W.T.F. Bach
J.S. Bach, The Art of Fugue: BWV 1080. Arranged for Instagram
updated
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A link to the source of d minor Chaconne, BWV 1178 (https://www.bach-digital.de/servlets/solr/select?q=%2BobjectType%3A%22work%22%20%2B%28musicrepo_work01%3A1178%20musicrepo_work01shelfmark%3A1178%20musicrepo_workid_number%3A1178%20musicrepo_work02%3A1178%29%20-state%3A%22STAT0005%22&fl=id%2CreturnId%2CobjectType&sort=musicrepo_worksort01%20asc&version=4.5&mask=&start=0&fl=id&rows=1&XSL.Style=browse&origrows=25) A link to the source of the g minor Chaconne, BWV 1179 (https://www.bach-digital.de/servlets/solr/select?q=%2BobjectType%3A%22work%22%20%2B%28musicrepo_work01%3A1179%20musicrepo_work01shelfmark%3A1179%20musicrepo_workid_number%3A1179%20musicrepo_work02%3A1179%29%20-state%3A%22STAT0005%22&fl=id%2CreturnId%2CobjectType&sort=musicrepo_worksort01%20asc&version=4.5&mask=&start=0&fl=id&rows=1&XSL.Style=browse&origrows=25)
The live stream link (youtube.com/live/vDGRpqDq-M4) (English overdub.)
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The fugue was considered 'of doubtful authenticity' until the most recent BWV catalogue, where it is now considered 'early Weimar time.' I am unclear if this means 1703, when Bach was briefly in Weimar, or early into his 1708-1717 tenure. To me it seems to match stylistically the compositions closer to 1700, hence I am inclined to imagine that this is meant by 'frühe Weimarer Zeit.' Anyone with access to the BWV3 (2022) who might be able to clarify this would be heartily thanked.
_Don't like the electronics?_
Hear my version on piano here:
youtu.be/Oju5WLSi1ck?si=FI0B55U4bFHY3tNt
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In _five voices_, two obligato lines dance in ornate rhythms over a steady pedal line. Interwoven into this trio-sonata texture, a cantus firmus appears in a canon at the octave.
Martin Luther wrote the hymn in 1538. The text is a paraphrase of the Lord's Prayer, where each line from the prayer is fleshed out into a full stanza of poetry. The melody appeared with the text in the 1539 _gesangbuch_ of Valentin Schumann.
Links:
Bach's 'Organ Mass' en.wikipedia.org/wiki/Clavier-Übung_III
The 'tune' in this chorale prelude en.wikipedia.org/wiki/Vater_unser_im_Himmelreich
What is a 'chorale prelude' en.wikipedia.org/wiki/Chorale_prelude
What does 'obbligato' mean en.wikipedia.org/wiki/Obbligato
What is a 'canon' en.wikipedia.org/wiki/Canon_(music)
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Enjoy this short story— one of the great American short stories— by John Cheever.
Thanks!-Evan
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02:10 Adagio
04:34 Fugue
08:03 Adagio-Presto
This video is published in conjunction with the following essay. Recommended for deeper study:
open.substack.com/pub/wtfbach/p/bachs-extraordinary-transcriptive?r=1xfu7e&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true
Inspired by Adam Reinken's (1643-1723) 'Hortus Musicus,' Bach made three transcriptions of the Dutch master's work. The transcriptions are much more free and inventive than his other concerto transcriptions.
The fugues alone (in BWVs 966, 965, 954) which use theme's from Reinken work are among the largest and most virtuosic in the solo keyboard repertoire.
*How To Support This Channel:*
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https://cash.app/$wtfbach Baroque Music for the Modern Mind:
The WTF Bach Podcast makes Baroque music accessible, humorous, and intellectually rich. From concerto transcriptions to cantata deep-dives, listeners gain a modern perspective on 18th-century genius. A seasoned soprano or curious about counterpoint, this is your home for all Bach analysis. #BaroqueForAll #BachPodcast #ConcertoTranscriptions #HarpsichordMusic #WTFBach #EarlyMusic
Enjoy this powerful story (1953) by Karen Blixen.
Free Audiobook!
-Evan
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Excerpted from an episode of _The WTF Bach Podcast_ from 26.07.23.
It's not that Bach's music doesn't belong on a Möbius strip, it's that the piece in the famous video doesn't.
Listen to the full episode:
wtfbach.substack.com/p/the-crab-canon-isnt-a-mobius-strip-459
The episode is from a series of episodes dedicated to the Goldberg Variation Canons BWV 1087, several of them which perfectly do fit the properties of a Möbius strip.
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In this video, we take a critical look at the viral animation “JS Bach Crab Canon on a Möbius Strip” and explain why this music doesn't belong on a Möbius strip- others canons do! Using clear musical analysis and mathematical concepts, we debunk the myth behind this popular interpretation of Bach’s canon. Whether you're a classical music fan, theory enthusiast, or just curious about the truth behind this perplexing animation, this 6-minute deep dive clarifies what’s really going on in Bach’s ingenious composition.
#JSBach #CrabCanon #MobiusStrip #MusicTheory #ClassicalMusic #BaroqueMusic #BachAnalysis #TonalInversion #Debunked #negativeharmony
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Immerse yourself in the sound of the harpsichord, brought to life through historically informed performance and witty commentary on The WTF Bach Podcast. From Goldberg Variations to French Suites, explore the nuances of Baroque ornamentation, temperament, and touch. Subscribe for more from the front lines of early music revival. #Harpsichord #BaroqueKeyboard #EarlyMusic #BachPodcast #HistoricalPerformance
Inspired by Adam Reinken's (1643-1723) 'Hortus Musicus,' Bach made three transcriptions of the Dutch master's work. The transcriptions are much more free and inventive than his other concerto transcriptions.
The fugues alone (in BWVs 966, 965, 954) which use theme's from Reinken work are among the largest and most virtuosic in the solo keyboard repertoire.
*How To Support This Channel:*
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https://cash.app/$wtfbach Baroque Music for the Modern Mind:
The WTF Bach Podcast makes Baroque music accessible, humorous, and intellectually rich. From concerto transcriptions to cantata deep-dives, listeners gain a modern perspective on 18th-century genius. A seasoned soprano or curious about counterpoint, this is your home for all Bach analysis. #BaroqueForAll #BachPodcast #ConcertoTranscriptions #HarpsichordMusic #WTFBach #EarlyMusic
Marvel at the subtle musical effects Bach achieves with two recorders in _almost_ unison. BWV 106, 'Actus Tragicus' Gottes Zeit ist die allerbeste Zeit.'
An excerpt from The WTF Bach Podcast.
WTFBach.substack.com
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https://cash.app/$wtfbach Organ Music and the Genius of Bach:
Explore the mighty organ works of J.S. Bach through in-depth analysis and sonic explorations on The WTF Bach Podcast. Hear towering toccatas, chorale preludes, and fugues dissected with clarity and irreverence. Ideal for lovers of pipe organ, church music, and Bach’s sacred genius. #OrganMusic #BachFugues #WTFBach #BaroqueOrgan #EarlyMusicPodcast
Here is my reading of Shakespeare’s first publication, Venus and Adonis, a poem that is pure music. If I were to list my favorite lines, I might as well copy out half the poem. Just something that pops into my head would be a line like,
“Rain added to a river that is rankPerforce will force it overflow the bank.”
It bursts with melody and rhythm! And at least one moment, such as when Venus addresses Death,
'Hard-favour'd tyrant, ugly, meagre, lean,Hateful divorce of love,'--thus chides she Death,--'Grim-grinning ghost, earth's worm, what dost thou meanTo stifle beauty and to steal his breath,Who when he lived, his breath and beauty setGloss on the rose, smell to the violet?
'If he be dead,--O no, it cannot be,Seeing his beauty, thou shouldst strike at it:--O yes, it may; thou hast no eyes to see,But hatefully at random dost thou hit.Thy mark is feeble age, but thy false dartMistakes that aim and cleaves an infant's heart.
Why, this might well be compared with the later tragedies. Grim-grinning ghost! As Keats wrote in the margin of his copy of the Sonnets, ‘Lo!’
I hope you enjoy this diversion. I’ve been toying with this for about a year now. I suggest reading along while listening to best absorb the poem. You can read the full text in modern English here (https://shakespeare.mit.edu/Poetry/VenusAndAdonis.html) , and as it appeared (with older spelling) in 1593, here (internetshakespeare.uvic.ca/doc/Ven_Q1/index.html) .
Poor queen of love, in thine own law forlorn,To love a cheek that smiles at thee in scorn!
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This is based on G.P. Telemann's violin concerto, TWV 51:g1. Bach also copied the parts to Telemann's double concerto, TWV 52:G2, around 1709. If Bach made this transcription around the same time as his copy, this transcription may have preceded the rest of the 1713 transcriptions by a few years.
Have a look at Bach's beautiful handwriting as he carefully copies out the Telemann double here:
https://www.bach-digital.de/receive/BachDigitalSource_source_00019237
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Immerse yourself in the sound of the harpsichord and clavichord, brought to life through historically informed performance and witty commentary on The WTF Bach Podcast. From Goldberg Variations to French Suites, explore the nuances of Baroque ornamentation, temperament, and touch. Subscribe for more from the front lines of early music revival. #Harpsichord #BaroqueKeyboard #EarlyMusic #BachPodcast #HistoricalPerformance
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Join The WTF Bach Podcast as it unpacks the intricacies of counterpoint, rhetoric in Baroque composition, and the legacy of J.S. Bach with irreverent charm. Hear experts break down complex ideas, explore rare repertoire, and laugh along the way. A must for music theorists, organists, and harpsichordists alike. #BachAnalysis #MusicTheory #Counterpoint #BachHumor #BaroquePodcast
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https://cash.app/$wtfbach Baroque Music for the Modern Mind:
The WTF Bach Podcast makes Baroque music accessible, humorous, and intellectually rich. From concerto transcriptions to cantata deep-dives, listeners gain a modern perspective on 18th-century genius. A seasoned soprano or curious about counterpoint, this is your home for all Bach analysis. #BaroqueForAll #BachPodcast #ConcertoTranscriptions #HarpsichordMusic #WTFBach #EarlyMusic
This video is a transcription of the C major violin sonata, BWV 1005 -- only the first movement is arranged. The entire sonata, BWV 1003, appears as BWV 964. Both works for keyboard show an extremely rich imagination and complete mastery of the art of transcription.
More information in the video!
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https://cash.app/$wtfbach Organ Music and the Genius of Bach:
Explore the mighty organ works of J.S. Bach through in-depth analysis and sonic explorations on The WTF Bach Podcast. Hear towering toccatas, chorale preludes, and fugues dissected with clarity and irreverence. Ideal for lovers of pipe organ, church music, and Bach’s sacred genius. #OrganMusic #BachFugues #WTFBach #BaroqueOrgan #EarlyMusicPodcast
To hear J. Ernst's Op. 1, try this link below:
youtu.be/5nK_XHoPKng?si=9C-8lPxBaLURuNdO
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https://cash.app/$wtfbach Focused on Harpsichord & Performance Practice?
Immerse yourself in the sound of the harpsichord and clavichord, brought to life through historically informed performance and witty commentary on The WTF Bach Podcast. From Goldberg Variations to French Suites, explore the nuances of Baroque ornamentation, temperament, and touch. Subscribe for more from the front lines of early music revival. #Harpsichord #BaroqueKeyboard #EarlyMusic #BachPodcast #HistoricalPerformance
More about the origins and authenticity of these pieces in the video. The article mentioned can be read at: http://www.jstor.org/stable/41640346
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Join The WTF Bach Podcast as it unpacks the intricacies of counterpoint, rhetoric in Baroque composition, and the legacy of J.S. Bach with irreverent charm. Hear experts break down complex ideas, explore rare repertoire, and laugh along the way. A must for music theorists, organists, and harpsichordists alike. #BachAnalysis #MusicTheory #Counterpoint #BachHumor #BaroquePodcast
*Check out the podcast episode on the textual differences in this work!* open.substack.com/pub/wtfbach/p/the-urtext-illusion-textual-variance?r=1xfu7e&utm_campaign=post&utm_medium=web
I'd like to shout out to the great Bachian Wolfgang Glüxam whose recording of this piece I admire. I stole the descending scale in the first Allegro variation from him. He died too young. If you don't know his work, be sure to check him out.
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https://cash.app/$wtfbach Baroque Music for the Modern Mind:
The WTF Bach Podcast makes Baroque music accessible, humorous, and intellectually rich. From concerto transcriptions to cantata deep-dives, listeners gain a modern perspective on 18th-century genius. A seasoned soprano or curious about counterpoint, this is your home for all Bach analysis. #BaroqueForAll #BachPodcast #ConcertoTranscriptions #HarpsichordMusic #WTFBach #EarlyMusic
Part one is here: youtu.be/Z5wYWxdcA9g
Considered 'of doubtful authenticity' since its publication in 1894, these wonderful variations most likely date to Bach's earliest years.
It is possibly a transcription based on a foreign composer, with Lully as a candidate-- though his opera Bellérophon leaves us wanting a more convincing connection. If this piece were widely accepted into Bach’s canon, it would expand our understanding of his early style. More insights are shared in the video...
_
Counting down from BWV 1000!
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*or become a paid subscriber at wtfbach.substack.com* Organ Music and the Genius of Bach:
Explore the mighty organ works of J.S. Bach through in-depth analysis and sonic explorations on The WTF Bach Podcast. Hear towering toccatas, chorale preludes, and fugues dissected with clarity and irreverence. Ideal for lovers of pipe organ, church music, and Bach’s sacred genius. #OrganMusic #BachFugues #WTFBach #BaroqueOrgan #EarlyMusicPodcast
Part two is found here: youtu.be/ZOEfYH1za_s
_
Counting down from BWV 1000!
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paypal.me/wtfbach
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https://cash.app/$wtfbach
*or become a paid subscriber at wtfbach.substack.com* Focused on Harpsichord & Performance Practice?
Immerse yourself in the sound of the harpsichord and clavichord, brought to life through historically informed performance and witty commentary on The WTF Bach Podcast. From Goldberg Variations to French Suites, explore the nuances of Baroque ornamentation, temperament, and touch. Subscribe for more from the front lines of early music revival. #Harpsichord #BaroqueKeyboard #EarlyMusic #BachPodcast #HistoricalPerformance
_
Counting down from BWV 1000!
*How To Support This Channel:*
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*or become a paid subscriber at wtfbach.substack.com* Education Meets Entertainment in Bach’s World:
Join The WTF Bach Podcast as it unpacks the intricacies of counterpoint, rhetoric in Baroque composition, and the legacy of J.S. Bach with irreverent charm. Hear experts break down complex ideas, explore rare repertoire, and laugh along the way. A must for music theorists, organists, and harpsichordists alike. #BachAnalysis #MusicTheory #Counterpoint #BachHumor #BaroquePodcast
_Capriccio sopra la lontananza de il fratro dilettissimo_
_Capriccio on the Departure of the Beloved Brother_
The last two movements of the six movement work focus on the adventures of the 'brother.'
See the previous video:
youtu.be/cVWrKSpdq5Y
for a more in-depth history of this work.
Here is a link about the sound of the posthorn:
postalmuseum.org/blog/sound-of-the-post-horn
I'll be taking a small holiday after this video! Please expect BWV 991 a bit later than the usual two-week posting period. Thanks!
_
Counting down from BWV 1000!
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You can stream and individually purchase any track including the performer’s commentary from the third volume below. [More streaming links (including youtube playlists) at the bottom:]
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The first three albums of the 'Complete Works for Solo Keyboard' are live everywhere. Stream while sleeping to achieve maximum effect.
Volume One:
Youtube playlist! (youtube.com/playlist?list=PLFM0F7iPKSV4i7Y4pMOrfiFg1WeFh-UWP&si=4gqJ3Nlox-6hsDkV)
Spotify: tinyurl.com/ycy2fab7
Apple Music: tinyurl.com/nhfuws4t
Amazon Music: tinyurl.com/mrxj7pws
Volume Two:
Youtube playlist! (youtube.com/playlist?list=PLFM0F7iPKSV56SqSQLqit-3XKxfDjU2c3&si=2jiazEsuKQ_bdIvd)
Spotify: tinyurl.com/msjyhamh
Apple Music: tinyurl.com/mtykbxnz
Amazon Music: tinyurl.com/3m7b9v6w
Volume Three:
Youtube playlist! (youtube.com/playlist?list=PLFM0F7iPKSV6woPjE-i5olMILCTa8RNKD&si=k16eP3XQmPpIs0y2)
Spotify: tinyurl.com/4xneak6r
Apple Music: tinyurl.com/mr44kwmf
Amazon Music: tinyurl.com/3e4kwnsb
Get full access to WTF Bach? at wtfbach.substack.com/subscribe (wtfbach.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4)
_Capriccio sopra la lontananza de il fratro dilettissimo_
_Capriccio on the Departure of the Beloved Brother_
The first four movements of the six movement work focus on the emotions of the friends of the 'brother.'
PART TWO: youtu.be/AgciOvSXnA8
-
Counting down from BWV 1000!
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------------------------------------------------------------------------------------------------
_The first three albums of the 'Complete Works for Solo Keyboard' are live everywhere!_
*Volume One:*
Spotify: tinyurl.com/ycy2fab7
Apple Music: tinyurl.com/nhfuws4t
Amazon Music: tinyurl.com/mrxj7pws
*Volume Two:*
Spotify: tinyurl.com/msjyhamh
Apple Music: tinyurl.com/mtykbxnz
Amazon Music: tinyurl.com/3m7b9v6w
*Volume Three:*
Spotify: tinyurl.com/4xneak6r
Apple Music: tinyurl.com/mr44kwmf
Amazon Music: tinyurl.com/3e4kwnsb Baroque Music for the Modern Mind:
The WTF Bach Podcast makes Baroque music accessible, humorous, and intellectually rich. From concerto transcriptions to cantata deep-dives, listeners gain a modern perspective on 18th-century genius. A seasoned soprano or curious about counterpoint, this is your home for all Bach analysis. #BaroqueForAll #BachPodcast #ConcertoTranscriptions #HarpsichordMusic #WTFBach #EarlyMusic
“…from the natural to the artificial, and from the lofty to the obscure ... one wonders at the painful labor of it all, that nevertheless comes to nothing, since it is at variance with reason.”
Let’s examine the controversy from the beginning.
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The first three albums of the 'Complete Works for Solo Keyboard' are live everywhere. Stream while sleeping to achieve maximum effect.
Volume One:
Spotify: tinyurl.com/ycy2fab7
Apple Music: tinyurl.com/nhfuws4t
Amazon Music: tinyurl.com/mrxj7pws
Volume Two:
Spotify: tinyurl.com/msjyhamh
Apple Music: tinyurl.com/mtykbxnz
Amazon Music: tinyurl.com/3m7b9v6w
Volume Three:
Spotify: tinyurl.com/4xneak6r
Apple Music: tinyurl.com/mr44kwmf
Amazon Music: tinyurl.com/3e4kwnsb
Get full access to WTF Bach? at wtfbach.substack.com/subscribe (wtfbach.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4)
_Capriccio E-dur in honorem Johann Christoph Bachii Orhdrufiensis_
Counting down from BWV 1000!
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------------------------------------------------------------------------------------------------
_The first three albums of the 'Complete Works for Solo Keyboard' are live everywhere!_
*Volume One:*
Spotify: tinyurl.com/ycy2fab7
Apple Music: tinyurl.com/nhfuws4t
Amazon Music: tinyurl.com/mrxj7pws
*Volume Two:*
Spotify: tinyurl.com/msjyhamh
Apple Music: tinyurl.com/mtykbxnz
Amazon Music: tinyurl.com/3m7b9v6w
*Volume Three:*
Spotify: tinyurl.com/4xneak6r
Apple Music: tinyurl.com/mr44kwmf
Amazon Music: tinyurl.com/3e4kwnsb Organ Music and the Genius of Bach:
Explore the mighty organ works of J.S. Bach through in-depth analysis and sonic explorations on The WTF Bach Podcast. Hear towering toccatas, chorale preludes, and fugues dissected with clarity and irreverence. Ideal for lovers of pipe organ, church music, and Bach’s sacred genius. #OrganMusic #BachFugues #WTFBach #BaroqueOrgan #EarlyMusicPodcast
Today’s episode covers this canon in depth. What does it mean? How does it sound?
Here is a link (google.com/url?sa=t&source=web&rct=j&opi=89978449&url=cyberleninka.ru/article/n/on-the-circumstantial-context-of-j-s-bach-s-canon-super-fa-mi-bwv-1078&ved=2ahUKEwjglKO4jIGHAxWG_rsIHdk1A0oQFnoECBgQAQ&usg=AOvVaw0966_crH2swClHv0eMVV9q) to the article by scholar, Anatoly Milka.
The book, Bach and the meaning of Counterpoint, by David Yearsley is available here (cambridge.org/es/universitypress/subjects/music/seventeenth-century-music/bach-and-meanings-counterpoint?format=PB&isbn=9780521090995) .
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Concepts Covered:
The Mi Fa et Fa Mi canon, BWV 1078, is one of Bach’s puzzle canons, demonstrating his unparalleled command of counterpoint theory and inventive compositional techniques. Written as a 7-voice canon, this work, inscribed in a Stammbuch on March 1, 1749, reflects his late-period fascination with musical puzzles and structured complexity. Scholars such as Anatoly Milka and David Yearsley have explored its deeper significance, shedding light on Bach’s innovative canons and their place in Bach music scholarship. As we analyze Bach’s use of counterpoint, we uncover the intricate interplay of voices that define his style. This episode delves into Bach music history, his compositional techniques, and the broader implications of Bach’s musical meaning in this enigmatic work.
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The instructive opening music in the notebook for Bach's first son, W.F.
Here is the podcast episode about this piece (and the beginnings of the W.F. Notebook)
wtfbach.substack.com/p/i-play-bachs-table-of-ornaments
And you can see this notebook, beautifully reproduced digitally here:
https://collections.library.yale.edu/catalog/10991080
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#Harpsichord #BaroqueKeyboard #EarlyMusic #BachPodcast #HistoricalPerformance
You can stream and individually purchase any track including the performer’s commentary from the second volume here. —More streaming links (including youtube playlists) at the bottom:
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Counting down from BWV 1000!
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The eight surviving canons, BWVs 1072-1078 (+BWV deest) were written on small pieces of paper or penned into registry books. Their compact content, usually only a few notes, is then ‘solved:’ copied and transformed to make a perpetual piece of music in several voices.
You will hear the solutions in the episode. Here is how they appear on the page:
This is the first canon discussed. From these two measures of music, eight voices are formed.
This is the second canon discussed: a four-voice canon with each voice entering a successive fifth higher than the last. It’s the four clefs at the beginning of the line that clue you in on this. The %-like symbol shows you where the next voice enters.
This is BWV 1074, the mysterious ‘Houdemann’ canon. Note the four clefs on the left of the staff, but also the four clefs to the right. They are inverted with a different key signature. Bach here was exploring the a truly symmetrical— not merely diatonic— inversion.
The final canon of the episode. The charming two-voice canon for one of his Godchildren. This canon is simple to solve and the easiest to comprehend.
Yes, the famous F-A-B-E-R, “mi fa, et fa mi est tota musica” canon will be in one of the next episodes— rest assured!
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Counting down from BWV 1000!
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Amazon Music: tinyurl.com/3e4kwnsb Discover the world of J.S. Bach like never before with The WTF Bach Podcast—where counterpoint meets curiosity. Dive into episodes exploring Baroque performance practice, historical instruments like the harpsichord and organ, and interviews with leading early music specialists. Perfect for fans of Bach fugues, Baroque interpretation, and music history with attitude. #WTFBachPodcast #JSBach #BaroqueMusic #Harpsichord #OrganMusic
An excerpt from The WTF Bach Podcast. The entire episode can be heard here:
wtfbach.substack.com/p/what-did-bachs-business-card-sound
This is canon 13 in the 14 additional canons, found on the back of Bach's personal copy of the Goldberg Variations, BWV 988. For more context, visit the link above.
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Each album in my ‘J.S. Bach Complete Solo Keyboard Works’ will be accompanied by this type of work, my commentating as the music plays.
You can stream (and individually purchase) any track including the performer’s commentary from the first album here:
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Counting down from BWV 1000!
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That piece of paper is a six-voice, triple canon: number thirteen in the fourteen additional canons found on the back of Bach’s personal copy of the Goldberg Variations. (Analysis of that specific canon around 32 min.)
We’ve covered nine of these puzzling pieces in three previous episodes, but now it’s time to call it a wrap on all fourteen. These additional canons were discovered only as late as the 1970s. For a more detailed history, check the three previous episodes dealing with these canons:
Here is the image of the canon, “Christ will Crown the Cross-bearers” that appears in the family registry book belonging to J.G. Fulde:
And of course, Bach and his “business card:”
The bass line in both the images (and in all of the canons) is our beloved “first eight fundamental notes of the preceding aria” on which all the canons are based.
Be sure to get my forthcoming three albums on PRESALE before they go live on May 17th!
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PART ONE: youtu.be/LKsKz1Gpg7M
The sarabande at the beginning of the video so reminds me of the last movement of the St. Matthew Passion it's uncanny.
The Gigue and Double were covered on the podcast episode found here:
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As for the music covered today, we will hear Doubles layered over their preceding dance movements. A Double is an elaboration on the preceding movement, where the melody is quickened— often twice as quickly. The harmonic structure of the Double and its preceding movement is the same, allowing for one to play both movements at the same time with very interesting results.
Pieces studied:
Sarabande and Double from Sixth English Suite, BWV 811
Gigue and Double from the c minor lute suite, BWV 997
Partita in b minor for solo violin, BWV 1002
People/places mentioned:
Burp Castle (http://burpcastlenyc.wordpress.com) at 41 East 7th Street in the East Village of Manhattan (between 2nd Ave & Cooper Square).
Paul Spring (instagram.com/paulspring) (guitarist)
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Concepts Covered:In today’s episode, we explore the concept of Doubles in Baroque music. Doubles are essentially melodic embellishments that accelerate the original melody while maintaining the harmonic structure of the original dance movement. This creates an interesting contrast when heard alongside its corresponding dance. We’ll dive into specific examples from Bach’s repertoire, including the Sarabande and Double from the Sixth English Suite, BWV 811, the Gigue and Double from the c minor lute suite, BWV 997, and the Partita in b minor for solo violin, BWV 1002.
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More lute harpsichord music! In Bach's early years, perhaps inspired by the model of Adam Reinken, he combined prelude and fugue with suite dances. Here, in his last decade of composition, we see a possible return to that idea. Compare this fugue with the fugue of BWV 998, and we see Bach's late fugue style as clearly different from, say, The Well-Tempered Clavier part one.
You can see the problem with the range I mention in this source here:
https://www.bach-digital.de/rsc/viewer/BachDigitalSource_derivate_00074419/00000002.jpg
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Be sure to mark your calendars: April 24th, 2024, my new albums will be on PRE-sale. It marks the beginning of my most ambitious project to date: a very thorough, if possible, ‘complete’ set of the keyboard works of Bach. I will certainly send another reminder as the date approaches.
And now for a brief journey into Bach around this date in 1724: today’s episode covers the cantata for the second Sunday after Easter, BWV 104, Du Hirte Israel, höre. Unlike the other cantatas I have recently discussed, this cantata is not based on a chorale melody.
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This wonderful piece is a prelude, a fugue, and an "allegro." The prelude is uncompromisingly beautiful, and the fugue is one of Bach's finest examples of his later, 'da capo' fugue style. The "allegro" at the end makes for an exciting finale of a genre which seems to be an anomaly for Bach. Typically included in his "lute works," this piece is frequently played by guitar players and was for sometime a very important work for the so-called "golden age pianists" like Richter.
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This little prelude is sometimes included among other little preludes, but its source tradition is not so: it comes to us in source P.804, in a fascicle with the its own title page mentioning the work is "for the lute."
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_or become a paid subscriber at_ wtfbach.substack.com (http://wtfbach.substack.com) Discover the world of J.S. Bach like never before with The WTF Bach Podcast—where counterpoint meets curiosity. Dive into episodes exploring Baroque performance practice, historical instruments like the harpsichord and organ, and interviews with leading early music specialists. Perfect for fans of Bach fugues, Baroque interpretation, and music history with attitude. #WTFBachPodcast #JSBach #BaroqueMusic #Harpsichord #OrganMusic
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Meanwhile, the music in today’s episode comes from the “Neumeister Collection (en.wikipedia.org/wiki/Neumeister_Collection) ,” a collection of over 80 chorale preludes from multiple composers, published for the first time in 1985. More than 30 of the pieces come from J.S. Bach ca. 1700, when the composer was only 15 year old. Hence one of the newest Bach discoveries showed us the youngest portraits of the composer. I played three of them, one on a ‘real’ organ (Saint Anne’s, London) and two on Organteq (by Modartt.)
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This fugue is probably most famous as the first fugue (BWV 1001) in Bach's six pieces for solo violin, but Bach also arranged the same fugue twice more, here for 'Lautenwerk' and once for Organ (BWV 539).
Scroll to the end of the video to see the original 'tablature' in which this fugue comes down to us.
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_or become a paid subscriber at_ wtfbach.substack.com (http://wtfbach.substack.com) Discover the world of J.S. Bach like never before with The WTF Bach Podcast—where counterpoint meets curiosity. Dive into episodes exploring Baroque performance practice, historical instruments like the harpsichord and organ, and interviews with leading early music specialists. Perfect for fans of Bach fugues, Baroque interpretation, and music history with attitude. #WTFBachPodcast #JSBach #BaroqueMusic #Harpsichord #OrganMusic
We tackle here what I find is the most complex composition in the repertoire: the first movement of the b minor sonata, BWV 1030.
Pieces heard:
BWV 1030.1 Source P. 1008, early version, harpsichord part.
BWV 1030.2 The later version, arranged as a flute sonata.
Articles:
Contentious writing on flute vs. recorder (bach-cantatas.com/Topics/Flute-4.htm#:~:text=Bach%20does%20not%20differentiate%20between,G%20major%2C%20in%20that%20order.)
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Concepts Covered:
Bach’s flute sonatas stand as essential works in the Baroque flute repertoire, with the B minor sonata, BWV 1030, being one of the most important. This masterpiece of Bach’s chamber music showcases intricate counterpoint and structure, making it a highlight of flute repertoire. Through an exploration of Bach’s early drafts, such as BWV 1030.1, we uncover Bach’s approach to flute sonata composition. The discussion of flute vs. recorder further enriches our understanding of Baroque music history and performance practice. Whether analyzing Bach’s compositions or appreciating the beauty of music for flute, this sonata remains a testament to Bach’s genius.
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Performed on bluetooth MIDI keyboard,
with illustrations and love Faux-etry,
by W.T.F. Bach.
Suite in G major, BWV 1007
Prelude 00.00
Allemande 01:32
Courante 03:52
Sarabande 05:55
Minuets 07:07
Gigue 09:38
Suite in d minor, BWV 1008
Prelude 10:54
Allemande 12:49
Courante 14:38
Sarabande 15:52
Minuets 18:15
Gigue 20:02
Suite in C major, BWV 1009
Prelude 21:37
Allemande 23:13
Courante 25:40
Sarabande 27:37
Bourrées 29:38
Gigue 32:07
Suite in E-flat major, BWV 1010
Prelude 34:02
Allemande 36:02
Courante 38:44
Sarabande 41:02
Bourrées 43:03
Gigue 46:53
Suite in c minor, BWV 1011
Prelude 49:18
Allemande 52:18
Courante 54:20
Sarabande 55:25
Gavottes 57:10
Gigue 1:00:23
Suite in D major, BWV 1012
Prelude 1:01:39
Allemande 1:05:11
Courante 1:08:45
Sarabande 1:11:15
Gavottes 1:13:37
Gigue 1:16:17
Alt. Takes: 1:18:54
Here, the next two cantatas see less predictable treatments of the old melodies. Bach evidently valued these two cantatas, as later in life he arranged single movements from both BWV 10 and BWV 93 into his publication of organ music known as the “Schübler Chorales.”
Pieces heard:
BWV 10, Meine Seel erhebt den Herren (Full Performance (youtu.be/MrSAMOojQ08?si=2UCbmZPjI8Fb8pmB) of the cantata)
BWV 648, Meine Seel erhebt den Herren (Organ version)
BWV 93, Wer nur den lieben Gott lässt walten
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Check this playlist:
I mentioned this playlist (open.spotify.com/playlist/2eErH24zX0G0c8tci3hMM4?si=6574c3984b6f4919) in the episode: all the cantatas in the 1724 cycle. Love to my fans!
The book I mentioned on the use of ‘Tonus Peregrinus” (books.google.com/books?id=Ujbn_vZWjnMC&lpg=PP1&pg=PP1#v=onepage&q&f=false)
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