How to Write a Flashback — What the Best Movie Flashbacks Have in Common StudioBinder 2026-09-30 | How to Write a Flashback — What the Best Movie Flashbacks Have in Common
These stunts are on Cruise control #videoessay #stunts #action #filmmaking StudioBinder 2023-07-12 | VID: youtu.be/mTdUSNWu5DM
Mission: Impossible Behind the Scenes — Interview with Stunt Coordinator Wade Eastwood StudioBinder 2023-07-10 | Mission: Impossible Stunts Explained — Stunt Coordinator and 2nd Unit Director Wade Eastwood walks us through the planning and execution of the most insane stunts in the Mission: Impossible franchise like Rogue Nation, Fallout, and Dead Reckoning.What is a Stunt Coordinator in Film? ►► bit.ly/ht-miCheck out the Full Interview with Wade Eastwood ►► bit.ly/fi-eaStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to the Mission: Impossible Stunts 01:11 - The Role of Wade Eastwood, Stunt Coordinator and Second-Unit Director04:54 - Hanging on a Plane in Rogue Nation06:23 - Long Take Underwater in Rogue Nation07:37 - HALO Jump in Fallout09:35 - Helicopter Chase in Fallout13:03 - Motorcycle Cliff Jump in Dead Reckoning16:24 - Takeaways─────────────────────MISSION: IMPOSSIBLE STUNTS EXPLAINEDIt’s almost objectively true that Tom Cruise’s Mission: Impossible films have occupied the apex of jaw-dropping stunts for years. And now, with the 7th installment, Cruise and Co. have raised the bar…again. In this video, we had the honor of sitting down with Stunt Coordinator and 2nd Unit Director Wade Eastwood to discuss those insane Mission: Impossible stunts and the harrowing tales behind them.MISSION: IMPOSSIBLE — ROGUE NATION STUNTSWe’ve all wondered what it would be like to hang on to the outside of an airplane mid-flight, right? Well, Tom Cruise actually did it. What’s really amazing about the Airbus sequence is that the crew had only two days to complete it — one for rigging and rehearsal, one for shooting. The only safety precautions were eye contacts to protect his eyes and a rope and harness to keep Cruise from falling to certain death. The underwater vault sequence required an entirely different set of skills. The biggest one was Cruise holding his breath for up to 6 minutes in the same shot.MISSION: IMPOSSIBLE — FALLOUT STUNTSIn the next film, Fallout, another plane is involved, but instead of hanging on, Cruise jumps out of it at an altitude of 25,000 feet. This was the now-iconic HALO jump, and Cruise became the first actor to complete it on camera. Because they shot it at dusk, the camera (strapped to another diver’s helmet) had a very limited depth of field which meant precise choreography and planning. In another sequence, Cruise piloted a helicopter himself during an alpine chase. To capture the actor and his surroundings, specially designed camera rigs were mounted to the helicopter. MISSION: IMPOSSIBLE — DEAD RECKONING STUNTSIn this installment, the team pulled off what might be the most dangerous stunt yet. Cruise was tasked with driving a motorbike off of a cliff and then base-jumping into the canyon below. While that may not sound extreme, the number of variables and potential accidents made this a big “don’t try this at home” stunt. As Eastwood explains, the most impressive aspect of these stunts is that Tom Cruise also has to act in character while he’s piloting a helicopter or driving off of a cliff. The thrill that the audience experiences is uninterrupted by cutting away to a stunt double, and we are right there with Ethan for these most harrowing situations. These are the reasons why Mission: Impossible stunts are a cut above the rest.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Mission Accomplished" - Lorne Balfe"Mission Impossible – Dead Reckoning Part One (Music from the Official Teaser Trailer)" - Lorne Balfe"Stairs and Rooftops" - Lorne Balfe"Fallout" - Lorne Balfe"Your Mission" - Lorne Balfe"Action Drums (Instrumental)" - Rhythm Scott"Change of Plan" - Lorne Balfe"Cutting on One" - Lorne Balfe"The A400" - Joe Kraemer"The Torus" - Joe Kraemer"Free Fall" - Lorne Balfe"Night Driveway" - Max H."Good Evening, Mr. Hunt" - Joe Kraemer"Fate Whispers to the Warrior" - Lorne Balfe"And the Warrior Whispers Back" - Lorne Balfe"Noah Sleeps" - James Forest"The Manifesto" - Lorne Balfe"The Exchange" - Lorne Balfe"Dojo Tradition (Instrumental)" - In This World"Should You Choose to Accept..." - Lorne Balfe"Mission Accomplished" - Lorne Balfe"Steps Ahead" - Lorne Balfe"Mission Impossible - Main Theme" - Danny ElfmanMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
The Split Screen — The Ultimate Guide for Filmmakers StudioBinder 2023-07-03 | Ultimate Guide to the Split Screen in film — a history of the technique, the best split screens in film, and the various ways they can be used to help tell a visual story.The Ultimate Guide to Split Screens ►► bit.ly/ug-spStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Split Screen Shots in Film00:50 - Definition and Types02:32 - Chapter 1: Multiple Perspectives06:11 - Chapter 2: Character Relationships08:53 - Chapter 3: Creative Examples13:19 - Takeaways─────────────────────ULTIMATE GUIDE TO THE SPLIT SCREENThe split screen in film may seem like a modern invention. But, in fact, it goes back to the earliest days of cinema. For over a century, filmmakers have used the split screen effect for many purposes — some purely for stylish imagery, some for visual storytelling that would otherwise be impossible. In this video on the split screen, we’ll cover that history, some of the most creative examples, and how you can employ the same techniques in your next project.WHAT IS A SPLIT SCREENIn general, a split screen is any combination of shots presented simultaneously. We divide these into two categories: visible and invisible split screens. The visible split screen is what most people are familiar with, which involves a clear separation between the images with no intention of presenting them as a “single shot.” Invisible split screens, however, are meant to go unseen. This is done when an actor plays multiple roles in the same shot, or when filmmakers like David Fincher and Wes Anderson combine different takes of each character in a single shot.HOW TO USE SPLIT SCREENWe’ve identified a few uses for the split screen in film: to convey multiple perspectives, to create relationships between characters, to give montages visual flair, or to literally extend the frame like with systems like Cinerama. We can also see that a split diopter lens can be used to create a similar “split screen effect,” where the frame is divided not by a line but by two distinct focal planes. In all of these use cases, the split screen expands the visual information and storytelling opportunities beyond what a single image can do. #FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Never Hear Surf Music Again" - Free Blood"Double Espresso" - Francesco D'Andrea"Yes I Am (Instrumental)" - Zach Sorgen"In Motion" - Trent Reznor, Atticus Ross"Obituary" - Alexandre Desplat"A Battle in the East" - Rhythm Scott"All I Need" - Radiohead"Playground Love (Vibraphone Version)" - Air"Bucket of Blood" - Pino Donaggio"Hero" - Regina Spektor"Animātiō " - Mike Steele"Dojo Tradition (Instrumental)" - In This World"Ghosts of Things to Come" - Clint Mansell, Kronos Quartet"1986" - Angel Salazar"A New Morning" - Portl"Main Title (From How the West Was Won (1962))" - Alfred Newman"Comfort of Strangers (Instrumental)" - Mike Figgis"Olga's Destruction (Volk tape)" - Thom Yorke"Blurry (Instrumental)" - Curtis Cole"Sugar Water" - Cibo MattoMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
Subverting Plot Tropes #videoessay #filmmaking #screenwriting #plot StudioBinder 2023-06-29 | FULL VID: youtu.be/lLcM9mh9sic
Tropes Explained — Types of Tropes & the Art of Subverting Them StudioBinder 2023-06-26 | Film Tropes Explained — storytelling tropes often get a bad rap, but they can be quite useful. This video explores the most common movie tropes, why they work, and how to be creative with them.What are Tropes? ►► bit.ly/cl-gtStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Film Tropes01:01 - Spoilers01:17 - Trope Definition & History02:07 - Chapter 1: Character Tropes08:36 - Chapter 2: Plot Tropes14:55 - Chapter 3: Tropes in Dialogue20:12 - Chapter 4: Cinematic Imagery24:18 - Takeaways─────────────────────FILM TROPES EXPLAINEDOne of the most pervasive complaints about movies is that they all seem the same. The repetitions we point to are called tropes, which have since been considered negative. But there is a reason why film tropes exist and why they work. In this video, we want to dispel the notion that film tropes are always bad and never good. We will also provide some creative solutions to achieve the best of both worlds — familiarity, and freshness.WHAT ARE TROPESFrom the original literary definition, a trope is the use of figurative language. But the more common understanding these days is that tropes are anything that recurs in a story, often to the point of overuse. Film tropes can be found in character types, plot points, dialogue, and imagery. CHARACTER FILM TROPESCharacters can easily become tropes. The Mad Scientist, the Bully, the Damsel in Distress — by name alone, these are recognizable character film tropes. When writers include these character tropes in their work, there is shorthand with the audience. But without tweaking those expectations in some way, the audience will notice.PLOT FILM TROPESLike characters, we can point to a number of recurring plot points, which are often genre-specific. Love triangles, dreams, the heroic sacrifice are just a few examples of plot tropes we’ve seen a thousand times. But, again, instead of rejecting these movie tropes outright, writers can embrace them as opportunities to challenge our expectations to create something new.DIALOGUE FILM TROPESDialogue, too, is a common source of film tropes. How often have you heard lines like, “I’ve got a bad feeling about this” or “Don’t you die on me”? Because these lines are so overused, they can be repurposed for comedy instead of drama. IMAGERY FILM TROPESLocations, like abandoned warehouses or idyllic suburbs, can be tropes. Walking away from an explosion is a recent trope, as is the overhead crane shot as someone dies. The imagery itself is familiar, which can be an economical way to communicate an idea, but audiences still require something more.Film tropes are ever-present but also always evolving. The idea is to embrace what makes these tropes work and find a way to make them work again with slightly new or different elements.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Oops!...I Did It Again” by Britney Spears“The Path” by Gustavo Santaolalla“A Neverending Beam Of Light” by Makeup and Vanity Set“Binary Sunset” by John Williams“Aegis” by Makeup and Vanity Set“Simba” by Les Baxter“Dojo Tradition” by In This World“Unloved” by Sigh“Nicaragua” by Jerry Goldsmith“I Heard Ramona Sing” by Frank Black“What Is Fight Club” by The Dust Brothers“Previous on Jump Street" by Mark Mothersbaugh“Escape From New York Them” by John Carpenter“The Gambler” by Kenny Rogers“Los Paramos” by Makeup and Vanity Set“Baba ORiley” by The Who“Off You” by The Breeders“Tannhäuser Gate” by Makeup and Vanity Set“Blue Velvet” by Lana Del Rey“Mary Had A Little Lamb” by Stevie Ray Vaughan“Arachnoventure” by Michael Giacchino“The Wanderer” by Makeup and Vanity Set“Hello Vietnam” by Johnny Wright“Go” by Makeup and Vanity Set“Hold On” by Makeup and Vanity SetMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
Where to place a plot twist #videoessay #screenwriting #screenwriter #plot StudioBinder 2023-06-21 | FULL VID: youtu.be/YHbOVOZWhZM
The Secret to Writing Compelling Plot Twists — The Art of Misdirection Explained StudioBinder 2023-06-19 | How to Write Compelling Plot Twists — a writer’s guide to writing plot twists, including the three most important elements to consider (misdirection, clues, and structure).What is a Plot Twist? ►► bit.ly/pp-ptStudioBinder Screenwriting Software ►► http://bit.ly/sb-sw─────────────────────Chapters:00:00 - Intro — What is a Plot Twist?01:03 - Plot Twist Types and Definition 02:30 - Technique 1: Misdirection09:23 - Technique 2: Breadcrumbs14:25 - Technique 3: Story Structure18:44 - Final Takeaways─────────────────────HOW TO WRITE PLOT TWISTSWhen executed well, plot twists in movies can be shocking and thrilling at the same time. The best pilot twist movies figured out how to deliver these reversals to the audience so they don’t feel cheated. Anyone can be revealed as the killer in the end, but writing plot twists that work requires thoughtful consideration, misdirection, and clues. In this video, we’ll look at some of the most compelling plot twists in movies and the three elements that every writer should consider when learning how to write the perfect plot twist.WRITING PLOT TWISTS REQUIRES MISDIRECTIONA plot twist is when the storyteller flips reality on its head, presenting an unexpected truth that changes everything. Misdirection is a key element in how this is done — focusing the audience’s attention in one area while the truth is hidden in another. But there are unspoken rules when it comes to writing plot twists, the primary of which is that the big reveal needs to make logical sense. And to lay the groundwork for the plot twist to not feel like a cheat, the writer needs to incorporate clues, which we like to call breadcrumbs.COMPELLING PLOT TWISTS HAVE CLUESFor a truly satisfying reversal, as we can see in the best plot twist movies, the writer and director should leave clues that are only apparent on a second viewing. Those tiny details that flew under the radar now appear to be so obvious in hindsight. This is easier said than done — since even the most casual movie-goer knows everything we see or hear is important. The trick is learning how to drop those breadcrumbs in such a way that the viewer can easily disregard them.WHEN TO REVEAL THE PLOT TWISTA final consideration is to decide when and where the big plot twist is revealed. Naturally, every story is different, so there is no “one size fits all” approach to structuring compelling plot twists. Some of the best plot twist movies flip the script at the midpoint when the last thing you expect is for the story to take a completely different direction. In many cases, the best plot twists are unveiled as a break into Act 3, propelling the story toward its climax. Some filmmakers save their shocking reveal for the very end, leaving the audience slack-jawed as the credits roll.The art of a plot twist is a delicate balance between the amount of misdirection, the dispensing of clues, and where in the story the plot twist will have the greatest impact. #FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Technically, Missing" - Trent Reznor, Atticus Ross"The Imperial March (Darth Vader's Theme)" - John Williams"Shark Alert" - The Magnetic Buzz"Last But Not Least (Instrumental)" - Chelsea McGough"In Love with Emi" - Fabien Fustinoni"Going Undercover" - Borrtex"Verbal Kint" - John Ottman"Memento (Main Theme)" - David Julyan"The Cue From Hell" - Marco Beltrami"Schoolyard 2""A Battle in the East" - Rhythm Scott"Still Need Syndrome" - Yarin Primak"Malcolm's Story / Cole's Secret" - James Newton Howard, Pete Anthony"Malcolm Is Dead" "Passacaglia - Allegro moderato" - Polish National Radio Symphony Orchestra"On the Nature of Daylight" - Max Richter"Glass" - Claudio Laucci"1986" - Angel Salazar"The Murder" - Bernard Herrmann"Prologue" - Michael Abels"Hypnosis" "Lost" - Generation Lost"Noah Visits" - James Newton Howard"The Shed Not To Be Used" "State Lines (Instrumental)" - Aaron Kellim"Twist and Shout" - The BeatlesMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more.Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
The Backstories of Anti-heroes #filmmaking #videoessay #screenwriting StudioBinder 2023-06-13 | FULL VID: youtu.be/iI75W7M4Puw
What is an Antihero — And Why Are They So Compelling? StudioBinder 2023-06-12 | What is an Antihero Character Type — exploring morally ambiguous characters, their appeal, and the tightrope we walk when writing antiheroes.What is an Anti-Hero? ►► bit.ly/wi-ahStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Anti-Heroes00:56 - Anti-Hero Defined02:48 - Chapter 1: The Anti-Hero Spectrum06:21 - Chapter 2: How To Write An Anti-Hero14:38 - Chapter 3: The Wolf of Wall Street Deep Dive18:01 - Takeaways─────────────────────WHAT MAKES AN ANTIHEROTraditionally, heroes are good, and villains are bad. But somewhere in the middle lay antiheroes — morally ambiguous characters that have only grown in popularity. But what makes an antihero so compelling? In this video, we will explain the murky antihero definition, explore some of the most iconic examples of antiheroes, and provide considerations for anyone interested in writing antiheroes.WHAT IS AN ANTIHEROMost people agree that an antihero is the main character in a story who simply lacks the qualities of a traditional hero. But, beyond that, the antihero definition is not set in stone. The boundaries that qualify this character type are subjective because they are based on our own sense of morality. In fact, we consider the antihero definition to be more of a spectrum, and where each character lands on that spectrum is a combination of our understanding (or sympathy) for them and how much we approve of their actions. The bad things an antihero does might seem justifiable for one person and inexcusable for another. The further toward “disapproval” a character goes, the closer they get to being labeled a “villain protagonist,” another category built on subjectivity.WRITING ANTIHEROESIt should go without saying that writing antiheroes can be tricky. Unlike the well-established boundaries for what makes a hero and what makes a villain, writing antiheroes is a bit like walking a tightrope. Making them too sympathetic reduces their complexity, but making them not sympathetic enough might alienate the audience from engaging with them.But there are considerations to keep in mind when writing antiheroes. The first is to give them a backstory or present actions that explain how this character has become who they are. The audience needs to understand or relate to these characters on some level. Another related technique that will help engage the audience with the character is using voiceover. Hearing the thoughts and feelings of the character is a common way to build rapport. Furthermore, it helps to give the character an internal conflict. This allows room to change or grow, but it also reminds us of our own moral quandaries. On the flip side, charisma is a great way to counteract any nastiness of the antihero. Likewise, the piece's tone is also a way to soften the harshness of these characters and their actions. And finally, if the character’s actions and behaviors are tied to the overall theme, it helps the audience understand their purpose.The complexity and ambiguity of the antihero are perhaps what makes them such compelling characters. Hopefully, with these examples and techniques, you can navigate these morally ambiguous characters just as effectively.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Confusion (Pump Panel Remix)” by New Order“A New Morning” by Portal“Dojo Tradition by In This World“Revenge of the Sith” by John Williams“Quantum ii“ by Makeup and Vanity Set“Whistle Stop” by Roger Miller“Kyrie” by Bruno Coulais“Courtroom” by BT“Breaking Bad Main Theme” by Dave Porter“Kits” by John Murphy“Tonight The Comedian Died” by Tyler Bates“Everlasting” by Lustmord“Taxi Driver (Main Title)” by Bernard Harrmann“Tech Talk” by Audionautix“Fairytale” by Harry Greyson-Williams, John Powell“Trainspotting” by Primal Scream“Flower of Carnage” by Meiko Kaji“The King” Robin Carolan & Sebastian Gainsoboroh“Woke Up This Morning” by Alabama 3“Kong On Broadway” by James Newton Howard“Corporate World” by The Dust Brothers“What Is Fight Club?” by The Dust Brothers“Surrey With The Fringe On The Top” by Ahmad Jamal Trio“Meth Lab Zoso Sticker” by 7Horse“Cast Your Fate To The World” by Allen Toussaint“Imagination” by Falls“Last But Not Least” by Chelsea McGoug“Raindrops Keep Falling On My Head” by BJ ThomasMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
How VFX enhances real action in the John Wick franchise #videoessay #filmmaking #vfx #johnwick StudioBinder 2023-06-07 | FULL VID: youtu.be/mO3RFljysYo
John Wick 4 Behind the Scenes — Stunts, Cinematography & VFX Explained StudioBinder 2023-06-05 | John Wick 4 behind the scenes — how the filmmakers capture realistic action in a stylized world with a breakdown of the stunts, cinematography, and VFX.John Wick Movies Ranked ►► bit.ly/ht-jwStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Special thanks to:Insider ►► bit.ly/al-lfLake Forest ►► bit.ly/yt-dv─────────────────────Chapters:00:00 - Introduction to the John Wick Universe02:22 - Cinematography07:16 - Visual Effects10:07 - Stunts13:46 - Takeaways─────────────────────JOHN WICK 4 BEHIND THE SCENESIn 2014, the first John Wick film burst onto the action scene with guns blazing. It instantly raised the bar for what action films could do — a feat surpassed by each successive entry in the franchise. The fourth chapter represents the pinnacle of this style, and in this video breakdown, we’re looking at John Wick 4 behind the scenes to see how they shot it. Specifically, how the stunts, cinematography, and VFX blend seamlessly to create realistic action in a stylized world.JOHN WICK 4 CINEMATOGRAPHYTwo things are immediately apparent when studying John Wick cinematography — the steady and slow camera movement during action scenes and the preference for wide frames. This lends itself to a great tradition of fight scenes done “in-camera.” While most films opt for plenty of coverage and editing to construct the action, the John Wick filmmakers let the action choreography speak for itself. The fighting might be grounded in realism, but the lighting is hyper-stylized with bold, saturated colors.JOHN WICK 4 VFXTo pull off the type of action we see in these films, VFX is both a safety concern and a time-saver. First, with so much weaponry, especially at close range, a lot of work needs to be done in post. This includes adding smoke and muzzle flares to prop guns, digitally creating throwing weapons like knives and axes, and, of course, the insane amount of blood effects. As explained in the video, if they had attempted this many blood effects practically, they would have gotten half the work done in the same amount of time.JOHN WICK 4 STUNTSYou can’t have realistic action without realistic stunts. Former stuntman and stunt coordinator Chad Stahelski stepped into the director’s chair for the John Wick series (co-directing the first film and solo directing the rest). With Stahelski’s background, the stunts and action choreography could be done as realistically as possible — and when you have an action star like Keanu Reeves willing to do most of his own stunts and fights, you can’t go wrong. By knowing what’s possible, what looks good on camera, on where action choreography could be elevated, the John Wick films prove that action cinema is far from dead.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Wetwork" - Le Castle Vania"Big Wick Energy" - Tyler Bates, Joel J. Richard"LED Spirals" - Le Castle Vania"Think" - Kaleida"High Table in Osaka" - Tyler Bates, Joel J. Richard"Change Your Nature" - Tyler Bates, Joel J. Richard"Stairs Arrival" - Tyler Bates, Joel J. Richard"Urban Cowgirl" - Tyler Bates, Joel J. Richard"Shots Fired" - Le Castle Vania"Antique Gun Assembly" - Tyler Bates, Joel J. Richard"Ten Paces" - Tyler Bates, Joel J. Richard"Really Pissed Off (End Credits)" - Tyler Bates, Joel J. Richard"Winter" - Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser"Guns & Turtlenecks" - Tyler Bates, Joel J. Richard"1986" - Angel Salazar"Blood Code" - Le Castle Vania"Action Drums (Instrumental)" - Rhythm Scott"Marie Douceur, Marie Colère" - Manon Hollander, Mick Jagger, Keith Richards"Taxi Ride" - Tyler Bates, Joel J. Richard"Back In The Ground" - Tyler Bates, Joel J. Richard"War Dance (Instrumental)" - Rhythm Scott"Paris Radio Intro" - Tyler Bates, Joel J. Richard"Boot Sequence" - Jimmy Svensson"Genesis" - Justice"Change Your Nature" - Tyler Bates, Joel J. RichardMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
How to frame a tracking shot #filmmaking #videoessay #cinematography StudioBinder 2023-05-29 | FULL VID: youtu.be/6Kpr2MuKW0A
Ultimate Guide to the Tracking Shot — Cinematic Camera Movement Explained StudioBinder 2023-05-29 | The Tracking Shot in Film — the ultimate guide to this very popular and useful camera movement, including considerations for lenses, speed, direction, stabilizers, editing, and more.The Ultimate Guide to the Tracking Shots ►► bit.ly/ug-tsStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Tracking Shots00:54 - What is a Tracking Shot?02:39 - Chapter 1: Types of Movement07:30 - Chapter 2: Frame & Angle11:47 - Chapter 3: Blocking & Staging14:59 - Chapter 4: Editing & Duration16:55 - Takeaways─────────────────────ULTIMATE GUIDE TO THE TRACKING SHOTThere are many types of camera movement in cinema, but one in particular is perhaps the most common: the tracking shot. In this video, we will explore the art of the tracking shot in film, including the many considerations involved and how this camera movement adds to visual storytelling. WHAT IS A TRACKING SHOTA tracking shot is any shot in which a camera independently follows one or more moving characters. This excludes similar shots like a pan or tilt where the camera is otherwise stationary. A camera moving through a location with multiple characters also doesn’t qualify because we aren’t specifically following anyone.HOW TO DO A TRACKING SHOTThere are many factors to consider when filming a tracking shot. These include the lens, depth of field, speed of movement, direction, what sort of stabilizer to use, framing and camera angle, blocking and staging, and editing. Wide lenses tend to amplify the speed of a tracking shot, while a telephoto lens can compress the foreground, middle ground, and background to create layers of movement. A shallow depth of field can isolate your subject.Speed is also a consideration — if you want to generate suspense (go slow), if you want to add energy (go fast). This also determines which direction you want the camera to track the character. Following them from behind might suggest tension or mystery while leading them from the front can create a more powerful or confident perspective.There are many types of stabilization that each have an effect on the tracking shot. For example, a smooth dolly shot or Steadicam tracking shot vs. a frenetic handheld camera. Drones have recently begun expanding the scope and range of the tracking shot.Do you want a more neutral tracking shot, try framing the subject in a medium shot. For a more intense or claustrophobic tracking shot effect, tighten the frame into a close-up. Finally, the question becomes, how long do you sustain the tracking shot? Should the shot last for over two minutes, or should you cut between multiple tracking shots instead?There’s a reason the tracking shot in film is so popular — it can accomplish so many moods and energies. And once you understand how versatile the tracking shot is, you’ll be hooked.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“All Along the Watchtower” by Jimi Hendrix“Battle Without Honor or Humanity” by Hotel“Don’t Let Me Be Misunderstood” by Santa Esmeralda“HWY 104 Surveying Sands by Makeup and Vanity Set“Los Paramos by Makeup and Vanity Set“Tangra by Makeup and Vanity Set“Kidnappers Lair by Alexandre Desplat“Lonely Summertime by The Rocking Berries “Quantum II by Makeup and Vanity Set“Keep Moving by Makeup and Vanity Set“Crush by Makeup and Vanity Set“Nonplus by Makeup and Vanity Set“The Pursuit of the Falcon by John Williams“Future Markets by Johnny Greenwood“Tannhauser Gate by Makeup and Vanity Set“Toys” by Makeup and Vanity SetMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder#film-theory, #video-essay, #filmmaker
Indirect Characterization #filmmaking #videoessay #screenwriting #characters StudioBinder 2023-05-24 | FULL VID: youtu.be/43Vrnaz8fYU
The Secret to Great Characters — Characterization Explained StudioBinder 2023-05-22 | What is Characterization — the process of creating and building characters explained, including the two main types indirect and direct characterization with examples in film.What is a Characterization? ►► bit.ly/wi-chStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Characterization00:44 - Characterization Definition 02:02 - Chapter 1: Direct Characterization07:03 - Chapter 2: Indirect Characterization12:37 - Chapter 3: Characterization in Casablanca15:57 - Takeaways─────────────────────CHARACTERIZATION EXPLAINEDWhen authors and screenwriters create characters, they do so through a process called characterization. This generally involves providing information to the reader or viewer that builds these characters one layer at a time. By the end of the story, ideally, you would have a fully-formed character inside and out. When done right, the audience receives all this information without realizing it. In this video, we will uncover the two main characterization methods and their importance in creating dimensional, interesting, and engaging characters.WHAT IS CHARACTERIZATIONCharacterization is how writers present and describe their characters. Think about this — the task is to make the audience believe that the character is “real,” at least enough to empathize and engage with them. The audience must understand who these characters are based on how they look, what they say, how they act, where they live, what they wear, etc. A writer could just list off all of this information, but it’s usually more powerful for the audience to do their own assessment. Let’s look at the two main types of characterization.DIRECT CHARACTERIZATIONIn literature, direct characterization is how the author describes the character. In film, unless there is a narrator providing the same information, direct characterization is what we can observe about a character. For example, their appearance. A lot can be communicated immediately through the wardrobe, physicality, and hair/make-up. We can also intuit much about them from their settings, like their homes, car, or how they blend in (or not) with their environment. This is the more objective characterization technique.INDIRECT CHARACTERIZATIONThe other main type is indirect characterization, which is what we can discern about a character through their behavior, actions, and dialogue. As you’ve heard, actions speak louder than words, and it is up to the audience to decipher these actions to complete the characterization. As Robert McKee notes, “The revelation of true character in contrast or contradiction to characterization is fundamental to all fine storytelling.”Indirect and direct characterization can yield a character we believe in and root for.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Pelicans" - Jimit"A Battle in the East" - Rhythm Scott"1986" - Angel Salazar"In Love with Emi" - Fabien Fustinoni"Double Espresso" - Francesco D'Andrea"Merge" - Theatre of Delays"Secret Weapon" - Evgeny Bardyuzha"Main Title" - Angelo Badalamenti"Perfect Day (Chris Lord Alge Mix)" - Hoku"Theme for The Irishman" - Robbie Robertson"Apartment #604" - Howard Shore"Off to Work" - Michael Giacchino"The Fall" - Hans Zimmer"Dojo Tradition (Instrumental)" - In This World"Yes I Am (Instrumental)" - Zach Sorgen"Captain America Main Titles" - Alan Silvestri"Future Markets" - Jonny Greenwood"Dark Blood" - Jimmy Svensson"Cantina Band" - John Williams"The Throne Room and End Title" - John Williams"Hand Covers Bruise" - Trent Reznor, Atticus Ross"Prologue: One Ring to Rule Them All" - Howard Shore"A Moon Walk (Instrumental)" - Yehezkel Raz"Medley (Laszlo / As Time Goes By / Orders / Die Wacht Am Rhein / Motor / Ilsa Returns / Telephone / Deutschland Über Alles / La Marseillaise / Plane)" - Max Steiner"Medley (Paris Montage)" - Max Steiner"Medley (At La Belle Aurore)" - Max Steiner"Medley (It Had to Be You / Shine)" - Dooley Wilson"A Glowing Light, a Promise" - Makeup And Vanity Set"State Lines (Instrumental)" - Aaron KellimMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
How to make an epic act climax #filmmaking #videoessay #screenwriting #filmmaker #screenwriter StudioBinder 2023-05-17 | FULL VID: youtu.be/3TukzX6R57Y
How to Write Great Scenes — 4 Elements Every Scene Should Have StudioBinder 2023-05-15 | Anatomy of a Great Scene — dissecting the four main elements of a great scene, including conflict, plot function, character development, and blocking & staging.How to Write a Great Scene ►► bit.ly/an-gsStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Great Scenes00:56 - What Makes a Scene Great?03:08 - Chapter 1: Conflict08:21 - Chapter 2: Character Development12:42 - Chapter 3: Plot Function16:25 - Chapter 4: Blocking & Staging20:18 - Deep Dive: The Silence of the Lambs25:03 - Takeaways─────────────────────ANATOMY OF A GREAT SCENEWhat makes a great movie scene? While no two scenes are the same, there are consistent elements of a great scene. In this video, we’re going to take a scalpel to some of the best scenes in film history to understand the anatomy of a great scene. These include conflict, character development, plot function, and blocking & staging. A great scene doesn’t need all four of these elements — the recipe for each scene is unique and variant. Let’s look at them individually.Without conflict, there would be no storytelling. Through the course of a single story, the protagonist must encounter conflict and obstacles in the way of their goal. At a scene level, the conflict can be minimal as long as their is sufficient conflict overall. And there are different types that can be employed like physical, verbal, internal, or environmental conflict.A great scene should also be designed to serve the character along their arc. An individual scene can function as a tiny nudge in that direction or a full-on shove — but without some effect on the character, you might have to question if you need the scene at all.The same criteria applies to how the scene functions on a plot level. Does the scene move the plot forward (and in the right direction) or does it slow the pacing and feel out of place? It’s one thing to write a great scene on its own but if it doesn’t add to the storytelling, it’s best to cut it.Finally, it is the director’s responsibility to turn these written elements into a functional scene with blocking and staging. Is the camera static or would the scene benefit from a slow push in? Is there a way to use the character’s movements in the scene to enhance the conflict or character development? The combination and execution of these elements is completely flexible and subjective. But when the elements of a great scene come together, there’s nothing better.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Bohemian Rhapsody” by Queen“Twin Peaks Theme” by Angelo Badalamenti“Night Piece for Saxophone and Orchestra” by Bernard Herrmann“Blood Trails” by Carter Burwell“The Verdict” by Ennio Morricone“Father Son” by Makeup & Vanity Set“Ghostbusters” by Ray Parker Jr.“Mystery Math” by Danny Elfman“Water, Ocean” by by Jung Jae Il“The Braying Mule” by Ennio Morricone“Treat Her Right” by Roy Head“Hinting” by The Kitimangoes“Heat” by Kronos Quartet“Adagio Per Archi E Organo in Sol Minore” by David Parry“Los Paramos” by Makeup & Vanity Set“Jack’s Smirking Revenge” by The Dust Brothers“Shallow” by Lady Gaga and Bradley Cooper“Tsiolkovskij” by Makeup & Vanity Set“The Searchers Soundtrack Suite” by Max Steine“Toys” by Makeup & Vanity Set“Citizen Kane Suite” by Bernard Herrmann“Dead Already” by Thomas Newman“Singin’ In The Rain” by Gene Kelly“Bulletin Board” by Howard Shore“Visit to Lecte”r by Howard Shore“You Look Like A Rube” by Howard Shore“A Neverending Beam of Light “by Makeup & Vanity Set“Tangra” by Makeup & Vanity SetMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
US Animation vs Anime #filmmaking #videoessay #animation #anime #filmmaker StudioBinder 2023-05-09 | FULL VID: youtu.be/LmyRZR8MaJI
The History of Animation — Types of Animation Styles Explained [Shot List Ep. 14] StudioBinder 2023-05-08 | The History of Animation — a guide to the evolution of animation styles, techniques, technologies, and how filmmakers bring their subjects to life.What is Animation? ►► bit.ly/sl-anThe Shot List Series ►► bit.ly/the-shot-listStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Intro to Animation00:52 - History of Animation03:05 - Traditional Animation08:39 - Rotoscoping11:09 - Anime14:08 - Stop Motion16:29 - Cutout19:20 - 3D Computer22:33 - Takeaways─────────────────────Special thanks to:The Art of Aaron Blaise ►► bit.ly/ao-abBradleigh Utz ►► bit.ly/bf-luFlipt Pictures ►► bit.ly/fl-pcMassimo Giangrande ►► bit.ly/ms-ge, bit.ly/ma-geMPC ►► bit.ly/em-cesumerias1 ►► bit.ly/su-msVictoria and Albert Museum ►► bit.ly/vi-amYour Average Skillets ►► bit.ly/ya-sk─────────────────────THE HISTORY OF ANIMATION & EVOLUTION OF ANIMATION STYLESFrom the beginning of film history, filmmakers have experimented with animation in many forms and techniques. In this video, we will lay out a brief history of animation and the evolution of animation styles. Including the techniques, the technologies, the differences, and the various mediums animators use to give their inanimate subjects the illusion of life.The word animation comes from Latin "animatio" and means “a bestowing of life.” Like film, animation is the illusion of movement through the rapid succession of images created by a process called “persistence of vision.” This works because when we see one image, it is retained on our retina for a fraction of a second, just long enough for a second image to appear — and thus, we see a single moving image instead of a series of flashing static images.Traditional animation was the dominant type of animation in the 20th century. Basically, this involves drawing images, frame-by-frame. As the years went on, new techniques were developed to turn animation into more of an assembly line process. Animators like Walt Disney and his studio helped turn animation into a viable commercial and artistic medium.Rotoscoping is a technique that uses live-action footage as a reference to create animation with more realistic movement. Today, we can see variations of this process in films like Richard Linklater’s Waking Life and A Scanner Darkly. Anime is an umbrella term used to describe Japanese animation, which tends to share many of the same styles and techniques as Western animation, along with some key deviations. Stop-motion animation is also similar to traditional animation, except the subjects are often physical objects instead of drawings, like puppets or figurines. Claymation is a sub-type of stop-motion animation that uses plasticine clay. Cut-out animation uses shapes or characters cut out of paper or fabric and moved frame-by-frame. More recently, 3D animation has replaced 2D animation as the most common animation style. And, yet, it follows the same general principles.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Caution (Instrumental)" - Skrxlla"Origin" - David A. Molina"A Battle in the East" - Rhythm Scott"1986" - Angel Salazar"Animatio" - Mike Steele"Colors of the Wind (From Pocahontas)" - Royal Philharmonic Orchestra"The Entertainer" - E's Jammy Jams"Still Need Syndrome" - Yarin Primak"By the Dear Old River Rhine" - Burr and Campbell"Can't Help It" - Shtriker Big Band"Ripples" - Tamuz Dekel"Blue Beings""Echo" - Twin Signals"In Love with Emi" - Fabien Fustinoni"Take On Me" - a-ha"O Come Let Us Adore Him (Instrumental)" - Salt of the Sound"From a Distance (Theme from Hit TV)" - Makeup And Vanity Set"Dojo Tradition (Instrumental)" - In This World"The Path Of The Wind (Instrumental)" - Joe Hisaishi"Visit to Hida" - RADWIMPS"Kaneda" - Geinoh Yamashirogumi"A Town with an Ocean View" - Joe Hisaishi"Flare" - Theatre of Delays"Merge""Story Time" - Dario Marianelli"Action Drums" - Rhythm Scott"Time Warp" - Notize"Yes I Am " - Zach Sorgen"South Park Theme" - Primus"Theme Song Ending Credits""Stuck Behind a Train (Instrumental)" - Makeup And Vanity Set"Double Espresso" - Francesco D'Andrea"New World" - Ian Post"Wistful (Instrumental)" - Falls"You've Got a Friend in Me" - Randy Newman"A New Morning" - Portl"To Burn" - Man With Roses"State Lines (Instrumental)" - Aaron KellimMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomF─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
Juxtaposition with Dialogue #thegodfather #screenwriting #filmmaking #videoessay StudioBinder 2023-05-02 | FULL VID: youtu.be/TVmVir2Uwb8
What is Juxtaposition in Film — How to Take Visual Storytelling to the Next Level StudioBinder 2023-05-01 | What is juxtaposition in film — A storyteller’s guide to the myriad of ways to use juxtaposition in film, including imagery, sound design, and editing.What is a Juxtaposition? ►► bit.ly/wi-jxStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Juxtaposition00:50 - Juxtaposition Defined03:04 - Chapter 1: Mise En Scène08:09 - Chapter 2: Sound & Music13:03 - Chapter 3: Editing17:30 - Takeaways─────────────────────WHAT IS JUXTAPOSITION IN FILMJuxtaposition is such a common technique in art, it’s easy to miss it. But the artists who have mastered the art of juxtaposition understand how to communicate their ideas on a more sophisticated level. In this video, we’re going to break down the many ways a filmmaker can use juxtaposition in film, including the imagery, the sounds, and the editing. WHAT IS JUXTAPOSITIONJuxtaposition is the process of placing two or more things together in order to invoke their similarities and/or differences. This helps define the relationship between things, but it also conjures up more intellectual or philosophical ideas about them. One of the most iconic examples of juxtaposition in literature is the opening to Charles Dickens’ A Tale of Two Cities. “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness…” and it goes on from there. By pairing up these disparate ideas, Dickens paints a layered and complicated picture.JUXTAPOSITION IN FILM — MISE-EN-SCENEThere are many ways to use juxtaposition in film. We can start with the broad category of mise-en-scene, which includes elements such as color, costume, props, set design, lighting, and even composition. These are visual elements that can be combined to create ideas and meaning greater than the sum of their parts.JUXTAPOSITION IN FILM — SOUND & MUSICOn the soundtrack, there are even more options. For example, the opening title sequence for The Shining has peaceful and idyllic landscapes paired with music that inspires dread. The juxtaposition of sound and image, then, creates an unsettling mood. Dialogue can also be paired with imagery that seem to contradict each other. In the opening for Trainspotting, Renton’s voiceover implores the viewer to choose life and many other comforts of the civilized world — all while he evades the police chasing him after a robbery.JUXTAPOSITION IN FILM — EDITINGEditing is another fantastic way to create juxtaposition in film. As we know from the Kuleshov Effect, cutting from one thing to another creates a relationship between them. So, in Rocky IV, when we see how Rocky trains versus how Drago trains, we understand their dynamics, we establish the odds against our protagonist, and we build each fighter’s characterization at the same time.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Singing In The Rain” by Gene Kelly“Aegeus“ by Makeup and Vanity Set“A Neverending Beam of Light“ by Makeup and Vanity Set“Blood Trails“ by Carter Burwell“Axe Schlomo“ by Marco Beltrami“Fairytale“ by Harry Greyson-Williams, John Powell“Beautiful New World“ by Danny Elfman“Choke“ by Makeup and Vanity Set“Collapse“ by Makeup and Vanity Set“Only Fire“ by Makeup and Vanity Set“The Wanderer“ by Makeup and Vanity Set“We’ll Meet Again“ by Vera Lynn“Main Title from The Shining“ by Wendy Carlos and Rachel Elkind“Stuck in the Middle with You“ by Stealers Wheel“Lust for Life“ by Iggy Pop“The Slough Pit of Creation“ by Carter Burwell“Discovery“ by Makeup and Vanity Set“Los Paramos“ by Makeup and Vanity Set“The Peephole“ by Bernard Hermann“Thor Ragnarok Main Theme“ by Mark Mothersbaugh“Twisted Nerve“ by Bernard Hermann“Moonphase IV“ by Makeup and Vanity Set“Quantum IV“ by Makeup and Vanity Set“Crush“ by Makeup and Vanity SetMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
Lighting dark scenes & zombies #thelastofus #cinematography #lighting #videoessay #filmmaking StudioBinder 2023-04-25 | FULL VID: youtu.be/egb9duuJO9s
The Last of Us Behind the Scenes — Did They Do the Game Justice? StudioBinder 2023-04-24 | The Last of Us Behind the Scenes Cinematography Breakdown — a look at the creative visual choices made by the team of cinematographers, including choosing cameras, lenses, and handheld shots to keep the viewer as engaged with the show as players were with the game.The Making of The Last of Us ►► bit.ly/co-luStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Intro to The Last of Us Cinematography01:13 - The Challenge of Turning a Game into a TV Show02:40 - Chapter 1: Camera & Lenses05:31 - Chapter 2: Natural Lighting11:08 - Chapter 3: Docustyle Camerawork15:49 - Final Thoughts/Takeaways─────────────────────CINEMATOGRAPHY OF THE LAST OF USFans and critics alike have praised the adaptation of The Last of Us as one of the greatest video game-to-TV transfers. It would be easy enough to just replicate the shots from the game, but perhaps it goes beyond that. Maybe it is that the “experience” of watching the show so closely resembles the experience of playing the game. This was certainly the goal of the showrunners and cinematographers, and it informed many of their visual decisions, including the lighting, camera movement, and lens choices. In this video, we will dive into these choices that made the cinematography of The Last of Us so compelling.THE LAST OF US CINEMATOGRAPHY — CAMERAS AND LENSESOne of the goals was to keep the environments visible around the characters. As DP Ksenia Sereda says, “We needed to be able to stay close but at the same time preserve the depth of background.” This helps keep the audience engaged in the world itself, not just with the characters. Plus, this extra negative space is a subtle reminder that an infected to could pop out at any moment. For more tense, claustrophobic scenes, like in the climactic scene of episode five, longer lenses collapse the depth for maximum tension.THE LAST OF US CINEMATOGRAPHY — LIGHTINGDP Eben Bolter describes the lighting scheme as “cinematic naturalism,” which means grounding the visuals in the scene's reality. “It was about lighting a room rather than a shot. And letting flaws exist, and leaning into those flaws.” In other words, for the audience to immerse themselves as active participants, the world needed to look as real as possible.Bolter also describes using a technique called “skip lighting,” which has exterior light bouncing off props or set dressing inside. Since electricity wasn’t always available in the story world, this simple technique maintains that reality.THE LAST OF US CINEMATOGRAPHY — CAMERAWORKAs another element meant to ground the viewer in the reality of this post-apocalypse, handheld camerawork was heavily employed. According to Bolter, about 80 to 90 of each episode used this strategy. But instead of a literal handheld camera, they used a ZeeGee mount which provides the stability of a Steadicam but the look and feel of a handheld camera.The difference in engagement between playing a video game and watching a TV show is worlds apart. But as the team behind the cinematography of The Last of Us has shown, it’s perhaps not as impossible as previously thought.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"The Last of Us" - Gustavo Santaolalla"Prelude in B Minor" - Will Taylor"Left Behind" - Gustavo Santaolalla and David Fleming"Spiral" - Alon Peretz"Secret Weapon" - Evgeny Bardyuzha"It Can't Last (Sunset)" - Gustavo Santaolalla and David Fleming"A Battle in the East" - Rhythm Scott"Invited" - Gustavo Santaolalla and David Fleming"Raiders" - Gustavo Santaolalla and David Fleming"When the Demons Came Knocking" - Eleven Tales"All Gone (Isolation)" - Gustavo Santaolalla and David Fleming"Breaching the Wall" - Gustavo Santaolalla and David Fleming"Subterranean" - Gustavo Santaolalla and David Fleming"Stockpile" - Gustavo Santaolalla and David Fleming"Surveillance" - Gustavo Santaolalla and David Fleming"1986" - Angel Salazar"All Gone (Purpose)" - Gustavo Santaolalla and David Fleming"All Gone (Affliction)" - Gustavo Santaolalla and David Fleming"Forsaken" - Gustavo Santaolalla and David Fleming"Still Need Syndrome" - Yarin Primak"The Last of Us" - Gustavo Santaolalla"Alone And Forsaken" - Hank WilliamsMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
Virtual production filmmaking #filmmaking #videoessay #cinematography #unrealengine StudioBinder 2023-04-18 | FULL VID: youtu.be/a25BMp5Z1QY
Virtual Production Explained — Is This The End of the Green Screen? StudioBinder 2023-04-17 | What is Virtual Production — an introduction to the latest filmmaking technology, including how virtual production works, the pros and cons, and why it may be here to stay.What is a Virtual Production? ►► bit.ly/wi-vpStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Virtual Production01:03 - History of Virtual Production03:46 - Chapter 1: How It Works06:42 - Chapter 2: Built-In Lighting09:50 - Chapter 3: Flexible Locations13:46 - Takeaways─────────────────────VIRTUAL PRODUCTION EXPLAINEDIf you’ve been paying attention to current filmmaking technology and techniques, you’ve likely heard of virtual production. On shows like The Mandalorian and films like The Batman, virtual production seems to be the next big thing in how projects are shot. But how does virtual production work, and is it really the wave of the future or just another Hollywood tech fad? In this video, we will dive into these topics as we explore the pros and cons of virtual production in film and TV.WHAT IS VIRTUAL PRODUCTIONIn short, virtual production is a broad term in which live-action and virtual elements are captured simultaneously. To explain how virtual production works, we need a quick lesson in film history. For decades, filmmakers have “cheated” backgrounds with techniques like rear and front projection. Then green and blue screen technology became the dominant way to composite real foregrounds with fake backgrounds in a process called “keying.” But all of those technologies have drawbacks. Virtual production is something of a hybrid between the projection and keying systems of the past, with improvements in both. Let’s discuss how virtual production works.HOW VIRTUAL PRODUCTION WORKSThe most common virtual production setup these days is a set surrounded and covered by LED walls. On these screens, any background can be shown. Usually, these are CG backgrounds created by software like Unreal Engine, mostly known for creating video game environments. One thing missing from the original rear- and front-projection systems was something called parallax — when background elements move according to the camera's movement. But in a virtual production setup, the camera has trackers that connect its position to the background software, effectively eliminating this parallax problem.THE PROS AND CONS OF VIRTUAL PRODUCTIONVirtual production benefits film and TV productions in a few ways. The lighting emitted from the LED walls matches the scenes exactly. The production can switch “locations” easily. The actors have an environment around them instead of a blank green void. Atmospherics like rain or smoke can be captured live on set. And as mentioned, it solves the parallax issue.But there are drawbacks to virtual production as well. To shoot on a soundstage with a full virtual production setup like The Mandalorian is highly expensive. Low-budget alternatives are emerging, however. Even though realistic parallax is possible, the camera movement is still limited to the confines of the set. At the moment, direct hard sunlight is hard to capture realistically, which limits most exterior settings to darker or overcast conditions.So, that is a quick introduction to how virtual production works. It solves a lot of problems in film and TV production, but it doesn’t solve them all.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Nonplus” by Makeup and Vanity Set“Royal Blue” by Makeup and Vanity Set“Reborn” by Bradford Nyght“Quantum IV” by Makeup and Vanity Set“Only Fire” by Makeup and Vanity Set“Crush” by Makeup and Vanity Set“The Garden” by Makeup and Vanity Set“The Marshal’s Tale” by Ludwig Goransson“Get The Child” by Ludwig Goransson“Invaders on Their Land” by Ludwig Goransson“The Journey Begins” by John Williams“Discovery” by Makeup and Vanity Set“Mando is Back” by Ludwig Goransson“The Batman” by Michael Giacchino“Tannhäuser Gate” by Makeup and Vanity Set“A Thousand Years” by Ludwig Goransson“Great Leader Has Fallen” by Makeup and Vanity Set“Legends Never Die” by TimbrMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
The best lines have subtext #filmmaking #videoessay #screenwriting #screenwriter StudioBinder 2023-04-10 | FULL VID: youtu.be/wrR8ggeD4h4
Writing Subtext — The Secret to Writing Whats Under the Surface StudioBinder 2023-04-10 | Writing Subtext in Screenplays — covering three key ways a screenwriter can add a secondary and unspoken meaning in their scripts, including subtext in dialogue, actions, and performances.What is Subtext? ►► bit.ly/pa-sxStudioBinder Screenwriting Software ►► http://bit.ly/sb-sw─────────────────────Chapters:00:00 - Intro — What is Subtext?01:27 - Subtext Definition and History04:57 - Technique 1: Embedding Subtext in Dialogue11:32 - Technique 2: Writing Subtext through Actions14:42 - Technique 3: Allowing Subtext in the Performance17:34 - Scene Study: Subtext in Sound of Metal20:56 - Final Takeaways─────────────────────WRITING SUBTEXT IN SCREENPLAYSIn storytelling, as in life, what we say and do is only a fraction of what we really mean. That unspoken or secondary meaning is called subtext, and it is a skill many writers seek to master. In this video, we will cover the mechanics of how to write good subtext in a screenplay, including subtext examples in dialogue, action/description, and the actors’ performances.WHAT IS SUBTEXTThis idea of “subtext” can be traced back to a legend in the theatre world — Konstantin Stanislavski. As a lesson for actors, he had this to say about subtext: “Keep in mind that a person says only ten percent of what lies in their head, ninety percent remains unspoken.” It’s an insightful truth — think about how much of what’s in your head actually gets expressed. And for writers to capture “truth” in dialogue, character action, and behavior, logic suggests that their screenplays should leave most things “unsaid.”Another way to understand and define subtext is to explain the relationship between text and context. Text is the surface-level meaning of our words and actions. It is the words we actually say or the actions we take. Context is the circumstances around the text — the culmination of information and events that have led up to the text. Subtext, then, is created by combining the text and context. For example, let’s say the text is someone blowing out birthday candles. But in Scene 1, the context has the character surrounded by friends and family, while Scene 2 has them completely alone. The same text, two different contexts, and two very different subtexts.HOW TO WRITE SUBTEXTSubtext in dialogue is perhaps the most obvious way to reveal what’s beneath the surface. When Don Corleone says, “I’ll make him an offer he can’t refuse,” what he really means (the subtext) is, “If he doesn’t do what I’m asking him to do, I will kill him.” Leaving that direct meaning unsaid is far more powerful and menacing.Beyond dialogue, subtext can also be written into a character’s action. In Pulp Fiction, Jules takes a massive bite out of Brett’s hamburger. Without saying it, this simple act creates a clear message: Jules has all the power.Finally, the actor’s performance is a more nuanced but huge opportunity for subtext. With clues the writer provides in the script, the actor can use body language to suggest what lies beneath the surface. In Moonlight, Black stares at the door, debating whether to escape another possible heartbreak. Writing subtext in screenplays is not easy. The temptation writers face is to put everything onto the page as text but, going back to Stanislavski, it’s better to leave things unsaid.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Hey Pluto" - Native Rebels"Exit Strategy" - Alternate Endings"Help Me" - Lost Ghosts"Only One Spider-Man" - Daniel Pemberton"Sincerely" - The Moonglows"The Alien" - Annihilation OST"Casino" - Mathaus Passion"Dust My Broom" - Elmore James"Track 1" - The Cell Soundtrack"Everything Thing in its Right Place" - Radiohead"From Rusholme with Love" - Mint Royale"Svefn-G-Englar" - Sigur Ros"Hang me, Oh Hang Me" - Oscar Isaac"What Have We Done to Each Other" - Trent Reznor & Atticus Ross"Consummation" - Trent Reznor & Atticus Ross"The Big Smoke" - Audiomachine"Gehenna" - 1917 OST"Prelude" - Bernard Herrmann"Symphony No.3 Passacaglia" - Allegro Moderato"Old Skool (Instrumental)" - DaMarcus Van BurenMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more.Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
Visual metaphors in film #filmmaking #videoessay #cinematography #videoediting StudioBinder 2023-04-04 | FULL VID: youtu.be/Aan0_wDrlvA
What is a Metaphor — 8 Ways to Create Meaning with Comparison StudioBinder 2023-04-03 | What is a Metaphor — a complete guide to the art of metaphor, including eight different types, how they work, and how writers can use them to create meaning through comparison.What is a Metaphor? ►► bit.ly/wi-meStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Metaphors00:55 - Metaphor Definition and History03:19 - Direct/Standard Metaphor03:47 - Simile05:13 - Implied Metaphor06:26 - Extended Metaphor07:45 - Controlling Metaphor08:48 - Mixed Metaphor09:36 - Dead Metaphor10:05 - Visual Metaphor12:35 - Takeaways─────────────────────WHAT IS A METAPHORMetaphors are deceptively simple. We use them all the time in our everyday conversations. And yet there is a strict definition for “What is a metaphor” that most people aren’t aware of. For the average person, there is no pressing need to understand the art of metaphor, but the same cannot be said for writers. In this video, we’re going to define metaphor, the eight different types, how they work, and how writers can add them to their literary arsenal.METAPHOR DEFINITIONLet’s start with a metaphor definition. A metaphor is a figure of speech that compares an object to another object with similar characteristics. It uses conjugations of “to be” like “I am,” “She is,” or “They are.” For example, “love is a battlefield.” Four elements are necessary to create a metaphor: the tenor, the vehicle, the ground, and the tension. The tenor is the subject in question (love), and the vehicle is the object of comparison (battlefield). The ground is what these two things have in common (both can be treacherous endeavors), and the tension makes them distinct (love is an emotion, while battlefields are sites of physical conflict).“Love is a battlefield” is the standard, pure type of metaphor, but there are many others to explain.TYPES OF METAPHORSSIMILE VS METAPHORA simile is a type of metaphor that uses qualifiers such as “like” or “as” to make comparisons. For example, when Shrek proclaims that “Ogres are like onions.” IMPLIED METAPHORAn implied metaphor makes a comparison, but it’s more implicit. For example, in Whiplash, a character says, “Don’t worry about Fletcher. He’s more bark than bite.” Fletcher is being compared to a dog without saying exactly that.EXTENDED METAPHORAn extended metaphor is a comparison expressed over many lines. Perhaps the most famous example would be, “All the world’s a stage, and all the men and women are merely players…” from Shakespeare’s As You Like It.DEAD METAPHORA dead metaphor is a metaphor that has been overused and turned into a cliche. Examples of these would include “You’re breaking my heart” and “Time is running out.”CONTROLLING METAPHORA controlling metaphor is used throughout the story, often to speak the overall theme. In Turning Red, Mei turning into a giant red panda is a metaphor for the pains of puberty.MIXED METAPHORA mixed metaphor combines two comparisons incorrectly. For example, “The early bird gathers no moss.”VISUAL METAPHORFinally, a visual metaphor is simply a comparison made visually. This can be done in a single image (like fireworks exploding during a romantic moment) or between images, like Russian filmmaker Sergei Eisenstein intercut strikers being killed with cattle being slaughtered. As you can see, the art of metaphor has wide-ranging implications. A writer or filmmaker can inject extra layers of meaning into their dialogue and imagery, adding sophistication and nuance to their work.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Go” by Makeup and Vanity Set“Choke” by Makeup and Vanity SetKeep Moving by Makeup and Vanity SetThe Wanderer by Makeup and Vanity SetQuantum IV by Makeup and Vanity SetThe Corridor by Makeup and Vanity SetOnly Fire by Makeup and Vanity SetDiscovery by Makeup and Vanity Set“Ciclo” by Makeup and Vanity Set“Tannhäuser Gate” by Makeup and Vanity Set“Once Upon A Storybook Love” by Mark Knopfler“Reborn” by Branford Nyght“Blackmail” by Nathan Johnson“Turning Panda” by Ludwig Göransson“Nonplus” by Makeup and Vanity Set“Royal Blue” by Makeup and Vanity Set“I Know There’s Good In Him” by John Williams“Dead Already” by Thomas Newman“Crush” by Makeup and Vanity Set“Collapse” by Makeup and Vanity Set“Life is a Highway” by Tom CochraneMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
How to light outdoor night scenes #filmmaking #lighting #cinematography StudioBinder 2023-03-28 | FULL VID: youtu.be/N9mPQBZe06s
Ultimate Guide to Cinematic Lighting Pt. 2 — How to Light Subjects and Locations StudioBinder 2023-03-27 | The Ultimate Guide to Cinematic Lighting Techniques — part two of our mini-series on how to get cinematic lighting, including lighting tips for subjects, backgrounds, daytime and nighttime scenarios.30 Best Cinematography Techniques (eBook) ►► bit.ly/sl-p2The Ultimate Guide to Film Lighting Pt. 1 ►► bit.ly/ug-ciStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Intro — Cinematic Lighting01:00 - Why Film Lighting Matters01:09 - Single Subjects06:15 - Multiple Subjects08:55 - Exterior Day12:42 - Exterior Night16:21 - Interior Day18:46 - Interior Night22:19 - Takeaways─────────────────────Special thanks to:DiCasaFilm ►► bit.ly/dc-liCreative Path Films ►► bit.ly/3TmITI5postPerspective ►► bit.ly/pp-coTim de la Torre ►► bit.ly/td-lt─────────────────────THE ULTIMATE GUIDE TO CINEMATIC LIGHTING TECHNIQUES — PART TWOCinematic lighting is something most filmmakers are after but what is cinematic lighting anyway? Many people agree that the difference between amateur and professional film is decided by the quality of a project’s lighting. In the first episode of this cinematic lighting guide, we covered the basics of lighting, and the general styles and approaches. Now we’re going to discuss how to get cinematic lighting by shooting subjects, backgrounds, daytime vs. nighttime, and interiors vs. exteriors.CINEMATIC LIGHTING SETUP FOR SUBJECTSFirst, we’ll look at how to light your subjects. Using the most common portrait lighting setups like butterfly lighting, loop lighting, split lighting, and more. Each of these lighting techniques literally casts a different light on your subject, which in turn can alter their characterization and how we relate to them. We’ll also get into how to light multiple subjects in a scene.HOW TO LIGHT A SCENE — EXTERIOR DAY/NIGHTThere are countless lighting scenarios but they can all be boiled down to basically four — exterior day, exterior night, interior day, and interior night. Shooting outside during the day is difficult mostly because your main light source (the sun) is constantly changing. In our video, we learn from DPs like Robert Richardson shooting Casino and Emmanuel Lubezki shooting The Revenant. Shooting outside at night presents its own challenges, but with today’s cameras, low-light cinematography is not nearly the challenge it used to be. For example, we learn how DP Jeff Cutter simulated moonlight on Prey or how Jarin Blaschke embraced the shadows on The Witch.HOW TO LIGHT A SCENE — INTERIOR DAY/NIGHTLighting an interior during the day can be a lot easier than shooting outside but you’re still dealing with the sun. DP Roger Deakins blacked out windows and used exterior lighting for the opening scene in Sicario. DP Matthew Libatique had more control with the stage set in The Whale. You can also go more stylized with the nighttime lighting, like Kubrick and his DP Larry Smith did on Eyes Wide Shut.Cinematic lighting techniques like this are used all the time. And with lessons from masterful DPs, we can all approach any lighting situation with confidence.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Somewhere" - Daniele Musto"Origin" - David A. Molina"War Dance (Instrumental)" - Rhythm Scott"Mauretania (Instrumental)" - Sam Barsh"Morning Sunbeams" - Yehezkel Raz"Dojo Tradition (Instrumental)" - In This World"Mr. Moustafa" - Alexandre Desplat"The Lutz Police Militia" "Yumeji's Theme" - Shigeru Umebayashi"Deep Blue""Dark Blood" - Jimmy Svensson"Club Foot Clavipes (Instrumental)" - Isaac Joel"Full Access" - Jimmy Svensson"Blue Suede Shoes" - Elvis Presley"Summer Kisses/In My Body""1986" - Angel Salazar"Staring Into The Abyss" - 2050"Little Eyes (Instrumental Version)" - Yehezkel Raz"Double Espresso" - Francesco D'Andrea"The House Of The Rising Sun" - The Animals"The Revenant Main Theme" - Ryuichi Sakamoto & Alva Noto"Assembly Line Dreams" - Ostin Drais"Glass" - Claudio Laucci"Thrill of the Chase" - Sarah Schachner"Five Senses""What Went We" - Mark Korven"Witch's Coven" "Corporate World" - The Dust Brothers"Life Boat" - Rob Simonsen"The Border" - Jóhann Jóhannsson"Runways" - Stanley Gurvich"Rabbia e tarantella" - Ennio Morricone"Musica Ricercata, II (Mesto, rigido e cerimoniale)" - Dominic Harlan"The Dream" - Jocelyn Pook"State Lines (Instrumental Version)" - Aaron KellimMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomF─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
3 key tips for shooting low light candle scenes #claudiomiranda #cinematographers #lighting StudioBinder 2023-03-21 | FULL VID: youtu.be/fn2dBc02c5I
Lighting with Candle Light — Low Light Cinematography Techniques from DP Claudio Miranda StudioBinder 2023-03-20 | Candlelight Cinematography Tutorial with legendary DP Claudio Miranda discussing working with candlelight in scenes from Life of Pi, Oblivion, and The Curious Case of Benjamin ButtonLow Light Cinematography Techniques ►► bit.ly/ct-loStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Special thanks to:Media Division ►► bit.ly/al-mdCinematography Life ►► bit.ly/al-cl─────────────────────Chapters:00:00 - Claudio Miranda on Candlelight00:41 - Lighting a Large Set with Candles in Life of Pi02:07 - Large Set with Single Candle in Oblivion05:40 - Intimate Setting with Single Candle in Benjamin Button06:44 - Takeaways─────────────────────CANDLELIGHT CINEMATOGRAPHYWorking with candlelight is a rite of passage for any cinematographer. As you can imagine, doing so is quite difficult, and there are a few considerations involved. In this video, we’re going to learn how to light a scene with candlelight from a DP who has plenty of experience — Claudio Miranda. Topics include the types of lenses to use, ISO and sensor settings, specialty candles, and more.HOW TO LIGHT A SCENE WITH CANDLELIGHTIn 1975, Stanley Kubrick and DP John Alcott famously shot Barry Lyndon’s candlelight cinematography. But to do so, they needed multiple candles and a lens specifically designed by NASA. Today, it’s a lot easier, but that doesn’t mean it is easy.As Miranda explains, one of the first things to consider is the ISO and sensor settings on the camera. On Oblivion, one scene was to be lit with a single candle between two characters. The camera they used was the Sony F65 with an 800 ASA. But that was not enough — the background projection system used to light the set was lowered, and the shutter speed was adjusted to get “the last gulp of exposure.”Lens choice is also a key consideration. When shooting candles in low light, Miranda recommends a lens that can open up to at least a 1.4 aperture. He also mentions how every lens has unique characteristics and that even though it might have desirable effects in a normally lit scene, it can underperform in low-light scenarios.Beyond using a single candle, what happens when there are literally thousands? In a crowd scene from Life of Pi, Miranda explains that over 120,000 candles were used. In fact, all the extra lighting Miranda had brought to the set as a contingency plan was not needed. In other scenes, supplemental lighting is necessary. For example, in The Curious Case of Benjamin Button, lighting with candlelight alone proved insufficient. An additional practical was added to boost the level. Cinematic lighting with candlelight is more possible today than it has ever been. With the right camera, lenses, and (potentially) additional lighting, working with candlelight can turn a simple scene into the most visually striking in the entire project. Thanks to DPs like Claudio Miranda sharing their knowledge, candlelight cinematography is within the grasp of any cinematographer.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:Oblivion Soundtrack - "Oblivion (feat Susanne Sundfor)"Life Of Pi Soundtrack - "Which Story Do You Prefer"Life Of Pi Soundtrack - "Meeting Krishna"Life Of Pi Soundtrack - "Appa’s Lesson"Oblivion Soundtrack - "Tech 49"Oblivion Soundtrack - "Fearful Odds"Oblivion Soundtrack - "Waking Up"The Curious Case of Benjamin Button OST - "It Was Nice To Have Met You"The Curious Case of Benjamin Button OST - "Daisy’s Ballet Career"Slow Motion Future - "House Instrumental"Music by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
The insane miniatures made for Terminator 2 #jamescameron #specialeffects #terminator2 StudioBinder 2023-03-15 | FULL VIDEO: youtu.be/AfUgRg4tjSY
Terminator 2 Behind the Scenes — The Making of James Camerons Sci-Fi Action Epic StudioBinder 2023-03-13 | Terminator 2 Behind the Scenes — A look behind the scenes of James Cameron’s Terminator 2, including how the team utilized cinematic techniques, practical effects, and CGI to create the action film of the century.The Making of Terminator 2 ►► bit.ly/hs-ttStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Intro — Terminator 2 Behind the Scenes02:10 - Chapter 1: Lighting and Cinematography07:34 - Chapter 2: Practical Effects15:42 - Chapter 3: CGI with ILM18:05 - Takeaways─────────────────────Special thanks to:Wired ►► bit.ly/wi-nbUrban Shark Productions ►► bit.ly/cd-up─────────────────────TERMINATOR 2 BEHIND THE SCENESThe making of Terminator 2 is just as fascinating as the film itself. Co-writer/director James Cameron and his crew used every tool available to create the ultimate cinematic experience. In this video, we go behind the scenes of Terminator 2 to uncover the secrets of its creation. We’ll cover topics like how lighting and cinematography, practical effects, and cutting-edge CGI combined to realize Cameron’s greatest action spectacle.THE MAKING OF TERMINATOR 2 — CINEMATOGRAPHYReturning from the original, DP Adam Greenberg carried over many aesthetic choices but on an entirely new scale. This includes lighting the terminators in a cold blue light to enhance their brutality and top lighting on Arnold Schwarzenegger to accent his facial musculature. For the iconic highway chase, Greenberg took two weeks to pre-light a 5-mile stretch of freeway, borrowing every available power cord in Hollywood to connect all the lights.TERMINATOR 2 SPECIAL EFFECTSThroughout his career, James Cameron has been on the cutting edge of both practical and visual effects. The way he uses models, miniatures, rear projection, and just about every in-camera effect known to man is a testament to his filmmaking prowess. Examples include the animatronics of the T-800 or the nightmarish nuclear blast sequence. And then there are more simple yet effective decisions like hiring twins to play characters replicated by the T-1000. All of this is in service of the story and the experience.TERMINATOR 2 VISUAL EFFECTSOf course, not everything could be achieved in-camera. The Terminator 2 visual effects team pushed the craft beyond what anyone had seen before. In his previous film, The Abyss, Cameron tasked the team at ILM to create “the pseudopod” — a tentacle made of water. This was merely a test run for something Cameron had dreamed of since the first Terminator film: a liquid metal terminator. Now, the T-1000 could change shape, walk through bars, and assume the identity of anyone. No one had seen anything like this, which paved the way for future CGI work in films like Jurassic Park.Filmmakers today might not fully understand why the making of Terminator 2 was such an achievement. But it’s our hope that by looking back on the work of craftsmen and craftswomen like James Cameron that we realize just how far we come and how much we owe to them. #FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Bad To The Bone - George Thorogood & The Destroyers“Main Title Terminator 2 Theme” - Brad Fiedel“Quantum IV - Makeup and Vanity Set“Into The Steel Mill” - Brad Fiedel“Sarah On The Run” - Brad Fiedel“Attack On Dyson” - Brad Fiedel“Trust Me” - Brad Fiedel“Our Gang Goes To Cyberdyne” - Brad Fiedel“Escape From The Hospital” - Brad Fiedel“T1000 Terminated” - Brad Fiedel“Swat Team Attacks” - Brad Fiedel“Cameron’s Inferno” - Brad Fiedel“Hasta La Vista Baby” - Brad Fiedel“Sarah Dream” - Brad Fiedel“I’ll Be Back” - Brad Fiedel“Reese Chased” - Brad Fiedel“Police Station/Escape From Police Station ” - Brad Fiedel“Future Flashback/Terminator Infiltration” - Brad Fiedel“The Terminator Theme (Extended Version)” - Brad Fiedel“It’s Over” - Brad FiedelMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
How the spaceship scenes in Star Wars (1977) were made #filmmaking #starwars #specialeffects StudioBinder 2023-03-07 | FULL VID: youtu.be/jAtULl3ExUo
The Making of Star Wars — Pioneering Special Effects, VFX, and Sound Design StudioBinder 2023-03-06 | Star Wars Behind the Scenes of A New Hope — a look back at how George Lucas and ILM pushed special effects, visual effects, and sound design to create a blockbuster from a galaxy far, far away.The Making of Star Wars ►► bit.ly/hs-swStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Intro — Star Wars Behind the Scenes00:54 - Effective Budgeting01:32 - Chapter 1: Practical Effects04:05 - Chapter 2: Compositing Effects08:36 - Chapter 3: Sound Design11:26 - Takeaways─────────────────────Edited by MIKE STEELE─────────────────────Special thanks to:Eyes On Cinema ►► bit.ly/sd-swRoadtrip Nation ►► bit.ly/bb-sw, bit.ly/fe-sw─────────────────────STAR WARS BEHIND THE SCENES — THE MAKING OF A NEW HOPEThe making of Star Wars A New Hope is stuff of legend. Today, blockbuster movies are a dime-a-dozen and the magic of how they’re actually created has all but disappeared. But in 1977, George Lucas and his team at ILM were still magicians, crafting never-before-seen imagery that changed the industry forever. In this short making of Star Wars documentary, we’ll explain how they evolved practical effects, compositing techniques, and sound design.STAR WARS MOVIES SPECIAL EFFECTSCompared to the scope and vision of George Lucas’ galaxy far, far away, Star Wars was a low-budget production. One of the ways they were able to pull this off was to use practical effects. This ranged from making Luke’s landspeeder to be a functional vehicle but appeared to float above the ground, to the extensive use of matte paintings that could extend the sets and add extras.STAR WARS VISUAL EFFECTSWhat the crew couldn’t accomplish on set, the visual effects team handled. For example, some of the most dazzling sequences in the film are the space battles. But up until that time, the compositing techniques for photographing a ship in space was very limited. To capture the WWII dogfight footage Lucas shared as inspiration, the ships needed to have more dynamic mobility. The solution was something called the Dykstraflex, a motion-control camera that could be programmed precisely to execute the same movements multiple times. This allowed them to capture as many elements as they needed while giving the ships the desired movement and energy in the frame.STAR WARS SFXThe final element in creating a fantastical yet believable world was the sound design. To be fair, the concept of a sound designer didn’t even exist yet. Ben Burtt, responsible for the sound effects coined the term for himself, essentially creating a new filmmaking role in the process. Here, too, revolutionary changes were being made to create the most iconic sounds like R2-D2’s bleeps and bloops, Darth Vader’s ominous breathing, and, of course, the hum of the lightsabers. To do this, Burtt mixed the sounds of a humming projector with a TV set — the swinging sabers were created by playing this sound through a speaker and waving a microphone in front of it.Without all these innovations, there’s a good chance Star Wars would’ve simply gone unnoticed. Instead, it raised the bar for filmmaking in Hollywood with low-budget techniques to create an unforgettable cultural experience.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Main Title" - John Williams"Dojo Tradition" - In This World"Princess Leia's Theme" - John Williams"Imperial Attack" - John Williams"Ben's Death and TIE Fighter Attack" - John Williams"Cantina Band" - John Williams"The Last Battle - John Williams"Rescue of the Princess" - John Williams"The Princess Appears" - John Williams"Glass" - Claudio Laucci"The Blue Danube (Excerpt) (2001 A Space Odyssey Soundtrack)" - Johann Strauss II"1986" - Angel Salazar"Mouse Robot and Blasting Off" - John Williams"Assembly Line Dreams" - Ostin Drais"The Little People Work" - John Williams"The Walls Converge" - John Williams"The Throne Room and End Title" - John WilliamsMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
Se7en’s incredible lighting by Fincher and DP Darius Khondji #filmmaking #cinematography #lighting StudioBinder 2023-02-28 | VIDEO: youtu.be/awBbfc46rZ0
Darius Khondji — Cinematography Techniques for Se7en, Uncut Gems, Okja & More StudioBinder 2023-02-27 | Darius Khondji Cinematography Techniques — a cinematography breakdown of one of cinema’s greatest DPs, including a look at techniques such as lighting, exposure, and color.Darius Khondji Cinematography Techniques ►► bit.ly/ct-dkRoger Deakins Cinematography Techniques ►► bit.ly/rd-ctHoyte Van Hoytema Cinematography Techniques ►► bit.ly/ct-hhStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Intro to Darius Khondji01:00 - Darius Khondji's Approach to Cinematography02:06 - Chapter 1: Extreme Exposure06:54 - Chapter 2: Lighting From Above10:55 - Chapter 3: Green & Gold15:20 - Takeaways─────────────────────DARIUS KHONDJI CINEMATOGRAPHYYou may not know his name but you’ve certainly seen his work. Cinematographer Darius Khondji has been behind some of the best films of the last few decades. Working with celebrated auteurs like David Fincher, Jean-Pierre Jeunet, Bong Joon-ho, the Safdie Brothers, James Gray, and Alejandro González Iñárritu, Khondji’s style blends with each director’s aesthetic. And, yet, there are some clear throughlines we can see. In this episode of Cinematography Techniques, we’ll break each of those down, including his approach to exposure, overhead lighting, and the colors green and gold.One of Khondji’s stylistic strengths is how he approaches exposure. In Se7en, extreme underexposure creates dark and sinister interiors. Added to this was a bleach bypass treatment of the negative that increases contrast and desaturates color. The overall look is bleak, which fits perfectly with the subject matter and the themes at play.Another one of Khondji’s preferences is overhead lighting. Depending on the context, this type of lighting has various effects. In Okja, for example, Mija and her eponymous friend walk passed massive pens with other super pigs preparing for slaughter. The overhead lights cast hard downward shadows on her face as the blue moonlight adds a layer of melancholy. Finally, no matter the director or project, Darius Khondji clearly has a thing for green and gold. Sometimes in isolation, sometimes in combination, they add a distinct look and feel from the usual blue and orange. In a film like The City of Lost Children, the highly saturated greens mix with almost nostalgic golds. These competing colors match the competing forces at work — the innocence and warmth of children against the nightmarish plot of a scientist out to steal it from them.Darius Khondji cinematography is unlike any other. And in the process of aiding these auteurs to manifest their visions, Khondji has created a visual style that is rich, edgy, and inspiring.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Flashing Lights” - Kanye West“New Digs” - Thomas Newman“Windows” - Daniel Lopatin“Smoothie” - Daniel Lopatin“The Godfather Waltz” - Nino Rota“Father-Ghost” - Bryce Dessner, Alejandro G. Iñárritu“Suite from Seven” - Howard Shore“The Immigrant Suite” Christopher Spelman“Piggy” - Scala Kolacny Brothers (Nine Inch Nails cover)“Mohegan Suite” - Daniel Lopatin“Pawn Shop” - Christopher Spelman“Vision of Fantasy” - Angelo Badalamenti“The Ballad of Howie Bling” Daniel Lopatin“Mateo’s Freedom” - Bryce Dessner, Alejandro G. Iñárritu“The Final Journey” - Christopher Spelman“Cell Clone” - Graeme Revell“Caution - Flammable” - Howard Shore“Lanniversaire Drive” - Angelo Badalamenti“Back to the Woods” - Alejandro G. Iñárritu, Camilo Frodeval, Dan Zlotnik“Walking Home” - Christopher Spelman“Boulevard of Broken Dreams” - EsquivalMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
How to give your antagonists their own journey #filmmaking #antagonist #screenwriting StudioBinder 2023-02-21 | FULL VID: youtu.be/1HKqgro8v7c
What is an Antagonist — 7 Types and How They Work StudioBinder 2023-02-20 | What is an Antagonist — a look at one of storytelling’s most crucial elements, including the types of antagonists, their characteristics, and their functions.What is an Antagonist? ►► bit.ly/wi-anStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Antagonists01:03 - Antagonist Definition & History02:59 - Villain Antagonist08:33 - Other Types of Antagonists15:26 - Multiple Antagonists17:48 - Takeaways─────────────────────WHAT IS AN ANTAGONIST IN STORYTELLINGEvery story needs a protagonist, a main character pursuing a goal. And every protagonist needs obstacles in their way — cue the antagonist. In this video, we will examine what constitutes an antagonist, its characteristics and function, and the various types of antagonists in storytelling.WHAT IS THE DEFINITION OF ANTAGONISTAccording to John Yorke, an antagonist is “the sum total of all the obstacles that obstruct a character in the pursuit of their desires. They are the problem or obstacle the protagonist has to overcome.” Unlike the protagonist, who is usually a character, an antagonist can be many things.TYPES OF ANTAGONISTSThe most common antagonist is the villain, an evil character prone to doing evil things. In many cases, it is up to the protagonist to stop them. But remember, an antagonist can be anything that keeps the protagonist from reaching their goals. This could be the environment around them, especially in disaster films. Animals, the big and dangerous ones, in particular, make great antagonists. An anti-villain is an antagonist whose motives clash with the protagonist, even if they want the same thing. Sometimes, an antagonist turns out to be an ally all along — this is a false antagonist. A character who is only revealed as the antagonist in the end is called the hidden antagonist. Inanimate objects like robots or ghosts are also prime antagonists. And, finally, one of the most interesting antagonists is the protagonist themselves, or rather something in their character that prevents them from succeeding.MULTIPLE ANTAGONISTSBeyond these variations and types of antagonists, some stories benefit from having more than one. Group antagonists are commonly found in genres such as war films (army vs army) or sports films (team vs team). There is also the opportunity to combine different types in the same film. In Titanic, Jack and Rose must battle against her fiance Cal before the iceberg creates a new antagonist: the sinking ship. It’s a natural tendency for writers to focus more on their protagonists, but an equal amount of attention should be paid to their antagonists as well. As Robert McKee said, “A protagonist and their story can only be as intellectually fascinating and emotionally compelling as the forces of antagonism make them.” #FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"War Banner (Instrumental)" - Cody Martin"Battle Dance" - Rhythm Scott"Time Warp" - Notize"Yes I Am (Instrumental Version)" - Zach Sorgen"Discovery" - Makeup and Vanity Set"The Terminator Theme (Extended Version)" - Brad Fiedel"Dojo Tradition (Instrumental)" - In This World"Dark Blood" - Jimmy Svensson"Staring Into The Abyss" - 2050"Pas De Deux" - Michael Abels"Gotham's Reckoning" - Hans Zimmer"Full Access" - Jimmy Svensson"Revisiting Snoke" - John Williams"Prologue: One Ring to Rule Them All" - Howard Shore"Spider-Man 2 Main Title" - Danny Elfman"Medication Valse" - Jack Nitzsche"To Burn" - Man With Roses"Killmonger" - Ludwig Göransson"Severus and Lily" - Alexandre Desplat"Free Your Mind" - Don Davis"What Have We Done to Each Other" - Trent Reznor"The Wrestler (Original Score)" - Clint Mansell"1986" - Angel Salazar"The Canyon" - A. R. Rahman"Elgar Cello Concerto in E Minor, Op. 85 - I. Adagio - Moderato (Recording Session / Excerpt)" - Sophie Kauer"Catch Me If You Can" - John Williams"A Moon Walk (Instrumental Version)" - Yehezkel Raz"War Paint" - Rhythm Scott"Assembly Line Dreams" - Ostin Drais"Otto Trouble" - Michael Giacchino"Rose" - James Horner"Cosmos" - Theatre Of Delays"Theme from Darker Colors" Makeup and Vanity Set"Bad To The Bone" - George ThorogoodMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
Spielberg’s advanced dolly zoom #filmmaking #videoessay #cinematography StudioBinder 2023-02-14 | The Ultimate Guide to the Dolly Zoom: youtu.be/9uwp-xksCAc
Ultimate Guide to the Dolly Zoom — Camera Movement & When to Use It Explained StudioBinder 2023-02-13 | The Dolly Zoom Effect Explained — a guide to cinema’s most unique and mind-bending camera movement, including how to enhance the Vertigo effect with lighting, camera angle, and sound design.The Ultimate Guide to the Dolly Zoom ►► bit.ly/ug-dzThe Ultimate Guide to Depth of Field ►► bit.ly/ug-dfThe Ultimate Guide to Shot Sizes ►► bit.ly/ug-ssWhat is Aperture? ►► bit.ly/wi-atStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Special thanks to:UglyMcGregor ►► bit.ly/um-dz─────────────────────Chapters:00:00 - Introduction to Dolly Zoom Shots in Film00:57 - What is a Dolly Zoom?04:09 - Speed and Focal Length06:59 - Background Considerations08:35 - Creative Examples10:58 - Dolly Zoom in Guardians of the Galaxy Vol. 211:47 - Dolly Zoom in Raging Bull13:17 - Takeaways─────────────────────THE DOLLY ZOOM EFFECT EXPLAINEDYou know that moment in Jaws when Chief Brody sees the shark attack happening — the background stretches behind him as if reality itself is breaking apart. This intense and mind-bending shot is called a dolly zoom and it has been used for decades to capture moments like this. But how does the dolly zoom effect work and how many ways can it be used? In the video, we’ll explain the mechanics of the shot, the applications for it, and how to enhance it with lighting, camera angle, and sound design.WHAT IS THE DOLLY ZOOM EFFECTAs Alfred Hitchcock explains, the idea for the dolly zoom goes back to one night when he was drunk. He described the sensation as “everything going far away from me” and an idea was born to recreate that experience in a film. The goal was to keep the subject fixed in the frame while the background stretched behind them. Hitchcock first wanted to use the shot in Rebecca when Joan Fontaine’s character faints but he couldn’t figure out how to do it. Nearly two decades later, when Hitchcock was making his classic Vertigo. It was a cameraman on the film named Irmin Roberts who found the solution — to zoom out while the dolly pushed in. WHEN TO USE THE DOLLY ZOOM EFFECTThe dolly zoom effect can really amp up a moment like in Jaws, or it can work more subtly in the background to slowly crank up the tension. It is perfect for any sort of sudden or dramatic emotional or tonal shift — for positive and negative emotions alike. The dolly zoom effect is great for moments of fear, disorientation, infatuation, panic, revelation, etc. It can be the ideal way to accent and emphasize any important character moment.HOW TO ENHANCE THE VERTIGO EFFECTThe textbook dolly zoom maneuver is visually compelling on its own but there are also a number of ways to enhance the Vertigo effect. For example, changing the lighting during the shot — like in The Lion King when Simba panics before the oncoming stampede. Sound design is also often paired with the camera movement as additional sensory input. For example, in Guardians of the Galaxy Vol. 2, when Peter is told how his mother really died, the soundtrack introduces a descending bass note, while high strings rise in the mix. The two complementary sounds nicely parallel the complementary movements of the lens and the camera.The dolly zoom effect is relatively simple and it certainly looks cool. But the filmmakers that have been most successful using the Vertigo effect only when necessary to enhance a particular moment in a way that is beyond our normal visual experience.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Dark Night” - The Blasters“Major Tom (Coming Home)” - Peter Schilling“The Wanderer” - Makeup and Vanity Set“Quantum IV” - Makeup and Vanity Set“Tannhäuser Gate” - Makeup and Vanity Set“Funeral March of a Marionette” - Charles Gounod and Lyn Murray“Prelude and Rooftop” - Bernard Herrmann“Stuck Behind a Train” - Makeup and Vanity Set“Layla” - Derek and the Dominos“Dinner Rush” - Michael Giacchino“Le Vent Tourne” - Sens Unik“Girl You’ll Be a Woman Soon” - Urge Overkill“Eyes Without A Face” - Billy Idol“Main Titles” - Theodore Shapiro“The Descent” - David Julyan“Meet Maguire” - Thomas Newman“Needles and Dalgona” - PARK MIN JU“Kid Vs. Herod” - Alan Silvestri“Tina” - Randy Eelman“Showtime, A Holes” - Tyler Bates“Cavalleria Rusticana Intermezzo” - William Bowles“Centaur Skin” - Tobacco“Star Trek: The Next Generation Theme” - Jerry GoldsmithMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
The purpose of a midpoint #filmmaking #filmtheory #screenwriting #videoessay StudioBinder 2023-02-07 | FULL VID: youtu.be/a5eDYVo98uQ
The Midpoint in Film — 5 Ways to Write a Compelling Act Two StudioBinder 2023-02-06 | How to write the midpoint of a story — a comprehensive look at story structure and the midpoint in film, including strategies writers use to link Act One to Act Three.What is a Midpoint? ►► bit.ly/wi-mpMore "What Is?" Videos ►► bit.ly/wi-plStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Theme00:52 - Definition & History03:13 - Functions of the Midpoint04:27 - Add a Time Clock04:54 - Raise the Stakes05:19 - Force Change07:06 - Types of Midpoints13:08 - Takeaways─────────────────────HOW TO WRITE THE MIDPOINT OF A STORYThe T-Rex attack in Jurassic Park, the shower scene in Psycho, and Michael’s restaurant hit in The Godfather — some of the most iconic scenes in film history, right? They also function as one of a story’s most important plot points: the midpoint. In this video, we’ll explain why the midpoint is so important and the various types writers can choose from that best fits their story.WHAT IS A MIDPOINTThe concept of the midpoint was popularized by screenwriting guru Syd Field after he noticed his students were struggling in the second act of a three-act structure. It was his friend, director Sam Peckinpah, who explained that he always liked to hang his films on a “centerpiece,” usually in the middle, to keep the momentum going and/or to change the story’s direction. And, so, Field took this and dubbed it “the midpoint” — a major story beat or turning point in the middle of Act Two that connects the beginning and end while giving the story a boost of energy into the climax and final act.TYPES OF MIDPOINTSEven though the midpoint placement is fairly consistent (middle of Act Two), various types of midpoints will change the story in various ways. Choosing which type to use depends on the story and how you want the new trajectory to unfold into Act Three. The first type of midpoint is the setback. This is when the protagonist encounters a major obstacle that places them further away from their goal. Like in Dune, when House Atreides is betrayed, Duke Leto is killed, and Paul and Lady Jessica are exiled to the desert.This is similar to another type of midpoint called a false defeat. This involves a temporary defeat or setback that becomes an opportunity to find a new, better plan. We can see this in The Matrix when the Oracle confirms Neo’s suspicions that he is not The One. Of course, Neo eventually does prove to be The One after he believes it for himself.On the opposite side, there’s also a false victory midpoint — the hero believes they have made a breakthrough toward their goal only to realize it would ultimately lead to failure. In 500 Days of Summer, Tom believes that he is developed a deep romantic connection with Summer, which makes their breakup all the more devastating.A reversal shifts the entire story and the protagonist’s goals. Like when Joel wants to reverse the procedure that is erasing Clementine from his memory in Eternal Sunshine of the Spotless Mind. There’s also the twist midpoint which is a major turning point the audience had no idea was coming that changes the direction, protagonist, or even the genre.The midpoint in a story holds a lot of potential for writers to push their narrative in unexpected and compelling ways. If you can crack the midpoint, you can crack the entire story.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Double Espresso" - Francesco D'Andrea"Battle Dance" - Rhythm Scott"1986" - Angel Salazar"Adventures on the High Road" - Jerry Fielding"To Burn" - Man With Roses"Cyberpunk Sunrise" - Evgeny Bardyuzha'Stay" - Hans Zimmer"Assembly Line Dreams" - Ostin Drais"On the Eve of Harlan's Demise" - Nathan Johnson"The New Godfather" - Nino Rota"Paradise Found" - Michael Giacchino"Out To Sea" - John WIlliams"Blow To Bits" "Still Need Syndrome" - Yarin Primak"The One" - Hans Zimmer"Wookie Prisoner / Detention Block / Ambush" - John Williams"Main Title / Trinity Infinity" - Don Davis"Cold Hearted Switch" - Don Davis"Conspiracy Theories" - Jean Pol Cornelis"To the Architect" - Rob Simonsen"Collecting Things" - Jon Brion"Theme" "Yes I Am (Instrumental)" - Zach Sorgen"Main Title" - Jerry Goldsmith"Breakaway" -"The Murder" - Bernard Hermann"Fat Banana" - Kicktracks"Stuck In The Middle With You" - Stealers WheelMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
The historical timeline of superheroes #superheroes #comics #screenwriting #videoessay StudioBinder 2023-01-31 | FULL VID - Fixing the Invincible Superhero: youtu.be/zjZ5z8I7lWU
The Problem with Superhero Movies — How to Avoid them & Make Superheroes Believable StudioBinder 2023-01-30 | Superhero Movie Tropes — A breakdown of some common movie tropes we find in the superhero genre with some options for how filmmakers can avoid the pitfalls associated with them.What is a Superhero? ►► bit.ly/ta-sfStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters00:00 - Intro01:19 - Origins of the Superhero02:47 - The Trope: Unlimited Strength03:33 - The Antidote: Work for It05:18 - The Antidote: No Control07:58 - The Trope: Damage Tolerance Infinity08:41 - The Antidote: Mental Pain10:27 - Case Study: Thor: Ragnarok14:22 - Wrap Up─────────────────────SUPERHERO MOVIE TROPESEvery genre has tropes and cliches they must embrace, and superhero movies no exception. But that doesn’t mean they can’t also be thoughtfully and interestingly done. In this video, we’re going to break down two of the most common tropes we find in superhero movies and how filmmakers can avoid the pitfalls associated with them.THE TROPE — UNLIMITED STRENGTHBy definition, a superhero has abilities beyond us mere mortals. But at what point does the “all-powerful” hero become “too powerful?” Sometimes, this is due to their powers being poorly defined, so the audience is never quite sure what they can and can’t do. For example, we know Captain America is strong, but when we see him prevent a helicopter from taking off with his bare hands, it seems like a stretch. When these heroes are able to exert such power, the direct effect is an inability to suspend our disbelief (which is a requirement of fantastic movies like these).The antidote for this trope is to show the effort it takes to pull off such feats of strength. For example, in Spider-Man 2, Peter Parker stops a runaway train. On paper, it might seem like this would be beyond his abilities, but director Sam Raimi and writer Alvin Sargent make sure we believe it. For one, they have Peter’s first plan fail — his second plan finally succeeds after a second attempt at it. There’s also the duration of the operation — it takes Peter nearly 2 minutes to stop the train. Finally, numerous close-ups of Tobey Maguire’s performance showcase the extreme strain he is experiencing.THE TROPE — DAMAGE TOLERANCE INFINITYAlong with super strength, another one of the most common superhero movie tropes is when the heroes can’t get hurt. Granted, some heroes have healing powers while others are just super tough, but this, too, should have limits applied. If the hero can survive a nuclear bomb or have the power of a dying star blasting through them, there’s no real danger to our protagonist. One way to combat superhero cliches like this is to create emotional pain. The hero may be impervious to physical damage, but their heart isn’t. For example, all of Dr. Manhattan’s god-like power makes him an isolated and profoundly lonely character. Another tactic is to transfer that damage to those the character cares about. Superman is bulletproof, but when he can’t save his father from a tornado, the pain pierces right through him.We all like superheroes and their spectacular abilities. They are the perfect subjects to deliver the big, loud, and amazing images we crave from the theatrical experience. But filmmakers should remember that keeping our suspension of disbelief is just as important.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:“Immigrant Song” - Led Zeppelin“My Hero” - Foo Fighters“Spider-Man Theme” - Michael Giacchino“Superman Main Theme” - John Williams“The Smithsonian” - Henry Jackman“A New Alliance” - John Williams“Civil War” - Henry Jackman“Tell Me Everything” - John Ottman“Train/Appreciation” - Danny Elfman“Can You Stop This Thing” - Danny Elfman“Multiverse of Madness” - Danny Elfman“The Glory Days” - Michael Giacchino“Arrival” - Alan Silvestri“The Last One” - Brian Tyler“Shoot” - Salt-N-Pepa“Something in the Way” - Nirvana“Gotham’s Reckoning” - Hans Zimmer“What Did It Cost” - Alan Silvestri“How the West Was Really Won” - Trent Reznor, Atticus Ross“Thor: Ragnarok Main Theme” - Mark Mothersbaugh“Where am I” - Mark Mothersbaugh“Hela vs Asgard” - Mark Mothersbaugh“Planet Sakaar” - Mark Mothersbaugh“What Heroes Do” - Mark Mothersbaugh“Iron Man” - Black Sabbath“Buffy the Vampire Slayer Theme” - Nerf HerderMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
How theme is structured into a story #filmmaking #videoessay #screenwriting StudioBinder 2023-01-23 | FULL VID: youtu.be/9ELleu9J05g
What is Theme — 5 Ways to Layer Theme into a Screenplay StudioBinder 2023-01-23 | What is the theme of a story? Theme in storytelling is one of the most important yet difficult-to-grasp concepts. In this video, we’ll break it down as simply as possible, along with the five ways to help writers how to write the theme of a story.What is Theme? ►► bit.ly/wi-raMore "What Is?" Videos ►► bit.ly/wi-plStudioBinder Blog ►► http://bit.ly/sb-bl─────────────────────Chapters:00:00 - Introduction to Theme00:52 - Definition & History04:44 - Characters & Dialogue06:13 - John Truby's Character Web08:01 - Theme & Setting10:46 - Motifs & Symbols12:48 - Themes in Nope18:11 - Takeaways─────────────────────WHAT IS THE THEME OF A STORYTheme in storytelling in an inextricable element that all writers deal with. It’s also a difficult concept to grasp, let alone work with. Our goal in this video on theme is to break down this complex and allusive element to make it as simple, digestible and applicable as possible. Along the way, we’ll dive into five different elements in writing where the theme of a story can be constructed.WHAT’S A THEME?Theme is the central and unifying idea or principle in a story. In the simplest terms, “plot” is what happens in a story and “theme” is what that story is actually about at its core. For example, the plot for Jurassic Park focuses on people surviving on an island with dinosaurs. But the theme is focused on what happens when humans try to play god. HOW TO WRITE THEME IN A SCREENPLAYThere are five main ways writers can work with theme: characters, dialogue, setting, motifs, and symbols. Once you’ve identified the theme, one of the first things you might want to do is find the characters that would best represent it. For example, a major theme in The Dark Knight is order vs. chaos, and each of the main characters represents one side or the other. Harvey Dent, Gordon, the Mayor represent justice and order. On the other side of the coin, the Joker and the rest of the Gotham underworld are representatives of chaos. Much of the dialogue then is ideally suited to discuss this theme and its balance for the citizens of Gotham.Setting is also a more visual way to express theme in storytelling. First, there is the general time and place of the story. In Parasite, the major themes revolve around the divide between rich and poor, and the illusion of upward mobility. One way the setting expresses these themes is through the set design of both the Park and Kim family homes. One is a near-subterranean hovel, while the other is an elevated and expansive home, making the difference between “upper” and “lower” classes a literal representation.Finally, there are motifs and symbols. A motif is anything we can assign meaning to because of its repetition. A symbol is anything meant to represent something else. In Everything Everywhere All at Once, the theme is the dichotomy between kindness and empathy vs. nihilism and despair, both of which have their own symbol. The googly eyes and the everything bagel, to be exact, and their designs become an interesting “yin and yang” to represent the balance between them that Evelyn is striving for.What is the theme of a story? That might be the hardest question for any writer to answer. But once you do, there are many ways to weave that idea into your work.#FilmTheory #VideoEssay #Filmmaking─────────────────────♬ SONGS USED:"Somewhere" - Daniele Musto"Assembly Line Dreams" - Ostin Drais"Yes I Am" - Zach Sorgen"To Burn" - Man With Roses"La Javanaise" - Madeleine Peyroux"The Undertake" - Borrtex"Becoming One of 'The People'" - James Horner"Fratres (Version for Cello & Piano)" - Avro Pärt"Still Need Syndrome" - Yarin Primak"State Lines" - Aaron Kellim"Glass" - Claudio Laucci"The Winner Is" - DeVotchKa"Aggressive Expansion" - Hans Zimmer & James Newton Howard"Introduce a Little Anarchy" "Like a Dog Chasing Cars""The Ferries" "Mauretania" - Sam Barsh"Opening" - Jung Jae Il"The Belt of Faith""Zappaguri""Conciliation I" "Staring Into The Abyss" - 2050"Evelyn Everywhere" - Son Lux"Come Recover" "Specks Of Time""Amber" - Makeup and Vanity Set"Oscillating Form" - Charlie Ryan"Jupiter's Claim" - Michael Abels"Haywood Ranch""The Run (Urban Legends)""Abduction""Brother Sister Walk""Nope""Last But Not Least" - Chelsea McGough"Sunglasses At Night" - Corey HartMusic by Artlist ► utm.io/umJxMusic by Artgrid ► utm.io/umJyMusic by Soundstripe ► http://bit.ly/2IXwomFMusic by MusicBed ► http://bit.ly/2Fnz9Zq─────────────────────SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0Looking for a production management solution for your film? Try StudioBinder for FREE today: studiobinder.com/pricing— Join us on Social Media! — Instagram ►► instagram.com/studiobinderFacebook ►► facebook.com/studiobinderappTwitter ►► twitter.com/studiobinder
S.S. Rajamouli directing action in RRR #filmmaking #videoessay #rrr #ssrajamouli #directing StudioBinder 2023-01-16 | FULL VID: youtu.be/goT9nhISfd8
