WoodCulture
Eduardo Córdova Reyes - Cuban Percussionist
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Performance Team: WangJiaXun Percussion Group
The Dual Olympics City is a percussion ensemble piece adapted by Wang Shen. Since Beijing successfully hosted both the Summer and Winter Olympic Games, it became the first “Dual Olympics City” in the world. This work combines the theme songs of the two Olympic Games with a promotional song. Retaining the different musical styles of each work, it uses the orchestration method of marching percussion, which is an innovation in the form of percussion performance.
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Highlighting Burning Man’s Sustainability Goals, the film underscores the importance of integrating these goals into the dreams and aspirations of participants. Through a series of interviews with artists, organizers and a range of contributors, “Tales of Dreamers” provides a kaleidoscopic view of the collective dream that embodies the spirit of Burning Man.
In this film, the dreams carry a depth and diversity mirroring the participants themselves, each contributing to a broader panorama of sustainable, inclusive and imaginative future.
Aerial Cinematography: @jamenpercy @mattemmi @randlarson
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💚🔥 It's time to contemplate a profound question with us: How can an event as remarkable as this truly align with long-term sustainability? Let us guide you through the core of Black Rock City as we explore Burning Man's adoption of sustainable practices.
💡🔥 We may not possess all the answers, but we assure you an enthralling story that ignites discussion and awakens awareness about sustainability.
Aerial Cinematography: @jamenpercy @mattemmi @randlarson
#TalesOfDreamers #IWCS #WoodCulture #GreenBurn #Sustainability#documentary#BurningMan
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Performance Team: WangJiaXun Percussion Group
The Hymn to Life is a percussion ensemble piece adapted by Wang Shen. Retaining the original music style and rhythm of The Lonely Warrior, this work incorporates the melody and rhythm elements of Coldplay's Viva La Vida at the beginning of the music, and used the ensemble form of keyboard percussion and drums to show the pure music performance, which made the audience have a refreshing experience and feeling.
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The exhibition "All Trades and Professions in the Market" in Beijing Wenwangge Woodwork Museum reproduces the interesting life in the city and the world in the past through various old objects, from which people can feel the craftsmanship that has been passed down to the present.
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In this video, Wang Wenwang, Curator of Wenwangge Woodwork Museum leads us to know the carpenter's shop, and learn about carpentry tools, wood furniture, lacquer craft, wood types and wood mortise and tenon. He hopes that through these exquisite woodwork art exhibitions, the traditional Chinese culture and traditional woodwork skills can be promoted.
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Performance Team: WangJiaXun Percussion Group
Jiangzhou Drum Music is a traditional folk music in Xinjiang County, Shanxi Province of China, listed as the world intangible cultural heritage by UNESCO.
"The Fighting of Bull with Tiger" is a representative piece of Jiangzhou Drum Music, featuring two large drums on stage, symbolizing the two beasts of the bull and tiger. The music consists of three chapters: meeting, playing, and fighting. Using flexible drumming techniques, the players shows the audience the stubbornness and fierceness of the bull and the mighty and brave of the tiger.
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The exhibition "All Trades and Professions in the Market" in Beijing Wenwangge Woodwork Museum reproduces the interesting life in the city and the world in the past through various old objects, from which people can feel the craftsmanship that has been passed down to the present.
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Xylophone: Wang Shen
Suona Horn: Shi Nannan
Performance Team: WangJiaXun Percussion Group
“Climbing the Mountain, Fighting the Tiger” excerpted from the Peking Opera work "Outsmart the Tiger Mountain" was recomposed by the founder of the group, Wang Jiaxun, in 1995 and premiered at the Pontivi Festival in France in 1997.
The work combines Western melodic percussion instruments like xylophone, marimba, vibraphone, and traditional Chinese Peking Opera percussion instruments such as drums, small gongs, cymbals and large gongs.
The combination of Chinese and Western orchestration not only retains the tradition of music, but also gives it vitality, bringing more fresh and rich experience to the audience.
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Huang Qingluan, the inheritor of Putian Longan Wood Carving has been dedicated in wood carving for more than 20 years. He apprenticed under Min Guolin, Master of Longan Wood Carving, and was good at round carving, root carving. As a craftsman, Huang Qingluan is constantly improving, challenging and breaking through himself on the road of art. His works are mainly based on poetic expressions of imagery, artistic conception, and interest. He has innovated and developed on the basis of adhering to traditional techniques. His works have been collected by many museums across the country and abroad, and have won various awards many times.
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Huang Qingluan, the inheritor of Putian Longan Wood Carving has been dedicated in wood carving for more than 20 years. He apprenticed under Min Guolin, Master of Longan Wood Carving, and was good at round carving, root carving. As a craftsman, Huang Qingluan is constantly improving, challenging and breaking through himself on the road of art. His works are mainly based on poetic expressions of imagery, artistic conception, and interest. He has innovated and developed on the basis of adhering to traditional techniques. His works have been collected by many museums across the country and abroad, and have won various awards many times.
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Shiyou is a village in Nanfeng County, where the Nuo Dance maintains its ancient style with the most traditional features. The inheritor Ye Genming introduced that Shiyou Nuo Dance is divided into four steps. The Starting Nuo is on Chinese New Year's Eve. Then Dancing Nuo will last for 16 days. Searching Nuo and Concluding Nuo are on the night of the 16th day of the first lunar month.
Nowadays Shiyou Nuo Dance has a total of 11 masks and 8 performances, such as “Kai Shan”, “Paper Money”, “Thunder God”, and so on. Nuo masks are an important component of Nuo culture. Nuo masks are usually made of willow wood or camphor wood. After elaborately carved and painted, each mask is endowed with a rich expression and bright character.
After a long period of development and innovation, Nuo Dance has gradually evolved into a folk dance with diverse styles. As an ancient folk art, it has both functions of sacrifice and entertainment, symbolizing people's expectations for a better life.
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Shiyou is a village in Nanfeng County, where the Nuo Dance maintains its ancient style with the most traditional features. The inheritor Ye Genming introduced that Shiyou Nuo Dance is divided into four steps. The Starting Nuo is on Chinese New Year's Eve. Then Dancing Nuo will last for 16 days. Searching Nuo and Concluding Nuo are on the night of the 16th day of the first lunar month.
Nowadays Shiyou Nuo Dance has a total of 11 masks and 8 performances, such as “Kai Shan”, “Paper Money”, “Thunder God”, and so on. Nuo masks are an important component of Nuo culture. Nuo masks are usually made of willow wood or camphor wood. After elaborately carved and painted, each mask is endowed with a rich expression and bright character.
After a long period of development and innovation, Nuo Dance has gradually evolved into a folk dance with diverse styles. As an ancient folk art, it has both functions of sacrifice and entertainment, symbolizing people's expectations for a better life.
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After thousands of years of evolution, lanterns have developed differently in different regions, and their varieties and uses have become increasingly colorful. The structure of Taiwanese lanterns is handcrafted from Taiwan's three-year-old high mountain Phyllostachys Bambusoides with good toughness. The outer part is usually made of Zhangzi paper, which is windproof and rainproof, and durable. Traditional Taiwanese lanterns include Dragon and Phoenix Lantern, Dragon and Tiger Lantern, the Lantern of Wealth, Children and Longevity, and the Lantern of Nine Dragons Fighting for The Pearl. There is also an Umbrella Lantern that uses the production principle of oil-paper umbrellas, which can be easily stored like paper umbrellas when not in use. In Minnan dialect, the Chinese character "Lantern" and "Ding" are homophonic, so hanging lanterns has the saying of many children, good fortune and seeking for light. Colorful lanterns also imply family reunion, career prosperity, health and longevity, and people's expectation for a better life.
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After thousands of years of evolution, lanterns have developed differently in different regions, and their varieties and uses have become increasingly colorful. The structure of Taiwanese lanterns is handcrafted from Taiwan's three-year-old high mountain Phyllostachys Bambusoides with good toughness. The outer part is usually made of Zhangzi paper, which is windproof and rainproof, and durable. Traditional Taiwanese lanterns include Dragon and Phoenix Lantern, Dragon and Tiger Lantern, the Lantern of Wealth, Children and Longevity, and the Lantern of Nine Dragons Fighting for The Pearl. There is also an Umbrella Lantern that uses the production principle of oil-paper umbrellas, which can be easily stored like paper umbrellas when not in use. In Minnan dialect, the Chinese character "Lantern" and "Ding" are homophonic, so hanging lanterns has the saying of many children, good fortune and seeking for light. Colorful lanterns also imply family reunion, career prosperity, health and longevity, and people's expectation for a better life.
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After the official opening ceremony, the festival will be a place to see cultural expressions through handicraft products, to attend a timber and non-timber forest products exhibition, and to watch traditional music and dance performances.
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These unique "Dream of Red Chamber" themed works not only reflect the extensive and profound Chinese traditional culture, but also a perfect interpretation of the "craftsmanship.” Mr. Qiu Ganqing, the owner of Zhenbei Art Gallery, hopes that people can concentrate on creation, create masterpieces handed down from generation to generation, and jointly inherit and carry forward China's excellent traditional culture through learning and visiting these fine arts.
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These unique "Dream of Red Chamber" themed works not only reflect the extensive and profound Chinese traditional culture, but also a perfect interpretation of the "craftsmanship.” Mr. Qiu Ganqing, the owner of Zhenbei Art Gallery, hopes that people can concentrate on creation, create masterpieces handed down from generation to generation, and jointly inherit and carry forward China's excellent traditional culture through learning and visiting these fine arts.
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Ganzhou and Taiwan are both gather point for the Hakka people in the world. The Hakka people in the two places share the same origin and the same customs and culture. This kind of cultural exchange activities for young people in Jiangxi and Taiwan remind children the family and cultural attachment through the rich and colorful Hakka intangible cultural heritage in southern Jiangxi. Through listening and learning, carving and shaping, one can understand the diversity of traditional Chinese handicrafts, enjoy the fun of personal creation, and feel the artistic charm of Hakka root carving.
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This wooden toys game for the elderly aims to help the elderly establish a healthy lifestyle through physical and intellectual activities, cultivate their good interests and hobbies, enrich everyone's spiritual and cultural life, and enable the elderly to be active and active in their old age. At the same time, it is also hoped that by holding such wooden toys game, it will show the cultural heritage of traditional Chinese wooden toys, increase the cultural connotation of competitive games, and further inherit and promote traditional culture and ancient wisdom.
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This wooden toys game for the elderly aims to help the elderly establish a healthy lifestyle through physical and intellectual activities, cultivate their good interests and hobbies, enrich everyone's spiritual and cultural life, and enable the elderly to be active and active in their old age. At the same time, it is also hoped that by holding such wooden toys game, it will show the cultural heritage of traditional Chinese wooden toys, increase the cultural connotation of competitive games, and further inherit and promote traditional culture and ancient wisdom.
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Named in honor of the late woodcut artist Mestre Noza, the Centro de Cultura Popular aims to concentrate the region's handicrafts to boost their dissemination and sale. Operating since 1983, the Center is a cooperative with more than 100 registered artisans with varied works, from wood, clay and iron, to natural fibers and recycled material.
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Named in honor of the late woodcut artist Mestre Noza, the Centro de Cultura Popular aims to concentrate the region's handicrafts to boost their dissemination and sale. Operating since 1983, the Center is a cooperative with more than 100 registered artisans with varied works, from wood, clay and iron, to natural fibers and recycled material.
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