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In an hourlong interview with Lulu Garcia-Navarro, a host of “The Interview,” a Times podcast published each Saturday, Vance said he “focused on the future” when asked about the previous election. It was the same phrase he used to evade the question during his debate with Tim Walz.
Watch the full interview: youtu.be/LngsF2T8Ci0
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
Video by Raymond Zhong, Christina Shaman, Gabriel Blanco, David Seekamp and James Surdam/The New York Times
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Video by Ernesto Londoño, Christina Shaman and James Surdam / The New York Times
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By Peter Baker, Alexandra Ostasiewicz, Christina Shaman and Laura Salaberry
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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The Times journalists Michael Barbaro, Shane Goldmacher, Maggie Haberman and Nate Cohn break down the state of the race and discuss the last-minute strategies that might tip the scales.
This conversation for “The Daily” was recorded before the International Longshoremen’s Association suspended its strike, which closed down major ports on the East and Gulf Coasts.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
Video by Linda Qiu, Gabriel Blanco, Claire Hogan, Farah Otero-Amad, Laura Salaberry and Karen Hanley/The New York Times
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
But here in Opinion Video, we aim to provide the kind of services you just won’t find anywhere else. Rather than solely focusing on the facts, we enlisted the comedic talents of the Gregory Brothers and the “Veep” star Tony Hale to check something of equal import: the vibes.
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Video by Jazmine Ulloa, Karen Hanley, Alexandra Ostasiewicz, Nikolay Nikolov and Dave Horn.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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Video by Michael S. Schmidt, Claire Hogan, Alexandra Ostasiewicz and Laura Salaberry
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By Maggie Haberman, Alexandra Ostasiewicz, Claire Hogan and Gabriel Blanco
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
In the scene, the “S.N.L.” cast members John Belushi, Gilda Radner, Dan Aykroyd and Garrett Morris are rehearsing a sketch.
“At the beginning, you know, it’s going through the normal steps and trying to figure out camerawork,” Reitman says of the scene in his narration, and by the end, “it’s a total catastrophe.”
So how did Reitman go about building this out-of-control situation? For one, he put his background actors through a boot camp, where they learned how to do the jobs of the crew people they were portraying. And beyond that, he created detailed plans for the production team to follow.
“We had to choreograph this movie like a dance film,” Reitman said. “I’d have a giant whiteboard like a football coach. And I would have to write plays for all the extras and background actors and crew, just so everyone would know where to be.”
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Video by Catherine Porter, Rebecca Suner, Christina Shaman, Laura Salaberry and Farah Otero-Amad/The New York Times
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One thing they all have in common: high prices ($185 for a bulletproof pencil case, $450 for a hoodie, $60,000 for a shelter), prompting concerns that safety disparities could be exacerbated for low-income families and school districts. Some people see the items as unsettling but prudent; others find them infuriating.
Video by Emily Baumgaertner, Rebecca Suner, Ruru Kuo and Alex Kalman
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Video by Jonathan Swan, Claire Hogan, Laura Salaberry, David Seekamp and Whitney Shefte for The New York Times
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Video by Astead W. Herndon, Rebecca Suner, James Surdam, Noah Throop and David Seekamp
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The state has come about that last claim to fame through its handling of voting access for people convicted of felonies.
While nearly all states suspend or withdraw people’s right to vote when they are convicted of felonies, most allow restoring that right after they have served their sentences.
Many states have made that process easier in recent years — one of them being New York, to the advantage of felon-of-the-moment Donald Trump, who retains his right to vote as long as he’s not incarcerated.
But Tennessee has moved in the opposite direction, making the process significantly more difficult. (Think: bureaucratic maze from hell.)
About 9 percent of the state’s voting-age population is prohibited from voting because of felony convictions. And the effects are particularly acute among the Black population, with an astonishing 21 percent of Black adults barred from voting — the highest rate in the country.
Among them is Sarah Bynum, a community advocate convicted of a felony 30 years ago who has struggled to restore her voting rights and is featured in the video above. “Makes me feel like I’m a foreigner in my own country,” she laments.
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That’s where the characters find themselves in “Transformers One,” the animated origin story of Optimus Prime and Megatron. Up to this point in the movie, the film’s leads have not been in the possession of the cogs needed to transform. Having just acquired them, the characters must quickly figure out how to use their new powers while under attack. It initially doesn’t go well.
“I had all the toys growing up,” the director Josh Cooley said in an interview. “Most of the time, they were just sitting around on the ground half-transformed because they were actually pretty hard to do." Cooley said he thought it would be enjoyable to watch the characters struggle the same way he struggled with his toys.
Regarding that tumble, Cooley said that he wanted to use the hill to make transforming even more difficult. He said that one of his references was a cheese rolling competition that takes place each year in England.
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Video by Peter Baker, Alexandra Ostasiewicz, Christina Shaman, Laura Salaberry and Nikolay Nikolov
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Video by Astead Herndon, Gabriel Blanco, Rebecca Suner, David Seekamp, Caitlin O’Keefe and Anna Foley
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Video by Linda Qiu, Karen Hanley, Laura Salaberry and Ray Whitehouse
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
Video by Jonathan Swan, Christina Shaman, Alexandra Ostasiewicz and Gabriel Blanco/The New York Times.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
Mr. Lichtman was among the few to accurately predict Mr. Trump’s victory in 2016 (earning him a Sharpie-scribbled note from the candidate lauding the “GOOD CALL!”). Immediately after the first 2024 presidential debate, between Mr. Trump and President Biden, Mr. Lichtman was also quick to warn that Mr. Biden dropping out of the race could be a “tragic mistake for Democrats,” leading him directly into an online battle with the forecaster Nate Silver. The confidence is rooted in Mr. Lichtman’s simple, history-driven model, which tunes out polls and pollsters and instead focuses on 13 true-or-false questions that he says hold the “keys” to the White House.
So can a model that looks all the way back to the horse and buggy days survive in an unprecedented election year marked by criminal proceedings, an assassination attempt and that Democratic switcheroo? Mr. Lichtman is confident that it can.
And what is his prediction in this unpredictable year? Well, for that, you’ll have to watch the video.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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Video by Priya Krishna, Tejal Rao, Alexandra Ostasiewicz and Laura Salaberry
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Video by Raymond Zhong, Karen Hanley, Jason Gulley and Alexandra Ostasiewicz
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Video by MJ Franklin and Claire Hogan/The New York Times
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
This video was narrated by Audra D.S. Burch, a national enterprise correspondent for The New York Times, in 2019. It is adapted from a 360-degree presentation on the New York Times website that explores the role physical structures related to the case played in the efforts to memorialize him.
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Video by Sarah Kliff, Claire Hogan and James Surdam/The New York Times
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Video by Emily Rhyne, Noah Throop and Mark Boyer / The New York Times
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Video by Maggie Haberman, Claire Hogan, Alexandra Ostasiewicz and Rebecca Suner
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.