Mats Celind
...
updated 1 year ago
Gotländsk sommarnatt was recorded by several artists during the 1960s. The song was voted "Tidernas schlager" (Song of the Century) in 1961, and was named "Århundradets schlager" (Song of the Century) in a listeners' poll organized by Sveriges Radio in 1968.
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The song has been covered by a number of singers, most notably by Freddie Mercury, whose version reached No. 4 on the UK charts. Sam Cooke's cover of the song is believed to have inspired Chrissie Hynde to name her band the Pretenders. A parody version was recorded by radio comedian Stan Freberg in 1956.
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är en powerballad skriven och framförd av Eric Carmen 1975.
Låten lånar starka influenser från andra satsen (Adagio Sostenuto) av Sergej Rachmaninovs pianokonsert nr 2, Opus 18, som Eric Carmen trodde inte längre var upphovsrättsskyddad. Först efter skivsläppet fick han reda på att så inte var fallet, och slöt då ett avtal med Rachmaninovs dödsbo. Tidiga versioner angav därmed enbart Eric Carmen som låtskrivare, men senare versioner även Sergej Rachmaninov. Refrängen lånar influenser från sången "Let's Pretend" som Eric Carmen skrev åt Raspberries 1973. Carmens fulla version har ett utökat pianosolo och varar över sju minuter, även om en avkortad version är 4:22 minuter lång.
Låten var Eric Carmens första skivsläpp efter att han lämnat Raspberries, och spelades ursprungligen in av honom och släpptes i december 1975, för att bli en stor framgång. Den nådde andraplatsen på Billboard Hot 100, förstaplatsen på Cash Box 100 singlar i topp och 12:e plats i Storbritannien. Singeln sålde över en miljon exemplar i USA, och fick guldcertifikat av RIAA i april 1976. 2006 höll brittiska TV-kanalen Fives program Britain's Favourite Break-up Songs, Eric Carmens version av låten röstades fram på 17:e plats.
Efter Eric Carmens originalversion spelades flera coverversioner in, av bland andra Céline Dion och Frank Sinatra.
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In January 1992, Clapton performed the song in front of an audience at Bray Studios, Berkshire, England for MTV Unplugged, with the recording appearing on his Unplugged album.
The song is Clapton's best-selling single in the United States, reaching number two on the Billboard Hot 100. It reached number five on the UK singles chart, and also charted in the top 10 in more than 20 countries. It won three Grammy Awards for Best Male Pop Vocal Performance, Song of the Year, and Record of the Year. In 2004, Rolling Stone ranked "Tears in Heaven" 353rd on its list of "The 500 Greatest Songs of All Time".
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The 1962 album version of the song was released as part of the Columbia Records Hall of Fame 45 single series in 1965 as 13–33088. The recording of the song by Pete Seeger was inducted into the Grammy Hall of Fame in 2002 in the Folk category with the release year given as 1964 as a Columbia Records single.
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A remix of "Only You" made the UK top 40 again in 1999, while reaching number 16 on the US Billboard Hot Dance Music/Club Play chart. The music video for the new version was created using the Houdini 3D animation software package.
An orchestral remix of "Only You" was created for the Boots 2017 Christmas advert on British TV. Yazoo released the track on their YouTube channel on 17 November 2017, promising that it would be released as a single-track download the following week. The remix features Moyet's original vocal with a brand new orchestral backing track.
The Flying Pickets recorded an a cappella cover of "Only You" which was the Christmas number one in the UK in December 1983. It also reached number 17 in Canada in April 1984
Harley Benton TE-69TL, Through my Alisis Quadraverb GT. Recorded on my computer with Reaper. I film the videos with my Iphone.
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56 NOS Custom Shop Fiesta Red Stratocaster with maple birds-eye fretboard, Through my Alisis Quadraverb GT. Recorded on my computer with Reaper. I film the videos with my Iphone.
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Cash's version became one of his biggest hits, staying at No. 1 on the country chart for seven weeks. It was certified gold by the RIAA on January 21, 2010, and has sold over 1.2 million downloads. It was named the fourth-greatest country song by Country Music Television, while Rolling Stone called it the greatest country song and the 87th-greatest song of all time. In 1999, Cash's version was inducted into the Grammy Hall of Fame.
'56 NOS Custom Shop Fiesta Red Stratocaster with maple birds-eye fretboard, Through my Alisis Quadraverb GT. Recorded on my computer with Reaper. I film the videos with my Iphone.
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I play on my Harley Benton TE-69TL Through my Alisis Quadraverb GT. Recorded on my computer with Reaper. I film the videos with my Iphone.
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Is on the LP " Dance with The Shadows ", it was written by Brian Bennet and was released in May 1964. Hope you will like it
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Is a song by the Dutch band Tol & Tol.
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is a song by American singer Madonna from her 1989 fourth studio album of the same name. It was released as the album's lead single on March 3, 1989, by Sire Records. Written and produced by both Madonna and Patrick Leonard, the song heralded an artistic and personal approach to songwriting for Madonna, who believed that she needed to cater more to her adult audience.
"Like a Prayer" is a pop rock and gospel song that also incorporates elements of funk. It features background vocals from a choir and also a rock guitar. The lyrics contain liturgical words, but they have been interpreted by some people to have dual meanings of sexual innuendo and religion. "Like a Prayer" was acclaimed by music critics upon release and was a global commercial success, becoming Madonna's seventh No. 1 hit on the US Billboard Hot 100, topping the Hot 100 for three consecutive weeks and also topping the charts in many other countries, including Australia, Brazil, Canada, Italy, Mexico, New Zealand, Spain and the United Kingdom. Rolling Stone listed "Like a Prayer" among "The 500 Greatest Songs of All Time".
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Wild Theme is the background music from Local Hero which is the debut soundtrack album by British singer-songwriter and guitarist Mark Knopfler, released in March 1983 by Vertigo Records internationally and by Warner Bros. Records in the United States. It contains music composed for the 1983 film Local Hero, produced by David Puttnam and both written and directed by Bill Forsyth.
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is a song by the British-American supergroup the Traveling Wilburys. It was released in October 1988 as their debut single and as the opening track of their album Traveling Wilburys Vol. 1. The song was the first recording made by the group, although it was originally intended as a bonus track on a European single by George Harrison. When he and Jeff Lynne presented the song to Harrison's record company, the executives insisted it was too good for that purpose, a decision that resulted in the formation of the Wilburys. The song was written primarily by Harrison, although, as with all the tracks on Vol. 1, the writing credit lists all five members of the band: Harrison, Lynne, Bob Dylan, Roy Orbison and Tom Petty
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The song was on the Svensktoppen with Göingeflickorna in 1963 and with Flamingokvintetten in 1974–1975, a recording that reached number one.
is a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs's 1978 children's book of the same name. The song forms the centrepiece of The Snowman, which has become a seasonal favourite on British and Finnish television. The story relates the fleeting adventures of a young boy and a snowman who has come to life. In the second part of the story, the boy and the snowman fly to the North Pole. "Walking in the Air" is the theme for the journey. They attend a party of snowmen, at which the boy seems to be the only human until they meet Santa Claus with his reindeer, and the boy is given a scarf with a snowman pattern. In the film, the song was performed by St Paul's Cathedral choirboy Peter Auty; this performance was reissued in 1985 (on Stiff Records) and 1987.
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Is written by Nico Carsten and Anton De Waal. It was on The Shadows Album ”Dance with The Shadows” that was released in May 1964.
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was featured in the film Expresso Bongo and had been included on an EP from the film released in December 1959. Richard first performed the song on 17 January on Tonight at the London Palladium.
The version included on the EP was recorded on 8 September 1959 at EMI Studios, later renamed Abbey Road Studios. The version released as a single was recorded on 20 December and there are some subtle differences in the vocals.
When the song was in the charts, Richard was asked to record it for the BBC radio show Top of the Pops before he went on a tour of the US and Canada. Being a shift from rock and roll, Richard wasn't very enthusiastic about "A Voice in the Wilderness" and instead he decided to record the B-side "Don't Be Mad at Me", which he felt would be more popular. His manager, Tito Burns, was not happy when he found out that Richard hadn't recorded "A Voice in the Wilderness" and began telling him about the importance of plugging the A-side. Richard stubbornly replied to this by saying that it was his choice and he preferred "Don't Be Mad at Me". Whilst in the US, upon hearing that "A Voice in the Wilderness" was at number 2 on the UK Singles Chart, Richard asked Burns if he thought it would get to number one, to which the reply was that "with a good plug on the radio just now it might". Burns also pointed out that "Those Top Of The Pops programmes will be being broadcast about now, won't they? Now you see why I wanted you to record Voice In The Wilderness".
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The lyrics deal with music history, how rock became more popular than country.
The images in the video are those I took when my fiancée and I rode our motorcycles along the Mississippi River, visiting both New Orleans and Memphis
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Later in 1962, Meek produced a vocal version, "Magic Star", sung by Kenny Hollywood. It was released as a single by Decca Records (cat. nr F11546), with "The Wonderful Story of Love" on the B-side, written by Geoff Goddard. The musical director for both songs was Ivor Raymonde.
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is the English-language version of the 1965 Italian song "Io che non vivo (senza te)", written by Pino Donaggio and Vito Pallavicini. The English lyrics were written for Dusty Springfield by Vicki Wickham and Simon Napier-Bell.
The Italian song was introduced at the 15th edition of the Sanremo Festival by Donaggio and his team partner Jody Miller. It reached the final at Sanremo and, as recorded by Donaggio, reached No. 1 in Italy in March 1965, remaining there for three weeks. "Io che non vivo (senza te)" was prominently featured on the soundtrack of the Luchino Visconti film Sandra, starring Claudia Cardinale, which was awarded the Golden Lion at the Venice Film Festival that September.
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is a 1962 song played by The Shadows. Written by Bruce Welch and Brian Bennett.
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is a song written in 1981 by Hank Marvin / Bruce Welch & Brian Bennet of The Shadows
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is a song written by Johnny Russell, with a writing credit given to Voni Morrison and publishing rights transferred to Buck Owens. It was originally recorded by Buck Owens and the Buckaroos, whose version reached number one on the Billboard Country Singles chart in 1963, his first chart-topper. In 2002, Shelly Fabian of About.com ranked the song number 169 on her list of the Top 500 Country Music Songs.
The song tells the tale of someone who has been jilted and, because of that, can play a film part of someone sad and lonely without knowing anything about acting. It has been recorded by many other artists, including Loretta Lynn, Dwight Yoakam, Kidsongs (Debbie Lytton), and Mrs. Miller.[The best-known other version is by the Beatles in 1965. Featuring Ringo Starr taking the lead vocal, it became a featured performance number of his in concert, both with the Beatles and later with His All-Starr Band. Owens and Starr went on to record a duet version in 1989. The song was also covered by Betty Willis in 1978, and by Riders in the Sky in 2000 for the album Woody's Roundup: A Rootin' Tootin' Collection of Woody's Favorite Songs.
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is a popular song.
The original music (instrumental only) entitled Andalucía, was written by the Cuban composer Ernesto Lecuona as part of his Suite Andalucía in 1928. Emilio de Torre added Spanish lyrics, and English lyrics were added in 1940 by Al Stillman.
The best-known version of the song is that by Jimmy Dorsey in 1940. The Jimmy Dorsey recording, with a vocal by Bob Eberly, was released by Decca Records as catalogue number 3150. The record first reached the Billboard magazine charts on July 20, 1940, and lasted nine weeks on the chart, peaking at #2.
The Shadows did their version of the song in 1963 as the B-side on
the Foot Tapper singel
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is a Bahamian folk song from Nassau. A transcription was published in 1916 by Richard Le Gallienne, and Carl Sandburg included a version in his The American Songbag in 1927. There have been many recordings of the song since the early 1950s, with variant titles including "I Want to Go Home" and "Wreck of the John B".
In 1966, American rock band the Beach Boys recorded a folk rock adaptation that was produced and arranged by Brian Wilson and released as the second single from their album Pet Sounds. The record peaked at number three in the U.S., number two in the UK, and topped the charts in several other countries. It was innovative for containing an elaborate a cappella vocal section not found in other pop music of the era, and it remains one of the group's biggest hits.
In 2011, the Beach Boys' version of "Sloop John B" was ranked number 276 on Rolling Stone's list of "The 500 Greatest Songs of All Time".
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is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971.
In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame.
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is a 1964 song written by Rolling Stones members Mick Jagger and Keith Richards and their then-manager Andrew Loog Oldham. According to Keith Richards, Oldham locked him and Mick Jagger in a kitchen and said, "Come out with a song.
This was the first song Jagger and Richards wrote together. Originally titled "As Time Goes By," it was changed to "As Time Goes By," but since there was already a well-known song with that title, Oldham changed the lyrics.
The song was the debut of then-17-year-old Marianne Faithfull, who was the first to sing it. It was a success, reaching number six in the UK charts. In the US, it peaked at number 22 on the Billboard charts.
The following year, it was recorded by The Rolling Stones and released in the US on the LP December's Children (And Everybody's). After being released as a single, it reached number six on the Billboard charts in the US. In England it was released in 1966 as the B-side to the single 19th Nervous Breakdown.
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is a song by Don McLean, written as a tribute to Vincent van Gogh. It is often erroneously titled after its opening refrain, "Starry, Starry Night", a reference to Van Gogh's 1889 painting The Starry Night.
McLean wrote the lyrics in 1970 after reading a book about the life of Van Gogh. It was released on McLean's 1971 American Pie album; the following year, the song topped the UK Singles Chart for two weeks, and peaked at No. 12 in the United States, where it also hit No. 2 on the Easy Listening chart. Billboard ranked it as the No. 94 song for 1972.
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is a ballad written, produced, and performed by American R&B singer and songwriter Stevie Wonder. It was a major international hit, and remains Wonder's best-selling single to date, reaching number one in 28 countries worldwide.
The song was the lead single from the 1984 soundtrack album The Woman in Red, along with two other songs by Wonder, and scored number one on the Billboard Hot 100 for three weeks from October 13 to 27, 1984. It also became his tenth number-one on the R&B chart, and his fourth on the adult contemporary chart; it spent three weeks at the top of both charts, and for the same weeks as on the Hot 100. The song also became Wonder's only solo UK number-one success, staying at the top for six weeks, in the process also becoming Motown Records' biggest-selling single in the UK, a distinction it still held as of 2018. In addition, the song won both a Golden Globe and an Academy Award for Best Original Song. The song also received three nominations at the 27th Grammy Awards for Best Male Pop Vocal Performance, Song of the Year, and Best Pop Instrumental Performance.
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är en låt med Johnny and the Hurricanes från 1959. Det är en instrumental version av en nordamerikansk folksång som gått under många namn som "Red River Valley", "Cowboy Love Song", "Bright Sherman Valley", "Bright Laurel Valley", "In the Bright Mohawk Valley", och "Bright Little Valley". Låten var med på albumet med samma namn
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is a song by Greek singer Demis Roussos. It was released as a single in 1973. The song was written by Leo Leandros and Klaus Munro. The recording was produced by Leo Leandros.
There is also a Czech-language, a German-language version by the same name, as well as a Spanish-language version titled "Adiós, mi amor, adiós".
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is a Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune, "Bunessan".
English pop musician and folk singer Cat Stevens included a version on his album Teaser and the Firecat (1971). The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chart in 1972, and number four on the Canadian RPM magazine charts.
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is a 1968 song written and first recorded by the American songwriter Mark James. After this recording failed commercially, it was recorded by Elvis Presley with the producer Chips Moman. Presley's version reached No.1 on the US Billboard Hot 100, his 18th and final no. 1 single on that chart. In 1999, Presley's RCA Victor Records version was inducted into the Grammy Hall of Fame.
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is a song recorded by Greek composer Vangelis. It was the soundtrack from Ridley Scott's 1992 film 1492: Conquest of Paradise and the lead single from the album of the same name. The song achieved success in many territories, including Flanders, Germany, the Netherlands, and Switzerland where it topped the singles chart, but was a relative failure in UK where it only peaked at number 60. The song's popularity had been boosted in Germany by boxer Henry Maske using it as his theme song.
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was composed by Norrie Paramor as title music to the gangster film The Frightened City, and it was performed by a studio orchestra. Prior to the film's release, the Shadows recorded and released their own version of the tune in April 1961. It was released with the B-side "Back Home", written by Jim Goff, Hank Marvin, Bruce Welch and Jet Harris.[3] "The Frightened City" was the group's second recording of a film tune, having released a version of "Man of Mystery" in November 1960
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It was not easy to find facts about this song, but I found this from another guitarist who posted a version on Youtube
Find me a Golden Street was composed by Buddy Holly's mentor Norman Petty. There are a few versions around, including the 1958 original by the Norman Petty Trio. The Shadows recorded their version at EMI Studios, Abbey Road in January 1961, and it was on their first album released later that year.
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is a song written by Peggy Lee (lyrics) and Victor Young (music) and was the title track of the 1954 film of the same name, directed by Nicholas Ray and starring Joan Crawford. The music loosely echoes several themes from Spanish Dance No. 5: Andaluza by Enrique Granados, which was written for piano, but is often played on classical guitar.
The instrumental for the song is used over the opening credits and throughout the film. The song is played on the piano by Joan Crawford (dubbed) and sung partially at the end by Peggy Lee.
The Spotnick version of the song was realised 1961 and that one is my rendation is based on.
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is a song written by Giorgio Moroder and Tom Whitlock for the 1986 film Top Gun, performed by American new wave band Berlin. It won the Academy Award for Best Original Song as well as the Golden Globe Award for Best Original Song in 1986.
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is a song written, composed, and recorded by Canadian singer-songwriter Gordon Lightfoot. The song appears on his 1966 debut album Lightfoot! and, in a re-recorded version, on the 1975 compilation Gord's Gold.
”One of the greatest singles of the 70s, if not ever."
The version by Ian & Sylvia reached #1 on the Canadian AC charts, August 2, 1965. Peter Paul and Mary's version of the song was recorded in August 1965, reaching No. 39 in Canada, and No. 91 on the Billboard Hot 100. The next year, George Hamilton IV's version hit No. 9 on the US country chart. In April 1971, Oliver's version hit No. 38 on the US adult contemporary chart. Paul Weller took the song to No. 40 in the United Kingdom in 2005. Notably, Elvis Presley recorded and played the song live dozens of times. Under the title "Dans la brume du matin" (in the morning mist), the French cover of this song was a hit in France by Joe Dassin.
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I play on my
Burns 40th anniversary Marvin Guitar
Through an Zoom 508. Recorded on my computer with Reaper. I film the videos with my Iphone.
Thanks to Phil McGarrik for TABS and BT philmcgarrick.co.uk


