Uploaded October 2018 | Updated September 2026, 2 weeks ago
RED's new IPP2 workflow, which is supported in-camera with the latest RED DSMC2 bodies brings a lot to R3D workflows. One of the most important features is the ability to load a custom 33-sided 3D LUT in .cube format into the camera for viewing. In this blog, Ian shows you two scenarios for on set and off set LUT creation.
To read the full post, visit our blog: abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/at-the-bench-loading-luts-on-a-red-with-ipp2-workflow
RED's new IPP2 workflow, which is supported in-camera with the latest RED DSMC2 bodies brings a lot to R3D workflows. One of the most important features is the ability to load a custom 33-sided 3D LUT in .cube format into the camera for viewing. In this blog, Ian shows you two scenarios for on set and off set LUT creation.
To read the full post, visit our blog: abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/at-the-bench-loading-luts-on-a-red-with-ipp2-workflow










![Cine Gear 2018: ZEISS Supreme Primes
Andy had the chance to stop by the ZEISS booth at Cine Gear 2018 and get his hands on the exciting new line of full format cinema lenses from ZEISS: the Supreme Primes. As Rich Schleuning, Senior Director for the Americas at ZEISS, says in the video above, Were on the cusp of something exciting... [full format] gives the filmmaker another creative tool, another choice. As weve covered previously, these new lenses from ZEISS provide many of the features DPs and focus pullers want to see in a standard set of cinema primes: common diamater fronts, focus rotation, gear positions, and size/weight across the bulk of the expanding 12-lens set.
To read the full post, visit our blog: https://www.abelcine.com/articles/blog-and-knowledge/tech-news/cine-gear-2018-zeiss-supreme-primes Cine Gear 2018: ZEISS Supreme Primes](https://i.ytimg.com/vi/s3TMRh7peYM/mqdefault.jpg)