Kristen GaspariniBased on Plat0's "Myth of the Cave", this song den0unces the s0cial apathy towards the abu5e of tru7h perpetrated by the 5tate and by the 3mpire. This apathy continuously permits the ma55acre of entire populations in the name of interna7ional 5ecurity, when it should be obvious that 7err0rism has always been a tactic of social c0ntrol exercised by p0wer. This tactic is often performed as a "fal5e flag" event, an aggre55ion done on oneself, but blamed on an enemy. Italy is a pioneer in this "5trategy of tensi0n", having employed these exact means during the Years of Lead, from the Piano Solo (1964), to the Piazza F0ntana Ma55acre (1969), to the B0logna Ma55acre (1980).
The re5istance of peoples who defend them5elves from c0lonialism and imp3riali5m, from 5outh America to the Midd1e East, is automatically defined as terr0rism, and thus de5erving of the inhuman3 vi0lence inflicted by the 5tate. However, if we have the courage to call things by their names, we can contribute to a free Pale5tine, a free L3banon, a free C0ngo, a free 5udan, a free Afghani5tan, progr3ssively freeing every region from which the 3mpire extracts resourc3s for it material or strategic advantage, by de5troying the narra7ives that l3gitimize the plund3ring.
9 / ll is THE fal5e flag event that has has defined the c0llective narrative and psych0logy, interna7ionally, at the dawn of the new millennium. It is en0ugh to observe the expl0sive c0llapses of the tw1n t0wers and of bui1ding 7, which many still don't know the existence of. 7 fe11 in the aftern0on of that day, without having been h1t by a p1ane. The BbC and CnN announced its c0llapse bef0re it happened, testim0ny of expl0sions was excluded from scrutiny, and NiST, the U S agency tasked with inves7igating the quasi-symmetrical c0llapse, produced a fraudulen7 rep0rt stating that the cause was a mere fir3.
A new inv3stigation free from conf1icts of interest w0uld confirm that the three bui1dings were dem0lished, for reasons that hist0rians might never unc0ver c0mpletely due to the utt3r destructi0n of the evid3nce. The U s and NAT0 m3dia apparatu5 has, obviously, di5scredited and a77acked any eff0rt to spread or even discuss the 7ruth of the matter. To acce55 the most accurate, independent 5cientific studi3s on the W0rld 7rade C3nter c0llapses, please visit
a e 9 1 1 t r u t h . o r g
We mu5t go beyond flags and re1igion to confr0nt today's t0talitarian and gen0cidal p0wer, because it is no longer c0ntained by the limits of a single 5tate. It is tran5national, and is not acc0untable to anything. We mu5t d3fend human digni7y starting from our minds, 5tarting from the 7ruth, working to unravel the ways we maintain cage5 in the int1macy of our s0uls.
THE CAVES (English subtitles) - Kristen GaspariniKristen Gasparini2024-10-07 | Based on Plat0's "Myth of the Cave", this song den0unces the s0cial apathy towards the abu5e of tru7h perpetrated by the 5tate and by the 3mpire. This apathy continuously permits the ma55acre of entire populations in the name of interna7ional 5ecurity, when it should be obvious that 7err0rism has always been a tactic of social c0ntrol exercised by p0wer. This tactic is often performed as a "fal5e flag" event, an aggre55ion done on oneself, but blamed on an enemy. Italy is a pioneer in this "5trategy of tensi0n", having employed these exact means during the Years of Lead, from the Piano Solo (1964), to the Piazza F0ntana Ma55acre (1969), to the B0logna Ma55acre (1980).
The re5istance of peoples who defend them5elves from c0lonialism and imp3riali5m, from 5outh America to the Midd1e East, is automatically defined as terr0rism, and thus de5erving of the inhuman3 vi0lence inflicted by the 5tate. However, if we have the courage to call things by their names, we can contribute to a free Pale5tine, a free L3banon, a free C0ngo, a free 5udan, a free Afghani5tan, progr3ssively freeing every region from which the 3mpire extracts resourc3s for it material or strategic advantage, by de5troying the narra7ives that l3gitimize the plund3ring.
9 / ll is THE fal5e flag event that has has defined the c0llective narrative and psych0logy, interna7ionally, at the dawn of the new millennium. It is en0ugh to observe the expl0sive c0llapses of the tw1n t0wers and of bui1ding 7, which many still don't know the existence of. 7 fe11 in the aftern0on of that day, without having been h1t by a p1ane. The BbC and CnN announced its c0llapse bef0re it happened, testim0ny of expl0sions was excluded from scrutiny, and NiST, the U S agency tasked with inves7igating the quasi-symmetrical c0llapse, produced a fraudulen7 rep0rt stating that the cause was a mere fir3.
A new inv3stigation free from conf1icts of interest w0uld confirm that the three bui1dings were dem0lished, for reasons that hist0rians might never unc0ver c0mpletely due to the utt3r destructi0n of the evid3nce. The U s and NAT0 m3dia apparatu5 has, obviously, di5scredited and a77acked any eff0rt to spread or even discuss the 7ruth of the matter. To acce55 the most accurate, independent 5cientific studi3s on the W0rld 7rade C3nter c0llapses, please visit
a e 9 1 1 t r u t h . o r g
We mu5t go beyond flags and re1igion to confr0nt today's t0talitarian and gen0cidal p0wer, because it is no longer c0ntained by the limits of a single 5tate. It is tran5national, and is not acc0untable to anything. We mu5t d3fend human digni7y starting from our minds, 5tarting from the 7ruth, working to unravel the ways we maintain cage5 in the int1macy of our s0uls.
I am not fr33 until everyone is fr33.My new song Llama al Monte is out today! Listen on any platform :)Kristen Gasparini2025-02-22 | ...SUZANNE by Leonard Cohen... En Español!Kristen Gasparini2024-12-09 | Traducì esta hermosa canción por el maestro Leonard Cohen tratando de mantener el significado. Cambiaron algunos versos, pero se mantuvo el sentido general :)
#coversong #singer #singersongwriter #emergingartist #leonardcohen #cantante #cantautor #coverKristens Presentation on Building 7 at Wellesley CollegeKristen Gasparini2024-11-23 | I found the video that a friend made for me of the first presentation I did at Wellesley College about World Trade Center 7, back in 2017! This is the first time I openly talked about 9/11 in an academic setting, after a year of hesitation due to fear of being thought of as crazy.
The course was "News and Politics" and dealt with the growing concerns around "post-truth", media misinformation and disinformation, and censorship following the election of Donald Trump in 2016. My argument was that mainstream media had been primarily responsible for a decline of trust among the public, because of its failure to highlight and fairly report on issues that could deeply undermine the legitimacy of the current state apparatus. One such issue is the underreporting on World Trade Center 7, the THIRD skyscraper to collapse completely at Ground 0 on 9/ll.
You can access the full 30 minute documentary shown in the presentation here:
I was SO nervous that you can see the puddle of sweat under my armpit haha :) I was trying really hard to look calm and collected, but I definitely ended up being less precise with my words than I would've liked to, at various points.
The professor (who you can briefly hear speaking towards the end of the video), had tried to dissuade me from this topic for the entire semester. Her angle for the course was to persuade us impressionable 20-year-olds that Donald Trump had "stolen" the election by colluding with Russia against Hillary Clinton, and that democracy would truly die in darkness if we didn't stick to the "reputable" sources of information such as the Washington Post, the New York Times and other establishment media, as opposed to fringe sources disseminating Russian propaganda.
When I pushed to discuss Noam Chomsky's "Manufacturing Consent" (which was not even MENTIONED in the syllabus), she said, "Chomsky is an excellent linguist, but only a poor pained soul when it comes to political analysis".
And that's Wellesley College for y'all, folks.
I came back to the topic academically again for various classes. The following is a paper I wrote in 2019 for an Anthropology of Science course. It is a synopsis of both the tehcnical and sociological aspects that I feel are at the heart of the problem of Building 7 and systems of information. Thank you for reading!
#politics #media #truth #911 #education #censorship #academiaLE CAVERNE - Kristen GaspariniKristen Gasparini2024-10-06 | Ritracciando il Mito Della Cav3rna di Plat0ne, questa canzone denuncia l'0mertá sociale di fronte all'abu5o della veritá da parte dello stat0 e dell'imper0. Quest'omertá ha permesso e continua a permettere il massacr0 di intere pop0lazioni nel nome della sicure2za internazi0nale, quando dovrebbe essere ovvio che il terr0rismo é ed é sempre stato principalmente una tattica di contr0llo s0ciale da parte del p0tere c0stituito, che lo esercita sotto pretesti di fal5a band1era. L'Italia é pioniera di questa strategia della tensi0ne, avendone fatto ampio uso durante gli Anni di Pi0mbo, dal Piano S0lo (1964), alla strage di Piazza F0ntana (1969), alla strage di Bol0gna (1980).
La resi5tenza dei popoli che si difend0no da col0nialismo e imperia1ismo, dal Sudamerica al Medi0 0riente, viene automaticamente definita terr0ri5ta, e quindi degna di subire la vi0lenza di5umana dello stat0. Tuttavia, se abbiamo il c0raggio di chiamare le cose con il loro nome, possiamo contribuire alla lib3rtá per la Pale5tina, per il Liban0, per il C0ngo, per il 5udan, per l'Afghani5tan, e per ogni regione dalla quale l'imper0 estrae le risorse per arricchirsi mat3rialmente o strat3gicamente.
L'11 7mbre 2oo1 é l'evento di fal5a bandi3ra che ha internazi0nalmente definito la narrativa e psic0logia c0llettiva all'alba del nu0vo millenni0. Lo dimostrano i video degli espl0sivi collassi delle t0rri gem3lle e dell'edificio 7, di cui pochi conoscono l'esistenza. Quest'ultimo cadde nel pomeriggio di quel giorno, senza essere stato c0lpito da un aere0. La BB C e la C NN annunciarono il cr0llo prima che fosse successo, testimonianze di espl0sioni vennero insabbiate, e la NIST, organo del g0verno 5tatunitense che investigó il c0llasso quasi-simmetrico, produsse un rep0rt fraud0lento attribuendolo ad un banale inc3ndi0. Una nuova inv3stigazi0ne libera da c0nflitti di intere5se confermerebbe che i tre edifici sono stati dem0liti, per ragioni che gli st0rici potrebbero non svelare mai del tutto, data la distruzi0ne dell'evidenza che continua imperterrita, quasi un quarto di secol0 dopo la trag3dia.
L'apparato m3diatico 5tatunit3nse e filo-NAT0 ha, ovviamente, screditato e attaccat0 qualunque impegn0 a divulgar3 la ver1tá in merito. Per accedere ai piú accurati studi scientifici indipendenti sui c0llassi del W0rld 7rade C3nter, dirigersi al sito
a e 9 1 1 t r u t h . o r g
Diff0ndendo questa canz0ne e questo vide0, e studiand0 i fa77i in modo indipenden7e, contribuirai a dif3ndere la v3ritá e la digni7á umana da un p0tere sempre piú t0talitari0, intoll3rante e gen0cida. Un poter3 che non é piú contenuto dai confini di uno stat0, ma che opera a livell0 transnazi0nale e senza alcun rispett0 per principi c0stituzionali o di ci77adinanza.
Dobbiam0 ora difenderci c0me umani7á, al di lá di religi0ne o bandi3ra.
Io non sono lib3ra finché tutti sono lib3ri.Sinnerman by Nina Simone at Taosol Jamm at The Jago, Dalston #emergingartist #singer #newartistKristen Gasparini2024-06-08 | ...DAFFODIL (Madre) - Kristen GaspariniKristen Gasparini2024-05-12 | This is a song I wrote for my mother, but that I also dedicate to Mother Earth and all mothers, and the mothers and daughters of the Colombian Massif. This is the region where 70% of Colombia's freshwater is born, up in the rare paramo ecosystems. Camila, Yesenia, Lucy, Carmen and Hermila represent five generations of women who are farmers in the municipality of La Vega, Cauca. They are members of the People's Farmer's School Amolando Sabiduría, which shares agro-ecological education for the community, towards food and water sovereignty. Thank you for listeningMADRE (Daffodil) - Kristen GaspariniKristen Gasparini2024-05-12 | Esta es la versión con letra en Español de la canción que escribí para mi madre. El video muestra las majestuosas montañas del Macizo Colombiano, región donde se gesta el 70% del agua dulce de Colombia. Camila, Yesenia, Lucy, Carmen y Hermila representan cinco generaciones de mujeres campesinas en el municipio de La Vega, Cauca. Hacen parte de la escuela campesina y popular Amolando Sabiduría, que provee educación agro-ecológica y agropecuaria a la comunidad, para mantener aguas, bosques y suelos sanos y fértiles. Gracias por escucharCuerpecito (Ofrenda a la Pachamama en Qenqo, Cusco) - Kristen Gasparini, Gladys Conde, Renzo ZongKristen Gasparini2024-03-29 | ESP/ENG/IT
~ La ofrenda que acompaña esta canción, escrita por Kristen Gasparini, cantada por @gladysconde1784 y producida por @RenzoZong, se hizo con la guianza del chamán Yachaq Runa, a las afueras del sitio arqueologico de Qenqo, en Cusco, la capital de la cultura Inca en Perú. La medicina de la ofrenda a la Pachamama, la Madre Tierra, nos cura con el agradecimiento por todo lo que ella nos da para nutrir nuestros cuerpecitos, que acompañan nuestras almas en este plano de la existencia. Empezamos por una estrella de mar y pasto seco, rodeados por semillas, habas, alverjas, quinoa, y algas de mar, para simbolizar la importante conexión entre los frutos de la tierra y del océano. Una concha sostiene hojas de coca pegadas con untu, grasa de llama que ayudará en la quema, y que los espíritus aprecian mucho. Tabaco y caramelos que simbolizan lo masculino y lo femenino siguen, junto a lana de llama, confeti, y pétalos de varias flores, para alegrar la Pachamama. Los participantes también ponen hojas de coca que han sido rezadas con pensamiento y intención. Al cerrar la ofrenda, todos soplan en ella transmitiendo su esencia vital, antes de que el chamán la bendiga con cantos y rezos a los Apus, las montañas sagradas que nos rodean. Finalmente, la ofrenda se entrega al fuego para que la Pachamama pueda consumirla. En el primer comentario encontrarán la letra de la canción y su traducción.
~ The offering that accompanies this song, written by Kristen Gasparini, sung by @gladysconde1784 and produced by @RenzoZong, was made with the guidance of shaman Yachaq Runa, close to the archaeological site of Qenqo, in Cusco, the capital of the Inca culture in Peru. The medicine of the offering to Pachamama, Mother Earth, heals us with gratitude for everything she gives us to nourish our little bodies, which accompany our souls on this plane of existence. We start with a starfish and dry grass, surrounded by seeds, beans, peas, quinoa, and seaweed, to symbolize the important connection between the fruits of the land and of the ocean. A shell holds coca leaves glued with untu, llama fat that will help with combustion, and that the spirits greatly appreciate. Tobacco and candies that symbolize the masculine and the feminine follow, along with llama wool, confetti, and petals of various flowers, to make Pachamama happy. Participants also place coca leaves that have been prayed to with thought and intention. When closing the offering, everyone blows into it, transmitting their vital essence, before the shaman blesses it with songs and prayers to the Apus, the sacred mountains that surround us. Finally, the offering is delivered to the fire so that the Pachamama can consume it. In the first comment you will find the lyrics of the song and the translation.
~ L'offerta che accompagna questa canzone, scritta da Kristen Gasparini, cantata da @gladysconde1784 e prodotta da @RenzoZong, è stata realizzata con la guida dello sciamano Yachaq Runa, vicino al sito archeologico di Qenqo, Cusco, la capitale del Cultura Inca in Perù. La medicina dell'offerta alla Pachamama, Madre Terra, ci guarisce con la gratitudine per tutto ciò che lei ci dona per nutrire i nostri corpicini, che accompagnano le nostre anime in questo piano dell'esistenza. Iniziamo con una stella marina ed erba secca, circondati da semi, fagioli, piselli, quinoa e alghe, a simboleggiare l'importante connessione tra i frutti della terra e dell'oceano. Una conchiglia regge foglie di coca tenute assieme con untu, grasso di lama che aiuta nella combustione e che gli spiriti apprezzano molto. Seguono il tabacco e caramelle che simboleggiano il maschile e il femminile, insieme alla lana di lama, a coriandoli e a petali di vari fiori, per rallegrare Pachamama. I partecipanti mettono anche foglie di coca che sono state infuse con pensiero e intenzione. Nel chiudere l'offerta, ognuno vi soffia sopra, trasmettendo la propria essenza vitale, prima che lo sciamano la benedica con canti e preghiere agli Apus, le montagne sacre che ci circondano. Infine, l'offerta viene consegnata al fuoco affinché la Pachamama possa consumarla. Nel primo commento troverete il testo della canzone e la sua traduzione.