Django Reinhardt & Stéphane Grappelli - Jattendrai Swing 1939 - LIVE! New Orlean Jazz-Pub 2026-09-22 | Django Reinhardt & Stéphane Grappelli - Jattendrai Swing 1939 - LIVE!
Sweet Sisters - Hit the road Jack New Orlean Jazz-Pub 2017-11-28 | Official video of the single " Hit the Road Jack" by the Sweet Sisters. Rosie , Frenchy and Shirley Sweet are walking in the footsteps of the legendary Andrews Sisters, bringing back the swing with a modern groove. Of course, we respect Ray Charles and his great version of this song!Hit the road Jack and don't you come back no more, no more, no more, nomore.Hit the road Jack and don't you come back no more.Hit the road Jack and don't you come back no more, no more, no more, nomore.Hit the road Jack and don't you come back no more.Woo! Woman, oh woman, don't treat me so mean,You're the meanest old woman that I've ever seen.I guess if you said soI'd have to pack my things and go. (That's right)Hit the road Jack and don't you come back no more, no more, no more, nomore.Hit the road Jack and don't you come back no more.Now baby, listen baby, don't-a treat me this-a wayFor I'll be back on my feet some day.Don't care if you do 'cause it's understoodyou ain't got no money you just ain't no good.Well, I guess if you say soI'd have to pack my things and go. (That's right)Hit the road Jack and don't you come back no more, no more, no more, nomore.Hit the road Jack and don't you come back no more.(Repeat and fade)Don't you come back no more.
Scott Joplin Movie Dueling Pianos Competition Scene - 1977 New Orlean Jazz-Pub 2017-11-23 | This is the best clip in the movie Scott Joplin (1977) by Universal Studios
Nat king cole - Nature Boy - LIVE! New Orlean Jazz-Pub 2017-10-16 | There was a boy,A very strange enchanted boy.They say he wandered very far, very farOver land and sea.A little shy and sad of eye,But very wise was he.And then one day,A magic day he passed my way.And while we spoke of many things,Fools and kingsThis he said to me"The greatest thing you'll ever learnIs just to love and be loved in return"."The greatest thing you'll ever learnIs just to love and be loved in return".
Marilyn Monroe - Lazy New Orlean Jazz-Pub 2017-10-04 | Hello!(Here we go!)No sorry,not tonight(That was quick!).Shhh! Yes?(Jim? Jack? Jeffrey?)No,it's just that I'm languid.(Well,how do you do?It's nice to know ya).Physically I'm in pretty good shape(brother,you could say that again!)It's my attitude that's passive,You know you're the only one I love(That's all, he's hooked).Bye now(Bye now)Hello(Where are we again?)No sorry,not tonight(She's languid).Shhh! Quiet!(Bill, Bobby, Bruce?)No,it's just that I'm supine(That's avoided-I know).Physically I'm in pretty good shape(See? she did say it again).But mentally I'm comatose(Quick boy, the dictionary!)You know you're the only one I love!(New fish, same hook)Bye now(Bye now).(She won't get up,she won't go out, baby! what's it all about?Why,why,why,why,why?!)Well,in simple english I'm lazy,I want to be lazy,I long to be out in the sun, with no work to be done.Under that awning they call the sky,Stretching and yawning, and let the world go drifting by,I wouldn't peep through the deep tangled wildwood,counting sheep,'Til I sleep like a child would,With a great big valise full of books to read, where it's peaceful.While I'm killin' time, being lazy.Wrong number,wrong number..Oh Sam,you're sweet!With a great big valise full of books to read,where it's peaceful.While I'm killin' time, being lazy!
Louis Armstrong - Black And Blue New Orlean Jazz-Pub 2017-09-24 | Louis Armstrong & his All Stars live in Berlin 1965Bass -- Arvell ShawClarinet -- Eddie ShuDrums -- Danny BarcelonaPiano -- Billy KyleTrombone -- Tyree GlennTrumpet -- Louis ArmstrongVocals -- Louis ArmstrongCold empty bed...springs hurt my headFeels like ole ned...wished i was deadWhat did i do...to be so black and blueEven the mouse...ran from my houseThey laugh at you...and all that you doWhat did i do...to be so black and blueI'm white...inside...but, that don't help my caseThat's life...can't hide...what is in my faceHow would it end...ain't got a friendMy only sin...is in my skinWhat did i do...to be so black and blue(instrumental break)How would it end...i ain't got a friendMy only sin...is in my skinWhat did i do...to be so black and blue
Billie Holiday & Louis Armstrong - Dixie Music Man - New Orleans 47 LIVE! New Orlean Jazz-Pub 2017-09-24 | From the movie “New Orleans”, 1947“New Orlеаnѕ” іѕ a 1947 American muѕісаl romance fіlm fеаturіng Billie Holiday аѕ a ѕіngіng mаіd аnd Louis Armstrong as a bаndlеаdеr; ѕuрроrtіng players Hоlіdау аnd Armѕtrоng реrfоrm together аnd роrtrау a соuрlе bесоmіng rоmаntісаllу іnvоlvеd. Durіng оnе ѕоng, Armstrong’s character іntrоduсеѕ thе members оf his bаnd, a virtual Who’s Whо of сlаѕѕіс jazz grеаtѕ, іnсludіng trоmbоnіѕt Kіd Orу, drummer Zutty Sіnglеtоn, clarinetist Barney Bіgаrd, guіtаr рlауеr Bud Scott, bаѕѕіѕt Gеоrgе “Red” Callender, ріаnіѕt Chаrlіе Beal, and pianist Mеаdе Lux Lеwіѕ. Also performing іn the fіlm іѕ соrnеtіѕt Mutt Carey and bаndlеаdеr Wооdу Hеrmаn.
John Coltrane - On Green Dolphin Street - LIVE (1960) New Orlean Jazz-Pub 2017-09-15 | This video is from Coltrane's first time in Europe, touring as a member of one of Miles Davis's first great quintets. The footage was taken on March 28, 1960 in Düsseldorf, West Germany, a night Davis sat out. The clip is sourced from the John Coltrane "Jazz Icons" DVD.Tenor Saxophone: John ColtranePiano: Wynton KellyBass: Paul ChambersDrums: Jimmy Cobb
John Coltrane Quartet - Impressions - LIVE! New Orlean Jazz-Pub 2017-09-15 | ImpressionsMcCoy Tyner:PianoJimmy Garrison:BassElvin Jones:Drums
Nat King Cole - Quizás, quizás, quizás - LIVE! New Orlean Jazz-Pub 2017-09-13 | Siempre que te pregunto Qué, cuándo, cómo y dónde Tú siempre me respondes Quizás, quizás, quizás Y así pasan los días Y yo desesperando Y tú, tú contestando Quizás, quizás, quizás Estás perdiendo el tiempo Pensando, pensando Por lo que más tú quieras Hasta cuando, hasta cuando Y así pasan los días Y yo desesperando Y tú, tú contestando Quizás, quizás, quizás Y así pasan los días Y yo desesperando Y tú, tú contestando Quizás, quizás, quizás Estás perdiendo el tiempo Pensando, pensando Por lo que más tú quieras Hasta cuando, hasta cuando Y así pasan los días Y yo desesperando Y tú, tú contestando Quizás, quizás, quizás Quizás, quizás, quizás Quizás - quizás - quizás
Miles Davis - Time After Time - Live 1985 New Orlean Jazz-Pub 2017-09-09 | Live Under The Sky 1985Live At Yomiuri Land Open Theatre East, Tokyo, Japan28th, JulyTime After Time by Rob Hyman, Cyndi LauperFirst release by Cyndi Lauper - 1983Recorder by Miles Davis Youre Under Arrest Album
Elmore James - Canton Mississippi Breakdown New Orlean Jazz-Pub 2017-09-07 | Recorded in 1954 but not released until 1969 on the LP "The Legend Of Elmore James: Anthology of the Blues - Archive Series Volume One". Recorded at Universal Studios, Chicago.Elmore James(Guitar), Raymond Hill(Tenor Sax), Johnny Jones(Piano), Ike Turner(Guitar), Odie Payne Jr.(Drums)
Miles Davis - Live in Montreal Jazz Festival (ft. John Scofield, Bob Berg) New Orlean Jazz-Pub 2017-09-04 | Great live concert of Miles Davis in Montreal Jazz Festival featuring John Scofield and Bob Berg. Amazing sound! Enjoy
Marilyn Monroe - Bye Bye Baby Live In Korea (Rare live recording) New Orlean Jazz-Pub 2017-09-03 | FOOTAGE - Marilyn sings the song Bye Bye Baby to the troops in Korea
Elmore James - Talk to Me Baby New Orlean Jazz-Pub 2017-09-01 | Talked to my baby on the telephone, she saidStop what you're doing and come on homeI can't hold onI can't hold onI get a real good feelingTalking to you on the phoneShe said daddy, don't you worry, don't you cryYou know I love you baby, said you're my heart's desireI can't hold onI can't hold onI get a real good feelingTalking to you on the phoneShe said, daddy don't you worry, don't you cryYou know I love you baby, said you're my heart's desireI can't hold onI can't hold onI get a real good feelingTalking to you on the phoneTalk to me babyTalk to me babyTalk to me babyTalk to me babyI get a real good feelingTalking to you on the phone
Louis Armstrong in Copenhagen LIVE - 1933 - I Cover The Waterfront, Dinah and Tiger Rag HD New Orlean Jazz-Pub 2017-08-28 | ...
Louis Armstrong - Hello Dolly - LIVE in Berlin 1965 New Orlean Jazz-Pub 2017-08-26 | Louis Armstrong & his All Stars live in Berlin 1965Bass -- Arvell ShawClarinet -- Eddie ShuDrums -- Danny BarcelonaPiano -- Billy KyleSax -- Eddie ShuTrombone -- Tyree GlennTrumpet -- Louis ArmstrongVocals -- Louis Armstrong
Lester Young & Coleman Hawkins - LIVE 1958 New Orlean Jazz-Pub 2017-08-24 | Jumpin' with the Synphony Sid"
Midnight Hour Blues - Leroy Carr and Scrapper Blackwell New Orlean Jazz-Pub 2017-08-22 | This was issued on Vocalion March 16 1932. Robert Johnson was known to be an admirer of Scrappers guitar playing.In the wee midnight hours, long before the break of dayWhen the blues creep up on you, and carry your mind awayWhile I lay in my bed, and cannot go to sleepWhile my heart's in trouble, and my mind is thinking deepMy mind was running, back to days of long agoAnd the one I love, I don't see her anymoreBlues why do you worry me, why do you stay so longYou come to me yesterday, been with me all night longI've been so worried, I didn't know what to doSo I guess that's why, I've had these midnight hour blues
Leroy Carr - In The Evening (When The Sun Goes Down) New Orlean Jazz-Pub 2017-08-22 | In the evenin', in the evenin', Mama when the sun go downIn the evenin', darlin', I declare when the sun go downYeah, it's so lonesome, it's so lonesome, sometimesI declare when the one you love is not aroundWhen the sun go downLast night, I were layin' sleepin'I declare, I was sleepin' all by myselfLast night, I were layin' sleepin', darlin'And I declare it was all by myselfYeah but the one that I was really in love withI declare she was sleepin' some place elseWhen the sun go downYeah, oohYeah, oohAnd I just, suddenly I wanted babyEverybody could have a good time before meWhen the sun go downThe sun rises in the eastAnd I declare it sets way over in the westSun rises in the east, darlin'And I declare it sets way over in the westYes it's so hard, it's so hard to tellI declare which one that'll treat you the bestWhen the sun go downSo goodbye, old sweethearts and palsYes I declare I'm goin' awayI may be back to see you againLittle girl some old rainy dayYes in the evenin', in the evenin'I declare when the sun go downWhen the sun go down
Henry Thomas - Old Country Stomp (1927, Blues guitar) New Orlean Jazz-Pub 2017-08-17 | Get your partner, promenade. Promenade, go around now. [Unintelligible] this side of the room. Take your partners, promenade. I'm going away, I'm going away. I'm going away, I'm going away. I'm going back to Baltimore. Fare you well, fare you well. Fare you well, fare you well. Goodbye boys, fare you well. Goodbye boys, fare you well. I'm going back to Baltimore. I'm going back to Baltimore. That's all right 'cause I'm gone. That's all right 'cause I'm gone. Come on boys, go with me. Come on boys and go with me
Glenn Miller Orchestra In the Mood Firenze New Orlean Jazz-Pub 2017-08-16 | GLENN MILLER ORCHESTRAlunedì, 15 dicembre 2014 La Glenn Miller Orchestra ritorna in Italia con il nuovissimo spettacolo The History of Big BandsIl mito della Glenn Miller, fondatore nel 1938 dell’omonima orchestra e tragicamente scomparso con il suo aereo nel 1944 sul Canale della Manica, mentre portava la sua musica ai soldati dell’esercito alleato sul fronte francese, rivivrà ora assieme alla sua leggendaria musica.L’attuale ensemble, capeggiato dal musicista, compositore e direttore d’orchestra Will Salden e composta da eccellenti musicisti, riproporrà alla perfezione il sound dell’epoca, grazie anche alla partecipazione sul palco della cantante Ellen Bliek e dei Moonlight Serenaders, piccolo gruppo corale che aggiungerà ulteriore fascino allo spettacolo.Lo show proporrà inoltre una lunga serie di omaggi ad altri importanti direttori d’orchestra e musicisti, sia uomini che donne, come Count Basie, Harry James e Ray Anthony. Un tributo sarà riservato anche alla grande Ella Fitzgerald, da molti considerate come la miglior voce femminile di tutti i tempi.A comporre la scaletta dello show i grandi classici del genere come “Moonlight Serenade”, “A String Of Pearls”, “Little Brown Jug”, “Pennsylvania 6-5000”, “In The Mood” e molte altri.Le armonie proprie della swing era porteranno l’immaginazione del pubblico a rivivere romantiche scene d’amore in perfetto stile anni ’40.
George Gershwin - Piano Concerto in F-major - Wang Yuja - HD New Orlean Jazz-Pub 2017-08-15 | George Gershwin Piano Concerto in F major - Piano: Wang YujaConductor: Michael Tilson Thomas
George Gershwin Rhapsody in Blue - Leonard Bernstein, New York Philharmonic 1976 New Orlean Jazz-Pub 2017-08-11 | Leonard Bernstein conducts the New York Philharmonic and plays piano in a performance of George Gershwin's Rhapsody in Blue at the Royal Albert Hall in 1976.
Elmore James Jr. “Broomdustin“ - LIVE! New Orlean Jazz-Pub 2017-08-06 | The son of the great Elmore James...Elmore James JUNIOR. Live at the Regent Theater Sept 2011. Great night of Blues
Georgia on my mind - Django Reinhardt & Stephane Grappelly New Orlean Jazz-Pub 2017-08-04 | Georgia on My Mind - Carmichael-Gorrell Quintette du Hot Club de France: Stephane Grappelly (Vin), Joseph Reinhardt, Pierre Ferret (G), Louis Vola(b), Freddy Taylor (Vcl) Paris, May 4th 1936
Ella Fitzgerald - Live At Ronnie Scotts club in London (1974) New Orlean Jazz-Pub 2017-08-01 | Ella Fitzgerald performs live at Ronnie Scott's club in London in 1974.
Django Reinhardt - The Sheik of Araby New Orlean Jazz-Pub 2017-07-31 | Jazz guitar genius Django Reinhardt with the Quintette du Hot Club de France for the 1937 recording of "The Sheik of Araby".
Duke Ellington - Copenhagen - 1965. Parts One and Two - LIVE! New Orlean Jazz-Pub 2017-07-31 | Duke Ellington's career was at a high point in early 1965, when he was constantly creating new works (often in collaboration with Billy Strayhorn) and had retained many of his most valuable soloists (including the entire sax section, intact since Johnny Hodges' return in 1956), plus trumpeters Cootie Williams, Cat Anderson, and Ray Nance. This nearly two-hour long DVD, originally videotaped for Danish TV, preserves almost all of the concert as performed (omitting several numbers which may not have been taped). The band was fresh and relaxed after coming to Europe to tour a few days earlier, so all of the soloists are in great form and the ensembles are potent as well. There are numerous highlights. A dazzling treatment of the fairly new composition "Ad Lib on Nippon" (which had not yet appeared on record), features Ellington with bassist John Lamb and Jimmy Hamilton's thrilling clarinet. Tenor saxist Paul Gonsalves shines in the ballad "Chelsea Bridge" and in his turbulent reprise of his famous Newport Jazz Festival solo in "Blow by Blow," though he is inexplicably passed out with his sax in his mouth during the rousing "Perdido." Cat Anderson shares his high note theatrics in "Meow," while veteran trumpeter Cootie Williams' gutbucket mute work is on display in "Tootie for Cootie." Johnny Hodges, considered by Ellington as one of his most important soloists, has a trio of features, punctuated by "Jeep's Blues." Trumpeter Ray Nance, returning for his final hurrah with the band, adds several brief solos and sings in the jive vocal number "He Huffed 'n' He Puffed," a number retired from the book following this concert. Also not to be missed is composer Billy Strayhorn's turn at the piano on the complete version of his "Take the 'A' Train."
Dizzy Gillespie Quintet (Jazz 625) - 1966 - LIVE! New Orlean Jazz-Pub 2017-07-25 | In a restored and re-edited version of the 1960s jazz programme, Neneh Cherry introduces a session by trumpeter Dizzy Gillespie accompanied by Rudy Collins, Christopher White, Kenny Barren and James Moody.
Coleman Hawkins & Roy Eldridge - After Hours - LIVE! New Orlean Jazz-Pub 2017-07-13 | Roy Eldridge - Trumpet, Vocal....Coleman Hawkins - Tenor Sax.... Johnny Guarnieri - Piano.... Barry Galbraith - Guitar....Milt Hinton - Bass....Cozy Cole - Drums.... Carol Stevens - Vocal...........................................................................This is a 1959 pilot for a New York TV series that never found a sponsor, back in the days when TV shows required one to air. The clip features....
Earl Hines, Coleman Hawkins - Live in New York 1965 At the Village Vanguard New Orlean Jazz-Pub 2017-07-08 | 01. Crazy Rhythm02. Rosetta03. Just One More Chance04. Rifftide05. Indian SummerColeman Hawkins - sax tenorEarl Hines - pianoOliver Jackson - bassGeorge Tucker - drums
Charley Patton - A Spoonful Blues (Delta Blues) -1929 New Orlean Jazz-Pub 2017-07-07 | (spoken: I'm about to go to jail about this spoonful)In all a spoon', 'bout that spoon'The women goin' crazy, every day in their life 'bouta...It's all I want, in this creation is a...I go home (spoken: wanna fight!) 'bout a...Doctor's dyin' (way in Hot Springs!) just 'bout a...These women goin' crazy every day in their life 'bouta...Would you kill a man dead? (spoken: yes, I will!) just'bout a...Oh babe, I'm a fool about my...(spoken: Don't take me long!) to get my...Hey baby, you know I need my...It's mens on Parchman (done lifetime) just 'bout a...Hey baby, (spoken: you know I ain't long) 'bout my...It's all I want (spoken: honey, in this creation) isa...I go to bed, get up and wanna fight 'bout a...(spoken: Look-y here, baby, would you slap me? Yes Iwill!) just 'bout a...Hey baby, (spoken: you know I'm a fool a-) 'bout my...Would you kill a man? (spoken: Yes I would, you knowI'd kill him) just 'bout a...Most every man (spoken: that you see is) fool 'bouthis...(spoken: You know baby, I need) that ol'...Hey baby, (spoken: I wanna hit the judge 'bout a) 'bouta...(spoken: Baby, you gonna quit me? Yeah honey!) just'bout a...It's all I want, baby, this creation is a...(spoken: look-y here, baby, I'm leavin' town!) just'bout a...Hey baby, (spoken: you know I need) that ol'...(spoken: Don't make me mad, baby!) 'cause I want my...Hey baby, I'm a fool 'bout that...(spoken: Look-y here, honey!) I need that...Most every man leaves without a...Sundays' mean (spoken: I know they are) 'bout a...Hey baby, (spoken: I'm sneakin' around here) and ain'tgot me no...Oh, that spoon', hey baby, you know I need my...
Charlie Patton - Prayer of Death (1929) New Orlean Jazz-Pub 2017-07-07 | Toll the bellCall on them to toll the bell againTell them sing a little song like this :Take a stand, take a stand, take a standIf I never, never see you any moreTake a stand, take a stand, take a standI'll meet you on that other shoreI got his word, etc.I'm satisfied, etc.I have a right, etc.I done left over here, etcI'll meet you on that kingdom shoreI got his word, etc.Now here my hand, etc.Here where I hear old reverend (?) that stopped and went in prayer. Now hear him calling the Lord : "Oh Lord, oh Lordy."
Big Bill Broonzy - Trouble In Mind - LIVE! New Orlean Jazz-Pub 2017-07-06 | Trouble in mind, babe, I'm blue,But I won't be blue always,Yes, the sun gonna shineIn my backdoor someday.I'm goin' down, down to the river,I'm gonna take my rockin' chair,Lord, if the blues overtake meI'm gonna rock on away from here.'Cause I'm trouble in mind, you know that I'm blue,But I won't be blue always,Yes, the sun gonna shineIn my backdoor someday.I'm gonna lay, lay my headOn some sad, old railroad iron,I'm gonna let that Pacify my mind.I'm trouble in mind, baby you know that I'm blue,But I won't be blue always,Yes, the sun gonna shineIn my backdoor someday.
Big Bill Broonzy - Backwater Blues - LIVE! New Orlean Jazz-Pub 2017-07-06 | It rained five days Lord and the clouds turned as dark as nightIt rained five days and the clouds turned as dark as nightLord that was really enough trouble to make a poor man wonder where in the world to goI got up one morning, poor me I couldn't get even get out of my doorI got up one morning, poor me I couldn't get even get out of my doorLord that was really enough trouble to make a poor man wonder where in the world to goNow they rowed a little boat just about five miles across the farmYeah they rowed a little boat down about five miles across the farmLord I packed up all of my clothes and throwed them in and I declare they rowed poor old Bill alongThen I went and I stood up on a high, high old lonesome hillYes I went and I stood up on a high, high old lonesome hillLord and all I could do was look down on the house baby where I used to liveNow it thundered and it lightnin'd, Lord and the wind, wind began to blowNow it thundered and it lightnin'd, Lord and the wind, wind began to blowLord there was thousands and thousands of poor people at that time didn't have no place to go
Henry Thomas - Bull Doze Blues New Orlean Jazz-Pub 2017-07-06 | One of Henry Thomas' most renowned recording which was covered to great acclaim in the 1960's by Blues Rock band Canned Heat. Henry Thomas was more a Songster than a Blues musician who played his own reworks of traditionals and standards alike with the unique touch of the Quills which he plays along with the Guitar in a style which appears to be completely individual for Thomas as a Musician.Lyrics from WeeniepediaBull Doze Blues - Henry ThomasI'm going away, babe, and it won't be longI'm going away and it won't be longI'm going away and it won't be longJust as sure as that train leaves out of that Mobile yardJust as sure as that train leaves out of that Mobile yardJust as sure as that train leaves out of that Mobile yardCome shake your hand, tell your papa goodbyeCome shake your hand, tell your papa goodbyeCome shake your hand, tell your papa goodbyeI'm going back to TennesseeI'm going back to Memphis, TennesseeI'm going back, Memphis, TennesseeI'm going where I never get bulldozedI'm going where I never get the bulldozeI'm going where I never get bulldozedIf you don't believe I'm sinking, look what a hole I'm inIf you don't believe I'm sinking, look what a hole I'm inIf you don't believe I'm sinking, look what a fool I've been.Oh, my babe, take me back. How in the world, Lord, take me back.
Coleman Hawkins - Lover Man - LIVE! New Orlean Jazz-Pub 2017-07-04 | Coleman Hawkins playing Lover Man with Johnny Guaneri, piano; Milt Hinton, bass; Barry Galbrath, guitar and Cozy Cole, drums.
Blind Willie McTell - Statesboro Blues New Orlean Jazz-Pub 2017-06-28 | Wake up mama, turn your lamp down lowWake up mama, turn your lamp down lowHave you got the nerve to drive Papa McTell from your doorMy mother died and left me recklessMy daddy died and left me wild, wild, wildMother died and left me recklessDaddy died and left me wild, wild, wildNo, I'm not good lookin'I'm some sweet woman's Angel childYou're a mighty mean woman, to do me this a wayYou're a mighty mean woman, to do me this a wayWhen I leave this town, pretty mama, I'm going away to stayWhile I loved a woman, better than even I'd ever seenI once loved a woman, better than even I'd ever seenTreat me like I was a king and she was a doggone queenSister, tell your brother, brother tell your auntie nowAuntie tell your uncle, uncle tell my cousin now, cousin tell my friendGoin' up the country, mama, don't you want to go?May take me a fair brown, may take me one or two moreBig Eighty left Savannah, Lord, and did not stopYou ought to saw that colored fireman when he got that boiler hotYou can reach over in the corner mama and hand me my travelin' shoesYou know by that, I've got them Statesboro bluesMama, sister got 'em, auntie got 'emBrother got 'em, friend got 'em, I got 'emWoke up this morning, we had them Statesboro bluesI looked over in the corner, grandpa and grandma had 'em too
Louis Armstrong - When The Saints Go Marching In - LIVE! New Orlean Jazz-Pub 2017-06-23 | Oh, when the saints, go marching in,Yes when the saints go marching in.Oh Lord I want to be in that ever lovin' numberWhen the saints go marching in.Oh, when the saints, go marching in,Yes when the saints go marching in.Oh Lord I want to be in that numberWhen the saints go marching in.Yes when the saints, go marching in,Yes when the saints go marching in.Oh Lord I want to be in that numberWhen the saints go marching in.Oh yes, I had a dear old mother,And if you should see her before I do,Won't you tell her that you saw me coming,I was struttin' straight on throughYes when the saints, go marching in,Yes when the saints go marching in.Oh Lord I want to be in that numberWhen the saints go marching in.Oh, when the saints, go marching in,Yes when the saints go marching in.Oh Lord I want to be in that numberWhen the saints go marching in.
Louis Armstrong - Cest si bon - LIVE! 1962 New Orlean Jazz-Pub 2017-06-23 | c'est si bon de partir n'importe où bras dessus brasdessous en chantant des chansonsc'est si bon de se dire des mots doux des petits riendu tout mais qui en disent longen voyant notre mine ravie les passants dans la rue nous envientc'est si bon de guetter dans ses yeux un espoir merveilleuxqui donne le frissonc'est si bon ces petites sensations et si nous nousaimons c'est parc'que c'est si bonc'est inouï ce qu'il a pour séduire sans parler dec'que je n'peux pas direc'est si bon quand j'le tiens dans ses bras de me direque tout ça c'est à moi pour de bonc'est si bon et si nous nous aimons cherchez pas laraison c'est parc'que c'est si bonc'est parce que c'est si bon c'est parce que c'est si bonc'est si bon
Duke Ellington - It dont mean a thing - LIVE! 1943 New Orlean Jazz-Pub 2017-06-17 | Duke Ellington and his orchestra playing this awesome tune in 1943."It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills, now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra for Brunswick Records (Br 6265) on February 2, 1932. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the instrumental solos. The title was based on the oft stated credo of Ellington's former trumpeter Bubber Miley, who was dying of tuberculosis. The song became famous, Ellington wrote, "as the expression of a sentiment which prevailed among jazz musicians at the time." Probably the first song to use the phrase "swing" in the title, it introduced the term into everyday language and presaged the Swing Era by three years. The Ellington band played the song continuously over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
Big Maceo - Its All Up To You (1941) Guitar & Piano Duet New Orlean Jazz-Pub 2017-06-17 | 'm so disgustedAn broken-hearted, tooI'm so disgustedAn broken-hearted, tooThough I'm disappointed in your loveBaby, that's alright for youThere's no need of you lyin'Babe, you know I been good to youYeah, yeaaahBabe, I been good to youBut if I leave you now, babyGo an do what you wanna doYou know I had a good womanAn she was so kind an trueYeah, good womanAn she was so kind an trueI even let her goBaby, on account a-you'Yes, I know'(slow piano boogie & guitar)'Get off-a my back, now!'But she is willin' to forgive meSo, I leave it all up to youHey-ay-ayUmm, leave it all up to youShe told me when I was leavin'That yo' love wasn't really true.
Big Maceo - Come On Home (1945) Guitar & Piano Duet New Orlean Jazz-Pub 2017-06-17 | When you're out of wordsDark, painful staresTake a look insideCome on homeWhen it hurts to breatheAnd you're lyin' thereBring your heavy thoughtsCome on homeWhen there's nothing left to say but tearsWhen there's nothing left for all those yearsWhen there's nothing leftWe're not the same, We're both the same,I know, I knowJust Come on homeWhen you turn your backInjured memoriesNothin' feels the sameSo come on homeWhen the struggle fadesAnd you try your best to make it rightSlowly fix the painCome on homeWhen there's nothing left to say but criesWhen there's nothing left for all those triesWhen there's nothing leftWe gave it all, did we try at allI know, I knowJust Come on homeWill you walk away this timePlease bring back what was mineWhen you figure out what's lost and foundYou try to findOh yea yeaWhen there's nothing left to sacrificeWhen the words will never come out rightWhen there's nothing leftWe both should fight, let's try not to fightI know, I knowWhen there's nothing left to say but tearsWhen there's nothing left for all these yearsWhen there's nothing leftWe're not the same, yea we're both the sameI know, I knowI knowJust Come on homeJust Come on homeJust Come on homeJust Come on home
