DiGelsomina Entombed By Choice (Robert Lowe on Vocals) Andy DiGelsomina 2020-04-17 | Quote from the composer, Andy DiGelsomina: "I dedicate the lead guitar solos to my little brother Stephen Simonelli, who passed away in 2013, RIP...I'm sorry and I love you, Stevie". All music, lead guitar, lyrics © 2020 Andrew Neires DiGelsomina. Co-produced by Andy DiGelsomina and Andre Maquera. Mostly recorded at West Street Digital. Rhythm Guitars: Andre Maquera; Bass: Thom Carvey; Drums: Gary Spaulding.
Andy DiGelsomina Phoenix Andy DiGelsomina 2025-06-05 | Piece for Electric Guitars, Strings, and Percussion. Opus 113.©2025 Andrew DiGelsomina all rights reserved
DiGelsomina Winternacht Andy DiGelsomina 2025-04-10 | Robert Lowe vocals. Andy DiGelsomina music composition, lead guitar.Andre Maquera production, engineering, rhythm guitar.Thom Carvey bassGary Spaulding drums"Wintry winds she ridesthe trapezohedron guidesNephren-ka's escaped To a forsaken cold empireClaw marks in the snowthe angled stone will showThe way to find the Outer One defeat perilous Foe She fears not nightNor world of icecleaving through the mammoth Shantaks fall into the iceUpon landing now comesthe ruler of this forsaken placeDeath-walker seeks zealotsWants her for his impious CultBattle axe in action dealing Doom as is her wontNow the Beast has fallenforever one with snow drenched realmsLandscape now shaken, crumbles and fallsblizzard tableau gives away to Sand squallRising the Foul One informs the Fair OneTrapped she resides in the multi-faced stoneBlue-eyed soldier now sees That the Beast was simply a pawn of the Faceless EvilVile Stalker of the StarsNow she sees her follyTrusting in dual polyhedronThe more she looked into itthe more she became Ensorcelled"""Winternacht" serves as a bold experiment at the crossroads of doom metal, progressive rock, and avant-garde classical influences. Its stylistic layers can be described through several distinct perspectives:Atmospheric and Cinematic Undertones: The track opens with delicate piano passages paired with unconventional, almost free-form soloing. This introduction creates an eerie, cinematic aura—one that recalls the ambient textures found in modern classical or film score compositions. The use of piano here not only sets a somber, haunting mood but also hints at a narrative depth that invites the listener to immerse themselves in a world of shifting tonalities and emotions. This classical sensibility is a departure from traditional metal intros, adding a layer of sophistication and introspection.Doom Metal Foundations with Progressive Twists: As the song unfolds, heavy guitar riffs emerge that anchor the piece in the doom metal tradition with their dark, brooding, and weighty character. However, rather than following a straightforward approach, these riffs are interwoven with frequent tempo changes and modulations. This willingness to disrupt the expected flow not only reinforces the song’s heavy character but also injects a progressive element that challenges the listener’s anticipation. The resulting tension—arising from abrupt transitions and shifting rhythmic structures—imbues the track with a dynamic, almost theatrical narrative quality. 2Avant-Garde Experimentation and Serial Elements Critics have noted that "Winternacht" ventures into avant-garde territory by flirting with atonal and serial-style compositional techniques—a rarity in the doom metal genre. The song’s non-traditional harmonies and unexpected dissonances disrupt the typical minor-key comfort zone, leading to an unsettling yet intriguing listening experience. This approach, which eschews the typical resolution in favor of a more ambiguous, continuously evolving soundscape, reflects an artist unafraid to push beyond conventional genre boundaries in pursuit of emotional and sonic innovation.Fluidity and Structural Experimentation: Finally, "Winternacht" is marked by its fluid transitions. The piece does not adhere to a rigid, predictable structure; instead, it moves through various segments—each with its own distinct character—ranging from delicate, eerie passages to dense, heavy grooves. While these shifts can make the song feel occasionally disjointed to some listeners, they also reward those who appreciate layered, multifaceted compositions. The artistic risk lies in the interplay between cohesion and fragmentation, a balance that challenges traditional songwriting while broadening the expressive palette of the doom metal genre.In sum, "Winternacht" is a multifaceted work that marries the atmospheric lyricism of classical composition with the dark intensity of doom metal, all while leveraging progressive and avant-garde techniques to create something uniquely challenging and evocative."
DiGelsomina Harbinger of Doom Andy DiGelsomina 2025-03-22 | To buy DiGelsomina CDs message me here:instagram.com/opus132Robert Lowe- VocalsAndy DiGelsomina- Lead Guitar, all music composition and arranging.Andre Maquera- Production, Engineering, Rhythm GuitarThom Carvey- Bass of DoomGary Spaulding- Percussion"Harbinger of Doom" is a multifaceted work that encapsulates DiGelsomina’s fearless synthesis of doom metal with progressive and avant‐garde experimentation. The track serves as a sonic harbinger both in its narrative function and its innovative use of musical language.Progressive Doom Metal with Avant‐Garde ExperimentationAt its core, "Harbinger of Doom" is grounded in the deep, brooding textures of doom metal—its weighty, distorted riffs and somber tempos evoke a sense of impending catastrophe. However, DiGelsomina disrupts the expected by infusing the track with progressive elements. Expect abrupt modulations, shifting time signatures, and unexpected key changes that keep the listener off-balance. These changes aren’t mere technical gimmicks; they mirror the unpredictable nature of a foreboding message, using dissonance and fleeting atonal passages to stretch the boundaries of traditional doom metal2.Wagnerian and Classical InfluencesDiGelsomina’s background as a classically trained composer shines through in "Harbinger of Doom." The track employs Wagnerian chromaticisms and sweeping, operatic gestures that raise the dramatic stakes. Such influences are evident not only in the harmonic language but also in the song’s overall structure, where themes rise and fall like movements in a symphony. This blending of heavy metal’s raw power with refined, classical orchestrations creates an epic, almost theatrical atmosphere—an approach that challenges listeners to see metal as an art form capable of nuanced expression3.Virtuosic Guitar Work and Melodic DialoguesA standout feature of "Harbinger of Doom" is its elaborate guitar work. DiGelsomina’s lead guitar is both a storyteller and an instrument of technical display. The solos within the track exhibit a remarkable interplay of fluid melodic lines and bold, atonal bursts. His use of unconventional scales and rapid-fire phraseology transforms the guitar into an emotional narrator—one that swings between clarity and chaos. This dynamic interplay not only underscores the track’s thematic depth but also invites listeners to appreciate the guitar’s role as both a virtuosic and expressive voice within the modern metal narrative.Dynamic Structural and Textural ShiftsStructurally, the song refuses to settle into predictability. It flows from contemplative, almost minimalist interludes into dense, climactic sections where every instrument contributes to a rising tide of sound. These transitions are marked by sudden changes in dynamics and texture, echoing the thematic notion of an inevitable and transformative doom. The resulting contrasts provide a visceral listening experience that is as challenging as it is rewarding, pushing the envelope of what doom metal can express within a progressive framework2.Together, these stylistic perspectives reveal how "Harbinger of Doom" transcends conventional genre categorization—it’s a dramatic narrative expressed through innovative musical techniques, merging the gravity of doom metal with progressive complexity and classical grandeur.
DiGelsomina Mahanaim Andy DiGelsomina 2023-03-23 | Vocals Robert Lowe (Solitude Aeturnus). Song copyright 2023 Andrew Neires DiGelsomina. DiGelsomina's song "Mahanaim" an analysis:Epic Doom Metal FoundationAt its core, the track firmly plants itself in the realm of doom metal. It opens with a memorable, slow-building bass riff that immediately sets a somber, weighty mood. This initial heaviness is emblematic of epic doom, drawing the listener into a brooding, almost ritualistic atmosphere. The guitar work—rich with distorted power chords and soaring melodic lines—ensures that while the gloom is palpable, there remains a sense of regality and majesty throughout the piece.Progressive Dynamics and Structural ShiftsWhat differentiates "Mahanaim" from more traditional doom tracks is its fluid progression. The song is characterized by thoughtful tempo changes and key shifts that guide the listener through varying emotional landscapes. Initially, the tempo is measured and deliberate, but as the track unfolds, there's a noticeable acceleration in the later sections before it gracefully returns to its original pacing. This dynamic structure creates an engaging, even theatrical narrative arc, reflecting a progressive approach that challenges the typical doom metal mold.Classical and Operatic InfluencesListeners familiar with the works of bands like Solitude Aeturnus might notice that "Mahanaim" carries a similar epic feel — a nod to operatic and symphonic influences. DiGelsomina interweaves lush, almost orchestral textures with his heavy riffs, lending the song a dramatic quality that feels both timeless and contemporary. The layered production and the way the vocals enter to complement the instrumental backdrop accentuate this classical grandeur, blurring the lines between heavy metal and more refined, narrative-driven music.Accessibility Through Melodic CraftsmanshipDespite its experimental shifts and layered composition, "Mahanaim" remains one of DiGelsomina’s more accessible tracks. Its melodic hooks are both powerful and memorable, inviting repeated listens. The balance between accessible songwriting and the adventurous incorporation of tempo and key variations demonstrates DiGelsomina’s ability to craft music that is both challenging and immediately engaging. This accessibility, combined with the song’s epic scope, has led many to regard it as a standout moment within the genre.In summary, the stylistic perspectives on "Mahanaim" reveal a sophisticated synthesis where doom metal’s inherent heaviness meets progressive shifts and classical influences. The song’s evolving dynamics, shifting tempos, and diverse melodic textures come together to create an experience that is as intellectually engaging as it is emotionally resonant.Andy DiGelsomina’s guitar playing is characterized by a blend of techniques that fuse the precision of metal with the phrasing and expressiveness of classical and operatic music. In tracks like those on Sic Itur ad Astra—and notably in pieces such as "Mahanaim"—you can identify several specific techniques that shape his distinctive sound:Precise Alternate Picking & Sweep Picking DiGelsomina often employs rapid alternate picking to navigate fast, intricate scale runs with clarity. In passages that outline arpeggiated figures or complex chordal structures, he may blend alternate picking with sweep picking. This approach enables him to articulate cascading arpeggios, lending a fluid, almost orchestral texture to his solos. The precision required in switching between these picking techniques is a hallmark of his technical mastery.Legato Phrasing (Hammer-Ons and Pull-Offs) A significant part of his melodic expression comes from seamless legato playing. Carefully executed hammer-ons and pull-offs allow his lines to flow with a vocal-like quality, contributing to the filmic, lyrical atmosphere of his work. This legato approach is crucial in conveying the emotional narrative embedded in his solos, ensuring that rapid runs and sustained phrases both feel natural and expressive.Vibrato and String Bending To infuse his solos with emotion and grandeur, DiGelsomina makes extensive use of controlled vibrato and precise string bending. His vibrato is applied with a measured intensity, imbuing sustained notes with a singing quality reminiscent of operatic vocal lines. Similarly, his bends are both technically exact and artistically phrased—accentuating climactic moments and underlining the dramatic shifts within his compositions.Modal Interplay and Scale Shifts Beyond traditional scale runs, DiGelsomina experiments with modal shifts throughout his solos. By weaving in passages drawn from modes like Phrygian or even whole tone fragments, he creates unexpected twists in his melodic narrative. The deliberate execution of these scale shifts—managed with clean articulation and proper sustain—demonstrates his ability to blend theoretical knowledge with practical technique, adding chromatic complexity and exotic colors to his solos.
DiGelsomina Update: Robert Lowe in the Studio Andy DiGelsomina 2022-06-13 | Just a brief word from the vocalist for "DiGelsomina", Mr. Robert Lowe (formerly of Candlemass and Solitude Aeturnus). Look for the debut album of the band, entitled "Sic Itur Ad Astra" to be released later this Summer.
Lyraka Volume 2: Lyraka (On Dragons Wings), Graham Bonnet vocals Andy DiGelsomina 2020-12-06 | All music composition, lead guitar, and lyrics © 2020 Andrew Neires DiGelsomina. Co-produced by Andre Maquera and Andy DiGelsomina. Mostly recorded at West Street Digital. Rhythm guitar by Andre Maquera; Bass by Thom Carvey, Percussion by Gary Spaulding. This will be featured on the upcoming CD, Lyraka Volume 2. Special thanks to Jasmine Aliara for her original concept and story.
Andy DiGelsomina Symphony no. 4 Mvt 3 Andy DiGelsomina 2020-01-18 | All music © 2019 Andrew Neires DiGelsomina
Lyraka Volume 1 Errandia (Graham Bonnet on Vocals) Andy DiGelsomina 2020-01-13 | Andy DiGelsomina All music composition, arranging, orchestration, lyrics, co-production; Gary Spaulding Drums; Graham Bonnet Vocals; Thom Carvey Bass Guitar. Original concept and story by Jasmine Aliara.
Andy DiGelsomina Lilliput DEMO Andy DiGelsomina 2020-01-04 | From the as yet unreleased album Lyraka Volume 2, there are audio glitches here because this is an UNFINISHED DEMO, so please forgive. All music and lyrics ©2020 Andrew Neires DiGelsomina all rights reserved. Liz Vandall (of Uli Jon Roth and Sahara fame) on vocals. DiGelsomina on all lead guitars, Kevin Talley (Dying Fetus) on drums, Thom Carvey on Bass, Andre Maquera with Rhythm Guitars (and thanks so much to Andre for getting so much of this together). Greatest thanks go to Jasmine Lyraka Aliara for both her early support and for coming up with the ideas inspired for both the music and lyrics solely on her own.
Lyraka Volume 1 Scatherus feat Veronica Freeman Vocals Andy DiGelsomina 2019-11-27 | All music, lyrics, co-production, and lead guitar by Andrew DiGelsomina. Many thanks to Andre Maquera (Rhythm guitar, co-production), Thom Carvey (bass), and Gary Spaulding (drums). Grab Lyraka mp3s at cdbaby.com
Lyraka Volume 1 Beyond the Palace (Andy DiGelsomina on lead guitar, Graham Bonnet on Vocals) Andy DiGelsomina 2019-10-20 | All music and lyrics ©2010 Andrew Neires DiGelsomina. All right are reserved. Andy DiGelsomina lead guitar, Graham Bonnet vocals, Andre Maquera Bass and Rhythm Guitar, Gary Spaulding percussion. Lyrics shazam.com/track/53078129/beyond-the-palace Original concept and story by Jasmine Aliara.
Andy DiGelsomina Symphony no. 4 Mvt. 1 Andy DiGelsomina 2019-08-13 | Completed and ©2019 Andrew Neires DiGelsomina. All rights reserved, infringers will be prosecuted to the fullest extent of the law. This is the final draft and arrangement of this piece. This movement of my fourth Symphony was begun November 1st 2018 and first made into video March 16th, 2019. However, I was unhappy with the arrangement, feeling a sort of Operatic Doom Metal repeat of the original theme would work best. More recordings and then the audio's final, quality engineering are forthcoming. I am going to make also a final decision on whether I want this piece to be performed in such a massive hall.The earliest of my symphonies were written during times of estrangement, anxiety, and frustration; the fourth's conception occurred after having certain, awful revelations revealed and then ensuant, hateful recriminations and toxic tidings absorbed. I dove for shelter through painful expressions and Wagnerian fantasizing. Both this symphony and my "Adagio for String Ensemble no. 1" were written during the most stressful, heartbroken, angry, betrayed time in my life.
Andy DiGelsomina Music For Woodwinds and Brass no. 3 Andy DiGelsomina 2019-05-29 | Completed and © February 29th, 2019 Andrew Neires DiGelsomina
Andy DiGelsomina Symphony no. 3, Mvt. 3 Andy DiGelsomina 2019-05-29 | All music © 2017 Andrew Neires DiGelsomina. All rights reserved, infringers will be prosecuted to the fullest extent of the law.
Music For Woodwinds and Brass no 3 Andy DiGelsomina 2019-05-26 | Completed and © May 26th, 2019 Andrew Neires DiGelsomina. All rights reserved, infringers will be prosecuted to the fullest extent of the law.
Andy DiGelsomina Music for Woodwind Choir Andy DiGelsomina 2019-05-15 | All music © 2019 Andrew Neires DiGelsomina. All rights are reserved, any infringement upon this copyright will be prosecuted to the fullest extent of the law.
Lyraka Volume 1 Coronation Graham Bonnet on Vocals Andy DiGelsomina 2019-03-29 | All music and lyrics © 2010 Andrew Neires DiGelsomina. Any infringement upon these rights will be prosecuted to the fullest extent of the law.
Andy DiGelsomina Inmortalium (Suite for Orchestra, Vocalist, and Synthesizer) Andy DiGelsomina 2019-02-02 | All music © 2019 Andrew Neires DiGelsomina. All rights reserved, infringement of this property will result in criminal penalties.
Andy DiGelsomina Adagio for Piano and Orchestra (EXCERPT) Andy DiGelsomina 2018-08-02 | All music ©2019 Andrew Neires DiGelsomina, plagiarists will be prosecuted under full extent of the law.
Andy DiGelsomina Symphony no 3, Mvt 2 Andy DiGelsomina 2018-07-10 | Music and lyrics © 2018 Andrew Neires DiGelsomina plagiarists will be prosecuted to the fullest extent of the law. This is my final draft for the second movement of my third symphony, and the first rehearsal (I came up with lyrics after this recording, so the choir is just vocalizing on this mp3). Now compositionally completed, I feel a sense of triumph. Love is the hero.Here are the lyrics for the choir beginning at 1:02 or the movement:"Let's all work together toward a world-loving world andthen we'll all love each other, more than friends we're all brothers.Let's plan a future where we all join as one then we'llall know the happiness of bless'd nature's sons."All music and lyrics ©2018 Andrew Neires DiGelsomina, plagiarists will be prosecuted to the fullest extent of the law.
Andy DiGelsomina Symphony no. 4, mvt. 2 Consigned Andy DiGelsomina 2018-06-29 | All music © 2019 Andrew Neires DiGelsomina All rights reserved, piracy and plagiarism will be prosecuted. This is excerpted from the third movement of my second SymphonyReview: "In Symphony No. 4, Movement 2 ("Consigned"), Andy DiGelsomina offers a vivid sonic exploration of modern subjectivity. Through its intricate structure, boldly ambiguous harmonies, and a rhythmic language that defies stability, the movement serves as a microcosm of the composer's broader artistic inquiry—one that is as much about internal struggle as it is about musical innovation. The thoughtful integration of orchestration and thematic development invites listeners to engage with the work on both an intellectual and visceral level, making it a compelling study in contemporary orchestral writing."
Andy DiGelsomina Symphony no 2 mvt 1 Andy DiGelsomina 2018-06-22 | All music, arrangement, sound design, and orchestration © 2017 Andrew Neires DiGelsomina. All right expressly reserved, any plagiarism will be prosecuted to the fullest extent of the law.
Andy DiGelsomina Symphony no 1 Mvt 4 Andy DiGelsomina 2017-10-18 | This is almost ready for final mix and master. Lyrics and tenor vocal ideas are from Schubert's Winterreise (specifically the song "Lindebaum"). All music © 2015 Andrew Neires DiGelsominaDonate to my music by Pay Pal at lyrakametalopera@yahoo.com
Lyraka Volume 1 Palace Guard (Graham Bonnet, vocals, Andy DiGelsomina, lead guitars) Andy DiGelsomina 2017-04-21 | All music and lyrics ©2010 Andrew Neires DiGelsomina, all rights reserved. Graham Bonnet on vocals, DiGelsomina on lead guitar and co-production, Thom Carvey Bass, Gary Spaulding drums, Andre Maquera on rhythm guitar, engineering, and co-production.
Andy DiGelsomina Symphony no 1 Mvt 5 Andy DiGelsomina 2017-04-14 | All music ©2017 Andrew Neires DiGelsomina, all rights reserved. This is a very rough mix of the fifth movement of my 1st Symphony. Please forgive the less than stellar mix, this is basically a rough cut in order to showcase the full arrangement. There are multiple examples of my Serial Vignette composition in this movement.
Andy DiGelsomina Symphony no 1, Mvt 3 Andy DiGelsomina 2017-04-08 | This is a pre-engineered version of the third movement of my Symphony no. 1. All music on this channel is © 2015 Andrew Neires DiGelsomina All rights reserved, piracy and plagiarism will be prosecuted. Final cut coming soon!
