Heavens Gate Cult Initiation Tape Part 1JayDowns2026-09-21 | Heavens Gate Cult Initiation Tape Part 1David Koresh 01 Voice Of Fire- Book Of DanielJayDowns2020-11-30 | Upload your mp3 to Youtube at audioship.io01 Voice Of Fire- Book Of DanielJayDowns2020-11-30 | Upload your mp3 to Youtube at audioship.ioMessage from Isakin Jonsson 1JayDowns2016-04-11 | Artist Isakin Jonsson on camera in Katrineholm , SwedenMessage from Isakin Jonsson 2JayDowns2016-04-11 | Artist Isakin Jonsson on camera in Katrineholm SwedenDan Kahn - Cadillac GirlJayDowns2013-03-20 | ...Dan Kahn - Lincoln BeachJayDowns2013-03-20 | ...Dan Khan - Desire and LawJayDowns2012-12-28 | ...Eddie Noack - The Poor ChineeJayDowns2011-06-27 | ...Alice Donut - Bucket , Forks , PockJayDowns2010-11-08 | ...The Bugs - Strangler In The NightJayDowns2010-11-07 | ...Eddie Noack - Invisible StripesJayDowns2010-11-06 | ...Charlie Patton - Prayer of Death (1929)JayDowns2010-10-24 | Born in April 1891, between Edwards and Bolton in southern Mississippi, Charley Patton was the scrawny child of sharecropper parents. In 1900, his family moved 100 miles north to the Delta and the Will Dockery Plantation. There Patton fell under the spell of guitarist Henry Sloan and would follow him to gigs. By 1910, he had become proficient as a performer and songwriter, having already composed "Down The Dirt Road Blues," a slow drag called "Banty Rooster Blues," and his theme song "Pony Blues."
After the turn of the decade Patton began playing with Willie Brown, a guitarist who would later become a regular on his recordings. Patton's music began to exert considerable influence; guitarist Tommy Johnson had moved to the Dockery vicinity circa 1913 and was soon playing Delta blues including Patton's "Pony Blues." Around 1914, Patton began playing his guitar with members of the Chatmon family, working picnics and frolics. Bo, Sam, and Lonnie Chatmon and guitarist Walter Vinson later would gain fame as the Mississippi Sheiks. Bo Chatmon also recorded many titles as soloist Bo Carter. Patton continued playing and rambling around the Delta, going north to Memphis and as far west as Arkansas and Louisiana. By 1926, a young Robert Johnson had begun following Patton and Brown to gigs trying to learn from the veteran guitarists. Patton made his first recording in June 1929, cutting fourteen songs for the Paramount label, all issued on 78s. Such was the success of his initial session that he was invited four months later to Paramount's new studio in Grafton, Wisconsin, where he recorded twenty-eight additional tunes. Patton's polyrhythmic picking, accompanied by tapping the body of the guitar, created an intricate dance melody that its author could play for thirty minutes or more. Son House, who recorded in a 1930 session that also featured Patton and Brown, recalled that Charley "clowned" for an audience by playing the guitar behind his back or between his knees. Patton included regional landmarks in his tunes - places that a local record-buying audience would be familiar with, including a Moorehead, Mississippi railroad crossing, "Where The Southern Crosses The Dog," in "Green River Blues" and Parchman Farm in "A Spoonful Blues."
Howlin' Wolf, who moved to Dockery in 1926, recalled seeing Patton on the town square in Drew, not far from Dockery Plantation. Patton's hypnotic three-note songs also deeply influenced Clarksdale's John Lee Hooker, who recorded his own version of Patton's "Pea Vine Blues." Bukka White also cited a desire "to come to be a famous man, like Charley Patton," and demonstrated a similar knack for playing dance songs for extended periods. Patton's last recording session was in New York City in February 1934, two months before his death.
Charley Patton died April 28, 1934, at 350 Heathman Street in Indianola, Mississippi. Patton's grave is located in Holly Ridge, Mississippi, and the tombstone acknowledges his pivotal role in the development of the Delta Blues.Song For Tura SatanaJayDowns2010-08-16 | My cover of The Mountain Goats track "Song For Tura Satana".postal2JayDowns2010-08-15 | ...Jeffrey Dahmer ClipJayDowns2010-08-13 | Masturbating All Over The Place!Deep Ellum Blues (1985)JayDowns2010-08-09 | Deep Ellum is a place -- a part of Dallas, Texas. Deep Ellum, along with its legendary music scene built by the likes of Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely, all but disappeared with the construction of Central Expressway in the 1950s. This film is one of three short films in the Living Texas Blues series which explores the 1920's and 1930's night life in Dallas through the music of Bill Neely. For more information, see Alan Govenar, Meeting the Blues: The Rise of the Texas Sound (Da Capo, 1995) and Alan Govenar, The Early Years of Rhythm and Blues (Schiffer Publishing, 2004)J.T. Funny Paper Smith - Seven Sisters Blues Part 1JayDowns2010-08-02 | J.T. "Funny Paper" Smith was a pioneering force behind the development of the Texas blues guitar style of the pre-war era; in addition to honing a signature sound distinguished by intricate melody lines and simple, repetitive bass riffs, he was also a gifted composer, authoring songs of surprising narrative complexity. A contemporary of such legends as Blind Lemon Jefferson and Dennis "Little Hat" Jones, next to nothing concrete is known of John T. Smith's life; assumed to have been born in East Texas during the latter half of the 1880s, he was a minstrel who wandered about the panhandle region, performing at fairs, fish fries, dances and other community events (often in the company of figures including Tom Shaw, Texas Alexander and Bernice Edwards). Smith settled down long enough to record some 22 songs between 1930 and 1931, among them his trademark number "Howling Wolf Blues, Parts One and Two"; indeed, he claimed the alternate nickname "Howling Wolf" some two decades before it was appropriated by his more famous successor, Chester Burnett. (The true story behind Smith's more common nickname remains a matter of some debate -- some blues archivists claim he was instead dubbed "Funny Papa," with the "Funny Paper" alias resulting only from record company error.) His career came to an abrupt end during the mid-'30s, when he was arrested for murdering a man over a gambling dispute; Smith was found guilty and imprisoned, and is believed to have died in his cell circa 1940.
PART 1
They tell me Seven Sisters in New Orleans that can really fix a man up right They tell me Seven Sisters in New Orleans that can really fix a man up right And I'm headed for New Orleans, Louisiana, I'm travelin' both day and night.
I hear them say the oldest Sister look just like she's 21 I hear them say the oldest Sister look just like she's 21 And said she can look right in your eyes and tell you just exactly what you want done.
They tell me they've been hung, been bled, and been crucified They tell me they've been hung, been bled, and been crucified But I just want enough help to stand on the water and rule the tide.
It's bound to be Seven Sisters, 'cause I've heard it by everybody else It's bound to be Seven Sisters, I've heard it by everybody else Course, I'd love to take their word, but I'd rather go and see for myself.
When I leave the Seven Sisters, I'll pile stones all around When I leave the Seven Sisters, I'll pile stones all around And go to my baby and tell her, "There's another Seven Sister man in town."
Good morning, Seven Sisters, just thought I'd come down and see Good morning, Seven Sisters, I thought I'd come down to see Will you build me up where I'm torn down, and make me strong where I'm weak?The Night Tulsa Burned Part 6JayDowns2010-08-01 | In 1921, the Tulsa, Oklahoma neighborhood of Greenwood was one of the most affluent all-black communities in America. Known as the ""Black Wall Street,"" it covered 40 square blocks and boasted more than 600 businesses and 15,000 residents. THE NIGHT TULSA BURNED tells the long-buried tale of the tragic hours that brought Greenwood to a fiery end, and the misunderstanding that prompted the violence. The story is told through the testimony of survivors and hundreds of photos from the Tulsa museum that show Greenwood before and after the horror. It started when a white elevator operator accused 19-year-old Greenwood resident Dick Rowland of assault. Angry mobs descended on the neighborhood and burned it to the ground, killing scores, injuring hundreds and destroying over 1,000 homes and businesses. Despite the fact that Rowland was later cleared of any offense, no one was ever charged with any wrongdoing, no reparations were ever made and accounts of the riot were literally cut out of the newspaper archives as Tulsa tried to erase accounts and memories of the events. IN SEARCH OF HISTORY exposes one of the darkest chapters in the history of American race relations.The Night Tulsa Burned Part 5JayDowns2010-08-01 | In 1921, the Tulsa, Oklahoma neighborhood of Greenwood was one of the most affluent all-black communities in America. Known as the ""Black Wall Street,"" it covered 40 square blocks and boasted more than 600 businesses and 15,000 residents. THE NIGHT TULSA BURNED tells the long-buried tale of the tragic hours that brought Greenwood to a fiery end, and the misunderstanding that prompted the violence. The story is told through the testimony of survivors and hundreds of photos from the Tulsa museum that show Greenwood before and after the horror. It started when a white elevator operator accused 19-year-old Greenwood resident Dick Rowland of assault. Angry mobs descended on the neighborhood and burned it to the ground, killing scores, injuring hundreds and destroying over 1,000 homes and businesses. Despite the fact that Rowland was later cleared of any offense, no one was ever charged with any wrongdoing, no reparations were ever made and accounts of the riot were literally cut out of the newspaper archives as Tulsa tried to erase accounts and memories of the events. IN SEARCH OF HISTORY exposes one of the darkest chapters in the history of American race relations.The Night Tulsa Burned Part 4JayDowns2010-08-01 | In 1921, the Tulsa, Oklahoma neighborhood of Greenwood was one of the most affluent all-black communities in America. Known as the ""Black Wall Street,"" it covered 40 square blocks and boasted more than 600 businesses and 15,000 residents. THE NIGHT TULSA BURNED tells the long-buried tale of the tragic hours that brought Greenwood to a fiery end, and the misunderstanding that prompted the violence. The story is told through the testimony of survivors and hundreds of photos from the Tulsa museum that show Greenwood before and after the horror. It started when a white elevator operator accused 19-year-old Greenwood resident Dick Rowland of assault. Angry mobs descended on the neighborhood and burned it to the ground, killing scores, injuring hundreds and destroying over 1,000 homes and businesses. Despite the fact that Rowland was later cleared of any offense, no one was ever charged with any wrongdoing, no reparations were ever made and accounts of the riot were literally cut out of the newspaper archives as Tulsa tried to erase accounts and memories of the events. IN SEARCH OF HISTORY exposes one of the darkest chapters in the history of American race relations.The Night Tulsa Burned Part 3JayDowns2010-08-01 | In 1921, the Tulsa, Oklahoma neighborhood of Greenwood was one of the most affluent all-black communities in America. Known as the ""Black Wall Street,"" it covered 40 square blocks and boasted more than 600 businesses and 15,000 residents. THE NIGHT TULSA BURNED tells the long-buried tale of the tragic hours that brought Greenwood to a fiery end, and the misunderstanding that prompted the violence. The story is told through the testimony of survivors and hundreds of photos from the Tulsa museum that show Greenwood before and after the horror. It started when a white elevator operator accused 19-year-old Greenwood resident Dick Rowland of assault. Angry mobs descended on the neighborhood and burned it to the ground, killing scores, injuring hundreds and destroying over 1,000 homes and businesses. Despite the fact that Rowland was later cleared of any offense, no one was ever charged with any wrongdoing, no reparations were ever made and accounts of the riot were literally cut out of the newspaper archives as Tulsa tried to erase accounts and memories of the events. IN SEARCH OF HISTORY exposes one of the darkest chapters in the history of American race relations.The Night Tulsa Burned Part 2JayDowns2010-08-01 | In 1921, the Tulsa, Oklahoma neighborhood of Greenwood was one of the most affluent all-black communities in America. Known as the ""Black Wall Street,"" it covered 40 square blocks and boasted more than 600 businesses and 15,000 residents. THE NIGHT TULSA BURNED tells the long-buried tale of the tragic hours that brought Greenwood to a fiery end, and the misunderstanding that prompted the violence. The story is told through the testimony of survivors and hundreds of photos from the Tulsa museum that show Greenwood before and after the horror. It started when a white elevator operator accused 19-year-old Greenwood resident Dick Rowland of assault. Angry mobs descended on the neighborhood and burned it to the ground, killing scores, injuring hundreds and destroying over 1,000 homes and businesses. Despite the fact that Rowland was later cleared of any offense, no one was ever charged with any wrongdoing, no reparations were ever made and accounts of the riot were literally cut out of the newspaper archives as Tulsa tried to erase accounts and memories of the events. IN SEARCH OF HISTORY exposes one of the darkest chapters in the history of American race relations.The Night Tulsa Burned Part 1JayDowns2010-08-01 | In 1921, the Tulsa, Oklahoma neighborhood of Greenwood was one of the most affluent all-black communities in America. Known as the ""Black Wall Street,"" it covered 40 square blocks and boasted more than 600 businesses and 15,000 residents. THE NIGHT TULSA BURNED tells the long-buried tale of the tragic hours that brought Greenwood to a fiery end, and the misunderstanding that prompted the violence. The story is told through the testimony of survivors and hundreds of photos from the Tulsa museum that show Greenwood before and after the horror. It started when a white elevator operator accused 19-year-old Greenwood resident Dick Rowland of assault. Angry mobs descended on the neighborhood and burned it to the ground, killing scores, injuring hundreds and destroying over 1,000 homes and businesses. Despite the fact that Rowland was later cleared of any offense, no one was ever charged with any wrongdoing, no reparations were ever made and accounts of the riot were literally cut out of the newspaper archives as Tulsa tried to erase accounts and memories of the events. IN SEARCH OF HISTORY exposes one of the darkest chapters in the history of American race relations.Going Postal(2009) Part 1 - School and Workplace Shooting DocumentaryJayDowns2010-07-31 | A look at the modern phenomenon of school and work shootings. It looks at the cases of Michael Carneal (1997), Joseph Wesbecker (1989), Charles Andrew Williams (2001, Neal Higdon (2008, and Steven Kazmierczak (2008) all of whom snapped and went postalJohnny Mathis - Caryl ChessmanJayDowns2010-07-30 | "The world has come to know your name, but they don't live your burning pain...now you wait...Chessman what will be your fate...you've done your best, and now you wait...Chessman, what will be your fate?"
Chessman was a 27 year old parolee from Folsom Prison who had spent the better part of his adult life in and out of prison in January 1948 when he was arrested in Los Angeles as the Red-Light Bandit. The Bandit would approach victims parked in lonely spots, flash a red light resembling that used by the police, and rob the victims -- sometimes taking the woman to another area and forcing her to perform sexual acts with him.
Chessman signed a confession, which he later recanted, saying that it had resulted from police brutality. But eyewitness testimony from the women he assaulted and a mountain of evidence led to his conviction on seventeen counts, ranging from robbery to kidnapping. The jury determined that one of the kidnapping counts included bodily harm of the victim. Under California's "Little Lindbergh" law passed in 1933, in cases involving kidnapping with bodily harm the sentence was either life in prison without possibility of parole or death. The jury did not recommend mercy, so death in the gas chamber was the automatic sentence for Chessman.
Then began a 12 year struggle by Chessman to escape the gas chamber in San Quentin Prison. Cell 2455 in death row was his address, and he wrote 4 books in his own defense. All were very popular, and some were translated into other languages. They were to no avail, however, and after 8 stays of execution he was finally executed on May 2, 1960.Myra Hindley : The Prison Years Part 5JayDowns2010-06-30 | ...Myra Hindley : The Prison Years Part 4JayDowns2010-06-30 | ...Myra Hindley : The Prison Years Part 3JayDowns2010-06-29 | ...Myra Hindley : The Prison Years Part 2JayDowns2010-06-29 | Myra Hindley : The Prison Years Part 2Myra Hindley : The Prison Years Part 1JayDowns2010-06-29 | Myra Hindley : The Prison Years documentary.Son Of Hitler (1978) Part 7JayDowns2010-06-27 | ...Son Of Hitler (1978) Part 6JayDowns2010-06-27 | ...Son Of Hitler (1978) Part 3JayDowns2010-06-26 | ...Son of Hitler (1978) Part 2JayDowns2010-06-26 | A West German-British co-production, filmed September 1977-January 1978, never picked up for distribution outside Germany due to its subject.
The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler. He kidnaps the young man from a mental institution and prepares him to start the Fourth Reich.Son Of Hitler (1978) Part 10JayDowns2010-06-26 | A West German-British co-production, filmed September 1977-January 1978, never picked up for distribution outside Germany due to its subject.
The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler. He kidnaps the young man from a mental institution and prepares him to start the Fourth Reich.Son Of Hitler (1978) Part 8JayDowns2010-06-26 | A West German-British co-production, filmed September 1977-January 1978, never picked up for distribution outside Germany due to its subject.
The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler. He kidnaps the young man from a mental institution and prepares him to start the Fourth Reich.Son Of Hitler (1978) Part 5JayDowns2010-06-26 | A West German-British co-production, filmed September 1977-January 1978, never picked up for distribution outside Germany due to its subject.
The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler. He kidnaps the young man from a mental institution and prepares him to start the Fourth Reich.Son Of Hitler (1978) Part 4JayDowns2010-06-26 | A West German-British co-production, filmed September 1977-January 1978, never picked up for distribution outside Germany due to its subject.
The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler. He kidnaps the young man from a mental institution and prepares him to start the Fourth Reich.Son Of Hitler (1978) Part 1JayDowns2010-06-26 | A West German-British co-production, filmed September 1977-January 1978, never picked up for distribution outside Germany due to its subject.
The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler. He kidnaps the young man from a mental institution and prepares him to start the Fourth Reich.The Moors Murders Code 6JayDowns2010-06-25 | The Moors Murders Code 6The Moors Murders Code 5JayDowns2010-06-25 | The Moors Murders Code 5The Moors Murders Code 4JayDowns2010-06-25 | The Moors Murders Code 4The Moors Murders Code 3JayDowns2010-06-25 | The Moors Murders Code 3The Moors Murders Code 2JayDowns2010-06-25 | The Moors Murders Code 2The Moors Murders Code 1JayDowns2010-06-25 | The Moors Murders Code 1Ian Brady - The Right to Die 6JayDowns2010-06-22 | Ian Brady - The Right to Die 6Ian Brady - The Right to Die 5JayDowns2010-06-22 | Ian Brady - The Right to Die 5Ian Brady - The Right to Die 4JayDowns2010-06-22 | Ian Brady - The Right to Die 4Ian Brady - The Right to Die 3JayDowns2010-06-22 | Ian Brady - The Right to Die 3Ian Brady - The Right to Die 2JayDowns2010-06-22 | ...