Uploaded June 2022 | Updated September 2026, 2 weeks ago
This international symposium is the inaugural event associated with the Getty Research Institute's new Pre-Hispanic Art Provenance Initiative. Responding to the pressing need for preservation of ancient Mesoamerican heritage and its provenance, the initiative comprises the first systematic study of how the corpus of pre-Hispanic art took shape in North America and Europe and came to form centerpiece collections of some of the most important art museums in the world.
Speakers focus on early collections assembled between the mid-19th and mid-20th centuries. The year 1940—when the Museum of Modern Art hosted the groundbreaking exhibition Twenty Centuries of Mexican Art, featuring works of Mexican ancient, colonial, modern, and folk art—marks the turning point when sales of pre-Hispanic art began to boom on the international art market, in part through the commercial activities of the Stendahl Gallery in Los Angeles. This symposium presents efforts of curators and scholars to study these collections comprehensively and to investigate the broader role of pre-Hispanic art in the history of the art market and in the formation of international collections and institutions.
View the program
https://www.getty.edu/research/exhibitions_events/events/collecting_mexican_art_program.pdf
Participants
Miruna Achim, Universidad Autónoma Metropolitana-Cuajimalpa
Christopher S. Beekman, University of Colorado Denver
Oswaldo Chinchilla Mazariegos, Yale University
Davide Domenici, Università di Bologna
Viola König, Freie Universität Berlin
Brooke Luokkala, Emory University
Mary Miller, Getty Research Institute
Megan E. O'Neil, Emory University
Joanne Pillsbury, Metropolitan Museum of Art
Kim Richter, Getty Research Institute
Matthew H. Robb, Fowler Museum at UCLA
Adam Sellen, Universidad Nacional Autónoma de México, Mérida
Andrew Turner, Getty Research Institute
Khristaan Villela, Museum of International Folk Art
This event occurred on November 15, 2019.
Learn more about this event
https://www.getty.edu/visit/cal/events/ev_2774.html
This international symposium is the inaugural event associated with the Getty Research Institute's new Pre-Hispanic Art Provenance Initiative. Responding to the pressing need for preservation of ancient Mesoamerican heritage and its provenance, the initiative comprises the first systematic study of how the corpus of pre-Hispanic art took shape in North America and Europe and came to form centerpiece collections of some of the most important art museums in the world.
Speakers focus on early collections assembled between the mid-19th and mid-20th centuries. The year 1940—when the Museum of Modern Art hosted the groundbreaking exhibition Twenty Centuries of Mexican Art, featuring works of Mexican ancient, colonial, modern, and folk art—marks the turning point when sales of pre-Hispanic art began to boom on the international art market, in part through the commercial activities of the Stendahl Gallery in Los Angeles. This symposium presents efforts of curators and scholars to study these collections comprehensively and to investigate the broader role of pre-Hispanic art in the history of the art market and in the formation of international collections and institutions.
View the program
https://www.getty.edu/research/exhibitions_events/events/collecting_mexican_art_program.pdf
Participants
Miruna Achim, Universidad Autónoma Metropolitana-Cuajimalpa
Christopher S. Beekman, University of Colorado Denver
Oswaldo Chinchilla Mazariegos, Yale University
Davide Domenici, Università di Bologna
Viola König, Freie Universität Berlin
Brooke Luokkala, Emory University
Mary Miller, Getty Research Institute
Megan E. O'Neil, Emory University
Joanne Pillsbury, Metropolitan Museum of Art
Kim Richter, Getty Research Institute
Matthew H. Robb, Fowler Museum at UCLA
Adam Sellen, Universidad Nacional Autónoma de México, Mérida
Andrew Turner, Getty Research Institute
Khristaan Villela, Museum of International Folk Art
This event occurred on November 15, 2019.
Learn more about this event
https://www.getty.edu/visit/cal/events/ev_2774.html










![Coleccionando Arte Mesoamericano, 1940-1968: forjar un mercado en los Estados Unidos y México
El segundo simposio internacional de la Iniciativa sobre la procedencia del arte prehispánico (PHAPI) del Getty Research Institute se centra en las prácticas del coleccionismo en México y de los Estados Unidos, cuando las luminarias de Hollywood y los coleccionistas internacionales desarrollaron un gusto por el arte mexicano antiguo. Para la década de 1960, el pasado prehispánico era parte integral de la identidad nacional mexicana, ganó nuevas audiencias en museos internacionales y jugó un papel formal en la historia del arte.
This program is also available in English
https://youtu.be/m4BucLGaeGM
Horario del programa: https://www.getty.edu/research/exhibitions_events/events/phapi_program.pdf
La Iniciativa por la Procedencia del Arte Prehispánico (PHAPI), documenta y analiza la mercantilización y movilización del arte prehispánico y la cultura material por el comercio internacional del arte entre mediados del siglo XIX y finales del XX.
Este programa forma parte de la serie de Historias No Contadas [Untold Stories] del Instituto de la Investigación del Getty (GRI), que celebra las historias no contadas de la cultura visual, explorando cómo las nuevas obras, personas e interpretaciones pueden iluminar nuestro entendimiento y el aprecio a la historia del arte.
Este evento ocurrió el 28 de abril de 2022.
Aprenda más de este evento https://www.getty.edu/visit/cal/events/ev_3459.html Coleccionando Arte Mesoamericano, 1940-1968: forjar un mercado en los Estados Unidos y México](https://i.ytimg.com/vi/QO6FLgG3ImA/mqdefault.jpg)