ComtedeRochefort"Getting Away with It (All Messed Up)" is a song by popular Indie band James. It became an unofficial themetune to their final tour in 2001. The final show with Tim Booth in December 2001 was released on DVD under the title Getting Away With It Live. The idea of surviving against the odds is an echo of James' career as a whole. "Getting Away With It (All Messed Up)" was one of the songs on the soundtrack for the 2005 film The Big White which featured Robin Williams, Giovanni Ribisi, and Holly Hunter.
It has recently been remixed by Sean Quinn.
James are an English rock band from Manchester. They formed in 1982 and were active throughout the 1980s, but most successful during the 1990s. Their hit singles include "Sit Down" and "Laid". Following the departure of lead singer Tim Booth in 2001, the band became inactive but re-formed in January 2007, returning for a new album and international tour.
James were formed in 1982 in Whalley Range, Manchester, when Paul Gilbertson convinced his friend Jim Glennie to buy a bass guitar and form a band with him. Their line-up solidified with the acquisition of Gavan Whelan on drums. They played a string of gigs under the names Venereal and The Diseases and, later, Volume Distortion, before settling on the name of Model Team International, then shortened to Model Team.
They performed mostly improvised material derived from jam sessions, supporting The Fall at an early gig. Vocalists and other musicians drifted rapidly in and out of their line-up, until the band encountered Tim Booth at a student disco. Gilbertson invited him to the band's scout hut in Withington to join the band as a dancer.
After a brief period under the name Tribal Outlook, the band renamed themselves James in August 1982. A gig at The Haçienda caught the attention of Tony Wilson of Factory Records. He offered James an album deal with Factory, but the band, by now a settled live act, were worried about tarnishing their material in the studio and settled instead for a three-track EP. Their debut release, the Jimone EP, was recorded at Strawberry Studios, Stockport, in August 1983 and released on Factory Records in September. It was named single of the week by major music papers[who?] in the UK, and led to a tour supporting The Smiths.
Although they were now being touted as the 'next big thing', several complex issues slowed their progress. Gilbertson's drug problems presented the band with no choice but to ask him to leave. Booth and Glennie had joined a sect named Lifewave that imposed many restrictions on their lifestyle and threatened the band's stability. The band's second EP, James II, was released over a year after the first and accompanied by a feature on the cover of the NME, Gilbertson having been replaced by the band's guitar tutor Larry Gott. The first two EPs would later be collected as Village Fire. Reviews were once again positive, and Factory were eager for James to record an album with it, but the band believed Factory were purely image-based and left the label, striking a deal with Sire Records.
James - Getting Away With it (All Messed Up)ComtedeRochefort2010-09-28 | "Getting Away with It (All Messed Up)" is a song by popular Indie band James. It became an unofficial themetune to their final tour in 2001. The final show with Tim Booth in December 2001 was released on DVD under the title Getting Away With It Live. The idea of surviving against the odds is an echo of James' career as a whole. "Getting Away With It (All Messed Up)" was one of the songs on the soundtrack for the 2005 film The Big White which featured Robin Williams, Giovanni Ribisi, and Holly Hunter.
It has recently been remixed by Sean Quinn.
James are an English rock band from Manchester. They formed in 1982 and were active throughout the 1980s, but most successful during the 1990s. Their hit singles include "Sit Down" and "Laid". Following the departure of lead singer Tim Booth in 2001, the band became inactive but re-formed in January 2007, returning for a new album and international tour.
James were formed in 1982 in Whalley Range, Manchester, when Paul Gilbertson convinced his friend Jim Glennie to buy a bass guitar and form a band with him. Their line-up solidified with the acquisition of Gavan Whelan on drums. They played a string of gigs under the names Venereal and The Diseases and, later, Volume Distortion, before settling on the name of Model Team International, then shortened to Model Team.
They performed mostly improvised material derived from jam sessions, supporting The Fall at an early gig. Vocalists and other musicians drifted rapidly in and out of their line-up, until the band encountered Tim Booth at a student disco. Gilbertson invited him to the band's scout hut in Withington to join the band as a dancer.
After a brief period under the name Tribal Outlook, the band renamed themselves James in August 1982. A gig at The Haçienda caught the attention of Tony Wilson of Factory Records. He offered James an album deal with Factory, but the band, by now a settled live act, were worried about tarnishing their material in the studio and settled instead for a three-track EP. Their debut release, the Jimone EP, was recorded at Strawberry Studios, Stockport, in August 1983 and released on Factory Records in September. It was named single of the week by major music papers[who?] in the UK, and led to a tour supporting The Smiths.
Although they were now being touted as the 'next big thing', several complex issues slowed their progress. Gilbertson's drug problems presented the band with no choice but to ask him to leave. Booth and Glennie had joined a sect named Lifewave that imposed many restrictions on their lifestyle and threatened the band's stability. The band's second EP, James II, was released over a year after the first and accompanied by a feature on the cover of the NME, Gilbertson having been replaced by the band's guitar tutor Larry Gott. The first two EPs would later be collected as Village Fire. Reviews were once again positive, and Factory were eager for James to record an album with it, but the band believed Factory were purely image-based and left the label, striking a deal with Sire Records.David Bowie - Some AreComtedeRochefort2010-11-19 | Nice bonus track from re issue of "Low".David Bowie - All SaintsComtedeRochefort2010-11-19 | Nice bonus track from re issue of "Low".The Smiths - Meat is Murder (Live Bootleg)ComtedeRochefort2010-09-04 | The title track from the 'Meat is Murder' album performed live by the Smiths.
Meat Is Murder is the second studio album by the British alternative rock band The Smiths. It was released in February 1985 and became the band's sole number one album in the UK charts during the band's lifetime, staying on the chart for 13 weeks. It reached number 110 in the US. In 2003, the album was ranked number 295 on Rolling Stone magazine's list of the 500 greatest albums of all time. Meat is Murder is also included in the book 1001 Albums You Must Hear Before You Die (2006).
After the relative production disappointment of the band's debut album The Smiths, singer Morrissey and guitarist Johnny Marr produced the album themselves, assisted only by engineer Stephen Street, whom they had first met on the session for "Heaven Knows I'm Miserable Now" and requested the contact number of. Officially, the record's production is credited to "The Smiths", with Rourke and Joyce allowed say about their instruments' sound-levels in the mixing.
Meat Is Murder was more strident and political than its predecessor, including the rationality of the title track (Morrissey forbade the rest of the group from being photographed eating meat), the light-hearted "Nowhere Fast" and the anti-corporal punishment "The Headmaster Ritual" and "Barbarism Begins at Home". Musically, the band had grown more adventurous, with Marr adding rockabilly riffs to "Rusholme Ruffians" and Rourke playing a funk bass on "Barbarism Begins at Home".
Morrissey also brought a political stance to many of his interviews, courting further controversy. Among his targets were the Thatcher administration, the monarchy, and Band Aid. Morrissey famously quipped of the last, "One can have great concern for the people of Ethiopia, but it's another thing to inflict daily torture on the people of England."
The subsequent single-only release "Shakespeare's Sister" was not a great success in chart terms, nor was "That Joke Isn't Funny Anymore", the sole single from the album. Many[who?] considered this an odd choice for a single, with its backwards guitar and lack of any consistent hook. The charts reflected this, with it barely cracking the top 50, peaking at 49. September 1985's "The Boy with the Thorn in His Side", however, was an indication of bigger things to come.
The song "How Soon Is Now?", originally issued as the B-side of "William, It Was Really Nothing", was added on to the U.S. edition of Meat Is Murder after becoming a success in American dance clubs and on alternative radio (it was also added to post-1992 WEA re-issues of the album). This song was eventually released as a single in its own right in the UK, reaching No. 24 in the charts. Two Meat Is Murder album tracks - "Well I Wonder" (from the "How Soon Is Now?" single) and "What She Said" (from the "Shakespeare's Sister" single) - were also originally B-sides of singles.Frank Zappa - Teenage ProstituteComtedeRochefort2010-09-01 | Wierd Operatic number from Zappa's 1983 album 'Ship Arriving Too Late to Save a Drowning Witch'.