lindyhoppersNoel Coward with Ray Noble & His Orchestra His Master's Voice B 4269 mx 0B4210-2 Recorded 20th September, 1932
In tropical climes there are certain times of day When all the citizens retire to take their clothes off and perspire
It's one of those rules that the greatest fools obey Because the sun is far too sultry & one must avoid its ultra violet ray
The natives grieve when the white men leave their huts because they're obviously, definitely nuts
Mad dogs & Englishmen go out in the midday sun The Japanese don't care to, the Chinese wouldn't dare to Hindus and Argentines sleep firmly from twelve to one, but Englishmen detest a siesta In the Philippines they have lovely screens to protect you from the glare In the Malay states there are hats like plates which the Britishers won't wear At twelve noon the natives swoon, and no further work is done, but mad dogs & Englishmen go out in the midday sun
It's such a surprise for the eastern eyes to see, that though the English are effete They're quite impervious to heat when the white man rides every native hides in glee Because the simple creatures hope he will impale his solar topee on a tree
It seems such a shame when the English claim the Earth That they give rise to such hilarity and mirth Ha, ha, ha, ha, ha, ha, ha, ha, Hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo He, he, he, he, he, he, he, he Hm, hm, hm, hm, hm, hm
Mad dogs and Englishmen go out in the midday sun The toughest Burmese bandit can never understand it In Rangoon the heat of noon is just what the native shun They put their Scotch or Rye down and lie down In a jungle town where the sun beats down to the rage of man and beast The English garb of the English sahib merely gets a bit more creased In Bangkok at twelve'o'clock they foam at the mouth and run But mad dogs and Englishmen go out in the midday sun
Mad dogs and Englishmen go out in the midday sun The smallest Malay rabbit deplores this foolish habit In Hong Kong they strike a gong and fire off a noonday gun To reprimand each inmate who's in late In the Mangrove swamps where the python romps There is peace from twelve to two, even caribous Lie around and snooze, for there's nothing else to do. In Bengal, to move at all is seldom if ever done. But mad dogs and Englishmen go out in the midday sun!
MAD DOGS AND ENGLISHMEN - Noel Coward with Ray Noble & His Orchestralindyhoppers2013-01-13 | Noel Coward with Ray Noble & His Orchestra His Master's Voice B 4269 mx 0B4210-2 Recorded 20th September, 1932
In tropical climes there are certain times of day When all the citizens retire to take their clothes off and perspire
It's one of those rules that the greatest fools obey Because the sun is far too sultry & one must avoid its ultra violet ray
The natives grieve when the white men leave their huts because they're obviously, definitely nuts
Mad dogs & Englishmen go out in the midday sun The Japanese don't care to, the Chinese wouldn't dare to Hindus and Argentines sleep firmly from twelve to one, but Englishmen detest a siesta In the Philippines they have lovely screens to protect you from the glare In the Malay states there are hats like plates which the Britishers won't wear At twelve noon the natives swoon, and no further work is done, but mad dogs & Englishmen go out in the midday sun
It's such a surprise for the eastern eyes to see, that though the English are effete They're quite impervious to heat when the white man rides every native hides in glee Because the simple creatures hope he will impale his solar topee on a tree
It seems such a shame when the English claim the Earth That they give rise to such hilarity and mirth Ha, ha, ha, ha, ha, ha, ha, ha, Hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo He, he, he, he, he, he, he, he Hm, hm, hm, hm, hm, hm
Mad dogs and Englishmen go out in the midday sun The toughest Burmese bandit can never understand it In Rangoon the heat of noon is just what the native shun They put their Scotch or Rye down and lie down In a jungle town where the sun beats down to the rage of man and beast The English garb of the English sahib merely gets a bit more creased In Bangkok at twelve'o'clock they foam at the mouth and run But mad dogs and Englishmen go out in the midday sun
Mad dogs and Englishmen go out in the midday sun The smallest Malay rabbit deplores this foolish habit In Hong Kong they strike a gong and fire off a noonday gun To reprimand each inmate who's in late In the Mangrove swamps where the python romps There is peace from twelve to two, even caribous Lie around and snooze, for there's nothing else to do. In Bengal, to move at all is seldom if ever done. But mad dogs and Englishmen go out in the midday sun!ILL ALWAYS REMEMBER YOU - Don Voorhees and his Earl Carrolls Vanities Orch. featuring Red Nicholslindyhoppers2024-05-17 | I'LL ALWAYS REMEMBER YOU Klages, Raymond; Greer, Jesse 1927
Don Voorhees dir. Red Nichols, Leo McConville, trps / Miff Mole, tb / Bill Trone, mel / Phil Gleason, Fred Morrow, cl, ss, as / Paul Cartwright, cl, ss, ts / Joe Raymond, vn when used / Schutt, p / Dick McDonough, bj, g / Jack Hansen, bb / Vic Berton, drs Vaughn de Leath, vcl New York, April 11, 1927 Edison Record 51997 - mx 11641SOFT SHOE SHUFFLE - Fred Böhler Quartet featuring Glyn Paquelindyhoppers2023-01-01 | SOFT SHOE SHUFFLE Spencer Williams - Maurice Burman 1942
Organ – Fred Böhler Piano – Rio Gregory Clarinet, Vocals – Glyn Paque Drums – Adi De Angelis
Recorded in Zurich May 26th, 1944 Columbia (It) D 13241 mx CZ 1501 - 3 original issue ZZ 1164SHOW THAT FELLOW THE DOOR - Earl Olivers Jazz Babieslindyhoppers2022-12-01 | SHOW THAT FELLOW THE DOOR Eddie Stone Hubert W. David 1926
Earl Oliver's Jazz Babies (Harry Reser Orchestra) Tom Stacks, vocals
4/22/1926 New York, New York Edison 51745 mx 10938-A-1-1WHY COULDNT IT BE POOR LITTLE ME? - The Melody Sheiks feat. Red Nicholslindyhoppers2022-11-05 | WHY COULDN'T IT BE POOR LITTLE ME ? Fox Trot ballad - key of C w Gus Kahn, m Isham Jones, of U. S. copyright Dec. 29, 1924; 2 c. Jan. 2, 1925 E 606233 Jerome H. Remick & co., New York arrangement William J. C. Lewis
I omitted the names of the musicians since the ones reported for this session in Rust's discography is not reliable. Red Nichols on trumpet takes the solo.
OKeh 40303-A matrix engraved in wax: S - 73 - 087 - a New York, January 10, 1925BABY - OH WHERE CAN YOU BE? - Carl Fenton Orchestralindyhoppers2022-07-20 | TRANSFER FROM THE RECORD NOT DE-CLICKED/DE-CRACKLED
BABY - OH WHERE CAN YOU BE? Words and Music by Ted Koehler and Frank Magine Copyright 1929 - Published by Irving Berlin
Supertone 9445 mx GEX-2166 July 1929 vocalist seems Scrappy Lambert to me
Forgive the sound quality, unfortunately plagued by the inferior quality pressing of the shellac used by Supertone (Gennett). More than shellac, they used asphalt to make this kind of records... anyway, I posted this one not only for the nice clarinet solo, but for the story of the record itself. The former owner was an Italian emigrant who worked for years in the USA, then in Argentina and then died in his country of origin. These records followed him from the Americas to Italy. As often happens, when an elderly person dies, relatives either give away or throw away these which are of no value to them. This time, before ending up in the garbage, they tried to sell them and I got this Supertone that delighted the former owner years ago, and now, us.AM I BLUE? - Sam Lanin Orchestralindyhoppers2022-07-18 | AM I BLUE? from On With the Show Grant Clarke/Harry Akst 1929
Rec. June 1929 Supertone 9445 GEX-2259-8 Am I Blue? Dorsey brothers, solos Arthur Fields, vocal
Forgive the sound quality, unfortunately plagued by the inferior quality pressing of the shellac used by Supertone (Gennett). More than shellac, they used asphalt to make this kind of records... anyway, I posted this one not only for Tommy Dorsey's beautiful trombone solo, but for the story of the record itself. The former owner was an Italian emigrant who worked for years in the USA, then in Argentina and then died in his country of origin. These records followed him from the Americas to Italy. As often happens, when an elderly person dies, relatives either give away or throw away these which are of no value to them. This time, before ending up in the garbage, they tried to sell them and I got this Supertone that delighted the former owner years ago, and now, us.SO SENTIMENTAL - Phil Spitalnys Music featuring the Paull Sisterslindyhoppers2021-09-01 | SO SENTIMENTAL Ted Koehler - Frank Magine c. June 26, 1929 Irving Berlin, Inc., New York
EDISON 52637 matrix 19305 New York, July 19th, 1929
Julia and Ruth Brock, aka Paul Sisters, were true sisters. They were born in Conrad, Iowa. Julia was born in 1905 and Ruth was born in 1907. Their father was the town dentist and their mother was a school teacher and accomplished seamstress. The girls were known from an early age to be musical and were noted for their duets. Following their father’s death due to the Spanish Flu epidemic in 1920, they moved to Chicago to finish high school at Elias Day music high school. They started their singing career in Chicago musical reviews and Milwaukee clubs. It was in Chicago that they met Paul Whiteman. They had been performing as the Brock Sisters, but there was another group by that name, so at Mr. Whiteman’s suggestion they changed their performing name to The Paul(l) Sisters. After traveling the mid-West with his orchestra, they moved to New York City. The began their singing and recording career with Phil Spitalny’s orchestra in the mid-1920’s. In the world of male vocalists with the Big Bands in the 1920’s, The Paul Sisters were pioneers because of their sweet harmony of the two voices. They then moved to performing in radio. In NYC they made the acquaintance of Irving and Ira Berlin. Frequently, they would get a call to come to Irving Berlin’s offices and perform one of his new songs so he could hear it with live voices. He was a great admirer of their harmony. Once WWII broke out in Europe, Mrs. Brock felt it was time to return to Chicago. They performed briefly in clubs in and around Chicago and in Canada. Finally, around 1943, they retired from show business. Julia married Robert May, one of Jimmie Lynch’s Death Dodgers, in 1946. They settled in Florida. Julia died in 2009. Ruth was never married. She went on to work for the Manhattan Project as a courier until 1954. She died in Chicago in 1971.
Bio and photographic material courtesy of Judye May Talbot. Thanks to Neill Otto for giving me the chance on his YT channel to meet Mrs. Talbot.DREAM TRAIN - California Ramblerslindyhoppers2021-05-15 | DREAM TRAIN Charles Newman / Billy Baskette Milton Weil Co. 1928
New York - March 18, 1929 Vocals by Wallace Theodore "Ed" Kirkeby Edison 52547 mx 19110
more or less accurate personnell: Frank Cush, Fred van Eps, Jr., t / Carl Loeffler, tb / Pete Pumiglio, Rudy Ludovar, cl, as / Sam Ruby, ts / Al Duffy, vn / Chauncey Gray, p / Tommy Felline, g / Ward Lay, bb / Stan King, drsTEN LITTLE MILES FROM TOWN - Oreste Migliaccio and his Queensland Orchestralindyhoppers2021-02-25 | TEN LITTLE MILES FROM TOWN words by Gus Kahn, music by Elmer Schoebel published by Irving Berlin, Inc., New York, 1928
New York, August 23, 1928 18674 Ten Little Miles From Town Edison 52383 Donald Parker, vocals
The violinist in the photo is Joe Candullo. The letters are by Lou Savarese.LONELY LITTLE CINDERELLA - The Rollickerslindyhoppers2021-02-13 | LONELY LITTLE CINDERELLA words by Ruth Richey, Music by Emerson Gill, Published by Broadway Music Corporation, New York, 1929
The Rollickers: Victor Hall, Randolph Weyant, R. Leonard Stokes, Kenneth Christie, Lon McAdams New York, May 24th, 1929 Edison 52600 matrix 19214
Over the years several singers have alternated in the group. In their 1927 Vitaphone shorts, Ray Brown was pianist director, the voices were those of Victor Hall, Foster House, Norman Le Moyne and A. R. "Lon" McAdams. In 1929 the group consisted of Randolph Weyant-1st ten., Victor Hall-2nd ten., R. Leonard Stokes-bar., Kenneth Christie (piano), Lon McAdams-bass. In 1930 the bass was Robert Moody. In 1932 they were Clarke Brewer-1st ten., Victor Hall-2nd ten., William Scholtz-bar., James Davies-bass, Clifford Lang piano.FOLLOW A STAR - Piano Medley by Raie Da Costalindyhoppers2020-11-01 | Vivian Ellis's "Follow a Star" Medley C Studio, Small Queen's Hall, London 1-9-1930 part 1 Bb 19967-2 30-4420 part 2 Bb 19968-2 30-4421 HMV B 3584THERE AINT NO SWEET MAN THATS WORTH THE SALT OF MY TEARS – Vaughn de Leathlindyhoppers2020-10-06 | THERE AIN'T NO SWEET MAN THAT'S WORTH THE SALT OF MY TEARS Fred Fisher De Sylva, Brown and Henderson Inc., NYC 1927
Edison 52408-R 18738 New York City - 19.09.1928THE CAT - Phil Napoleon and His Orchestralindyhoppers2020-07-18 | THE CAT a spooky novelty! Gus Kahn - Isham Jones
Phil Napoleon, trp, dir: Warren Hookway or John Azevedo, trp Ted Raph, trb Carroll Thorne, Carl Irish, Frank Ward, reeds Frank Vigneau, pn Dave Skine, bj Al Kunze, brass bs Charlie Jondro, drs New York - February 24, 1927
mx 11540 Edison Diamond Disc 51962LUCILLA - Harvedo Feliciolilindyhoppers2020-06-24 | LUCILLA - TANGO SERENATA C. Bruno - E. Rusconi Carish - Milano, 1933
Harvedo Felicioli, tenore - Orchestra Kristall diretta dal Maestro Redi Berlino, luglio-settembre 1933 mx C4792 - Kristall 15394SE QUEL BARBIER IO FOSSI – Harvedo Feliciolilindyhoppers2020-06-07 | SE QUEL BARBIER IO FOSSI - Canzone one-step Marf (Mario Bonavita) - Vittorio Mascheroni Milano, A. e G. Carisch e C., 1933
THE SEVEN BLUE BABIES Fred van Eps, Jr., trp/ Reg Harrington, tb / Pete Pumiglio, cl / Spencer Clark, bsx / Chauncey Gray, p / Tommy Fellini, bj / Chick Condon, drs / Jack Kaufman, vcl New York, May 22, 1928 18524 - Edison 52323THATS LIVING - California Ramblerslindyhoppers2020-05-09 | That's living - fox-trot Ben Ryan and Violinsky Arranger: Ted Eastwood Irving Berlin, Inc. New York 1929
More or less: Angie Rattiner, Frank Cush, trps Carl Loeffler, trb Sam Ruby, Pete Pumiglio, Harold Marcus, reeds Sid Harris, vln Chauncey Gray, pn Luke "Red" Rountree, gtr Ward Lay, brass bass Chick Condon, drs Ed Kirkeby, vocals Pete Pumiglio, alto sax solo
New York, April 15, 1929 That's Living mx 19157 Edison 52568TUTTO QUEL CHE FA PAPÀ - Orchestra Da Ballolindyhoppers2020-04-22 | TUTTO QUEL CHE FA PAPÀ Canzone one-step Marf - Mascheroni Ed. Carisch, Milano 1932
ORCHESTRA DA BALLO 100-1874 mx 0M655-1 Milano, 9-6-1932 GW 21PEPITA NON HAI CUORE - Carlo Butilindyhoppers2020-04-21 | PEPITA NON HAI CUORE - Tango Marf (Mario Bonavita) - Vittorio Mascheroni Copyright June 3rd, 1931 A. & G. Carish & Co., Milan - Italy
Edison Bell M1656 mx MK 3001 Milano, 1931MY BUNDLE OF LOVE - Jack Hylton Orchestralindyhoppers2020-04-18 | BUNDLE OF LOVE George Price, Abner Silver Jerome H. Remick & Co., NY 1926
JACK HYLTON AND HIS ORCHESTRA Jack Hylton, dir. Jack Raine- Charlie Pemell- t/Lew Davis-tb/Noel d'Amato- reeds, E. O. Pogson- reeds/Jerry Hoey-reeds /Johnny Raitz- reeds/Johnny Rosen- Harry Berly-Hugo Rignold- vn/Claude Ivy and/or Arthur Young-pn; Emile Grimshaw-bj /George Shannon-bb/Basil Wiltshire- drs/Leighton Lucas-Major Williams- arr
Hayes, Middlesex, August 17 , 1926 Bb- 8841-2 Oh ! My Bundle Of Love HMV B-5112SIGISMONDO – Giuseppe di Benedetto & Phil Spitalny Orchestralindyhoppers2020-04-17 | Sigismondo Canzone Fox-Trot (Da "Al Cavallino Bianco" – “Im weißen Rößl”) Parole e Musica di Robert Gilbert Milano, Edizioni Suvini-Serboni 1930 DURIUM T8NON FAR MALE... - Crivel & Orchestra Ferruzzilindyhoppers2020-04-16 | NON FAR MALE... Mancini - Mezzaroma Dal film "Il Paraninfo" Proprietà Theo Muccy 1934
mx B6462 Columbia DQ 1244 Milano, 14/11/1934
Paraninfo è un film del 1934 diretto da Amleto Palermi.RONDINE - Harvedo Feliciolilindyhoppers2020-04-11 | RONDINE E. Frati - G. Raimondo Edizioni Giovanni Raimondo Milano, 1932
Harvedo Felicioli Kristall 15274 C 2240 Berlin, 1932NUVOLE - Super Orchestra Giordanilindyhoppers2020-04-11 | Nuvole - Canzone tango slow Mendes e Mascheroni Milano, Mascheroni (Milano, La mus. moderna) 1939
Super Orchestra Giordani Tenore Tullio VanniANGELICA - Super Orchestra Achille De Grandilindyhoppers2020-04-10 | ANGELICA Fanfulla (prof. Luigi Visconti) - Mario Schisa Edizioni EMI, Milano - 1939 Super Orchestra Achille De Grandi Pino Liggeri vocals Excelsius SE 7884 mx 25 M/3253PAGA GIOVANNINO! - Orchestra da ballolindyhoppers2020-04-09 | PAGA GIOVANNINO! - Onestep versi di Peppino Mendes musica di Mario Mariotti Milano, Carisch, 1932
Luciano Zuccheri Orchestra, probably: Luciano Zuccheri - guitar Gorni Kramer - accordion Ubaldo Beduschi - bass Giuseppe "Pinun" Ruggeri - drums Gianmario Guarino or William Righi or Giovanni Ferrero or Sergio Almangano or Gino Massa - violins Excelsius SE 7970 mx 25M/3441 Milano, 1937TU DOVRESTI PRESTARMI LA LUISA - Crivellindyhoppers2020-04-06 | TU DOVRESTI PRESTARMI LA LUISA - Fox lento Rodolfo de Angelis Dea - Milano 1933
Fernando Crivelli, vocal Milano, 19/07/1933 Columbia DQ 145 mx B5374VERDI PASCOLI - Delia Lodi Orch. Barzizzalindyhoppers2020-04-05 | VERDI PASCOLI Mariotti - Morbelli Ed. Melodi, Milano
refrain cantato Delia Lodi (Giuseppina Pavesi) con Orchestra Cetra, dir. Barzizza CETRA mx 51387 Torino, settembre 1942
Verdi pascoli! Pel declivio dei monti bianchi greggi discendono e si sperdono al pian. Si ode il trepido mormorar delle fonti e i ruscelli che cantano nella valle, lontan. Sè chiudo gli occhi vi vedo o prati e vallate in fior lancora, e, come a una novella aurora, rinascere sento il cuor. Verdi pascoli! Per le vostre contrade sono molte le strade che conosce il mio cuor.
Disco Cetra DD 10036COSA NE HAI FATTO DEL MIO CUORE - Fernando Orlandis with Orchestra Barzizzalindyhoppers2020-04-04 | Cosa ne hai fatto del mio cuore? (Jó a két szemedbe nézni) Canzone tango Bárczi Tibor - Kellér Dezső - Szász Miklós versione italiana di Marf Edizioni S. A. Melodi 1933
Fonit 6347 MilanoMI PARE UN SOGNO - Giuseppe di Benedetto with Phil Spitalny Orchestralindyhoppers2020-04-04 | MI PARE UN SOGNO - tango Es muß was Wunderbares sein Ralph Benatzky, Robert Gilbert, Bruno Granichstaedten, Robert Stolz from: Im weißen Rößl - Al Cavallino Bianco - White Horse Inn 1930
Durium T9 NYC 1931CANZONE D’APACHE - Carlo Butilindyhoppers2020-04-03 | CANZONE D’APACHE - tango Arturo Trusiano - Raffaele Bossi Casa Editrice Musicale " Santa Lucia " - Napoli 1931
Edison Bell M 1651 mx mk 3013 MilanoIM WEIßEN RÖßL/THE WHITE HORSE INN – Jack Hylton Orchestralindyhoppers2020-04-02 | Medley from: "Im weißen Rößl" "Al Cavallino Bianco" "The White Horse Inn" Ralph Benatzky, Walter Reisch, Robert Stolz 1930
JACK HYLTON AND HIS ORCHESTRA Jack Hyltonl, directing: Jack Raine, Philippe Brun - trp Les Carew, Ben Oakley – trb E . O. Pogson - reeds Johnny Raitz - reeds Noel d’Amato - reeds Andre Ekyan - reeds Billy Ternent - reeds Johnny Rosen, Cyril Hellier, Maurice Loban - vln Peter York., Billy Munn - pno, arr. Sonny Farrar - bnj Clam Lawton – br bas Jim Merritt - str bas Basil Wiltshire - drs Harry Robbins - tymp., vib, xyl Pat O’Malley, vocals
Paris, April 13, 1931 OG- 577-3 OG- 579- l Disco Grammofono R14621AUTUNNO SENZA AMORE - Fernando Orlandis, Orchestra Barzizzalindyhoppers2020-04-02 | AUTUNNO SENZA AMORE - Valzer Dal film "Il signore desidera?" Musica di C. A. Bixio 1933 Edizioni S. A. M. Bixio
Fernando Orlandis,vocals Orchestra Barzizza Fonit 6347
IL SIGNORE DESIDERA? Regia – Direction: GENNARO RIGHELLI Aiuto regia – Assistant director: Duilio Coletti Produzione – Produced by: Aldo Foresti, Alfredo Montori per la VENTURA FILM Direttore di produzione – Production manager: E. Ventura Soggetto – Writing: Aldo De Benedetti Sceneggiatura – Screenplay: Aldo De Benedetti, Duilio Coletti Cast: Francesco Amodio ( è Tobia), Giannina Chiantoni (?), María Denis (?), Vittorio De Sica ( è Martino), Francesco Amodio ( è il contadino), Ada Dondini (?), Mara Dussia (?), Pino Locchi (?) , Dria Paola ( è Mirella), Checco Rissone (?), Cesare Zappetti ( e il direttore del negozio). Fotografia – Director of photography: Carlo Montuori Operatore – Camera operator: Ugo Lombardi Musica – Original music: Cesare A. Bixio Montaggio – Editor: Gennaro Righelli Scenografia – Set decoration: Alfredo Montuori, Arnaldo Foresti Trucco – Makeup: Raimondo Van Riel, Francesco Sala Suono – Sound: Giorgio Melchiori Formato – Film negative format: mt 2352 bn 35mm Durata, Runtime: 85’ ca Distribuzione – Distribution: ARTISTI ASSOCIATI Data di uscita – Release date: dicembre 1933 (v.c. n. 28044 del 21.03.33)MELODIE AL CHIAR DI LUNA - Silvana Fioresi, Orchestra Barzizzalindyhoppers2020-04-01 | --- light noise reduction ---
MELODIE AL CHIAR DI LUNA dal film Solitudine Dole (Eldo Di Lazzaro) - Eldo Di Lazzaro Edizioni Musicali Italiane 1942
Silvana Fioresi with Pippo Barzizza orchestra mx 51103 - CETRA IT 1019
Sotto il chiar di luna questo cuor s'abbandona, ma tu non sei con me! Nella melodia che come un'eco risuona vivo sognando te Chiedo al mio cuore: ritornerà? e mi risponde: Chissà!
Tu, ove sei tu, sogno divino, illusione, amor... dolce follia del cuor che nei sogni miei vivi ancor Tu, ricordi tu le dolci note che udimmo un dì e il canto che svanì e giammai potremo scordar In quella melodia sognavo con te, al chiar di luna, tu cantavi per me... Tu, ove sei tu, sogno divino, illusione del mio cuor ...Torna, torna ancor...PORTAMI TANTE ROSE - Ada Neri con Orchestra Barzizzalindyhoppers2020-03-31 | Portami tante rose (Michele Galdieri-Cesare Andrea Bixio) dal film "L’eredità dello zio buonanima", regia di Amleto Palermi 1934
Ada Neri (Maria Rita Cerretto) Orchestra Blue Star - Pippo Barzizza Fonit 7128 Milano, 1934
L’eredità dello zio buonanima Regia: Amleto Palermi Attori: Enzo Colombo, Vasco Creti, Elsa De Giorgi, Sandro Del Signore, Adolfo Geri, Enzo Gaionotti, Zoe Incrocci, Lulu' Marinelli, Enrico Marroni, Achille Majeroni, Dino Menichelli, Angelo Musco, Amedeo Vecci, Rosina Anselmi, Anna Bragaglia Paese: Italia Durata: 89 min Distribuzione: CAPITANI FILM - VIVIVIDEO, CECCHI GORI HOME VIDEO (GLI ORI) Sceneggiatura: Amleto Palermi, Michele Galdieri Fotografia: Anchise Brizzi, Carlo Montuori Musiche: Cesare A. Bixio, Felice Montagnini Produzione: LIBORIO CAPITANI PER LA CAPITANI FILMADDIO AMORE! - Phil Spitalnys orchestralindyhoppers2020-03-25 | ADDIO AMORE - (Adieu, mein kleiner Gardeoffizier) - (Goodbye) Canzone Marcia from: "Im weißen Rößl" "Al Cavallino Bianco" "The White Horse Inn" Walter Reisch Robert STOLZ Milano, Edizioni Suvini - Zerboni 1930
Durium T-11 NYC - 1931IO TI VOGLIO BACIARE - Giuseppe di Benedetto with Phil Spitalnys Orchestralindyhoppers2020-03-25 | IO TI VOGLIO BACIARE - tango Za Bum - Giuseppe Pietri Milano Ed. Suvini- Zerboni, 1933
Durium T3 NYC 1933ARANCI! - Daniele Serra with Orchestra Piccinellilindyhoppers2020-03-24 | ARANCI! - Rumba Marf - Mario Mariotti Carisch, Milano, 1932
Milano, 8-1-1932 Daniele Serra, vocal Orchestra PICCINELLI mx 0M247-1 VdP R10803 DG HN275 100-1569QUESTA NOTTE TI DIRÒ - Milly (Carolina Mignone)lindyhoppers2020-03-23 | QUESTA NOTTE TI DIRÒ dal film "Musica in piazza" Marf (pseud. Mario Bonavita) Vittorio Mascheroni 1936
Picture disc Olimpia - MilanoMA LA MAMMA LO SA - Crivellindyhoppers2020-03-21 | MA LA MAMMA LO SA - fox-trot Versi Marf e Mario Buză Musica Vittorio Mascheroni Carish, Milano - 1933 dal film "Un cattivo soggetto"
Ferdinando Crivelli, vcl Columbia DQ 546 WB 5571 Milano, 2/10/1933COSA NE HAI FATTO DEL MIO CUORE? - Petite Fleur with Luigi Malatesta Orchestralindyhoppers2020-03-21 | Cosa ne hai fatto del mio cuore? (Jó a két szemedbe nézni) Canzone tango Bárczi Tibor - Kellér Dezső - Szász Miklós versione italiana di Marf Edizioni S. A. Melodi 1933
Petite Fleur - probably Pierrette Fiori Orchestra Durium dir. Luigi Malatesta Durium L 5008 mx M263 London late 1933/early 1934WARUM GERADE IN DER NACHT, KAROLIN? - Orchestra Stefano Ferruzzilindyhoppers2020-03-20 | WARUM GERADE IN DER NACHT, KAROLIN? Beda (Fritz Löhner) - Stephan Weiss - Paul Mann 1932
Orchestra Stefano Ferruzzi Milano, 6/3/1933 DQ 638 mx B 5198MA LA MAMMA LO SA - Orchestra Stefano Ferruzzilindyhoppers2020-03-20 | MA LA MAMMA LO SA - fox-trot Versi Marf e Mario Buză Musica Vittorio Mascheroni Carish, Milano - 1933 dal film "Un cattivo soggetto"
Orchestra Stefano Ferruzzi, vocals probably Italo Corsi (pseud. di Fernando Crivelli) Columbia DQ537 WB 5566 Milano 30/9/1933MY FUTURE JUST PASSED - Marius B. Winter and His Dance Orchestralindyhoppers2020-03-18 | MY FUTURE JUST PASSED from SAFETY IN NUMBERS George Marion Jr., Richard A. Whiting 1930
MARIUS B. WINTER AND HIS DANCE ORCHESTRA Marius B. Winter-v dir. Arthur Williamsan +? -trp ?-tb George Melachrino-cl-as-vl-vcl Hugh Tripp-as-ts Edgar Bracewell-cl-ts Ted Edbrooke-vn Wally Wallond-pn Jack Collins-g-v Bob La Monte or Dick Ball-brass bass
London, c. October 6, 1930 L-0757-2 Broadcast 2594
Safety in Numbers is a 1930 American Pre-Code musical comedy film. Directed by Victor Schertzinger, it stars Buddy Rogers, and features Kathryn Crawford, Josephine Dunn, and Carole Lombard (in one of her early roles).PIOVE! - Jack Normans Orchestra (Phil Spitalny)lindyhoppers2020-03-18 | Piove! - Fox-trot Michele Galdieri Dan Caslar (Donato Casolaro) Incisorìa Fratelli De Marino, Napoli Ed. Curci - 1931
Durium T-12 5009 B late 1931/early 1932 unknown vocalIVE GOT SOME LOVIN TO DO - Irving Kaufman with Lou Gold Orchestralindyhoppers2020-03-17 | I'VE GOT SOME LOVIN' TO DO MOE JAFFE NAT BONX SHAPIRO,BERNSTEIN & Co.Inc. U.S.A. 1st edition (1926)
29 cm Pathé - vertical cut NYC, April 6, 1926 106774SIDE BY SIDE - The Rhythmic Eightlindyhoppers2020-03-17 | SIDE BY SIDE By Harry Woods
Bert Firman-vn (except where marked*, which has no vn at all) dir. 2t/2ss-as/? Bill Barton-ts/2nd vn/? Cecil Norman-p-cel-a/Jack Slmmons-bJ/? B1lly Bell-bb/? Jack Trebble-drs Hayes, M1ddlesex, May 19, 1927 Yy-10742-1 Zonophone 2937WHEN I MET SALLY - The Rhythmic Eightlindyhoppers2020-03-17 | WHEN I MET SALLY Coming Down The Alley) Lawrence Venn and Hugh Wade
Bert Firman-vn dir. Frank Guarente-t ? Arthur Lally-cl-as- bar/as/? Bill Barton-ts John Firman-p- Jack Si mmons-bj ? Billy Bell-bb Jack Trebble-drs Maurice Elwin-vcl Hayes, Middlesex November 10, 1927