Eugène Gigout: Toccata Nr. 4 h-Moll, gespielt von Eugène Gigout auf der Britannic-Orgel HKB Institut Interpretation 2026-09-19 | Eugène Gigout: Toccata Nr. 4 h-Moll, gespielt von Eugène Gigout auf der Britannic-Orgel
Pierre Rode: 3 Capricen – Ha-Na Lee, Violine HKB Institut Interpretation 2023-09-01 | 00:00 - Start05:34 - Caprice Nr. 1 (Einführung)06:35 - Caprice Nr. 1 in C-Dur09:56 - Caprice Nr. 8 (Einführung)11:09 - Caprice Nr. 8 in fis-Moll13:02 - Caprice Nr. 13 (Einführung)13:42 - Caprice Nr. 13 in Ges-Dur18:09 - CreditsPierre Rode schrieb seine 24 Capricen als eine Art Kompendium des damals noch neuen, französischen Violinspiels. Ha-Na Lee versucht, sich mit Hilfe des Interpretationsforschers Johannes Gebauer dieser Spielart wieder zu nähern und drei der Capricen im originalen Klangbild und unter Berücksichtigung historischer Quellen zum Leben zu erwecken.https://www.hkb-interpretation.ch/projekte/embodiment
Rubebe, rubechette e rubecone 11: Anonimo, Pase el agua – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | In the last video of our concert “Rubebe, rubechette e rubecone” we sing and play the canción “Pase el agua” from the Cancionero de Palacio with Soprano, bray harp, three rababs, plectrum lute and percussion.11. Anónimo (Spain, 15th c.), ”Pase el agua”, Cancionero de Palacio, fol. ccxlvj vensemble arcimboldo, BaselGrace Newcombe – soprano, bray harpFélix Verry – alto rababThilo Hirsch - tenor rababLeonardo Bortolotto – bass rababPeppe Frana - plectrum luteTitus Bellwald - tarThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum.Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubechette e rubecone 10: Anonimo, Jançu janto – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | In the penultimate video of our concert “Rubebe, rubechette e rubecone” we play an instrumental version of “Jançu Janto” from the Cancionero de Palacio with three rababs, bray harp, plectrum lute and percussion.10. Anónimo (Spain, 15th c.), ”Jançu Janto”, Cancionero de Palacio, fol. cxliij vensemble arcimboldo, BaselGrace Newcombe – bray harpFélix Verry – alto rababThilo Hirsch - tenor rababLeonardo Bortolotto – bass rababPeppe Frana - plectrum luteTitus Bellwald - tarThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum.Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubechette e rubecone 9: Anonimo, Por mayo era – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | In the ninth video of our concert “Rubebe, rubechette e rubecone” we sing and play a romance from the Cancionero de Palacio with soprano, three rababs, plectrum lute and percussion.9. Anónimo (Spain, 15th c.), ”Por Mayo era”, Cancionero de Palacio, fol. lvj vensemble arcimboldo, BaselGrace Newcombe - sopranoFélix Verry – alto rababThilo Hirsch - tenor rababLeonardo Bortolotto – bass rababPeppe Frana - plectrum luteTitus Bellwald - tarThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum. Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubechette e rubecone 8: Francesco Landini, Si fossi certo – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | In the eighth video of our concert “Rubebe, rubechette e rubecone” we play another piece from the Squarcialupi codex with rabab 'consort' as mentioned in Simone de’ Prodenzanis Saporetto from 1425.8. Francesco Landini (ca. 1324–1397), “Si fossi certo”, Squarcialupi codex, fol. 138rensemble arcimboldo, BaselFélix Verry – alto rababThilo Hirsch – tenor rababLeonardo Bortolotto – bass rababThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum. Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubecchette e rubecone 7: Andrea da Firenze, Pianto non partira – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | In the seventh video of our concert “Rubebe, rubechette e rubecone” we play a piece from the Squarcialupi codex for soprano, alto rabab and tenor rabab.7. Andrea da Firenze (ca. 1350–1415), “Pianto non partira”, Squarcialupi codex, fol. 192vensemble arcimboldo, BaselGrace Newcombe – sopranoFélix Verry – alto rababThilo Hirsch – tenor rababThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum. Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubecchette e rubecone 6: Francesco Landini, Lalma mie piange – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | In the sixth video of our concert “Rubebe, rubechette e rubecone” we play a piece from the Squarcialupi codex for alto rabab, tenor rabab and bass rabab as described in Simone de’ Prodenzanis Saporetto from 1425.6. Francesco Landini (ca. 1324–1397), “L’alma mie piange”, Squarcialupi codex, fol. 131rensemble arcimboldo, BaselFélix Verry – alto rababThilo Hirsch – tenor rababLeonardo Bortolotto – bass rababThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum.Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubecchette e rubecone 5: Abril Padilla, Hétérophonie 3 – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | In the fifth video of our concert “Rubebe, rubechette e rubecone” we play the premiere of a contemporary piece by Abril Padilla for alto rabab, tenor rabab, bass rabab and ‘handyband’.5. Abril Padilla (*1970), Hétérophonie 3, for three rababs and handyband.For this piece we had the score on our mobile phones and while it scrolled along the screen, three different audio files sounded from the mobile phone speakers.ensemble arcimboldo, BaselFélix Verry – alto rababThilo Hirsch – tenor rababLeonardo Bortolotto – bass rababThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum.Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubecchette e rubecone 4: Andalusi, Yā ‘oššāq aya sabri – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | Fourth video from the concert: “Rubebe, rubechette e rubecone - Early and contemporary music for skin-covered bowed string instruments, voice, harp, plectrum lute and percussion” with the ensemble arcimboldo (2023).4. Traditional andalusi, “Yā ‘oššāq aya sabri”, Ṣan’a 14 der Nūba al-‘UššāqWe play this Ṣan’a in a typical andalusi heterophonic style in which the bass rabab rhythmically subdivides and sometimes ornaments the main melody. The alto rabab also plays the melody but in a more linear way with diminutions.ensemble arcimboldo, BaselGrace Newcombe - sopranoFélix Verry – alto rababThilo Hirsch - bass rababPeppe Frana - plectrum luteTitus Bellwald - tarThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum.Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubecchette e rubecone 3: Anonimo, Quién hubiese tal ventura – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | Third video from the concert: “Rubebe, rubechette e rubecone - Early and contemporary music for skin-covered bowed string instruments, voice, harp, plectrum lute and percussion” with the ensemble arcimboldo (2023).3. Anónimo (Spain, 15th century), “Quién hubiese tal ventura”, based on: Diego Pisador, Libro de Música de Vihuela, Salamanca 1552, fol. vrWe play this romance in a heterophonic style in which the bass rabab rhythmically subdivides and sometimes ornaments the main melody. The alto rabab also plays the melody but in a more linear way with diminutions (similar to Moroccan andalusi music).ensemble arcimboldo, BaselGrace Newcombe - sopranoFélix Verry – alto rababThilo Hirsch - bass rababPeppe Frana - plectrum luteTitus Bellwald - tarThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum.Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubecchette e rubecone 2: Cantiga 110, Tant’ é Santa María – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | Second video from the concert: “Rubebe, rubechette e rubecone - Early and contemporary music for skin-covered bowed string instruments, voice, harp, plectrum lute and percussion” with the ensemble arcimboldo (2023).2. Alfonso X./ Anónimo, “Tant’ é Santa María de ben mui comprida”, Cantigas de Santa María, Cantiga 110, E-Codex (códice de los músicos), Ms. b-I-2, fol. 118rWe play this Cantiga in a heterophonic style in which the rabab rhythmically subdivides and sometimes ornaments the main melody (similar to Moroccan andalusi music).ensemble arcimboldo, BaselGrace Newcombe - soprano, bray harpFélix Verry - fiddleThilo Hirsch - tenor rababPeppe Frana - plectrum luteTitus Bellwald - tarThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum.Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
Rubebe, rubechette e rubecone 1: Cantiga 100, Santa maría strela do día – ensemble arcimboldo HKB Institut Interpretation 2023-08-24 | First video from the concert: “Rubebe, rubechette e rubecone - Early and contemporary music for skin-covered bowed string instruments, voice, harp, plectrum lute and percussion” with the ensemble arcimboldo (2023).1. Alfonso X./ Anónimo, "Santa María, strela do día", Cantigas de Santa María, Cantiga 100, T-Codex (códice rico), Ms. T-I-1, fol. 145rWe play this cantiga in a heterophonic style in which the rabab rhythmically subdivides and sometimes ornaments the main melody (similar to Moroccan andalusi music).ensemble arcimboldo, BaselGrace Newcombe - soprano, bray harpFélix Verry - fiddleThilo Hirsch - tenor rababPeppe Frana - plectrum luteTitus Bellwald - tarThe concert took place as part of the symposium "Rabab & Rebec - Skin-covered Stringed Instruments of the Late Middle Ages and Renaissance and their Non-European Relatives" at the Hochschule der Künste Bern HKB. https://www.hkb-interpretation.ch/rabab-rebecLive recording on 29 April 2023 at the Bernisches Historisches Museum. Audio and video production: Oren Kirschenbaum. Funded by: Swiss National Science Foundation, Fachausschuss Musik BS/BL, Schweizerische Interpretenstiftung SIS, Gesellschaft zu Schuhmachern Bern, Burgergemeinde Bern.
RBIC 25 Carolin Müller HKB Institut Interpretation 2023-05-08 | Carolin Müller (Jerusalem)Neocolonial Appropriations of Nineteenth Century Military Brass Music. The Case of Dresden’s “Stahlhelm-Kapelle” Performing the “Südwestafrikanischer Reitermarsch” Paper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 7 Anneke Scott HKB Institut Interpretation 2023-04-29 | Anneke Scott (Cardiff)“Another Voice that Sings”. Portamento and Timbral Shifts on the Natural HornPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 14 Sandy Coffin HKB Institut Interpretation 2023-04-28 | Sandy Coffin (Glasgow)Training and Entertaining. Brass Chamber Music Repertoire in Mid-Nineteenth-Century ParisMusical exerpts by The Wallace CollectionPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 20 Ignace DeKeyser HKB Institut Interpretation 2023-04-28 | Ignace De Keyser (Brussels)On the Social Acceptance of Brass Instruments in the Nineteenth CenturyPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 13 Jeroen Billiet HKB Institut Interpretation 2023-04-28 | Jeroen Billiet (Brussels)‘Fit for Duty’. Changing Orchestral Needs Instigating Educational Development in the Royal Brussels Conservatoire Horn Classes of the Belle Époque Paper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 16 John Humphries HKB Institut Interpretation 2023-04-28 | John Humphries (Epsom)“Monsieur Meifred, Member of the Orchestra at the Opéra (Brass and Literature Sections)”Paper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 28 Adrian v. Steiger HKB Institut Interpretation 2023-04-28 | Adrian v. Steiger (Bern)The Hundwil Convolute. A Wind Band of the First Half of the Nineteenth Century Paper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 26 Pedro Henrique de Souza Rosa HKB Institut Interpretation 2023-04-27 | Pedro Henrique de Souza Rosa (Köln)Lecture Recital: The Brazilian Cornet. Rediscovering a Forgotten TraditionPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 22 John Manganaro HKB Institut Interpretation 2023-04-27 | John Manganaro (Oberkotzau)False Friends: The Historical Context of GestopftPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 19 Bruno Kampmann HKB Institut Interpretation 2023-04-27 | Bruno Kampmann (Paris)The Brasswind Mouthpiece in France: Evolution and PatentsPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 18 Stewart Carter HKB Institut Interpretation 2023-04-27 | Stewart Carter (Winston-Salem)Low Brass Instruments for the Italian Orchestra and the Congresso dei musicisti italiani in Milan,1881Paper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 17 Sabine K. Klaus HKB Institut Interpretation 2023-04-27 | Sabine K. Klaus (Lewes/Vermillion)Florentine Besson née Ridoux and the Birth of the Modern TrumpetPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 3 Maciej Kierzkowski HKB Institut Interpretation 2023-04-27 | Maciej Kierzkowski (Warszawa)The Cornet and the Polish Primary Sources Dated from 1826 to 1830Paper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 24 Karina Zybina HKB Institut Interpretation 2023-04-27 | Karina Zybina (Salzburg/Uppsala)Militarising Mozart: J. V. Gerold and his Zaide arrangements (1846) Paper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 23 Tomasz Grochalski HKB Institut Interpretation 2023-04-27 | Tomasz Grochalski (Wroclaw)Horn Tradition in Nineteenth-Century DresdenPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 15 John Miller HKB Institut Interpretation 2023-04-27 | John Miller (Manchester)Amateur Brass Chamber Music in Britain from the 1890s. The Brass Band Quartet TraditionMusical exerpts by The Wallace CollectionPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 12 Robert W. Apple/Stanley Curtis/Friedemann Immer HKB Institut Interpretation 2023-04-27 | Robert W. Apple (Memphis), Stanley Curtis (Fort Collins) and Friedemann Immer (Köln)Lecture Recital: News About the Keyed Trumpet and Rediscovered Solo Works for the Keyed TrumpetPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 11 Joanna Ross Hersey HKB Institut Interpretation 2023-04-27 | Joanna Ross Hersey (Pembroke)‘Unrivaled and Unequaled’. Gender and Brass in Nineteenth-Century AmericaPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 9 Christian Breternitz HKB Institut Interpretation 2023-04-27 | Christian Breternitz (Berlin)New Old Trumpet Playing? Berlin as a Centre of ‘Historical’ Musical Instrument Building Around 1900Paper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
RBIC 8 Jack Adler-McKean/Louis Jake Kline HKB Institut Interpretation 2023-04-27 | Jack Adler-McKean (Manchester) and Louis Jake Kline (Berlin)Lecture Recital: The ‘Wiener’ Tuba. Historical and Contemporary PerspectivesPaper at the Sixth Romantic Brass Symposium "Romantic Brass in Context", Bern (CH), Hochschule der Künste Bern, 20–23 April 2023A conference held in collaboration with the Historic Brass Societyhttps://www.hkb-interpretation.ch/rbicAll rights reserved
Magic Piano – Zeitreise HKB Institut Interpretation 2023-03-04 | Welte-Mignon-Klaviere ermöglichen nicht nur faszinierende Zeitreisen, sondern geben auch Einblick in historische Interpretationsansätze. In den durch Meisterpianistinnen und -pianisten der damaligen Zeit aufgenommenen Klavierrollen sind deren interpretatorische Entscheidungen ablesbar.https://magic-piano.ch/https://www.hkb-interpretation.ch/projekte/magic-piano#weltemignon #reproduktionsklavier #magicpiano #geisterhaende #hkbinterpretation #snf_ch #hotelwaldhaus #klavierrollen
Magic Piano – Interpretationsforschung HKB Institut Interpretation 2023-03-04 | Welte-Mignon-Klaviere ermöglichen nicht nur faszinierende Zeitreisen, sondern geben auch Einblick in historische Interpretationsansätze. In den durch Meisterpianistinnen und -pianisten der damaligen Zeit aufgenommenen Klavierrollen sind deren interpretatorische Entscheidungen ablesbar.https://magic-piano.ch/https://www.hkb-interpretation.ch/projekte/magic-piano#weltemignon #reproduktionsklavier #magicpiano #geisterhaende #hkbinterpretation #snf_ch #hotelwaldhaus #klavierrollen
Tagesschau-Beitrag Magic Piano HKB Institut Interpretation 2022-06-24 | Tagesschau SRF, 22.6.2022https://www.srf.ch/kultur/musik/selbstspielende-klaviere-hier-greift-ein-toter-komponist-in-die-tastenhttps://www.hkb-interpretation.ch/magic-pianohttps://www.magic-piano.ch
Fuge in Rot HKB Institut Interpretation 2021-11-25 | Improvisation zu Paul Klees Bild "Fuge in Rot" im Rahmen der Vernissage des Bandes "Von der Fuge in Rot bis zur Zwitschermaschine. Paul Klee und die Musik", hg. von Thomas Gartmann (Schwabe 2020).6. Oktober 2021 im Zentrum Paul Klee in Bern.Kostenloser Zugang zum Buch: https://www.hkb-interpretation.ch/publikationen/paul-klee-und-die-musik
Zwitschermaschine HKB Institut Interpretation 2021-11-25 | Improvisation über Paul Klees Bild "Zwitschermaschine" im Rahmen der Vernissage des Bandes "Von der Fuge in Rot bis zur Zwitschermaschine. Paul Klee und die Musik", hg. von Thomas Gartmann (Schwabe 2020).6. Oktober 2021 im Zentrum Paul Klee in Bern.Kostenloser Zugang zum Buch: https://www.hkb-interpretation.ch/publikationen/paul-klee-und-die-musik
Harping Like Angels HKB Institut Interpretation 2021-11-13 | Johannes Brahms: Violinsonate in G-Dur op. 78, 1. Satz: Vivace ma non troppo(Simultan eingespielt via Internet, Juni 2020) Violine: Johannes Gebauer (Hans Schmidt, Kassel 1811, Bogen: Dodd-Workshop ca. 1850)Klavier: Sebastian Bausch (Bösendorfer, Wien 1908, Ausführung mit Wiener Mechanik)Dieser Film entstand im Frühsommer 2020 während der Corona-Pandemie und des daraus folgenden Lockdowns. Ursprünglich sollte die Sonate im Rahmen eines Konzertes in Paris im März 2020, veranstaltet durch La Nouvelle Athènes, zur Aufführung kommen. Das Konzert musste kurzfristig abgesagt werden, auch die geplanten gemeinsamen Proben waren nicht mehr möglich. In der Folge suchten wir nach Möglichkeiten, wenigstens gemeinsam zu proben. Nach anfänglichen Verbindungsschwierigkeiten gelang es uns, über eine Internetverbindung simultan zusammen zu spielen, wobei eine Verzögerung des Tonsignals um ca. 20–25 Millisekunden in Kauf genommen werden musste – dies entspricht einer physischen Entfernung von ca. 7–8 Metern. Im Laufe der Arbeit, während der fortdauernden Einschränkungen durch Pandemie und Lockdown, entstand die Idee, daraus ein Videoprojekt zu entwickeln.Inspiriert ist unsere Aufführung von der gemeinsamen jahrelangen Forschungsarbeit zur Interpretationspraxis im 19. Jahrhundert; in der Einleitung sprechen wir über unsere Herangehensweise, die verwendeten Quellen und Instrumente.Simultan aufgenommen in den Privatwohnungen der Interpreten in Berlin und St. Gallen, verbunden via Internet und der Software JamKazam am 11. Juni 2020.Wegen der erschwerten Aufnahmesituation den nicht idealen Räumlichkeiten und den begrenzten technischen Möglichkeiten sollte diese Einspielung als das gesehen werden, was sie ist: ein Experiment in einer schwierigen Zeit.Die Interpreten danken La Nouvelle Athènes für die Unterstützung bei diesem Projekt.https://www.hkb-interpretation.ch/projekte/historisches-embodiment****Johannes Brahms: Violin Sonata in G, op. 78, 1st movement: Vivace ma non troppo(recorded simultaneously via the internet, June 2020) Violin: Johannes Gebauer (Hans Schmidt, Kassel 1811, Bow: Dodd workshop ca. 1850)Piano: Sebastian Bausch (Bösendorfer, Vienna 1908, model with Viennese action)This video was recorded in the early summer of 2020 during the Corona-pandemic and the subsequent lockdown. Originally the sonata was to be performed during a concert in Paris in March 2020, organised by La Nouvelle Athènes. The concert including the planned rehearsals had to be cancelled at short notice.Subsequently we looked into options of at least scheduling some rehearsals. After initial difficulties we managed to play together simultaneously through the internet, while accepting a delay of the audio signal of around 20 to 25ms – which correlates to an effective distance of approximately 7 to 8m. In the course of this work, and while the pandemic restrictions and lockdowns lasted on, we developed the idea to make this video.Our performance is inspired by our years long collaboration in research on the interpretation of 19th century music. In the introduction of the video we discuss our approach, the sources and the instruments used.Recorded simultaneously in the private homes of the performers in Berlin and St. Gallen, connected via the internet and the software JamKazam on 11th June 2020.Owing to the unique recording situation, the less than ideal recording venues and the limited technical facilities, this recording should be judged according to what it is: an experiment during difficult times.The performers would like to thank La Nouvelle Athènes for their support.https://www.hkb-interpretation.ch/projekte/historisches-embodiment
Magic Piano – Tutorial E HKB Institut Interpretation 2021-07-02 | Tutorial to the system of Welte-Mignon by Guido Schmidt, Restorer and technician Welte-Mignon, Waldhaus SilsA video of the project Magic Piano, Bern University of the Arts HKB, 2021https://magic-piano.ch/https://www.hkb-interpretation.ch/projekte/magic-piano
Magic Piano – Tutorial D HKB Institut Interpretation 2021-07-02 | Tutorial zum System von Welte-Mignon mit Guido Schmidt, Restaurator und Techniker Welte-Mignon im Waldhaus SilsEin Beitrag des Projekts Magic Piano, Hochschule der Künste Bern, 2021https://magic-piano.ch/https://www.hkb-interpretation.ch/projekte/magic-piano
Magic Piano – Teaser HKB Institut Interpretation 2021-04-17 | Dieser Teaser verbindet die Bilder und Statements des Films "Magic Piano – Faszination Geisterhände" (youtu.be/MBGG3s5ubLw). Das selbstspielende Welte-Mignon wird mit einer von Geisterhand gespielten Klaviermusik als filmischen Botschafter in Szene gesetzt: zugleich Filmmusik und musikalische Visitenkarte von Magic Piano.https://magic-piano.ch/https://www.hkb-interpretation.ch/projekte/magic-piano#weltemignon #reproduktionsklavier #magicpiano #geisterhaende #hkbinterpretation #snf_ch #hotelwaldhaus #klavierrollen
Magic Piano – Faszination Geisterhände HKB Institut Interpretation 2021-04-17 | Faszination Geisterhände führt in die Blütezeit des Reproduktionsklaviers, in den Salon Bleu im Hotel Waldhaus in Sils Maria, hin zu einem selbstspielenden Klavier: Dieses originale Welte-Mignon ermöglicht eine faszinierende filmische Zeitreise.https://magic-piano.ch/https://www.hkb-interpretation.ch/projekte/magic-piano#weltemignon #reproduktionsklavier #magicpiano #geisterhaende #hkbinterpretation #snf_ch #hotelwaldhaus #klavierrollen
Fit with Rex 3 – Handling the tuba HKB Institut Interpretation 2021-01-25 | Rex Martin, Professor for Tuba at the Bern University of the Arts HKB, shows his prevention exercises and tricks he developed with physiotherapist and researcher Monika Leitner.A film by Rex Martin, Adrian v. Steiger and Michael BunschiBern University of the Arts HKB, 2020http://www.hkb-interpretation.ch/projekte/tuba-ergonomie
Fit with Rex 2 – 4 Supplementary Exercises HKB Institut Interpretation 2021-01-25 | Rex Martin, Professor for Tuba at the Bern University of the Arts HKB, shows his prevention exercises and tricks he developed with physiotherapist and researcher Monika Leitner.A film by Rex Martin, Adrian v. Steiger and Michael BunschiBern University of the Arts HKB, 2020http://www.hkb-interpretation.ch/projekte/tuba-ergonomie
Fit with Rex 1 – 4 Basic Exercises for tuba players HKB Institut Interpretation 2021-01-25 | Rex Martin, Professor for Tuba at the Bern University of the Arts HKB, shows his prevention exercises and tricks he developed with physiotherapist and researcher Monika Leitner.A film by Rex Martin, Adrian v. Steiger and Michael BunschiBern University of the Arts HKB, 2020http://www.hkb-interpretation.ch/projekte/tuba-ergonomie
CLEX INterACTION Trailer HKB Institut Interpretation 2020-10-15 | Marktübliche Kontrabassklarinetten sind Instrumente des Kompromisses: physiologische Gegebenheiten führen dazu, dass Klang und Intonation des tiefsten Instruments der Klarinettenfamilie nur halbwegs befriedigend ausfallen. Die Lösung dafür ist nun ein an der Hochschule der Künste HKB und der Berner Fachhochschule entwickeltes sensorisch-dynamisches Instrument, bei dem die Tonlöcher nach akustischen Massgaben gesetzt wurden. Für die Spielbarkeit sorgen elektronisch gesteuerte Klappen. Das Video zeigt Ausschnitte aus einem Konzert vom 3. September 2020 im Klingenden Museum Bern im Rahmen des Musikfestival Bern. Ernesto Molinari (Clex) Daniel Weissberg und Michael Harenberg (Live-Elektronik)https://www.hkb-interpretation.ch/projekte/contrabassclarinet-extended
The Ehrenreich Collection. Introduction and Virtual Tour HKB Institut Interpretation 2020-09-23 | The Ehrenreich Collection is a collection of opera recordings: over 2000 reel-to-reel tapes comprising around 10’000 hours of private bootleg recordings made between 1965 and 2010 at the major opera venues in New York by the self-proclaimed “pirate queen” Leroy Allan Ehrenreich (1929–2016).At the Bern University of the Arts HKB, these materials are researched on. This video offers an introduction and virtual tour through the collection and on the process of its digitization. Video: DC1 & HKB, 2020Contact: Bern University of the Arts HKB, http://www.hkb-interpretation.ch/projekte/ehrenreich-collection
Tagesschau Beethoven und das Klavier HKB Institut Interpretation 2020-07-01 | Beitrag zu Beethovens Klavieren aus der Hauptausgabe der Tagesschau vom 29.6.2020© SRF/Michael Steinerhttps://www.hkb-interpretation.ch
Joseph Lipavsky: Sonate concertante G major, I. Allegro moderato HKB Institut Interpretation 2020-03-31 | Joseph Lipavsky (1772–1810) Sonate concertante G major I. Allegro moderatoFrancesca Grilletto – Flute (Buffet-Crampon, Paris)Gigliola Di Grazia – Fortepiano (Rosenberger, Vienna, ca. 1840)Score edited by Martin SkamletzHH Edition: editionhh.co.uk/hh420cat.htm Video production: Daniel AllenbachHochschule der Künste Bern HKB, 2019http://www.hkb-interpretation.ch
Wolfgang Amadeus Mozart: Piano Concerto D major K. 537 – II. Larghetto HKB Institut Interpretation 2020-03-31 | Wolfgang Amadeus Mozart (1756–1791)Piano Concerto D major K. 537II. Larghetto [Romanza. Larghetto con moto]arr. for piano solo (ad lib. accompanied by three instruments) by Johann Nepomuk Hummel (1778–1837) Gigliola Di Grazia – Fortepiano (Rosenberger, Vienna, ca 1835/40)The actual movement is – as was common practice of the time – preceded by a short prelude.Score edited by Leonardo Miucci/Gigliola Di Graziaeditionhh.co.uk/hh487cat.htmVideo production: Daniel AllenbachHochschule der Künste Bern HKB, 2019http://www.hkb-interpretation.ch
