Uploaded March 2018 | Updated September 2026, 2 hours ago
Here's something I made on the Deep Mind 12. This synth has a nicely spec'ed arpeggiator (y) I'm also digging the character of the filter - very Roland Juno 106/SH101 which is great for Retro Goa analogue squelch :) but with a bit of digging, this synth is far, far more capable than the old Roland kit ever was... (y) (recorded directly from the synth's main outputs, zero post processing)
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A few of the early Cosmosis tracks had some key sounds which were made on a Juno 106 (Gift of the Gods, Key to The Innerverse) But that synth is long gone and I wasn't going to go out and buy an old 106.
But then this came along.
They've pretty much cloned the 106's circuit: (DCO's, Curtis filter chip, fully analogue signal path) but expanded upon it, adding 12 voices instead of the Juno's 6, two LFO's instead of one, and three envelopes instead of the single envelope on the Juno, made the sub osc.tunable and a few other tricks, plus given it 4 quality FX onboard processors ( with algo's by TC Electronics). It can't do everything (no BP or resonant HP filter for example ) but *if* you're looking for a hands-on tweakable analogue polysynth with that vintage Roland sound, then it's a no brainer.
Here's something I made on the Deep Mind 12. This synth has a nicely spec'ed arpeggiator (y) I'm also digging the character of the filter - very Roland Juno 106/SH101 which is great for Retro Goa analogue squelch :) but with a bit of digging, this synth is far, far more capable than the old Roland kit ever was... (y) (recorded directly from the synth's main outputs, zero post processing)
___________________________________________________
A few of the early Cosmosis tracks had some key sounds which were made on a Juno 106 (Gift of the Gods, Key to The Innerverse) But that synth is long gone and I wasn't going to go out and buy an old 106.
But then this came along.
They've pretty much cloned the 106's circuit: (DCO's, Curtis filter chip, fully analogue signal path) but expanded upon it, adding 12 voices instead of the Juno's 6, two LFO's instead of one, and three envelopes instead of the single envelope on the Juno, made the sub osc.tunable and a few other tricks, plus given it 4 quality FX onboard processors ( with algo's by TC Electronics). It can't do everything (no BP or resonant HP filter for example ) but *if* you're looking for a hands-on tweakable analogue polysynth with that vintage Roland sound, then it's a no brainer.
