Uploaded June 2022 | Updated September 2026, 5 days ago
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
WHITESNAKE:
💿 pastandpresent.page.link/WS-BO
LED ZEPPELIN:
💿 pastandpresent.page.link/LZ-CD
VIDEO INFO: Rare copy of the power-ballad single with a soft-focused, off-the-shelf promo video that one can imagine Mr. Loaf rejecting for excessive cliché. However, the short-lived collaboration was, initially at least, taken seriously by both partners and produced an album of genuine super-group panache as Jimmy Page dipped into his biscuit tin of spare riffs and David Coverdale produced one of the best vocal performances of his career in terms of range.
The project came at the right time (a resurgence of guitar-based rock) and place (Geffen Records) to enhance the pair’s lofty reputations – Page’s virtuoso skills backed by an artistic and commercial credibility that, over a decade on from their final album, saw Led Zeppelin shifting more units than most of the still-active competition while Coverdale was a pioneer of adapting arena rock for the MTV generation.
It seems trite now, but Whitesnake’s PR approach, with slick studio production, glossy videos and magazine shoots attracted an army of female fans which made them arguably the biggest band in the world during 1987-88.
But ‘Led Snake’ proved an all-too brief phenomenon – a few dates into the supporting tour, Page bailed to re-join Robert Plant for an Unplugged set which was followed by two albums and tours over the following four years or so.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#DavidCoverdale #JimmyPage #CoverdalePage
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
WHITESNAKE:
💿 pastandpresent.page.link/WS-BO
LED ZEPPELIN:
💿 pastandpresent.page.link/LZ-CD
VIDEO INFO: Rare copy of the power-ballad single with a soft-focused, off-the-shelf promo video that one can imagine Mr. Loaf rejecting for excessive cliché. However, the short-lived collaboration was, initially at least, taken seriously by both partners and produced an album of genuine super-group panache as Jimmy Page dipped into his biscuit tin of spare riffs and David Coverdale produced one of the best vocal performances of his career in terms of range.
The project came at the right time (a resurgence of guitar-based rock) and place (Geffen Records) to enhance the pair’s lofty reputations – Page’s virtuoso skills backed by an artistic and commercial credibility that, over a decade on from their final album, saw Led Zeppelin shifting more units than most of the still-active competition while Coverdale was a pioneer of adapting arena rock for the MTV generation.
It seems trite now, but Whitesnake’s PR approach, with slick studio production, glossy videos and magazine shoots attracted an army of female fans which made them arguably the biggest band in the world during 1987-88.
But ‘Led Snake’ proved an all-too brief phenomenon – a few dates into the supporting tour, Page bailed to re-join Robert Plant for an Unplugged set which was followed by two albums and tours over the following four years or so.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#DavidCoverdale #JimmyPage #CoverdalePage

![FAITH NO MORE - Midlife Crisis [Live: 1997]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
**ANGEL DUST:
💿 https://pastandpresent.page.link/FNM-A
***KING FOR A DAY… FOOL FOR A LIFETIME:
💿 https://pastandpresent.page.link/FNM-K
VIDEO INFO: Fresh from a GQ photo-shoot, another 90s vintage set, this time at the ‘Bizarre’ Festival in Cologne on Saturday 16 August, 1997 – just after they had turned a couple of artistic corners to release the ‘Album of the Year’.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#FaithNoMore #MikePatton #Bizarre FAITH NO MORE - Midlife Crisis [Live: 1997]](https://i.ytimg.com/vi/ga8ggkeAWlQ/mqdefault.jpg)
![DAVID BOWIE - Rebel Rebel [Live 4K]
* For information or to purchase one of the CD Art Clocks pictured in video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
‘ALADDIN SANE’:
💿 https://pastandpresent.page.link/DB-AS
‘HUNKY DORY’:
💿 https://pastandpresent.page.link/DB-HD
‘THE RISE AND FALL OF ZIGGY STARDUST & THE SPIDERS FROM MARS’:
💿 https://pastandpresent.page.link/DB-ZS
“HEROES”:
💿 https://pastandpresent.page.link/DB-HE
‘EARTHLING’:
💿 https://pastandpresent.page.link/DB-EL
‘SCARY MONSTERS (AND SUPER CREEPS)’:
💿 https://pastandpresent.page.link/DB-SM
★:
💿 https://pastandpresent.page.link/DB-BS
VIDEO INFO: Putting the hair to one side (which is more than he could do!), this show probably serves as the best audio-visual quality of any Bowie show officially released (albeit posthumously in this case), from the headline set at the Glastonbury-Festival, 25 June 2000.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#DavidBowie #Bowie #BowieLive. DAVID BOWIE - Rebel Rebel [Live 4K]](https://i.ytimg.com/vi/grbBgynnIJI/mqdefault.jpg)
![LED ZEPPELIN - Wearing & Tearing [1990]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/LZ-CD
VIDEO INFO: A surprise appearance by Jimmy Page concludes Robert Plant and his band’s set at Knebworth for the ‘Silver Clef Award Winners’ concert held to raise money for the Nordoff–Robbins charity. This performance is lifted from the 2015 Blu-Ray release of concert highlights entitled ‘Live at Knebworth: The Best British Rock Concert of All Time’ – something of an overstatement (it wasn’t even the best concert Jimmy Page appeared at that summer) but that’s showbiz for you!
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#LedZeppelin #RobertPlant #JimmyPage LED ZEPPELIN - Wearing & Tearing [1990]](https://i.ytimg.com/vi/hDh7g0Dqz8s/mqdefault.jpg)



![JEFFERSON AIRPLANE - Somebody To Love [1969]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
💿 https://pastandpresent.page.link/JA-J
VIDEO INFO: Recorded less than 24 hours after Jimi Hendrix played out the final Star-Spangled bars of Woodstock, the Airplane – themselves much more than a footnote to that cultural fault line – had enough left in the tank to perform for a network audience.
Alongside a demure Joni Mitchell, Dick Cavett introduces the band apparently dressed for excavating an Egyptian tomb. Which brings us to David Crosby who looks to have no sleep since the start of the festival but nevertheless provides much needed accompaniment on, you’ve guessed it, Tambourine No.2…
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in its’s country of origin.
Furthermore, under United Kingdom copyright law; ‘Fair Dealing’ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#JeffersonAirplane #JeffersonStarship #DavidCrosby JEFFERSON AIRPLANE - Somebody To Love [1969]](https://i.ytimg.com/vi/iOoQ1PQeIJI/mqdefault.jpg)


