Celtic Colours International Festival
Andrea Beaton live at Celtic Colours International Festival
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For the past two decades, Adam Young has been bringing his particular style of Cape Breton piano accompaniment to audiences around the world. Deeply-rooted within the fiddle and bagpipe music tradition of the Island’s Scottish settlers, the Cape Breton piano style has evolved over the past century, incorporating subtle elements of jazz and popular music, while still maintaining that unique “Cape Breton” sound. Adam’s music continues that stylistic evolution. His award-winning latest album, Yearbook, features original compositions and arrangements inspired by everything from bluegrass to doo-wop, New Orleans jazz to 8-bit video games, and modern disco to classical music. Primarily known as an accompanist, Adam first stepped out of that role with Cape Breton Lyrics & Laughter, a popular music and comedy revue that he created and directed, which has seen close to 400 performances since 2002. He still plays regularly at concerts, ceilidhs, square dances, and sessions throughout Cape Breton, and has showcased his talents across Canada, the US, the UK, and Australia, with the likes of Colin Grant, Còig, Dara Smith-MacDonald, Anita MacDonald, and Jennifer Roland. Adam can be heard on recordings with Dara Smith-MacDonald and Colin Grant, Cape Breton Lyrics & Laughter, Eric Angus Whyte, Jason MacDonald, Marilyn MacDonald-MacKinnon, and the Scottish/Austrian fiddle and bagpipe duo Jamie MacDonald and Christian Gamauf, and Scottish fiddler Isla Ratcliff.
For the past two decades, Adam Young has been bringing his particular style of Cape Breton piano accompaniment to audiences around the world. Deeply-rooted within the fiddle and bagpipe music tradition of the Island’s Scottish settlers, the Cape Breton piano style has evolved over the past century, incorporating subtle elements of jazz and popular music, while still maintaining that unique “Cape Breton” sound. Adam’s music continues that stylistic evolution. His award-winning latest album, Yearbook, features original compositions and arrangements inspired by everything from bluegrass to doo-wop, New Orleans jazz to 8-bit video games, and modern disco to classical music. Primarily known as an accompanist, Adam first stepped out of that role with Cape Breton Lyrics & Laughter, a popular music and comedy revue that he created and directed, which has seen close to 400 performances since 2002. He still plays regularly at concerts, ceilidhs, square dances, and sessions throughout Cape Breton, and has showcased his talents across Canada, the US, the UK, and Australia, with the likes of Colin Grant, Còig, Dara Smith-MacDonald, Anita MacDonald, and Jennifer Roland. Adam can be heard on recordings with Dara Smith-MacDonald and Colin Grant, Cape Breton Lyrics & Laughter, Eric Angus Whyte, Jason MacDonald, Marilyn MacDonald-MacKinnon, and the Scottish/Austrian fiddle and bagpipe duo Jamie MacDonald and Christian Gamauf, and Scottish fiddler Isla Ratcliff.
Mi’kmaq fiddler and singer Morgan Toney brings together the fiery fiddling of Cape Breton Island and the old songs of the Mi’kmaq with brilliance and heart. Since his Celtic Colours debut, performing with Ashley MacIsaac during the opening concert of 2020, the 22-year-old Mi’kmaw performer’s career has really taken off. He released his debut album, First Flight, which was nominated for three East Coast Music Awards and won two—Indigenous Artist of the Year and Inspirational Performance of the Year, has been featured on CBC radio, and had a mini documentary made about his music at the International Indigenous Summit. Combining his Mi’kmaq roots with his love for Cape Breton Celtic tunes, Morgan has made a fresh new connection between the two traditions.
Mi’kmaq fiddler and singer Morgan Toney brings together the fiery fiddling of Cape Breton Island and the old songs of the Mi’kmaq with brilliance and heart. Since his Celtic Colours debut, performing with Ashley MacIsaac during the opening concert of 2020, the 22-year-old Mi’kmaw performer’s career has really taken off. He released his debut album, First Flight, which was nominated for three East Coast Music Awards and won two—Indigenous Artist of the Year and Inspirational Performance of the Year, has been featured on CBC radio, and had a mini documentary made about his music at the International Indigenous Summit. Combining his Mi’kmaq roots with his love for Cape Breton Celtic tunes, Morgan has made a fresh new connection between the two traditions.
Chester Delaney is no stranger to the stages, halls, and kitchens of Chéticamp. He was the life-long violin accompanist for the late Gérard Romard, one of Chéticamp’s best-known song bearers, until his sudden passing in 2007. Together, they performed in Toronto, Halifax, the Magdalen Islands, and of course at the Doryman Tavern in Chéticamp where they hosted Talent Night for many years. Chester still frequents that stage in Gerard’s memory with Claude Bourgeois and Tommy Poirier. Growing up in St-Joseph-du-Moine, Chester was the son of well-known local personality Joe Delaney who prompted square sets and tended a famous garden of scarecrows known as Joe’s Scarecrows. Chester appeared in a documentary by Sir William Connolly (a.k.a. “the Big Yin”), and also appeared with his violin on the television program The Nature of Things. At the time of his retirement from Le Conseil Scolaire Acadien Provincial, Chester was the School Board’s longest serving custodian. He went the extra mile for students and staff, participating in many school concerts, sometimes spending recess at the chalk board explaining various methods of long division. He often brought his violin to school, and that was always a special occasion.
Chester Delaney is no stranger to the stages, halls, and kitchens of Chéticamp. He was the life-long violin accompanist for the late Gérard Romard, one of Chéticamp’s best-known song bearers, until his sudden passing in 2007. Together, they performed in Toronto, Halifax, the Magdalen Islands, and of course at the Doryman Tavern in Chéticamp where they hosted Talent Night for many years. Chester still frequents that stage in Gerard’s memory with Claude Bourgeois and Tommy Poirier. Growing up in St-Joseph-du-Moine, Chester was the son of well-known local personality Joe Delaney who prompted square sets and tended a famous garden of scarecrows known as Joe’s Scarecrows. Chester appeared in a documentary by Sir William Connolly (a.k.a. “the Big Yin”), and also appeared with his violin on the television program The Nature of Things. At the time of his retirement from Le Conseil Scolaire Acadien Provincial, Chester was the School Board’s longest serving custodian. He went the extra mile for students and staff, participating in many school concerts, sometimes spending recess at the chalk board explaining various methods of long division. He often brought his violin to school, and that was always a special occasion.
Kenneth MacKenzie is a piper and fiddler, raised in a Gaelic-speaking and musical family in Mabou, Cape Breton. Kenneth’s music makes him an in-demand performer at dances, concerts, and festivals at home and further afield. He is an accomplished recording artist and, along with his brother Angus (Dàimh, Seudan), recorded and released the album Pìob is Fìdheall, nominated for both Music Nova Scotia and East Coast Music Awards. Kenneth is the Director of Education and VP of Beinn Mhàbu, Colaisde na Gàidhlig and a founding Director of the first Gaelic immersion school outwith Scotland, Taigh Sgoile na Drochaide. Kenneth currently lives in Mabou with his wife Jenny and their three young children.
Kenneth MacKenzie is a piper and fiddler, raised in a Gaelic-speaking and musical family in Mabou, Cape Breton. Kenneth’s music makes him an in-demand performer at dances, concerts, and festivals at home and further afield. He is an accomplished recording artist and, along with his brother Angus (Dàimh, Seudan), recorded and released the album Pìob is Fìdheall, nominated for both Music Nova Scotia and East Coast Music Awards. Kenneth is the Director of Education and VP of Beinn Mhàbu, Colaisde na Gàidhlig and a founding Director of the first Gaelic immersion school outwith Scotland, Taigh Sgoile na Drochaide. Kenneth currently lives in Mabou with his wife Jenny and their three young children.
Joanne MacIntyre comes from Mabou Coal Mines, Inverness County where she was raised in a culture-rich environment of Gaelic music, dance, and language. She has sung on stages around Cape Breton since her teen years, bringing the Island’s distinct style and “swing” to appreciative listening audiences. Joanne continues to be a regular performer at Baile nan Gàidheal | Highland Village as a Gaelic singer, step dancer and story interpreter. She teaches Gaelic language and Gaelic Studies at Dalbrae Academy in Mabou, passing on her knowledge and passion for the language and its attendant culture to younger generations. A Lochaber descendant, Joanne continues to expand her repertoire of songs from the Cape Breton and Inverness County Gaelic tradition. In recent years, she has often been joined on the stage by her four sons James, Stephen, Niall, and Cameron, in keeping with the intergenerational transmission tradition of Cape Breton’s Gaelic culture. These young men have been learning Gaelic songs since their early years through programs like Féis Mhàbu and Brìgh, in addition to learning at home.
Joanne MacIntyre comes from Mabou Coal Mines, Inverness County where she was raised in a culture-rich environment of Gaelic music, dance, and language. She has sung on stages around Cape Breton since her teen years, bringing the Island’s distinct style and “swing” to appreciative listening audiences. Joanne continues to be a regular performer at Baile nan Gàidheal | Highland Village as a Gaelic singer, step dancer and story interpreter. She teaches Gaelic language and Gaelic Studies at Dalbrae Academy in Mabou, passing on her knowledge and passion for the language and its attendant culture to younger generations. A Lochaber descendant, Joanne continues to expand her repertoire of songs from the Cape Breton and Inverness County Gaelic tradition. In recent years, she has often been joined on the stage by her four sons James, Stephen, Niall, and Cameron, in keeping with the intergenerational transmission tradition of Cape Breton’s Gaelic culture. These young men have been learning Gaelic songs since their early years through programs like Féis Mhàbu and Brìgh, in addition to learning at home.
Kalolin Johnson is a singer and musician from Eskasoni First Nation who has been singing in both Mi’kmaq and English since she was young. From traditional songs to new compositions, Kalolin’s music looks to the future even as she honours the past.
Brenda Stubbert is an extraordinary fiddler, pianist, and composer whose name has become synonymous with Cape Breton fiddle music. Deeply rooted in the distinctive music of Industrial Cape Breton’s Northside, she grew up surrounded by wonderful musicians, including her father, a highly-respected fiddler and composer who was strongly influenced by the Irish tradition, and folks like Winston Scotty Fitzgerald, Johnny Wilmot and Joe Confiant. Known as one of Cape Breton’s leading composers, two books of Brenda’s compositions are in print, and her tunes are in repertoires everywhere Celtic fiddle music can be heard. Brenda is in constant demand throughout Cape Breton. Her dances are lively and well-attended. Since 1986, Brenda has released seven albums, including Endless Memories (2008) which won the East Coast Music Award for Traditional Recording of the Year, and her most recent, Different Strokes with Different Folks (2011).
Rose Morrison has been a professional musician for more than 20 years, touring and teaching internationally. She first came onto the scene at age 11 as an original member of The Cottars. She has since recorded and performed with Oscar and Grammy Award-winner Glen Hansard and Brendan Begley, among others, and continues to tour with many well-known artists in North America and internationally.
This performance was recorded at Vicar’s View Venue (formerly St. Andrew’s United Church) in Big Baddeck, Cape Breton Island as part of Celtic Colours International Festival's Inspired Places video series.
Rose Morrison has been a professional musician for more than 20 years, touring and teaching internationally. She first came onto the scene at age 11 as an original member of The Cottars. She has since recorded and performed with Oscar and Grammy Award-winner Glen Hansard and Brendan Begley, among others, and continues to tour with many well-known artists in North America and internationally.
In this video Rose, along with Brian Doyle, brings us to her place of inspiration, Vicar’s View Venue (formerly St. Andrew’s United Church) in Big Baddeck, Cape Breton Island.
Former coal miner Nipper MacLeod hails from New Waterford and is a lead singer with the Men of the Deeps coal miners choir. He also plays guitar and is known for his many mining and Cape Breton songs, including his much loved rendition of Rita MacNeil’s “Working Man”. Nipper performs regularly at house parties, concerts and clubs on Cape Breton Island.
This performance was recorded at The Miners Museum in Glace Bay, Nova Scotia as part of Celtic Colours International Festival's Inspired Places video series.
Former coal miner Nipper MacLeod hails from New Waterford and is a lead singer with the Men of the Deeps coal miners choir. He also plays guitar and is known for his many mining and Cape Breton songs, including his much loved rendition of Rita MacNeil’s “Working Man”. Nipper performs regularly at house parties, concerts and clubs on Cape Breton Island.
In this video Nipper brings us to his place of inspiration, The Miners Museum in Glace Bay, Cape Breton Island.
On this track, recorded for Celtic Colours 2021, you get to experience for yourself why Cassie and Maggie have been enchanting audiences across North America, the UK, and Europe. “Roses Around the Bend” is a catchy song about being hopeful that good things are around the corner “when we start and begin again”, featuring the sisters on guitar and fiddle with beautiful vocal harmonies.
Recorded July 28, 2021 at Alexander Graham Bell National Historic Site, Baddeck
This set of tunes is sure to get your toes tapping, and with Mac’s piano drivin’er behind Troy’s fiddle, it’s just as likely to get you up on your feet for some steps before it’s over!
Recorded August 11, 2021 at St. Matthew's Church, Inverness
Featuring Adam Young with Thomas Allen, Emily Dingwall, Colin Grant, Jason MacDonald, Zach MacLean, Boyd MacNeil, and Brad Reid.
This set of tunes—recorded for the matinee presentation An Afternoon in Ingonish—was composed by Cape Breton piano-player Adam Young as part of a year-long project in 2018 to write a tune every day. That commitment led to the recording—and release in 2021—of Yearbook, a double album and a 160-page book of tunes, which has been nominated for a 2022 Canadian Folk Music Award in the Instrumental Solo category. Adam was joined by a top-notch collection of players for this concert, some of whom played on the album. This recording perfectly captures the excitement felt in the room during this concert.
Recorded August 25, 2021 at St. Peter's Church, Ingonish Beach
Although Rose (MacKenzie) Morrison (fiddle), Margie Beaton (piano), and Patrick Gillis (guitar) don’t typically play together as a trio, they do play with one another from time to time. In this set—recorded for the Sunday, October 10 matinee An Afternoon in Lower River Inhabitants—they blend together seamlessly, with each instrument doing its part to contribute to a much bigger sound. Of course, it’s not really the instruments but the players that make the music, and this unique combination brings to mind the best of the Festival Club where any number of folks who don’t usually play together end up onstage, sounding as if they’ve been playing together their whole lives.
Recorded August 13, 2021 at Riverdale Community Centre, Lower River Inhabitants
Family harmonies are front and centre with The Gilberts, an exciting young brothers and sister trio who have been attracting a lot of attention over the past few years, from their adopted home province of Nova Scotia to the national folk music scene. This performance of their song “Frame by Frame”, from the siblings’ award-winning second album Tell Me, was recorded during The Gilberts’ Celtic Colours debut in the Friends and Family concert, streamed October 10 from the Membertou Trade & Convention Centre.
Join us on Cape Breton Island this October 7-15 for the return of Celtic Colours International Festival.
Can't be on the Island? Join us online!
We'll be streaming one concert live each night of the Festival right here on our YouTube channel.
Earthbound: Lewis & Molly’s (Tomas Callister) / Gigue à Pierre / Cashen’s Gap (Tomas Callister)
Quarter Moon (Jerry Holland and Lew Alpaugh; arranged by Howie MacDonald, Mary Beth Carty, and Mac Morin)
Ribhinn Donn
Mike to the Rescue (Andrea Beaton) / Pigeon on the Gate / A Bright May Morning
Cainnt Mo Mhàthair, Gàidhlig Bharraigh
Les Sirènes à Roméo (Pastelle LeBlanc; arranged by Vishtèn)
Tá ’na Lá / Harris Dance (arranged by Nuala Kennedy, Tara Breen, and Tony Byrne)
The Earl’s Chair / Cranking Out (Jerry Holland) / Jenny Dang the Weaver / Feis Inbhir Narainn (Mike Vass)
À la claire fontaine
Alan Friendly (Corrina Hewat) / Alick C. McGregor (Pipe Major G.S. MacLennan) / The Balnain Reel (Corrina Hewat)
This video aired in October 2020 as part of Celtic Colours International Festival.
Downtown Troy (Nuala Kennedy) / Haul Away the Hawser / Distant Colours (Nuala Kennedy)
Recorded October 2020 during Celtic Colours International Festival.
I Never Picked Cotton (Bobby George and Charles Williams)
Father John Angus Rankin’s March (Jerry Holland) / Ca’ the Wethers to the Hills Strathspey / Editor’s Favourite Strathspey / Traditional Reel / Locheil’s Away to France Reel / The Gladstone Reel (James Scott Skinner)
Benoît / Boudreault: Roaming Scott (Émile Benoît) and Dans les Prisons de Nantes / Set carré / Welcome to Holiday Inn (Émile Benoît) / Gigue à ma marraine Alfreda (arranged by Nicolas Babineau and Alexis Chartrand)
Accordion player Aaron Collis learned these traditional tunes from Brendan (Bren) Newman, a 90-year-old accordion player in Boyd’s Cove, Newfoundland and Labrador. The names of the individual tunes may have been lost to time, but the music lives on in the lively medley now known as “Boyd’s Cove Singles”.
Always a crowd favourite with Celtic Colours audiences, Ottawa Valley fiddler and dancer April Verch has played at the Festival five times in the last ten years. This energetic performance, featuring April step dancing with her bandmates Alex Rubin on guitar and Cody Waters on clawhammer banjo, was captured during Celtic Colours International Festival at the Highland Arts Theatre in 2019.
Scotch Four Set: Cairistiona Chaimbeul / Bodach Fodair / Bridge of Bamore / Roddy MacDonald’s Fancy (Pipe Major Donald MacLeod)
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Some hands have held the world together
Some hands have fought in wars forever
Tell me what shall I do with these hands of mine
Some hands have blessed a million people
Some hands helped free the world from evil
Tell me what shall I do with these hands of mine
What shall I do with these hands of mine
What shall I do with these hands of mine
The world could use a hero of the human kind
So tell me what shall I do with these hands of mine
Some hands can stop a life from dying
Some hands comfort a baby crying
So tell me what shall I do with these hands of mine
What shall I do with these hands of mine
What shall I do with these hands of mine
The world could use a hero of the human kind
So tell me what shall I do with these hands of mine
I want to sing it from my heart, I want to hear it in the wind
'Til it blows around the world,
and comes back again
All that we can ask, is for ours to be free
To use them when we want, for whatever the need
Some hands give voice to a nation
Some hands wrote "The Times They Are a-Changin'"
So tell me what shall I do with these hands of mine
What shall I do with these hands of mine
What shall I do with these hands of mine
The world could use a hero of the human kind
So tell me what shall I do with these hands of mine
What shall I do with these hands of mine
What shall I do with these hands of mine
The world could use a hero of the human kind
So tell me what shall I do with these hands of mine
So tell me what shall I do with these hands of mine
Filmed at Colaisde na Gàidhlig / The Gaelic College


