Uploaded February 2013 | Updated September 2026, 2 weeks ago
Booker T & the MG's recorded live at the 5/4 Ballroom in August 1965 with Booker T Jones on keyboards. "Though it's often assumed that Booker T. Jones played on all M.G.'s records, in the mid-1960s Jones was often studying music full-time at Indiana University. Stax writer/producer Isaac Hayes usually stepped in on the occasions when Jones was unavailable for session work, and on several sessions Jones and Hayes played together with one on organ, the other on piano. However, Hayes was never an official member of the M.G.'s, and Jones played on all the records credited to "Booker T. & The M.G.'s"—with one exception. That exception was the 1965 hit "Boot-Leg", a studio jam recorded with Hayes on keyboards in Jones's place. According to Steve Cropper, the song was recorded with the intention of being released as by The Mar-Keys (another name used to release singles by the Stax house band.) However, as recordings credited to Booker T. & The M.G.'s were meeting with greater commercial success than those credited to The Mar-Keys, the decision was made to credit "Boot-Leg" to Booker T. & The M.G.'s, even though Booker T. himself does not appear on the studio recording." This live version was recorded August 7-8, 1965 at the 5/4 Ballroom at 54th and Broadway in South Central Los Angeles (3 miles or so north of Watts) with Booker on keyboards, three days before the outset of the Watts Riots. The announcer on the record is R&B disc jockey Magnificent Montague, whose radio catch phrase was "Burn, Baby, Burn!" which also became a catch phrase associated with the 1965 Watts Riots (and subsequently retired from use). The band could see smoke rising from the city as they took off from LAX heading back to Memphis. Burn, indeed!
Booker T & the MG's recorded live at the 5/4 Ballroom in August 1965 with Booker T Jones on keyboards. "Though it's often assumed that Booker T. Jones played on all M.G.'s records, in the mid-1960s Jones was often studying music full-time at Indiana University. Stax writer/producer Isaac Hayes usually stepped in on the occasions when Jones was unavailable for session work, and on several sessions Jones and Hayes played together with one on organ, the other on piano. However, Hayes was never an official member of the M.G.'s, and Jones played on all the records credited to "Booker T. & The M.G.'s"—with one exception. That exception was the 1965 hit "Boot-Leg", a studio jam recorded with Hayes on keyboards in Jones's place. According to Steve Cropper, the song was recorded with the intention of being released as by The Mar-Keys (another name used to release singles by the Stax house band.) However, as recordings credited to Booker T. & The M.G.'s were meeting with greater commercial success than those credited to The Mar-Keys, the decision was made to credit "Boot-Leg" to Booker T. & The M.G.'s, even though Booker T. himself does not appear on the studio recording." This live version was recorded August 7-8, 1965 at the 5/4 Ballroom at 54th and Broadway in South Central Los Angeles (3 miles or so north of Watts) with Booker on keyboards, three days before the outset of the Watts Riots. The announcer on the record is R&B disc jockey Magnificent Montague, whose radio catch phrase was "Burn, Baby, Burn!" which also became a catch phrase associated with the 1965 Watts Riots (and subsequently retired from use). The band could see smoke rising from the city as they took off from LAX heading back to Memphis. Burn, indeed!

![The Mortal Micronotz / William S. Burroughs - Old Lady Sloan (1982)
The Mortal Micronotz - Old Lady Sloan (lyrics by William S. Burroughs) -
Old lady Sloan, chewin’ on a bone
Chewin’ on the bone of the child
Old lady Sloan, so thick and fat
Old lady Sloan, she purrs like a cat
Old lady Sloan, she likes her child
Burpin up baby like a happy old sow
Old lady Sloan, chewin’ on a bone
Chewin’ on the bone of the child
Old lady Sloan, she went hog wild
Old lady Sloan, she butchered her child
She stuffed him with apples, mincemeat and fig
oh, like a fat little pig
like a fat little pig
Old lady Sloan, drool, crunch, wow!
Old lady Sloan, hows your child
Where is the child, you eat it like a sow
Old lady Sloan, someone died
Old lady Sloan, shed eat a child
Corpus delicti, delightful, delovely
Officers, youre cute and cuddly
Youre cute and youre cuddly
Old lady Sloan, drool, drool crunch wow!
The Mortal Micronotz formed in 1980 when all the members were still teenagers. The Embarrassment were looking for an opening band for a show they had booked on December 12, 1980 at the Off The Wall Hall (now known as The Bottleneck). The Embarrassment knew John Harper and knew that we was putting a band together, so they asked him if his band could open the show, but the band hadnt actually formed yet. At this point, the band just consisted of John Harper on guitar and David Dale on bass, so a drummer and singer needed to be recruited. Dean Lubensky and Graham Reece were recruited as vocalist and drummer. Dean was a good fit and became the permanent singer, and Steve Eddy replaced Reece as the drummer.
The band soon came to the attention of local music promoter, Bill Rich, who wrote about them for his Talk Talk magazine and then signed them to his Fresh Sounds record label. Their first release for Fresh Sounds was the 4-band split cassette Fresh Sounds From Middle America (vol 1) in December 1981, just one year after the band formed. The Fresh Sounds compilation series was organized by Bill Rich as a way to promote regional bands nationally.
When the band discovered that Bill Rich was an acquaintance of William S. Burroughs they asked for an introduction and Burroughs would end up giving them some lyrics for a song (Old Lady Sloan from the Mortal Micronotz album).
Lead singer, Dean Lubensky, left the band sometime after the 1984 Live Recording of the Video Soundtrack EP. He was replaced by Jay Hauptli, who would remain the bands vocalist throughout the rest of their career and subsequent reunions.
After releasing three albums and two EPs, the band broke up in 1986. Bassist David Dale committed suicide on Sunday, January 31, 1993.[7] The surviving band members reunited for a memorial show which was held at the Outhouse on February 6, 1993.
Renewed interest in the band lead Fresh Sounds to release two Micronotz compilations, called Complete Recordings Volume I and II where the first volume covered the Dean Lubensky recordings and the second covered the Jay Hauptli recordings. A tribute album was also put together featuring William S. Burroughs and various other artists. The band still does the occasional reunion show, with Matt Kesler, formerly of the Pedaljets, playing bass. The Mortal Micronotz / William S. Burroughs - Old Lady Sloan (1982)](https://i.ytimg.com/vi/qhCD9AYqdL0/mqdefault.jpg)








