Uploaded October 2025 | Updated September 2026, 2 weeks ago
From '' Can't Make My Mind Up ''
Label: Baal – BDN 38048
Format: Vinyl, 7", 45 RPM, Single, Promo, Solid Centre
Country: UK
Released: 1977
Tracklist
A Can't Make My Mind Up
Written-By – Alan Green, Dave Rodwell, John Westwood
B Johnny B Good
Written-By – Chuck Berry
Producer – Agnes Strange, Jay Shotam
Manufactured By – Pye Records
Distributed By – Pye Records
Phonographic Copyright ℗ – Baal Records Ltd.
Published By – Jewel Music
Published By – Baal Records Music
Notes
Big A on the A-side of label.
Solid Centre, other than 4 prong "Agnes Strange - Can't Make My Mind Up / Johnny B Good".
Recorded in England
------------------------
"Johnny B. Goode" is a song by American musician Chuck Berry, written and sung by Berry in 1958. Released as a single in 1958, it peaked at number two on the Hot R&B Sides chart and number eight on its pre-Hot 100 chart.
The song remains a staple of rock music.
"Johnny B. Goode" is considered one of the most recognizable songs in the history of popular music. Credited as "the first rock & roll hit about rock & roll stardom", it has been covered by various other artists and has received several honors and accolades. These include being ranked 33rd and 7th, respectively on Rolling Stone magazine’s 2021 and 2004 versions of 500 Greatest Songs of All Time". It was also included as one of the 27 songs on the Voyager Golden Record, a collection of music, images, and sounds designed to serve as an introduction and record of global humanity’s achievements, innovations and culture, to alien/otherworldly inhabitants.
Composition and recording
Written by Berry in 1955, the song is about an illiterate "country boy" from the New Orleans area, who plays a guitar "just like ringing a bell", and who might one day have his "name in lights". Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a "colored boy", but he changed it to "country boy" to ensure radio play. As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis.
The song was initially inspired by Johnnie Johnson, the regular piano player in Berry's band, but developed into a song mainly about Berry himself. Johnson played on many recordings by Berry, but for the Chess recording session Lafayette Leake played the piano, along with Willie Dixon on bass and Fred Below on drums. The session was produced by Leonard and Phil Chess. The guitarist Keith Richards later suggested that the song's chords are more typical of compositions written for piano than for guitar.
The opening guitar riff of "Johnny B. Goode" borrows from the opening single-note solo on Louis Jordan's "Ain't That Just Like a Woman" (1946), played by guitarist Carl Hogan.
One notable feature of Berry's recording is the contrast between the swing of the drums and piano backing, and the "straight" (non-swinging) rhythm and lead guitar.
Legacy
When Chuck Berry was inducted during the first Rock and Roll Hall of Fame induction ceremony on January 23, 1986, he performed "Johnny B. Goode" and "Rock and Roll Music", backed by Bruce Springsteen and the E Street Band. The Hall of Fame included these songs and "Maybellene" in their list of the 500 songs that shaped rock and roll. It was inducted into the Grammy Hall of Fame in 1999, for its influence as a rock and roll single.
The song was included on the 1973 American Graffiti soundtrack album.
Devo paid homage to the song with their own song Come Back Jonee on its debut album Q. Are We Not Men? A: We Are Devo!.
The song is included, as the eleventh track of disc 1, in the Voyager Golden Record, traveling into deep space outside the solar system.
A cover version is featured in the film Back to the Future (1985), when the lead character Marty McFly, played by actor Michael J. Fox, performs it at a high school dance. This is heard by Marvin Berry, a fictional cousin of Chuck who calls him up and makes him listen to the song, telling him it's "the new sound you've been looking for", thus making it a bootstrap paradox. Fox explained his approach was to "incorporate all the characteristics and mannerisms and quirks of my favorite guitarists, so a Pete Townshend windmill, and Jimi Hendrix behind the back, and a Chuck Berry duckwalk. And we worked all that in."
The Grateful Dead often performed the song live, purportedly playing it 287 times.
From '' Can't Make My Mind Up ''
Label: Baal – BDN 38048
Format: Vinyl, 7", 45 RPM, Single, Promo, Solid Centre
Country: UK
Released: 1977
Tracklist
A Can't Make My Mind Up
Written-By – Alan Green, Dave Rodwell, John Westwood
B Johnny B Good
Written-By – Chuck Berry
Producer – Agnes Strange, Jay Shotam
Manufactured By – Pye Records
Distributed By – Pye Records
Phonographic Copyright ℗ – Baal Records Ltd.
Published By – Jewel Music
Published By – Baal Records Music
Notes
Big A on the A-side of label.
Solid Centre, other than 4 prong "Agnes Strange - Can't Make My Mind Up / Johnny B Good".
Recorded in England
------------------------
"Johnny B. Goode" is a song by American musician Chuck Berry, written and sung by Berry in 1958. Released as a single in 1958, it peaked at number two on the Hot R&B Sides chart and number eight on its pre-Hot 100 chart.
The song remains a staple of rock music.
"Johnny B. Goode" is considered one of the most recognizable songs in the history of popular music. Credited as "the first rock & roll hit about rock & roll stardom", it has been covered by various other artists and has received several honors and accolades. These include being ranked 33rd and 7th, respectively on Rolling Stone magazine’s 2021 and 2004 versions of 500 Greatest Songs of All Time". It was also included as one of the 27 songs on the Voyager Golden Record, a collection of music, images, and sounds designed to serve as an introduction and record of global humanity’s achievements, innovations and culture, to alien/otherworldly inhabitants.
Composition and recording
Written by Berry in 1955, the song is about an illiterate "country boy" from the New Orleans area, who plays a guitar "just like ringing a bell", and who might one day have his "name in lights". Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a "colored boy", but he changed it to "country boy" to ensure radio play. As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis.
The song was initially inspired by Johnnie Johnson, the regular piano player in Berry's band, but developed into a song mainly about Berry himself. Johnson played on many recordings by Berry, but for the Chess recording session Lafayette Leake played the piano, along with Willie Dixon on bass and Fred Below on drums. The session was produced by Leonard and Phil Chess. The guitarist Keith Richards later suggested that the song's chords are more typical of compositions written for piano than for guitar.
The opening guitar riff of "Johnny B. Goode" borrows from the opening single-note solo on Louis Jordan's "Ain't That Just Like a Woman" (1946), played by guitarist Carl Hogan.
One notable feature of Berry's recording is the contrast between the swing of the drums and piano backing, and the "straight" (non-swinging) rhythm and lead guitar.
Legacy
When Chuck Berry was inducted during the first Rock and Roll Hall of Fame induction ceremony on January 23, 1986, he performed "Johnny B. Goode" and "Rock and Roll Music", backed by Bruce Springsteen and the E Street Band. The Hall of Fame included these songs and "Maybellene" in their list of the 500 songs that shaped rock and roll. It was inducted into the Grammy Hall of Fame in 1999, for its influence as a rock and roll single.
The song was included on the 1973 American Graffiti soundtrack album.
Devo paid homage to the song with their own song Come Back Jonee on its debut album Q. Are We Not Men? A: We Are Devo!.
The song is included, as the eleventh track of disc 1, in the Voyager Golden Record, traveling into deep space outside the solar system.
A cover version is featured in the film Back to the Future (1985), when the lead character Marty McFly, played by actor Michael J. Fox, performs it at a high school dance. This is heard by Marvin Berry, a fictional cousin of Chuck who calls him up and makes him listen to the song, telling him it's "the new sound you've been looking for", thus making it a bootstrap paradox. Fox explained his approach was to "incorporate all the characteristics and mannerisms and quirks of my favorite guitarists, so a Pete Townshend windmill, and Jimi Hendrix behind the back, and a Chuck Berry duckwalk. And we worked all that in."
The Grateful Dead often performed the song live, purportedly playing it 287 times.
![Exdream - Let the Sunshine In (The 5th Dimension Cover)
From Neil
Label: Proart – P-66083
Format: Vinyl, LP, Album
Country: Germany
Released: 1983
Tracklist
A1 Let The Sunshine In
Written-By – Galt MacDermot, Gerome Ragni, James Rado
A2 Salouse
Written-By – Jürgen Wynant, Markus Raffelt
A3 Träumen Ist Einfach
Written-By – Jens Jacobs, Schorsch Elsner
A4 Gimme Some Lovin
Written-By – Spencer Davis, Steve Winwood
B1 Lost Reggae
Written-By – Markus Raffelt
B2 To A Friend
Written-By – Jens Jacobs
B3 Break
Written-By – Exdream
Vocals, Electric Piano, Electric Organ [Hammond], Acoustic Guitar – Jens Jacobs
Vocals – Renate Uhlenkamp
Guitar, Electric Piano – Markus Raffelt
Saxophone, Flute, Vocals – Christoph Hansen
Percussion – August Meyer
Drums – Teddy Hansen
Bass – Jürgen Wynant
Engineer – Peter Pausewang
Photography By – Anette Greten
Artwork [Collage] – Anette Greten, August Meyer, Dieter Grieshop, Jens Jacobs, Jürgen Wynant, Markus Raffelt
Medley: Aquarius/Let the Sunshine In (commonly called Aquarius/Let the Sunshine In, The Age of Aquarius or Let the Sunshine In) is a medley of two songs written for the 1967 musical Hair by James Rado and Gerome Ragni (lyrics), and Galt MacDermot (music), released as a single by American R&B group the 5th Dimension.
The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA.
Instrumental backing was written by Bill Holman and provided by a group of session musicians commonly known as the Wrecking Crew.
The song is listed at number 66 on Billboards Greatest Songs of All Time.
Background
The medley was constructed of two songs from the musical Hair. The first song was Aquarius, and the second was The Flesh Failures: Let the Sunshine In.
The 5th Dimensions lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show. The group called their producer Bones Howe in California: After theyd seen it I received a phone call in which they were all talking over one another, saying Weve got to cut this song Aquarius. Its the best thing ever.
Howe was skeptical (This isnt a complete song. Its an introduction.), but after seeing the show on stage he got the idea to combine Aquarius with another musical moment from the show, the last few bars from the song The Flesh Failures: Let the Sunshine In that consist of the repeated words let the sunshine in. Although the two song fragments are in different keys and tempos, Howe resolved to jam them together like two trains.
Returning to California, Howe supervised the first recording session. The instrumental track was set to tape at Wally Heiders Studio 3 in Hollywood by Wrecking Crew members Hal Blaine on drums, Joe Osborn on bass, Larry Knechtel on keyboards, Tommy Tedesco and Dennis Budimir on guitars and Tony Terran on trumpet. It also featured strings, winds, and brass instrumentations. However, the vocals were recorded separately in Las Vegas, where the 5th Dimension was performing at the time, using only two microphones for the five singers. Davis solo during Let the Sunshine In was improvised during the session; songwriter Jimmy Webb, who happened into the studio during the recording, remarked to Howe: My God, thats a number one record.
This song was one of the most popular songs of 1969 worldwide, and in the United States it reached the number one position on both the Billboard Hot 100 (for six weeks in April and May) and the Billboard Easy Listening chart. It also reached the top of the sales charts in Canada and elsewhere. Billboard ranked it as the No. 2 Hot 100 single for 1969, although Aquarius (Let the Sunshine In) would go on to outsell the No. 1 Hot 100 single for 1969, Sugar Sugar by the Archies, and consistently ranks several positions above it in the all-time chart.
The recording won both the Grammy Award for Record of the Year and Best Pop Vocal Performance by a Group for the Grammy Awards of 1970, after being published on the album The Age of Aquarius by the 5th Dimension, and also being released as a 7-inch vinyl single record. The popularity of the song prompted the Apollo 13 crew to name their Apollo Lunar Module Aquarius, in part to send a message that astronauts were also hip. In 2004, the song was inducted into the Grammy Hall of Fame.
The American Film Institutes 100 Years...100 Songs list, published in 2004, ranked Medley: Aquarius/Let the Sunshine In as number 33.
#krautrock
#progrock Exdream - Let the Sunshine In (The 5th Dimension Cover)](https://i.ytimg.com/vi/ibG9Za4QGqo/mqdefault.jpg)
![The Isotopes - Rolling In The Deep (Surf, Adele Cover)
From Now Thats What I Call Familiar Vol. 2
Released: October 19, 2024
Tracklist
1. Blinding Lights
2. Apache
3. Rolling In The Deep
4. I Want You Back
5. Jessi
6. Popcorn
7. Star Trek
8. The Mandalorian
© 2024 The Isotopes
℗ 2024 The Isotopes
🎵 [SONG INFO]
Rolling in the Deep is a song by English singer-songwriter Adele from her second studio album, 21 (2011). It is the lead single and opening track on the album. The song was written by Adele and Paul Epworth. The singer herself describes it as a dark blues-y gospel disco tune.
In 2011, it was reportedly the biggest crossover hit in the United States since 1985; Rolling in the Deep gained radio airplay from many different radio formats. It was released on 29 November 2010 as the lead single from 21 in digital download format. The lyrics describe the emotions of a scorned lover. The songs official music video uploaded to YouTube on 30 November has accumulated over 2.67 billion views and 13 million Likes as of 1 June 2025, similar to that of Adeles another hit Someone like You released 10 months later, which Adele considered as having changed her life.
Rolling in the Deep received widespread critical acclaim with praise drawn towards the songs production, its lyrics, and Adeles vocal performance. It represented a commercial breakthrough for Adele, propelling her to global superstardom. The song topped the charts in twelve countries and reached the top 10 in over twenty territories. It was Adeles first number-one song in the United States, reaching the top spot on many Billboard charts, including the Billboard Hot 100 where it was number one for seven weeks. By February 2012, Rolling in the Deep had sold over 8.7 million copies in the United States, making it the best-selling digital song by a female artist in the US, the second-best-selling digital song in the US and Adeles best-selling single outside her native country, topping her previous best-selling Chasing Pavements. Worldwide, it was the fifth-best-selling digital single of 2011 with sales of 8.2 million copies. As of 2019, with sales of over 20.6 million copies worldwide, Rolling in the Deep is one of the best-selling digital singles of all-time. The song spent 65 weeks on the chart, making the song at that time the fourth-most weeks spent on the chart, tying the place with Jewel with her double single Foolish Games/You Were Meant for Me.
Its music video received a leading seven nominations at the 2011 MTV Video Music Awards, including for Video of the Year, and won three other awards: Best Editing, Best Cinematography and Best Art Direction.
Rolling in the Deep was also the Billboard Year End Hot 100 Number One Single of 2011. At the 54th Annual Grammy Awards, it won awards for Record of the Year, Song of the Year, and Best Short Form Music Video. Various critics and music publications ranked it as the best song of the year on their end-of-year lists with Rolling Stone ranking it at No. 8 spot on its list of The 100 Greatest Songs of the 21st Century. In 2021, the song was ranked at number 82 on the list of Rolling Stones 500 Greatest Songs of All Time.
Media usage
Rolling in the Deep first gained attention when it was used in a trailer for the film I Am Number Four and in the film itself. It has since been featured in several television series such as in 90210s third season, in Doctor Whos sixth series premiere, in One Tree Hills eighth season, in Gossip Girls fourth-season finale, The Secret Life of the American Teenagers fourth season. and in the Scandals Pilot promo. Rolling in the Deep was used as the theme song for E4s reality series Made in Chelsea and appeared in So You Think You Can Dances eighth season during contestant Mitchell Kellys solo performance. In Renny Harlins 2016 film Skiptrace, a drunk Jackie Chan sang Rolling in the Deep at the tune of local instruments in a Mongolian village only to be taken by surprise by how the song was already popular among the non-English speaking locals, when they started to sing with him.
~more info about the song here: https://en.wikipedia.org/wiki/Rolling_in_the_Deep
🔗 [LINKS]
https://theisotopes.com/
https://rochesterisotopes.bandcamp.com/merch
https://open.spotify.com/artist/3YbPLyiAeb4ZMWtMEwdhzU
https://music.apple.com/ca/artist/the-isotopes/268673058
https://www.facebook.com/theisotopes/
https://www.instagram.com/go_topes/
@gotopes
Available on bandcamp:
https://rochesterisotopes.bandcamp.com/album/now-thats-what-i-call-familiar-vol-2
Spotify:
https://open.spotify.com/album/01ThSVEwifuzB8M2tywfNx
Apple Music:
https://music.apple.com/us/album/now-thats-what-i-call-familiar-vol-2/1771902173
Deezer:
https://www.deezer.com/us/album/651626681
and Amazon Music:
https://www.amazon.com/Rolling-in-the-Deep/dp/B0DJDQQHPB
#instrumentalcover
#surfcover
#instrumentalsurf
#surfinstrumental
#rockandroll The Isotopes - Rolling In The Deep (Surf, Adele Cover)](https://i.ytimg.com/vi/j1kPIRUiMyc/mqdefault.jpg)
![Amen Corner - Get Back (The Beatles Cover)
From Farewell To The Real Magnificent Seven
Label: Immediate – IMSP 028
Format: Vinyl, LP, Album, Stereo
Country: UK
Released: 1969
Tracklist
A1 Lady Riga
Written-By – Andy Fairweather-Low
A2 Hello Susie
Written-By – Roy Wood
A3 Proud Mary
Written-By – John Fogerty
A4 At Last I’ve Found Someone To Love
Written-By – Dominic King
A5 Scream And Scream Again
Written-By – Dominic King
A6 Sanitation
Written-By – Andy Fairweather-Low
A7 Mr. Nonchalant
Written-By – Andy Fairweather-Low
B1 The Weight
Written-By – Robbie Robertson
B2 (If Paradise Is) Half As Nice
Written-By – Jack Fishman, Lucio Battisti
B3 Welcome To The Club
Written-By – Andy Fairweather-Low
B4 Recess
Written-By – Fletcher Henderson
B5 When We Make Love
Written-By – Dominic King
B6 Things Ain’t What They Used To Be
Written-By – Andy Fairweather-Low
B7 Get Back
Written-By – Lennon-McCartney
Photography By – David Bailey, Gered Mankowitz
Design – John Constable
Arranged By, Producer – Andy Fairweather-Low, Shel Talmy
© 2018 Charly Acquisitions Ltd.
℗ 1969 Immediate
🎵 [SONG INFO]
Get Back is a song recorded by the English rock band the Beatles and Billy Preston, written by Paul McCartney, and credited to the Lennon–McCartney partnership.
It was originally released as a single on 11 April 1969 and credited to The Beatles with Billy Preston.
The song is one of the few examples of John Lennon featuring prominently as lead guitarist.
The album version of this song contains a different mix that features a studio chat between Paul McCartney and John Lennon at the beginning, which lasts for 20 seconds before the song begins, also omitting the coda featured in the single version, and with a final dialogue taken from the Beatles rooftop concert. This version became the closing track of Let It Be (1970), which was released just after the group split up.
The single version was later issued on the compilation albums 1967–1970, 20 Greatest Hits, Past Masters, and 1.
The single reached number one in the United Kingdom, the United States, Ireland, Canada, New Zealand, the Netherlands, Australia, France, West Germany, Mexico, Norway, Switzerland, Austria, and Belgium. It was the Beatles only single that credited another artist at their request. Get Back was the Beatles first single release in true stereo in the US. In the UK, the Beatles singles remained monaural until the following release, The Ballad of John and Yoko. It was also the only Beatles single to debut on the UK singles charts at number one.
Notable cover versions
Rod Stewart covered the song for the 1976 musical documentary All This and World War II. The song was released as a single and it reached No. 11 on the UK chart.
Billy Preston, who played the Rhodes piano on the original Beatles recording, covered the song for the 1978 film Sgt. Peppers Lonely Hearts Club Band and its soundtrack album. This version peaked at No. 86 on the Billboard Hot 100.
Steve Wariner, in 1995 for the Beatles tribute album Come Together: America Salutes the Beatles. Wariners version peaked at No. 72 on the Billboard Hot Country Singles & Tracks chart.
Cultural references
In the 2007 film, Across the Universe, directed by Julie Taymor, most characters are named after lyrics in Beatles songs. A principal character is named Jojo, an African American who was played by Martin Luther McCoy.
In February 2010, NBC used a cover of the song in commercials to promote Jay Lenos return to the 11:35 pm time slot for The Tonight Show with Jay Leno.
Hirohiko Araki’s 1987 manga JoJo’s Bizarre Adventure may have used this song for inspiration for the main character of the first part Jonathan Joestar, who starts as a loner but gains companions throughout his journey. At the end of the series’s third part, Stardust Crusaders, Joseph Joestar is seen listening to the song on his Walkman.
~ more info at https://en.wikipedia.org/wiki/Get_Back
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/album/1DiIPJZTDPm1u82J5j3Ra6
Apple Music:
https://music.apple.com/us/album/farewell-to-the-real-magnificent-seven/1457160953
and Deezer:
https://www.deezer.com/en/album/90973832
#thebeatlescover
#rhythmandblues
#getback Amen Corner - Get Back (The Beatles Cover)](https://i.ytimg.com/vi/jPOjscnMvDI/mqdefault.jpg)
![Canadian Sweethearts - Freight Train (Elizabeth Cotten Cover)
From Freight Train
Label: A&M Records – 713
Format: Vinyl, 7, 45 RPM, Single
Country: US
Released: 1963
Tracklist
A Freight Train
Written-By – Elizabeth Cotten
B Out For Fun
Written-By – Bob Regan
Producer – Dorsey Burnette
Published By – Peter Maurice Music Co. Ltd.
Published By – Doral Music Co., Inc.
℗ 1998 Hydra
© 1998 Fury Records
℗ 1998 Fury Records
© 2023 Pan American
℗ 2023 Pan American
👥 [BAND INFO]
Popular Canadian singing duo that brought together Bob Regan and Lucille Starr as Bob & Lucille before becoming the Canadian Sweethearts.
They were most known for singing country but also for rockabilly, including the song, Eeny Meeny Miney Moe.
They charted in Canada 4 times and the U.S. 3 times (one of those and Bob Regan and Lucille Starr). Their highest U.S. charted song was Hootenanny Express in 1964, which hit no.45. Dont Knock on My Door hit no.1 on the Canadian country charts in 1966 and Lookin Back to See stopped at no.2 in 1965.
💿 [SONG INFO]
Freight Train is an American folk song written by Elizabeth Cotten in the early 20th century, and popularized during the American folk revival and British skiffle period of the 1950s and 1960s.
By Cotten’s own account in the 1985 BBC series Down Home, she composed “Freight Train” as a teenager (sometime between 1906 and 1912), inspired by the sound of the trains rolling in on the tracks near her home in North Carolina.
Cotten was a one-time nanny for folk singer Peggy Seeger, who took this song with her to England, where it became popular in folk music circles.
Unfortunately, British songwriters Paul James and Fred Williams subsequently misappropriated it as their own composition and copyrighted it. Under their credit, it was then recorded by British skiffle singer Chas McDevitt who recorded the song in December 1956. Under advice from his manager (Bill Varley), McDevitt then brought in folk-singer Nancy Whiskey and re-recorded the song with her doing the vocal, the result was a chart hit. McDevitts version influenced many young skiffle groups of the day including one known as The Quarrymen.
Fortunately, under the advocacy of the influential Seeger family, the copyright was eventually restored to Cotten.
Nevertheless, it remains miscredited in many sources.
The Elizabeth Cotten recording for the Folksongs and Instrumentals with Guitar album was made by Mike Seeger in late 1957, early 1958, at Cotten’s home in Washington, D.C.
Ramblin Jack Elliott recorded this song in 1957.
Beatles cover versions
According to author Mark Lewisohn in The Complete Beatles Chronicles (p. 362) the young Quarrymen-Beatles performed it live from 1957 till at least 1959 if not later, with John Lennon on lead vocal.
No recorded version is known to survive.
However, in January 1991, while doing recorded rehearsals in Sussex, England for the initial Unplugged TV show, Paul McCartney led his band through a small group of classic skiffle songs.
The concluding number was Freight Train, with McCartney and all getting off to great start, however then suddenly just a few seconds into the song McCartney mysteriously stopped it all (this recording is available on an unauthorized release called Paul McCartney Limelight.
In 2009 Quarrymen member Rod Davis recorded a full version of the song and this was released on his album Under The Influence released by Scorpion.
Other recorded versions
Charting versions
Chas McDevitt Skiffle Group featuring Nancy Whiskey (No. 5 on the UK Singles Chart in 1957)
Rusty Draper (charted to the US top ten, end of 1957)
Peter, Paul and Mary on their In the Wind album
Esther & Abi Ofarim on their album Songs Der Welt (1963)
other
Laura Gibson
Chet Atkins
Jerry Garcia and David Grisman
Mike Seeger
Pat Donohue
Sonny Terry and Brownie McGhee
Doc Watson and David Holt
Joan Baez
Alex Campbell (singer)
Peggy Seeger
Pete Seeger
Peter Tevis
Taj Mahal
Ramblin Jack Elliott
Tommy Emmanuel
Laura Veirs
Lenny Breau
Jan og Kjeld
Joe Dassin (Je Change Un Peu De Vent)
Eila Pellinen (Pakoon, Pakoon)
Elizabeth Mitchell
Emilie Clepper
Calvin Russell.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/track/1CMCQAH1kCBnRAJpAf0HQL
Apple Music:
https://music.apple.com/us/song/freight-train/1757645762
and Deezer:
https://www.deezer.com/en/track/3298782061
#folk
#worldandcountry
#countrymusic Canadian Sweethearts - Freight Train (Elizabeth Cotten Cover)](https://i.ytimg.com/vi/jjpf78p2x8M/mqdefault.jpg)
![Owen Gray - Israelites (Desmond Dekker & the Aces Cover)
From Sings Hits Of 69
Label: Revolution Records – REV RLP 1, REVRLP1, REVRLP 1
Series: Rocksteady
Format: Vinyl, LP, Album, Stereo
Country: UK
Released: 1969
Tracklist
A1 It Miek
Written-By – Desmond Dekker, Leslie Kong
A2 Swan Lake
Written-By [Uncredited] – Pyotr Ilyich Tchaikovsky
A3 Children Get Ready
Written-By – B. Barrett
A4 Cupid
Written-By – Sam Cooke
A5 Phoenix City
Written-By – Jim Single
A6 Wet Dream
Written-By – Maxie Smith
B1 Red, Red Wine
Written By – Smith
Written-By [Uncredited] – Neil Diamond
B2 Guns Of Navarone
Written-By – Dimitri Tiomkin, Paul Francis Webster
B3 Everybody Needs Love
Written-By – Slim Smith
B4 Israelites
Written-By – Desmond Dekker, Leslie Kong
B5 The Horse
Written-By – Jesse James
B6 Bangarang
Written-By – Clancy Eccles
Liner Notes – Roger St. Pierre
Sleeve, Layout – Leonie Day
Producer – Dave Hadfield
Notes
Though Owen had plenty of hits of his own, Owen decided that he would like to pay his own tribute to his fellow ska and soul hitmakers and here it is, one of the most exciting albums of the year - I hope youll enjoy it. From the sleeve notes.
Beverly Music Ltd.
The album was reissued with a new title (How Reggae Is That Elephant Overthere?) and album cover on Blue Elephant in 1971.
℗ 2015 Fonior
© Cherry Red Records
℗ Cherry Red Records
💿 [SONG INFO]
Israelites is a song written by Desmond Dekker and Leslie Kong for their group, Desmond Dekker & the Aces, which reached the top of the charts in numerous countries in 1969.
Sung in Jamaican Patois, some of the songs lyrics were not readily understood by many British and American listeners at the time of its release. Despite this, the single was the first UK reggae no.1 and among the first to reach the US top ten (peaking at no.9).
It combined the Rastafarian religion with rude boy concerns, to make what has been described by Allmusic as a timeless masterpiece that knew no boundaries.
Origin and lyrics
Originally issued in Jamaica as Poor Me Israelites, it remains the best known Jamaican reggae hit to reach the United States Hot 100s top 10, and was written almost two years after Dekker first made his mark with the rude boy song 007 (Shanty Town).
Dekker composed the song after overhearing an argument: I was walking in the park, eating popcorn. I heard a couple arguing about money. She was saying she needs money and he was saying the work he was doing was not giving him enough. I related to those things and began to sing a little song: You get up in the morning and youre slaving for bread. By the time I got home, it was complete.
The title has been the source of speculation, but most settle on the Rastafarian Movements association with the Twelve Tribes of Israel.
In the 1960s, Jamaican Rastafarians were largely marginalized as cultish and ostracized from the larger society, including by the more conservative Christian church in Kingston. Destitute (slaving for bread) and unkempt (Shirt dem a-tear up, trousers a-gone), some Rastafarians were tempted to a life of crime (I dont want to end up like Bonnie and Clyde). The song is a lament of this condition.
Impact
Despite Israelites being recorded and released in 1968, the Uni 45 discography shows its copyright as 1969. In June 1969, the record reached the Top Ten in the United States, peaking at no.9 on the Billboard Hot 100 singles chart. Israelites hit no.1 in the United Kingdom, the Netherlands, Jamaica and West Germany.
Israelites brought a Jamaican beat to the British top 40 for the first time since Dekkers no.14 hit 007 (Shanty Town) in 1967.
The disc was released in the UK in March 1969 and was no.1 for one week, selling over 250,000 copies. A global million sales was reported in June 1969.
Charts
Weekly charts
Chart (1969) / Peak position
Australia (Go-Set) / 3
Australia (Kent Music Report) / 5
Austria (Ö3 Austria Top 40) / 2
Belgium (Ultratop 50 Flanders) / 3
Belgium (Ultratop 50 Wallonia) / 8
Canada Top Singles (RPM) / 9
Ireland (IRMA) / 7
Netherlands (Single Top 100) / 1
South Africa (Springbok Radio) / 12
Sweden (Kvällstoppen) / 2
Switzerland (Schweizer Hitparade) / 6
UK Singles (OCC) / 1
US Billboard Hot 100 / 9
US Cash Box Top 100 / 8
West Germany (GfK) / 1
Appearance in other media
The song has appeared in numerous movies and television programs, including the soundtracks of the 1989 American film Drugstore Cowboy and the 2010 British film Made in Dagenham.
On November 3, 2019, Israelites was prominently featured in the third episode of HBOs Watchmen. Potentially because of this usage, the song charted again, entering the Billboard Digital Reggae Song Sales Chart at no.2.
In 1989 the song was used as part of an advertising campaign by Hitachi’s Maxell tapes brand.
🔗 [LINKS]
Available on Apple Music:
https://music.apple.com/us/album/how-reggae-is-that-elephant-overthere/977004024
#rocksteady
#reggae
#reggaepop Owen Gray - Israelites (Desmond Dekker & the Aces Cover)](https://i.ytimg.com/vi/jldUyIC2eR8/mqdefault.jpg)
![The Sober Sisters & The Dirty Four - Gimme Gimme Gimme (Alternative Rock, ABBA Cover)
From RocknRoll Party
Label: New Lifeshark Records – NLR 028
Format: CD, Album
Country: Germany
Released: 2002
Tracklist
01. Rama Lama Ding Dong
02. Under The Boardwalk
03. Stop In The Name Of Love
04. Needles And Pins
05. Locomotion
06. Daddy Cool
07. Mr. Postman
08. Tainted Love
09. Do You Love Me
10. Denis Denis
11. Shoop Shoop Song
12. Gimme Gimme Gimme
13. Radar Love
14. Shout
15. Rockaway Beach
16. Blitzkrieg Bop
Acoustic Guitar – Tim Buktu (tracks: 7, 10)
Piano – Tim Buktu (tracks: 9, 14)
Saxophone – Carlos (track: 3)
Producer, Recorded By – Tim Buktu
Notes
Recorded and produced April 2002 at Studio Manufaktur Wuppertal by Tim Buktu and the Band.
℗ New Lifeshark Records
🎵 [SONG INFO]
Gimme! Gimme! Gimme! (A Man After Midnight) is a song by Swedish band ABBA.
It was recorded in August 1979 in order to help promote their North American and European tour of that year, and was released on ABBAs Greatest Hits Vol. 2 album as the brand new track.
History
Gimme! Gimme! Gimme! (A Man After Midnight) was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.
Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different from her own existence.
The melody line of the song was played on an ARP Odyssey synthesizer.
Originally, ABBA had recorded another song, Rubber Ball Man, which was planned as a single.
It featured the typical ABBA-arrangement with both Fältskog and Anni-Frid Lyngstad on lead vocals and the use of classical strings.
This song was also performed by the group during rehearsals for its 1979 tour as Under My Sun.
However, the group felt that Gimme! Gimme! Gimme!, with its disco sound, would be a better choice, and thus, Rubber Ball Man remained nothing more than a demo.
Reception
Cash Box called it another exercise of sparkling euro-pop, with the slightest hint of boogie bottom to give the song an edge.
The song is notable as being one of two works in ABBAs discography (the other being Dancing Queen) that have gone on to become gay anthems.
Gimme! Gimme! Gimme! (A Man After Midnight) was another highly successful song for ABBA.
It hit no. 1 in Belgium, Finland, France, Ireland, and Switzerland, while reaching the top 3 in Austria, West Germany, the United Kingdom, the Netherlands, and Norway.
It also proved to be ABBAs most successful song in Japan, hitting no. 17.
Cover versions
Gimme! Gimme! Gimme! (A Man After Midnight) was A-Teens third single (fourth in other territories) from their first album The ABBA Generation, a collection of ABBA cover versions.
When the single was released in 1999 in Sweden, it earned a Gold certification. It also became their third top ten hit there and the bands third top 40 hit in Germany. The song peaked at no. 51 in Switzerland, no. 27 in the Netherlands, no. 20 in Mexico, and no. 22 in Argentina and Chile.
In 2001, the song was covered by the first edition of the French TV reality show Star Academy 1.
The song was credited to Olivia Ruiz, Jenifer Bartoli and Carine Haddadou, three of the contestants.
This version went straight to no. 1 in France, dislodging Star Academys previous hit, La Musique (Angelica), and stayed atop for two weeks.
American singer and actress Cher covered the song on her album Dancing Queen, released on 28 September 2018.
Chers version is the lead single on the album.
The accompanying audio video for Gimme! Gimme! Gimme! (A Man After Midnight) was premiered through Chers official YouTube channel on 9 August 2018.
An extended version of the track was later released on 14 September 2018.
The song peaked at number 4 on the Hot Dance Club Songs chart.
Gimme! Gimme! Gimme! (A Man After Midnight) was the first single released from the soundtrack for the 2008 film version of Mamma Mia! by American actress Amanda Seyfried, who plays Sophie in the film.
In the film, only the chorus is sung while the rest of the song is instrumental, much like the original stage play.
On the soundtrack, Seyfried sings the complete song as a solo performance, and also does the same in a music video to promote the movie.
The version on the soundtrack is a minute shorter than the version featured on the films tie-in website.
In 1986, Erasure released a live version of the song as a B-side to their single Oh Lamour and then in 1987 on their US version of the album The Two Ring Circus.
Abbacadabra released a cover of the song on their album Abbasalute through Almighty Records in 1992. Mixes of the groups cover version were most recently included on its 2008 compilation We Love ABBA: The Mamma Mia Dance Compilation.
🔗 [LINKS]
https://www.newlifeshark.de/
https://newlifeshark.bandcamp.com/album/1
#thesobersisters
#thedirtyfour
#gimmegimmegimme
#alternativerock
#abbacover The Sober Sisters & The Dirty Four - Gimme Gimme Gimme (Alternative Rock, ABBA Cover)](https://i.ytimg.com/vi/k7gQngSIL7U/mqdefault.jpg)
![Dimensional Sound - Fly Robin Fly (Silver Convention Cover)
From The Big 50
Label: T.E.J. Records – 2004
Format: 3 x Vinyl, LP
Country: US
Released: 1977
Tracklist
A1 Saturday Night
A2 The Hustle
A3 Fox On The Run
A4 Nights On Broadway
A5 Get Down Tonight
A6 Thats The Way I Like It
A7 Fly Robin Fly
A8 Ease On Down The Road
A9 Love Will Keep Us Together
B1 Convoy
B2 Swearin To God
B3 Get Up And Boogie
B4 Shop Around
B5 Fool To Cry
B6 Boogie Fever
B7 Fooled Around And Fell In Love
B8 Only Sixteen
C1 Welcome Back
C2 Disco Lady
C3 Right Back Where We Started From
C4 Love Hangover
C5 More, More, More
C6 50 Ways To Leave Your Lover
C7 Making Our Dreams Come True
C8 You Should Be Dancing
C9 (Shake, Shake, Shake) Shake Your Booty
D1 Say You Love Me
D2 Best Disco In Town
D3 A Fifth Of Beethoven
D4 Disco Duck (Part I)
D5 Still The One
D6 Dont Go Breaking My Heart
D7 Ill Play The Fool
D8 If You Leave Me Now
E1 Heaven Must Be Missing An Angel
E2 Play That Funky Music
E3 Shes Gone
E4 Id Really Love To See You Tonight
E5 Getaway
E6 Love Is Like A Heat Wave
E7 S.O.S.
E8 Hijack
F1 Sara Smile
F2 Afternoon Delight
F3 Thatll Be The Day
F4 Never Gonna Fall In Love Again
F5 I Love Music (Part I)
F6 Silly Love Songs
F7 Get The Funk Out Ma Face
F8 Lowdown
Phonographic Copyright ℗ – T.E.J. Records
🎵 [SONG INFO]
Fly, Robin, Fly is a song by the German disco group Silver Convention from their debut studio album Save Me (1975).
Sylvester Levay and Stephan Prager wrote the song, and the latter produced it.
Fly, Robin, Fly was released as the third single from Save Me in September 1975, reaching number one on the United States Billboard Hot 100.
Thanks to the success of Fly, Robin, Fly, Silver Convention became the second German act to have a number one song on the American music charts.
The song received a Grammy Award for Best R&B Instrumental Performance in 1976.
Fly, Robin, Fly carries the distinction of being a Billboard chart-topper with only six words: the chorus simply repeats Fly, Robin, fly three times, with an ending of Up, up to the sky.
During a segment on VH1s 100 Greatest Dance Songs, it was revealed that the original working title was Run, Rabbit, Run.
Chart and commercial performances
In the United States, it rose to number one on the Billboard Hot 100 in November 1975, staying there for three weeks. It was both preceded and succeeded by Thats the Way (I Like It) by KC and the Sunshine Band. The single was also number one on the Soul Singles Chart for one week.
Fly, Robin, Fly also spent three weeks at number one on the Dance/Disco Chart.
In Canada, the song also reached the pole position in the charts, hitting number one in the RPM Top Singles Chart on 17 January 1976, knocking the Bay City Rollers Saturday Night from the top slot, managing to keep it for a single week before being replaced by C. W. McCalls Convoy a week later.
As of February 1976, the single sold 1.5 million copies in the United States.
Charts
Weekly charts
Chart (1975–1976) / Peak position
Australia (Kent Music Report) / 11
Austria (Ö3 Austria Top 40) / 9
Belgium (Ultratop 50 Flanders) / 3
Canada Adult Contemporary (RPM) / 6
Canada Top Singles (RPM) / 1
France (IFOP) / 28
Germany (GfK) / 3
Netherlands (Dutch Top 40) / 5
Netherlands (Single Top 100) / 8
New Zealand (Recorded Music NZ) / 16
Norway (VG-lista) / 8
Sweden (Sverigetopplistan) / 16
Switzerland (Schweizer Hitparade) / 5
UK Singles (OCC) / 28
US Billboard Adult Contemporary / 6
US Billboard Hot 100 / 1
US Billboard Hot Disco Singles / 1
US Billboard Hot Soul Singles / 1
US Cash Box / 1
US Record World / 1
Year-end charts
Chart (1975) / Rank
Australia (Kent Music Report) / 89
Canada Top Singles (RPM) / 103
US Cash Box / 44
Chart (1976) / Rank
Belgium (Ultratop 50 Flanders) / 47
Canada Top Singles (RPM) / 31
US Billboard Hot 100 / 14
Uses
In the 1997 drama film Boogie Nights.
The song is used in King of the Hill Season 4, Episode 21 Nancy Boys at the roller rink scene.
In April 2016, students and teachers from Methodist College, a Hong Kong secondary school, produced an educational campus television video by introducing four geometry methods in determining the congruence of triangles (SAS, SSS, ASA, AAS; Side-Angle-Side, Side-Side-Side, Angle-Side-Angle, Angle-Angle-Side), through a song playfully naming RHS (Right-angle-Hypotenuse-Side, the fifth evidence for proving congruent triangles) which lines to the tune of Fly, Robin, Fly. Resembling the members of the band, choreographed arm and legs movements are also featured by the Hong Kong students, in order to introduce the mathematical concepts together with the lyrics (Side angle side, side side side, angle side angle, angle angle side.). The clip has become a viral video which garnered over 800,000 views and over 50,000 likes on Facebook within a week, becoming one of the temporary hot topics in Hong Kong during late April, with various online parodies and social kusos provoked.
#silverconvention
#disco
#flyrobinfly Dimensional Sound - Fly Robin Fly (Silver Convention Cover)](https://i.ytimg.com/vi/l5JqNyXRuMg/mqdefault.jpg)
![Früt - Be-Bop-A-Lu-La (Gene Vincent and His Blue Caps Cover)
From Keep On Truckin
Label: Westbound Records – WB 2005
Format: Vinyl, LP, Album
Country: US
Released: 1971
Tracklist
A1 Keep On Truckin
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
A2 This Time
Written-By – Chips Moman
A3 Bristol Stomp
Written-By – Dave Appell, Kal Mann
A4 Be-Bop-A-Lu-La
Written-By – Gene Vincent, Sheriff Tex Davis
A5 Donna
Written-By – Ritchie Valens
A6 I Love You Baby (But You Dont Dress Cool)
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
B1 Chiffon Baby
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
B2 Are We Really Going Steady?
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
B3 Come Go With Me
Written-By – Clarence E. Quick
B4 Buzz Buzz-A-Diddle It
Written-By – Bob Crewe, Frank Slay Jnr.
B5 Take Your Clothes Off, And Ill Love You!
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
B6 Running Bear
Written-By – J.P. Richardson
Lead Vocals – Norman Panama Lieberman
Lead Guitar – Bob Crunchy Cristals Holley
Drums – Dave Snidley Whiplash West
Bass – John Kozmo Kosloskey
Baritone Vocals – George Moseman
Soprano Vocals – Dennis Rapucci
Tenor Vocals – Neil Brenner
Artwork By – Joel Nank
Producer [Supervision] – Bob Scerbo
Be-Bop-A-Lula is a rockabilly song first recorded in 1956 by Gene Vincent and His Blue Caps.
Origins of the song
The writing of the song is credited to Gene Vincent and his manager, Bill Sheriff Tex Davis. Evidently the song originated in 1955, when Vincent was recuperating from a motorcycle accident at the US Navy hospital in Norfolk, Virginia.
There, he met Donald Graves, who supposedly wrote the words to the song while Vincent wrote the tune. (Cf. Money Honey by the Drifters, 1953).
The song came to the attention of Davis, who allegedly bought out Graves rights to the song for some $50 (sources vary as to the exact amount), and had himself credited as the lyric writer. Davis claimed that he wrote the song with Gene Vincent after listening to the song Dont Bring Lulu.
Vincent himself sometimes claimed that he wrote the words inspired by the comic strip, Little Lulu: I come in dead drunk and stumble over the bed. And me and Don Graves were looking at this bloody book; it was called Little Lulu. And I said, Hell, man, its Be-Bop-a-Lulu. And he said, Yeah, man, swinging. And we wrote this song.
The phrase Be-Bop-A-Lula is similar to Be-Baba-Leba, the title of a No.3 R&B chart hit for Helen Humes in 1945, which became a bigger hit when recorded by Lionel Hampton as Hey! Ba-Ba-Re-Bop.
This phrase, or something very similar, was widely used in jazz circles in the 1940s, giving its name to the bebop style, and possibly being ultimately derived from the shout of Arriba! Arriba! used by Latin American bandleaders to encourage band members.
Recording by Gene Vincent
In early 1956, Gene Vincent performed the song on a radio show in Norfolk, Virginia, and recorded a demo version which was passed to Capitol Records, who were looking for a young singer to rival Elvis Presley.
Capitol invited Vincent to record the song and it was recorded at Owen Bradleys studio in Nashville, Tennessee on May 4, 1956. Cliff Gallup (lead guitar), Wee Willie Williams (rhythm guitar), Jumpin Jack Neal (string bass), and Dickie Be Bop Harrell (drums) comprised the band.
When the song was being recorded, Harrell screamed in the background, he said because he wanted to be sure his family could hear it was him on the record.
The song was released in June 1956 on Capitol Records single F3450, and immediately sold well.
The song was successful on three American singles charts: it peaked at No.7 on the US Billboard pop music chart, No.8 on the R&B chart, and also made the top ten on the C&W Best Seller chart peaking at No.5.
In the UK, it peaked at No.16 in August 1956.
In April 1957, the record company announced that over 2 million copies had been sold to date.
The original demo for the song, probably recorded at radio station WCMS, has never been located and presumed lost.
The song drew comparisons to Presley and is listed as No.103 on Rolling Stones 500 Greatest Songs of All Time.
Vincent recorded a new version of the song in 1962 which appeared on the flip-side of the single The King of Fools.
Vincent sang the song in the movie The Girl Cant Help It.
Cover versions
The Everly Brothers
Cliff Richard
Jerry Lee Lewis
Carl Perkins
The Beatles
John Lennon
The 77s
David Cassidy
Demented Are Go
Elvis Presley
Foghat
Gene Summers
Orion
Queen
Raul Seixas
Stray Cats
Suicide
Boney M.
https://westboundrecords.com/
https://westboundrecords.bandcamp.com/artists
#bluesrock
#rockandroll Früt - Be-Bop-A-Lu-La (Gene Vincent and His Blue Caps Cover)](https://i.ytimg.com/vi/lcxlXaGSisI/mqdefault.jpg)
![The Beau-Jives - Shake A Tail Feather (The Five Du-Tones Cover)
From Shake A Tail Feather
Label: Tamio – 900, Tamio – 901
Format: Vinyl, 7, 45 RPM, Single
Country: US
Released: 1965
Tracklist
A Shake A Tail Feather
Written-By – Andre Williams, Otha Hayes, Verlie Rice
B Somethings Wrong
Written-By – Harvey Shapiro, Joel Warren
Published By – Vapac Music Co.
Published By – Old School Music
🎵 [SONG INFO]
Shake a Tail Feather is a song written by Otha Hayes, Verlie Rice, and Andre Williams and originally recorded in 1963 by the Chicago-based group the Five Du-Tones.
The original recording reached number 28 on Billboards Hot R&B Singles chart and number 51 on the Billboard Hot 100.
Background
The song references a number of dance styles/moves, including the Boogaloo, The Twist, The fly, The Bird, Monkey, the Mashed Potato, the duck, the swim, the Boney Maroney, and the Watusi.
Notable cover versions
Shake a Tail Feather has been covered by many other artists over the years:
A 1967 version by James & Bobby Purify reached number 25 on the Billboard Hot 100.
Ike & Tina Turner recorded their version in 1968 for their album So Fine. It is also performed in the movie about their lives, Whats Love Got To Do With It.
Ray Charles covered and performed the song during his scenes in the 1980 film The Blues Brothers where he was surrounded by dancers performing the move referenced in the song while he played a piano and sang.
#thebeaujives
#shakeatailfeather
#thefivedutones The Beau-Jives - Shake A Tail Feather (The Five Du-Tones Cover)](https://i.ytimg.com/vi/lm3vxTubE_0/mqdefault.jpg)
![Roy Richards & Soul Vendors - Summertime (Rocksteady/Reggae, Abbie Mitchell Cover)
From The Righteous Flames / Roy Richards & The Soul Vendors – You Dont Know / Summertime
Label: Coxsone Records – CS 7061
Format: Vinyl, 7
Country: UK
Released: 2 Aug 1968
Tracklist
A The Righteous Flames - You Dont Know
B Roy Richards & The Soul Vendors - Summertime
Producer – Clement Coxsone Dodd
© 2022 Soul Jazz Records Ltd
℗ 2022 Soul Jazz Records Ltd
© 2022 Jamaica Recording & Publishing Studio Ltd. t/a Studio One
℗ 2022 Jamaica Recording & Publishing Studio Ltd. t/a Studio One
💿 [SONG INFO]
Summertime is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin.
The song soon became a popular and much-recorded jazz standard, described as without doubt ... one of the finest songs the composer ever wrote ... Gershwins highly evocative writing brilliantly mixes elements of jazz and the song styles of African-Americans in the South-East United States from the early twentieth century.
Composer and lyricist Stephen Sondheim characterized Heywards lyrics for Summertime and My Mans Gone Now as the best lyrics in the musical theater.
Porgy and Bess
Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period.
Gershwin had completed setting DuBose Heywards poem to music by February 1934, and spent the next 20 months completing and orchestrating the score of the opera.
The song is sung several times throughout Porgy and Bess. Its lyrics are the first words heard in act 1 of the opera, following the communal wa-do-wa. It is sung by Clara as a lullaby.
The song theme is reprised soon after as counterpoint to the craps game scene, in act 2 in a reprise by Clara, and in act 3 by Bess, singing to Claras now-orphaned baby after both parents died in the storm.
The song was recorded for the first time by Abbie Mitchell on July 19, 1935, with George Gershwin playing the piano and conducting the orchestra (on: George Gershwin Conducts Excerpts from Porgy & Bess, Mark 56 667).
The 1959 movie version of the musical featured Loulie Jean Norman singing the song. That rendition finished at No.52 in AFIs 100 Years...100 Songs survey of top tunes in American cinema.
Analysis
Lyrics
Heywards inspiration for the lyrics was the southern folk spiritual-lullaby All My Trials, of which he had Clara sing a snippet in his play Porgy.
The lyrics have been highly praised by Stephen Sondheim. Writing of the opening line, he says:
That and is worth a great deal of attention. I would write Summertime when but that and sets up a tone, a whole poetic tone, not to mention a whole kind of diction that is going to be used in the play; an informal, uneducated diction and a stream of consciousness, as in many of the songs like My Mans Gone Now. Its the exact right word, and that word is worth its weight in gold. Summertime when the livin is easy is a boring line compared to Summertime and. The choices of ands [and] buts become almost traumatic as you are writing a lyric – or should, anyway – because each one weighs so much.
Music
Musicologist K. J. McElrath wrote of the song:
Gershwin was remarkably successful in his intent to have this sound like a folk song. This is reinforced by his extensive use (one exception: the note B under the word high) of the pentatonic scale (C–D–E–G–A) in the context of the A minor tonality and a slow-moving harmonic progression that suggests a blues.
While in his own description, Gershwin did not use any previously composed spirituals in his opera, Summertime is often considered an adaptation of the African American spiritual Sometimes I Feel Like a Motherless Child, which ended the play version of Porgy.
Other prominent versions include those by:
In September 1936, a recording by Billie Holiday was the first to hit the US pop charts, reaching number 12.
The Chris Columbo Quintet (US number 93, 1963).
The most commercially successful version was by Billy Stewart, whose scat-laden R&B version reached number 10 on the Billboard Hot 100 and number 7 on the R&B chart in 1966; his version also reached number 39 in the UK and number 13 in Canada.
Janis Joplin recorded a version for her band Big Brother and The Holding Companys 1968 Cheap Thrills album. The album charted at number 1 for eight weeks on the Billboard 200 chart; however, the song was not released as a single.
In the UK, a version by the Fun Boy Three reached number 18 on the UK Singles Chart in 1982.
A version by Louis Armstrong and Ella Fitzgerald, released on their 1959 album Porgy and Bess.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/track/6XHq5jwfJhOIixH8G6zHbl
https://open.spotify.com/track/4ljsiVTWzx4ywx3h4T0ElZ
and Deezer:
https://www.deezer.com/en/track/1803225097
#reggae
#reggaecover
#rocksteady
#rocksteadycover
#instrumentalcover Roy Richards & Soul Vendors - Summertime (Rocksteady/Reggae, Abbie Mitchell Cover)](https://i.ytimg.com/vi/lqcMbpPKADc/mqdefault.jpg)
![Jerry Foster - Youre Right, Im Left, Shes Gone (Country, Elvis Presley cover)
From Dont Be Cruel
Label: Metromedia Records – MM-201, MMS-201
Format: Vinyl, 7, 45 RPM, Promo
Country: US
Released: Nov 1970
Tracklist
A Dont Be Cruel
Written-By – Otis Blackwell
B Youre Right, Im Left, Shes Gone
Written-By – Bill Taylor, Stan Kesler
Produced and Arranged by Scotty Moore.
Notes
Feauting Scotty Moore on guitar.
© 1970 © Metromedia Records™ a division of 43 North Broadway, LLC. WARNING: All Rights Reserved. Unauthorized duplication is a violation of applicable laws.
℗ 1970 © Metromedia Records™ a division of 43 North Broadway, LLC. WARNING: All Rights Reserved. Unauthorized duplication is a violation of applicable laws.
🎵 [SONG INFO]
Im Left, Youre Right, Shes Gone (sometimes called Youre Right, Im Left, Shes Gone) is a song written by Bill Taylor and Stan Kesler, and originally recorded by Elvis Presley for Sun Records.
Released as a single in April 1955 (with Baby Lets Play House on the opposite side), the song made it into the top 10 of US Billboards C&W Best Sellers in Stores chart.
Composition
The song was written by Bill Taylor and Stan Kesler, members of a Sun Records band called Snearly Ranch Boys.
Recording
The commercial (released) version was recorded by Elvis in February–March 1955 at Sun Records Studio in Memphis.
The recording features Elvis on acoustic guitar and his regular sidemen Scotty Moore on electric guitar and Bill Black on bass.
Both are credited on the records label (as Scotty & Bill).
Session drummer Jimmie Lott was brought in for this recording by Sam Phillips.
Description and critical analysis
The songs lyrics deal with a heartbreak, but in a humorous way.
The singer says to his friend that the friend was right in warning him that the girl would break his heart. But the singer still had to find out for himself if she was the one for him.
According to Susan M. Doll in her book Understanding Elvis, the song features a common characteristic of country music — the passive acceptance of the singers fate and the subsequent melancholy it brings, as the person who sings the song passively resigns himself to the fact that his girl is gone.
Musically, it is a rockabilly ballad.
Originally Elvis Presley recorded it in a blues arrangement, but the version that was released was something of a novelty, which was more in line with the commercial considerations of the day.
Mike Eder in his Elvis Music FAQ finds the recording too polished and too similar to other Elvis songs of that time:
In the case of Im Left, Youre Right, Shes Gone, the rough edges should perhaps have been left on. Its unwise to place the blame for this totally on Sam [Phillips], since Elvis did after all willingly work on the completed master. Yet its almost uncanny how close this flip side sounded, mood-wise, to Youre a Heartbreaker before it and I Forgot to Remember to Forget after. That Im Left, Youre Right, Shes Gone has more of a sparkle to it than the other two titles shouldnt be overlooked, but upon hearing the outtake, one cant help but feel that some of the life was ultimately polished out of it.
At about the one-minute mark, the song features Elvis trademark hiccup vocal break.
Charts
Chart (1958) / Peak position
UK Singles (OCC) / 21
Giorgio Moroders Im Left, Youre Right, Shes Gone
Giorgio Moroder and Pete Bellotte also wrote a song with the same title that is a totally different song!
Cover versions
1957
Joey Castell
1959
Johnny Cash
1961
The Rolling Stones (Unreleased recording)
1971
Hayden Thompson
1973
Jerry Lee Lewis
1974
Per Granberg and New Jordal Swingers
The Ropers
1976
Jussi & The Boys
1977
Carl Mann
Don Sawyer and Kevin Olson
Terry Cobb
1978
Michael Kroll
1979
Ral Donner
1980
Jussi Raittinen
Larry Donn
1981
Terry Ray Bradley
Henry Turtle
Ralph Carlson & Country Mile
1984
Friends
1987
Sun Cats (or Suncats)
1988
Barry Stanton
1990
The Sun Rhythm Section
1991
Charlie Feathers
1994
Jody Reynolds
1996
John Paul Young
The Silhouets
Denis Westmorland
1997
The Quarrymen (John Lennons Original Quarrymen)
The Beatniks
1998
Terry Dene And The Dene Aces
The White Lines
1999
Tom Jones With James Dean Bradfield
Billy Swan (As part of his Sun Medley)
2000
Country Cattin
2002
Billy Fury
Rhythm 55
2004
Huelyn Duvall And The Troublesome Three
2005
Chris Helbling
2007
Teddy Thompson
Robert Gordon and Chris Spedding
Adam Cotton And Howard Hughes
2008
Yuichi & The Hilltone Boys
2011
Jacen Bruce
2014
Daniele Stallone & His Loud Roll Shuffle
2016
Johnny Hallyday
Little Boy Blue And The Blue Boys
Biel Alimanya and The Folsom Rockers
Lolo & The Brigidas
2021
Chickenforce
unknown date
Manic Street Preachers feat. Tom Jones
The Golden Ring
Rockers band
The Tri-County Bluegrass Boys
Danny Vernon
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/album/23JfZQQPRWWZJzN6C9kv5c
#elvispresleycover
#countrymusic
#imleftyourerightshesgone
#jerryfoster Jerry Foster - Youre Right, Im Left, Shes Gone (Country, Elvis Presley cover)](https://i.ytimg.com/vi/m5nJa865q64/mqdefault.jpg)