Bill Hilton
Interleaved Practice: the King of Piano Learning Techniques?
updated
One of the key differences between amateur musicians and professionals is the way the pros are able to focus their attention during practice — it's one of the key differentiators behind their musical success. In this video I explore how a simple piece of kit you probably have in your bathroom can teach you a ton about attention, and a simple trick that mimics its attention-control method to help you improve your musical skills.
"Attack the problem" tutorial: youtu.be/uTkqFfK3r5w
Reference to professional practice attitudes: Grape, C., Sandgren, M., Hansson, L. O., Ericson, M., & Theorell, T. (2002). Does singing promote well-being? An empirical study of professional and amateur singers during a singing lesson. Integrative Physiological & Behavioral Science, 38(1), 65-74.
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This tutorial covers three practice techniques from my new book, How To Be A Better Musician, that you can apply to your practice on any musical instrument — not just the piano.
The three techniques are Attack the Problem, Push-Past and Tallying. Each one is designed to help you home in on problem areas and deal with them in a way that reduces your reliance on your subjective judgement.
UNCLE HARRY’S VARIATION 1 TUTORIAL/INTERMEDIATE 7: youtu.be/VWbLkLKda58
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00:00 The three tactics
02:42 Analysing a practice piece
06: 05 Attack the problem
09:06 Push-Past and Tallying
11:50 About my new book
#music #piano
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Other videos mentioned in the tutorial:
Talent vs Soul: youtu.be/Qk2yzwYqkYU
Classical/interleaved practice: youtube.com/shorts/GAtqV-98WtU?feature=share
References:
sciencedirect.com/science/article/abs/pii/S0092656615000513
Greenberg, D. M., Müllensiefen, D., Lamb, M. E., & Rentfrow, P. J. (2015). Personality predicts musical sophistication. Journal of Research in Personality, 58, 154-158.
researchgate.net/publication/343226191_Personality_traits_in_musicians
Gjermunds, N., Brechan, I., Johnsen, S., & Watten, R. G. (2020). Personality traits in musicians. Current Issues in Personality Psychology, 8(2), 100-107.
00:00 A bee in my bonnet
03:27 Dynamics
06:09 Touch
08:43 An announcement
09:32 Timing
11:24 What about YOU?
In this tutorial we look at some of the basics of piano finger management, also known as finger technique. Finger management is all about overcoming the basic problem that a piano has 88 keys, and you only have 10 fingers. How do you get around the keyboard without jumping too much, which can sound choppy and ugly?
We explore finger techniques including thumb under, finger over, finger switching and fourth over.
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00:00 Introduction
00:49 What is finger management?
02:50 Thumb under, finger over
05:20 What about black notes?
08:34 Finger switching
11:05 Fourth over and fast finger repetition
#piano
Previous tutorial: youtu.be/molObPzzasA
Series playlist: youtube.com/playlist?list=PLpOuhygfD7QnB6i-WXpTRYI2cFQalqWNx
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All downloads and videos in the series are linked at billspianopages.com/intermediate
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00:00 The easiest lick ever!
00:38 The basic lick
02:35 Using it with a 1-5-6-4 chord progression
05:04 Making it more complex
07:15 Adding chord extensions
09:18 Other chord progressions, including 1-6-4-5
#chords #piano
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00:00 Augmented chords are useful if…
00:39 What are augmented chords?
03:04 Wait — they’re SYMMETRICAL!?
05:57 A little instability goes a long way
10:44 How augmented chords get used
#chords #piano
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00:00 So what is piano minimalism?
00:50 Playing an example piece/song
02:54 Expression and depth
03:43 Using the sustain pedal
04:18 Building up cool chords (don’t worry about clashes!)
05:21 Adding musical development
07:49 Why minimalism is great for your piano playing
08:34 Creating your own minimalist piano songs
#piano #pianotutorial
Special thanks to Sarah Beecroft — instagram.com/sarah_a_bee_ — for playing Chopin with a one-eyed pug on her knee.
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Photo credits: Shutterstock (Anton Ivanov, EQRoy, catwalker); Pexels (Adam Fackelman, Michael Scott, Caleb Oequendo and others); Adobe Stock (olly); Wikimedia Commons
#music #videoessay
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Alternatively visit billspianopages.com/intermediate and scroll down to the links for lesson 6.
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00:00 Introduction — what are variations?
03:01 Playthrough
04:17 Tempo and style
06:20 Finger management
09:30 Expression and control
14:50 Notes for intermediate course students
#Shorts
#Shorts
#Shorts
My favourite performance of the Brahms Intermezzo in A major (Op 118/2), referenced in the tutorial, is Paul Lewis's at youtube.com/watch?v=gnwbUU9cHF0 — you can hear the arpeggio run-in and the chord itself from 3:20 in that video. The whole thing is worth a listen, as he plays it a million times better than I ever could!
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00:00 So what IS this chord?
02:53 Chord resolution: the conventional story
04:52 How harmonic instability is created
09:36 How Brahms does it
13:21 A crucial lesson about how music works
#piano #chords
I also talk about how the sustain pedal’s effect can vary between pianos, and especially how the way sustain is modelled on digital pianos can affect the need to half pedal or repedal during a single chord.
PIANO TUTORIALS MENTIONED IN THIS ONE
Previous sustain pedal tutorial: youtu.be/PArr39f4CL0
Chord voicing tutorial: youtu.be/m3wxaPkh0L8
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#piano #chords
So in this tutorial we take a detailed look at how to use your piano's sustain pedal, including good practice for foot positioning, when to use your pedal between chord changes, and how using the sustain pedal affects the overall sound of your piano (quite a lot). We even take a look inside a real piano to understand the principles at work behind the pedal.
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00:00 What is the sustain pedal?
00:57 The piano's pedal block
02:59 Pedalling on chord changes
05:15 Looking inside a piano
07:40 Moving forward and piano pedal markings
#piano
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Seven Studies in Pop Piano: billspianopages.com/seven-studies
An Introduction to Cocktail Piano: billspianopages.com/cocktail
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00:00 What is a blues piano comp?
01:36 Blues basics
02:02 The left hand pattern
03:05 Basic right hand chords
05:04 The importance of rhythm in piano comps
06:04 Where should you start?
09:19 More advanced right hand chords
11:42 What to do now
#piano #blues
#Shorts #piano
Syncopation is an important skill for any piano or keyboard player, and mastering it is really important especially if you want to play styles like jazz and blues. In this tutorial we look at what syncopation is, how it works, and some tactics you can use to syncopate more naturally and easily.
JAZZ PIANO FOR BEGINNERS SERIES
youtube.com/playlist?list=PLpOuhygfD7QmN-lQYtSAULCvdomKraZ1S
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00:00 How syncopation works
01:57 The underlying beat
04:18 Moving stresses off the beat
06:50 Using clapping
07:42 Working out syncopation on the piano
08:39 Swinging straight melodies
BEGINNERS’ TUTORIAL SERIES (FREE!)
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00:00 Intro
00:17 1. Do I need a piano?
01:07 2. How long does it take to learn piano?
01:32 3. How much piano practice should I do?
02:39 4. I'm not making progress — what am I doing wrong?
03:24 Am I too old to learn the piano?
PHOTO CREDITS
Stock video:
Canva
Stock images:
Studio_3321/Adobe Stock
tsuguliev/Adobe Stock
SADIA/Adobe Stock
Pavel Losevsky/Adobe Stock
Africa Studio/Adobe Stock
#piano
DOWNLOAD THE PDF (INCLUDES CHORD CHART AND LEAD SHEET)
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00:00 Intro and playthrough of progression
01:42 Passing chords, beat division, timing and turnarounds
05:16 Building the progression, different types of chord
07:08 Harmonic function, cadences, slash chords
11:51 Musicality, expression, walk-ups and walk-downs
#piano #composition
#shorts #piano
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Seven Studies in Pop Piano: billspianopages.com/seven-studies
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#shorts #piano
DOWNLOAD THE SCORE AS A PDF (FREE, NO SIGN-UP)
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00:00 Intro and annotated playthrough
03:12 The piano is an orchestra? Riiiiight…
05:43 Extracts from orchestral version
07:02 How do you put this into practice?
07:49 Practice tips for The Lullaby March
#piano #composition
In this tutorial I use a jazz piano improvisation as an example, but the principles I’m talking about apply to any style of improv (and not just on the piano).
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USEFUL PIANO IMPROVISATION TUTORIALS
Easy Jazz Piano Improvisation: youtu.be/UAQ0pko0n8I
Jazz Piano for Beginners tutorial series: youtube.com/playlist?list=PLpOuhygfD7QmN-lQYtSAULCvdomKraZ1S
00:00 Intro and annotated improv
01:50 What your brain REALLY does when you improvise
05:02 How this affects your piano practice
#piano #improvisation
In the tutorial we look at how to play the progression in a fairly basic way on the piano, using block chords and broken chords, and then I demonstrate how you can use some more advanced techniques in a minor progression, like chord extension and suspension, and rhythmic anticipation. We also discuss how to use the sustain pedal to create a rich, beautiful, ambient sound and how to voice the chords to bring out the character of the progression.
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Seven Studies in Pop Piano: billspianopages.com/seven-studies
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#chords #piano
These principles are also worth remembering even if you're not playing the piano — you can also use them when programming chord progressions in a DAW using a MIDI piano roll or writing music into a score.
#Shorts #chords
The single best type of exercise for improving your hand independence on piano or keyboard is contrary motion. You can practise contrary motion using scales or broken chords, and it's massively effective at getting both hands working at the same time because it's regular and controlled, but both hands are doing something different throughout the whole exercise.
In this video I demonstrate a C major contrary motion scale and an F major contrary motion broken chord. If you want to push you hand independence skills even further, try going faster, playing over more octaves, or playing the exercises with both hands in harder keys with more black notes.
By the way, if you're interested in other strategies that will help you get your hands working together better on the keyboard, I have a full tutorial on the subject here: youtu.be/5w5Tgb6pJeM
#Shorts #Piano
As well as looking at the number one piano exercise for two-handed playing, we’ll cover two practice techniques — push-past and time suspension — that you can apply to hands-together playing with powerful effects. You should be able to use this tutorial with more or less any piano or keyboard.
What are your experiences of learning to play the piano with two hands? Let me know down in the comments!
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BEGINNERS’ PIANO COURSE
21 piano lessons+bonuses, entirely free, all on YouTube: youtube.com/playlist?list=PLpOuhygfD7QnP46wUgQudOySX_z2UOhXs
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00:00 It’s not just you: 2 hands are hard
00:44 The best exercise for hands together playing
03:23 The power of Push-Past
05:41 Suspending Time
08:03 Do your brain a favour
#piano #keyboard
Along the way I take a look at some useful bits of piano/keyboard technique and music theory, including loops, cadences, chord voicing, bassline development, chord extension, decoration and suspension, passing chords and chromatic mediant passing chords. In other words, there’s a ton of stuff in this tutorial that will help you whether you’re an improvising piano or keyboard player wanting to learning pop styles, a producer, a songwriter, or if you just want to learn more about chord progressions and music theory
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OTHER USEFUL TUTORIALS
"Why I Love The Subdominant Chord": youtu.be/mr1PS-2UUXE
"Chord Theory Epic: Functional Harmony and More": youtu.be/AYBQUvmhAX8
"Pop Piano Improvisation Walkthrough in F Major": youtu.be/xAKeaac-qVc
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00:00 Why 1-5-6-4 matters
00:41 The basic music theory
01:40 Voicing the 1-5-6-4 chords
04:58 Loops and cadences
08:30 Improvising on the 1-5-6-4 progression
11:31 Chord extensions, progressions, decorations
13:20 Advanced bassline voicings
14:36 Passing chords and chromatic mediants
17:35 My books and Piano Packs
19:26 What to do now
#chords #piano
Chord substitution is the process of replacing one chord with another that has the same harmonic function (i.e., it does the same musical job in a chord progression) but a different sound. The chord that is most frequently substituted is the V (fifth), also known as the dominant. That's because straightforward dominant-tonic resolutions often sound too neat and tidy: dropping in a different chord with a cooler sound that does the same job can make everything work better.
Chord substitution is something you can use when improvising on the chord progression of someone else's song — perhaps to create a comp (accompaniment) for a singer — or when you're writing or producing your own music. It's most common in jazz, but happens in a very wide range of musical styles, and is especially suited to piano and keyboard.
#Shorts #Chords
In the tutorial I also touch on the importance of good chord voicing, which, if you’re playing piano or keyboard (or producing music direct into a DAW) is JUST as important as knowing the chords themselves. Chords never exist in isolation, but always as part of a wider musical structure, and its really critical to get a good, instinctive understanding of how one chord relates to another. In particular, it’s important to avoid successive “jumps” between chords: whenever you improvise or compose at the piano, your music will sound much better if you pick chord shapes and voicings that fit naturally together.
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TIMESTAMPS
00:00 Aarrghhh, how do I learn chords?
00:25 What do you need?
00:46 Songbooks are awesome
01:13 Piano-vocal score is awesome
01:57 Step 1: work out the chords
02:37 Get stickin'
04:06 Step 2: work through the chords
04:55 Chord voicings MATTER
06:46 Step 3: play through in time
08:16 Step 4: change the chord shapes
09:15 The #1 piece of advice...
#chords #piano
Photo credit: Сергей Лабутин/Adobe Stock
MY PIANO PACKS: billspianopages.com/pianopacks
MY BOOK BUNDLE: billspianopages.com/bundle
PDF OF LEADSHEET: drive.google.com/file/d/1otxgx8jsaWFwxFCyJPjLTrwji1I7OyV6/view?usp=sharing
SERIES PLAYLIST LINK: youtube.com/playlist?list=PLpOuhygfD7QkH5t7Ye797ohL2SRbDApUu
WALKUPS/DOWNS TUTORIAL: youtu.be/XKbBeN25RnI
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TIMESTAMPS
00:00 Introduction
01:04 Playthrough
04:45 The basic techniques
08:15 Analysis: 1st ‘A’ section
15:44 Analysis: 2nd ‘A’ section
18:56 Analysis: ‘B’ section
22:22 Analysis: final ‘A’ section
27:33 What next?
Low notes have many overtones in the audible range, and if low notes are spaced tightly in a chord, conflicting overtones and cause a "muddy" sound. At the opposite end of the scale, if high notes are spaced too thinly, their relative lack of audible overtones can cause the upper structures of chords to sound weak and weedy.
So spacing chords wide at the bottom and tight at the top, whether you're working with a MIDI keyboard or a symphony orchestra, is usually the best way to get a full, satisfying, epic chord sound.
#shorts #piano #chords #musicproduction
Then we move on to using five chords — Cmaj7, Bm7, Dm7, Em7 and F13 — in an eight bar loop. This is still relatively easy, especially as we’re sticking to the one octave Phrygian in the right, but if you’re a more confident pianist or keyboard player this is the point at which you could try adding other notes to your improvisation.
Don’t forget to check out my other jazz piano tutorials on YouTube, especially my series on Jazz Piano for Beginners, which starts fairly easy and moves on to more advanced material. You’ll find the playlist here: youtube.com/playlist?list=PLpOuhygfD7QmN-lQYtSAULCvdomKraZ1S
If you’d like to buy my Piano Packs, just head to billspianopages.com/pianopacks — don’t forget, too, that if you support my piano channel on Patreon you get the Packs at no extra cost. More information at patreon.com/billhilton
I hope you enjoy the tutorial and find that playing a bit of jazz piano is easier than you think. Don’t forget to “like” the video, subscribe to my YouTube channel (which has hundreds of free piano tutorials) and post a comment if you have a question or just want to say hello!
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TIMESTAMPS
00:00 Improv demo
00:57 2 jazz piano chords
01:32 Easy chord loop
02:30 1 note jazz improvisation
03:51 Building up the improv
06:07 5 chord jazz loop
#piano #jazz #music
#shorts #piano #chords
Walk-ups and walk-downs are useful left hand piano techniques that you can combine with passing chords in both hands to add interest and character to most kinds of piano improvisation, though they’re especially useful when playing jazz and blues. In this tutorial we’ll look and both, and also think about how you can use some simple principles to build passing chords.
CHORD PROGRESSION:
F | F | F | F | Bb | Bb | F | D7 | Gm7 | C | F | (F/turnaround)
USEFUL TUTORIALS:
Jazz piano for beginners playlist: youtube.com/playlist?list=PLpOuhygfD7QmN-lQYtSAULCvdomKraZ1S
Blues piano tutorials playlist: youtube.com/playlist?list=PLFE7C89C720566CCD
Cocktail piano tutorials playlist: youtube.com/playlist?list=PLpOuhygfD7QlnF-gxs4wKb2F8V4nPdZYd
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TIMESTAMPS
00:00 What are walk-ups and walk-downs?
01:35 Demo — simple, then with passing chords
04:55 The mechanics of walk-ups and walk-downs
10:00 How passing chords work
14:44 Advanced timing and passing chords
16:19 What next?
#piano #jazz #pianotutorial
Noodling is a jazz technique that just involves… messing around. On the piano, it means improvising in the right hand, usually independent (or loosely attached to) underlying chords and beat, using a variety of scales. In this tutorial I take a look at how to get started with noodling using the C blues and pentatonic scales. It’s a fun technique that’s fairly easy to get into, but will really help to improve your jazz piano right hand.
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TIMESTAMPS
00:00 Noodling? What’s that!?
01:26 Basics: tonality, blues and pentatonic scales
03:53 Dyads and crush notes
06:02 Starting to improvise — mastering the scales
08:33 Combined scales, single hand position
12:07 Advanced stuff
13:47 What next?
Working on some boogie-woogie is an amazing way of improving your piano skills, especially when it comes to hand independence — and it’s a ton of fun in its own right. In this tutorial we go through some 12-bar boogie basics and then look at some left hand boogie woogie piano patterns and some right hand licks you can add over the top.
PDF DOWNLOAD drive.google.com/file/d/1hxKsBD5NIITVZvVgJtd7C0I853qNZQ7V
OTHER BOOGIE-WOOGIE TUTORIALS
Playlist of blues piano tutorials: youtube.com/playlist?list=PLFE7C89C720566CCD — these were made quite some years ago, so the video quality isn’t great, but they cover all the basics of blues piano, from which boogie-woogie is derived.
An in-depth look at the final left-hand covered in this tutorial: youtu.be/mpg4gxh-AT0
A boogie-woogie walkthrough: youtu.be/MUaOeV-NJJ8
The ‘classic’ boogie-woogie bass line: youtu.be/0-n1oWaf9S4
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TIMESTAMPS
00:00 Why Boogie-Woogie?
02:53 12-bar basics
08:42 Left hand no. 1
10:54 Left hand no. 2
12:26 Left hand no. 3
14:08 Left hand no. 4
16:09 Other left hand possibilities
17:27 Basic set of RH licks
24:28 What next?
PHOTO CREDIT
kirill4mula/Adobe Stock
This is the third in a series of tutorials in which I take a simple song leadsheet and work it up into a cocktail piano-style solo.
You can find the FIRST tutorial in the series HERE: youtu.be/lMxl3ymiVq0
PDF of “From Scratch” leadsheet: drive.google.com/file/d/1otxgx8jsaWFwxFCyJPjLTrwji1I7OyV6/view?usp=sharing
Series playlist link: youtube.com/playlist?list=PLpOuhygfD7QkH5t7Ye797ohL2SRbDApUu
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TIMESTAMPS
00:00 Recap on the series so far, and what’s coming up
03:20 Thickening up the right hand
05:38 Right hand chord+melody exercise
09:33 The 3-in-1 approach to right hand playing
13:44 3-in-1 technique — A section demo
17:06 3-in-1 technique — B section demo
20:07 What to practise
20:54 Some chord substitutions
26:26 More decorations/arpeggiations and some extensions
31:44 Recap and what to do now
This is the second in a series of tutorials in which I take a simple song leadsheet and work it up into a cocktail piano-style solo. In this tutorial we look at how to play the melody and chords of the song’s B section, how to develop a more sophisticated left hand in the form of a stride pattern, and how to start using decoration — a fundamental aspect of the cocktail piano style.
You can find the FIRST tutorial in the series HERE: youtu.be/lMxl3ymiVq0
PDF of “From Scratch” leadsheet: drive.google.com/file/d/1otxgx8jsaWFwxFCyJPjLTrwji1I7OyV6/view?usp=sharing
Series playlist link: youtube.com/playlist?list=PLpOuhygfD7QkH5t7Ye797ohL2SRbDApUu
BILL’S SOCIAL MEDIA
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TIMESTAMPS
00:00 Introduction
02:09 The concept of the B section
03:29 B section playthrough
04:39 B section melody
07:27 B section chords
10:15 Simple left hand for the B section
12:44 Review of what we’ve learned so far
14:25 Adding a left hand stride pattern
20:59 Adding decoration
23:25 Some ideas for basic chordal decorations
26:50 What next?
This is the first in a series of tutorials in which I take a simple song leadsheet and work it up into a cocktail piano-style solo. In this tutorial we think about key cocktail ideas like rubato, and also look at the structure and chords of the song. In subsequent tutorials we’ll cover decoration, “thickening out” right hand. more sophisticated left hand parts, chord extension and substitution and melodic improvisation.
PDF of “From Scratch” leadsheet: drive.google.com/file/d/1otxgx8jsaWFwxFCyJPjLTrwji1I7OyV6/view?usp=sharing
Series playlist link: youtube.com/playlist?list=PLpOuhygfD7QkH5t7Ye797ohL2SRbDApUu
BILL’S SOCIAL MEDIA
Facebook: fb.me/billhiltonpiano
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TIMESTAMPS
00:00 Introduction
02:13 The lead sheet
03:15 The song’s structure
04:12 Playthrough, RH and hands together (simple)
06:49 Adding swing
08:30 The three basic elements of cocktail piano style
10:58 Working on the rhythm/tempo
18:00 Thinking about cocktail harmony
18:53 Chord walkthrough
25:27 Adding a simple left hand
27:18 What you need to practise before the next tutorial
In this tutorial we get to grips with how to make progress in “black note” keys on the piano — not just keys that have black notes as their tonics, but those that just have a lot of black notes, like A flat major and F minor. The tutorial includes a piano improvisation exercise in A flat, with a full walkthrough and chords, to help you understand some of the techniques involved.
Chords used in the improvisation exercise:
Ab | Bbm(7) | Cm(7) | Db |
Ab | Bbm(7) | Cm(7) | Db |
Bbm7 | Eb7 | Ab, Eb/G | Fm(7) |
Bbm7 | Eb7 | Ab | Ab (Eb7) |
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00:00 Introduction
01:44 Special offers
03:50 Why people think “black note” keys are difficult
05:08 Three reasons why learning “black note” keys is useful
07:09 A flat improvisation exercise: the chords
08:05 Improv exercise: playthrough
09:26 Improv exercise: chord analysis
12:09 Importance of hand position in “black note” keys
13:17 Rhythmic anticipation
15:28 Improv exercise: step-by-step walkthrough
29:45 Two final tips — scales and chord learningys on piano (includes improvisation exercise)
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00:00 Introduction
01:44 Special offers
03:50 Why people think “black note” keys are difficult
05:08 Three reasons why learning “black note” keys is useful
07:09 A flat improvisation exercise: the chords
08:05 Improv exercise: playthrough
09:26 Improv exercise: chord analysis
12:09 Importance of hand position in “black note” keys
13:17 Rhythmic anticipation
15:28 Improv exercise: step-by-step walkthrough
00:00 Two final tips — scales and chord learning
Writing melody is a really useful musical skill, but people often go about it the wrong way. In this tutorial I look at the basics of melodic writing, and how to create great tunes either at the piano or away from it, and whether you have a chord progression or not.
LINKS TO TUTORIALS MENTIONED IN THIS ONE
Suspensions and anticipations: youtu.be/I7kSOoP3f2Y
How To Write a Classic Jazz Song: youtu.be/uUDqyPI1Hn4
How to Work Out The Chords to a Song: youtu.be/ilcfgQ3lZus
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PHOTO CREDIT
Сергей Лабутин/Adobe Stock
TIMESTAMPS
00:00 Introduction
00:28 Primephonic special offer
01:47 Melodic theory basics
03:43 Melodic structure
06:25 Phrases, and why they’re important
10:30 Building melodies 1: vocal improvisation from a chord progression
15:26 Building melodies 2: analytical approach from a chord progression
19:13 Building melodies 3: melody before chord progression
23:11 Wrap-up
Don't forget that you can download the PDF that accompanies this lesson here:
billspianopages.com/intermediate
Series playlist link: youtube.com/playlist?list=PLpOuhygfD7QnB6i-WXpTRYI2cFQalqWNx
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Download the tutorial PDF here: drive.google.com/file/d/1KI8vck2n4Q4fTnRoCKG4FhKN8775u1_S
Check out my 30% discount ebook bundle deal: billspianopages.com/bundle
Get access to my Piano Packs and more on Patreon: patreon.com/billhilton
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00:00 What we’re going to learn + playthrough
04:06 AABA structure, “rhythm changes”
05:44 “A” section chords
12:00 “B” section chords
13:59 Left hand movement in jazz piano
18:39 About melodic right hand improvisation in jazz piano
19:23 What to do if you’re new to improvisation
20:44 Shaping right hand phrases, scales and chromatic notes
24:16 The whole tone scale
26:15 Managing dynamics
27:38 More on improvising right hand melody
28:33 A left hand chord substitution/extension
29:25 Improvising on the middle/“B” section (circle of fifths)
32:31 Final “A” section — suspended Bb7 and a dodgy ritenuto
33:33 What to do now
Don't forget to check out the bundle deal on my ebooks: www.billspianopages.com/bundle
When you’ve finished watching, take a look at the benefits on offer on my Patreon page: patreon.com/billhilton
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00:00 Introduction
01:12 What’s a suspension?
02:24 Using suspensions in a chord progression
03:49 Resolution and melody creation
04:30 Using chord extensions to generate suspensions
05:45 The easy way to add suspensions
08:00 Anticipations — reverse suspensions
08:47 Sus chords like sus4 and sus 2
09:37 Suspensions: what next?
Book bundle deal: billspianopages.com/bundle
All six of my Piano Packs for £16.95: billspianopages.com/pianopacks
Check out my Patreon page: patreon.com/billhilton
Chapters:
00:00 Stuff you can do with this tutorial
01:24 Music theory basics 1: scales and chords
04:09 Music theory basics 2: diatonic chords, tonics, dominants
06:38 Resolution and V-I cadences in chord progressions
09:51 Adding chords other than V and I
13:11 Two exercises: building basic chord progressions
16:12 Enriching progressions with chord extensions
20:40 More on chord extensions
23:56 Non-diatonic chords: basics and secondary dominants
23:26 Exercise: extending chords in a progression
29:05 Other non-diatonics: the “magic second” (II7) and shared/neighbouring tones
32:27 Chromatic mediant chords
38:08 Four essential tips
Image credits:
kohanova1991/Adobe Stock
majonit/Adobe Stock
grandfailure/Adobe stock


