyComicShop.com, sharing his impressions, hidden gems, and what these books bring to the table as influences on Turbo Pit-fighter and beyond.
Join us as we celebrate the comics that fuel our storytelling—unearthing forgotten treasures, discussing their impact, and connecting the dots between past creativity and today’s indie comics scene.
Buy a copy of CROM The Barbarian from cromthebarbarian.com
Welcome to Episode 173 of Making TURBO Pit-fighter Comic LIVE—the only comic podcast where the creators meet every Sunday at 10AM EST to make comics on air.
This week, Jake Jacobs (writer/penciler) and Kurt Brugel (inker/producer) continue work on the 6-page story with art by indie legend Ken Landgraf for DOOM Magazine #1: End of the World Anthology.
Follow along as they refine lettering, page flow, and visual storytelling—balancing raw, outlaw art with the demands of tight panel layouts. Expect discussions on creative problem-solving, editing for clarity, and the craft of making post-apocalyptic comics in real time.
Join the live chat, ask your questions, and see the process unfold from script to page.
🗓️ Live every Sunday @ 10AM EST
Buy a copy of CROM The Barbarian from cromthebarbarian.com
Ken’s work is iconographic—his entire page layout becomes a compositionally complete feast for the eyes. Every panel pulls you in, full of action, detail, and energy—without wasting space on static talking heads. His style embodies an old school outlaw approach to comics, where the storytelling never slows down.
Kurt explains how Ken takes a script and sketches as starting points, then runs with them, making bold choices in pacing and panel composition. Even when some elements are left out, the end result is always dynamic, layered, and unmistakably Landgraf.
If you’ve never experienced Ken’s work, you’re missing one of the most raw, exciting, and uncompromising voices in comics.
@kenlandgraf6908
Is every mechanized battle suit a “Gundam”? Or is Gundam specifically a piloted suit you live inside, as opposed to a towering robot like Godzilla’s mechanical rivals? Kurt admits Gundam wasn’t really his territory growing up—that was his brother’s obsession—but the debate opens up the bigger question of how mech design impacts storytelling.
Whether you’re a diehard Gundam fan or just someone who loves giant robots in comics and anime, this conversation explores where the definitions blur, and why terminology matters when designing big machines for epic battles.
Lettering may not always be the “sexy” side of comics, but without it, even the most beautiful art can fall flat. From typos to flow, the letterer’s craft shapes the reader’s experience—and people are noticing more than you think.
Join us as we talk about how editors and letterers worked side by side in the old days, why their job is often underappreciated, and why comic fans are finally starting to give lettering the respect it deserves.
Too often, creators focus on making their art look like a comic but then gloss over lettering, treating it as an afterthought. But as Kurt and Jake explain, great comics start with planning where narration boxes and word balloons will go. Placement shapes flow, rhythm, and clarity, while poor choices can ruin pacing, cover critical art, or leave empty, awkward spaces.
This conversation highlights why lettering isn’t just about putting words on a page—it’s part of the art itself. From balancing design with readability to respecting the artwork underneath, lettering decisions can make or break the reader’s experience.
If you want your comic to look polished and professional, don’t skip the details—this discussion explains why.
After seeing Jamie Barrows and the Crom Brotherhood successfully release Brutal Blade of Crom #2 through Mixam, Kurt decided it was time to try them out firsthand. The biggest potential breakthrough? Mixam has print shops in Canada, England, Australia, and New Zealand, meaning fans in those countries could order comics locally and save big on shipping.
Instead of paying international rates, readers could soon pay local postage—like Royal Mail in the UK for just $5.25—making indie comics more affordable and accessible worldwide.
This could dramatically reduce costs for both creators and fans, reshaping how small press comics are produced and delivered across the globe.
@Just.Jamie.Comics
Alfred's Instagram instagram.com/alfredcomic
Alfred's website alfredcomic.com
Defective Comics website defectivecomics.net
In this episode, Alfred Carieri passionately discusses the deep, personal reasons behind pursuing indie comic book creation—not as a profession, but as a calling. The conversation dives into how storytelling, childhood nostalgia, and creative expression drive creators more than fame or profit. The speaker reflects on the formative experience of discovering comics on a spinner rack, the intoxicating smell of paper and ink, and how those moments shaped a lifelong love for the medium. Creating comics, they say, is a compulsion—something one must do to feel whole, even without financial reward. The discussion contrasts professional ambitions with artistic fulfillment and explores how creators balance day jobs while tirelessly working on their comics at night. This episode is an ode to the indie comic community—those who build worlds not for clout but because it’s who they are at their core.
3 Educational Points from the Podcast
1. Comics Can Be a Calling, Not a Career: Many creators pursue comics not for commercial success but because it’s a vital part of their identity and self-expression.
2. Nostalgia as Creative Fuel: Early exposure to comics—through spinner racks, newsstands, or corner stores—often imprints deeply and inspires lifelong creativity.
3. Balancing Creativity and Reality: Indie creators often maintain full-time jobs while dedicating late nights and weekends to their comics, proving dedication and resilience.
Even when fonts are set at different point sizes, the actual height and weight of letters can vary, requiring adjustments by eye. Sometimes that means lowering the type height while increasing horizontal width to achieve balance and readability.
The conversation highlights how Marvel, DC, and indie creators alike approach lettering differently—some putting in careful attention, others simply typing out a font. But at every level, the goal is the same: to avoid lettering that distracts from the story.
If you’ve ever wondered why lettering can look inconsistent across comics, or how to tweak type to make it flow naturally, this breakdown gets into the often-overlooked craft that holds comics together.
Purchase here: kurtbrugel.com/teaser-comics-black-and-white-indie-home-printed/turbo-pit-fighter-2nd-turbo-teaser-2nd-printing-by-mixam
Created by Jake Jacobs (story & pencils) and Kurt Brugel (co-author & inks). At just $5.00, this release is a chance to own a piece of indie comic history in authentic zine format.
Chance Priest – wotu.toys
https://www.wotu.toys/
Jay Bethke – shadeplantstudios.blogspot.com
shadeplantstudios.blogspot.com
Gautam Sheoran – pulp2pixel.com
pulp2pixel.com
Stephen Cullis – nectarcomics.com
nectarcomics.com
Kurt Brugel – cromthebarbarian.com
cromthebarbarian.com
Each creator shares a quick 1-minute update on what they're working on, what’s available now, and what’s coming next. Whether it's a new comic, zine release, art drop, or indie publishing launch, this series is all about celebrating DIY creativity and keeping you connected to the heart of the underground comics scene.
Hosted by Turbo Pit-fighter creators Kurt Brugel and Jake Jacobs, the Update Reel brings you behind-the-scenes energy, project announcements, and real-time indie momentum.
Subscribe to catch every update and discover your next favorite creator.
?Want to send us your update reel? Reach out at kurtbrugel.com/indie-comic-book-creator-exchange ?
New reels drop regularly!
Kurt Brugel and Jake Jacobs break down what’s happening behind the scenes with the Indie Creator Exchange—their ongoing project where they swap their own Turbo Teaser comic for another creator’s work, then come together to talk comics.
So far, they’ve recorded nearly 48 interviews (with some repeat guests), creating an ever-growing archive of conversations with indie creators from across the scene. At the end of almost every interview, they always say, “we’ll have you back on”—and they mean it. The Update Reel is a way to keep those conversations flowing while spotlighting even more voices from the indie community.
Tune in for news, updates, and a look at what’s next for the Indie Creator Exchange.
We’re back with Episode 172 of Making TURBO Pit-fighter Comic LIVE—the only comic book podcast where the creators meet every Sunday at 10AM EST to actually make the comic on air.
Join Jake Jacobs (writer/penciler) and Kurt Brugel (inker/producer) as they continue building their post-apocalyptic indie comic Turbo Pit-fighter page by page, panel by panel.
This week’s session dives into the ongoing production process: writing, penciling, inking, and refining new pages in real time. Along the way, Jake and Kurt discuss creative decisions, storytelling choices, and the behind-the-scenes challenges of bringing a creator-owned comic to life.
Come hang out, watch the process unfold, and ask questions live in the chat. This is your front-row seat to indie comics being made from the ground up.
🗓️ Live Every Sunday @ 10AM EST
Buy a copy of CROM The Barbarian from cromthebarbarian.com
We’re lining up an incredible series of guests—starting with Alfred Cercieri on our follow-up episode, followed by Scott Harris King. Both are creators we met and connected with at IC3, and we’re excited to bring them into the conversation.
Then, a long-overdue highlight—Jeff Lafferty of Berserkonaut—joins us for what’s sure to be one of our biggest episodes yet. Jeff’s art, dedication, and creative journey have been a huge inspiration, and we can’t wait to talk shop with him.
Stay tuned as we continue to spotlight the indie comic creators who are shaping the scene today.
@JeffLafferty
@theclassiccomiccollector
By typing text, lowering the opacity, hand-lettering over it, and then overlaying the final work in Photoshop, he ensures the lettering feels natural and handmade rather than distracting. While it may look a little “janky” at times, that imperfection is part of the aesthetic—adding character and consistency to the art.
The discussion also touches on balancing personal style with audience expectations, and the reality that no approach will please everyone.
If you’re curious about comic lettering workflows, the balance between digital polish and handmade grit, or how to make your art feel unified, this conversation offers a behind-the-scenes look at the process.
Should it be a massive Gundam-style mech? A towering War of the Worlds–inspired tripod? Or something else entirely? The design doesn’t just shape the visuals—it may also influence how the script is written and how the Duke’s attack on de-Hubergen headquarters unfolds.
Tune in as we explore the back-and-forth of design choices, collaboration with Alex, and how big creative decisions like this ripple through both art and story.
@alexturbin04401
Gorka Uztarroz – linktr.ee/cosmogol666
https://linktr.ee/cosmogol666
Steve Mcardle - Instagram @steveacemcardle
instagram.com/steveacemcardle
Jason Schoonover - www.schoon.art
https://www.schoon.art/
TC Pescatore - Instagram @tcpesky
instagram.com/tcpesky
Noah Luciani – linktr.ee/artofnl
https://linktr.ee/artofnl
Pat O'Malley – punchpublishing.com
punchpublishing.com
Each creator shares a quick 1-minute update on what they're working on, what’s available now, and what’s coming next. Whether it's a new comic, zine release, art drop, or indie publishing launch, this series is all about celebrating DIY creativity and keeping you connected to the heart of the underground comics scene.
Hosted by Turbo Pit-fighter creators Kurt Brugel and Jake Jacobs, the Update Reel brings you behind-the-scenes energy, project announcements, and real-time indie momentum.
Subscribe to catch every update and discover your next favorite creator.
?Want to send us your update reel? Reach out at kurtbrugel.com/indie-comic-book-creator-exchange ?
New reels drop regularly!
We're back with Episode 171 of Making TURBO Pit-fighter Comic LIVE—the only comic podcast where the creators meet every Sunday at 10AM EST to actually make the comic on air.
Today, Jake Jacobs (writer/penciler) and Kurt Brugel (inker/producer) are tackling lettering and light editorial adjustments on Ken Landgraf’s pages for DOOM Magazine #1: End of the World Anthology. We’ll walk through balloon placement, caption hierarchy, SFX choices, and page flow—making sure the text enhances, not fights, Ken’s high-energy line work.
What you’ll see:
Establishing a lettering style guide for DOOM #1
Balloon shapes, tails, and reading order fixes
SFX integration that complements the inks
Micro-edits for clarity and pacing (without stepping on the art)
Join the chat, ask technical questions, and watch the process unfold in real time.
Live Sundays @ 10AM EST
Buy a copy of CROM The Barbarian from cromthebarbarian.com
If you love retro pulp heroes, supernatural lore, and badass women with jetpacks, Fembatch is your next obsession.
Brett's Fembat #1 Fundmycomic campaign fundmycomic.com/campaign/270/fembat-volume-1
Brett's YouTube channel youtube.com/@apexcomix3200
@apexcomix3200
In this episode of Indie Creator Exchange #48, Brett Cantrell shares his lifelong journey in comics, beginning with early influences like Little Abner, Conan the Barbarian, and Swamp Thing. Inspired by newspaper strips and spinner rack discoveries, Brett taught himself to draw before pursuing art courses in high school and college. He recalls his first publication in 1996, a flipbook titled Executor and Femme Fatale, printed in limited numbers before moving on to larger runs. Brett discusses his love for black-and-white indie comics, his later creations like Fembat and Blue Cat, and his experience crowdfunding through FundMyComic. Alongside sharing stories about distribution challenges and the rarity of his earliest books, Brett emphasizes the value of indie communities, conventions, and collaboration. He also highlights his influences, from Jack Kirby to Billy Tucci, and his dedication to traditional pen-and-ink artistry that keeps the classic comic craft alive.
3 Educational Points from the Podcast
1. Self-Taught Learning – Many indie creators begin with inspiration from mainstream comics but build their skills independently through practice and persistence.
2. Publishing Challenges – Printing, distribution, and managing small print runs remain core hurdles for indie publishers, often requiring direct sales at conventions or crowdfunding.
3. Community Importance – Groups, conventions, and platforms like FundMyComic provide critical support, exposure, and collaboration opportunities for independent creators.
Buy a Copy of Turbo Teaser #2 - PRINT or PDF -kurtbrugel.com/teaser-comics-black-and-white-indie-home-printed/2nd-turbo-pit-fighter-teaser-12-pages-plus-bonus-material
Buy a copy of CROM The Barbarian from cromthebarbarian.com
@kenlandgraf6908
In this episode, we’re diving into a new Power Pulp haul, pulling out some gems that continue to shape our approach to indie comic-making. From the raw imagination of Heavy Metal Magazine to the monster-sized spectacle of Mothra, we’ll talk about how these books spark ideas, influence storytelling, and fuel the creative energy behind Turbo Pit-fighter and beyond.
If you’re into comic book history, creative process talk, and seeing what inspires working creators in real time, you’re in the right place.
Buy a Copy of Turbo Teaser #2 - PRINT or PDF -kurtbrugel.com/teaser-comics-black-and-white-indie-home-printed/2nd-turbo-pit-fighter-teaser-12-pages-plus-bonus-material
Buy a copy of CROM The Barbarian from cromthebarbarian.com
Mike White – keenspotshop.com/collections/mike-white
keenspotshop.com/collections/mike-white
Eli Schwab - cosmiclionproductions.com
cosmiclionproductions.com
Alex Turbin - patreon.com/Alexturbin
patreon.com/Alexturbin
Jason Lego - jasonlego.bigcartel.com
jasonlego.bigcartel.com
Allen Robinson - instagram.com/allenrobinsonart
instagram.com/allenrobinsonart
Geoff Mosse - markosia.com/in-the-valley-of-death
markosia.com/in-the-valley-of-death
Each creator shares a quick 1-minute update on what they're working on, what’s available now, and what’s coming next. Whether it's a new comic, zine release, art drop, or indie publishing launch, this series is all about celebrating DIY creativity and keeping you connected to the heart of the underground comics scene.
Hosted by Turbo Pit-fighter creators Kurt Brugel and Jake Jacobs, the Update Reel brings you behind-the-scenes energy, project announcements, and real-time indie momentum.
Subscribe to catch every update and discover your next favorite creator.
?Want to send us your update reel? Reach out at kurtbrugel.com/indie-comic-book-creator-exchange ?
New reels drop regularly!
Music for Geoff Mosse's reel by AudioCoffee @audiocoffeemusic audiocoffee.net
In this episode, Kurt Brugel and Jake Jacobs are lettering the incredible pages by indie comics legend Ken Landgraf for DOOM Magazine #1: End of the World Anthology.
Jake walks through the pacing and story beats while Kurt live-letters the pages, showing how text, placement, and design bring the art to life. This is your inside look at the craft of comic-making—from pencils to inks to final lettering.
Whether you’re here to learn, get inspired, or just love gritty post-apocalyptic comics, pull up a seat and watch the process unfold.
If you would like to be a guest on the Indie Comic Exchange, please follow this link and fill out the form kurtbrugel.com/indie-comic-book-creator-exchange
James' Instagram instagram.com/jacoats
Power Pulp Comic's Website powerpulpcomics.com
James' website dinobeasts.com
Honorable Mentions:
IC3 / Indie Creator Comic Con indiecomicscreatorcon.com
In this Indie Creator Exchange episode, Kurt and Jake interview James Coats, one half of the Coats Brothers, to explore his comic journey and collaboration with his twin brother, John. James shares early influences like 80s cartoons, Doug Wildey's Johnny Quest, and stop-motion dinosaur films, leading to the creation of DinoBeasts, a prehistoric barbarian comic. He also discusses Ninja IV, inspired by classic ninja cinema, and Galaxy Gods, a cosmic superhero book influenced by Jack Kirby. The brothers’ creative process includes traditional inking and digital coloring, emphasizing speed and spontaneity. James also elaborates on Powerpulp Comics—a creator-driven indie comic distribution collective aimed at bypassing traditional publishing bottlenecks. They discuss the mechanics of distribution, shipping tools like Pirate Ship, and the use of media mail to reduce costs. The conversation highlights the importance of community, self-determination, and keeping the energy and authenticity of underground comics alive.
3 Educational Points Made
1. Indie Distribution Model: Powerpulp Comics demonstrates how creators can organize grassroots comic distribution without relying on traditional publishing channels like Diamond.
2. Comic Creation Workflow: James explains the step-by-step process of making comics traditionally—penciling and inking by hand, scanning, and digitally coloring with Clip Studio Paint.
3. Collaborative Storytelling: Insights on how family collaborations (especially between twins) allow for smooth creative synergy and trust, aiding faster comic development.
In this episode, Kurt Brugel and Jake Jacobs are live-lettering the gritty and powerful Casualties story—featuring jaw-dropping artwork by legendary indie comics veteran Ken Landgraf (WOLVERINE, MICRONAUTS, Nightcrawler, Rock Comics).
Jake breaks down the story’s raw emotional beats, while Kurt refines the visual flow with lettering that ties it all together. Whether you’re here to learn about layout, get inspired, or just love post-apocalyptic action comics—this is your weekly front-row seat to indie comics in the making.
FOLLOW HERE powerpulp.substack.com
This episode continues the in-depth discussion of Powerpulp Comics, a new collective platform for indie creators to sell and distribute their work more efficiently. Hosts Kurt and Jake, joined by Matt King (creator of Tales to Enlighten), explore the website PowerpulpComics.com, showcasing a wide variety of unique comics from 14 creators. The collective model gives artists full ownership and freedom while centralizing shipping and promotion, reducing shipping costs and increasing visibility. They scroll through and review books like New Sphere, Ninja 4, Dino Beast, and The Baboon, highlighting the art styles, genres, page counts, and inspirations. They also discuss the group’s grassroots growth, use of Substack for newsletters, and media plans to expand awareness. This episode not only promotes the creators but celebrates a model of creative independence and practical distribution, inspiring indie comic creators to collaborate rather than compete.
3 Educational Values This Podcast Gives Viewers
Distribution Strategies – It introduces creators to alternative, grassroots methods of comic distribution outside mainstream publishers.
Creator Autonomy – It teaches the importance of retaining creative control while still benefiting from collective infrastructure.
Marketing and Promotion – It shows how tools like Substack, catalogs, and coordinated branding can expand reach and visibility.
FOLLOW HERE powerpulp.substack.com
This podcast episode spotlights Powerpulp Comics, a self-publisher-led collective of indie comic creators aiming to solve the biggest issue in independent comics—distribution. Hosts Jake and Kurt and guest Matt King (creator of Tales to Enlighten) discuss how 14 creators formed Powerpulp to consolidate shipping, simplify purchasing, and provide retailers and readers a one-stop platform for weird and pulp-style comics. Unlike traditional publishers, each creator maintains ownership and control over their work, while the Coates brothers manage logistics from a central website location. They’ve already reached five indie-friendly comic shops and are working on growing awareness via a website, printed/digital catalogs, and a Substack newsletter. The conversation dives into startup challenges, transparency, shared labor, and the importance of keeping communication and branding unified. The collective is selective but open to growth. The overarching goal? Make indie comics easier to buy, discover, and distribute without sacrificing independence.
3 Educational Values for the Viewer
Understanding Distribution Models: Learn the challenges indie creators face with shipping, retail access, and customer reach.
Collective Action in Comics: Gain insights into how collaborative business models function outside traditional publishing.
DIY Comic Entrepreneurship: Discover how creators can maintain control, reduce costs, and reach audiences more effectively through decentralized efforts.
Buy a Copy of Turbo Teaser #2 - PRINT or PDF -kurtbrugel.com/teaser-comics-black-and-white-indie-home-printed/2nd-turbo-pit-fighter-teaser-12-pages-plus-bonus-material
Buy a copy of CROM The Barbarian from cromthebarbarian.com
Buy a Copy of Turbo Teaser #2 - PRINT or PDF -kurtbrugel.com/teaser-comics-black-and-white-indie-home-printed/2nd-turbo-pit-fighter-teaser-12-pages-plus-bonus-material
Buy a copy of CROM The Barbarian from cromthebarbarian.com


