Remaking Moby-DickA scene from John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder Ishmael - Dru Jamieson Seamen - Sean Haley, Jonathan Minnich, Omar Siddigi
Chapter 94. A Squeeze of the Hand.Remaking Moby-Dick2013-05-10 | A scene from John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder Ishmael - Dru Jamieson Seamen - Sean Haley, Jonathan Minnich, Omar SiddigiPoetry in a Readers Voice: Dan Beachy-Quicks Spell, first partRemaking Moby-Dick2013-07-27 | ...12Remaking Moby-Dick2013-05-24 | ...WhiteRemaking Moby-Dick2013-05-23 | ...Chapter 116. The Dying Whale.Remaking Moby-Dick2013-05-16 | remade, and read, by the poet Linda Lee Harper.
"In vain, oh whale, dost thou seek intercedings with yon all-quickening sun, that only calls forth life, but gives it not again. ... I am buoyed by breaths of once living things, exhaled as air, but water now."
The harp music at the end is by Patricia Spero.Chapter 52. The Albatross.Remaking Moby-Dick2013-05-16 | Remade as "Bird and Whaler Street Race" (a story), and read, by Emily Coon.
"In tormented chase of that demon phantom that, some time or other, swims before all human hearts; while chasing such over this round globe, they either lead us on in barren mazes or midway leave us whelmed." -- Herman Melville, Moby DickHarpooning Mother EarthRemaking Moby-Dick2013-05-16 | A poem, written and read by Elizabeth Schultz.
The BP oil spill, the whaling industry, and Moby-Dick.Chapter 30. The Pipe.Remaking Moby-Dick2013-05-16 | Remade and read by Sam Mills.Forgotten WarsRemaking Moby-Dick2013-05-15 | Eric Cummings' essay "Forgotten Wars," part of the Remaking Moby-Dick project.Chapter 37: Sunset.Remaking Moby-Dick2013-05-13 | Remixed by Linnea ÅkerbergEpilogue. And I Only Am Escaped Alone to Tell Thee. Job.Remaking Moby-Dick2013-05-10 | The final scene of John Gentile's visionary adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder The Whiteness of the Whale performed by Briana Brock Ishmael performed by Dru Jamieson
Production information: http://www.kennesaw.edu/theatre/moby-dick/cast.htmlChapter 135. The Chase.—Third Day.Remaking Moby-Dick2013-05-10 | The penultimate scene of John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder The Whiteness of the Whale performed by Briana BrockChapter 134. The Chase—Second Day.Remaking Moby-Dick2013-05-10 | A scene from John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy CrowderChapter 133. The Chase—First Day.Remaking Moby-Dick2013-05-10 | A scene from John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder
Ishmael - Dru Jamieson Seaman - Sean Haley Queequeg - Jason Turner Stubb - John Tucker Tashtego - Jonathan Minnich Dagoo - Omar Siddigi Captain Ahab - Phillip JustmanChapter 132. The Symphony.Remaking Moby-Dick2013-05-10 | A scene from John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder
Captain Ahab - Phillip Justman Starbuck - Andrew PuckettChapter 64. Stubbs Supper.Remaking Moby-Dick2013-05-10 | The opening scene of John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder The Cook performed by Drew HaleChapter 38. Dusk.Remaking Moby-Dick2013-05-10 | A scene from John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder Starbuck performed by Andrew PuckettChapter 37. Sunset.Remaking Moby-Dick2013-05-10 | The third scene of John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder Captain Ahab performed by Phillip JustmanChapter 42. The Whiteness of the Whale.Remaking Moby-Dick2013-05-10 | The opening scene of John Gentile's adaptation of Moby-Dick, directed by John Gentile and Hylan Scott. Performed at Kennesaw State University in 2008.
Costume and scene design: Jamie Bullins Lighting Design: Stan Kaye Music composed by Jeremy Crowder The Whiteness of the Whale performed by Briana BrockChapter 42. The Whiteness of the Whale.Remaking Moby-Dick2013-05-10 | Remade, and read, by Michael Lythgoe.Chapter 126. The Life-Buoy.Remaking Moby-Dick2013-05-10 | Remade, and read, by Jeff Alfier.Chapter 106. Ahabs Leg.Remaking Moby-Dick2013-05-09 | Remade, and read by, Jason Mosser.Chapter 24. The Advocate.Remaking Moby-Dick2013-05-09 | Remade, and read by, Jose PaduaChapter 97. The Lamp.Remaking Moby-Dick2013-05-09 | Remade as a sestina, and read by, Laurel BlossomChapter 110. Queequeg in His Coffin.Remaking Moby-Dick2013-05-09 | Art: Matt Kish, Moby-Dick: Page 464. Music: Bija and Wilhelm, Moby-Dick: Distant Chimes in Wind.Chapter 41. Moby-Dick.Remaking Moby-Dick2013-05-09 | Art: Matt Kish, Moby-Dick: Page 177. Music: Bija and Wilhelm, Moby-Dick: The White Whale, Through The Murk I Chased.Chapter 7. The Chapel.Remaking Moby-Dick2013-05-09 | Art: Matt Kish, Moby-Dick: Page 35. Music: Bija and Wilhelm, Moby-Dick: Incarnated.Chapter 3. The Spouter-Inn.Remaking Moby-Dick2013-05-09 | Art: Matt Kish, Moby-Dick: Page 18. Music: Bija and Wilhelm, Moby-Dick: Beware the Blasphemer's End. Part 1.Chapter 125. The Log and Line.Remaking Moby-Dick2013-05-09 | Art: Matt Kish, Moby-Dick: Page 501. Music: Bija and Wilhelm, Moby-Dick: Catalyssia.Chapter 128. The Pequod Meets the Rachel.Remaking Moby-Dick2013-05-09 | Art: Matt Kish, Moby-Dick: Page 510. Music: Bija and Wilhelm, Moby-Dick: Ahab 1&2.Chapter 117. The Whale Watch.Remaking Moby-Dick2013-05-08 | Art: Matt Kish, Moby-Dick: Page 478. Music: Bija and Wilhelm, Moby-Dick: Night.Chapter 71. The Jeroboams Story.Remaking Moby-Dick2013-05-08 | In April 2013, Matt Kish graciously talked with us about his illustrations (he created one for every page of Moby-Dick).
This excerpt from the interview addresses his work for page 306.
Title: "Beware of the horrible tail!"
10.75 inches by 15.5 inches acrylic paint and ink on found paper July 11, 2010Chapter 54. The Town-Hos Story.Remaking Moby-Dick2013-05-08 | In April 2013, Matt Kish graciously talked with us about his illustrations (he created one for every page of Moby-Dick).
This excerpt from the interview addresses his work for page 250.
Title: "For by a mysterious fatality, Heaven itself seemed to step in to take out of his hands into its own the damning thing he would have done."
7.75 inches by 11 inches acrylic paint and ink on found paper May 16, 2010Chapter 4. The Counterpane.Remaking Moby-Dick2013-05-08 | In April 2013, Matt Kish graciously talked with us about his illustrations (he created one for every page of Moby-Dick).
This excerpt from the interview addresses his work for page 26 of Moby-Dick.
Title: "...and the nameless, unimaginable, silent form or phantom, to which the hand belonged, seemed closely seated by my bedside."Chapter 102. A Bower in the Arsacides.Remaking Moby-Dick2013-05-08 | In April 2013, Matt Kish graciously talked with us about his illustrations (he created one for every page of Moby-Dick).
This complete-audio excerpt from the interview addresses his work for page 436.
Title: The skeleton dimensions I shall now proceed to set down are copied verbatim from my right arm, where I had them tattooed; as in my wild wanderings at that period, there was no other secure way of preserving such valuable statistics.
8.5 inches by 5.5 inches ballpoint pen on paper November 5, 2010Chapter 4: The Counterpane.Remaking Moby-Dick2013-05-07 | In April 2013, Matt Kish graciously talked with us about his illustrations (one for every page of Moby-Dick).
This excerpt from the interview addresses his work for page 027.
Title: But Queequeg, do you see, was a creature in the transition state—neither caterpillar nor butterfly.
7 inches by 9.5 inches acrylic paint, ink, and marker on found paper September 2, 2009Chapter 42: The Whiteness of the Whale.Remaking Moby-Dick2013-05-07 | In April 2013, Matt Kish graciously talked with us about his illustrations (one for every page of Moby-Dick).
This excerpt from the interview addresses his work for page 181.
Title: It was the whiteness of the whale that above all things appalled me.
7.5 inches by 10.75 inches colored pencil on found paper March 2, 2010Chapter 28: AhabRemaking Moby-Dick2013-05-07 | Music by Bija and Wilhelm.Chapter 42: The Whiteness of the Whale. Part 1.Remaking Moby-Dick2013-05-07 | Music by Bija and Wilhelm.Chapter 128: The Pequod Meets The RachelRemaking Moby-Dick2013-05-07 | The Rachel. Music by Bija and Wilhelm.Chapter 66: The Shark MassacreRemaking Moby-Dick2013-05-07 | Remade and read by Timothy KennyChapter 124: The NeedleRemaking Moby-Dick2013-05-06 | Remade and read by poet Tobi Cogswell.Chapter 112: The BlacksmithRemaking Moby-Dick2013-05-06 | Remade and read by poet Ray McManus.Chapter 2: The Carpet-Bag.Remaking Moby-Dick2013-05-06 | A remaking, Ishmael in New Bedford, 2013, by Jim Mezzanotte.
We shot the Gulf of Mexico video but did not create, and do not own the rights to, the music. It is owned by Slint, Touch and Go Records, and all other respective owners.Chapter 28: Ahab. Remade by Linda Lee HarperRemaking Moby-Dick2013-05-05 | Silent, unvoiced, the whiteness and the color of rage intermixed. Designed to be screened with Bija's The Whiteness of the Whale Pt. 2.Chapter 32: Cetology (part 5)Remaking Moby-Dick2013-05-05 | Aerosol art: creating a whale Isaac Caruso, artistthe Lanterns waiting to guide us to the shipRemaking Moby-Dick2013-05-05 | pre-performance at SAIAH's production of Moby-Dick, May 2013 in west AtlantaChapter 32: Cetology (part 4)Remaking Moby-Dick2013-05-05 | Aerosol art: creating a whale Isaac Caruso, artistChapter 32: Cetology (part 3)Remaking Moby-Dick2013-05-05 | Aerosol art: creating a whale Isaac Caruso, artistChapter 32: Cetology (part 2)Remaking Moby-Dick2013-05-05 | Aerosol art: creating a whale Isaac Caruso, artist