Deutsche Grammophon - DG
Leonard Bernstein, LSO - Mahler: Symphony No. 2 in C Minor Resurrection, V. Finale (Excerpt)
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Deutsche Grammophon continues the genre-defying project Fragments, an invitation from Deutsche Grammophon for thirteen leading electronic artists to respond to a single composer. With one single released each month, Fragments gradually builds over the course of a year.
FRAGMENTS – the album project celebrating music past and present by inviting some of today’s most innovative artists - goes into the second season by reworking the compositions of composer Lili Boulanger featuring Angara with Soleils de Septembre.
“Revisiting Lili Boulanger’s Soleils de septembre was primarily driven by the emotional characteristics of this piece. The deep melancholy combined with a touch of darkness created a wide palette of possibilities for us to rework it. Lili Boulanger was also close to Gabriel Fauré, who is one of our favourite classical musicians. During the remix process, we felt a profound connection with the original work, a kind of silent dialogue between the past and the present. The piano and choir were the main elements that forged our inspiration. This remix represents our respectful tribute to Lili Boulanger and our desire to share her timeless work with contemporary audiences.”- Angara
Find out more about Fragments here:
Instagram: instagram.com/project.fragments
Find the official Fragments playlist here:
Spotify: open.spotify.com/playlist/0L7CHMOjqYUuDvQE1Pn1gt?si=3ef4313ef0c14464
Find out more about Angara here:
Instagram: instagram.com/angara.music
Facebook: facebook.com/angara.music
Spotify:
Editor: Jon-Jakob Gendner
Angara – Soleils de Septembre // FRAGMENTS II – Lili Boulanger
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Luna is about connecting human existence to the enduring nature of the moon. Like the moon, people may experience solitude, conceal their true emotions, and project an outward image of strength and perfection.
The LA-based Indonesian composer, pianist and producer is already known for carefully-crafted musical narratives that resonate deeply with audiences in both the cinema and the concert hall.
Eunike is a leading social media creative, using her online presence to bring orchestral music to a more diverse audience and to provide inspiration for other creators, especially women of colour – notably via her “Hum me a Melody” series. She also regularly collaborates with other artists, most recently Grammy®-winning singer-songwriter Laufey. The pair took the Bose/Porsche/She Is The Music “Turn the Dial” challenge, writing, recording and producing a brand-new track within just three hours.
Eunike Tanzil was born on the Indonesian island of Sumatra in 1998 and started learning piano at the age of five. While still very young, she discovered the music of John Williams and realised that she felt a particularly close connection to music designed to tell stories. At 17, she moved to the US, going on to gain degrees from the Berklee College of Music and The Juilliard School, having won full scholarships to both. Since then she has worked with such leading figures of the music world as John Debney, Pinar Toprak and John Corigliano, their mentorship playing a key role in forging her artistic vision and identity.
Video Animation by © Michelle Flitman
instagram.com/fawnestly
tiktok.com/@fawnestly
Composer, Pianist, Producer: Eunike
Mixed by Christian Badzura
Mastering Engineer & Immersive Mix Engineer: Zino Mikorey
Recording Engineer: Aldo Arechar
Find out more about Eunike Tanzil here:
Instagram: instagram.com/eunike.tanzil
TikTok: tiktok.com/@euniketanzil
Facebook: facebook.com/euniketanzil
YouTube: youtube.com/channel/UC0ncvqRlie98YCFMtS-SV2A
Website: euniketanzil.com
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Stream the full performance for free with registration on STAGE+: stage-plus.com/video/vod_concert_APNM8GRFDPHMASJKBSQJ8C0
For his audio-visual recordings of both Das Lied von der Erde and the songs from Des Knaben Wunderhorn, Leonard Bernstein turned to the Israel Philharmonic Orchestra, an ensemble with which he had a decades-long relationship. For this live recording made at the Frederick Mann Auditorium in Tel Aviv of Mahler’s 1908 work – a part symphony, part song cycle setting fin-de-siècle German translations of Chinese poetry – the conductor is joined with two of the greatest singers of the time: tenor René Kollo and mezzo-soprano Christa Ludwig, who features in the final song of the work, “Der Abschied” – a heartbreaking farewell that lasts as long as all five other movements put together.
Leonard Bernstein, René Kollo - Mahler: Das Lied von der Erde: III. Von der Jugend
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Daniel Hope's latest album, 'Irish Roots' due for release on July 5, 2024, embodies his deep connection to Ireland, inherited from his paternal great-grandfather who left Waterford for South Africa in the 1890s. Although never residing in Ireland, Hope's fascination with its culture led to the creation of the documentary "Celtic Dreams: Daniel Hope’s Hidden Irish History." Supported by musicologist Olivier Fourés and experiences with Irish band Lúnasa, Hope explores the intersection of folk and classical music. 'Irish Roots' reflects this journey, featuring compositions by Ina Boyle and Turlough O’Carolan alongside classics like "Danny Boy" and Vivaldi's L’estro armonico concertos. Daniel Hope is joined on his new album by a stellar line-up of guest artists, including Lúnasa, harpist Siobhán Armstrong, flautists Sir James and Lady Jeanne Galway, singer Rea Garvey, multi-instrumentalist and folk musician Ross Daly, fellow violinist Simos Papanas, and the Thessaloniki State Symphony Orchestra conducted by Daniel Geiss.
Violin: Daniel Hope
Fiddle: Seán Smyth
Flutes & Whistles: Kevin Crawford
Double Bass: Trevor Hutchinson
Uilleann pipes: Cillian Vallely
Guitar: Ed Boyd
Daniel Hope & Lúnasa - Morning Nightcap (Arr. Lúnasa for Ensemble) (Official Music Video)
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30 years after his last visit to Japan, John Williams has returned for a special concert – making his debut with the world-famous Saito Kinen Orchestra in renditions of his beloved film scores and reuniting with his longtime friend, world-renowned conductor Seiji Ozawa. Captured live on record at Suntory Hall last year, ‘John Williams in Tokyo’ is set to be released by Deutsche Grammophon on 3 May and follows his acclaimed concert albums, ‘The Berlin Concert’ and ‘John Williams in Vienna’, which topped charts around the globe.
“It was a joy to return to Japan after 30 years to visit my dear friend and longtime musical colleague Seiji Ozawa and to conduct his brilliant Saito Kinen Orchestra for the very first time.” – John Williams
Watch the trailer "John Williams in Tokyo": youtu.be/0Cv_MUbnNGA?si=K6BYuuo2Blq2zcpl
John Williams & Saito Kinen Orchestra - “Throne Room & Finale”
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Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: stage-plus.com
“Yuja Wang sent the Konzerthaus into raptures … the hall went wild!” (Der Standard, Vienna) – on 26 April 2022 the virtuoso pianist Yuja Wang thrilled her Viennese audience with an astonishingly eclectic mix of repertoire. Recorded and filmed live on the night, the programme ranged from the early Classicism of Gluck to the improvisatory jazz piano of Kapustin, via music by Albéniz, Beethoven, Glass, Scriabin and more. As can be heard on her forthcoming album, taken from that acclaimed recital, Yuja displayed an effortless ease in switching between different eras and genres.
“I believe that every programme should have its own life and reflect my current feelings” – Yuja Wang
Yuja Wang – The Vienna Recital, released by Deutsche Grammophon on CD, on vinyl (2 LPs) and digitally.
You can listen to and order the album here: https://dgt.link/Wang-ViennaRecital
Subscribers to STAGE+ can enjoy the filmed performance on the DG platform right now: https://stage.plus/YujaVienna
Yuja Wang - Beethoven: Piano Sonata No. 18 in E flat major “The Hunt” op. 31/3: 4. Presto con fuoco
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Luna is about connecting human existence to the enduring nature of the moon. Like the moon, people may experience solitude, conceal their true emotions, and project an outward image of strength and perfection.
The LA-based Indonesian composer, pianist and producer is already known for carefully-crafted musical narratives that resonate deeply with audiences in both the cinema and the concert hall.
Eunike is a leading social media creative, using her online presence to bring orchestral music to a more diverse audience and to provide inspiration for other creators, especially women of colour – notably via her “Hum me a Melody” series. She also regularly collaborates with other artists, most recently Grammy®-winning singer-songwriter Laufey. The pair took the Bose/Porsche/She Is The Music “Turn the Dial” challenge, writing, recording and producing a brand-new track within just three hours.
Eunike Tanzil was born on the Indonesian island of Sumatra in 1998 and started learning piano at the age of five. While still very young, she discovered the music of John Williams and realised that she felt a particularly close connection to music designed to tell stories. At 17, she moved to the US, going on to gain degrees from the Berklee College of Music and The Juilliard School, having won full scholarships to both. Since then she has worked with such leading figures of the music world as John Debney, Pinar Toprak and John Corigliano, their mentorship playing a key role in forging her artistic vision and identity.
Video Animation by © Michelle Flitman
instagram.com/fawnestly
tiktok.com/@fawnestly
Cello: Emanuel Keller
instagram.com/emankellermusic
Tracking Engineer: Justin Adijanto
Mixing Engineer: Kenneth Jin
Mastering Engineer: Farhan Sarasin
Find out more about Eunike Tanzil here:
Instagram: instagram.com/eunike.tanzil
TikTok: tiktok.com/@euniketanzil
Facebook: facebook.com/euniketanzil
YouTube: youtube.com/channel/UC0ncvqRlie98YCFMtS-SV2A
Website: euniketanzil.com
Eunike Tanzil – Luna (Official Animated Music Video)
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Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: stage-plus.com
Conducting three Mozart masterpieces, the highly acclaimed young Finnish phenomenon Tarmo Peltokoski makes his debut as an exclusive Deutsche Grammophon artist, about which he says: "It is a luxury to perform Mozart with the Deutsche Kammerphilharmonie Bremen, and to bring these three symphonies to disc is a dream come true." The Berliner Tagesspiegel recently wrote in a concert review: "Peltokoski is a talent of the century ... His interpretative performances seem effortless - conducting seems to come completely naturally to him." In January 2022, Tarmo Peltokoski was appointed "Principal Guest Conductor" by the Deutsche Kammerphilharmonie Bremen, making him the first conductor to hold this position in the orchestra's 42-year history. The youngest conductor at Deutsche Grammophon, born in 2000, he conducted his first complete Wagner Ring cycle at the Eurajoki Bel Canto Festival at the age of 22. In December 2022, Peltokoski was appointed Music Director of the Orchestre National du Capitole de Toulouse.
Tarmo Peltokoski - Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro
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The album begins and ends with a fragment from the finale of Scriabin’s First Piano Sonata
Asal’s full performance of the Sonata is framed by a selection of Scriabin’s etudes and preludes,
six sonatas by Scarlatti and two improvisatory Transitions by the pianist himself
Julius Asal chose two different Steinways for the recording, one for its sumptuous dark sonorities, the other for its clear, crisp sound.
“These miniatures by Scriabin and Scarlatti are like mythical creatures from another dimension, with their own character, their own life, their own past, present and future.”
Julius Asal
Julius Asal - Scriabin: Prélude in E-Flat Minor, Op. 11, No. 14
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Joe Hisaishi in Vienna - Order the album and listen to ‘Viola Saga Movement 2’ here: dg.lnk.to/JoeHisaishiInVienna
Listen or pre-order your copy of Fragments here: dg.lnk.to/ProjectFragments
Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: stage-plus.com
“Yuja Wang sent the Konzerthaus into raptures … the hall went wild!” (Der Standard, Vienna) – on 26 April 2022 the virtuoso pianist Yuja Wang thrilled her Viennese audience with an astonishingly eclectic mix of repertoire. Recorded and filmed live on the night, the programme ranged from the early Classicism of Gluck to the improvisatory jazz piano of Kapustin, via music by Albéniz, Beethoven, Glass, Scriabin and more. As can be heard on her forthcoming album, taken from that acclaimed recital, Yuja displayed an effortless ease in switching between different eras and genres.
“I believe that every programme should have its own life and reflect my current feelings” – Yuja Wang
Yuja Wang – The Vienna Recital, released by Deutsche Grammophon on CD, on vinyl (2 LPs) and digitally.
You can listen to and order the album here: https://dgt.link/Wang-ViennaRecital
Subscribers to STAGE+ can enjoy the filmed performance on the DG platform right now: https://www.stage.plus/YujaVienna
Yuja Wang - Piano Sonata No. 18 in E flat major The Hunt op. 31/3: 4. Presto con fuoco (Pseudovideo)
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Deutsche Grammophon continues the genre-defying project Fragments, an invitation from Deutsche Grammophon for thirteen leading electronic artists to respond to a single composer. With one single released each month, Fragments gradually builds over the course of a year.
FRAGMENTS – the album project celebrating music past and present by inviting some of today’s most innovative artists - goes into the second season by reworking the compositions of composer Lili Boulanger featuring Gryr with Sometimes I’m Sad.
“Parfois, je suis triste’, in particular, resonated with me completely. The title translates to ‘Sometimes I’m sad’, and within those words lies a world of deep thought and of course a lot of emotions. In every note, I wanted to reflect the fragile moments when we find ourselves in the depths of sadness, a state that connects us all as human beings. My journey was deeply personal, and I poured my own experiences and emotions into every element of this rework. I wanted to create a musical narrative that pays tribute to Lili Boulanger’s legacy while adding my own more ‘modern’ perspective. The result is a fusion of classical and modern elements that I hope will resonate with listeners on an emotional level.” - Gryr
Find out more about Fragments here:
Instagram: instagram.com/project.fragments
Find the official Fragments playlist here:
Spotify: open.spotify.com/playlist/0L7CHMOjqYUuDvQE1Pn1gt?si=3ef4313ef0c14464
Find out more about Gryr here:
Facebook: facebook.com/Gryrmusic
Instagram: instagram.com/gryrmusic
Spotify: open.spotify.com/playlist/0L7CHMOjqYUuDvQE1Pn1gt?si=3ef4313ef0c14464
Editor: Jon-Jakob Gendner
Gryr – Sometimes I’m Sad // FRAGMENTS II – Lili Boulanger
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Luna is about connecting human existence to the enduring nature of the moon. Like the moon, people may experience solitude, conceal their true emotions, and project an outward image of strength and perfection.
The LA-based Indonesian composer, pianist and producer is already known for carefully-crafted musical narratives that resonate deeply with audiences in both the cinema and the concert hall.
Eunike is a leading social media creative, using her online presence to bring orchestral music to a more diverse audience and to provide inspiration for other creators, especially women of colour – notably via her “Hum me a Melody” series. She also regularly collaborates with other artists, most recently Grammy®-winning singer-songwriter Laufey. The pair took the Bose/Porsche/She Is The Music “Turn the Dial” challenge, writing, recording and producing a brand-new track within just three hours.
@eunike.tanzil was born on the Indonesian island of Sumatra in 1998 and started learning piano at the age of five. While still very young, she discovered the music of John Williams and realised that she felt a particularly close connection to music designed to tell stories. At 17, she moved to the US, going on to gain degrees from the Berklee College of Music and The Juilliard School, having won full scholarships to both. Since then she has worked with such leading figures of the music world as John Debney, Pinar Toprak and John Corigliano, their mentorship playing a key role in forging her artistic vision and identity.
Cello: Emanuel Keller
instagram.com/emankellermusic
Tracking Engineer: Justin Adijanto
Mixing Engineer: Kenneth Jin
Mastering Engineer: Farhan Sarasin
Video by © Jing Hwang
Find out more about Eunike Tanzil here:
Instagram: instagram.com/eunike.tanzil
TikTok: tiktok.com/@euniketanzil
Facebook: facebook.com/euniketanzil
YouTube: youtube.com/channel/UC0ncvqRlie98YCFMtS-SV2A
Website: euniketanzil.com
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Watch the full concert of "Pretty Yende & Nadine Sierra in Concert" on STAGE+, the new streaming service by Deutsche Grammophon: https://www.stage.plus/SierraYende
Pretty Yende and Nadine Sierra, two of the brightest stars in the operatic firmament, join forces for
a varied programme of arias and duets celebrating and reflecting on the joys and challenges of life.
The concert, recorded live at the Philharmonie de Paris in March 2023, features composers ranging
from Rossini to Bernstein and encompasses both audience favourites and repertoire rarities
Nadine Sierra & Pretty Yende - Delibes: Lakmé / Flower Duet
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No city embodies the spirit of Central Europe more vibrantly than Prague, and no venue in Prague is more alive with history than the baroque Estates Theatre – the house for which Mozart wrote Don Giovanni. It makes an exquisite setting for the Berliner Philharmoniker's 2006 Europakonzert – an all-Mozart performance conducted by Daniel Barenboim. The "Haffner" and "Linz" symphonies are the twin cornerstones of the programme, but like Mozart himself, Barenboim also takes to the keyboard as soloist-director in the noble Piano Concerto No.22. And the orchestra's then-principal horn Radek Baborák steps forward as soloist in the First Horn Concerto: music-making of unbridled joy, from the very heart of Europe.
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French soprano Axelle Fanyo sings a traditional spiritual in the version created for voice and piano by the celebrated pianist, conductor and arranger Moses Hogan. She uses her storytelling ability to communicate the powerful sense of grief and yearning behind the lyrics, especially on the words “a long ways from home”. She’s accompanied with clarity and sensitivity by the equally talented collaborative pianist Kunal Lahiry.
Axelle Fanyo & Kunal Lahiry - Sometimes I feel like a motherless child (trad., arr. Hogan)
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Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: stage-plus.com
The album begins and ends with a fragment from the finale of Scriabin’s First Piano Sonata
Asal’s full performance of the Sonata is framed by a selection of Scriabin’s etudes and preludes,
six sonatas by Scarlatti and two improvisatory Transitions by the pianist himself
Julius Asal chose two different Steinways for the recording, one for its sumptuous dark sonorities, the other for its clear, crisp sound.
“These miniatures by Scriabin and Scarlatti are like mythical creatures from another dimension, with their own character, their own life, their own past, present and future.”
Julius Asal
Julius Asal - TRANSITION II
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Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: stage-plus.com
“Yuja Wang sent the Konzerthaus into raptures … the hall went wild!” (Der Standard, Vienna) – on 26 April 2022 the virtuoso pianist Yuja Wang thrilled her Viennese audience with an astonishingly eclectic mix of repertoire. Recorded and filmed live on the night, the programme ranged from the early Classicism of Gluck to the improvisatory jazz piano of Kapustin, via music by Albéniz, Beethoven, Glass, Scriabin and more. As can be heard on her forthcoming album, taken from that acclaimed recital, Yuja displayed an effortless ease in switching between different eras and genres.
“I believe that every programme should have its own life and reflect my current feelings” – Yuja Wang
Yuja Wang – The Vienna Recital, released by Deutsche Grammophon on CD, on vinyl (2 LPs) and digitally.
You can listen to and order the album here: https://dgt.link/Wang-ViennaRecital
Subscribers to STAGE+ can enjoy the filmed performance on the DG platform right now.
Yuja Wang - Kapustin: Jazz Prélude, Op. 53/10
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Joe Hisaishi in Vienna - Order the album and listen to ‘Viola Saga Movement 2’ here: dg.lnk.to/JoeHisaishiInVienna
Deutsche Grammophon is thrilled to announce the release of Joe Hisaishi in Vienna – the world-renowned and multi-award-winning Japanese composer, conductor and pianist’s second album for the Yellow Label.
Joe Hisaishi in Vienna presents two world premiere recordings - Symphony No. 2, captured live at the Musikverein with the Wiener Symphoniker and Viola Saga, featuring renown soloist Antoine Tamestit. The album was recorded in Vienna, the city of classical music.
Watch the album trailer here: youtube.com/watch?v=m_zadsaPP-g
This performance of ‘Viola Saga’ was filmed at Vienna’s Wiener Konzerthaus.
Film production credits:
For BFMI
Directed by Veronika-Emily Pohl, Produced by Bernhard Fleischer
Editor: Daniel Kapi
Camera Equipment supplied by: Pilvax Films
Filmed at Wiener Konzerhaus, Vienna
Follow Joe Hisashi on:
Spotify:open.spotify.com/artist/7nzSoJISlVJsn7O0yTeMOB?si=FcYdgr6IQT2ZKLhbzUdbaA
Discover: open.spotify.com/playlist/6z4PMxECcYBpb1JrnsLCxs?si=2d2da6fdc8994d66
Instagram: instagram.com/joehisaishi.official
TikTok: tiktok.com/@joe.hisaishi
Facebook: facebook.com/JoeHisaishi.official
X: twitter.com/official_joeh
Joe Hisaishi with Antoine Tamestit & Wiener Symphoniker - Viola Saga Movement 2 (Part 1)
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Bomsori joins the conductor Santtu-Matias Rouvali and the Orchestre Philharmonique de Radio France for this programme filmed in Paris in September 2023. The Korean violinist performs one of the great violin concertos of the repertoire, Tchaikovsky's Violin Concerto of 1878, a work which combines the composer's unrivalled melodic gift with symphonic ambition and plenty of virtuoso fireworks to thrilling effect. To complete the programme, conductor and orchestra present Shostakovich's Symphony No. 6. Composed in 1939, it's a work that turns traditional symphonic form on its head to begin with an expansive slow movement, followed by two faster movements, including characteristically acerbic presto finale.
Soloist: Bomsori (Violin)
Ensemble: Orchestre Philharmonique de Radio France
Conductor: Santtu-Matias Rouvali
Santtu-Matias Rouvali & Bomsori - Tchaikovsky: Violin Concerto in D Major, Op. 35
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Deutsche Grammophon continues the genre-defying project Fragments, an invitation from Deutsche Grammophon for thirteen leading electronic artists to respond to a single composer. With one single released each month, Fragments gradually builds over the course of a year.
FRAGMENTS – the album project celebrating music past and present by inviting some of today’s most innovative artists - goes into the second season by reworking the compositions of composer Lili Boulanger featuring Fejká with Cortège.
"I followed my intuition with this remix. While listening to Lili Boulanger tracks, I got stuck on the piano theme from Cortège. There was something slightly hypnotic about the ebb and flow of the main
melody. I often loop short melodies that trigger this feeling, which is why I chose it. I realised that the title actually means ‘train / entourage’ – a kind of movement. I didn’t want to change this feeling too
much but rather build my world around it. In my drums, I increased the swinging feeling and the special rhythm. I also added a note from my sound record to the atmosphere. Towards the end, I wanted to
give the track an electronic finish and symbolise the feeling of ‘progress’ – a development from classical to electronic.." - Fejká
Find out more about Fragments here:
Instagram: instagram.com/project.fragments
Find the official Fragments playlist here:
Spotify: open.spotify.com/playlist/0L7CHMOjqYUuDvQE1Pn1gt?si=3ef4313ef0c14464
Find out more about Fejká here:
Facebook: facebook.com/fejkamusic
Instagram: instagram.com/fejkaofficial
Editor: Jon-Jakob Gendner
Fejká – Cortège // FRAGMENTS II – Lili Boulanger
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“‘Before Barbed Wire’ is a homage to the late American contemporary pianist George Winston. We got to know this beautiful piece of music when we were children listening to the Winston version from his seminal album ‘Plains.’ The track is fragile, nostalgic and quintessentially American with its pastoral and wide-open gestures. There was always an openness to his music, something at once from the landscape and the heart. We hope this version picks up where he left off. The cover image, originally made for geological survey purposes, comes from the same series of photographs used for Balmorhea’s 2022 EP Solanales.” - Balmorhea
Balmorhea - Before Barbed Wire (Visualizer)
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“Pax is my contribution to this year’s World Piano Day,” Beving says. “It is meant as an act of rage, not sedation. One brick on the crumbling path of hope.”: youtu.be/F27SL6cCktE?si=xZtpkFJfBa_iPfRe
Conductor Jakub Hrůša and pianist Lukáš Vondráček are the guests for the Czech Philharmonic’s 2022 Velvet Revolution Concert. This concert opens with one of Rachmaninoff’s best-loved works, his sweepingly romantic and Piano Concerto No. 2, with Vondráček a virtuoso soloist. Leoš Janáček’s early folk music-inspired Suite for Orchestra from 1891 follows, while the programme concludes with Witold Lutosławski’s Concerto for Orchestra: a thrilling orchestral showpiece dating from the middle of the century which marked the climax of its composer’s engagement with the folk music traditions of his native Poland.
Soloist: Lukáš Vondráček (Piano)
Ensemble: Czech Philharmonic
Conductor: Jakub Hrůša
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