Uploaded June 2026 | Updated September 2026, 2 weeks ago
「 MCO + Taiko Beats 」🥁 Jamming with Akemie’s Taiko and the MCO (mkII) using the Oomph voice to synthesize both a kick drum and hi-hat sound with CV controlled FM depth, Distortion amount and Decay time.
Starting with a kick from the MCO’s Oomph voice, an off beat gate is unmuted on Pam which is pre-patched to modulate the FM depth, Distortion amount and Decay time (inverted) of the kick. The result is an additional ‘hi-hat’ produced by high frequency content added on top of the kick when the modulation occurs. The MUM M8 is swept, revealing an additional modulated percussive beat from Akemie’s Taiko. The mix of the MFX is then increased to bring in a layer of the beat processed through the Squoval Rezonator, producing a subtle modulated resonance and widening. Finally, the Taiko is adjusted and the MCO’s Decay time modulation is removed to produce a longer hi-hat.🧢
「 MCO + Taiko Beats 」🥁 Jamming with Akemie’s Taiko and the MCO (mkII) using the Oomph voice to synthesize both a kick drum and hi-hat sound with CV controlled FM depth, Distortion amount and Decay time.
Starting with a kick from the MCO’s Oomph voice, an off beat gate is unmuted on Pam which is pre-patched to modulate the FM depth, Distortion amount and Decay time (inverted) of the kick. The result is an additional ‘hi-hat’ produced by high frequency content added on top of the kick when the modulation occurs. The MUM M8 is swept, revealing an additional modulated percussive beat from Akemie’s Taiko. The mix of the MFX is then increased to bring in a layer of the beat processed through the Squoval Rezonator, producing a subtle modulated resonance and widening. Finally, the Taiko is adjusted and the MCO’s Decay time modulation is removed to produce a longer hi-hat.🧢
