Aulos CollectiveMy friend Stefanos invited me to play at this magnificent site and have a musical meeting of these two ancient instruments. This bass aulos is a lower version of the ancient Louvre Aulos. Double pipes were played for several thousand years in various forms. The city of Aigai, the ancient first capital of the Kingdom of Macedonia, was discovered in the 19th century near Vergina, in northern Greece. The most important remains are the monumental palace, lavishly decorated with mosaics and painted stuccoes, and the burial ground with more than 300 tumuli, some of which date from the 11th century B.C. One of the royal tombs in the Great Tumulus is identified as that of Philip II, who conquered all the Greek cities, paving the way for his son Alexander and the expansion of the Hellenistic world. The video and photos are taken in the Museum of Aigai. Many thanks to the authorities of the museum for the permission to play in this excellent place and enjoy the acoustics. The exposition is very well presented and we recommend very much to visit.
Bass Aulos and Flute at Aigai Vergina the Palace of Philip IIAulos Collective2023-12-24 | My friend Stefanos invited me to play at this magnificent site and have a musical meeting of these two ancient instruments. This bass aulos is a lower version of the ancient Louvre Aulos. Double pipes were played for several thousand years in various forms. The city of Aigai, the ancient first capital of the Kingdom of Macedonia, was discovered in the 19th century near Vergina, in northern Greece. The most important remains are the monumental palace, lavishly decorated with mosaics and painted stuccoes, and the burial ground with more than 300 tumuli, some of which date from the 11th century B.C. One of the royal tombs in the Great Tumulus is identified as that of Philip II, who conquered all the Greek cities, paving the way for his son Alexander and the expansion of the Hellenistic world. The video and photos are taken in the Museum of Aigai. Many thanks to the authorities of the museum for the permission to play in this excellent place and enjoy the acoustics. The exposition is very well presented and we recommend very much to visit.
Flute - Stefanos Babalos Aulos - Max Brumberg
https://www.maxbrumbergflutes.eu/Lithos - Ancient Greek Inspired DanceAulos Collective2025-09-28 | Lithos, a shadow dance inspired by ancient Greek art. The dancer moves gracefully to the music of lyre and aulos, her flowing peplos telling a story. Through movement and gesture, she brings classical vase paintings to life, capturing the rhythm, beauty, and magic of ancient Greek dance. For the lovers of dance, ancient art, and immersive storytelling.
Aulos made by Max Brumberg: https://www.maxbrumbergflutes.eu/Ancient Greek Aulos & Lyre Duet - Anacreons SpreeAulos Collective2025-08-15 | Inspired by the ancient poet Anacreon, known for his poems of love, wine and revelry. ''Anacreon's Spree'' is written in the ancient enharmonic dorian, and lower mixolydian modes. We wrote this piece to see how classical auloi respond with lyre, and to begin to explore how quartertones can be used within the enharmonic mode.
The aulos is a copy of the 'Poseidonia' aulos which is on display at the municipal museum in Paestum in Italy, and is made out of deer bone by Max Brumberg.
The music is composed by Callum Armstrong, and performed by Rosa Fragorapti (Lyre) and Callum Armstrong (Poseidonia Aulos).
Filmed at the house of the salt flats' keeper in Aggelochori, Thessaloniki, with the kind permission of Evangelos Michos. Recorded at Studio Polytropon, sound engineer Karolos Gakidis. Video shooting/editing by Stefanos Matsoukalidis (camera&drone).Ancient Music - Echo (ΗΧΩ) Ensemble - Lyre Aulos Duet (Orestes Torment)Aulos Collective2025-05-09 | Echo (ΗΧΩ) Ensemble 'Callum Armstrong (aulos) and Rosa Fragorapti (lyre) playing 'Orestes' Torment mvt III' composed by Callum Armstrong
Recorded at tonstudio2 Schwerin https://www.tonstudio2.de/The Challenges of Harvesting and Making Aulos ReedsAulos Collective2025-03-07 | Some might inquire why I can be a bit protective with my reeds, some might wonder why I limit them exclusively to customers of my instruments. I hope this may go some way to explaining it.
When the aulos reed arrives in my customer hands, it has already been on quite a journey:
What does it mean to make an aulos reed?
Depending on which season it was harvested in, the reed has already been seasoned for 3 years according to Theophrastus’ recommendations. The reed has survived a complex process, enduring whilst many others have been broken or discarded along the journey. It went through a process of many hours of playing in, scraping and balancing and only if it balances and matches its partner reed, which is cut from the same stem of cane, and again only if this partner survived all the same process, will it be played by my customer.
It took me and my friends Callum Armstrong and Caleb Simone the last 7 years to understand the words Theophrastus left us on how to make aulos reeds, to find the right processes. To research the dimensions needed to fit each instrument. To learn what to harvest and what the source material needs. To make many hundreds of reeds, discarding them to find the ones that will sound with honeyed harmony and clear voice as described by Apuleius (Florida 4) and Athenaeus (Delphic Paen)
maxbrumbergflutes.euAulos Reed Repair - Aulos Tutorial SeriesAulos Collective2025-03-07 | This tutorial shows you how to repair your reed in case there is a crack on the side.
Below is a list of materials that will be helpful to use: if you want to support us then use the affiliate links below Loctide Gel - amzn.to/43vQKuT Washi Tape - amzn.to/3DbHamn Patafix (for the tone-holes) - amzn.to/4kx3Pdn Wolfcraft Multi Cutter (for the reed tips) - amzn.to/41Mzhgu Camellia Oil (for the reeds) - amzn.to/4ivJtPX
If you want to support our channel for further research and tutorials below is our paypal email address. info@auletes.orgOiling the Aulos Reeds - Aulos TutorialsAulos Collective2025-01-20 | A video explaining the oiling of aulos reeds.
You can find the maintenance set, the thread and the oil following the link below. https://bagpipe.de/aulos-pflege-wartung/
Instruments made by Max Brumberg
Max Brumberg: https://www.maxbrumbergflutes.eu Callum Armstrong: callumarmstrong.co.ukAulos Cleaning Set for the Louvre or Poseidonia AulosAulos Collective2024-10-26 | You can find the maintenance set, the thread and the oil following the link below. https://bagpipe.de/aulos-pflege-wartung/Lyre and Aulos RehearsalAulos Collective2024-10-18 | Rehearsals from Rosa and Callum's new aulos and Lyre project. Stay tuned for more information about concerts and videos and other projects. October 2024 Compositions by Callum Armstrong
Rosa Fragorapti is playing a 7 String Lyre made by Nicolaos Brass /Athens nikolaosbrass.com Callum Armstrong is playing a reconstruction of the Louvre Aulos made by Max Brumberg https://maxbrumbergflutes.eu
Seven string lyre was the most respected instrument of the Ancient* Greeks. The simplicity of the construction, which generated a soft and gentle sound, facilitated the instrument’s popularity, and made it the basic instrument of youth’s musical education. It was connected with the cult of Apollo and for this reason was greatly respected. It was used in everyday life (in dance accompaniment, in wedding ceremonies, in banquets,etc)
Callum Armstrong https://callum.armstrong.piping callumarmstrong.co.ukThe Dorian Mode - Louvre Tutorial Series 6/6Aulos Collective2024-09-20 | A video exploring the work of Tosca Lynch investigating possibilities of what scales were played on the Louvre aulos.
The label Dorian mode, Imperial version used in the diagram indicates that the Dorian mode described by Aristides Quintilianus is set in the Hypolydian key, in keeping with the evidence provided by Ptolemy, Porphyry, and the Canon diagram
Max Brumberg: https://www.maxbrumbergflutes.eu Callum Armstrong: callumarmstrong.co.ukLower Tense Lydian Mode - Louvre Tutorial Series 5/6Aulos Collective2024-09-06 | A video exploring the work of Tosca Lynch investigating possibilities of what scales were played on the Louvre aulos.
The label Lower Tense Lydian used in the diagram indicates that the Lower Tense Lydian mode described by Aristides Quintilianus is set in Aristoxenus' Lower Tense Lydian key".
Link to Tosca Lynch's Paper: https://www.academia.edu/97695158/Lynch_T_A_C_2023_Singing_with_the_Muses_new_paths_into_ancient_Mousik%C4%93
Max Brumberg: https://www.maxbrumbergflutes.eu Callum Armstrong: callumarmstrong.co.ukThe Seikilos Song - Louvre Tutorial Series 4/6Aulos Collective2024-08-23 | An exploration of how to play the 'Song of Seikilos' on the Louvre aulos, and how this relates to Tosca Lynch's paper 'Singing with the Muses'.
Max Brumberg: https://www.maxbrumbergflutes.eu Callum Armstrong: callumarmstrong.co.ukLower Iastian Mode - Louvre Tutorial Series 3/6Aulos Collective2024-08-09 | A video exploring the work of Tosca Lynch investigating possibilities of what scales were played on the Louvre aulos.
The label Lower Iastian used in the diagram indicates that the Iastian mode described by Aristides Quintilianus is set in Aristoxenus' Lower Hypophrygian key.
Link to Tosca Lynch's Paper: https://www.academia.edu/97695158/Lynch_T_A_C_2023_Singing_with_the_Muses_new_paths_into_ancient_Mousik%C4%93
Max Brumberg: https://www.maxbrumbergflutes.eu Callum Armstrong: callumarmstrong.co.ukLower Phrygian Mode - Louvre Tutorial Series 2/6Aulos Collective2024-07-26 | A video exploring the work of Tosca Lynch investigating possibilities of what scales were played on the Louvre aulos.
The label Lower Phrygian used in the diagram indicates that the Phrygian mode described by Aristides Quintilianus is set in Aristoxenus' Lower Phrygian key".
Improvised Prelude and Dance in the Lower Phrygian on Aulos youtu.be/EtYRaXeUpPU
Link to Tosca Lynch's Paper: https://www.academia.edu/97695158/Lynch_T_A_C_2023_Singing_with_the_Muses_new_paths_into_ancient_Mousik%C4%93
Max Brumberg: https://www.maxbrumbergflutes.eu Callum Armstrong: callumarmstrong.co.ukHow to Hold the Aulos - Louvre Tutorial Series 1/6Aulos Collective2024-07-12 | In this video Callum discusses how to hold the aulos in a comfortable way for maximum ease and dexterity when playing.
Max Brumberg: https://www.maxbrumbergflutes.eu Callum Armstrong: callumarmstrong.co.uk
Aulete Brittish Museum photo by Callum ArmstrongHarvesting and Making Aulos ReedsAulos Collective2024-07-06 | This video shows the harvest and later the forming process of making the reed for the aulos. It is only a small glimpse into the time intense process of making these ancient double reeds. Theophrastus tells us it takes 'only' 3 years from the date of harvest for the reeds harvested in june around solstice until they can be played. There is a long time of seasoning between harvest and forming and also between forming and setting up and playing in the reed. It is not an explanatory video, but rather thought to give you and idea of the process.
Max Brumberg: https://www.maxbrumbergflutes.eu
The footage was made for the PaJu Documentary ‘Aulos, Le Son Du Roseau’ by Jochen Bechler youtu.be/hNNUYDhBTN8?si=pJRg7KuVFlGX_5Ve Camera: Virginie Mivelaz Sound recording: Yannick BerlieImprovisation in the Greek Enharmonic Modes on the Poseidonia AulosAulos Collective2024-06-26 | Exploratory improvisation in the enharmonic modes from classic archaic Greece on a bone version of the Poseidonia aulos. Played by Callum Armstrong. This is a reconstruction of the original aulos found at Poseidonia in southern Italy, which dates from the end of the 6th to the beginning of the 5th c. BCE. It was made of deer bone by Max Brumberg according to the research articles by Stelios Psaroudakes, Reichlin-Moser and Angela Bellia.
Callum Armstrong: callumarmstrong.co.uk Max Brumberg: https://www.maxbrumbergflutes.eu
For more information on the modes: emousike.comImprovised Prelude and Dance in the Lower Phrygian on AulosAulos Collective2024-06-07 | Improvisation in the lower phrygian mode as described by Aristides Quintilianus by Callum Armstrong. callumarmstrong.co.uk Louvre aulos made by Max Brumberg https://www.maxbrumbergflutes.eu For more details on the ancient modes see Tosca Lynch website: emousike.com
Recorded with a zoom recorder, non mastered.Comparing Wood and Bone AuloiAulos Collective2024-05-23 | A video exploring the differences between wood and bone auloi, using replicas of the Posedonia aulos based off of the measurements of Stelios Psaroudakis (The aulos of Poseidōnia 2014).
Instruments made by Max Brumberg
The recording was made with a ZoomH5 recorder. No mastering of the recording, both recordings were made with the same settings.
Max Brumberg: https://www.maxbrumbergflutes.eu Callum Armstrong: callumarmstrong.co.ukAulos Video Series 2024 TeaserAulos Collective2024-05-10 | The trailer for our 2024 aulos tutorial series.
Callum Armstrong: callumarmstrong.co.uk Max Brumberg: https://www.maxbrumbergflutes.euHow to Master Circular Breathing Part 1 Aulos TutorialAulos Collective2024-05-06 | A basic circular breathing tutorial for beginners. This meant to help you with the first steps of circular breathing. We discuss how to train your muscle memory with the help of two exercises. Further explanations to refine the technique on the instrument will follow in a later video.Making a Phorbeia for Playing AulosAulos Collective2024-04-12 | The video shows how I make a phorbeia according to the iconography I showed in the video 'What is a Phorbeia'. youtu.be/Rkrr89664G8 If you are interested in aquiring a ready made phorbeia you can contact me via my website, I have meanwhile made several prototypes and there is a very good working version available.
https://www.maxbrumbergflutes.eu/What is a Phorbeia - Aulos tutorial seriesAulos Collective2024-03-28 | Looking for a phorbeia and you dont want to bother making one yourself? contact me via maxbrumbergflutes.eu
Thank you to Kamila Wyslucha for the helpful exchange and sharing her knowledge and collection of iconography. Also thank you to Annie Belis for her well researched article on the phorbeia that is linked in the quotes section.
Animation and sound recordings by Callum Armstrong.
Quotes: 1) ‘What our friend Gnaeus is thinking of I haven’t a clue For still he puffs, with no dainty pipe, but with savage blasts restrained by no Phorbeia’ Cicero Letters to Atticus 2.16.2
2)Les textes grecs évoquent cette phorbéia; la plus ancienne mention se lit dans un fragment attribué à Simonide, cité par Plutarque; il s'agit de Marsyas : « II ajusta à ses tempes hirsutes l'or resplendissant, et à sa bouche avide, les lanières qui s'attachent derrière la tête ». Fr. 115 Edmonds. Ces vers sont attribués à Simonide par Tzetzes, Chil. I, 372. Selon Schneidewin, ils sont de Simias de Rhodes. Greek texts mention this phorbeia. The oldest mention can be found in a fragment attributed to Simonides and quoted by Plutarch. He writes of Marsyas : He fitted the fringe of his temples with gleaming gold And his greedy mouth he fitted with thongs bound behind (the head); 45 Simonides, according to Tzetzes, Chiliades, I.372 (Frag. 177 Bergk, 160 Diehl, 115 Edmonds); attributed by Schneidewin to Simias Rhodius (cf. Powell, Coll. Alex., p111). Plutarch , De cohibenda ira as published in Vol. VI of the Loeb Classical Library edition, 1939, p.113 https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Moralia/De_cohibenda_ira*.html#ref45
3)Plutarch, analysing verses attributed to Simonides that describe Marsyas : And Marsyas, 44 it seems, by a phorbeia and cheek-bands repressed the violence of his breath and tricked up and concealed the distortion of his face: Plutarch , De cohibenda ira as published in Vol. VI of the Loeb Classical Library edition, 1939, p.113 https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Moralia/De_cohibenda_ira*.html#ref45
4)Commenting on Aristophanes’ « muzzled raben », the scholiast writes : 861, οὕπω κόρακ᾽ k.r..: perhaps a jeer at the dark complexion of Chaeris. κόρακ᾽: the flute-player is dressed, it would seem, to represent à raven. ἐμπεφορβειωμένον ;: the φορβίον is ἃ piece of leather put round the mouth of a flute-player to prevent the lips from cracking. archive.org/stream/scholiaaristopha01ruthuoft/scholiaaristopha01ruthuoft_djvu.txt
5)Another scholia on Aristophanes offers a third explanation : « The phorbeia is a leather band which is bound around the aulete’s mouth so that the breath can be let out steadily, making the sound of the aulos more pleasant. » Scholia Wasps 581
6)La phorbéia est donc un accessoire sinon indispensable à l'aulète et au joueur de trompette à anche, du moins utile : elle facilite un jeu prolongé en épargnant au musicien une trop grande tension des muscles faciaux; elle contribue à produire des sonorités puissantes ou éclatantes, et, à l'inverse, assure une émission sonore de meilleure qualité, plus coulée et plus continue. C'est pourquoi les aulètes virtuoses la portent lors des concours musicaux, où ils doivent faire montre de tous leurs talents — puissance et endurance, mais aussi raffinement des sonorités; Annie Bélis - La Phorbeia 1986 Bulletin de Correspondance Hellénique Année 1986 110-1 pp. 205-218 https://www.persee.fr/doc/bch_0007-4217_1986_num_110_1_1793Seikilos Epitaph the Oldest Complete Surviving SongAulos Collective2024-03-16 | Multitrack arrangment and performance by Callum Armstrong The Song of Seikilos is the oldest surviving complete melody in the world.
Preserved on a stele of marble the Song of Seikilos dates to around 200 AD and resides today in the National Museum of Demark.
The aulos was made by Max Brumberg https://www.maxbrumbergflutes.euAulos and Shakuhachi at the ancient oracle of Dodona GreeceAulos Collective2024-02-03 | Dodona in Epirus, north-west Greece, lies in a valley on the eastern slopes of Mt. Tomaros and was famed throughout the ancient Greek world as the site of a great oracle of Zeus. The site was expanded in the Hellenistic period, and one of the largest theatres in Greece was built which, recently restored, stands as testimony to Dodona's importance throughout antiquity. The oracle at Dodona was considered the oldest in Greece, even if it was later replaced in importance by the oracle of Apollo at Delphi. According to Herodotus (Histories 2.57) the oracle was founded when two black doves flew from Thebes in Egypt; one dove settled in Libya to found the sanctuary of Zeus Ammon, and the other settled in an oak tree at Dodona, proclaiming a sanctuary to Zeus be built there. The origin of the name Dodona is uncertain but may derive either from the Oceanid nymph of the same name or the river Dodoni. First settled in the early Bronze Age, Dodona benefitted from a "hundred springs", and there is some evidence of an early chthonian cult to a fertility/Mother earth goddess, which is consistent with Hesiod's description of a Great Goddess who fed her worshippers roasted acorns and a scene on a Mycenaean gold ring excavated at the site. Bronze weapons and pottery finds further indicate Dodona was inhabited in Mycenaean times (from the 15th century BCE), but the site gained wider celebrity in the Archaic and Classical periods as a sanctuary to Zeus Naïos (Dweller) and Dione Naïa, both of whom appeared side by side on coins of Dodona and who were reincarnations of the earlier sky/storm god and fertility goddess, respectively. Thomas Goulpeau plays the Japanese Shakuhachi and Max Brumberg the ancient aulos and instrument that would have sounded here many thousand years ago. Both instrument makers, they met in this historical site to be infused by the muses and play their instrument in these ancient suroundings.
Shakuhachi - Thomas Goulpeau - http://www.chikudo-bamboo-flutes.com Aulos - Max Brumberg - https://www.maxbrumbergflutes.eu/Bass Aulos in the Roman necropolis Alyscamps ArlesAulos Collective2024-01-26 | Immortalized in Dante’s Inferno, Alyscamps, one of the most famous historical burial grounds outside of Rome, is a short walk from the centre of Arles in the southwestern corner of Provence. What an inspiring place to play the ancient aulos, that might very well have been played right here for burials in those ancient times. The bass version of the aulos is a fourth lower than the original. Ancient iconography shows us that large auloi had existed. The tuning of the later imperial Roman Louvre aulos inspired me to develop this bass version. Max Brumberg - Louvre Bass Aulos in the Roman necropolis Alyscamp in Arles, South of France
Aulos made by: https://www.maxbrumbergflutes.eu/Elegy for AulosAulos Collective2024-01-19 | A lament composed and performed by Callum Armstrong on the Louvre Aulos Ancient Greek Double Pipes
https://www.maxbrumbergflutes.euMaking a Louvre AulosAulos Collective2024-01-10 | This video shows some of the steps of processing a log of boxwood that was carefully harvested in our french forests into a pair of Louvre Aulos. It is a long process from choosing the right piece of wood until the fine tuned and voiced instrument is ready. Documenting all would take far to long for a youtube video. Enjoy the insights into the workshop and if you are interested visit the website. https://www.maxbrumbergflutes.eu/
Aulos: Max Brumberg Shakuhachi: Thomas Goulpeau Sound recording: Yannick Berlie Mastering: Alexander Ranft Camera: Virginie Mivelaz Editing: Max Brumberg
A big Thank you to Jochen Bechler to make this possible
watch the original RTS PaJu documentary here: youtu.be/hNNUYDhBTN8?feature=sharedLouvre Aulos in the Roman Necropolis Alyscamps in ArlesAulos Collective2024-01-01 | Immortalized in Dante’s Inferno, Alyscamps, is one of the most famous historical burial grounds outside of Rome, and is a short walk from the centre of Arles in the southwestern corner of Provence. What an inspiring place to play the ancient aulos, an instrument that might very well have been played right here for burials in those ancient times. The replica of the Louvre aulos played here in this video, is from the greco roman period. The original instrument, was found in Egypt and is situated today in the Louvre Museum in Paris.
Max Brumberg - Louvre Aulos in the roman necropolis Alyscamp in Arles, south of France
Aulos made by: https://www.maxbrumbergflutes.eu/Animated Ancient Greek Vase with Aulos (Double Pipe) SoloAulos Collective2023-12-26 | A collaboration between the Aulos Collective and the Universität Würzburg. The music is played on the Louvre Aulos, and is an original composition by Callum Armstrong called ´Satyrs´. The piece uses chromatic shifts similar to the ones found in the ´Athenaios Paean´ and also demonstrates the possibilities of the aulos to overblow. The animation by André Mischke, is based on the C6th B.C. pot of the Seilenoi (Eldery Satyrs) making wine. This pot was painted by the Amasis Painter, and can be viewed at the Martin von Wagner Museum at the University of Würzburg in Germany.
Aulos made by: https://www.maxbrumbergflutes.eu/The Sound of the Aulos 4/4 Ancient Greek Double Pipes Aulos TutorialsAulos Collective2023-03-16 | In this video we explore some ancient texts in order to find out how the ancients perceived the auloi. Callum demonstrates tone production on the Pydna and Louvre auloi. We created this channel as a source of information and inspiration about the aulos. The ancient double pipes, found in early Mesopotamia, in Ancient Egypt and in Greek and Roman antiquity. This channel presents our research on the instruments, through music videos as well as informational and tutorial guides. For those simply interested in the subject, and players new to the instrument.
Aulos Tutorials 4/4 The Sound of the Aulos youtu.be/Rt79FNnVmYIOur method of blowing in reeds 3/4 Ancient Greek Double Pipes Aulos TutorialsAulos Collective2022-12-10 | In this video we discuss our reconstructed method on how to blow in aulos reeds and look at what the Ancient Greek writer Theoprastus has to say on the topic.
We created this channel as a source of information and inspiration about the aulos. The ancient double pipes, found in early Mesopotamia, in Ancient Egypt and in Greek and Roman antiquity. This channel presents our research on the instruments, through music videos as well as informational and tutorial guides. For those simply interested in the subject, and players new to the instrument.
Callum Armstrong: callumarmstrong.co.uk Max Brumberg: https://www.maxbrumbergflutes.eu
Music: The Frogs composed and performed on the Louvre Aulos by Callum Armstrong youtu.be/eWwtNO168kIPreparing the aulos for playing 2/4 Ancient Greek Double Pipes Aulos TutorialsAulos Collective2022-12-03 | Tutorial 2/4 is a guide on how to bind the reeds to make an airtight seal, and tips on how to soak the reeds to make them playable.
We created this channel as a source of information and inspiration about the aulos. The ancient double pipes, found in early Mesopotamia, in Ancient Egypt and in Greek and Roman antiquity. This channel presents our research on the instruments, through music videos as well as informational and tutorial guides. For those simply interested in the subject, and players new to the instrument.
Callum Armstrong: callumarmstrong.co.uk Max Brumberg: https://www.maxbrumbergflutes.eu
Aulos Tutorials 3/4 Our method of blowing in reeds youtu.be/hmr1toeULMQAulos Reeds 1/4 Ancient Greek Double Pipes Aulos TutorialsAulos Collective2022-11-26 | This first video is an introductory guide to aulos reeds, exploring how they are made and, the terminology used to describe them. We created this channel as a source of information and inspiration about the aulos. The ancient double pipes, found in early Mesopotamia, in Ancient Egypt and in Greek and Roman antiquity. This channel presents our research on the instruments, through music videos as well as informational and tutorial guides. For those simply interested in the subject, and players new to the instrument.
Callum Armstrong: callumarmstrong.co.uk Max Brumberg: https://www.maxbrumbergflutes.eu
Music: The Frogs composed and performed on the Louvre Aulos by Callum Armstrong youtu.be/eWwtNO168kI
Aulos meets Shakuhachi II in St Flour du Pompidou youtu.be/QfXUfBbTyZUAulos Collective Aulos Video Series Channel TeaserAulos Collective2022-11-18 | This video is a brief presentation of our new Youtube channel the "Aulos Collective", dedicated to the ancient double-pipes. We created this channel as a source of information and inspiration about the aulos. The ancient double pipes, found in early Mesopotamia, in Ancient Egypt and in Greek and Roman antiquity. This channel presents our research on the instruments, through music videos as well as informational and tutorial guides. For those simply interested in the subject, and players new to the instrument.
Callum Armstrong: callumarmstrong.co.uk Max Brumberg: https://www.maxbrumbergflutes.eu
Camera: Max Brumberg Editing Callum Armstrong / Max BrumbergAncient Greek Double Pipes - The Frogs composed and played on the Louvre Aulos by Callum ArmstrongAulos Collective2022-11-12 | A semi improvised piece inspired by a translation made by Dr Armand D'Angour of the "Frog Chorus" from Aristophanes´ play "The Frogs". The recurring aulos riff represents the Frogs chanting "Brekekekek koax koax", and the interjecting episodes, represent the God Dionyus complaining that they are upsetting his rowing rhythm.
Video recording at the Max Brumberg Flutes workshop in the Cevennes France Camera: Max BrumbergAulos meets Shakuhachi II in St Flour du Pompidou - Ancient Greek Double Pipes and Japanese FluteAulos Collective2022-11-02 | A reconstruction of the Louvre aulos found in Egypt dating from the Hellenistic period, played by Max Brumberg and a traditional Japanese bamboo flute, the shakuhachi, played by Thomas Goulpeau. Two instrument makers, that have known each other many years, explore the rich sounds of their instruments. This is a contemporary exploration of the sounds and possibilities of the Louvre aulos.
The journey to learn to play and to make reeds and the aulos began in 2017 when I met Callum Armstrong and he introduced me to the Auloi, I felt deeply touched by the sound.The Aulos are from the Greek antique and were used in rituals, theatre, therapy and amusement. The two pipes are tuned in a fourth to each other. The instrument itself is a reproduction of an instrument found in Egypt, exactly the same hole setting it must have sounded similar when people played it back then. Stefan Hagel measured the instrument in the Louvre Museum and made it possible to do an exact reconstruction. Though the players were far more experienced playing in a tradition of an instrument being already played for about 2000ys in those days. Nowadays we are rediscovering this ancient instrument and its sounds and for me it is an amazing thing to be part of the people rediscovering the Aulos. The breathing technique used is called circular breathing. A technique that allows the player to maintain a constant supply of air to the reeds and produce a continuous sound.This technique is also used on other wind instruments, such as the launeddas and the didgeridoo. Though sometimes referred to as a flute or double flute the aulos is a reed instrument.
Sound recording: Yannick Berlie Mastering: Alexander Ranft Camera: Virginie Mivelaz, Max Brumberg Editing: Max Brumberg
A big Thank you to Jochen Bechler to make this possibleCallum Armstrong - plays Bellerman Exercise §101 on the Ancient Greek Double Pipes Aulos / TibiaAulos Collective2022-10-27 | The Bellerman Exercises are a series of ancient, musical extracts passed down to us through byzantine sources. It has been suggested that these musical fragments are exercises for beginner auletes. (Stefan Hagel, ‘Musics’, Bellermann’s Anonymi, and the Art of the Aulos, Greek and Roman Studies, 2018) In this video I take `Exercise´ §101, (0.06 -0.12 in the video) and use it to explore some polyphonic ideas in my arrangment of it on the aulos. This aulos was made by Max Brumberg, https://www.maxbrumbergflutes.eu/en/ and is a copy of the ´Louvre Aulos´. It is a surviving aulos from antiquity, that can be viewed in the Louvre museum in Paris. As you can probably see the filming part of this video was a somewhat spontaneous affair. So apologies in advance for my rather ragged appearance.