Baauer’s debut album “Aa” (pronounced ‘double a’) is a record that could only be made by a kid born of New York inspired by rap and dance music - traveling the globe sampling and processing found sounds with friends Future, Pusha T, M.I.A, Novelist, Leikeli47, Rustie and Tirzah. “Aa” followed the anthemic “GoGo!” single (2015), The “ß EP” with Rae Sremmurd and Alunageorge (2014), limited edition laser-etched vinyl 12” “Dum Dum” (2013), and the genre defining single “Higher” with Just Blaze and Jay Z (2012).
Heralded as bright, stadium, urban dance music who has created an inimitable universe with his continuing visual collaboration with acclaimed multi-medium artist, Jonathan Zawada. The signature visual work sees the helmet which Baauer stood on when he graced the cover of billboard; a feature from the first “Harlem Shake” viral - now dragged around the world. Symbolic of Baauer and his music, the artwork is made from a mix of natural materials and digital ephemera.
Baauer’s debut album “Aa” (pronounced ‘double a’) is a record that could only be made by a kid born of New York inspired by rap and dance music - traveling the globe sampling and processing found sounds with friends Future, Pusha T, M.I.A, Novelist, Leikeli47, Rustie and Tirzah. “Aa” followed the anthemic “GoGo!” single (2015), The “ß EP” with Rae Sremmurd and Alunageorge (2014), limited edition laser-etched vinyl 12” “Dum Dum” (2013), and the genre defining single “Higher” with Just Blaze and Jay Z (2012).
Heralded as bright, stadium, urban dance music who has created an inimitable universe with his continuing visual collaboration with acclaimed multi-medium artist, Jonathan Zawada. The signature visual work sees the helmet which Baauer stood on when he graced the cover of billboard; a feature from the first “Harlem Shake” viral - now dragged around the world. Symbolic of Baauer and his music, the artwork is made from a mix of natural materials and digital ephemera.
Dir. by Jonathan Zawada. Zawada is currently based in the Australian countryside. He’s been working with Baauer since 2014, creating a world of digital sculpture that fuses technology with hip hop and pop cultural ephemera. On “Company” he explores how we emotionally connect virtually and physically: how human memory and digital memory intersect. The results are a deft balance of funny, profound, beautiful and at times, gross.Baauer & Miquela - Hate Me (Official Video)Baauer2018-10-03 | Listen to Baauer & Miquela here → baauer.lnk.to/H8ME out now on LuckyMe Records
I Threw A Glass At The Mirror You Told Me That’s Bad Luck To Make Myself Clearer I Just Don’t Give A Fuck I Push It To Your Limit So Many Times That I Can’t Keep Count But All I Wanna Do Is Keep You Around
I Don’t Know I Don’t Know I Don’t Know What I’m Doing But I Don’t Yeh I Know Yeh I Know Yeh I Know What I’m Doing
Cause The Way You Hate Me, Hate Me, Hate Me, Hate Me, Hate Me, That It Makes Me, Makes Me, Makes Me, Makes Me, Makes Me, Really Want Ya, Want Ya, Want Ya, Want Ya, Want Ya Then You Hate Me, Hate Me
I Press All Your Buttons Just So I Can Rip Them Off It’s Not An Assumption I Know It’s All My Fault Tried Meditation For Breakfast But It Didn’t Do Much For Me Cause My Hunger Is Reckless For Something Crazy
I Don’t Know I Don’t Know I Don’t Know What I’m Doing But I Don’t Yeh I Know Yeh I Know Yeh I Know What I’m Doing
Cause The Way You Hate Me, Hate Me, Hate Me, Hate Me, Hate Me, That It Makes Me, Makes Me, Makes Me, Makes Me, Makes Me, Really Want Ya, Want Ya, Want Ya, Want Ya, Want Ya Then You Hate Me, Hate Me
Hate Me, Hate Me, Hate Me, Hate Me, Hate Me Yeh It Makes Me, Makes Me, Makes Me, Makes Me, Really Want Ya, Want Ya, Want Ya, Want Ya, Want Ya, When You Hate Me
Cause The Way You Hate Me, Hate Me, Hate Me, Hate Me, Hate Me, That It Makes Me, Makes Me, Makes Me, Makes Me, Makes Me, Really Want Ya, Want Ya, Want Ya, Want Ya, Want Ya Then You Hate Me, Hate Me
I Threw A Glass At The Mirror You Told Me That’s Bad Luck To Make Myself Clearer I Just Don’t Give A Fuck I Push It To Your Limit So Many Times That I Can’t Keep Count But All I Wanna Do Is Keep You Around
I Don’t Know I Don’t Know I Don’t Know What I’m Doing But I Don’t Yeh I Know Yeh I Know Yeh I Know What I’m Doing
Cause The Way You Hate Me, Hate Me, Hate Me, Hate Me, Hate Me, That It Makes Me, Makes Me, Makes Me, Makes Me, Makes Me, Really Want Ya, Want Ya, Want Ya, Want Ya, Want Ya Then You Hate Me, Hate Me
I Press All Your Buttons Just So I Can Rip Them Off It’s Not An Assumption I Know It’s All My Fault Tried Meditation For Breakfast But It Didn’t Do Much For Me Cause My Hunger Is Reckless For Something Crazy
I Don’t Know I Don’t Know I Don’t Know What I’m Doing But I Don’t Yeh I Know Yeh I Know Yeh I Know What I’m Doing
Cause The Way You Hate Me, Hate Me, Hate Me, Hate Me, Hate Me, That It Makes Me, Makes Me, Makes Me, Makes Me, Makes Me, Really Want Ya, Want Ya, Want Ya, Want Ya, Want Ya Then You Hate Me, Hate Me
Hate Me, Hate Me, Hate Me, Hate Me, Hate Me Yeh It Makes Me, Makes Me, Makes Me, Makes Me, Really Want Ya, Want Ya, Want Ya, Want Ya, Want Ya, When You Hate Me
Cause The Way You Hate Me, Hate Me, Hate Me, Hate Me, Hate Me, That It Makes Me, Makes Me, Makes Me, Makes Me, Makes Me, Really Want Ya, Want Ya, Want Ya, Want Ya, Want Ya Then You Hate Me, Hate MeBaauerMusicVEVO Live StreamBaauer2017-11-26 | ...Baauer - Kung Fu ft. Pusha T, FutureBaauer2016-02-24 | Latest Music ♫ • https://Baauer.lnk.to/music-yt
Baauer’s debut album “Aa” (pronounced ‘double a’) is a record that could only be made by a kid born of New York inspired by rap and dance music - traveling the globe sampling and processing found sounds with friends Future, Pusha T, M.I.A, Novelist, Leikeli47, Rustie and Tirzah. “Aa” followed the anthemic “GoGo!” single (2015), The “ß EP” with Rae Sremmurd and Alunageorge (2014), limited edition laser-etched vinyl 12” “Dum Dum” (2013), and the genre defining single “Higher” with Just Blaze and Jay Z (2012).
Heralded as bright, stadium, urban dance music who has created an inimitable universe with his continuing visual collaboration with acclaimed multi-medium artist, Jonathan Zawada. The signature visual work sees the helmet which Baauer stood on when he graced the cover of billboard; a feature from the first “Harlem Shake” viral - now dragged around the world. Symbolic of Baauer and his music, the artwork is made from a mix of natural materials and digital ephemera.
Baauer’s debut album “Aa” (pronounced ‘double a’) is a record that could only be made by a kid born of New York inspired by rap and dance music - traveling the globe sampling and processing found sounds with friends Future, Pusha T, M.I.A, Novelist, Leikeli47, Rustie and Tirzah. “Aa” followed the anthemic “GoGo!” single (2015), The “ß EP” with Rae Sremmurd and Alunageorge (2014), limited edition laser-etched vinyl 12” “Dum Dum” (2013), and the genre defining single “Higher” with Just Blaze and Jay Z (2012).
Heralded as bright, stadium, urban dance music who has created an inimitable universe with his continuing visual collaboration with acclaimed multi-medium artist, Jonathan Zawada. The signature visual work sees the helmet which Baauer stood on when he graced the cover of billboard; a feature from the first “Harlem Shake” viral - now dragged around the world. Symbolic of Baauer and his music, the artwork is made from a mix of natural materials and digital ephemera.
Baauer’s debut album “Aa” (pronounced ‘double a’) is a record that could only be made by a kid born of New York inspired by rap and dance music - traveling the globe sampling and processing found sounds with friends Future, Pusha T, M.I.A, Novelist, Leikeli47, Rustie and Tirzah. “Aa” followed the anthemic “GoGo!” single (2015), The “ß EP” with Rae Sremmurd and Alunageorge (2014), limited edition laser-etched vinyl 12” “Dum Dum” (2013), and the genre defining single “Higher” with Just Blaze and Jay Z (2012).
Heralded as bright, stadium, urban dance music who has created an inimitable universe with his continuing visual collaboration with acclaimed multi-medium artist, Jonathan Zawada. The signature visual work sees the helmet which Baauer stood on when he graced the cover of billboard; a feature from the first “Harlem Shake” viral - now dragged around the world. Symbolic of Baauer and his music, the artwork is made from a mix of natural materials and digital ephemera.