Uploaded May 2026 | Updated September 2026, 2 weeks ago
From '' I’m A Man / It Don’t Mean Nothing ''
Label: Largo Records – 5002
Format: Vinyl, 7", 45 RPM, Single, Mono
Country: US
Released: 1967
Tracklist
A I’m A Man
Arranged By [Electrical Arrangement By] – Steve Thornburg
Written-By – Bo Diddley
B It Don’t Mean Nothing
Written-By – Jim Hohenstein, Miles Harriger
🎵 [SONG INFO]
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955.
Inspired by an earlier blues song, it was one of his first hits.
"I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style.
Bo Diddley song
"I'm a Man" was one of the first songs Bo Diddley recorded for Checker Records.
Unlike his self-titled "Bo Diddley" that was recorded the same day (March 2, 1955 in Chicago), "I'm a Man" does not use the Bo Diddley beat.
Rather, it was inspired by Muddy Waters' 1954 song "Hoochie Coochie Man", written by Willie Dixon.
After the release of "I'm a Man", Waters recorded an "answer song" in May 1955, titled "Mannish Boy", referring to Diddley's younger age.
In a Rolling Stone magazine interview, Diddley recounts that the song took a long time to record because of confusion regarding the timing of the "M ... A ... N" vocal chorus. There are conflicting accounts regarding the instrumental backing musicians for the song. Reissues of Diddley's first album, Bo Diddley, list them as Diddley on vocals and guitar, Frank Kirkland on drums, Jerome Green on maracas, Lester Davenport on harmonica, and either Otis Spann or Henry Gray on piano. However, the song has also been identified as Chicago harmonica player Billy Boy Arnold's first contribution to a Checker recording. Arnold later played harmonica on several Bo Diddley songs.
"I'm a Man" was released as the B-side of Bo Diddley's first single in April 1955. The single became a two-sided hit and reached number one on the Billboard R&B chart. The song is included on several of his compilation albums, including Bo Diddley (1958) and His Best (1997). He also recorded it with Muddy Waters and Little Walter for the 1967 Super Blues album.
The Yardbirds versions
The English rock band the Yardbirds recorded a live version of "I'm a Man" for their first UK album Five Live Yardbirds with Eric Clapton in 1964, that was later included on their second American album Having a Rave Up with The Yardbirds. In 1965 during their first American tour, the Yardbirds with Jeff Beck on guitar, recorded a studio version of "I'm a Man", that is also included on Having a Rave Up. Their versions feature their signature "rave-up" arrangement, when the beat shifts into double time and the instrumentation builds to a crescendo. Beck added a "scratch-picking" technique to produce a percussive effect during the song's instrumental section, which critic Cub Koda notes "provides the climax on the studio version of 'I'm a Man', perhaps the most famous Yardbirds rave-up of all".
The Yardbirds recorded the backing track at Chess Studios in Chicago on September 19, 1965. They overdubbed further elements on the 21st and 22nd at Columbia Studios in New York. On October 11, Epic Records released "I'm a Man" as a single in the US, with "Still I'm Sad" as the B-side. It peaked at number 17 on the Billboard Hot 100. In Canada, the single was released by Capitol and reached number 4 on the RPM singles chart. The song was included on their 1965 Epic Records album Having a Rave Up and was later released in the UK in 1976.
Diddley praised their cover as "beautiful" and it has been called "a defining moment for the band".
In addition to the 1964 live version with Clapton, other live versions include those with Jeff Beck (1965 Yardbirds ...On Air, released 1991) and Jimmy Page (1968 Live Yardbirds: Featuring Jimmy Page, released 1971 and Yardbirds '68, released 2017).
Recognition
Bo Diddley's original "I'm a Man" is ranked number 369 on Rolling Stone magazine's list of "The 500 Greatest Songs of All Time".
In 2012, the song along with the self-named A-side song "Bo Diddley" was added to the Library of Congress's National Recording Registry list of "culturally, historically, or aesthetically important" American sound recordings.
In 2018, "I'm a Man" was inducted into the Blues Foundation Blues Hall of Fame as a "Classic of Blues Recording".
In 2020, the 1955 recording of "I'm a Man" by Bo Diddley on Checker Records was inducted into the Grammy Hall of Fame.
#bakerstreetirregulars
#imaman
#garagepsych
#psychedelicblues
#bodiddleycover
From '' I’m A Man / It Don’t Mean Nothing ''
Label: Largo Records – 5002
Format: Vinyl, 7", 45 RPM, Single, Mono
Country: US
Released: 1967
Tracklist
A I’m A Man
Arranged By [Electrical Arrangement By] – Steve Thornburg
Written-By – Bo Diddley
B It Don’t Mean Nothing
Written-By – Jim Hohenstein, Miles Harriger
🎵 [SONG INFO]
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955.
Inspired by an earlier blues song, it was one of his first hits.
"I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style.
Bo Diddley song
"I'm a Man" was one of the first songs Bo Diddley recorded for Checker Records.
Unlike his self-titled "Bo Diddley" that was recorded the same day (March 2, 1955 in Chicago), "I'm a Man" does not use the Bo Diddley beat.
Rather, it was inspired by Muddy Waters' 1954 song "Hoochie Coochie Man", written by Willie Dixon.
After the release of "I'm a Man", Waters recorded an "answer song" in May 1955, titled "Mannish Boy", referring to Diddley's younger age.
In a Rolling Stone magazine interview, Diddley recounts that the song took a long time to record because of confusion regarding the timing of the "M ... A ... N" vocal chorus. There are conflicting accounts regarding the instrumental backing musicians for the song. Reissues of Diddley's first album, Bo Diddley, list them as Diddley on vocals and guitar, Frank Kirkland on drums, Jerome Green on maracas, Lester Davenport on harmonica, and either Otis Spann or Henry Gray on piano. However, the song has also been identified as Chicago harmonica player Billy Boy Arnold's first contribution to a Checker recording. Arnold later played harmonica on several Bo Diddley songs.
"I'm a Man" was released as the B-side of Bo Diddley's first single in April 1955. The single became a two-sided hit and reached number one on the Billboard R&B chart. The song is included on several of his compilation albums, including Bo Diddley (1958) and His Best (1997). He also recorded it with Muddy Waters and Little Walter for the 1967 Super Blues album.
The Yardbirds versions
The English rock band the Yardbirds recorded a live version of "I'm a Man" for their first UK album Five Live Yardbirds with Eric Clapton in 1964, that was later included on their second American album Having a Rave Up with The Yardbirds. In 1965 during their first American tour, the Yardbirds with Jeff Beck on guitar, recorded a studio version of "I'm a Man", that is also included on Having a Rave Up. Their versions feature their signature "rave-up" arrangement, when the beat shifts into double time and the instrumentation builds to a crescendo. Beck added a "scratch-picking" technique to produce a percussive effect during the song's instrumental section, which critic Cub Koda notes "provides the climax on the studio version of 'I'm a Man', perhaps the most famous Yardbirds rave-up of all".
The Yardbirds recorded the backing track at Chess Studios in Chicago on September 19, 1965. They overdubbed further elements on the 21st and 22nd at Columbia Studios in New York. On October 11, Epic Records released "I'm a Man" as a single in the US, with "Still I'm Sad" as the B-side. It peaked at number 17 on the Billboard Hot 100. In Canada, the single was released by Capitol and reached number 4 on the RPM singles chart. The song was included on their 1965 Epic Records album Having a Rave Up and was later released in the UK in 1976.
Diddley praised their cover as "beautiful" and it has been called "a defining moment for the band".
In addition to the 1964 live version with Clapton, other live versions include those with Jeff Beck (1965 Yardbirds ...On Air, released 1991) and Jimmy Page (1968 Live Yardbirds: Featuring Jimmy Page, released 1971 and Yardbirds '68, released 2017).
Recognition
Bo Diddley's original "I'm a Man" is ranked number 369 on Rolling Stone magazine's list of "The 500 Greatest Songs of All Time".
In 2012, the song along with the self-named A-side song "Bo Diddley" was added to the Library of Congress's National Recording Registry list of "culturally, historically, or aesthetically important" American sound recordings.
In 2018, "I'm a Man" was inducted into the Blues Foundation Blues Hall of Fame as a "Classic of Blues Recording".
In 2020, the 1955 recording of "I'm a Man" by Bo Diddley on Checker Records was inducted into the Grammy Hall of Fame.
#bakerstreetirregulars
#imaman
#garagepsych
#psychedelicblues
#bodiddleycover
![Eddie Cantor - Aint She Sweet (Music Hall/Dixieland, Milton Ager - Jack Yellen)
From Eddie Cantor With Henri René And His Orchestra And The Bill Thompson Singers – Original Recordings Eddie Cantor Sings, Ida, Sweet As Apple Cider And His Other Hits
Label: RCA Camden – CAS 870
Format: Vinyl, LP, Compilation, Reissue, Stereo
Country: US
Released: 1964
Tracklist
A1 Eddie Cantor With The Bill Thompson Singers - Ida, Sweet As Apple Cider
Written-By – Eddie Leonard, Eddie Munson
A2 Eddie Cantor With Henri René And His Orchestra - Margie
Written-By – Benny Davis, Con Conrad, J. Russel Robinson
A3 Eddie Cantor With Henri René And His Orchestra - If You Knew Susie (Like I Know Susie)
Written-By – Buddy G. De Sylva, Joseph Meyer
A4 Eddie Cantor With The Bill Thompson Singers - Ma (Hes Making Eyes At Me)
Written-By – Con Conrad, Sidney Clare
A5 Eddie Cantor With The Bill Thompson Singers - Yes Sir, Thats My Baby
Written-By – Gus Kahn, Walter Donaldson
A6 Eddie Cantor With Henri René And His Orchestra - Waiting For The Robert E. Lee
Written-By – Lewis F. Muir, Wolfe Gilbert
B1 Eddie Cantor With Henri René And His Orchestra - Makin Whoopee
Written-By – Gus Kahn, Walter Donaldson
B2 Eddie Cantor With Henri René And His Orchestra - How Ya Gonna Keep Em Down On The Farm (After Theyve Seen Paree)
Written-By – Joe Young, Sam Lewis, Walter Donaldson
B3 Eddie Cantor With Henri René And His Orchestra - Ballin The Jack
Written-By – Chris Smith, Jim Burris
B4 Eddie Cantor With The Bill Thompson Singers - Baby Face
Written-By – Benny Davis, Harry Akst
B5 Eddie Cantor With Henri René And His Orchestra - Josephine, Please No Lean On The Bell
Written-By – Duke Leonard, Ed Nelson, Harry Pease
B6 Eddie Cantor With Henri René And His Orchestra - Aint She Sweet
Written-By – Jack Yellen, Milton Ager
🎵 [SONG INFO]
Aint She Sweet is a song composed by Milton Ager, with lyrics by Jack Yellen.
It was published in 1927 by Ager, Yellen & Bornstein, Inc.
It became popular in the first half of the 20th century and typified the Roaring Twenties.
Like Happy Days Are Here Again (1929), it became a Tin Pan Alley standard.
Both Ager and Yellen were elected to the Songwriters Hall of Fame.
Milton Ager wrote Aint She Sweet for his daughter Shana Ager, who in her adult life was known as the political commentator Shana Alexander.
Recorded versions
1927
Lou Gold and The Melody Man
Ben Bernie and his Orchestra
Gene Austin
Roy Butler
Lillie Derek Christian
Dixie Stompers
Jack Pettis & His Band
Nat Shillkret & The Victor Orchestra
Harry Richman
Regent Dance Orchestra
Bobby Leecan & Robert Cooksey
Ted Wallace & His Hotel Roosevelt Orchestra
Piccadilly Revels Band
Harry Bidgood & His Broadcasters
Blue Diamond Orchestra
Varsity Eight
Johnny Marvin
Annette Hanshaw
Paul Whitemans Rhythm Boys – recorded June 20, 1927
1933
Lillian Roth
1935
Brian Lawrence & His Quartet
Dixie Demons
1936
Hoosier Hot-Shots
1939
Jimmie Lunceford & His Orchestra, vocal chorus by Sy Oliver, Trummy Young, & the Lunceford Trio
1940
Bunny Berigan & His Orchestra
1945
Harry James & His Orchestra
1949
Bob Hannon & John Ryan
Mr. Goon-Bones & Mr. Ford
Pearl Bailey
1955
Billy May
1956
Gene Vincent & the Blue Caps
1959
Ferlin Husky
1960
Sammy Kaye
1962
Frank Sinatra – recorded April 10, 1962.
Michael Holliday
1966
Guy Lombardo & His Royal Canadians
1982
Lena Zavaroni
1985
Judy Carmichael
1992
Raul Seixas and his Band
Paul Ash and his Orchestra
Winifred Atwell
Frank Banta
Sally Blair
Eddie Cantor
Benny Carter
Bill Coleman, Stephane Grappelli
Jackie Davis
Eric Delaney and his Band
Tommy Dorsey
The Dukes of Dixieland
Erroll Garner
Ken Griffin
Fletcher Henderson
Joe Mr Piano Henderson
The Milt Herth Trio
Jack Hylton and his Orchestra
Enoch Light and his Orchestra
Meade Lewis
Johnny Maddox
The Johnny Mann Singers
The Modernaires
The Moms and Dads
Joyce Moody and Earl Wentz
Russ Morgan and his Orchestra
Eddie Peabody
Mel Powell Trio
Duffy Power
Johnny Douglas Band and the Johnston Brothers
The Embassy Singers and Players
Ada Moore, Jimmy Rushing, & Buck Clayton and his Orchestra
Geordie Hormel with Bill Hitchcock and His Band
The Sensations feat. Yvonne Mills
Bob Scobey
Georgies Varsity 5
Dig Richards and the RJays
Russ Conway
The Crew-Cuts
The Doowackadoolers
Johnathan & Darlene Edwards
Billy Cotton, Kathy Kay, and Alan Breeze
Pete Drake
Bob Hammer Band
The Lords
Jimmy Smith
Big Joe Turner
Ben Webster, Frank Rosolino
Lawrence Welk and his Orchestra
Coco Briaval
The Beatles
The Beatles regularly performed the song live from 1957 to 1962.
On June 22 or 24, 1961, during their first professional recording session, the Beatles recorded a cover of Aint She Sweet.
Film appearances
Hazel Green & Company
In January 1928, a short film of Aint She Sweet sung by Chili Bouchier was filmed.
Duck Soup
Margie
You Were Meant for Me
Youre My Everything
Force of Arms
Strangers on a Train
Feed the Kitty
East of Eden
The Eddy Duchin Story
Picnic
Miss Mary
Midnight in Paris
#eddiecantor
#aintshesweet
#musichall
#dixieland Eddie Cantor - Aint She Sweet (Music Hall/Dixieland, Milton Ager - Jack Yellen)](https://i.ytimg.com/vi/hVoO1MGJ1bc/mqdefault.jpg)

![The Bombay Ducks - Sympathy For The Devil (Minimal/Synthwave, The Rolling Stones Cover)
From Sympathy For The Devil
Label: Complete Control – CON 1
Format: Vinyl, 7
Country: UK
Released: 1980
Tracklist
A Sympathy For The Devil
B 1-0-6-9
Notes
The duo of recording engineers Nicky Rogers and Vic Ball.
Aliases: Paul Hamilton & Joseph Duarte
🎵 [SONG INFO]
Sympathy for the Devil is a song by The Rolling Stones which first appeared as the opening track on the bands 1968 album Beggars Banquet.
It was written by Mick Jagger credited to Jagger/Richards.
Rolling Stone magazine placed it at No.32 in their list of The 500 Greatest Songs of All Time.
The recording of Sympathy for the Devil began at Londons Olympic Sound Studios on 4 June 1968 and continued into the next day; overdubs were done on 8, 9 and 10 June.
Personnel included on the recording include Nicky Hopkins on piano; Rocky Dijon on congas; Bill Wyman on maracas.
In Tropic Thunder, the song is played during the scene following Tugg Speedmans departure from the group.
Notable cover versions
The song has been widely covered since its release, including renditions by:
Sandie Shaw, on her album Reviewing the Situation (1969)
Blood, Sweat & Tears, whose version entitled Symphony for the Devil appeared on their third album (1970)
Bryan Ferry, on his solo album These Foolish Things (1973)
Weird Al Yankovic on his Rolling Stones polka medley The Hot Rocks Polka (1989)
and Janes Addiction, on their 1987 self-titled live debut album (1987).
The Janes Addiction version was also featured on the soundtrack to the 1988 film Alien Nation.
In 1989, the Slovenian band Laibach released an EP of seven different versions of the song, interpreted as everything from a Wagnerian symphony to a light techno number.
In 1990, Brazilian actress Claudia Ohana recorded the song as the main theme for her character Natasha in soap opera Vamp.
The song went on to become one of the biggest hits of the year in that country.
Guns N Roses recorded a cover in 1994 which reached No.55 on the Billboard Hot 100; it was featured in the closing credits of Neil Jordans film adaptation of Anne Rices Interview with the Vampire and was included on their Greatest Hits album.
This cover is notable for causing an incident within the group that was partially responsible for guitarist Slash departing from the band in 1996.
In 1996 Natalie Merchant released the song as a bonus track on the commercial CD single of her single Jealousy.
At their 2000 Halloween Concert at UNO arena in New Orleans, Louisiana, Widespread Panic covered Sympathy for the Devil as their show opener.
Pearl Jams concert renditions of The Water Pouring Song included an instrumental section of Sympathy for the Devil.
Bon Jovi often covers it during the piano break in their concert performances of Keep the Faith.
A snippet of the song is often sung by Bono along with Ruby Tuesday during performances of Bad at U2 concerts, for example at Live Aid in London and in the concert film Rattle and Hum.
In 2005, Ozzy Osbourne released a cover on his box set Prince of Darkness and the related Under Cover release.
The Swedish metal band Tiamat covered the song on their album Skeleton Skeletron, released in 1999.
Indie rock bands Band of Skulls and John & Jehn covered the song for the French TV show Taratata broadcasted in March 2010.
In 2005, Cuban drummer and percussionist Horacio Hernandez (El Negro) recorded a Latin Jazz version of the song, sung by Latin great Rubén Blades.
Freedom Dub recorded a Bossa n Stones version of Sympathy for the Devil that enjoyed much success in Italy thanks to airplay on Radio Monte Carlos Nick the Nightfly program in the late 2000s.
The song was also sampled by My Life with the Thrill Kill Kult in the track The Devil Does Drugs on their WaxTrax! EP release Some Have to Dance, Some Have to Kill (Wax 055).
The Film
Sympathy for the Devil is also the title of a producers edit of a 1968 film by Jean-Luc Godard whose own original version is called One Plus One.
The film, a depiction of the late 1960s American counterculture, also featured the Rolling Stones in the process of recording the song in the studio.
#therollingstonescover
#minimal
#sympathyforthedevil
#minimalsynth
#synthwave The Bombay Ducks - Sympathy For The Devil (Minimal/Synthwave, The Rolling Stones Cover)](https://i.ytimg.com/vi/iHCez5x_imc/mqdefault.jpg)
![Tsunamish - Sunday Girl (Surf, Blondie Cover)
From Tsunamish Vs Los Fantasmas
Released: April 23, 2015
Tracklist
1. Tsunamish Vs Los Fantasmas
2. Sunday Girl
3. La Culpa
4. Más Alla De La Cortina
Notes
Recorded 3/14/2015 by Nico and Tsunamish
Art: Paula Carrizo
© 2015 Tsunamish
℗ 2015 Tsunamish
💿 [SONG INFO]
Sunday Girl is a song recorded by the American new wave band Blondie, from the bands 1978 album Parallel Lines.
Written by guitarist Chris Stein, the song was inspired by Debbie Harrys cat, who was named Sunday Man—the cat had recently run away, inspiring the songs plaintive nature.
Sunday Girl was released as the follow-up single to the bands number one hit single, Heart of Glass, in the UK and Europe (though not in the US).
The single was a number 1 hit in the UK and Ireland and reached the top ten in several European countries.
It has since seen critical acclaim and has been included on several compilation albums.
Background
Sunday Girl was written solely by Blondie guitarist Chris Stein.
Stein recalled, I wrote that one all by myself, but I was so nervous about having my own song, I asked [Debbie Harry] to put her name on it. ... We left [the credit] to me in the long run.
Stein wrote the song for Harrys cat, who was named Sunday Man.
Stein explained, The cat ran away we were very sad. It was just a sort of plaintive, evocative number.
The early demo of the song had impressed producer Mike Chapman, who was initially wary of the bands sloppy performing.
This early demo featured a Latin-influenced arrangement, which would transform into a more pop-inspired performance on the final album.
Like Blondies earlier single, Hanging on the Telephone, the drumming pattern of Sunday Girl employs a double backbeat rhythm.
Blondie recorded a French-language version of the track.
This version was released in the UK on the Sunday Girl 12 single; in France and the Netherlands, it was the B-side of the 7.
It also appears on the cassette release of Eat to the Beat.
For Blondies first greatest hits album The Best of Blondie in 1981, producer Mike Chapman created a special mix which incorporated one verse sung in French. The bilingual version appears on the 2002 compilation Greatest Hits.
Release
Sunday Girl was released as the follow-up single to Heart of Glass in the UK and much of Europe.
The single reached number one in the UK, topping the charts for three weeks in May 1979.
Sunday Girl was the bands second consecutive number one hit in the country and would later rank number eight on the year-end UK charts of 1979.
The single also reached number one in Ireland and was a top ten hit across Europe. Despite the commercial success abroad, the song was not released as a single in the bands home country of the US, where One Way or Another was picked as the next single instead.
Sunday Girl was initially released in Australia as the lead single from Parallel Lines, but failed to chart; however, it was later re-released as a double A-side with Heart of Glass, on the back of its UK success, resulting in the song reaching number five in the country.
In 2013, Blondie themselves re-recorded the song and offered it to be included in the CBGBs film soundtrack.
This version was included on their 2014 compilation album Greatest Hits Deluxe Redux. The compilation was part of a 2-disc set called Blondie 4(0) Ever which included their 10th studio album Ghosts of Download and marked the 40th anniversary of the forming of the band.
In 2022, UMC/Numero Group released a 2x7 pack for Record Store Day. Limited to 3000 copies, it included 4 versions of Sunday Girl over two 7 singles. One of the singles was pressed on yellow vinyl, while the other was pressed on red vinyl.
🔗 [LINKS]
https://tsunamish.bandcamp.com/
https://open.spotify.com/artist/3q2L2jNVdp6Gmz5tZKJnnN
https://music.apple.com/us/artist/tsunamish/1200029095
https://www.deezer.com/en/artist/11831453
https://www.amazon.com/music/player/artists/B01MRAM19O/tsunamish
https://soundcloud.com/tsunamish
https://www.facebook.com/tsunamishsurf
Available on bandcamp:
https://tsunamish.bandcamp.com/album/tsunamish-vs-los-fantasmas
Spotify:
https://open.spotify.com/album/6HojodKbQLvgW036KNV7HG
Apple Music:
https://music.apple.com/us/album/tsunamish-vs-los-fantasmas-ep/1200029065
Deezer:
https://www.deezer.com/en/album/15205299
Amazon Music:
https://www.amazon.com/music/player/albums/B01MTE4KYH
and SoundCloud:
https://soundcloud.com/tsunamish/sets/tsunamish-vs-los-fantasmas
#surfcover
#surfinstrumental
#instrumentalsurf Tsunamish - Sunday Girl (Surf, Blondie Cover)](https://i.ytimg.com/vi/iTFvks8fBNQ/mqdefault.jpg)

![Exdream - Let the Sunshine In (The 5th Dimension Cover)
From Neil
Label: Proart – P-66083
Format: Vinyl, LP, Album
Country: Germany
Released: 1983
Tracklist
A1 Let The Sunshine In
Written-By – Galt MacDermot, Gerome Ragni, James Rado
A2 Salouse
Written-By – Jürgen Wynant, Markus Raffelt
A3 Träumen Ist Einfach
Written-By – Jens Jacobs, Schorsch Elsner
A4 Gimme Some Lovin
Written-By – Spencer Davis, Steve Winwood
B1 Lost Reggae
Written-By – Markus Raffelt
B2 To A Friend
Written-By – Jens Jacobs
B3 Break
Written-By – Exdream
Vocals, Electric Piano, Electric Organ [Hammond], Acoustic Guitar – Jens Jacobs
Vocals – Renate Uhlenkamp
Guitar, Electric Piano – Markus Raffelt
Saxophone, Flute, Vocals – Christoph Hansen
Percussion – August Meyer
Drums – Teddy Hansen
Bass – Jürgen Wynant
Engineer – Peter Pausewang
Photography By – Anette Greten
Artwork [Collage] – Anette Greten, August Meyer, Dieter Grieshop, Jens Jacobs, Jürgen Wynant, Markus Raffelt
Medley: Aquarius/Let the Sunshine In (commonly called Aquarius/Let the Sunshine In, The Age of Aquarius or Let the Sunshine In) is a medley of two songs written for the 1967 musical Hair by James Rado and Gerome Ragni (lyrics), and Galt MacDermot (music), released as a single by American R&B group the 5th Dimension.
The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA.
Instrumental backing was written by Bill Holman and provided by a group of session musicians commonly known as the Wrecking Crew.
The song is listed at number 66 on Billboards Greatest Songs of All Time.
Background
The medley was constructed of two songs from the musical Hair. The first song was Aquarius, and the second was The Flesh Failures: Let the Sunshine In.
The 5th Dimensions lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show. The group called their producer Bones Howe in California: After theyd seen it I received a phone call in which they were all talking over one another, saying Weve got to cut this song Aquarius. Its the best thing ever.
Howe was skeptical (This isnt a complete song. Its an introduction.), but after seeing the show on stage he got the idea to combine Aquarius with another musical moment from the show, the last few bars from the song The Flesh Failures: Let the Sunshine In that consist of the repeated words let the sunshine in. Although the two song fragments are in different keys and tempos, Howe resolved to jam them together like two trains.
Returning to California, Howe supervised the first recording session. The instrumental track was set to tape at Wally Heiders Studio 3 in Hollywood by Wrecking Crew members Hal Blaine on drums, Joe Osborn on bass, Larry Knechtel on keyboards, Tommy Tedesco and Dennis Budimir on guitars and Tony Terran on trumpet. It also featured strings, winds, and brass instrumentations. However, the vocals were recorded separately in Las Vegas, where the 5th Dimension was performing at the time, using only two microphones for the five singers. Davis solo during Let the Sunshine In was improvised during the session; songwriter Jimmy Webb, who happened into the studio during the recording, remarked to Howe: My God, thats a number one record.
This song was one of the most popular songs of 1969 worldwide, and in the United States it reached the number one position on both the Billboard Hot 100 (for six weeks in April and May) and the Billboard Easy Listening chart. It also reached the top of the sales charts in Canada and elsewhere. Billboard ranked it as the No. 2 Hot 100 single for 1969, although Aquarius (Let the Sunshine In) would go on to outsell the No. 1 Hot 100 single for 1969, Sugar Sugar by the Archies, and consistently ranks several positions above it in the all-time chart.
The recording won both the Grammy Award for Record of the Year and Best Pop Vocal Performance by a Group for the Grammy Awards of 1970, after being published on the album The Age of Aquarius by the 5th Dimension, and also being released as a 7-inch vinyl single record. The popularity of the song prompted the Apollo 13 crew to name their Apollo Lunar Module Aquarius, in part to send a message that astronauts were also hip. In 2004, the song was inducted into the Grammy Hall of Fame.
The American Film Institutes 100 Years...100 Songs list, published in 2004, ranked Medley: Aquarius/Let the Sunshine In as number 33.
#krautrock
#progrock Exdream - Let the Sunshine In (The 5th Dimension Cover)](https://i.ytimg.com/vi/ibG9Za4QGqo/mqdefault.jpg)
![The Isotopes - Rolling In The Deep (Surf, Adele Cover)
From Now Thats What I Call Familiar Vol. 2
Released: October 19, 2024
Tracklist
1. Blinding Lights
2. Apache
3. Rolling In The Deep
4. I Want You Back
5. Jessi
6. Popcorn
7. Star Trek
8. The Mandalorian
© 2024 The Isotopes
℗ 2024 The Isotopes
🎵 [SONG INFO]
Rolling in the Deep is a song by English singer-songwriter Adele from her second studio album, 21 (2011). It is the lead single and opening track on the album. The song was written by Adele and Paul Epworth. The singer herself describes it as a dark blues-y gospel disco tune.
In 2011, it was reportedly the biggest crossover hit in the United States since 1985; Rolling in the Deep gained radio airplay from many different radio formats. It was released on 29 November 2010 as the lead single from 21 in digital download format. The lyrics describe the emotions of a scorned lover. The songs official music video uploaded to YouTube on 30 November has accumulated over 2.67 billion views and 13 million Likes as of 1 June 2025, similar to that of Adeles another hit Someone like You released 10 months later, which Adele considered as having changed her life.
Rolling in the Deep received widespread critical acclaim with praise drawn towards the songs production, its lyrics, and Adeles vocal performance. It represented a commercial breakthrough for Adele, propelling her to global superstardom. The song topped the charts in twelve countries and reached the top 10 in over twenty territories. It was Adeles first number-one song in the United States, reaching the top spot on many Billboard charts, including the Billboard Hot 100 where it was number one for seven weeks. By February 2012, Rolling in the Deep had sold over 8.7 million copies in the United States, making it the best-selling digital song by a female artist in the US, the second-best-selling digital song in the US and Adeles best-selling single outside her native country, topping her previous best-selling Chasing Pavements. Worldwide, it was the fifth-best-selling digital single of 2011 with sales of 8.2 million copies. As of 2019, with sales of over 20.6 million copies worldwide, Rolling in the Deep is one of the best-selling digital singles of all-time. The song spent 65 weeks on the chart, making the song at that time the fourth-most weeks spent on the chart, tying the place with Jewel with her double single Foolish Games/You Were Meant for Me.
Its music video received a leading seven nominations at the 2011 MTV Video Music Awards, including for Video of the Year, and won three other awards: Best Editing, Best Cinematography and Best Art Direction.
Rolling in the Deep was also the Billboard Year End Hot 100 Number One Single of 2011. At the 54th Annual Grammy Awards, it won awards for Record of the Year, Song of the Year, and Best Short Form Music Video. Various critics and music publications ranked it as the best song of the year on their end-of-year lists with Rolling Stone ranking it at No. 8 spot on its list of The 100 Greatest Songs of the 21st Century. In 2021, the song was ranked at number 82 on the list of Rolling Stones 500 Greatest Songs of All Time.
Media usage
Rolling in the Deep first gained attention when it was used in a trailer for the film I Am Number Four and in the film itself. It has since been featured in several television series such as in 90210s third season, in Doctor Whos sixth series premiere, in One Tree Hills eighth season, in Gossip Girls fourth-season finale, The Secret Life of the American Teenagers fourth season. and in the Scandals Pilot promo. Rolling in the Deep was used as the theme song for E4s reality series Made in Chelsea and appeared in So You Think You Can Dances eighth season during contestant Mitchell Kellys solo performance. In Renny Harlins 2016 film Skiptrace, a drunk Jackie Chan sang Rolling in the Deep at the tune of local instruments in a Mongolian village only to be taken by surprise by how the song was already popular among the non-English speaking locals, when they started to sing with him.
~more info about the song here: https://en.wikipedia.org/wiki/Rolling_in_the_Deep
🔗 [LINKS]
https://theisotopes.com/
https://rochesterisotopes.bandcamp.com/merch
https://open.spotify.com/artist/3YbPLyiAeb4ZMWtMEwdhzU
https://music.apple.com/ca/artist/the-isotopes/268673058
https://www.facebook.com/theisotopes/
https://www.instagram.com/go_topes/
@gotopes
Available on bandcamp:
https://rochesterisotopes.bandcamp.com/album/now-thats-what-i-call-familiar-vol-2
Spotify:
https://open.spotify.com/album/01ThSVEwifuzB8M2tywfNx
Apple Music:
https://music.apple.com/us/album/now-thats-what-i-call-familiar-vol-2/1771902173
Deezer:
https://www.deezer.com/us/album/651626681
and Amazon Music:
https://www.amazon.com/Rolling-in-the-Deep/dp/B0DJDQQHPB
#instrumentalcover
#surfcover
#instrumentalsurf
#surfinstrumental
#rockandroll The Isotopes - Rolling In The Deep (Surf, Adele Cover)](https://i.ytimg.com/vi/j1kPIRUiMyc/mqdefault.jpg)
![Amen Corner - Get Back (The Beatles Cover)
From Farewell To The Real Magnificent Seven
Label: Immediate – IMSP 028
Format: Vinyl, LP, Album, Stereo
Country: UK
Released: 1969
Tracklist
A1 Lady Riga
Written-By – Andy Fairweather-Low
A2 Hello Susie
Written-By – Roy Wood
A3 Proud Mary
Written-By – John Fogerty
A4 At Last I’ve Found Someone To Love
Written-By – Dominic King
A5 Scream And Scream Again
Written-By – Dominic King
A6 Sanitation
Written-By – Andy Fairweather-Low
A7 Mr. Nonchalant
Written-By – Andy Fairweather-Low
B1 The Weight
Written-By – Robbie Robertson
B2 (If Paradise Is) Half As Nice
Written-By – Jack Fishman, Lucio Battisti
B3 Welcome To The Club
Written-By – Andy Fairweather-Low
B4 Recess
Written-By – Fletcher Henderson
B5 When We Make Love
Written-By – Dominic King
B6 Things Ain’t What They Used To Be
Written-By – Andy Fairweather-Low
B7 Get Back
Written-By – Lennon-McCartney
Photography By – David Bailey, Gered Mankowitz
Design – John Constable
Arranged By, Producer – Andy Fairweather-Low, Shel Talmy
© 2018 Charly Acquisitions Ltd.
℗ 1969 Immediate
🎵 [SONG INFO]
Get Back is a song recorded by the English rock band the Beatles and Billy Preston, written by Paul McCartney, and credited to the Lennon–McCartney partnership.
It was originally released as a single on 11 April 1969 and credited to The Beatles with Billy Preston.
The song is one of the few examples of John Lennon featuring prominently as lead guitarist.
The album version of this song contains a different mix that features a studio chat between Paul McCartney and John Lennon at the beginning, which lasts for 20 seconds before the song begins, also omitting the coda featured in the single version, and with a final dialogue taken from the Beatles rooftop concert. This version became the closing track of Let It Be (1970), which was released just after the group split up.
The single version was later issued on the compilation albums 1967–1970, 20 Greatest Hits, Past Masters, and 1.
The single reached number one in the United Kingdom, the United States, Ireland, Canada, New Zealand, the Netherlands, Australia, France, West Germany, Mexico, Norway, Switzerland, Austria, and Belgium. It was the Beatles only single that credited another artist at their request. Get Back was the Beatles first single release in true stereo in the US. In the UK, the Beatles singles remained monaural until the following release, The Ballad of John and Yoko. It was also the only Beatles single to debut on the UK singles charts at number one.
Notable cover versions
Rod Stewart covered the song for the 1976 musical documentary All This and World War II. The song was released as a single and it reached No. 11 on the UK chart.
Billy Preston, who played the Rhodes piano on the original Beatles recording, covered the song for the 1978 film Sgt. Peppers Lonely Hearts Club Band and its soundtrack album. This version peaked at No. 86 on the Billboard Hot 100.
Steve Wariner, in 1995 for the Beatles tribute album Come Together: America Salutes the Beatles. Wariners version peaked at No. 72 on the Billboard Hot Country Singles & Tracks chart.
Cultural references
In the 2007 film, Across the Universe, directed by Julie Taymor, most characters are named after lyrics in Beatles songs. A principal character is named Jojo, an African American who was played by Martin Luther McCoy.
In February 2010, NBC used a cover of the song in commercials to promote Jay Lenos return to the 11:35 pm time slot for The Tonight Show with Jay Leno.
Hirohiko Araki’s 1987 manga JoJo’s Bizarre Adventure may have used this song for inspiration for the main character of the first part Jonathan Joestar, who starts as a loner but gains companions throughout his journey. At the end of the series’s third part, Stardust Crusaders, Joseph Joestar is seen listening to the song on his Walkman.
~ more info at https://en.wikipedia.org/wiki/Get_Back
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/album/1DiIPJZTDPm1u82J5j3Ra6
Apple Music:
https://music.apple.com/us/album/farewell-to-the-real-magnificent-seven/1457160953
and Deezer:
https://www.deezer.com/en/album/90973832
#thebeatlescover
#rhythmandblues
#getback Amen Corner - Get Back (The Beatles Cover)](https://i.ytimg.com/vi/jPOjscnMvDI/mqdefault.jpg)
![Canadian Sweethearts - Freight Train (Elizabeth Cotten Cover)
From Freight Train
Label: A&M Records – 713
Format: Vinyl, 7, 45 RPM, Single
Country: US
Released: 1963
Tracklist
A Freight Train
Written-By – Elizabeth Cotten
B Out For Fun
Written-By – Bob Regan
Producer – Dorsey Burnette
Published By – Peter Maurice Music Co. Ltd.
Published By – Doral Music Co., Inc.
℗ 1998 Hydra
© 1998 Fury Records
℗ 1998 Fury Records
© 2023 Pan American
℗ 2023 Pan American
👥 [BAND INFO]
Popular Canadian singing duo that brought together Bob Regan and Lucille Starr as Bob & Lucille before becoming the Canadian Sweethearts.
They were most known for singing country but also for rockabilly, including the song, Eeny Meeny Miney Moe.
They charted in Canada 4 times and the U.S. 3 times (one of those and Bob Regan and Lucille Starr). Their highest U.S. charted song was Hootenanny Express in 1964, which hit no.45. Dont Knock on My Door hit no.1 on the Canadian country charts in 1966 and Lookin Back to See stopped at no.2 in 1965.
💿 [SONG INFO]
Freight Train is an American folk song written by Elizabeth Cotten in the early 20th century, and popularized during the American folk revival and British skiffle period of the 1950s and 1960s.
By Cotten’s own account in the 1985 BBC series Down Home, she composed “Freight Train” as a teenager (sometime between 1906 and 1912), inspired by the sound of the trains rolling in on the tracks near her home in North Carolina.
Cotten was a one-time nanny for folk singer Peggy Seeger, who took this song with her to England, where it became popular in folk music circles.
Unfortunately, British songwriters Paul James and Fred Williams subsequently misappropriated it as their own composition and copyrighted it. Under their credit, it was then recorded by British skiffle singer Chas McDevitt who recorded the song in December 1956. Under advice from his manager (Bill Varley), McDevitt then brought in folk-singer Nancy Whiskey and re-recorded the song with her doing the vocal, the result was a chart hit. McDevitts version influenced many young skiffle groups of the day including one known as The Quarrymen.
Fortunately, under the advocacy of the influential Seeger family, the copyright was eventually restored to Cotten.
Nevertheless, it remains miscredited in many sources.
The Elizabeth Cotten recording for the Folksongs and Instrumentals with Guitar album was made by Mike Seeger in late 1957, early 1958, at Cotten’s home in Washington, D.C.
Ramblin Jack Elliott recorded this song in 1957.
Beatles cover versions
According to author Mark Lewisohn in The Complete Beatles Chronicles (p. 362) the young Quarrymen-Beatles performed it live from 1957 till at least 1959 if not later, with John Lennon on lead vocal.
No recorded version is known to survive.
However, in January 1991, while doing recorded rehearsals in Sussex, England for the initial Unplugged TV show, Paul McCartney led his band through a small group of classic skiffle songs.
The concluding number was Freight Train, with McCartney and all getting off to great start, however then suddenly just a few seconds into the song McCartney mysteriously stopped it all (this recording is available on an unauthorized release called Paul McCartney Limelight.
In 2009 Quarrymen member Rod Davis recorded a full version of the song and this was released on his album Under The Influence released by Scorpion.
Other recorded versions
Charting versions
Chas McDevitt Skiffle Group featuring Nancy Whiskey (No. 5 on the UK Singles Chart in 1957)
Rusty Draper (charted to the US top ten, end of 1957)
Peter, Paul and Mary on their In the Wind album
Esther & Abi Ofarim on their album Songs Der Welt (1963)
other
Laura Gibson
Chet Atkins
Jerry Garcia and David Grisman
Mike Seeger
Pat Donohue
Sonny Terry and Brownie McGhee
Doc Watson and David Holt
Joan Baez
Alex Campbell (singer)
Peggy Seeger
Pete Seeger
Peter Tevis
Taj Mahal
Ramblin Jack Elliott
Tommy Emmanuel
Laura Veirs
Lenny Breau
Jan og Kjeld
Joe Dassin (Je Change Un Peu De Vent)
Eila Pellinen (Pakoon, Pakoon)
Elizabeth Mitchell
Emilie Clepper
Calvin Russell.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/track/1CMCQAH1kCBnRAJpAf0HQL
Apple Music:
https://music.apple.com/us/song/freight-train/1757645762
and Deezer:
https://www.deezer.com/en/track/3298782061
#folk
#worldandcountry
#countrymusic Canadian Sweethearts - Freight Train (Elizabeth Cotten Cover)](https://i.ytimg.com/vi/jjpf78p2x8M/mqdefault.jpg)
![Owen Gray - Israelites (Desmond Dekker & the Aces Cover)
From Sings Hits Of 69
Label: Revolution Records – REV RLP 1, REVRLP1, REVRLP 1
Series: Rocksteady
Format: Vinyl, LP, Album, Stereo
Country: UK
Released: 1969
Tracklist
A1 It Miek
Written-By – Desmond Dekker, Leslie Kong
A2 Swan Lake
Written-By [Uncredited] – Pyotr Ilyich Tchaikovsky
A3 Children Get Ready
Written-By – B. Barrett
A4 Cupid
Written-By – Sam Cooke
A5 Phoenix City
Written-By – Jim Single
A6 Wet Dream
Written-By – Maxie Smith
B1 Red, Red Wine
Written By – Smith
Written-By [Uncredited] – Neil Diamond
B2 Guns Of Navarone
Written-By – Dimitri Tiomkin, Paul Francis Webster
B3 Everybody Needs Love
Written-By – Slim Smith
B4 Israelites
Written-By – Desmond Dekker, Leslie Kong
B5 The Horse
Written-By – Jesse James
B6 Bangarang
Written-By – Clancy Eccles
Liner Notes – Roger St. Pierre
Sleeve, Layout – Leonie Day
Producer – Dave Hadfield
Notes
Though Owen had plenty of hits of his own, Owen decided that he would like to pay his own tribute to his fellow ska and soul hitmakers and here it is, one of the most exciting albums of the year - I hope youll enjoy it. From the sleeve notes.
Beverly Music Ltd.
The album was reissued with a new title (How Reggae Is That Elephant Overthere?) and album cover on Blue Elephant in 1971.
℗ 2015 Fonior
© Cherry Red Records
℗ Cherry Red Records
💿 [SONG INFO]
Israelites is a song written by Desmond Dekker and Leslie Kong for their group, Desmond Dekker & the Aces, which reached the top of the charts in numerous countries in 1969.
Sung in Jamaican Patois, some of the songs lyrics were not readily understood by many British and American listeners at the time of its release. Despite this, the single was the first UK reggae no.1 and among the first to reach the US top ten (peaking at no.9).
It combined the Rastafarian religion with rude boy concerns, to make what has been described by Allmusic as a timeless masterpiece that knew no boundaries.
Origin and lyrics
Originally issued in Jamaica as Poor Me Israelites, it remains the best known Jamaican reggae hit to reach the United States Hot 100s top 10, and was written almost two years after Dekker first made his mark with the rude boy song 007 (Shanty Town).
Dekker composed the song after overhearing an argument: I was walking in the park, eating popcorn. I heard a couple arguing about money. She was saying she needs money and he was saying the work he was doing was not giving him enough. I related to those things and began to sing a little song: You get up in the morning and youre slaving for bread. By the time I got home, it was complete.
The title has been the source of speculation, but most settle on the Rastafarian Movements association with the Twelve Tribes of Israel.
In the 1960s, Jamaican Rastafarians were largely marginalized as cultish and ostracized from the larger society, including by the more conservative Christian church in Kingston. Destitute (slaving for bread) and unkempt (Shirt dem a-tear up, trousers a-gone), some Rastafarians were tempted to a life of crime (I dont want to end up like Bonnie and Clyde). The song is a lament of this condition.
Impact
Despite Israelites being recorded and released in 1968, the Uni 45 discography shows its copyright as 1969. In June 1969, the record reached the Top Ten in the United States, peaking at no.9 on the Billboard Hot 100 singles chart. Israelites hit no.1 in the United Kingdom, the Netherlands, Jamaica and West Germany.
Israelites brought a Jamaican beat to the British top 40 for the first time since Dekkers no.14 hit 007 (Shanty Town) in 1967.
The disc was released in the UK in March 1969 and was no.1 for one week, selling over 250,000 copies. A global million sales was reported in June 1969.
Charts
Weekly charts
Chart (1969) / Peak position
Australia (Go-Set) / 3
Australia (Kent Music Report) / 5
Austria (Ö3 Austria Top 40) / 2
Belgium (Ultratop 50 Flanders) / 3
Belgium (Ultratop 50 Wallonia) / 8
Canada Top Singles (RPM) / 9
Ireland (IRMA) / 7
Netherlands (Single Top 100) / 1
South Africa (Springbok Radio) / 12
Sweden (Kvällstoppen) / 2
Switzerland (Schweizer Hitparade) / 6
UK Singles (OCC) / 1
US Billboard Hot 100 / 9
US Cash Box Top 100 / 8
West Germany (GfK) / 1
Appearance in other media
The song has appeared in numerous movies and television programs, including the soundtracks of the 1989 American film Drugstore Cowboy and the 2010 British film Made in Dagenham.
On November 3, 2019, Israelites was prominently featured in the third episode of HBOs Watchmen. Potentially because of this usage, the song charted again, entering the Billboard Digital Reggae Song Sales Chart at no.2.
In 1989 the song was used as part of an advertising campaign by Hitachi’s Maxell tapes brand.
🔗 [LINKS]
Available on Apple Music:
https://music.apple.com/us/album/how-reggae-is-that-elephant-overthere/977004024
#rocksteady
#reggae
#reggaepop Owen Gray - Israelites (Desmond Dekker & the Aces Cover)](https://i.ytimg.com/vi/jldUyIC2eR8/mqdefault.jpg)
![The Sober Sisters & The Dirty Four - Gimme Gimme Gimme (Alternative Rock, ABBA Cover)
From RocknRoll Party
Label: New Lifeshark Records – NLR 028
Format: CD, Album
Country: Germany
Released: 2002
Tracklist
01. Rama Lama Ding Dong
02. Under The Boardwalk
03. Stop In The Name Of Love
04. Needles And Pins
05. Locomotion
06. Daddy Cool
07. Mr. Postman
08. Tainted Love
09. Do You Love Me
10. Denis Denis
11. Shoop Shoop Song
12. Gimme Gimme Gimme
13. Radar Love
14. Shout
15. Rockaway Beach
16. Blitzkrieg Bop
Acoustic Guitar – Tim Buktu (tracks: 7, 10)
Piano – Tim Buktu (tracks: 9, 14)
Saxophone – Carlos (track: 3)
Producer, Recorded By – Tim Buktu
Notes
Recorded and produced April 2002 at Studio Manufaktur Wuppertal by Tim Buktu and the Band.
℗ New Lifeshark Records
🎵 [SONG INFO]
Gimme! Gimme! Gimme! (A Man After Midnight) is a song by Swedish band ABBA.
It was recorded in August 1979 in order to help promote their North American and European tour of that year, and was released on ABBAs Greatest Hits Vol. 2 album as the brand new track.
History
Gimme! Gimme! Gimme! (A Man After Midnight) was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.
Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different from her own existence.
The melody line of the song was played on an ARP Odyssey synthesizer.
Originally, ABBA had recorded another song, Rubber Ball Man, which was planned as a single.
It featured the typical ABBA-arrangement with both Fältskog and Anni-Frid Lyngstad on lead vocals and the use of classical strings.
This song was also performed by the group during rehearsals for its 1979 tour as Under My Sun.
However, the group felt that Gimme! Gimme! Gimme!, with its disco sound, would be a better choice, and thus, Rubber Ball Man remained nothing more than a demo.
Reception
Cash Box called it another exercise of sparkling euro-pop, with the slightest hint of boogie bottom to give the song an edge.
The song is notable as being one of two works in ABBAs discography (the other being Dancing Queen) that have gone on to become gay anthems.
Gimme! Gimme! Gimme! (A Man After Midnight) was another highly successful song for ABBA.
It hit no. 1 in Belgium, Finland, France, Ireland, and Switzerland, while reaching the top 3 in Austria, West Germany, the United Kingdom, the Netherlands, and Norway.
It also proved to be ABBAs most successful song in Japan, hitting no. 17.
Cover versions
Gimme! Gimme! Gimme! (A Man After Midnight) was A-Teens third single (fourth in other territories) from their first album The ABBA Generation, a collection of ABBA cover versions.
When the single was released in 1999 in Sweden, it earned a Gold certification. It also became their third top ten hit there and the bands third top 40 hit in Germany. The song peaked at no. 51 in Switzerland, no. 27 in the Netherlands, no. 20 in Mexico, and no. 22 in Argentina and Chile.
In 2001, the song was covered by the first edition of the French TV reality show Star Academy 1.
The song was credited to Olivia Ruiz, Jenifer Bartoli and Carine Haddadou, three of the contestants.
This version went straight to no. 1 in France, dislodging Star Academys previous hit, La Musique (Angelica), and stayed atop for two weeks.
American singer and actress Cher covered the song on her album Dancing Queen, released on 28 September 2018.
Chers version is the lead single on the album.
The accompanying audio video for Gimme! Gimme! Gimme! (A Man After Midnight) was premiered through Chers official YouTube channel on 9 August 2018.
An extended version of the track was later released on 14 September 2018.
The song peaked at number 4 on the Hot Dance Club Songs chart.
Gimme! Gimme! Gimme! (A Man After Midnight) was the first single released from the soundtrack for the 2008 film version of Mamma Mia! by American actress Amanda Seyfried, who plays Sophie in the film.
In the film, only the chorus is sung while the rest of the song is instrumental, much like the original stage play.
On the soundtrack, Seyfried sings the complete song as a solo performance, and also does the same in a music video to promote the movie.
The version on the soundtrack is a minute shorter than the version featured on the films tie-in website.
In 1986, Erasure released a live version of the song as a B-side to their single Oh Lamour and then in 1987 on their US version of the album The Two Ring Circus.
Abbacadabra released a cover of the song on their album Abbasalute through Almighty Records in 1992. Mixes of the groups cover version were most recently included on its 2008 compilation We Love ABBA: The Mamma Mia Dance Compilation.
🔗 [LINKS]
https://www.newlifeshark.de/
https://newlifeshark.bandcamp.com/album/1
#thesobersisters
#thedirtyfour
#gimmegimmegimme
#alternativerock
#abbacover The Sober Sisters & The Dirty Four - Gimme Gimme Gimme (Alternative Rock, ABBA Cover)](https://i.ytimg.com/vi/k7gQngSIL7U/mqdefault.jpg)